Posted by psgels on 2 July 2010 with categories: Anime Reviews, Yojou-han Shinwa Taikei




The Noitamina time-slot surely rocked beyond belief this season. Alongside Sarai-ya Goyou aired the possibly even better Yojou-han Shinwa Taikei, the latest product of Masaaki Yuasa of Kaiba-fame. This time, he went for a ton-of-dialogue artsy character-study slash college life series, in which we follow the lead character as he explores a wide variety of different clubs and lifestyles during his years in college throughout many parallel dimensions. And it works out wonderfully.

At first sight, the way in which this series keeps resetting itself after every episode may seem weird at first, but it actually was a brilliant method to flesh out its different characters. Because of its very frequent resets, this stands out even more than series that did similar things in the past, like Higurashi and Umineko. Because of this, we get to see a ton of different sides of the characters that would never have been able to been shown without these resets, and the most important part is that we see Watashi develop in many different ways throughout each episode. The different side-characters all have their own parts to play in Watashi (the lead character)’s world and everything comes together wonderfully in the final episodes.

All of this is accompanied by some truly excellent dialogue. This series is based on an actual novel, rather than a manga or light novel, and it really shows. The dialogue is incredibly fast and you really need to pay attention to keep up with it, but as a narration it offers very detailed descriptions of the situations that Watashi finds himself in, which is nearly always very imaginative in the ways that it does so, with quite a number of witty remarks.

One potential pitfall could have been for the series to lose itself in either its dialogue and visuals, but neither happens. There are a ton of details stuffed into this series in order to make all episodes stand out, but in the same way the main message and characters remain deceptively simple on the outside. In comparison, while Kuchuu Buranko felt a bit like a loose cannon at times, every moment of Yojou-han is instead meant to bring colour to the life in which Watashi is living, and build up for the episodes that are still to come. Because the huge amount of building up, the first half of this series is decidedly less impressive than the second half, but the build-up is definitely worth it.

It’s a series that doesn’t try to provoke the biggest emotional response, but as a character-study it really stands out as a minor masterpiece here, in the way that it very subtly manages to flesh out and characterize its entire cast. Especially after the final episodes, it stands out as my favourite show of the series that premiered during the past spring season.

Storytelling: 10/10 – Fresh, and varied, skillfully combining repetition with new ideas to flesh itself out. Top notch narration.
Characters: 9/10 – The formula really allows the characters to come alive and show many different sides of themselves.
Production-Values: 9/10 – It’s Masaaki Yuasa. Do I need to say anything more?
Setting: 9/10 – Spoilerific to go in detail here but yeah: this one rocks too.

Suggestions:
Mind Game (another one of those movies that I’d review entirely different if I were to watch it today)
Amatsuki
Revolutionary Girl Utena

15 Responses

  1. Topspin says:

    Easily my favorite of the season as well. I’m glad they still make anime like this, when they could easily just sell childish dreck like Angel Beats or over-wrought nonsense like Bakemonogatari.

  2. AuroraFlame says:

    I love this show, it’s hilarious, but it’s a pain in the ass to watch. There’s dialogue spam, which I have to rewind for. But then I spent so much time looking at the dialogue that I didn’t get to see the artwork and backgrounds, so I rewind again. But by that time, I forgot what the dialogue was. It takes me almost an hour an episode…. maybe I have ADD.

    But from what I saw, this and Five Leaves were definitely the best this season.

  3. Puran says:

    Aurora, I think pausing this is a mistake. It tries to overwhelm you with visual/audio stimulation and dialogue, so you should let it do it to you. It also makes rewatching it very interesting :)

    It actually slows down a bit when something more important to the general plot happens, so you’re never lost.

  4. Michael says:

    Toppsin, I’ll take you further than that and say it’s easily the best anime of 2010.

  5. Machi says:

    Hm some notes about this show:…
    I think this show just confirms for the better that Masaki Yuuasa is definitely a director to watch out for. I think there is quite an agreement that he is great however I do notice that nobody every particularly mentions why. There are a few reasons at best, mostly in people impressed by his imaginative visuals and the way he ties in all episodes. However, I’d like to take a stab as to giving reasons why he’s a great director through this show.

