Posted on 31 July 2010 with categories: Anime Reviews




There is this undeniable charm of Windy Tales, or Fuujin Monogatari. It’s not just its unique art style here, but really the combination of everything, from the characters and the slice of life to the soundtrack and the dialogue. It really is a relaxing slice of life series with a wonderful execution.

And seriously: the direction by Junji Nishimura, supervision by Mamoru Oshii and a soundtrack by Kenji Kawai… if that isn’t a great combination then I don’t know anymore. The dialogues in this series are wonderfully subtle and down to earth, and they do a great job in fleshing out the characters. Kawai’s soundtrack does an excellent job of enhancing this feeling.

This is an episodic series, where every episode focuses on a different event or theme in the lead characters’ lives. I really liked how each episode was chosen with a particular purpose in mind, rather than just being plain random. They’re all very varied episodes, and they do a great job of taking whatever character they’re focusing on under the loop. Ranging from the main characters to the side ones, they’re all enjoyable to watch.

Character-development is an interesting issue of this series, as it really takes a back seat here. Most of it is basic, apart from the final episode, which goes into a very interesting, yet very natural direction. Instead, the series spends most of its time portraying its cast as realistic and natural as possible. And yeah, because of that this isn’t a series for everyone, because the pacing tends to get really, really slow at times. And that for a series with 13 episodes.

But yeah, it remains cool to see cats flying into the air with the unique visuals of this series. And beyond that, there really are a number of gorgeously animated scenes present in this series. It’s a visually experimental series through and through, and you can see the animators try out a lot of different stuff. Probably what I liked the most is how many different ways this series has of drawing ‘wind’. It’s really a major theme of the series, as it explores many different sides and subtle meanings behind wind. Even though the episodes are rather unconnected, it’s this that really ties everything in the series together.

But yeah, if you don’t like experimental graphics you’ll have a hard time getting into this series. It’s obviously not meant for everyone, and it certainly isn’t the most eventful series. It’s restrained on purpose. But the thing is, that I have hardly any complaints about how this series was executed here. They pretty much did everything right here, and I feel like any attempt on getting more character-development, or throwing in more action, a faster pacing or more overacting would just have taken away some of the qualities that this series has right now.

Storytelling: 9/10 – Very realistic and yet very imaginative; excellent dialogue. It’s a bit slow, though.
Characters: 8/10 – likable and charming.
Production-Values: 9/10 – Excellent animation among its experimental graphics, and the soundtrack also kicks ass.
Setting: 9/10 – A very interesting premise was created, along with a very good portrayal of school life. A lot of thought was also put into the themes of wind here. Tons of symbolism.

Suggestions:
GA Geijutsuka Art Design Class
The Sky Crawlers
Kino no Tabi

Posted on with categories: Anime Reviews



Well… here’s a tough one to recommend.

Now don’t get me wrong here, Kimagure Orange Road is a very good series. The way in which it fleshes out its characters leaves most teen-aged romances far behind. Especially Madoka is amazing as the main female love interest. With 48 episodes, this series also excels in its character development. That’s all fine and dandy. However, this series also made me want to bash in the screen, multiple times per episode.

Kimagure Orange Road is a very, very annoying series. Basically, nearly the entire series is about teen-aged hormones running around. It’s not just one character that becomes unbearable because of this, there’s a whole bunch of them that makes this series a chore to watch.

Starting with the most obvious: the two horny classmates. Granted, these two have actual personalities and are more than just stereotypes, but that doesn’t make them more likable when they consistently drool over cute girls, trying to get into their panties. For one episode that might not have been too bad, but these guys are present throughout THE ENTIRE SERIES. That’s a lot of time to get on your nerves.

Beyond that, there’s the secondary love interest for the lead character, along with another guy who is secretly in love with her. The former is annoying especially in the beginning, before her character develops. She continues to spoon up to the lead character with the most annoying voice. The latter is annoying because he never develops: he just keeps screaming and acting like comedic fodder.

Then there is the lead character, who just isn’t the most likable guy around. The series basically turns into a love triangle, and even though it’s obvious from the beginning with which girl he’s going to end up with, he refuses to MAKE UP HIS MIND about which girl to go out with. And it’s not even realistic! Some of the things he does are just completely stupid, even for teen-aged standards. This does get more bearable in the second half as THANK GOD this guy develops, but good luck getting there.

The episodes are mainly spent on standalone events that happen around the characters. Most of the times, there is some misunderstanding, some character who does something stupid, or the lead character’s telepathic powers (yes, the lead character is an esper) doing something to cause trouble. The episodes are pretty disjointed, and there are a number of continuity errors. It’s all very much forced in order to spice up the relationship between the lead characters as much as possible.

All of this makes this a very difficult series to rate. I mean, despite all of this, Madoka really was one of the best female love interests in a teen-aged shounen romance here; her portrayal throughout the series is really outstanding. Was her development worth sitting through so many episodes of annoyance? I’m still not sure, really. I mean, there definitely have been romances before that have had their incredibly annoying parts, and yet turned out to be very memorable to me (for example White Album and Bokura ga Ita), but even compared to those… Kimagure Orange Road was a bit much. It also doesn’t help that this series popularized episodic tropes that would later, especially in the past ten years, become milked to death cliches.

Storytelling: 8/10 – Good slice of life, decent but forced episodic stories.
Characters: 8/10 – The character-development is really excellent here, let that be clear. Some of the characters however make it an incredible chore to watch.
Production-Values: 8/10 – Pretty good for its time, the animation does what it’s supposed to do.
Setting: 8/10 – There are some continuity errors, but overall the creators did a pretty good job in portraying the city that the series takes place in.

Suggestions:
Maison Ikkoku
Aoi Hana
White Album

Posted on with categories: Monthly Summaries

This isn’t a season as dry as the past Winter season:there are a number of excellent series, the mediocre series could have been much worse and there are a number of series with a lot of potential… just not a lot of them. This season heavily lacks in quantity, especially since a lot of the best shows ended last month. Instead, there are a ton of moe series this season again. They’re nothing special, but they could have been much worse.

