Posted by psgels on 2 July 2010 with categories: Anime Reviews, Yojou-han Shinwa Taikei




The Noitamina time-slot surely rocked beyond belief this season. Alongside Sarai-ya Goyou aired the possibly even better Yojou-han Shinwa Taikei, the latest product of Masaaki Yuasa of Kaiba-fame. This time, he went for a ton-of-dialogue artsy character-study slash college life series, in which we follow the lead character as he explores a wide variety of different clubs and lifestyles during his years in college throughout many parallel dimensions. And it works out wonderfully.

At first sight, the way in which this series keeps resetting itself after every episode may seem weird at first, but it actually was a brilliant method to flesh out its different characters. Because of its very frequent resets, this stands out even more than series that did similar things in the past, like Higurashi and Umineko. Because of this, we get to see a ton of different sides of the characters that would never have been able to been shown without these resets, and the most important part is that we see Watashi develop in many different ways throughout each episode. The different side-characters all have their own parts to play in Watashi (the lead character)’s world and everything comes together wonderfully in the final episodes.

All of this is accompanied by some truly excellent dialogue. This series is based on an actual novel, rather than a manga or light novel, and it really shows. The dialogue is incredibly fast and you really need to pay attention to keep up with it, but as a narration it offers very detailed descriptions of the situations that Watashi finds himself in, which is nearly always very imaginative in the ways that it does so, with quite a number of witty remarks.

One potential pitfall could have been for the series to lose itself in either its dialogue and visuals, but neither happens. There are a ton of details stuffed into this series in order to make all episodes stand out, but in the same way the main message and characters remain deceptively simple on the outside. In comparison, while Kuchuu Buranko felt a bit like a loose cannon at times, every moment of Yojou-han is instead meant to bring colour to the life in which Watashi is living, and build up for the episodes that are still to come. Because the huge amount of building up, the first half of this series is decidedly less impressive than the second half, but the build-up is definitely worth it.

It’s a series that doesn’t try to provoke the biggest emotional response, but as a character-study it really stands out as a minor masterpiece here, in the way that it very subtly manages to flesh out and characterize its entire cast. Especially after the final episodes, it stands out as my favourite show of the series that premiered during the past spring season.

Storytelling: 10/10 – Fresh, and varied, skillfully combining repetition with new ideas to flesh itself out. Top notch narration.
Characters: 9/10 – The formula really allows the characters to come alive and show many different sides of themselves.
Production-Values: 9/10 – It’s Masaaki Yuasa. Do I need to say anything more?
Setting: 9/10 – Spoilerific to go in detail here but yeah: this one rocks too.

Suggestions:
Mind Game (another one of those movies that I’d review entirely different if I were to watch it today)
Amatsuki
Revolutionary Girl Utena

15 Responses

  1. Topspin says:

    Easily my favorite of the season as well. I’m glad they still make anime like this, when they could easily just sell childish dreck like Angel Beats or over-wrought nonsense like Bakemonogatari.

  2. AuroraFlame says:

    I love this show, it’s hilarious, but it’s a pain in the ass to watch. There’s dialogue spam, which I have to rewind for. But then I spent so much time looking at the dialogue that I didn’t get to see the artwork and backgrounds, so I rewind again. But by that time, I forgot what the dialogue was. It takes me almost an hour an episode…. maybe I have ADD.

    But from what I saw, this and Five Leaves were definitely the best this season.

  3. Puran says:

    Aurora, I think pausing this is a mistake. It tries to overwhelm you with visual/audio stimulation and dialogue, so you should let it do it to you. It also makes rewatching it very interesting :)

    It actually slows down a bit when something more important to the general plot happens, so you’re never lost.

  4. Michael says:

    Toppsin, I’ll take you further than that and say it’s easily the best anime of 2010.

  5. Machi says:

    Hm some notes about this show:…
    I think this show just confirms for the better that Masaki Yuuasa is definitely a director to watch out for. I think there is quite an agreement that he is great however I do notice that nobody every particularly mentions why. There are a few reasons at best, mostly in people impressed by his imaginative visuals and the way he ties in all episodes. However, I’d like to take a stab as to giving reasons why he’s a great director through this show.