    What impresses me greatly about him is simply put his conciseness. I don’t think much people realize this about him since the first thing that does come to mind about him from his successful works that he directed, Mind Game, Kaiba, and now I would say Youjou-han unknown but definitely needs attention Vampiyan Kids, and even less successful venture, Kemonozume is that its brimming with details so much so that it is highly advisable to replay the show. However, as Yojou-han shows he knows how say things with the least amount of efforts and frames. Just take for instance his decision at the last episode at how to convey the idea of an end of a journey (Watashi realizing things) and a start (how Watashi will live now that he’s gotten a new outlook on life). What he does is he reverses the OP and ED, a device many are familiar with to start and end the show, not in order to build up emotion or nostalgia (like say Full Metal Alchemist episode 63 did by playing the OP at the ending to heighten the emotion at the life of Hohenheim) but precisely to emphasize the end and the beginning, all this without having to create a scene or dialogue to bring the point home. Another great example from Yojou-han would be episode 10 itself acting as three things in one episode a summary, commentary, and new episode itself (I don’t think any anime director could pull that off!) I even suspect to some degree that after the first episode he may have decided to pull back from adapting too much dialogue from the novel, since the first episode the visuals and dialogue did compete however at the proceeding episodes it found a way to work together.

    Of course as I speak of his conciseness I would also praise him for the replay value of his shows. There are as people would easily notice a ton of detail in his episode that you’d probably miss out. I don’t think I want to talk about those details which bring so much life to the show but I would like to focus on another sort of detail. The way the entire episode becomes a significant detail itself in the grand scheme of things. Again I focus on Yojou-han to emphasize this point. As Psgels said the first half of the series, mainly the campus clubs, may not be as strong as the latter half but nevertheless are build ups that pays off in the second half. They are the strength precisely because they are one huge detail on itself that act what I think details are often forgotten to be, backbones. The episodes act as the skeleton that supports the entire show, which is why it’s quite clear why each episode never feels as if it were a waste, each episode counts. One cannot appreciate Watashi’s realization without first watching even his most nonsensical failure, the proxy war, or even more importantly skipping out the tennis episode. Heck the I think the strongest episode is the episode that relishes on using the previous episodes as details, namely episode 10.

    Another strength of Yuuasa shines through with Yojou-han. As we see him visualizing that which is abstract, parallel worlds. The repeat of each episode, the subtle changes, along with that which is constant we do see that each world is same yet at the same time different. Each world is expansive yet claustrophobic. The way Yuuasa handled such abstract ideas and paradoxes is I feel brilliant, it never feels contrived or overworked as you understand it smoothly. I feel he does so through such simple details in visuals, namely color (as viewers should pay attention to) which one should understand in better after the 10th episode (which after watching that episode I replayed all the rest). His introduction of such a detail of visuals speaks well of how to inject ones own style, after all if he left to just adapting the material by itself he’d be content to just show details narrated by the book (or to be more precise by Watashi) instead he realizes what he could add himself.

    On the other hand as I praise Yojou-han I do rank it a notch below Kaiba and Mind Game and the reason why is I feel is not because of Yuuasa’s weakness but rather because of his strength as a director. I think what bogged down Yojou-han was that as imaginative as it was in experimenting with the narratives of college life not because of the dejavu episodes (though I will get on this point latter) but rather how easily identifiable the narrative is. Ease in identifying the narrative in that you’ll find yourself realizing early on what Watashi’s epiphany will be. This fault I feel is not something an imaginative visualization could avoid, let’s face it this narrative feels very exhausted with the rise in interest in college life that would also come to the same conclusion. Even more so when the show is a slice of life that we all recognize, we all have to grab opportunity when it dangles in front of us and we all have one way or another our own vision of what out rose colored life would be, so that its so easy to see what path Watashi would take and needs to take (after all his name is only really mentioned once at the end otherwise Watashi as he refers to himself in person is I in other words you yourself). I find this to be a fault in that Masaki Yuuasa looking at a previous work Kaiba has such strong narratives because of we never really see what path needs to be taken or what path will be taken. In Kaiba we start out as lost and as disoriented as the main character, in fact we’re immersed even more strongly as being in the same position as the character himself as for most part he’s mute and simply passive observers much like ourselves). We question the actions taken by the people around him and the world, we may or may not agree with Kaiba. In Yojou-han Watashi we can easily see is a greenhorn still new to the world. We know what path he needs to take and even and even come to that realization much earlier than him, only to be validated later on at his realizations in the second half. The fault of this as I said lies in the strength of Yuuasa, as one recalls another strong difference of Kaiba and Yojou-han. Namely that Yuuasa’s strength lies strongly in expressing the abstract, intangible, and philosophical that which goes beyond the banal. Yojou-han despite all its imaginative setting and visuals is still very much grounded in reality, as its slice of life lessons shine through.

    On the other hand another fault I find as I mentioned with the dejavu is not so much in the dejavu but I as feel in the source material itself. I can’t say I am entirely familiar with the book the anime was adapted from but I do think while Masaki Yuuasa’s injected his style the style of the sources author is still very much present. A style which I think is incredibly verbose, compared to Yuuasa whom I feel speaks volumes in his visuals. I do feel it bogs him down as he can’t necessarily spread his visuals as much as he could, for if he did we’d have something more conflicting in the balance of visuals and dialogue. Yuuasa managed to find quite a great balance of visuals and dialogue after the first episode, at that same time however his visuals could never explode the way it did in Kaiba as it constantly portrayed something beyond our imagination (as one can clearly see just how imaginative Yuuasa is). I’m not saying the source isn’t imaginative, it certainly is, but that Yuuasa is such an incredibly imaginative man that you know he can achieve more. Nevertheless, Yojou-han is indeed a masterpiece that showcases the strengths of Yuuasa, and as such is my reason in saying he is a great director.