#27 (new) – Tono to Issho – (1,75/10) – This is just unbelievably blatant. A recap of an OVA I already hated. One of the worst series in recent memory? I’d like to believe so.
#26 (26) – Stitch! – (4,5/10) – Being a kids’ show is no excuse for being bad. I’d just wish that series like this would realize that. It’s got an interesting premise and all, but this just has too many lazy plot-holes, stupid villains and uninspired scenarios.
#25 (new) – Shukufuku no Campanella – (5/10) – This series is just beyond rescue. It’s just an endless string of pointless discussions between a huge group of cute girls. This show is really about nothing other than how pretty the lead cast is…
#24 (new) – Digimon Xros Wars – (6,5/10) – This series… unfortunately turned into a disappointment. I would have loved to see another good Digimon series, but this is just a silly kiddie show with brainless action that might be nice for one episode, but not an entire series.
#23 (new) – Seitokai Yakuindomo – (6,75/10) – Gohands put a ton of budget into the animation. So why not in the jokes? I mean, this series just keeps repeating the same jokes over and over again, and most of the time they’re not even good ones. I just don’t feel like finding out whether or not there’s going to come a point in which they stop doing this. Dropped.
#22 (21) – Hetalia World Series – (7/10) – Enough with the Romano already! Seriously though, I’m now going to drop this series. Expanding the series to the entire world could have given this series the potential to become fresh again, but instead it just keeps repeating the same unfunny jokes and just sticks with the same bloody characters. This isn’t the “World Series” of Hetalia, but instead it’s the “Europe Series with Japan”. I know that the manga doesn’t have many other characters beyond that either, but that is no excuse: the creators of the anime could easily have come up with new characters to represent more countries. They could have easily picked out the best parts of the manga and animated them. This is just a show that has gone on for too long.
#21 (23) – Strike Witches – (7/10) – Out of all the sequels this season, this probably is the series that needed it the least, leaving aside marketing stuff. The episodes so far have been quite dull, and they strangely all have been episodes that belonged in the first season, including a very blatant training arc that had no point being there.
#20 (new) – Amagami SS – (7,25/10) – My issue with Amagami SS isn’t necessarily its set-up or fanservice. The lead character is annoying, but he also isn’t my main gripe with this show. It’s actually decent, although not very entertaining, with its slice of life. But the character-development is just terrible so far. It’s all very poorly built up, the first arc’s climax was incredibly rushed and it’s clear that the creators try to stuff way too much into too little.
#19 (new) – Asobi ni Iku Yo – (7,5/10) – My mind is very much split on this series. On one hand, it’s everything a bad harem series is: the ridiculously convenient amount of girls that ends up living together with the lead character, the incredibly bland character of this lead character, along with the hopelessly energetic lead female. It’s all there. On the other hand however, there’s more to this series than just that. The action part is brainless, but surprisingly entertaining.
#18 (new) – Ookami-san to Shichinin no Nakama-tachi – (7,5/10) – There are some characters in this series that I like. The president for example, and Ookami herself isn’t that bad either. Still, this series relies way too much on tropes from otaku pop culture for my tastes. The popularity contests, maids, breast obsessions, battles with nameless punks and yuri hints… they all fall flat for me.
#17 (36) – Kuroshitsuji – (7,75/10) – The first episode was just awesome. The second episode was just terrible. The rest of the episodes were somewhere in-between that spectrum. I admit that it’s a nice mystery series, and I’m enjoying both the new characters and this mystery, even though I haven’t seen the original Kuroshitsuji. It’s just… the random filler stories really need more work. They’re all shallow and very uninspired.
#16 (22) – Sekirei – (7,75/10) – The thing with this series… is that its plot remains pretty good. The second season continues to build further upon that and aside from some really weird gender changes it’s pretty decent to watch. The problems of course include the HUGE amounts of fan-service, the bad comedy, and Musubi as the lead female completely lacks development compared to the rest of the cast.
#15 (19) – Heroman – (7,75/10) – The problem with Heroman really lies in its cliches. While it’s great to see that the creators went with an actual continuing story, the series still feels limited by the huge amount of cliches that have been put into it. On the bright side though, Joey has matured quite nicely, and the plot has also developed quite well. Still, this show just doesn’t live up to Bones’ standards.
#14 (new) – Mitsudomoe – (7,75/10) – This series tries really hard in order to be funny. There’s a lot of dirty humour here, but hey: some kids at that age really have a dirty mind. Either way though, the problem with this series is that when a joke falls flat, it really falls flat and becomes just painful to watch. The jokes that work however are pretty funny, and I admit that this series has made me laugh quite a few times.
#13 (20) – Marie&Gali – (8/10) – I’m beginning to like this series again, but for a completely different reason than before. It still lacks the magic of the first season, but its scenarios are just so utterly bizarre that they’re starting to become hilarious in their own ways, despite the annoying new character.
#12 (15) – Katanagatari – (8/10) – It’s a bit of a shame that the budget wasn’t that good for such an important episode in the series, but it still was a very good episode here, that I definitely didn’t expect at this point in the series.
#11 (13) – Anymaru Tantei Kiruminzoo – (8/10) – Looking back, now that we’re about to get to the climax of this series, I do believe that the creators could have made a better use of their time. Throughout the series, there were a few too many episodes that were just repeats of previous episodes, or silly stories that didn’t really add anything (for example the recent monkey burglar episode). I expected a little more guts from this series, especially considering how it has 52 episodes.
#10 (new) – High School of the Dead – (8/10)

Do I consider this series to be better than Kurozuka? Nah, Kurozuka was way better than this. Still, High School of the Dead has its charms with its solid production-values and atmosphere. It’s got a good atmosphere, the characters are all likeable and it’s solid entertainment, though not much more.

#9 (18) – Uragiri wa Boku no Namae wo Shitteiru – (8,25/10)

I must say, I’m impressed by this series, and how good its characters have become. This month really was dedicated to giving depth to the cast. This really prevented it from becoming yet another one of those bishie series.

#8 (20) – Sengoku Basara – (8,25/10)

A massive improvement over the first season. Finally this series is able to bring justice to its premise with a passionate execution. It really manages to bring the different aspects of this series (the surprisingly well animated action scenes, the politics, the characters and the setting itself) together, not to mention the epic soundtrack.

#7 (new) – Nurarihyon no Mago – (8,25/10)

It’s a bit childish, and has a number of shounen cliches here and there, but I like the series. It has great designs, a pretty good atmosphere, and the drama so far has been pretty good, even though it has just been building up.

#6 (new) – Densetsu no Yuusha no Densetsu – (8,5/10)

Yeah. If you plan to give this series a chance: wait till episode three before forming your conclusion. This definitely was my biggest surprise of the season. It’s got huge mood-whiplashes, the back-story is surprisingly good and most of its characters are pretty interesting.

#5 (new) – Shiki – (8,5/10)

So far, the first four episodes have been worthy of the Noitamina-timeslot. The mystery is built up quite well, but especially the atmosphere here works with a great use of background music and the unique visuals here. The character-designs take a bit getting used to, but heck: we’ve got the first Noitamina series since Nodame Cantabile that goes beyond 12 episodes. I’ve got high expectations from this one.

#4 (8) – Rainbow – (8,5/10)

I have gotten annoyed over the overacting in this series in the past, but the recent developments in this series have totally made up for it. Talk about character-development, the second half of this series really is different from the first with some terrific results.