    What impresses me greatly about him is simply put his conciseness. I don’t think much people realize this about him since the first thing that does come to mind about him from his successful works that he directed, Mind Game, Kaiba, and now I would say Youjou-han unknown but definitely needs attention Vampiyan Kids, and even less successful venture, Kemonozume is that its brimming with details so much so that it is highly advisable to replay the show. However, as Yojou-han shows he knows how say things with the least amount of efforts and frames. Just take for instance his decision at the last episode at how to convey the idea of an end of a journey (Watashi realizing things) and a start (how Watashi will live now that he’s gotten a new outlook on life). What he does is he reverses the OP and ED, a device many are familiar with to start and end the show, not in order to build up emotion or nostalgia (like say Full Metal Alchemist episode 63 did by playing the OP at the ending to heighten the emotion at the life of Hohenheim) but precisely to emphasize the end and the beginning, all this without having to create a scene or dialogue to bring the point home. Another great example from Yojou-han would be episode 10 itself acting as three things in one episode a summary, commentary, and new episode itself (I don’t think any anime director could pull that off!) I even suspect to some degree that after the first episode he may have decided to pull back from adapting too much dialogue from the novel, since the first episode the visuals and dialogue did compete however at the proceeding episodes it found a way to work together.

    Of course as I speak of his conciseness I would also praise him for the replay value of his shows. There are as people would easily notice a ton of detail in his episode that you’d probably miss out. I don’t think I want to talk about those details which bring so much life to the show but I would like to focus on another sort of detail. The way the entire episode becomes a significant detail itself in the grand scheme of things. Again I focus on Yojou-han to emphasize this point. As Psgels said the first half of the series, mainly the campus clubs, may not be as strong as the latter half but nevertheless are build ups that pays off in the second half. They are the strength precisely because they are one huge detail on itself that act what I think details are often forgotten to be, backbones. The episodes act as the skeleton that supports the entire show, which is why it’s quite clear why each episode never feels as if it were a waste, each episode counts. One cannot appreciate Watashi’s realization without first watching even his most nonsensical failure, the proxy war, or even more importantly skipping out the tennis episode. Heck the I think the strongest episode is the episode that relishes on using the previous episodes as details, namely episode 10.

    Another strength of Yuuasa shines through with Yojou-han. As we see him visualizing that which is abstract, parallel worlds. The repeat of each episode, the subtle changes, along with that which is constant we do see that each world is same yet at the same time different. Each world is expansive yet claustrophobic. The way Yuuasa handled such abstract ideas and paradoxes is I feel brilliant, it never feels contrived or overworked as you understand it smoothly. I feel he does so through such simple details in visuals, namely color (as viewers should pay attention to) which one should understand in better after the 10th episode (which after watching that episode I replayed all the rest). His introduction of such a detail of visuals speaks well of how to inject ones own style, after all if he left to just adapting the material by itself he’d be content to just show details narrated by the book (or to be more precise by Watashi) instead he realizes what he could add himself.

    On the other hand as I praise Yojou-han I do rank it a notch below Kaiba and Mind Game and the reason why is I feel is not because of Yuuasa’s weakness but rather because of his strength as a director. I think what bogged down Yojou-han was that as imaginative as it was in experimenting with the narratives of college life not because of the dejavu episodes (though I will get on this point latter) but rather how easily identifiable the narrative is. Ease in identifying the narrative in that you’ll find yourself realizing early on what Watashi’s epiphany will be. This fault I feel is not something an imaginative visualization could avoid, let’s face it this narrative feels very exhausted with the rise in interest in college life that would also come to the same conclusion. Even more so when the show is a slice of life that we all recognize, we all have to grab opportunity when it dangles in front of us and we all have one way or another our own vision of what out rose colored life would be, so that its so easy to see what path Watashi would take and needs to take (after all his name is only really mentioned once at the end otherwise Watashi as he refers to himself in person is I in other words you yourself). I find this to be a fault in that Masaki Yuuasa looking at a previous work Kaiba has such strong narratives because of we never really see what path needs to be taken or what path will be taken. In Kaiba we start out as lost and as disoriented as the main character, in fact we’re immersed even more strongly as being in the same position as the character himself as for most part he’s mute and simply passive observers much like ourselves). We question the actions taken by the people around him and the world, we may or may not agree with Kaiba. In Yojou-han Watashi we can easily see is a greenhorn still new to the world. We know what path he needs to take and even and even come to that realization much earlier than him, only to be validated later on at his realizations in the second half. The fault of this as I said lies in the strength of Yuuasa, as one recalls another strong difference of Kaiba and Yojou-han. Namely that Yuuasa’s strength lies strongly in expressing the abstract, intangible, and philosophical that which goes beyond the banal. Yojou-han despite all its imaginative setting and visuals is still very much grounded in reality, as its slice of life lessons shine through.