  6. Puran says:

    Machi, wow that was a long post… :P

    I thin Yuasa’s imagination really shined in Yojou-han though. The setting was realistic so he had much less room to experiment visually (compared to say kaiba, where he could practically show us anything he wanted, since we didn’t have any set expectations from the setting).

    Yojou-han was filled with visual tricks that actually complemented the story (maybe Yuasa should give some advice to Shinbo sometime… :P ). I think you are focusing too much on the visual side, expecting more crazy stuff too happen, while Yojou-han was always a more or less, down to earth story. I think it fit Yuasa perfectly, he is trying new things, you can’t expect every one of his series to have the imaginative setting of Kaiba, or the craziness of Mind Game. Yuasa has a strong imagination but that’s not his only good quality and this series let him show that.

  7. Machi says:

    Oh I’m aware his imagination isn’t his only strong point. His imagination does shine through as we see that injected well into the narrative, at times even bursting over. We do see it well in this series as he transform the mundane to something fantastic. However, I do feel that with this he did have to pare himself down, which is a double edged sword, but did so nicely. What my quibble was that Yojou-han despite being transformed into the fantastic is still very down to earth, what I found to be Yuuasa’s strength is that he could handle very abstract concepts (such as memory) that most people would shrike or overwork that I do feel allows him to shine more. The source is abstract no doubt but very much still mundane. Yet, this show DOES show his good qualities no argument there.

  8. Machi says:

    God I wish this thing had edit… In the end Puran I would say that Yojou-han is undoubtedly a masterpiece.

    As for whether to really rate it higher or lower than Kaiba. I would say it doesn’t matter as that is a matter of preference, that’s why I emphasized that the very long post is purely my own opinion on certain matters. In my case I have more of an inclination to the wilder and more abstract topic (I love the topic of memory some of my favorite films are about memory La Jetee & the Resnais films from Night and Fog to Muriel). Others will easily find beauty more in how pared down but still highly imaginative this down to earth but fantastic series is. In fact I would easily now say that Yojou-han is better way to introduce oneself to Yuuasa, precisely because its a great showcase of what Yuuasa has to offer at his best but at the same time not to jarringly radical as the earlier works (which I do have trouble getting friends to watch because they can’t swallow the animation style, this I think would be easier to get them to watch.)

  9. Topspin says:

    @Michael, yeah I’d say so far it’s the best of the year. And summer doesn’t look like it will given it any competition.

  10. Michael says:

    @Topspin
    Whenever I could write about a series and only that series for nearly three months, cry at its ending, and just love its characters, I know I’ve watched a series that just comes a few times during my lifetime.

    Tatami Galaxy is one of those series. I’ve never really written consistently on a series as consistently I did with Tatami Galaxy. It’s amazing.

  11. AuroraFlame says:

    @Puran
    I find that I get distracted wondering about what they said if I blatantly miss an entire line. But there is some discretion: I understand what the writers are trying to convey and, like you said, the big moments are easy to identify and much more difficult to ruin.

  12. thomas says:

    Enough stuff is repeated – especially the important stuff, I don’t think it’s necessary to rewind anything.

    I love the way Yuasa plays with symbolism; you can rewatch the entire show and you can see they planned everything perfectly from the start.

    Yuasa’s easily my favourite director, his quirkyness and experimentation and imagination is exactly what I love about anime.

    Best show of the year by far.

  13. thomas says:

    I think you could have added a bit of depth to this review by quickly analysing some of the key philosophies that Yuasa so beautifully expressed: Accept who you are. No matter what you do, you are you and everything you do will be a part of you. Accept who other people are, at first glance you may be quick to judge but there multiple sides to everyone. And last but not least: Have no regrets. No matter what you choose, your life will never be perfect, but that’s okay!

    It’s all incredibly optimistic and I personally would’ve been okay with a slightly more cynical conclusion, but let’s face it, we all wanted the romance thing to work out for Watashi.

  14. chounokoe says:

    The only thing I would like to add is, that I have slight problems with how everyone is labeling Yuasa the creative genius lately.

    Yes, he has definitely creative vision and his adaptions always add something to the original work, be it in content or visually.
    Nekojiru, Mind Game and Yojouhan were only rewritten by him and in case of Kemonozume and Kaiba he was only the director, not writer.

