Posted by psgels on 2 July 2010 with categories: Anime Reviews, Yojou-han Shinwa Taikei




The Noitamina time-slot surely rocked beyond belief this season. Alongside Sarai-ya Goyou aired the possibly even better Yojou-han Shinwa Taikei, the latest product of Masaaki Yuasa of Kaiba-fame. This time, he went for a ton-of-dialogue artsy character-study slash college life series, in which we follow the lead character as he explores a wide variety of different clubs and lifestyles during his years in college throughout many parallel dimensions. And it works out wonderfully.

At first sight, the way in which this series keeps resetting itself after every episode may seem weird at first, but it actually was a brilliant method to flesh out its different characters. Because of its very frequent resets, this stands out even more than series that did similar things in the past, like Higurashi and Umineko. Because of this, we get to see a ton of different sides of the characters that would never have been able to been shown without these resets, and the most important part is that we see Watashi develop in many different ways throughout each episode. The different side-characters all have their own parts to play in Watashi (the lead character)’s world and everything comes together wonderfully in the final episodes.

All of this is accompanied by some truly excellent dialogue. This series is based on an actual novel, rather than a manga or light novel, and it really shows. The dialogue is incredibly fast and you really need to pay attention to keep up with it, but as a narration it offers very detailed descriptions of the situations that Watashi finds himself in, which is nearly always very imaginative in the ways that it does so, with quite a number of witty remarks.

One potential pitfall could have been for the series to lose itself in either its dialogue and visuals, but neither happens. There are a ton of details stuffed into this series in order to make all episodes stand out, but in the same way the main message and characters remain deceptively simple on the outside. In comparison, while Kuchuu Buranko felt a bit like a loose cannon at times, every moment of Yojou-han is instead meant to bring colour to the life in which Watashi is living, and build up for the episodes that are still to come. Because the huge amount of building up, the first half of this series is decidedly less impressive than the second half, but the build-up is definitely worth it.

It’s a series that doesn’t try to provoke the biggest emotional response, but as a character-study it really stands out as a minor masterpiece here, in the way that it very subtly manages to flesh out and characterize its entire cast. Especially after the final episodes, it stands out as my favourite show of the series that premiered during the past spring season.

Storytelling: 10/10 – Fresh, and varied, skillfully combining repetition with new ideas to flesh itself out. Top notch narration.
Characters: 9/10 – The formula really allows the characters to come alive and show many different sides of themselves.
Production-Values: 9/10 – It’s Masaaki Yuasa. Do I need to say anything more?
Setting: 9/10 – Spoilerific to go in detail here but yeah: this one rocks too.

Suggestions:
Mind Game (another one of those movies that I’d review entirely different if I were to watch it today)
Amatsuki
Revolutionary Girl Utena

15 Responses

  1. Topspin says:

    Easily my favorite of the season as well. I’m glad they still make anime like this, when they could easily just sell childish dreck like Angel Beats or over-wrought nonsense like Bakemonogatari.

  2. AuroraFlame says:

    I love this show, it’s hilarious, but it’s a pain in the ass to watch. There’s dialogue spam, which I have to rewind for. But then I spent so much time looking at the dialogue that I didn’t get to see the artwork and backgrounds, so I rewind again. But by that time, I forgot what the dialogue was. It takes me almost an hour an episode…. maybe I have ADD.

    But from what I saw, this and Five Leaves were definitely the best this season.

  3. Puran says:

    Aurora, I think pausing this is a mistake. It tries to overwhelm you with visual/audio stimulation and dialogue, so you should let it do it to you. It also makes rewatching it very interesting :)

    It actually slows down a bit when something more important to the general plot happens, so you’re never lost.

  4. Michael says:

    Toppsin, I’ll take you further than that and say it’s easily the best anime of 2010.