    On the other hand another fault I find as I mentioned with the dejavu is not so much in the dejavu but I as feel in the source material itself. I can’t say I am entirely familiar with the book the anime was adapted from but I do think while Masaki Yuuasa’s injected his style the style of the sources author is still very much present. A style which I think is incredibly verbose, compared to Yuuasa whom I feel speaks volumes in his visuals. I do feel it bogs him down as he can’t necessarily spread his visuals as much as he could, for if he did we’d have something more conflicting in the balance of visuals and dialogue. Yuuasa managed to find quite a great balance of visuals and dialogue after the first episode, at that same time however his visuals could never explode the way it did in Kaiba as it constantly portrayed something beyond our imagination (as one can clearly see just how imaginative Yuuasa is). I’m not saying the source isn’t imaginative, it certainly is, but that Yuuasa is such an incredibly imaginative man that you know he can achieve more. Nevertheless, Yojou-han is indeed a masterpiece that showcases the strengths of Yuuasa, and as such is my reason in saying he is a great director.

  6. Puran says:

    Machi, wow that was a long post… :P

    I thin Yuasa’s imagination really shined in Yojou-han though. The setting was realistic so he had much less room to experiment visually (compared to say kaiba, where he could practically show us anything he wanted, since we didn’t have any set expectations from the setting).

    Yojou-han was filled with visual tricks that actually complemented the story (maybe Yuasa should give some advice to Shinbo sometime… :P ). I think you are focusing too much on the visual side, expecting more crazy stuff too happen, while Yojou-han was always a more or less, down to earth story. I think it fit Yuasa perfectly, he is trying new things, you can’t expect every one of his series to have the imaginative setting of Kaiba, or the craziness of Mind Game. Yuasa has a strong imagination but that’s not his only good quality and this series let him show that.

  7. Machi says:

    Oh I’m aware his imagination isn’t his only strong point. His imagination does shine through as we see that injected well into the narrative, at times even bursting over. We do see it well in this series as he transform the mundane to something fantastic. However, I do feel that with this he did have to pare himself down, which is a double edged sword, but did so nicely. What my quibble was that Yojou-han despite being transformed into the fantastic is still very down to earth, what I found to be Yuuasa’s strength is that he could handle very abstract concepts (such as memory) that most people would shrike or overwork that I do feel allows him to shine more. The source is abstract no doubt but very much still mundane. Yet, this show DOES show his good qualities no argument there.

  8. Machi says:

    God I wish this thing had edit… In the end Puran I would say that Yojou-han is undoubtedly a masterpiece.

    As for whether to really rate it higher or lower than Kaiba. I would say it doesn’t matter as that is a matter of preference, that’s why I emphasized that the very long post is purely my own opinion on certain matters. In my case I have more of an inclination to the wilder and more abstract topic (I love the topic of memory some of my favorite films are about memory La Jetee & the Resnais films from Night and Fog to Muriel). Others will easily find beauty more in how pared down but still highly imaginative this down to earth but fantastic series is. In fact I would easily now say that Yojou-han is better way to introduce oneself to Yuuasa, precisely because its a great showcase of what Yuuasa has to offer at his best but at the same time not to jarringly radical as the earlier works (which I do have trouble getting friends to watch because they can’t swallow the animation style, this I think would be easier to get them to watch.)

  9. Topspin says:

    @Michael, yeah I’d say so far it’s the best of the year. And summer doesn’t look like it will given it any competition.

  10. Michael says:

    @Topspin
    Whenever I could write about a series and only that series for nearly three months, cry at its ending, and just love its characters, I know I’ve watched a series that just comes a few times during my lifetime.

    Tatami Galaxy is one of those series. I’ve never really written consistently on a series as consistently I did with Tatami Galaxy. It’s amazing.

  11. AuroraFlame says:

    @Puran
    I find that I get distracted wondering about what they said if I blatantly miss an entire line. But there is some discretion: I understand what the writers are trying to convey and, like you said, the big moments are easy to identify and much more difficult to ruin.

  12. thomas says:

    Enough stuff is repeated – especially the important stuff, I don’t think it’s necessary to rewind anything.

    I love the way Yuasa plays with symbolism; you can rewatch the entire show and you can see they planned everything perfectly from the start.

    Yuasa’s easily my favourite director, his quirkyness and experimentation and imagination is exactly what I love about anime.

    Best show of the year by far.