    Therefore, while I agree that he always adds his very own creative technique to an anime, I wouldn’t label him responsible for ‘the genius that is Yojouhan (for example)’.

    But I think that is also the only problem I have with your blog sometimes, psgels. Sometimes it seems like you deliberatly blind out the fact that something is an adaption.

  15. psgels psgels says:

    chonokoe: yeah, I agree that at times I tend to ignore this, yeah.

    However, you should note that Masaaki Yuasa not only directed Kemonozume, but also wrote its series composition and worked on as many parts of that series as possible. With Kaiba, he is also credited as the one who originally came up with its premsie (it also doesn’t seem to have a series composition).

    With Yojou-han, I indeed forgot to credit the mysterious Makoto Ueda:

    http://www.animenewsnetwork.com/encyclopedia/people.php?id=85031

    But the problem is that there just doesn’t seem to be any information about this guy.

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SuperMario
Well, aesthetically, he's pretty much on par with Yang and Wong. It's just that his films are often emotionally distant, feel more like watching the paint dry hahaa
Kaiser-Eoghan
@Mario: I connect more emotionally with Yang and Wong.
Kaiser-Eoghan
@Mario: I went in expecting Edward Yang and Kar-wong-wai levels of quality, which may have been quite unfair standards to put him up against.
SuperMario
I myself find his films difficult to watch, but when the films end they usually hold up very very well. Both The Assassin and 3 Times in particular are my favorite of the year
SuperMario
@Kaiser: I completely understand your reaction because his films are demanding as hell. I remembered watching The Assassin in big screen, 3 people next to me fall asleep, one of them snoring and the other one fall asleep within the first 10 mins. That Hou Hsiao's movies for you
Kaiser-Eoghan
@Mario: Its such a shame because he makes gorgeous cinema and City of sadness is actually pretty informative account of the times....I just can't jive with him and I actually like "slow cinema" but watching his work is insanity inducingly boring for me.
Kaiser-Eoghan
@Mario: ....I'm really sorry, I don't mind long slow even spiritual, talky, non-narrative, old, complex,meditative , art films but I'm really really finding it hard to watch Hou Hsiao's work, I've tried time to live and the Assassin and I just bailed after 2 out of 3 hours on city of sadness.
KTravlos
I have to say Akko is developing nicely as a character in LWA. Also Magane in Re:Creators reminds me of Hannibal as palyed by Mads Mikkelsen. There is that same est for life married to sociopath that is a bit charming :) Mamika's character is also just cool. Beyond that AofT and Bahamut both delivered competent episodes, with Bahamut a good mix between comedy and tragedy.
K-Off
@Aidan Assault on Arkham was fantastic. Between that and Under the Red Hood, a classic.
SuperMario
@Kaiser: I have a lot to say in this week's Eccentric Family. Review will come up later tonight when I get back home from work.
AidanAK47
Seen Assault on Arkham or what it should be called, The animated Suicide Squad movie. Thinking of checking out Dark.
Kaiser-Eoghan
@Aidan: Have you seen assault on Arkham or the justice league dark film?
Kaiser-Eoghan
@Aidan: It isn't so much because its Talia x Batman, moreso that it feels odd shipping Batman with anyone.
Kaiser-Eoghan
While kind of amusing, initially I wasn't too into Uchouten this week, the hot spring part got me groaning, but then someway through dramatically it really picked up.
Kaiser-Eoghan
From reading comics a few years back, I still feel that they adapt better to animation.
Kaiser-Eoghan
@Vonter: And I say this as someone who was able to defend Alien 3 and Ressurection.
Kaiser-Eoghan
Covenent felt like an Infantilized version of Alien.
Kaiser-Eoghan
I wouldn't call either John Wick film or free fire amazing or anything but they had great fight scenes that were actually visually coherent , of course they weren't given a proper release.
Kaiser-Eoghan
I'm not watching/paying for anymore of these reboots/remakes/shakey cam pg rated action films anymore. I'll stick with my balls to the wall Hong-Kong/Chinese ones.
Kaiser-Eoghan
@Vonter: It also had really uneven pacing aswell.
Kaiser-Eoghan
@Vonter: ....The dialogue is so embarassing, they don't do enough with this backstory, they just keep teasing, none of the new characters have the same charisma , the editting in the action scenes shakes all overtheplace.
Kaiser-Eoghan
@Vonter: I gave Covenent a fair chance, I thought it would be an exception to the reboot thing. I'll admit theres the sets, the atmosphere, Fassbenders performance , the idea to expand on the franchises mythos is cool but....
Kaiser-Eoghan
It really really hurts as a film fan, trying to find older, genuinely quality foreign films , finding that no-one is seeding them and theres no proper/in print dvd release anymore. Then finding some awful shakey cam modern American superhero film with billions of seeds and a bluray release.
AidanAK47
@K-Off, I don't know. Todd was more the imperfect son always aiming for batmans approval. Damian is more an assasin wondering why the hell he can't just kill his enemies. I hear that Comic Damian works better than Animated Damian. I do think that if given a personality he could work but as he is currently you are right that he's essentially a mishmash of past robins.
Vonter
I watched Alien Covenant and I don't know if it improves by being more dumb and less pretentious or if it os the final nail in the Alien franchise coffin. Not since the StarWats prequels there has been a retcon that changes your view of the original movies.
Kaiser-Eoghan
I can recall enjoying a certain Jason Todd centered story called Batman:death in the family.
K-Off
Well, even when Damian does completely cross the line and become a villain, he's not even that interesting, i.e Injustice. Yup, Jason Todd already covered everything, but better.
AidanAK47
Problem is that he's an edge lord cocky piece of shit that just doesn't have enough likeable traits for this to be compelling. What really pushed him over the edge was mocking Nightwing over his parents deaths. That shit is not on.
AidanAK47
@K-Off, I like the contrast that Batman refuses to cross the line and kill but Damian has crossed that line. As well as his potentail to become a villain. Tim and Dick didn't really have that though Jason sort of did. Damian's arc is more about teaching him the morality of a hero.