  5. Machi says:

    Hm some notes about this show:…
    I think this show just confirms for the better that Masaki Yuuasa is definitely a director to watch out for. I think there is quite an agreement that he is great however I do notice that nobody every particularly mentions why. There are a few reasons at best, mostly in people impressed by his imaginative visuals and the way he ties in all episodes. However, I’d like to take a stab as to giving reasons why he’s a great director through this show.

    What impresses me greatly about him is simply put his conciseness. I don’t think much people realize this about him since the first thing that does come to mind about him from his successful works that he directed, Mind Game, Kaiba, and now I would say Youjou-han unknown but definitely needs attention Vampiyan Kids, and even less successful venture, Kemonozume is that its brimming with details so much so that it is highly advisable to replay the show. However, as Yojou-han shows he knows how say things with the least amount of efforts and frames. Just take for instance his decision at the last episode at how to convey the idea of an end of a journey (Watashi realizing things) and a start (how Watashi will live now that he’s gotten a new outlook on life). What he does is he reverses the OP and ED, a device many are familiar with to start and end the show, not in order to build up emotion or nostalgia (like say Full Metal Alchemist episode 63 did by playing the OP at the ending to heighten the emotion at the life of Hohenheim) but precisely to emphasize the end and the beginning, all this without having to create a scene or dialogue to bring the point home. Another great example from Yojou-han would be episode 10 itself acting as three things in one episode a summary, commentary, and new episode itself (I don’t think any anime director could pull that off!) I even suspect to some degree that after the first episode he may have decided to pull back from adapting too much dialogue from the novel, since the first episode the visuals and dialogue did compete however at the proceeding episodes it found a way to work together.

    Of course as I speak of his conciseness I would also praise him for the replay value of his shows. There are as people would easily notice a ton of detail in his episode that you’d probably miss out. I don’t think I want to talk about those details which bring so much life to the show but I would like to focus on another sort of detail. The way the entire episode becomes a significant detail itself in the grand scheme of things. Again I focus on Yojou-han to emphasize this point. As Psgels said the first half of the series, mainly the campus clubs, may not be as strong as the latter half but nevertheless are build ups that pays off in the second half. They are the strength precisely because they are one huge detail on itself that act what I think details are often forgotten to be, backbones. The episodes act as the skeleton that supports the entire show, which is why it’s quite clear why each episode never feels as if it were a waste, each episode counts. One cannot appreciate Watashi’s realization without first watching even his most nonsensical failure, the proxy war, or even more importantly skipping out the tennis episode. Heck the I think the strongest episode is the episode that relishes on using the previous episodes as details, namely episode 10.

    Another strength of Yuuasa shines through with Yojou-han. As we see him visualizing that which is abstract, parallel worlds. The repeat of each episode, the subtle changes, along with that which is constant we do see that each world is same yet at the same time different. Each world is expansive yet claustrophobic. The way Yuuasa handled such abstract ideas and paradoxes is I feel brilliant, it never feels contrived or overworked as you understand it smoothly. I feel he does so through such simple details in visuals, namely color (as viewers should pay attention to) which one should understand in better after the 10th episode (which after watching that episode I replayed all the rest). His introduction of such a detail of visuals speaks well of how to inject ones own style, after all if he left to just adapting the material by itself he’d be content to just show details narrated by the book (or to be more precise by Watashi) instead he realizes what he could add himself.