  13. thomas says:

    I think you could have added a bit of depth to this review by quickly analysing some of the key philosophies that Yuasa so beautifully expressed: Accept who you are. No matter what you do, you are you and everything you do will be a part of you. Accept who other people are, at first glance you may be quick to judge but there multiple sides to everyone. And last but not least: Have no regrets. No matter what you choose, your life will never be perfect, but that’s okay!

    It’s all incredibly optimistic and I personally would’ve been okay with a slightly more cynical conclusion, but let’s face it, we all wanted the romance thing to work out for Watashi.

  14. chounokoe says:

    The only thing I would like to add is, that I have slight problems with how everyone is labeling Yuasa the creative genius lately.

    Yes, he has definitely creative vision and his adaptions always add something to the original work, be it in content or visually.
    Nekojiru, Mind Game and Yojouhan were only rewritten by him and in case of Kemonozume and Kaiba he was only the director, not writer.

    Therefore, while I agree that he always adds his very own creative technique to an anime, I wouldn’t label him responsible for ‘the genius that is Yojouhan (for example)’.

    But I think that is also the only problem I have with your blog sometimes, psgels. Sometimes it seems like you deliberatly blind out the fact that something is an adaption.

  15. psgels psgels says:

    chonokoe: yeah, I agree that at times I tend to ignore this, yeah.

    However, you should note that Masaaki Yuasa not only directed Kemonozume, but also wrote its series composition and worked on as many parts of that series as possible. With Kaiba, he is also credited as the one who originally came up with its premsie (it also doesn’t seem to have a series composition).

    With Yojou-han, I indeed forgot to credit the mysterious Makoto Ueda:

    http://www.animenewsnetwork.com/encyclopedia/people.php?id=85031

    But the problem is that there just doesn’t seem to be any information about this guy.

