Posted by psgels on 2 July 2010 with categories: Sarai-ya Goyou



Okay, so we all know the circumstances of this series: it’s Noitamina, it only got 12 episodes, and so it only had the room to animate the first half of the Sarai-ya Goyou manga. Next week, we’re going to get treated to Shiki and a live action Moyashimon for some reason, so the creators had no choice of wrapping this up right now, with little chance at a sequel, knowing the sales.

With this in mind, I believe that the creators couldn’t have done a better job here. The final episode ranked for me among the most emotionally intensive episodes of the series so far, and I’m really happy with how it turned out. What made it such a wonderful episode was the way it put so much meaning into just one simple revelation: the fact that he was lied to that the first Yaichi was the one who contracted the kidnappers. It brought forth so many emotions in Yaichi, and that’s exactly why I originally fell in love with this series. I also realize that it’s exactly that that felt missing in the Matsu arc. That was the reason why this series fell into a bit of a dip.

Yaichi only had one point at which he really let his emotions go. After that, he was back to his old self immediately, without any sort of attempt to drag that scene on. It was really well portrayed, and typical of Tomomi Mochizuki, the director: Porfy no Nagai Tabi also had quite a few of these moments.

So, how to rate this? Well, let me put it this way: out of all of the series in Noitamina that didn’t get the full time they deserved (Jyu Oh Sei, Moyashimon, Library Wars, Genji Monogatari, Eden of the East), it’s my favourite. It’s consistently well executed, and instead of trying to cram the entire manga into one series, the creators opted to just give the scenes that they wanted to show their full attention, and just end at a given point. The animation by Manglobe was just wonderfully detailed, and Tomomi Mochizuki did a really great job in bringing it alive. Whether it’s better than Porfy no Nagai Tabi, however… I can’t say that. Its fifty-two episodes really allowed it to develop its characters in a way that Sarai-ya Goyou would only be able to beat if it was fully animated.

Either way though, I’m definitely a fan of Natsume Ono now. Her mangas turned out to be very successful as anime, and I really hope that more of it is going to become animated in the future.

This was easily the best final episode I have seen this season so far. Manglobe, you really gained my faith back after Seiken no Blacksmith.
Rating: *** (Awesome)

3 Responses

  1. Chronolynx says:

    I loved how they conveyed Yaichi’s emotions and turmoil with minimal dialogue.

  2. Joojoobees says:

    Very satisfying. I’m so happy I had a chance to watch this series. I hope there is news soon about an R1 DVD release, as I want to see these scenes on my TV instead of the tiny screen on my laptop. The artwork was gorgeous throughout, but it somehow seemed even more impressive for this final episode.

  3. Kim says:

    I just watched the last episode and I agree what a satisfying conclusion. Even though there is more to the manga I felt the ended it at a perfect place where there could be more but the ending still felt suitable.

    Although I did enjoy the Matsu arc too. I think the moment Masa saved him was one of my favorite moments of the series. Well until that interaction with Masa and Yaichi at the grave in this episode.

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  • k-off
    (Sunday, May 1. 2016 07:59 AM)
    @Kaiser Well hopefully you’ll get back into comedies sometime soon, there’s been some pretty good comedy manga/animes that have come out in the last six years that I’m dying to recommend.
  • k-off
    (Sunday, May 1. 2016 06:57 AM)
    @Kaiser As Helghast said it’s the best looking show of the season, but the train and fires are probably metaphors for what it’ll inevitably turn into.
  • Kaiser Eoghan
    (Sunday, May 1. 2016 06:55 AM)
    I keep reading it as Caribeneri as in the word for Italian Military police….
  • Kaiser Eoghan
    (Sunday, May 1. 2016 06:53 AM)
    I think his names Kurusu, but right now he’s the thing thats bothering me about Kabaneri at the moment.
  • k-off
    (Sunday, May 1. 2016 06:52 AM)
    @Kaiser At first the contrast in Gurashi was interesting, but it’s turned out to be nothing more than a gimmick. I am a Hero probably manages to do the cute/psychedelic-zombie contrast better with the heroine when she was a zombie.
  • Kaiser Eoghan
    (Sunday, May 1. 2016 06:51 AM)
    It might be around 4 years now but in that time span I’ve returned to an intolerance I had for schmaltz drama.
  • k-off
    (Sunday, May 1. 2016 06:50 AM)
    @Kaiser To be honest I’m not that impressed by anime visuals anymore, the grittiness/desaturation of everything in Kabaneri is no different than the likes of say, Schwarzesmarken, but of course with a bit more care.
  • k-off
    (Sunday, May 1. 2016 06:47 AM)
    But I also have manga that I really hate with utter disgust, like Yoshinobu’s Deathtopia…
  • Kaiser Eoghan
    (Sunday, May 1. 2016 06:47 AM)
    I can get into Kabaneri because its got that gritty artwork to go with the setting.
  • k-off
    (Sunday, May 1. 2016 06:45 AM)
    It can’t be anywhere near as bad as the soap drama that the Walking Dead has rotted into.

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