Posted by psgels on 28 June 2010 with categories: Anime Reviews, Senkou no Night Raid

The fact that a series is slowly subbed doesn’t mean that it can’t be excellent. Really, with Yojou-han immediately subbed, this was by far the hardest one to translate by fansubbers, and therefore it didn’t get the coverage and attention that it should have gotten. Night Raid is a special series, and much more series should share the utter guts that it displayed. Be sure to support it when it eventually does come out in English!

But first and foremost, let me respond to the naysayers out there: no, Night Raid does not rape history. As a series about a group of Japanese people in China, in the 1930s. This could have been the most historically insensitive series out there. The problem is that, if I understood things correctly, there is this habit of the Japanese to really ignore anything they did around the second world war, and instead of accepting that they did a lot of things wrong and move on, there seems to be this air of not wanting to talk about it and learn from it at all.

This series, it seems to me, wanted to be a response to statements like this. While we follow a group of Japanese spies in the middle of China, it makes sure to cause no misunderstanding: the Japanese did some horrible things, and they consciously chose to do these things. In fact, a huge part of this series is about them, making these decisions, considering the alternatives, and act based on what they believe is right. Self-righteousness is a huge theme in this series, and the way this series explores them makes it a very thought-provoking series. Sure, some of the tropes it uses have been used a number of times before, but never in this context.

Now, as for the actual execution, this one could have been a bit more solid at times. The result is a number of plot-holes that are there to just keep the plot from going further. With thirteen episodes, it also doesn’t exactly have the time to give the characters a lot of background, though it definitely does try.

The acting department is a bit of a mixed bag. Some characters put down very convincing performances, like Yukina and Airi. Others, like Aoi, sound a bit too immature and unrefined. Especially in the first few episodes does this get tedious to watch.

Which is especially annoying because the first half really exist to just set everything right. It’s episodic in the way that it introduces all of the concepts, and fleshes out the setting. I think the most notable here is the infamous fourth episode, which is only dedicated to fleshing out the characters and nothing else.

If you’re interested in this series however, I do urge you to watch until episode seven before passing judgment, because it’s there where the series shows its true feathers. The thing with Night Raid is that on the small picture, it is indeed a bit inferior to its predecessor Sora no Oto. In the big picture however, I really believe that it surpasses it.

Storytelling: 8/10 – Knows its priorities, knows how to build up and most importantly: knows how to be subtle with its drama.
Characters: 8/10 – Good depth for the short length of only 13 episodes, some are well acted, others could have been done better.
Production-Values: 8/10 – A-1’s best artists were at Ookiku Furikabutte this season, but nevertheless solid enough, plus a very good soundtrack also helps.
Setting: 9/10 – The guts it has with its subject material as a medium of anime surpasses even Zipang. Very daring and thought-provoking.

(On a side-note: I really wish that I could rate this one higher, but unfortunately I can’t find an excuse for it. It unfortunately had a few too many faults, but the advantages really made up for it for me.)
The Cockpit
Mobile Suit Gundam – War in the Pocket

8 Responses

  1. karry says:

    Yep, same as always.

  2. Bruce says:

    It’s unfortunate that while Sora no Woto was very popular, this was largely ignored by everybody. I’m glad you blogged this until the end. Without subs I wouldn’t have known what became of this series.

  3. AuroraFlame says:

    5 was the episode that sold it for me. For a standalone ep, it showed an unusual amount of maturity and managed to tell a subtle backstory without the need for melodramatic flashbacks (Angel Beats/Rainbow, I’m looking at you).

  4. mds says:

    this is the season of strong setting in your book,really…every shows that you’re reviewed this season has the minimal setting score of 8/10,and three of them got 9/10….

    but still….in the end,all of them got scores around 82.5-85 ….

  5. psgels psgels says:

    mds: yeah, that’s the thing with this season: there are a ton of strong and well developed settings, that’s really what makes this season stand out. But the individual execution of most of them was just something that left a lot to be desired. A huge problem was of course that there were just too many series that were too hsort, but even with this series that had no pacing issues, the acting could have been better, and despite the maturity there also were a few moments in which charactrs made strange decisions.