Leave a Reply

CHANGE USERNAME
AidanAK47
@Anon, How do you know you don't like it if you don't read it?
Anonymous1196967
Don't like it don't read it.
AidanAK47
I went and read Double Arts. This really was a great manga with tons of potentail and truly didn't deserve the axe. It's so depressing that this was cut off so soon and the author went on to make the most generic Harem ever Nisekoi, and that got over 200 chapters.
Lenlo
All of the important dance scenes for Yuri were fantastic, its just some minor one off characters and some reused ones that were an issue, so no they are better than the CGI
Anonymous1190387
Is it worse than those CGI dance scenes in some anime?
AidanAK47
@Puran, It is pretty surprising how well that story turns out. I say IG might do the job even if there animation isn't the most consistent. The one thing I am worried about is those necks though. In the PV those things were ridiculously long.
Puran
Fair enough, recycling the animation was bad, agreed. But the animation itself was really good.
Lenlo
See, I found the repeated dances in Yuri one of the worse parts. Alot of it was recycled animation and certain characters were obviously rushed/not done. Some were amazing, cause they took their time, but others looked terrible.
Puran
I kinda wish Mappa was doing the anime though. Yuri on Ice had really nicely animated dances (and was more or less the only actually good quality of that show :P )
Puran
Reading the Ballroom e Youkoso manga has made me really excited about the Anime.
Kaiser_Eoghan
@Aidan: I'm particularly turned off by bully/bullying cliches these days. I've only read the first two volumes to see how awful she was but I ended up simply losing track of the series and stopped reading.
Kaiser_Eoghan
@Mario: Actually that has changed, I had to pick a different day to see it given changes in schedule, I've booked it for NEXT Wednesday now. I've watched Akira about four times.
AidanAK47
Oh, Rising of the Shield Hero is getting an anime adaption. Hmmm...honestly after finishing the series and looking over it as a whole I am not sure I even want that. Plus seeing Bitch Animated...would fill me with rage.
SuperMario
I intend to re-watch Akira soon, probably this weekend. It has been almost 10 years since my first watch and now I don't remember much about that one. Thought it was intriguing and complex but not as acclaimed as people hyped it to be (I'll pick Ghost in the Shell anytime). Wonder how I'd feel now after re-watching it.
SuperMario
@Kaiser: I remember you mentioned that you were going to watch In this Corner of the World today right? How was the movie Kaiser?
Lenlo
Oh cool, food wars is getting a 3rd season
Kaiser-Eoghan
Ballroom youkoso appears to be leading the polls.
Kaiser-Eoghan
@Mario: Fumiko is a female mangaka yes. Also I found bokura no hentai worth reading.
SuperMario
yep, I finished that manga too and I have conflicted feeling about it. Yuri(!) part and fanservice are to blatant but they have a purpose. This mangaka (not sure but I think she's a girl) has some unique voice.
AidanAK47
....well I skimmed that manga. And it was weird
SuperMario
By all appearances,Sakura is normal,albeit sheltered junior high school girl who enjoy talking about love and walking home from school together.However,they also happen to inhabit a strange and supernatural world populated by mysterious,gigantic beings and unusual plant and animal life.Amid their peaceful lives,Sakura becomes very interested in something only alluded to exist in old books: dicks
SuperMario
Here's a synopsis of other manga from the same author, I think you'll have a better idea of his theme -
Sakura no Sono
AidanAK47
Pretty much what Masky said. I am not really praising it. Anyway I plan to read one or two more chapters to see where it's going. But if it's going in the direction I think it's going then I am dropping this one fast.
Kaiser_Eoghan
There is of course the underlying concern that it will go a very ugly route with that development or it could become edgy/horribly minipulative, but for now it is as mario said, a hook.
SuperMario
Well. overall I don't dislike what I read there. It has good hook and I'm intrigued to know more what the hell will happen. Good set-up for me. I'm in
SuperMario
@Masky: it's fine Masky, since I will chec itk out any way and see it for myself ^^
Masky
So since you guys started being interested, I checked it out and uh.. Yeah, not reading. I think ye guys misunderstood Aidans warnings since that was just fucked up and not in the interesting way.
Lenlo
@Aidan: Berserk will never again go more than 3-4 months without a hiatus.
SuperMario
Hmmm, that manga Cutie Mutie sounds good to me. I might check it out later today
Kaiser-Eoghan
@Aidan: But had you not alluded to that scene, I may have seen the cover of that manga and skipped over it.
Kaiser-Eoghan
@Aidan: I had a feeling, sort of, sad, I am intrigued to read more.
AidanAK47