K-Off
@Aidan I'm not sure I like Damian's concept to begin with. The Bat-son dilemma's inherently addressed by the Robins for all intents and purposes. Damian just goes through the same motion, only difference being he's biologically related.
K-Off
Yup. Wonderwoman either doesn't need to have a love interest, or it needs to be with Steve Trevor, the two have a solid backstory that the movies unnecessarily removed.
AidanAK47
@Kaiser, I don't mind the Taila X batman pairing. Makes more sense than Batman and Batgirl. But if there's one pairing pushed in the new movies that I just find wrong is the Superman X wonder woman. I just don't get that one.
AidanAK47
@K-Off, I like the concept of Damian as a character. But it's executed so badly.
Anonymous1105941
Teen titans needs one more season to wrap up all the loose ends. Such as what happens to Slade, and Blackfires revenge. The creators clearly wanted to explore those plot lines but got cut short.
K-Off
Teen Titans hasn't aged very well, but one thing I still do like about it is how contained and local the setting and cast were for the first half of that show. When godly superpowers are involved, that appeals to me. Much of the same reason why I like Logan and Raimi's Spiderman so much.
Kaiser-Eoghan
Very rarely watched teen titans when I was younger, I was vaguely interested in slade, stopped watching around when Terra appeared. I actively avoided comics where Damien appeared, never liked that Talia x Batman pairing much, I can only imagine how much worse it is to listen to Damien than read him.
K-Off
@Aidan, I like some aspects of those movies, but I'm not a big fan of the new continuity and art style in general...and yeah it doesn't help that Damian is irredeemably unlikable.
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@K-Off, There is also the DC animated Teen Titans movies like Teen Titans vs Justice Leage and Teen titans the Judus contract. Though it's not the same as the the TV series and Damian is such a dick.
K-Off
@Anon I don't think Teen Titans needs another season. The last season wasn't that good, but the movie ended the series on a high note and Young Justice pretty much rebooted everything, at least in terms of replacing people's want for a more mature DC cartoon about the Titans.
K-Off
Yeah it's become more of a hassel (for myself and my friends) to set aside time to go to a theater.
SuperMario
I guess in the end it all comes down to how easily it reaches the viewers. Give us a hard time and we don't give a damn to check the new movie/show out
SuperMario
... otherwise have to wait for a year, even more before it reaches Australia. But many companies will raise in the wake of Netflix and that will be where problems arise
SuperMario
This trend isn't happening within the anime industry, but it's happening in the movie world as well. In the past 2 years, Netflix starts to exclusively distribute many films, meaning that they won't have theatrical release, but straight to Video on Demand which caused quite a stir in the industry. Personally, I actually don't have much problem with it as now I will get a chance to see a film that
SuperMario
Dive!! , a series that will air next season on noitaminA slot will stream exclusively on Amazon Prime Video. Not that I'm eagerly looking forward to Dive, but that news again makes me frustrated. No one will watch it and then all the hypes it might have will die down eventually.
Anonymous1105394
Considering I didn't even expect a season 5 it's more than I could've evr wanted. Now if only if only Teen Titans could get the same chance.
Lenlo
Oh yeah, it turned out well. Didnt mean to say it didnt.
AidanAK47
@Lenlo, Considering that the ratio of great to alright episodes is 8 to 2 I say that it turned out pretty well.
Lenlo
I have to say, the Samurai Jack season started stronger than it ended imo
AidanAK47
So this is how Samurai Jack ends. 16 years in the making. Honestly considering how much needed to get wrapped up I knew the ending would be a bit flawed. Really think Gen should have givin it one more episode to flesh out the ending and then it wouldn't feel so rushed. Overall despite it's flaws, it's a decent ending. Not prefect by any means but it will do the job.
Kaiser-Eoghan
Lol theres a surprise, seriously, Black Lagoons manga is updating again.
KTravlos
worst recap ever for me? Gangsta. That was a stupid recap episode. Really like a Public Announcement. Useless, stupid, and ruining atmosphere. Utter stupidity. There I got it our of me :p
Kaiser-Eoghan
@Masky: Unfortunately too far behind in the sequel manga to catch up, I did take a look at THAT in the latest chapter though.
Masky
Huh, for some reason thought Tokyo Ghoul was under shonen when its seinen. Welp now that makes more sense, I was thinking story about cannibalism would be kinda absurd for shonen.
Spike
They serve no purpose except to fill airtime when production gets fucked up. They have 2 bad choices - run a recap or run an unfinished episode. Recap is generally the less dogshit choice. I've seen a few anime that ran the episodes with unfinished animations and still frames.... the backlash was about 100x what a recap is.
SuperMario
I'm about to say that to you as well Kaiser, maybe watch the recap and then continue on. The only thing I kind of take from the recap episode is the editting: how they chop off the fat of 6 episodes to still give you important developments. But as a way to catch up/ to reintroduce the series, it's freaking useless
Anonymous1104087
I don't think anyone should start from the recap episode. Unless there was a long hiatus, a recap in between episodes is unnecessary for new viewers and old
Lenlo
I mean, aside from whatever happens with Mugaro.
Lenlo
Next episode seems early, out of 24 episodes, for Nina to learn the Prince is Chris, yet that seems to be what the confrontation is leading towards, and then she freaks out and he learns shes the dragon. Becomes the conflict for the rest of the season?
Lenlo
Seems I was right, Azazel didnt predict that Nina might not be so easily riled up as she once was. To bad so sad Azazel, she has someone she loves now.
Kaiser-Eoghan
How useful are these recap episodes anyway/actually? Hypothetically lets say I was feeling lazy and decided to watch tsuki ga kirei starting from the recap episode.
Kaiser-Eoghan
[link src="https://www.anirena.com/?s=blame