  6. reverse says:

    Yojou-han immediately subbed, this was by far the hardest one to translate by fansubbers

    fansubbers using funimation rip for it, hence it fast

  7. MsteaK says:

    Dispite being dependent on fansubs, Senkou no Night Raid is a classic example of a story that needs and deserves more time to fully lay its groundwork and rise to a satisfying climax. Shows with ambition shouldn’t be restrained by a system that stipulates a very resticted number of episodes.

    If the writer and director need 16 episodes to tell their story, then that’s all the the series should have in order to conclude. Adding 10 more episodes is a waste of space and time, and could potentially drag the quality down by a large margin. The same applies for a show that needs more than 26 episodes to fully develop its narrative. There’s no need to cut away important content or cram it in sloppily as a last-ditch effort.

    Anime used to do that, but now the model has changed for the worse. People are always bitching about ”Moe and harem anime being the cancer that is killing anime,” and while I can easily understand their opinion and viewpoint on the matter, for me the thing that is truly cancerous to this medium is exactly this issue of strict template. BURN IT WITH FIRE!

  8. chounokoe says:

    The model for anime broadcasting was never really different, the only thing that changed is that during the 90’s the year was divided into 4×13 week runs, while originally it was 2×26 week runs. Which meant that series were almost always longer.
    What was produced more were OVA, which was a lot easier when the industry wasn’t as dependent on direct income as they are now.

    It’s not like it’s a thing the studios choose to do. The problem is that there is a system where you buy a slot in a season from a broadcaster…every week you don’t use is a week you paid for but get nothing back, meaning anyone could fill it with anything with you and especially your sponsors paying for it.

    I think it’s no different with the US, only that series are produced much much closer to the actuall airing and may get cancelled while airing. The difference is that most of the time those series are produced and financed by the broadcasting stations themselves, meaning they can decide which other series to replace it with…in the end they get the income.

Leave a Reply


Mail will not be published
  • Kaiser Eoghan
    (Wednesday, Dec 2. 2015 05:04 AM)
    Although that one as far as I know does not have another version with better art.
  • Kaiser Eoghan
    (Wednesday, Dec 2. 2015 05:03 AM)
    The onepunch man fans will be happy to know that Bone is adapting another work by the author, Mob psycho.
  • Bam
    (Tuesday, Dec 1. 2015 04:46 AM)
    @Kaiser: so far it’s good. I’ve been hearing the buzz but I wished someone had nodged me to watch it sooner.
  • Kaiser Eoghan
    (Tuesday, Dec 1. 2015 04:42 AM)
    You’ve reminded me Bam that I’d been meaning to pick up ash vs the evil dead sometime.
  • Bam
    (Tuesday, Dec 1. 2015 04:39 AM)
    @Kaiser: the remake was still pretty entertaining, but it lost the silly comedy edge the series was known for. I still think that the 2nd film had the most unique and prominent voice of its own, and all of that is present in the new series’ pilot. If anything Raimi cranked it up a couples of notches here and there.
  • Kaiser Eoghan
    (Tuesday, Dec 1. 2015 04:35 AM)
    There was a mean spirited feel to the remake I found pretty appealling.
  • Bam
    (Tuesday, Dec 1. 2015 04:27 AM)
    @Kaiser: the original Evil Dead was playing the horror genre straight, but it had a strata of slap-stick that was partially unintended. With Evil Dead 2 he doubled down on the strange horror/comedy dynamic and it became fantastic. Army of Darkness was very entertaining, but it strayed very far from the series’ roots. The remake was only produced by Raimi, while he got back on the writer/director chair for the pilot of the new series, and proved that he still got it sharp as ever.
  • Kaiser Eoghan
    (Tuesday, Dec 1. 2015 04:19 AM)
    Then again I believe Raimi was fairly involved with the remake.
  • Kaiser Eoghan
    (Tuesday, Dec 1. 2015 04:18 AM)
    The remake as far as remakes go should have been worse but it worked much better than I would have thought and I say this as someone who hates reboots/remakes.
  • Kaiser Eoghan
    (Tuesday, Dec 1. 2015 04:16 AM)
    @Bam: I’ve only partially seen the first evil dead but I don’t think its aged well, the second one I’ve seen and its hugely entertaining later on but its army of darkness that was the most enjoyable of the three for me.

