Posted by psgels on 2 July 2010 with categories: Anime Reviews, Sarai-ya Goyou




One of the things that made the past spring season awesome was the fact that it didn’t have just one, but two Noitamina series. And boy, it sure came with a couple of amazing series to start off this new feature!

Sarai-ya Goyou is a character-study, set in the Japan of a number of centuries ago, and it unites Manglobe with Tomomi Mochizuki, of Toka Gettan, Porfy no Nagai Tabi, Kimagure Orange Road and a ton of other series. He’s a true veteran in the anime business, and he did an incredible job of bringing these characters to life.

The animation in nearly every scene in this series is full of detail, with a ton of subtle movements. This really allows the creators to put as much meaning into these scenes as possible, giving them a surprising amount of depth and development in only twelve episodes. Even most of the side characters get some development throughout the series that already is short on time and despite this limited length, it never tries to rush through things in order to fit as much as possible into its airtime. There comes a price to this, of course: it’s unfortunately an incomplete series, and stops after animating about half of the manga. The main plot threads are skillfully wrapped up at that point, but it’s clear that the storyline isn’t over at that point.

Airing next to Yojou-han this season, this series faced some incredibly tough competition, but it really shined out there despite this, and is a great recommendation for those who are looking for a short character-focused series. There is one arc that isn’t as good as the others (the Matsu arc), which breaks the flow of this series a bit, but apart from that the stories that it tells about its characters are all incredibly thoughtful and engaging.

Storytelling: 9/10 – Very detailed. Tries to put as much meaning into every scene as possible, and succeeds. Never loses itself in its pacing, though the story itself has plot threads that aren’t wrapped up.
Characters: 9/10 – Deep, well developed and thoughtful.
Production-Values: 9/10 – Manglobe does it again with excellent animation that focus on bringing its characters to life instead of over the top action scenes. Haunting soundtrack.
Setting: 9/10 – Excellent portrayal of Japan at the time, with a great analysis of the types of problems that people faced around these ages.

Suggestions:
Mushishi
Porfy no Nagai Tabi
Seirei no Moribito

5 Responses

  1. m says:

    This was my favorite show of the season. It’s serious without being melodramatic, and despite transpiring in the equivalent of a bustling metropolis and having such wistful characters, it’s all very breezy. The significance of the events is never inflated so the story never seems over-ambitious. The events are mostly windows into the characters, and while there are hints of danger they are there mostly as props to demonstrate the characters’ personalities. This tact is most-significant for exploring Matsu.

    Subdued as it is, a lot of information is conveyed through facial expressions, body language, or with the camera. The viewer is lead along rather than hammered with things, which stands in contrast to an awful lot of Japanese entertainment.

    An interesting aspect of the show not being action-oriented is that violence that isn’t meant as a sport is very quick and decisive, and there is a sense that it’s something to be avoided, even while the threat of it is used routinely. A lot of subterfuge and deal-making is used instead to accomplish tasks, instead of head-on conflict.

    I also thought that manglobe did a good job of pulling off the less cutesy style of the manga.

    Other than the unlikelihood of there ever being more of this show, there wasn’t a lot for me to be disappointed with. Well, it would have been nice if it had been more popular, because then it might inspire similar efforts in the future.

  2. Johnson says:

    I thought I’d be the last person complaining that a show was too slow, but I think they could’ve sped this up a little bit.

    I know they’re trying to build an atmosphere, but sometimes I felt like it wasn’t going anywhere. Or rather, I knew exactly where it was headed, but it just… wasn’t there yet. I mean, I think we all predicted almost everything in the final episode.

    That having been said, it’s definitely still a good series. I’m a little disappointed that we didn’t get to hear why Yaichi ditched his gang. I think that’s pretty important in establishing his character, because that’s kind of dick.

  3. Sam says:

    I thought he ditched the gang as kind of a revenge play, and that was pretty obvious considering that just selling them out to the police wasn’t enough for him.

  4. Joojoobees says:

    I loved this show. It is for shows of this rare quality that I watch anime. Watching and hoping.

    I thought M’s comment above, about the show’s “subdued” nature was an excellent point. It really embodies the aphorism of “showing not telling”.

  5. Alec says:

    loved it…cant say its one of the best ive ever seen… totally love the unique storyline

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  • Asuka111
    (Friday, Nov 28. 2014 08:42 PM)
    Wouldn’t that be crazy, lol
  • Asuka111
    (Friday, Nov 28. 2014 08:39 PM)
    Lol you guys are hilarious. Even funnier when you realize we’re talking through a little box on an anime blog, but I digress. Heck, all of you could be automated response bots for all I know.
  • Emma
    (Friday, Nov 28. 2014 08:21 PM)
    I decided to drop psycho pass this week, only really watched the second season because I was told I’d like it more, alas though I’ve tired of the dumb fun it was providing me.
  • Emma
    (Friday, Nov 28. 2014 08:19 PM)
    And oh liam Neeson…tying yourself to that awful Million ways to die in the west movie and a pox on you McFarlane for thinking you qualify as a modern Mel Brooks…for shame.
  • Emma
    (Friday, Nov 28. 2014 08:16 PM)
    Never could get into the family guy spinoff or American dad and family guy itself just ran out of effect eventually, has gone on too long, nothing stringing its humour together and I’ve long outgrown the series. I won’t be bothering with Ted 2 in any case.
  • Emma
    (Friday, Nov 28. 2014 08:14 PM)
    For the first forty minutes or so Ted had its moments and the flash Gordon/80s references worked, but it got pretty stale and ran out as it went on and further signified the fall of Seth McFarlane in my eyes.
  • Enka
    (Friday, Nov 28. 2014 08:04 PM)
    Ha, hindsight’s 20/20. But the joke I was referring to was the “you must be great at parties” thing, because that’s the one that set him off I guess.
  • AidanAK47
    (Friday, Nov 28. 2014 07:35 PM)
    @SomeAnonGuy, Um..yeah. Hi.
  • AidanAK47
    (Friday, Nov 28. 2014 07:34 PM)
    @Enka, Bam is taking this a little too personally though I do agree that your joke was terrible. Wasn’t even a joke to be honest. It was like that moment in that Ted movie where the guy goes to the fat kid “Back off Susan Boyle!” It’s not really a joke, just a random reference that makes no sense.
  • Enka
    (Friday, Nov 28. 2014 06:05 PM)
    And who started it? I said a harmless joke (if it was a crap joke or not) and you got your feelings hurt. Not my problem.
    @Emma I see. But for me, SnK had so much wasted potential that I feel like spinoff stories give me what thr main series lacked. :/

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