Hyping and warning are not the same thing.
Kaiser-Eoghan
Well with Aidan hyping up the horrors of cutie mutie I may as well glance at it to see what he' on about.
Kaiser-Eoghan
There are three manga with the name rec.
Kaiser-Eoghan
I am familiar with the artist for cutie mutie, she did that manga about the three kids dealing with gender/orientation issues.
AidanAK47
Oh look Berserk is on Haitus again....
.....the sad thing is that it comes as expected now.
AidanAK47
For reference the two I read were Cutie Mutie and Rec. Be warned, the first one goes to a rather uncomfortable level.
AidanAK47
@Masky, Read two manga. One started lighthearted and then went to really dark territory. The other one looks like it's about a really dark subject but turned out to be something more lighthearted.
AidanAK47
@Mario, Alright. Tested it now so it such be fixed. Try again.
Masky
@Aidan: Huh? What you read that turned dark/didn't turn dark? .-.
SuperMario
"too many answers selected for question 1! only 3 answers allowed!"
SuperMario
@Aidan: I still have the same issues. Weird
AidanAK47
@Mario, Wasn't my intent. Try it now and you should be able to pick as many as you want.
SuperMario
@Aidan: I'm not allowed to vote more than 3 votes. Is it your intention Aidan?
AidanAK47
Well that was weird. I read something that looked innocent but turned out to be really dark. Then something that looked really dark only to become innocent.
Masky
Yeah, nothing that interests me I see :D Like my strongest reaction to season preview was "Someone made isekai with smartphone? Really? REALLY? Thats best idea you had"
Masky
Ah Knighs and Magic, found that manga. It was boring enough for me to forget its name. Also besides being boring, I kinda find MC unlikeable since their only personality is that they like mechas and were a programmer before renicarnating as short bishie kid
Masky
Woo, time to vote stuff
SuperMario
@Kaiser: that movie In this Corner just getting more and more acclaimed huh? Thou I think it'a a type of movie that if you have high expectation for it you will likely be disappointed. It works best as a sleeper hit
SuperMario
As for cute monster girls, most of the time I don't find them cute at all. I know I'm being racist, but...
SuperMario
@Lenlo: I'm guilty with that cute girls genre, as i enjoyed K-On tremedously for example. Or If I have more time I'd follow Hinako Note this season ^^
Kaiser-Eoghan
They don't always adapt all that well or work as well outside of manga format, especially 4-komas.
Kaiser-Eoghan
*three
Kaiser-Eoghan
The only two of any interest were hidamari sketch, azumanga daioh and yuru yuri and that was largely down to being in the mood for them a few years ago.
Lenlo
@Mario: Personally, I have 0 interest in this Monster girls doing cute things subgenre, just like I have very little interest in the cute girls doing cute things major genre.
Kaiser-Eoghan
@Mario: As it turns out I DID read in this corner of the world. I'll also be seeing it next thursday.
SuperMario
@Kaiser: at this moment I'm very skeptical with the whole Monster girls doing cute girl subgenre, so I'm approachig Centaur with a caution. Of course, it all depends on how I feel after the first episode
SuperMario
@Kaiser: Happy End isn't as bleak aa his other works. But it's certainly Hanake's films, as it explores many of his favorite themes: the voyeurist of camera in his Benny's video, the detachment to the world and the underlying violence. Not his best thou but it's still very good
Kaiser-Eoghan
I think I'd be up for watching jigoku shojo, its been a long time since I watched the original two seasons and this one won't be as long, so it won't get as repetitive.
Kaiser-Eoghan
I voted centaur no nanami on the poll, think Mario could cover it.
Kaiser-Eoghan
@Mario: How did did you get on with Happy end? I heard its like a mix of his best works. Is it as dark and depressing?
Kaiser-Eoghan
I have vague memories of in the corner of the worlds manga, unless I'm mixing it up with something else.
SuperMario
Some news, Lu Over the Wall won the best prize at this year's Annecy (the 1st anime won the award since 1995's Pom Poko), with In the Corner of the World took the Jury Prize. Quite a good showing for anime this year.
AidanAK47
@Anon, Hello.
SuperMario
Really, still no vote for Kakegurui?? I thought it would take the top poll for sure
SuperMario
That 18if, even the poster doesn't make much sense, but it looks dazzling ^^
Lenlo
go-go licensed products!
SuperMario
@Lenlo: and Madhouse is the studio behind that Marvel rip-off. Are they really going that low for profits?
Lenlo
Lookin forward to Kakeguri next season, but thats the only thing thats really caught my eye
Lenlo
Well, you have to watch Marvel next season right?
AidanAK47
And done. I swear these previews take a lot out of me.
AidanAK47
Almost done....almost done...
KT
Attack of Titan, ended ok. But man the production values had gone down.