#3 (5) – Heartcatch Precure – (8,5/10)

Perhaps not the best month, because it spent a ton of time to carefully introduce the third main character, but this definitely has been a month of promise. Cure Sunshine is awesome, and she’s bound to give a new dynamic to the second half of this series.

#2 (new) – Seikimatsu Occult Gakuin – (8,5/10)

Now here’s an excellently produced series. It’s got a great cast of characters, an imaginative scenario, detailed animation and an awesome sense of humour. The only downside is the lead male, who is too much of an idiot. His antics alone are one thing, but he gets way too much screen-time that could be used to develop the other, more interesting characters.

#1 (4) – Giant Killing – (8,75/10)

The current arc is again completely different from the previous ones, and it again centres around completely different characters. I love how many things this series is able to do at the same time, and it’s this attention to detail in fleshing out its characters that really made this into one of my favourite series of the currently airing anime.

Posted on 30 July 2010 with categories: Shiki



You can see that this series is using most of its time to build up at this point, but it still has quite an excellent atmosphere. The horror is already quite good, and even though this seemingly wasn’t a major episode at first sight, the episode did end with one heck of a cliff-hanger.

At this point, I think it’s clear now that we’re dealing with Vampires here, and they seem to be more similar to the classic vampires compared to what vampires have evolved into in modern pop culture. It’s true that we’ve seen none of the potential vampires appear at daylight, right? The older stories about vampires have also talked about how Vampires first need to get invited, before they can claim their victim. This is why they’ve tried to get friendly with everyone here.

Natsuno’s delusions are something I haven’t figured out yet. If the OP hints at anything, this show seems to be developing its own army of dead people turned into vampires, but I’m not yet sure whether the end of this episode actually happened, or whether this stayed in Natsuno’s head. We know that that cat guy is trying to get into Toru’s house, but why he decided to bring Megumi along is a bit of a mystery to me.

In the meantime, the animators. I can understand that they can’t make all of the drawings as detailed as in the manga, but you can see that they’re having fun with the visuals here. Like the church scene for example, that looked really good, but the visual effects they pulled on the climax of this episode also looked quite interesting here.
Rating: ** (Excellent)

Posted on 29 July 2010 with categories: Densetsu no Yuusha no Densetsu



The mood-whiplashes in this series… I’m really beginning to like them. This show moves from light-hearted and outright silly comedy to serious politics, it’s already busy with character-development and in the meantime continues building its world, along with its characters. I love that when characters are introduced, they immediately tell their basic background.

The humour may not be as good as the humour of Occult Academy, but it still has its moments in which it’s really hilarious. The bickering between Raina and Ferris is of course one thing, but the two of them also toy with fantasy cliches surprisingly often (like in this episode where Ferris was able to enter a library because she was a cute girl). Ferris’ sister however may have been a bit too much, as a lot of her airtime consisted just out of screaming and yelling, rather than witty remarks.

This series also likes to play with things that aren’t as they seem. The blue haired guy in this episode for example. He was most definitely evil, but yet he didn’t end up as an enemy, and instead he ended up offering his services as a killer. Shion on his turn seemed like a righteous ruler so far, however that line from him at the end was quite a cliff-hanger. It just shows already how he’s changing as a ruler, and is willing to order this guy to kill his father, in order to make sure his services are genuine, in order to accomplish his ambitions.
Rating: ** (Excellent)

Posted on with categories: Kuroshitsuji II



Now this is more like it. I was really beginning to get tired of these half-assed build-up episodes, and this episode was a huge improvement as it returned back to the main story of this sequel. Finally, we get to see Alois return. The thing with Alois is that he may not be developed yet, but he’s such an enigmatic character. He’s so unashamedly full of himself here, and his presence is for me just enough to keep watching this series.

On top of that, though, the mystery is finally getting interesting. The previous three episodes were deliberately kept so seemingly out of continuity, and this episode finally gave a bunch of hints about what happened. Sebastian explained it as “amnesia”, and apparently he asked some of Ciel’s friends to keep this a secret, and pretend nothing happened.

So, for some really strange reason here… Sebastian actually revived Ciel, along with those three servants (who also died at the end of the first season, right? At this point, I really fail to see the point of a demon who makes a contract with some human, just to be able to eat his soul… only to revive him again. I hope that the eventual reason behind this is going to be more than just a McGuffin. With these kinds of things, you can just define a bunch of magic rules that explain everything. The question is going to be how well these fit, but we’ll see.

I’m mostly curious to see where Alois fits in all of this: what was Sebastian doing in his mansion, and why that somehow ended up bringing Ciel back. Claude especially seems like more than just another butler who is harvesting souls. I also hope that this episode marks the end of the stupid adventures of the previous three episodes. I can see why they’re necessary to build up and all, but that’s no excuse for their poor execution.

Oh, the servants however… they were as annoying as ever. This episode also introduced a bunch of Indians (who have their own theme music, apparently), and they too are obnoxious. I really don’t want to know how often they appeared in the first season…
Rating: * (Good)

Posted on 27 July 2010 with categories: Rainbow




Awesome, it really looks like we’re going to get an arc about the future of each of the lead characters at this pace, if this episode was any hint at least. On top of that, the creators also put in a lot of effort to make all the different arcs flow into each other: this episode neatly wrapped up the main story between Mario and Setsuko, while it also showed some depth for Baremoto and Cabbage, before moving on to Joe’s future as a musician.

I love the way in which Setsuko’s marriage was wrapped up here: it’s clear that the two love each other, but at the same time the series didn’t chose the cheap way out by devolving in cheesy quest for love abandon her chance for real happiness with her new husband, who will be able to take better care of her compared to Mario, due to his background. Because of that, the romance in this episode was powerful, yet not drawn out or overblown. That smile of Mario, when he saw Setsuko at her wedding, pretty much said it all.

Baremoto meanwhile, in the really rare moments of comedy in this series, gets introduced by Suppon to some old hag in his quest to find some kind of woman. I’m not sure what was up with that, but it’s probably some sort of build-up. Either way though, it’s great to see that everyone is now building their own future here, which was even more symbolized by Mario leaving for Tokyo. I’m really interested in whether Cabbage will join him. He’s always been this simple, lovable type, and while he never really got an arc for himself, I still like the way he turned out.

Meanwhile, Joe. The creators really wanted to use the build-up of the earlier episodes here. And it’s a very strange plot twist here, for him to get into a situation where sleeping with some influential woman in order to make it big in the music industry. Usually a plot twist like that would get rejected immediately, but I’m not sure whether the creators intend this to symbolize how Joe should look at the bright sides of his past, whether he should simply accept what happened, or whether they meant to make some kind of point about how childrape victims can turn out. They already showed a different perspective in this with An-chan’s friend who committed suicide.

