Posted by psgels on 25 June 2010 with categories: Anime Reviews, Durarara




I personally like those series who manage to make their setting come alive, and Durarara turned out to be quite a fine attempt in this. In the middle of Ikeburkuro, it intertwines the stories of all kinds of interesting people as they live their daily lives. From seemingly average teenagers to invincible fighting machines to Russian waiters at a sushi restaurant.

It’s at its best when it can really intertwine these stories with its a-linear pacing. Especially the first half of the series manages to bring a lot of colour to the combination of different characters that parade the screen. It’s fairly episodic, but that format really allows the creators to show a lot of different things about its setting.

A lot of character-development can be found in the second half, which for better and for worse, is completely different to these colourful first parts. The story becomes a lot more linear, it becomes a lot darker and a lot more straightforward. Personally I’m a big fan of character-development when used right, but it felt to me that in this part, the creators sacrificed a bit too much for the sake of this character-development. Be prepared for a number of characters who tend to act rather illogical, refusing to solve problems that can simply be solved by talking to each other. Personally, for me it just wasn’t as good as this first half: it lacked energy, and it tried to look a bit too much like Baccano, which it most definitely wasn’t.

The animation varies throughout the series. It really starts off excellent, and especially the background art is gorgeous, though you can see that the budget becomes a little tighter as the series goes on, and more shortcuts show up. The music is also pretty good, and it has some excellent tracks for both the lighter parts and the darker ones.

Overall, this series has been created by the creators of Baccano, and the director had done a ton of other stuff including Jigoku Shoujo, Fancy Lala, Natsume Yuujinchou and Koi Kaze. Durarara isn’t among the best of them, and in that way it turned into a bit of a disappointment. From most other directors however, this series would have been gold. It suffers a bit with its characters (quite a few of them have their unlikable moments), it has a bit of a wonky pacing in the second half, but it has a pretty inventive plot, a ton of nice ideas and while not the best, it’s definitely worth your time.

Storytelling: 8/10 – The disjointed format in the first half has a great effect, so much that it feels empty when it’s not there in the second half. Tries to give too much pointless hints to Baccano.
Characters: 8/10 – Some characters are well developed, but the show ends too fast to actually use this, and others remain rather stereotypes. The teenagers aren’t really that likable throughout large parts of the series.
Production-Values: 8/10 – Some great stuff, some standard stuff.
Setting: 9/10 – Ikebukuro (a neighbourhood in Tokyo) is well fleshed out and especially comes to life in the first half, but also gets well fleshed out in the second half with a number of pretty interesting ideas and concepts.

Suggestions:
Birdy the Mighty Decode
Kaze no Youjinbo
Mobile Police Patlabor

12 Responses

  1. karry says:

    82,5/100
    LOL

  2. MsteaK says:

    A bit hard to choke on the final grade when Ichiban got an eight. Oh well.

    I liked DURARARA although Bacanno was the superior product.

  3. animedyum says:

    It’s really frustrating to see a series with a great start ends like a cheesy soap opera.

  4. Etrangere says:

    The contrast between the first arc and the second was really frustrating, but I still thought that was a great series overall. I hope we might get more novels adapted eventually.

  5. Puran says:

    I liked the ending. But it felt like a set-up for something more awesome to start. Everybody got some development, kida got redeemed somewhat and now has a cool backstory. All characters have reached a point where I really want to see where they’ll go from here on.

    Let’s hope for more durarara coming in the future.

  6. MD says:

    Pretty spot-on. Though the cast of characters was large, half the characters no one cared about or liked, unlike Baccano!. The series became your typical anime in the second half when it changed to linear storytelling, bar the enjoyable jazzy tones.

  7. EJ says:

    Really characters only got an eight? Pretty much every character was interesting ONLY AN 8?! Man I know its your opinion but inferior shows, compared to Durarara’s character department, were also scoring an eight……

  8. kyuzo says:

    wow… so this:

    “8/10 – Too much pointless fanservice, but nevertheless solid entertainment.”

    is equal to this:

    “8/10 – The disjointed format in the first half has a great effect, so much that it feels empty when it’s not there in the second half. Tries to give too much pointless hints to Baccano.”

    ??

    i hope your series reviews come in genres or something.

