Posted by psgels on 28 June 2010 with categories: Anime Reviews, Senkou no Night Raid




The fact that a series is slowly subbed doesn’t mean that it can’t be excellent. Really, with Yojou-han immediately subbed, this was by far the hardest one to translate by fansubbers, and therefore it didn’t get the coverage and attention that it should have gotten. Night Raid is a special series, and much more series should share the utter guts that it displayed. Be sure to support it when it eventually does come out in English!

But first and foremost, let me respond to the naysayers out there: no, Night Raid does not rape history. As a series about a group of Japanese people in China, in the 1930s. This could have been the most historically insensitive series out there. The problem is that, if I understood things correctly, there is this habit of the Japanese to really ignore anything they did around the second world war, and instead of accepting that they did a lot of things wrong and move on, there seems to be this air of not wanting to talk about it and learn from it at all.

This series, it seems to me, wanted to be a response to statements like this. While we follow a group of Japanese spies in the middle of China, it makes sure to cause no misunderstanding: the Japanese did some horrible things, and they consciously chose to do these things. In fact, a huge part of this series is about them, making these decisions, considering the alternatives, and act based on what they believe is right. Self-righteousness is a huge theme in this series, and the way this series explores them makes it a very thought-provoking series. Sure, some of the tropes it uses have been used a number of times before, but never in this context.

Now, as for the actual execution, this one could have been a bit more solid at times. The result is a number of plot-holes that are there to just keep the plot from going further. With thirteen episodes, it also doesn’t exactly have the time to give the characters a lot of background, though it definitely does try.

The acting department is a bit of a mixed bag. Some characters put down very convincing performances, like Yukina and Airi. Others, like Aoi, sound a bit too immature and unrefined. Especially in the first few episodes does this get tedious to watch.

Which is especially annoying because the first half really exist to just set everything right. It’s episodic in the way that it introduces all of the concepts, and fleshes out the setting. I think the most notable here is the infamous fourth episode, which is only dedicated to fleshing out the characters and nothing else.

If you’re interested in this series however, I do urge you to watch until episode seven before passing judgment, because it’s there where the series shows its true feathers. The thing with Night Raid is that on the small picture, it is indeed a bit inferior to its predecessor Sora no Oto. In the big picture however, I really believe that it surpasses it.

Storytelling: 8/10 – Knows its priorities, knows how to build up and most importantly: knows how to be subtle with its drama.
Characters: 8/10 – Good depth for the short length of only 13 episodes, some are well acted, others could have been done better.
Production-Values: 8/10 – A-1’s best artists were at Ookiku Furikabutte this season, but nevertheless solid enough, plus a very good soundtrack also helps.
Setting: 9/10 – The guts it has with its subject material as a medium of anime surpasses even Zipang. Very daring and thought-provoking.

(On a side-note: I really wish that I could rate this one higher, but unfortunately I can’t find an excuse for it. It unfortunately had a few too many faults, but the advantages really made up for it for me.)
Suggestions:
Zipang
The Cockpit
Mobile Suit Gundam – War in the Pocket

8 Responses

  1. karry says:

    “82,5/100″
    Yep, same as always.

  2. Bruce says:

    It’s unfortunate that while Sora no Woto was very popular, this was largely ignored by everybody. I’m glad you blogged this until the end. Without subs I wouldn’t have known what became of this series.

  3. AuroraFlame says:

    5 was the episode that sold it for me. For a standalone ep, it showed an unusual amount of maturity and managed to tell a subtle backstory without the need for melodramatic flashbacks (Angel Beats/Rainbow, I’m looking at you).

  4. mds says:

    this is the season of strong setting in your book,really…every shows that you’re reviewed this season has the minimal setting score of 8/10,and three of them got 9/10….

    but still….in the end,all of them got scores around 82.5-85 ….

  5. psgels psgels says:

    mds: yeah, that’s the thing with this season: there are a ton of strong and well developed settings, that’s really what makes this season stand out. But the individual execution of most of them was just something that left a lot to be desired. A huge problem was of course that there were just too many series that were too hsort, but even with this series that had no pacing issues, the acting could have been better, and despite the maturity there also were a few moments in which charactrs made strange decisions.

  6. reverse says:

    Yojou-han immediately subbed, this was by far the hardest one to translate by fansubbers

    fansubbers using funimation rip for it, hence it fast

  7. MsteaK says:

    Dispite being dependent on fansubs, Senkou no Night Raid is a classic example of a story that needs and deserves more time to fully lay its groundwork and rise to a satisfying climax. Shows with ambition shouldn’t be restrained by a system that stipulates a very resticted number of episodes.

    If the writer and director need 16 episodes to tell their story, then that’s all the the series should have in order to conclude. Adding 10 more episodes is a waste of space and time, and could potentially drag the quality down by a large margin. The same applies for a show that needs more than 26 episodes to fully develop its narrative. There’s no need to cut away important content or cram it in sloppily as a last-ditch effort.