And god dammit what happened to his sister?! I mean, I know that he accepted that both of them went into different directions, and he probably has no idea where she is right now, but bloody Nora. She was adopted by someone who looked like a freaking mass rapist for god’s sake. Can’t we at least get a slight hint of what happened to her? Think of the character-development here!
Rating: ** (Excellent)

Posted on with categories: Anime Reviews



Mahou Tsukai ni Taisetsu na Koto and its sequel Mahou Tsukai ni Taisetsu na Koto ~ Natsu no Sora are two completely different series. Not only do they share no similar characters whatsoever, but their execution, focus, themes and atmosphere are completely different, with the only similarity being that they take place in the same setting. I can fully imagine people liking one of the series, but not the other, and vice versa. Personally I like Natsu no Sora better, due to its extra layer of realism and the subtlety in its characters, but the first series also has a lot to like.

For the ones who never saw any of those series: the Mahou Tsukai ni Taisetsu na Koto franchise takes place in a world in which certain people are able to use magic. It explores young mages in training as they are prepared to make a living for themselves. It’s very much a realistic approach to the question of “what if magic really exists?” Way more than Natsu no Sora, the first season looks at what it means to be a mage: are magical powers really that convenient and can you just use them in the way you want? It also addresses the impact that magic has on society: what the general opinion of mages is, and the trouble it can cause in the wrong hands.

The series is much more episodic than Natsu no Sora, and each episode takes one particular character under the loop (about half of the episodes are dedicated to the main cast, the other to random people), and tries to tell the story of this character. At the final episode, the creators do a pretty good job at bringing everything together. It’s not the most emotional series out there, but this series definitely has its points at which it’s heart-warming.

At this however, it perhaps is a bit too enthusiastic at times. The main flaw of this series is that the creators are a bit too keen to spread around death and accidents. I know it’s necessary for its drama and all, but when everyone and his dog lost someone precious to them in some kind of tragic event, it loses some of the tension.

Overall, this series isn’t the best, and a few episodes and individual stories can be a tad shallow, but in terms of the big picture, it’s pretty impressive. It lacks the rock-solid execution of Natsu no Sora, and the drama can get a tad cheesy at times, but in the end I’d say that it has enough things that make it interesting, most notably the attention it has put into its themes, and how all of the characters relate to them.

Storytelling: 8/10 – A tad cheesy, but the stories are well told and come together well in the end.
Characters: 8/10 – Not as good as Natsu no Sora, but their issues and personalities are well portrayed.
Production-Values: 8/10 – The animation does what it needs to do, though not much more. The soundtrack is quite good, though.
Setting: 9/10 – Great themes, makes good use of its setting, puts a lot of emphasis on the morals of magic.

Suggestions:
Aria the Animation
Mahou Tsukai ni Taisetsu na Koto ~ Natsu no Sora
Hataraki Man

Posted on 26 July 2010 with categories: Nurarihyon no Mago



I’m still not exactly sure why I like this series so much when it has just been building up. There’s also the amount of cliches and overused tropes here and having a kid as the lead character here also not the best for first impressions. Unlike Giant Killing, which started off immediately with a bang where it mixed often used tropes with very nice ideas, and immediately started to play with its characters, Nurarihyon no Mago has more shounen tropes against it and instead is clearly saving its trumps for later here.

The premise of this episode also was another kidnapping, which pretty much happens everywhere. I think it’s a combination of things that makes up for these cliches, which caused me to just mostly ignore them. The way in which the story is clearly promising to get more interesting is one thing, but on top of that I’m also really getting into the atmosphere here. The first half of this episode, for example was very good at that, and there definitely was this sense of urgency. The stories themselves are also well told and paced, and the characters are very good at conveying their emotions. I’m not sure whether this comes from the manga or the anime staff, but whoever is responsible is doing a very good job of putting everything into context.

My only real issue with this episode was that it devolved a bit into an “overkill fight”. You know, the part in which the good guys come with so much force at the bad guys that it works a bit as an an anti-climax. I know that it had its purpose in the story, but it also killed the tension that the rest of the episode had been building up to.

Now, something strange happened with the graphics in this episode. I’m not sure if it was there before (in that case I just didn’t notice), but there were some panels that were reduced to simple black and white lines. Now, I wonder whether the creators are going to use that more in the series. When they’re going to be consequent about it, it can lead to some neat effects. Speaking of the visuals here, that rat at the end of the episode looked really awesome. Kudos to the manga author for portraying such an interesting-looking transformation. If the rest of the manga has more of those scenes we’re in for some eye candy here.
Rating: * (Good)

Posted on with categories: Seikimatsu Occult Gakuin



Okay, so now Fumiaki has reached the point where he’s just gotten annoying. In the previous episode he was still cute, but for the creators to carry this through in even this episode… it’s starting to get on my nerves. Especially considering that he’s gobbling up time that could be spent on the real main character here: Maya, who is a much more interesting character.

Characters like Fumiaki are always a bit of a double edged sword. I can understand flaws and all, but this episode was trying a bit too hard to make him look like an idiot. We’ve got enough anime with idiots already, can’t this series just be about genuinely interesting characters? Heck, I’d much rather watch that strange-haired weirdo and his friend at this point. At this point, I can only hope that the creators know what they’re doing with this guy.

This episode still had some really good jokes, though. Generally, all of the parts that didn’t focus on Fumiaki were really quite interesting and enjoyable. I loved the joke the creators made, when that moth chased Maya and Fumiaki behind Smile and JK. We also get confirmed even more that Maya surely knows a lot about the occult.

Most series about the supernatural just look at one direction: it’s either Shinto, or Viking legends, the Greek gods, or Chinese mythology or any other kind of popular kind of folklore. Only a few combine two of them, so Occult Academy is actually quite rare to actually look beyond the individual legends, and rather examines patterns and similarities between all kinds of different folklore across the world, like with the giant tree in this episode.

Finally, another thing that has me rather worried is the following, but it might just be something about this episode, and not the rest of the series. In terms of mystery, this series is really excellent at building up. But this episode showed that when it comes to revelations behind its questions… it doesn’t pack a whole lot of punches. Fumiaki’s background is pretty much what we could have guessed when he first explained it and the missing girl also predictably was found here. I want to see this series play around more with revelations.
Rating: (Enjoyable)

CHANGE USERNAME
Kaiser Eoghan
Think of the fine children/breeding stock Aidan and rem would offspring =P
Kaiser Eoghan
Dye their hair, make things confusing ;)
AidanAK47
@Anon, hahahaha, cool joke bro.....
...............................Don't make me destroy you.
Lenlo
The one with red hair of course
Anonymous765953
rem? who's that?
Lenlo
Having read the books, theres afew inconsistencies and I dont like some of the choices for actors.
Kaiser Eoghan
*couldn't
Kaiser Eoghan
Buh buh but Aiiiidan you still have the koe no katachi movie and thaaats kyoani =P But lol phantom world was so poor I couldn't get past the second episode. A shame that they could go with the darker spin the author ended up apparently going for in later volumes.
AidanAK47
@Lenlo, I am currently eh on it as well. Only at the second episode so far. I find it interesting but it has a lot of things that turn me off.
Lenlo
7 YEARS I SAT ON THAT BOAT!