    On the other hand as I praise Yojou-han I do rank it a notch below Kaiba and Mind Game and the reason why is I feel is not because of Yuuasa’s weakness but rather because of his strength as a director. I think what bogged down Yojou-han was that as imaginative as it was in experimenting with the narratives of college life not because of the dejavu episodes (though I will get on this point latter) but rather how easily identifiable the narrative is. Ease in identifying the narrative in that you’ll find yourself realizing early on what Watashi’s epiphany will be. This fault I feel is not something an imaginative visualization could avoid, let’s face it this narrative feels very exhausted with the rise in interest in college life that would also come to the same conclusion. Even more so when the show is a slice of life that we all recognize, we all have to grab opportunity when it dangles in front of us and we all have one way or another our own vision of what out rose colored life would be, so that its so easy to see what path Watashi would take and needs to take (after all his name is only really mentioned once at the end otherwise Watashi as he refers to himself in person is I in other words you yourself). I find this to be a fault in that Masaki Yuuasa looking at a previous work Kaiba has such strong narratives because of we never really see what path needs to be taken or what path will be taken. In Kaiba we start out as lost and as disoriented as the main character, in fact we’re immersed even more strongly as being in the same position as the character himself as for most part he’s mute and simply passive observers much like ourselves). We question the actions taken by the people around him and the world, we may or may not agree with Kaiba. In Yojou-han Watashi we can easily see is a greenhorn still new to the world. We know what path he needs to take and even and even come to that realization much earlier than him, only to be validated later on at his realizations in the second half. The fault of this as I said lies in the strength of Yuuasa, as one recalls another strong difference of Kaiba and Yojou-han. Namely that Yuuasa’s strength lies strongly in expressing the abstract, intangible, and philosophical that which goes beyond the banal. Yojou-han despite all its imaginative setting and visuals is still very much grounded in reality, as its slice of life lessons shine through.

    On the other hand another fault I find as I mentioned with the dejavu is not so much in the dejavu but I as feel in the source material itself. I can’t say I am entirely familiar with the book the anime was adapted from but I do think while Masaki Yuuasa’s injected his style the style of the sources author is still very much present. A style which I think is incredibly verbose, compared to Yuuasa whom I feel speaks volumes in his visuals. I do feel it bogs him down as he can’t necessarily spread his visuals as much as he could, for if he did we’d have something more conflicting in the balance of visuals and dialogue. Yuuasa managed to find quite a great balance of visuals and dialogue after the first episode, at that same time however his visuals could never explode the way it did in Kaiba as it constantly portrayed something beyond our imagination (as one can clearly see just how imaginative Yuuasa is). I’m not saying the source isn’t imaginative, it certainly is, but that Yuuasa is such an incredibly imaginative man that you know he can achieve more. Nevertheless, Yojou-han is indeed a masterpiece that showcases the strengths of Yuuasa, and as such is my reason in saying he is a great director.

  6. Puran says:

    Machi, wow that was a long post… :P

    I thin Yuasa’s imagination really shined in Yojou-han though. The setting was realistic so he had much less room to experiment visually (compared to say kaiba, where he could practically show us anything he wanted, since we didn’t have any set expectations from the setting).

    Yojou-han was filled with visual tricks that actually complemented the story (maybe Yuasa should give some advice to Shinbo sometime… :P ). I think you are focusing too much on the visual side, expecting more crazy stuff too happen, while Yojou-han was always a more or less, down to earth story. I think it fit Yuasa perfectly, he is trying new things, you can’t expect every one of his series to have the imaginative setting of Kaiba, or the craziness of Mind Game. Yuasa has a strong imagination but that’s not his only good quality and this series let him show that.

  7. Machi says:

    Oh I’m aware his imagination isn’t his only strong point. His imagination does shine through as we see that injected well into the narrative, at times even bursting over. We do see it well in this series as he transform the mundane to something fantastic. However, I do feel that with this he did have to pare himself down, which is a double edged sword, but did so nicely. What my quibble was that Yojou-han despite being transformed into the fantastic is still very down to earth, what I found to be Yuuasa’s strength is that he could handle very abstract concepts (such as memory) that most people would shrike or overwork that I do feel allows him to shine more. The source is abstract no doubt but very much still mundane. Yet, this show DOES show his good qualities no argument there.

  8. Machi says:

    God I wish this thing had edit… In the end Puran I would say that Yojou-han is undoubtedly a masterpiece.