http://anilinkz.io/blame-movie"]
Lenlo
So long as there are consequences for how hes acting, then I am ok with it. I just dont want him to turn into some MC hero when hes acting like this.
AidanAK47
And in Re:Creators Sota is still being a goddamn pussy. Now that the exposition has gone down I am really starting to hate this kid.
SuperMario
It's the presentation that they differ. Ghost Hound focuses more on the atmosphere, so those details I mentioned before work for their benefits; whereas Sagrada Reset focus on plots (and confusing themes) so those stick out like sore thumb.
SuperMario
4 episodes into Ghost Hound so far. This show also reminds me a bit of Sagrada Reset this season- the way they both emotional distant, complex plots; keep viewers away at arm's length, and feature characters that have robotic facial expressions. Yet I enjoyed Ghost Hound so far and couldn't engage in Sagrada Reset at all.
SuperMario
@Spike: I was like... "tsuki ga kirei has a recap episode, so let's move on to Kado"... another recap. Tsuki ga kirei I'm not too worry as it confirmed that it'll have 12 episodes, but I'm not confident on Kado
SuperMario
@lenlo: in a sense you have to suffer it all alone. No worries thou as I intend to binge watch it when this season's over
Spike
Kado team crumbled under the pressure. Recap this week.
Lenlo
@SuperMario, im happy I dont have to compete with anyone to cover Berserk :P Got it all to myself to whine about, though its been ever so slowly improving.
Anonymous1100725
Ranka is ranka in any verse.
Anonymous1100725
Bahmut no spoilers. Ranka Lee. She just doesn't get it so everyone dies. As she stands around wondering.
SuperMario
In fact, Okja will play in the Sydney film festival next month, but seeing that it will stream in Netflix at the end of June I think it's best to wait until then
SuperMario
@Kaiser: great, I'm super hyped to watch Okja. Always enjoy Boon's movies. The critic's reviews from Cannes on Okja should come up soon I believe.
SuperMario
@Kaiser: I watched Lain many times over as well but I'm sure that I didn't pick up everything. That show required multiple-viewing anyways.
Kaiser-Eoghan
@Mario: Good news, netflix will stream Okja at the end of this June.
Kaiser-Eoghan
@Mario: Its not often that I rewatch things, but years ago I've seen Lain at least three times, its also one of those few anime series where I felt to look up deeper analysis into it. It had a tremendous atmosphere and was ahead of its time.
SuperMario
@Kaiser: watching Ghost Hound made me want to revisit Serial Experiment Lain and give my episodic thoughts on that. Not gonna happen soon as I have my hand full right now but I swear I'll get to that one day.
Kaiser-Eoghan
@Mario: I actually am planning to rewatch ghost hound soon, so I'll give you my new thoughts on it then.
Kaiser-Eoghan
I always avoided Altair mostly based on it being a shounen action series. Kakeguruis premise involves gambling games, which I don't find interesting.
KTravlos
Kakegurui is on my list. I thought it would be crap (terrible setting etc), but the manga won me over. Princess Principal will be given a chance, so will Shoukouko no Altair.and perhaps Reflection. We shall see. Also Twilight Axis Gundam, as I love the manga team.
AidanAK47
@Anon, Recap episodes exist because of production troubles. Sometimes shit happens when you make an anime.
You are being a bit overally argressive but I do agree with the statement that Ntr is pathetic power fantasy. It really is.
Anonymous1099236
Ntr is a pathetic power fantasy for pathetic people
Anonymous1099236
Why the hell do recap episodes exist. Do they think we're that autistic
SuperMario
I honestly don't even what NTR is so I had to look it up. Interesting
SuperMario
Just a quick remaider that Tsuki ga Kirei has a recap episode this week. And yep, after watching this week's Sakura Quest I think I'm gonna stick with it
SuperMario
Flipping through the list, I'm also pretty know what I'm interested in, most of them are original anime, which is a plus
SuperMario
@Aidan: I'm still amazed that us never have to fight over covering shows, except for that one time with Flip Flappers. Always thought that crappy tastes are the same
Kaiser-Eoghan
*Those two comments were refering to NTR trap
Kaiser-Eoghan
I would really genuinely like to see some of these smut manga actually functionally use fanservice and romantic sex scenes rather than just cheap titilattion
Kaiser-Eoghan
@Aidan: Poorly done ragey drama with bad comedy bits , I've reached a point with it where I no longer want my time wasted by it.
AidanAK47
@Mario, I admit to having passing interest in Princess Principal but not enough to fight you over it.
And Tsurezure Children is actually really really good. Really fluffy love stories with great comedy.
SuperMario
haha, even me who love slice-of-life won't fall for Tsurezure Children
SuperMario
@Aidan: Princess Principal
SuperMario
@Kaiser: The character designs on Centaur kind of weirds me out though
AidanAK47
@Kaiser, Ugh...that one. Imagine a discount scums wish and you get the general idea.
AidanAK47
Mate if you are talking about Fate then let me say there is no way in hell I am not covering that.
Kaiser-Eoghan
NTR as the title of an anime? How shameless.
AidanAK47
@Mario,....Tsurezure Children?
Kaiser-Eoghan
I was surprised by centaur no nanami's manga. Actually cares about its setting and genuinely charming characters.
SuperMario
@Aidan: and this time there is 1 show we might both want to cover ^^
AidanAK47
I will have to start writing up that preview for this. I think it's pretty obvious what I am looking forward the most to watching.
AidanAK47
Links generally work with text if you place them at the end of it. Like so:
http://anichart.net/Summer-2017
Kaiser-Eoghan
[link src="http://anichart.net/Summer-2017
I....I"] might at least try the Vatican kiseki one and centaur no nanami...
AidanAK47
@Anon, Don't believe Clickbait. This is all based on a quote from the author thanking the animation studio and hoping for an opportunity to work with them in the future. What this confirms is that there is no plans for a season 3...yet. Could very well happen in the future. What this confirms is that it ain't happening any time soon.
Puran
Natsume is killing it this season.
Anonymous1094513
RIP Konosuba. Season 3 confirmed to not happen https://www.youtube.com/watch?v=7PvOmsKjcJU.
Lenlo
Im not sure what they are even saying.
Anonymous1092432
lmao Anon 250 got rekt
AidanAK47
Normally I would delete openly offensive posts but seeing as these don't make enough sense to be offensive I will give them a free pass.
AidanAK47
No idea who this Adnan guy is but if he watches gay porn then so what?
Anonymous1092250
adnan watches gay porn
Anonymous1092250
people who watch one piece are just watching gay porn
Anonymous1092250
one piece of shit
SuperMario
Hey, do you guys know about wanna cry ransomware? how's the heck that I just aware of its existence today? Scary@@
Lenlo
Haha will do, but im not gonna compete outside a local, maybe regional level, not anymore. I mostly want to get back into my old shape after 2 years of letting it lapse.
SuperMario
Oh, congrats. Used to play sport in competitive level myself (tennis), but now I feel like an old big fat geezer now haha. Keep me updated on your Fencing as it might motivate me to join sooner ^^
Lenlo
Dont even have to work out to do Fencing, you can just go for fun once a week. Im just trying to get back into competitive shape now that I have my degree
SuperMario
I'm not really big on workin out though; my housemate just keeps asking to join gyming but I always back out, haha. Although I'm okay with running and I'm doing yoga like 4 times a week
Lenlo
Cool. And definitely, give Fencing a try, find your local gym.
SuperMario
When you feel sore it just means it's working, so all good haha. I'm still pretty much interested in try Fencing one day btw. About Uchouten, it's about a bunch of tanuki in human shape wander around and having fun (I'm not serious btw). I think the forst episode of the first season can tell you exactly the tone of the show, so you can watch that episode to see if it's your thing
Lenlo
I both love and hate the post-workout aches. Its what I get for trying to get back into Fencing shape.