Virgin Soul had a okish episde

Re:Creators continues to rock for me.
Kaiser-Eoghan
@Mario: I liked the 70s version ending, it was mean spirited =P
Kaiser-Eoghan
@Mario: The original used its one room location quite well and dim lighting in parts, very closed in/claustrophobic.
SuperMario
@Kaiser: just finished the Beguiled and it was much better than I expected. Like, I didn't expect it to be that well shot. The guy was put in a passive role than active here, which help the theme imo. Also, the ending admitedly isn't for everyone but I liked it just fine
SuperMario
@Kaiser: using a black girl? The girls in this one are all white :(
AidanAK47
Sato in Re:Creators isn't doing himself any favors is he? Honestly the more I learn about him, the less likable he becomes.
Kaiser-Eoghan
It was a good film though, one of scarjos better moments.
Kaiser-Eoghan
@Mario: As for Sofia, I'm only familiar with lost in translation, which I haven't seen since it originally came out.
Kaiser-Eoghan
@Mario: Everyone goes on about Francis' for the Godfather, the conversation is massively underated and apocalypse now is better, but it has to be the theatrical cut.
Kaiser-Eoghan
@Mario: I guess it was probably seen as progressive in its day by way of using the black girl.
Kaiser-Eoghan
@Mario: Very very cynically 70s of course.
Kaiser-Eoghan
@Mario: Actually just happened to finish it there, I felt it stood out for its somewhat successful gothic feel and aesthetic and Eastwood's performance which shows how well he can command the audiences attention even when he isn't shooting people. Kind of liked how it got slightly grisly later on. It makes a small effort in giving one line backstories .
SuperMario
@Kaiser: the original movie isn't that well-received. It's more like an exotica film where the main guy (Clint Eastwood) hooks up girls of all ages. This one I heard has a good spin on feminist angle. I'm sure is intrigued but Sofia Coppola's filmography has been mixed for me
Kaiser-Eoghan
....I doubt any one has ever heard of this....I know I didn't, I haven't read it either but I came across some weird old Blacksploitation manga, probably from the 90s, Blast knuckle or something...
Kaiser-Eoghan
@Mario: Still remaking the beguiled might be good, we need more modern westerns.
Kaiser-Eoghan
@Mario: I suppose I can busy myself with the original 70s version of beguiled. At the moment I've been focusing on old Japanese films, they had such a good film industry, it makes it hurt so much more now knowing that all they do now is shit live action adaptations.
SuperMario
@Kaiser: gonna be a long day for me with the screenings of The Beguiled, Wind River, The Other Side of Hope and Happy End
Kaiser-Eoghan
Now I need to re-watch 08th ms team.
Kaiser-Eoghan
I watched 4 hours straight of Gundam the origin, hit me with a hard punch of nostalgia, actually seeing his backstory rather than hearing about it is a good thing, I enjoyed the action scenes, it was high-melodrama but well used and more Char is always a good thing.
Kaiser-Eoghan
I think I'll just put Kado on hold for now and see whats being said about future episodes of it, I'm too unsure of it being worth it or not at the moment.
Vonter
I want to comment on a humble indie game called Sakuna of Rice and Ruin. Is a simple hack and slash similar to Muramasa and Dust: Elysian Trail. The game has a scarf mechanic that is very fun to use to evade attacks and throwing stuff. It kind of reminded me of those Mickey games from the Snes and the visuals reminded me of Pocky and Rocky. Its a game to play on a sunday, simple, fun and relaxing.
Vonter
From the stuff I played Dragon Ball FigtherZ seems legit at capturing the speed of the battle and feel of the action.
Vonter
Back from E3. Nintendo is still my main jam. The Rabbids game seems better than I think anyone could imagine. Odyssey seems like a good time. Xenoblade and Metroid 2 remake look like hype.
KT
On Gundam OG, the new Origin Manga, and the movies based on it are very good. Recommended.
Kaiser-Eoghan
I remember reading the first chapter of that manga, but it was a long time ago and the updates were slow.
AidanAK47
A manga about Ballroom dancing? Yeah there's no way I am into this.
(Starts reading)
(Reads ten chapters)
Crap...I am into this.
Anonymous1166615
Feel I need to re-visit gundam again through 08th MS team, unicorn and Origin as I'd enjoyed the 70s series, its sequel and chars counterattack. Seed turned me off the franchise for ridiculously long and 00s movie and second season wern't as good as the first .
Anonymous1166615
Looks like I have another Yuasa work to look forward to, he's doing his own take off on Nagai's devilman , hopefully he can reign in Valvraves writer though.
Masky
*first manga in couple last weeks I've seen
Masky
Da fuq. Found manga called Kemono Jihen, but it somehow already has tv tropes page(I tend to check randomly whether works have tv tropes page to see how notable they are) O_o I mean this is first manga with 1-3 chapters that has that, so I guess author is really popular or something in some circles?
Lenlo
Huh. Guess they figured out rewriting a story for Re:Creators.
Masky
Ya know, even if i hadn't heard that Suka Suka is based on one of more tragic light novels, the death flags, all of the death flags :D
HelghastKillzone
I'm a patron of someone who is writing mass effect fanfiction at 2 million+ words. It combines games, writing and fan creativity. So there is that....
Kaiser-Eoghan
Ah, while I listened to some Lovecraft audiobooked, I felt as if I was copping out by listening instead of reading.
Kaiser-Eoghan
A horror manga often works well episodically in a short story format.
Kaiser-Eoghan
@Aidan: Had a flick through Shibito, of what I read I liked how ridiculously camp and gleefully, proudfully nutso it was combined with the silliness of the violence. While not my favourite chapter, the one about the actress stood out for me because she was clearly a reference to Setsuko Hara, one of Japans most famous actresses lol
