Posted by psgels on 13 June 2010 with categories: Uragiri wa Boku no Namae wo Shitteiru

Costumes in anime have generally always been rather questionable. The mature series are often fine, but there are also tons of costumes in anime that make you ask “…why”. Seriously, most of the good guys of Uraboku wear normal clothes, even the red-haired guy’s outfit can be attributed to some fashion statement. But Zess, where the heck do you get the inspiration for your clothes from?

Seriously, most of the comedy in this series just doesn’t work, but this guy is comedy gold. His shirt in this episode looked like he violently ripped off the sleeves or something. It’s just hilarious how this guy just acts all cool with a continuous serious and deadpan expression, yet goes overkill at such weird times. My personal favourite scene of him so far was when he summoned that gigantic dragon to just take care of a bunch of weak bad guy underlings.

In any case, a big weak point of this series is definitely the cast of villains. This episode showed a bit more of them, and yet we hardly got to know more about them aside from what kinds of powers they have (oh, and that one of them likes hot guys). Who are they? Why do they do the things they do? There hasn’t even been a hint of this so far, and their characterization just feels bland. These people seriously need more work.

The good guys however are the ones who make me keep watching this series. This series continues to explore them, and build further on their stories. This especially was a good episode for the side-cast, and even though a terrifyingly large amount of people here have suicidal tendencies, the creators did a decent job in making it believable. It’s nowhere near amazing yet, but at least it’s still going into the right direction. It’s going to be interesting to see whether this show can pull off a strong second half.

Also, the golden rule of anime: characters don’t die unless we see this confirmed. The next episode is going to be the first test for this show how annoyingly it will try to hold on to this rule. The problem is especially with Tsukumo: if this guy lives, then the main bad guy will be absolutely pathetic in his job. On the other hand, it will be very cool if those guys actually died, and I admire the balls of the creators if they go there.
Rating: * (Good)

5 Responses

  1. Alec says:

    it would’ve have more impact if tsukumo dies… even start liking the series… but seeing a life support in the preview completely shatters my expectations -_-

  2. Libera says:

    If Tsukumo doesn’t die it’ll probably be because of the protective charm that Yuki gave him. They did specifically mention it in the episode and show it when he was being attacked.

    And even if he doesn’t die there’s still what happened to Shusei.

  3. lane says:

    If you’re in the opening credits, you aren’t dying in episode 10. That’s just a fact.

  4. psgels psgels says:

    Libera: Yeah, but that also brings forth a ton of other complications: the guy was cornered in the middle of the night with nobody near him whatsoever. When the bad guy fails to kill him because of that charm, won’t he just… take that charm away or something, or just keep attacking him until it breaks?

    And what if that charm indeed fully protects him? Then all of the good guys can just wear those charms and the enemies will never be able to do anything to them. The series stops being urgent because there really is no way for the bad guys to win anymore.

    Lane: this rule has been broken in the past. ;)

    Of course, whether Uragiri has the balls to do it as well remains to be seen…

  5. UmbrellaMan says:

    I like when shows have the guts to kill off a main cast members ( of course it has to fit in with plot LOL) It’s like the show Lost. When they killed off their first main character you knew suspense and goodness was to follow. It kept you on the edge of the seat because it made you realize that no one character is infallible or safe. But alas, it looks like Tsukumo will be recovering in a hospital-alive.

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  • Bam
    (Tuesday, Oct 6. 2015 09:02 PM)
    One-Punch Man’s pilot was almost adapted flawlessly. It straight up uses the manga panels as it’s main storyboard, but added just enough new touches to improve the action instead of ruining it. Now let’s see how they animate the mosquitos and all the lasers for the next episode.
  • Bam
    (Tuesday, Oct 6. 2015 08:57 PM)
    And that’s why Madhouse is one of the few respectable studios left. I thought that they will be seriously diminished after Masao Maruyama took some of its key members and funded MAPPA, but One-Punch Man showed that they are still one of the best in the business.
  • k-off
    (Tuesday, Oct 6. 2015 08:51 PM)
    @Kaiser The anime industry isn’t advanced enough in CG to make it look good, is all it is.
  • Kaiser Eoghan
    (Tuesday, Oct 6. 2015 05:51 PM)
    @K-off: Your not wrong, it certainly looks poor but some of the old gonzo animated stuff was far more woeful looking. Stellvia, which was done by xebec was another example of old anime cgi which was quite ugly to look at. Just as I prefer traditional effects in film I also prefer traditional animation techniques to cg.
  • k-off
    (Tuesday, Oct 6. 2015 05:42 PM)
    Lately, the use of badly integrated cgi have been making my eyes sore,from the obviously cgi background characters in Asterisk to the overly fluid mech movements in Aldnoah. I still remember the shitty cgi piano hands in Kimi no Uso.
  • Bam
    (Tuesday, Oct 6. 2015 12:04 AM)
    On the note of good balance between humor and drama- I think BoJack Horseman is an example of a show that executed that almost perfectly in both seasons. You are laughing one minute and amused by the hijinks and silliness and the next minute you are actually moved and shocked by the honest introspection. Too be honest BoJack is more a tragic character then a goofy one, and his struggles are deeper and more existential than they have any business being in a show with anthropomorphic animals.
  • Bam
    (Monday, Oct 5. 2015 11:56 PM)
    The changes in the setting actually made me more excited for season 3 then what I felt the past few weeks, since now the plot needs to move forward from the cliffhanger and hopefully this translates to more cohesion and refocusing on what mad the show great in the first place. I’m pretty sure S3 will also be a blend of episodic and arch story elements tho. Overall a few ups and downs but still a great show.
  • Bam
    (Monday, Oct 5. 2015 11:52 PM)
    The finale also had some of the most overall arch story elements featured in the season. Earth joining the Galactic Federation is a big deal story-wise from now on. Also the use of a cover of Johnny Cash’s “Hurt” (not the Nine Inch Nails one clearly) was a nice fitting yet surprising touch. The throwback to Mr. PB after the credits was a good idea, but felt flat in it’s actual execution.
  • Bam
    (Monday, Oct 5. 2015 11:49 PM)
    I thought R&M had a pretty good finale. The episode achieved what was missing from most of season 2, and that was a balance of randomness and meaningful bits. What made Rick Potion #9 and the previous season’s finale and general tone great was a sense of humor that was combined with more sincere drama and character developments; a sort of sweet melancholy.
  • AidanAK47
    (Monday, Oct 5. 2015 09:51 PM)
    @K-off, not having too much trouble with the interface but I still cannot create categories.

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