Whats Uchouten about?
SuperMario
My love is blind, Kaiser. When I love a show I tend to go overboard with it ^^
Kaiser-Eoghan
I’d forgotten how fun these characters are, although some of the novelty, charm, humour has worn off, it is still there and I’m beginning to re-remember while watching.
I do hope though that they’ll do more with Kaisei and Bonten however.
Kaiser-Eoghan
Annnnd thank you Mario again for your reviews tempting me to watch a show.
I was hesitant sitting down to watch season 2 of Uchouten Kazoku because it had been so long since I saw the original.
I caught up, Nidaime and Tenyama got my attention most, standout scenes were the shogi match and the second half of episode inside the painting, the bits between Yaichiro and that girl.
Kaiser-Eoghan
Honestly I could never do the sleeping on the back thing, thats largely because I heard that it increases the risk of sleep paralysis/apnea.
SuperMario
WHY PROTECTING THEM THEN?
SuperMario
You know that human is the only mammal/race that sleep on their back?
KTravlos
hahaha
Lenlo
Is his wall being built with Mexicans? Are they inside the wall, AoT style?
Kaiser-Eoghan
MAKE TITAN GREAT AGAIN =<
Yes that is true aim of Donald Trump's wall, he's actually in the know, trying to keep out Titans.
AidanAK47
WE SHALL KILL ALL OF THE ANONS.
....Wheres my 3D gear?
KTravlos
they all are anonymous and thus enemies of the human race :p
AidanAK47
@KTravlos, Just to clarify but the guy who wrote " idk wtf " and the guy writing the paragraphs are clearly two different people.
KTravlos
I also dislike anonimity on the net. If you are not in danger of being killed or purged because of your name, you should offer it. It is the right thing to do.
KTravlos
done by a lesser director. Simply put and to end it on my part: Exaggeration is the core of art. You can exaggerate the mundane , but exaggeration it still is.
KTravlos
They focus on it and make it the centerpiece. All motion picture does this, and anime does this very well in my humble opinion. There are things that are "easier" to do in live action. But make no mistake, it all comes down to the director and his team. Despite the fact that Monster is very grounded , some of its most evocative scenes would not work if done live action. Or would had not worked if
KTravlos
Look I was sharp because I do not like the whole idk etf culture thing. Should tell you my age.