  9. Troyen says:

    I thought I remember him saying something like he compares them to similar shows when he comes up with the scores. Or maybe that’s only for the monthly summaries.

    Then again, maybe he saw that if characters had been a 9, people would’ve complained the total score was 85. ;)

  10. kbknigon says:

    I understand your frustration with the three protagonists’ ridiculous lack of communication. I really wanted to just slap Masaomi at some points. However, I think the discommunication going on was really a major theme in the series, carried on as an undertone in the final arc. You’ll noticed that communication technology is incredibly important in the series. Cell phones especially are shown in literally every scene. Everyone has one, everyone is using them. There is constant faceless communication going on at all times. However, part of the brilliant irony of the series was how in the final act, the main characters never answered their cell phones. If you payed close attention, you’ll notice that in the final 4 episodes, there were many, many shots of Masaomi and Mikado’s cell phones ringing, but them not answering them. I think that this is just an ironic way of carrying out the whole electronic communications undertone of the series, which I think is also linked to the series’ theme of reality vs. fiction, which is brought up in the characters of Erika and Walker.

    Perhaps I’m reading too much into it, but tell me what you think, reviewer-san!

  11. prettykai says:

    i loved the characters in durarara.. its so fun watching them, especially izaya-kun! a complete weirdo, you could never tell what he’d do next! i rally enjoyed it…until the second half though. i find the second half completely annoying to watch. i just wanted the damn thing to end! really i got so pissed off by the second half that i had to force myself to watch it to the end. just when i thought i found another jewel like baccano… anyway, the ending was fine so i guess it wasn’t a complete waste.

  12. Firechick says:

    Sorry, but honestly, I HATED the soundtrack for this show (but the first ED is still awesome in my book)! It made my ears bleed!

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  • Emma
    (Saturday, Dec 20. 2014 10:25 PM)
    And really shinichi and Reiko’s growth as characters do make up for a lot.
    Your not wrong on the love triangles normalcy now that I think about it but I found those parts to be forgettable though not detrimental.
  • Emma
    (Saturday, Dec 20. 2014 10:23 PM)
    Now granted its all still a very good series of course.
  • Bam
    (Saturday, Dec 20. 2014 10:03 PM)
    @Emma: I don’t know, although the characters are flat the love triangle still seems to work here. That’s probably due to relatively normal way they interact with eachother which doesn’t have too many “senpai!” moments.
  • Emma
    (Saturday, Dec 20. 2014 09:39 PM)
    *there
  • Emma
    (Saturday, Dec 20. 2014 09:39 PM)
    I think going through Parasyte again as an anime outside of the soundtrack I’m starting to realize that I wasn’t really into the characters beyond Reiko, Shinichi and Migi a whole lot. Beyond that I was mainly their for the violence.
  • Bam
    (Saturday, Dec 20. 2014 09:18 PM)
    I don’t even know how they are going to get to where the PP movie poster suggests, as Akane is wearing a police-like uniform in that while her inspector status was reinstated by the end of the second season, so bunch of more contrived (and possibly inconsequential) events are sure to ensue.
  • Bam
    (Saturday, Dec 20. 2014 09:14 PM)
    @Cap: this season’s characterizations were straight up appalling. From Ginoza to the police chief to the cartoonist breakouts of Togane and Kitazawa to every single factor regarding Shimotsuki were gravely mishandled.
  • Bam
    (Saturday, Dec 20. 2014 09:10 PM)
    @Aidan: honestly if that’s the biggest criticism of the show then it must be doing pretty good. He uses bunch of electronic styles, all of them in various degrees of bad taste, but I started not noticing it as much since I was focused on the plot or the action, so it must be one of those things that only really bothers you if you’re actively looking for it.
  • CapRooney
    (Saturday, Dec 20. 2014 06:33 PM)
    Also the wasted potential of Ginoza’s character, from a detached investigator who saw the Enforcers merely as tools for administering justice, to someone whose screen time was less than Akane’s Kogami hallucinations, when his downfall to Enforcer rank could have been a lot more interesting, and maybe become a character like Masaoka.
  • CapRooney
    (Saturday, Dec 20. 2014 06:26 PM)
    I even went and rewatched her arc in the first season to see if there were some hints that could conduct her to turn out like this, and no, seems like this Mika was just created straight out of thin air.

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