Still havnt finished Flip Flappers. I like it, its pretty, each episode is different, but I can barely tell what the over-arching narrative is and thats a big deal to me
Lenlo
ITS REAL
Lenlo
BOAT TIER
Lenlo
@Aidan, Series of Unfortunate Events was eh. I wasnt a big fan of the TV adaptation, though I did like Neil Patrick Harris
Kaiser Eoghan
@Lenlo: BOAT TIER lmao.
Kaiser Eoghan
Thats why I LOVED flippflappers so much, where else can I get THAT anywhere, totally its own thing/beast.
Lenlo
My big ones for the year were easily Rakugo and Re:Zero. Disappointments, biggest one is Berserk. Ive been following it for years, have the entire series on my shelf, and I watched it like a captain going down with his ship
Kaiser Eoghan
At the same time well, yes its still good to see a non-highschool story in ANYTHING.
Kaiser Eoghan
Ah, you see I don't really award points to an anime doing something unique to anime, I judge by all mediums as a group/whole. 91 days may be a mafia drama, kabaneri may be a zombie show but theres already plenty of those in the world elsewhere.
Kaiser Eoghan
I could see myself getting some oldskool charm out of alderman if I watched it. I was waiting for yuri on ice to be dubbed. Drifters for all its problems was some of the most fun I've had in ages.
Kaiser Eoghan
The only thing I saw that I truly abhorred though was the new shinkai film.
Kaiser Eoghan
Most of the other stuff I didn't really bother watching. Its pointless for me to shit on about 91 days and re:zero because I was guaranteed to dislike both before seeing either.
Kaiser Eoghan
Biggest disappointments for me were erased , berserk and joker game. Whereas my surprise was lost passage. My favourites of the year were flippflappers and Rakugo. I wanted Kabaneri and dimesion w to save anime and bring back some oldskool charm but that didn't happen.
AidanAK47
Alright I spent over an hour formatting this thing and now I am knackered. Readers, this summery is over 23 pages long so be prepared as this thing is pretty huge. Don't say you were not warned.
AidanAK47
@Kaiser, Watch it. I bet it will be up your alley.
Kaiser Eoghan
Thats a problem with adaptations, put a voice on certain characters and it can become irritating.
Kaiser Eoghan
And to be fair on scums wish, that it deals with the sex bit in a teen story, well that makes it more daring and thats points for it.
Kaiser Eoghan
@Aidan: Largely stayed away from that series as I assumed it was for young children.
Kaiser Eoghan
@Aidan: Additionally the relationships in that manga got too convoluted, the comedy stands out worse in the anime too. Still though I DO dig the idea behind the show of two kids who are in a fake relationship.
AidanAK47
@Kaiser, you think that's hard to watch try watching Netflix's A series of unfortunate events. Because boy do I want to brutally murder the banker and his family. That may sound severe to you but trust me, you will feel likewise.
Kaiser Eoghan
@Aidan: You were right about it being harder to watch scums wish than read it. I want to hit the twin tails girl with a hatchet.
Kaiser Eoghan
I'm laughing now remembering an old ANN review where they stated golgo 13 was a stress reliever for 30 something Japanese office workers, I get that so much more now lol
Kaiser Eoghan
But seriously violence in fiction, anime/manga included is so damn therapeutic.
Kaiser Eoghan
As such I genuinely was able to enjoy the new M night shaylman flick lol
Kaiser Eoghan
Venting here largely because I can, I now imagine the teenage/twenty something audience members at horror/thriller films as the victims in the films, makes it more tolerable to deal with their existence in the cinema.
Lenlo
I cant help but feel theres some cultural aspect I am missing to the Rakugo rant scene. Makes me sad.
Lenlo
Rakugo, continues to be great and gets another time skip. Im always surprised by how engrossing it is just listening to these people talk.
Lenlo
Makes me sad, just like Berserk. Got an entire shelf dedicated to it but its just so slow. stupid boat.
Lenlo
Vagabond was phenomenal, but its been on hiatus for years now hasnt it
Kaiser Eoghan
....well without spoiling towards the middle of that rakugo episode and all throughout during that middle part, my opinion on Yotaro's character went far up.
Kaiser Eoghan
Struggling to remember the name of that josei samurai manga from the 90s (or earlier 2000s), had a gender bending theme.
Kaiser Eoghan
I've already read kenshin and vagabond, I loved shigurui death frenzy and sword of the stranger but found samurai champloo uneven. Theres a kagemusha manga but I haven't read it and I've yet to see/read blade of the immortal.
Kaiser Eoghan
At a glance I'll go against the grain and say I think demi-chan is funnier than konosuba, going on one episode of each.
I've been watching a fare share of samurai films in the last two years and lately so I'm open to wathing more anime/reading manga dealing with samurai.
SuperMario
Hand Shakers, how I love to watch it jumping off the cliff. This show contains lines like "I don't understand... even if I did understand... but I don't understand." It isn't a dialogue that we encounter too often I'm sure.
AidanAK47
@Mario, Sounds good to me. With me covering Little Witch Academia, Saga of Tanya the evil and Rakugo this season is well covered.
SuperMario
so I've decided to blog 3-gatsu, Scum's Wish and ACCA this season. A bit worry about the latter as I still don't have much to talk about that. Let's try it and see what happens; I say
SuperMario
Okay, I'm not hot on Onihei this week, as if the main theme about these two episodes were "people can be corrupted" then I'm not buying it. ACCA, on the other hand, was still very solid of building up the world and its big events to come.
AidanAK47
I have played all the big roguelikes and found they have the same problem. I argee on procedural generation. Even if the map is different every time you are essentailly going through the same rooms and doing the same things.
Masky
Though to be honest, I don't like procedural(or designed room and then game connects them randomly) games much. I much enjoy hand designed dungeons since I rarely play games through more than once anyway so roguelike's appeal of "Every time you play it through its different!" doesn't appeal to me much and hand designed dungeons are much more memorable
Masky
Can't really comment further on that since I don't know which roguelikes you have played, and neither I have played gungeon so I don't know if its badly designed to the point you can't do anything if rng says so. Though I guess there is nothing wrong about liking luck based games, if roguelike in question is truly unbeatable if rng says so, well, its really badly designed one if you ask me.
AidanAK47
Take my last run. Made it up to the fourth floor. Got plenty of guns but none were really useful. Even then ran out of ammo for all of them and the game was cheap about giving out ammo. Plenty of money but shops with nothing worth buying. Over 5 heart containers but no goddamn health. Died on the boss because I rolled out of a bullet into another bullet. Pretty much unavoidable.
AidanAK47
@Masky, that's the theory but in pretty much every roguelike I played its not the case. If the RNG decides you are going to have a bad time then you are going to have a bad time. Skill can only bring you so far. I have played this game for 7 hours and I know I could have finished it in 2. Only thing stopping me is a dice roll.
Masky
Like, the thing with roguelikes is that they can get easier/harder depending on luck, but well done one should be completable even without any upgrades at all if you are skilled enough.
Masky
Thats not the really case with roguelikes though, unless game design is bad and includes insta kill traps and such that are unavoidable if you are unlucky
AidanAK47
I hate roguelikes. Been playing enter the Gungeon and I just lost all patience with it. Getting real tired of my victory being decided by a RNG. It never feels satisfying to finish a roguelike because I know my victory was determined by pure luck.
AidanAK47
So we got to rely on fansubs for it when it's airing.
AidanAK47
@Mario, Nope. I think because netflix only puts up full seasons they are only planning to put it up when it's finished airing. Or when it's dubbed.
SuperMario
But how does the Netflix thing work? So of I have a Netflix account I can watch the show weekly?
SuperMario
@Aidan: that's a dumb way to do things really because unless you watch the show weekly, everyone gonna forget that it even exist. Just look at Re-Life last year
Lenlo
thought*. Words are hard.