    Anime used to do that, but now the model has changed for the worse. People are always bitching about ”Moe and harem anime being the cancer that is killing anime,” and while I can easily understand their opinion and viewpoint on the matter, for me the thing that is truly cancerous to this medium is exactly this issue of strict template. BURN IT WITH FIRE!

  8. chounokoe says:

    @MsteaK:
    The model for anime broadcasting was never really different, the only thing that changed is that during the 90’s the year was divided into 4×13 week runs, while originally it was 2×26 week runs. Which meant that series were almost always longer.
    What was produced more were OVA, which was a lot easier when the industry wasn’t as dependent on direct income as they are now.

    It’s not like it’s a thing the studios choose to do. The problem is that there is a system where you buy a slot in a season from a broadcaster…every week you don’t use is a week you paid for but get nothing back, meaning anyone could fill it with anything with you and especially your sponsors paying for it.

    I think it’s no different with the US, only that series are produced much much closer to the actuall airing and may get cancelled while airing. The difference is that most of the time those series are produced and financed by the broadcasting stations themselves, meaning they can decide which other series to replace it with…in the end they get the income.

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  • Kaiser Eoghan
    (Wednesday, May 4. 2016 06:05 PM)
    @Bam: Actually let me rephrase
    I meant that you will like: http://letterboxd.com/film/the-company-of-wolves/
    Because it is fairyrale inspired
    Because you liked brotherhood of the wolf and tale of tales.
  • Kaiser Eoghan
    (Wednesday, May 4. 2016 06:02 PM)
    @Bam: I meant tale of tales =)
    @Mario: My usual ratings are ***/***1/2 rating and ****
    Generally that indicates a film is kind good/good or great.
  • AidanAK47
    (Wednesday, May 4. 2016 04:17 PM)
    The one liner Dialogue is getting on my nerves, the lack of a great villain characterisation(Zemo is a step in the right direction but still not enough) and most of all that each movie is setup to a another movie.
    Deadpool was a step in the right direction(Yep I knew it was fox and not disney) and was as good as it was because it shook things up. At the moment marvel movies are just too…safe.
  • AidanAK47
    (Wednesday, May 4. 2016 04:13 PM)
    @Bam, I am very much in agreement. I like what the marvel cinematic universe has done but things are getting out of hand. They have prefected the superhero formula too well and it’s causing the flims to be popcorn fodder. I am walking out of their movies admiting that I enjoyed them but I don’t really think I will remember them highly. Plus the thrends of the movies are really starting to bug me.
  • Bam
    (Wednesday, May 4. 2016 02:27 PM)
    Deadpool belongs to Fox, not Disney, but there are rumors circling of the two studios opening up to negotiation. The success of Spiderman Homecoming will greatly precipitate another such lucrative cooperation.
  • Bam
    (Wednesday, May 4. 2016 02:23 PM)
    I have yet to see Civil War, but by every new entry their colorful feel-good flicks are starting to become too derivative and cliche. It feels like as if they’re doing the same story arc over and over again. It’s almost lazy at this point, if you ask me, and they really need to Shae things up.
  • Bam
    (Wednesday, May 4. 2016 02:18 PM)
    @Aidan: such high praise. So Marvel did in a cameo what Sony failed to do in 5 movies. I hate the massive bandwagon that Marvel is steering, but I’m not the kind of hipster contrarian that hates on things just for their mainstream appeal, so I give them credit for doing things right; despite the fact that they really go out their way to please the masses. Their love and respect for the material far outshines their prerogative of their by the book fan-pleasing.
  • AidanAK47
    (Wednesday, May 4. 2016 12:21 PM)
    Also like how they differed him from the other fast talkers of the universe. Deadpool is pure insane comedy, Ant man has this sarcastic awkward thing going on and Spiderman is like the nerdy fanboy. I would love to see a movie with all three together as it would be pure comic gold.
  • AidanAK47
    (Wednesday, May 4. 2016 12:18 PM)
    @bam, I was taken back by him at first. I wasn’t used to seeing Spiderman and especially aunt May look so young. I thought he was too bumbling in the beginning but as I watched on he just clicked. He has the nerdy nature of Tobies Peter Parker and the spitfire commentary of Garfield’s Spiderman. He’s spot on perfect.
  • Bam
    (Wednesday, May 4. 2016 10:05 AM)
    I was staying clean for a drug test, and during this hiatus I completely fell out of anime. Surely enough, as soon as I resumed burning again I also started getting into some of this season’s shows. I wonder if there’s a direct correlation, or just a byproduct of having some free time again. I’m interested in comparing my experience to others, but (un)fortunately nobody here seems to share my vices.

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