AidanAK47
I try out a number of things from time to time. Books, movies, music, comics and the like. But I always come back to anime.
AidanAK47
I have dabbled in quite a few mediums myself. My recent experiment is audiobooks which I am currently using to get through Moby Dick. And Jesus H Christ is this book padded to hell and back. It may be well written but it is an awful story.
Kaiser-Eoghan
But what this film venture has shown me is that while I've gotten much out of it, it shows just how STRONGER the connection I have to anime/manga is.
Kaiser-Eoghan
@Mario: And definately, I don't get the "people focus on only one media thing". One of the reasons I started branching out was because I felt "Fuck, I'm in my 30s and I've neglected a whole medium by being too focused on cartoons"
Kaiser-Eoghan
The sign you're at something too long is when the suspense of waiting for the next part to come out isn't there or when you find yourself not picking up on whats going on!
Kaiser-Eoghan
Manga/visual novels/anime I've noticed especially now are much much easier to stay awake during when you're wrecked tired.
Kaiser-Eoghan
@Mario: And to be honest, I've gotten busier and more tired lately, getting home on a weekday later after a new job, I'm not alert enough to watch art films, just started leaving them till the weekend.
SuperMario
@Kaiser: I know exactly what you mean. That is one of the reason why I like to mix up what I watch: sometimes books, other time manga and even music to get me away from burning out from 1 medium
Kaiser-Eoghan
*eventually get back
Kaiser-Eoghan
The short of that is, I think a good scale back with ANY hobby is a good thing because it can feel special all over again when you get back on it more mainly.
Kaiser-Eoghan
But now that after three years of mainly focusing on films moreso than anime/manga as much, because I'm now incredibly burnt out from watching films 4 times a day, I feel now I can watch ANY anime or read any manga and get that fresh feeling/some of that old passion back.
Kaiser-Eoghan
Remember that feeling you got when you first really got into anime/manga and pretty much excitedly/panic watched EVERYTHING and almost everything felt great? I've been thinking how a few years back now, I sort of re-lived that feeling again...however for films.
AidanAK47
(Finished watching SukaSuka 10)
Awwww...that was a sweet episode end....
.....
.....They are all gonna die.
Kaiser-Eoghan
@Aidan: Kids off school pressumably in Japan with more time to watch stuff and more shows.
AidanAK47
God why is there so many anime during the summer season.
AidanAK47
Of course there are the really obvious recommendations of Grand Blue and Kaguya wants to be confessed to.
AidanAK47
I say the only other recommendations I got are Jagaaaaaan, Maou no Hisho, Ore wo Suki Nano wa Omae Dake ka yo and Yuuutsu-kun to Succubus-san. Though I still think Shibito no Koe o Kiku ga Yoi would be up your alley.
Kaiser-Eoghan
By all means keep posting random manga you've all come across, I will read them.
Kaiser-Eoghan
I thought route end did a good job on the protagonist's feelings regarding his mothers death.
Kaiser-Eoghan
Though my interest in Route is largely due to it was the most lurid of the selection.
Kaiser-Eoghan
I felt route end holds the most interest of that selection of recommendations, although before reading it I thought it would be an episodic manga, similar to a series called death sweeper.
Lenlo
@K-Off, well I think both the manga got handed down to the assistant, and the anime got handed down as well. The original author/director for both arnt working on Boruto
K-Off
@Lenlo Probably, haven't checked. But the manga and anime are completely different so I don't know.
AidanAK47
The Streisand effect in full force.
SuperMario
*Now the media...
SuperMario
No the media storms over it and eventually want to check out this film. It has gain more publicity after this shameless incident
SuperMario
oh god, really? Chinese government tried their best to force Annecy (Animation film Fest) to remove a Chinese animated film name Have A Nice Day from screening there because of its "sensitive content"
AidanAK47
Still think Sawano needs to lay off the vocals. It can get really distracting in Re:Creators.
KT
oh my the RE:Creators OST is all I wanted.
Lenlo
Well, Boruto isnt being run by the original manga author is it? I thought he handed the series off after Naruto to his chief assistant.
K-Off
The contrast between wanting to do something different yet using the same character traits is just too jarring.
K-Off
Gave Boruto a shot, and while it isn't bad, it's so detached from the original series that it might as well have been unrelated. I appreciate that the plot is different, but the modern setting, and lack of any clear character motivations (for now) makes it such a chore to watch. If they were going for something different, why did they use the same character designs and archetypes?
SuperMario
Sorry guys for the delay of Eccentric Family post, just can't bring myself to finish the post. Not that many of you following the show but Yeah, I will plget it done later today. Also, hell yeah for Pluto. Urasawa is my God
SuperMario
@Aidan: I kinda imagine Isekai Shokudou would be like Time of Eve upon reading the synopsis. Like each week about some peculiar customers. Well, if they focus more on food, then... *heartbroken*
AidanAK47
Two Metroid Game announcements and an anime of Pluto.
Today was a good day.
Anonymous1161527
KT here:YES!
Kaiser-Eoghan
@Anon: One of his better works, despite reading it twice I've forgotten too much as its been too long since reading it, good though as when I watch the anime the manga won't be as fresh in my mind.
Anonymous1161483
Urasawa's Pluto anime announced! Get hype! Looks like they're keeping designs faithful just like they did with Monster (at least judging from the poster)
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