Eventually found the actual first ep though and enjoyed it.
Lenlo
Was funny. I tried to find the first Ep for Little Witch, found original short made afew years ago, watched it and though "This is very similar to the original... Whats new".
AidanAK47
Little witch is one of the best shows this season and yet I can't get subtitles because Netflix doesn't release shows weekly. Motherf*cker.
Lenlo
Ore Monogatari I enjoyed. It was a nice romance that actually explored what happens after the confession. Also the 2 leads are just precious.
Lenlo
Alright but unmemorable seems like a good summation.
SuperMario
@Lenlo: one good thing about Seiren is if you don't like this romance, the whole thing gonna reset after episode 4 so there's a chance that you might end up like it. Agreed that the comedy wasn't very good. Alright but unmemorable
SuperMario
@Topgavin: I watched like first 3 episodes and stopped because I didn't have much time there, but I enjoyed what I saw. A well-written and endearing show in my book
Topgavin
Has anyone here watched Ore Monogatari before? Because in the 4 years I've watched anime, I've never heard of it (I guess it did come out 2 years ago) and yet it's turning out to be one of my favorite shows. Always great going into a show expecting nothing and getting pleasantly surprised.
AidanAK47
Only one more impression to go. Should have it up tomorrow.
Lenlo
Im really not feeling Seiren. Its "comedy" isnt for me and I just dont find it very enjoyable to watch so far. Im curious if it gets any better but 2 episodes in it just isnt that good.
HelghastKillzone
That ending scene is an entire side-story compressed into that. Don't expect anymore of it from here on out as the it sticks to ruthless military/fantasy pretty well.
LookingForKeys
@Topgavin I think it was good, making it the second episode. That way the first set up the world the story will be in, and showed how much of a monster the "little girl" really is right at the end, and then made ep.2 the explanation. Nothing against Tanya trying to rip "God" a new one.
That after-credits scene, though...
SuperMario
Hmm, as much as I like Seiren's omnibus format, it doesn't turn out really hot this second episode. Demi-chan, on the other hand, still maintains its endearing tone. Might blogging Demi-chan instead
Topgavin
Yeah, that second episode was much better than the first. Dunno why they didn't start with that to be honest, waste of an opportunity for a good hook episode. The voice for the main girl still sounds weird to me though; I get it's supposed to sound weird because it symbolizes 'her' being out of place and her personality and body being a mismatch, but it'll certainly take some getting used to.
AidanAK47
Youjo Senki, now we are talking. Like Helghast said, Did the god scene way better than the LN and manga. Made it less comedic and more intimidating.
Lenlo
Oh man that Rakugo intro. Not sure what to think, but first time seeing it I liked it
Kaiser Eoghan
I sort of like good will hunting because I kind of saw a bit of myself in Damon's character when I watched it ages ago.
Kaiser Eoghan
@Mario: Remaking psycho and ruining the shower scene, for shame van sant, for shame.
Kaiser Eoghan
Its easy to ripoff some obscure thing though and get away with it. The dogtooth director essentially stole an old Mexican film to make that.
SuperMario
@Kaiser: yeah, that following some guys from behind like they were on a RPG games, which I think actually fit with the tones of Elephant. I have such mixed feeling with Gus van Sant too. Don't really think he's a great director.
Kaiser Eoghan
@Mario: Although Istvan Szabo is probably a little more well known for that Mephisto film that updates the Faust story. Zoltan Fabri's the fifth seal is a very thought provoking war movie.
Kaiser Eoghan
@Mario: I remember seeing a film documentary that featured Gus van sant in one section, they showed clips of tarrs films, Sant ripped of the cinematography and stole the style from some British short film to make Elephant.
SuperMario
@Kaiser: agree on the other Hungarian filmmakers, I don't know much about them either.
Kaiser Eoghan
@Mario: Scorsese's Silence was a big comeback. I really really emotionally connect with spiritual crisis stories.
SuperMario
@kaiser: yep, definitely check wreckmeister down. Althought I admit that watching his 2-hour plus films will feel like 5-hour anyways
Kaiser Eoghan
@Mario: I'm more tolerant of darker teenage/coming of age films/stories. Les Demons was a big surprise.
Kaiser Eoghan
@Mario: Though its kind of frustrating, I do think Tarr probably takes attention away from other hungarian filmakers because no-body knows who the hell the others are.
Kaiser Eoghan
@Mario: Man, wreckmeister was so visually arresting I started getting dreams from it.
Kaiser Eoghan
@Mario: I would consider Tarr to be kind of a poor mans Janco, Angelopolus and Tarkvosky rolled into one. I don't entirely "get" wreckmeister and man from London but they are great atmospheric mood piece experiences.
SuperMario
@Kaiser: I had been wanting to watch Belar Tarr's Turin Horse and Werckmeister Harmonies for so long now. Well, Fat Girl is shocking haha, but I'm normally drawn into those kind of films anyway.
SuperMario
@Kaiser: Margaret took like 5,6 years to release because he couldn't cut it down in the way he wanted. The final cut if I remembered correctly was edited by Martin Scorsese
Kaiser Eoghan
@Mario: Only a HDcam for moonlight now.
Kaiser Eoghan
I looks like my lineup is witch academia, rakugo and youjo senki, well the most latter one until I get bored.
Kaiser Eoghan
@Mario: I sense a directors cut for manchester, it feels like it need another 30 minutes.
SuperMario
@Kaiser: right up my valley. Watch Kenneth Lonergan's previous works Magaret and You Can Count on Me. Magaret is very messy but have a raw dialogue and interactions as well
SuperMario
Now the first episodes are over, I will keep on covering 3-gatsu, as for the other twos atm I have 3 options: 1) full romance/anti-romance high school Seiren/Scum's Wish. 2) slice-of-life moe monster girls Demi-chan/Maid Dragon and 3) Mature,dark Onihen/Acca (which although I like them I don't have much to talk about).If you guys have any preference on which shows you like covered then let me know
Kaiser Eoghan
@Helghast: At this point I'm watching youjo senki as an entertaining guilty pleasure.
Kaiser Eoghan
@Mario: Too many reboots upcoming, will wait for the dvds instead. I want to explore more of manchester by the sea's director's work. I also want to finally get more into Bela Tarr's stuff.
Kaiser Eoghan
@Mario: I was rather shocked by A Ma souer/fat girls final act. Scenes with the Italian in the bedroom were initially creepy.
SuperMario
@Kaiser: it's a nice review Kaiser, a bit jealous with you that you've seen those 3 films which are touted as the best films of 2016. Also Fat Girl, haha, I love that movie.
Kaiser Eoghan
Poor yotaro =< you have so much stuff going down on you =<
HelghastKillzone
Youjo Senki episode was so good today. That revamped scene with God just fitted so right.
AidanAK47
A official release of that game in the west is apparently coming but it's been a few years and not much news about it.
Kaiser Eoghan
@Aidan: Ah yes that was the one.
AidanAK47
@Kaiser, Had to think for a moment on that one but I think I was talking about this. https://vndb.org/v3144
Kaiser Eoghan
Now I'd hardly consider myself a studio trigger fan, but I watched the first witch academia episode there, it was actually kind of fun, got the same reaction from me as flipflappers did, that magical, special feeling.
Kaiser Eoghan
@Mario: I also, of interest reviewed Kenneth Lonegrans new film: http://letterboxd.com/shao_liu_ringon/film/manchester-by-the-sea/
Kaiser Eoghan
@Mario: Moonlight got some feels out of me though it could of been more, it ends abruptly and with 20 extra minutes they could have spent a bit more time on each section of his life.
Kaiser Eoghan
@Mario: I checked out lala land, ending was very well executed, one of three scenes in the film that were impressive visually. The whole thing looked pretty and Gosling and Stone had some decent chemistry. Although it didn't resonate emotionally as strongly as the musicals of Jacques Demi did.
Kaiser Eoghan
MOM I want aiyoku no eustia and I want it now.
Kaiser Eoghan
I've never heard of himawari or tokyo babel. The hellsing comparison at least interests me in dies irae. What was the name of that visual novel again that was coming out soon, Aidan you described it as "And Kaiser would love it because its supposed to be really fucked up".
Kaiser Eoghan
I vaguely remember the anime for 11 eyes, it was very forgettable, even the voice acting was poor, hated the childhood friends and the pacing was poor, those black knight things were kind of interesting though.
Kaiser Eoghan
@Aidan: You'll have to add me onto the list of those unsatisfied with the ever 17 writer, I read one of those games and felt it was a bunch of interesting bait that never paid off.
AidanAK47