1 · 2 · 3 · 4 · 5 · »

Featured Posts

One Punch Man – 09

The end result is hardly a surprise but non the less this may be the strongest episode of One Punch Man yet. Despite Saitama being the real hero and taking down the Sea King, the show was stolen by Licenceless Rider. You have to respect the courage to fight a battle you know you will […]

Young BlackJack – 09

I think the outcome of this episode was thoroughly spoiled by the opening, where we have Blackjack and this Hyakki facing each other as arch enemies. But I didn’t expect that the man’s character would be so interesting. The episodes beginning broke the fourth wall by referring the original Mangaka’s works and how is man […]

Subete ga F ni Naru – 08

At this point the theory of Magata being pregnant before she was locked down on the Island is looking very likely as during Souhei’s revelation of the answer to everything, we get a brief glimpse of a pregnant woman. But lord only knows what the Ostriches are supposed to symbolize. What I really wonder is […]

One Punch Man – 08

I wish I knew just what that girl at the beginning was parodying as she’s clearly been overdrawn in a completely different style. My closest guess would be the poster girls of creature features in the 60s and 70s as she wouldn’t look out of place if pasted into a movie poster. I don’t think […]

Young BlackJack – 08

While I find the level of risk in this two part arc to be inconsequential, I must admit that I like how it all turned out. For this is the first time in this series that Blackjack failed. While he was able to discern the cause of Johnny’s lack of pain, he was unable to […]

Subete ga F ni Naru – 07

Oh those poor seiyūs that had to act in today’s episode. I can only imagine the horror when a Japanese speaking seiyū is told they need to have an entire conversation in English in a fairly dialogue heavy show. Japanese and English happen to be two of the hardest languages to learn so if they […]

One Punch Man – 07

This episode mainly focused on a giant Meteor about to annihilate the city and the introduction if S class heroes, Metal Knight and Bang. Bang makes it a point to say how the top class heroes are hardly very heroic with most not showing up at all to stop a city’s total destruction. Even one […]

Young BlackJack – 07

Racism is always a thorny topic to deal with. Regardless of intent there are just so many ways of messing it up, be it by using strawmen or one dimensional caricatures. It’s a topic that requires a delicate hand to prevent pushing it to its extreme all to make an obvious point of Racism being […]

Subete ga F ni Naru – 06

I can’t say I enjoyed this episode of Subete too much, mainly because there was less investigating and more character building. That wouldn’t be a problem if the character building wasn’t so focused on our main leads. The leads are fine, what we need is to expand on the other characters present on the island […]

Latest Reviews

Gangsta. – 58/100

Gangsta is an anime with a lot of things going for it. A mature cast, gritty themes, a interesting setting and a trio of main characters who can carry the show. However due to a number of factors it never quite reached its potential. The main trio of characters are unconventional and quite interesting with […]

Gakkou Gurashi! – 80/100

Gakkou is one with a good facade as promotional material would have you believe it was some dime a dozen moe slice of life. I was one who wasn’t fooled by the cute cuddly exterior but I was truly surprised with just how good this anime ended up being. Gakkou is one of those rare […]

Little Witch Academia The Enchanted Parade – 81/100

I wonder when it was that a film being childish became a flaw. As a medium grows it takes steps to aim to mature itself and seek a more intellectual level of presenting entertainment. Animation did it as Anime aimed to explore terrontry that cartoons refuse to explore and video games only recently broke away […]

Fate/Stay Night Unlimited Bladeworks Review – 85/100

For a long time now this adaption has been the dreams of many a Fate fan with many believing it would never come to pass, but now that it is here is it everything that we dreamed? Short answer to this is no, long answer is nearly. I feel this show will have many divided […]

Shirobako Review – 80/100

When you see a harem anime and sigh as the breasts of the female lead jiggle with every step and wind that can flip a skirt it’s easy to forget that somewhere in Japan a group of people worked hard to get that jiggle right and draw each frame of animation. The hardships of the […]


Nerawareta Gakuen Review – 84/100

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series […]


Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]


Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]


Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]