What I meant with my words can be made more accessible with this analogy. Do you find yourself moved by paintings? Photos? None of this give the immediacy of the whole picture a moving image gives. And yet we are moved by them. This is because they take a element of reality and exaggerate it....
Anonymous1091057
Anyways, I should stop lol. I just ranted like less than 24 hours ago. Gotta go to uni soon anyways
Anonymous1091057
Whoops, I meant to say, ... or even stuff like Baccano could work in western live action.
Anonymous1091057
Also, I feel like shows that have some western context already infused in them, like most sports shows (i.e. Kuroko no Basket for example), or even stuff like Baccano, but once again it'd be hard to pull of the craziness and coolness of the shows, because a lot of it comes from the shows animation and style.
Anonymous1091057
But also, those shows might just be too weird for western live action.
Anonymous1091057
I don't see shows like One Piece or JJBA for example working in western live action well, at least for a long time till the CGI becomes much, much better so to not to completely destroy our suspension of disbelief.
Anonymous1091057
Those sort of works have a cross-potential for working both in anime and western live action. Then I feel slowly you can start littering in some of the more sci-fi esque ones like Steins;gate, or supernatural horror ones like Death Note.
Anonymous1091057
That's why I feel like the best hope for adapting anime into live action movies and TV shows (TV probably would be better for adapting anime tho), is to start with the more grounded, like Monster or even something like LoGH which has a sci-fi element but still maintains a sort of realism.
Anonymous1091057
There are good western movies and TV shows that are strange, but not bizarre; weird, but not the same kind of say JJBA.
Anonymous1091057
I feel like this difference between the 2 mediums makes it hard to adapt anime into live action, particularly western movies. Most anime are closer to the extreme of creative and zany than the extreme of grounded which movies are better at pulling off.
Anonymous1091057
Or another example is Steins;gate. No other medium could have a plot about bananas, time machines, cell phones, world war 3, and make it work pretty well everything said and done.
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