Anyway I plan on doing a review of 11eyes here when I finish it.
AidanAK47
Can't say I was a fan of Ever17. That was a really good twist but when it came to explaining it their was a lot of contrived development. Generally not a fan of the writer. Looseboy, Ryukishi, Gen and Nasu are more my kinda thing
AidanAK47
@Anon, it is nice that so many VNs are on steam but I wish they wouldn't be stupid with the whole no adult content thing. Not so much for myself but to prevent idiots from writing negitives reviews because the game doesn't have sex. VNs can grip you in a way anime simply can't and while they require pathence and time those can be some pretty powerful stories.
Anonymous678956
@Aidan, I am so happy steam's so VN-friendly now. I think it's a very good type of media. Like anime, it has nice visuals, music and some movement but also the inner monologue and text amount of books. It's the perfect combination. Plus, the routes, which are often puzzle pieces and PoVs you have to go through to understand the whole story. True routes like the one of Ever17 blew my mind.
AidanAK47
Hopefully the two VNs I bought of steam turn out better. Tokyo Babel is supposed to be alright and I heard really good things about Himawari.
AidanAK47
I am about a third of the way through the game and really not much of worth has happened. The concept is interesting but the execution is sorely lacking.
AidanAK47
I went in expecting it to be a mixed bag and it's pretty below my expectations. It's just not really well written and the protagonist is a moron. THere isn't really routes and instead you are pretty much stuck with his childhood friend as the main love interest. Problem with that is her character begins and ends with loving the main.
Anonymous675376
@Aidan, damn. 11Eyes is on my reading list as well. Although I almost expected it to not be as good as I thought it'd be (back then). Guess I would have enjoyed it if I was able to read it while the (shitty) adaption aired, maybe I have seen/read too many series by now. Guess I'll still give it a try some day though.
AidanAK47
@Anon, I haven't heard the OST or watched the intro video. I only know it be reputation and have decided to walk into it as blind as I can. Still slightly worried as I was somewhat looking forward to reading 11Eyes for a couple of years and now that I am reading it it's well...not good.
Anonymous675376
@Aidan, same here. I was waiting years for this, since I saw the intro video for the first time. Also, that OST!
HelghastKillzone
Youjo Senki is already leagues better than Izetta. It's going to be top anime of forever and ever. (maybe not)
AidanAK47
And finally Dies Irae is funded. May actually be able to play and finish the game before the anime airs. If the hype is real behind this baby it could be a new personal favorite Visual Novel of mine. Already looking promising with it being like a cross between Hellsing and Fate/Stay Night. Two things I most certainly like.
Lenlo
@Masky, in regards to style over substance thats where im at with Gurrne Lagann.
Topgavin
Yeah, I'll probably watch the next episode to see whether it can redeem itself. Hopefully it can but considering 1st episodes usually get a lot of budget, there's some severe doubt in there.
AidanAK47
I actually argee with character designs and voices are bad in regards to female characters. Still the next episode might change your mind if we get more into the main characters head.
Anonymous671470
It's boring
Topgavin
Also, it seems I disagree with a lot of people in thinking Youjo Senki will be a massive trainwreck. The character designs are awful, the voice acting is mismatched but most of all the premise just seems so very dumb. If I wanted to watch a badass kill people I'd go watch Hellsing or Drifters, because at least those don't have some op, disproportionate loli as the mc.
AidanAK47
Gets even more complicated when you account for Satire and Parody. You could equally argue all examples listed as being as such.
AidanAK47
Little Witch Academia is a decontruction of Harry Potter....I don't believe that but honestly if I tried I could put some reasoning behind that statement.
Topgavin
In the end, it always comes down to opinion (as with every discussion about anime, for some reason). You could spin any and every series as a "deconstruction", which is why people shy away from using the word. You could argue NGE, Madoka and Re:Zero are all deconstructions yet also argue Gundam, Precure and SAO are depending on what points you weigh more importantly.
Masky
Like, if deconstruction is supposed to be just "break the elements and then play story how it would realistically go down" well I haven't watched NGE, but as far as I know it does have stuff that isn't typical to mecha genre besides the "It would fuck up kids" thing plus "realistically how it would play out" is pretty subjective thing. I mean, its mainly about how cynical bastard the writer is :P
Masky
Like I said, I don't fully agree with it because I find video's speaker's attitude annoying, but I found it semi convincing. Main thing I don't find convincing about it is that I don't think its hard to turn video's own arguments agaisnt it and say that by its own logic NGE isn't deconstruction either, like Aidan just said earlier
Masky
And I don't really have energy for checking out the "correct" one. If there even is one. Anyway, the hipster video I was talking about was titled "What Actually Is A Deconstruction?" if you want to check it out.
Masky
Hmm, well, it does depend on definition you use. Like if you use "realistic" thing, well, Magical Girl shows don't usually have "You turn into monsters" thing going on and reason why NGE's pilots go crazy is from dangerous situations rather than evas making them do so. But honestly, I don't really have strong opinion on matter since word seems to be one of those with several different meaning
SuperMario
for me Madoka IS a deconstruction of Magical girl, and yeah like what Aidan said
SuperMario
I think part of Utena is a deconstruction of "prince riding horse and save the girl" because that notion is just a foundation for Utena to become a prince herself and save other girl. That's breaking it apart and resemble it again in its own way. Don't have to be dark/ don't have to be real either
AidanAK47
@Masky, That's just debating semantics. Besides that difinition would pretty much mean that Neon Genesis Evangelion isn't a decontruction either. Madoka isn't a decontruction because it's dark. It's more in its aspects of criticising why a girl should throw her ordinary life away for something as dangerous as being a magical girl. It does take plenty of the typical tropes and turn them on its head
SuperMario
@Masky: Genre deconstruction is such a tricky word that I normally try to avoid using because there's really no set characteristic about the term and different people have different opinions about what constitute "deconstruction". For me, I disagree that deconstruction have to be dark and real, hmm can't say it well but I will give you an example:
Masky
But yeah, I guess I could try to find the video if you guys are interested, though like I said, I got hipsterish feel from the video and felt rather annoyed through it even though I did get what the point was and found it sort of convincing besides my annoyance
Masky
(not that liking NGE is hipsterish, its just that I find NGE to be more style than substance sort of series <_< Anyway, guy didn't dislike madoka or anything, he just seemed to dislike people using word deconstruction wrong in his opinion)
Masky
(especially with how much they seemed to praise Neon Genesis Evangelion)
Masky
I mean, I think the guy was being somewhat hipsterish, but its true the being darker take on genre isn't same as deconstructing the genre
Masky
@AidanAK47: Some other guy on youtube did video that had actually pretty good point about how Madoka isn't really deconstruction, if you go by definition of "Break it down to parts and then play them straight to show how horrifying it would be in real life"
Anonymous670441
Gente - Ristorante no Hitobito
Kaiser Eoghan
If anything its the hate I have for certain characters that makes it more effective.
Kaiser Eoghan
The obsessional level of attachment is just uncomfortable to me, I don't want to get THAT attached to a non-real character.
Kaiser Eoghan
Its literally just a case of "Okay lets look at this picture of this character, she looks interesting, no feelings or expression from me, apply this fetish, fap, get release, go home. "
Kaiser Eoghan
Or drooling/dribbling/heavy breathing/grinning over the characters. I abhor alot of the anime girls I find attractive or am indifferent, even when looking at ecchi/hentai drawings I'm straight and clinical with it.
Kaiser Eoghan
I mean to each their own. But I really hate the level of emotion/devotion to moe/finding the characters attractive. Such as celebrating their birthdays, going on about how cute/hot they are, how important it is that they're virgins. Or not being being self-aware of how irritating the characters are.
Total users: 40

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Sound! Euphonium 2 (Fall 2016) Review – 86/100

I must admit that out of all the series I was blogging last year, Sound Eupho 2 was the one I’m saddest to see it ends; not because it was my absolute favorite anime last year, but because the sheer amount of their attention to details and their ridiculously quest for perfection are something that […]

Fune wo Amu (Fall 2016) Review – 81/100

This series is, in retrospect, a really appropriate title that speaks to the very spirit of noitaminA block: an adult drama slice of life about the making of dictionary that surely don’t try to target the young audiences. Sound as dry as it is, Fune wo Amu’s actually one of the strongest noitaminA show come […]

Your name. (2016) Movie Review – 82/100

As of this writing, Kimi no Na wa, or Your name. has enjoyed a phenomenal commercial and critical success. It becomes the highest grossing film of the year in Japan, and broke many records elsewhere in Thailand, China, America… you name it. Even in the local theatre where I went to, we got a full […]

Occultic;Nine Review – 0/100

I am certain this may seem like an extreme rating for some but the number scale always has been something I only carried over as part of psgels format. But this rating exemplifies my feelings about this show in its entirety. This show is awful, terrible, rage inducing, illogical, nonsensical garbage. Watching this show was […]

Magical Girl Raising Project Review – 65/100

In the success of Madoka there have been plenty who have tried to capitalize on turning the Magical girl genre dark. Few have actually succeeded and while Magical Girl Raising Project doesn’t quite succeed, it is still a much more competent attempt than many others. The story is about a phone app which promises to […]

Yuri!!! on Ice (Fall 2016) Review – 83/100

“Can you hear my heartbeat? Tired of feeling never enough. I close my eyes and tell myself that my dreams will come true” That’s exactly what Yuri on Ice offers, a heart-pumping ride to the sport of figure skating. Yuri on Ice’s current success and mainstream breakout is something that no one could have guessed before it aired; but here […]

Strange Frame – Love & Sax (2012) Movie Review – 76/100

Hooray, I’m finally back to this section after a while. I originally plan to review a more in-focus groups of animated films, like Korean movies, anthology movies, female-directed films, etc but now I have a different plan. The days that I cover all these will come, I promise. Instead, this time I want to highlight […]

Thunderbolt Fantasy Review – 84/100

Sometimes you dread for the current state of anime: high school settings, cute girls, fan-service jokes, idol madness… that you wish for once to see something different, and out of nowhere an oddball like this just pop up: a wuxia puppetry show influenced by Taiwanese glove puppetry written by Gen Urobuchi. The sheer fact that […]