    As for whether to really rate it higher or lower than Kaiba. I would say it doesn’t matter as that is a matter of preference, that’s why I emphasized that the very long post is purely my own opinion on certain matters. In my case I have more of an inclination to the wilder and more abstract topic (I love the topic of memory some of my favorite films are about memory La Jetee & the Resnais films from Night and Fog to Muriel). Others will easily find beauty more in how pared down but still highly imaginative this down to earth but fantastic series is. In fact I would easily now say that Yojou-han is better way to introduce oneself to Yuuasa, precisely because its a great showcase of what Yuuasa has to offer at his best but at the same time not to jarringly radical as the earlier works (which I do have trouble getting friends to watch because they can’t swallow the animation style, this I think would be easier to get them to watch.)

  9. Topspin says:

    @Michael, yeah I’d say so far it’s the best of the year. And summer doesn’t look like it will given it any competition.

  10. Michael says:

    @Topspin
    Whenever I could write about a series and only that series for nearly three months, cry at its ending, and just love its characters, I know I’ve watched a series that just comes a few times during my lifetime.

    Tatami Galaxy is one of those series. I’ve never really written consistently on a series as consistently I did with Tatami Galaxy. It’s amazing.

  11. AuroraFlame says:

    @Puran
    I find that I get distracted wondering about what they said if I blatantly miss an entire line. But there is some discretion: I understand what the writers are trying to convey and, like you said, the big moments are easy to identify and much more difficult to ruin.

  12. thomas says:

    Enough stuff is repeated – especially the important stuff, I don’t think it’s necessary to rewind anything.

    I love the way Yuasa plays with symbolism; you can rewatch the entire show and you can see they planned everything perfectly from the start.

    Yuasa’s easily my favourite director, his quirkyness and experimentation and imagination is exactly what I love about anime.

    Best show of the year by far.

  13. thomas says:

    I think you could have added a bit of depth to this review by quickly analysing some of the key philosophies that Yuasa so beautifully expressed: Accept who you are. No matter what you do, you are you and everything you do will be a part of you. Accept who other people are, at first glance you may be quick to judge but there multiple sides to everyone. And last but not least: Have no regrets. No matter what you choose, your life will never be perfect, but that’s okay!

    It’s all incredibly optimistic and I personally would’ve been okay with a slightly more cynical conclusion, but let’s face it, we all wanted the romance thing to work out for Watashi.

  14. chounokoe says:

    The only thing I would like to add is, that I have slight problems with how everyone is labeling Yuasa the creative genius lately.

    Yes, he has definitely creative vision and his adaptions always add something to the original work, be it in content or visually.
    Nekojiru, Mind Game and Yojouhan were only rewritten by him and in case of Kemonozume and Kaiba he was only the director, not writer.

    Therefore, while I agree that he always adds his very own creative technique to an anime, I wouldn’t label him responsible for ‘the genius that is Yojouhan (for example)’.

    But I think that is also the only problem I have with your blog sometimes, psgels. Sometimes it seems like you deliberatly blind out the fact that something is an adaption.

  15. psgels psgels says:

    chonokoe: yeah, I agree that at times I tend to ignore this, yeah.

    However, you should note that Masaaki Yuasa not only directed Kemonozume, but also wrote its series composition and worked on as many parts of that series as possible. With Kaiba, he is also credited as the one who originally came up with its premsie (it also doesn’t seem to have a series composition).

    With Yojou-han, I indeed forgot to credit the mysterious Makoto Ueda:

    http://www.animenewsnetwork.com/encyclopedia/people.php?id=85031

    But the problem is that there just doesn’t seem to be any information about this guy.

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Kaiser Eoghan
*last two
Kaiser Eoghan
I'll leave it to someone else to pick the last one.
Kaiser Eoghan
Might add trouble every day by Claire Denis and Livid by Julien Maury.
Kaiser Eoghan
Thanks for that. So now its under the shadow, return of the evil dead 1, dagon, from beyond, re-animator, haute tension, nekromantik, the tunnel.
Kaiser Eoghan
Ah I had forgotten, I'd meant to see Haute tension.
Kaiser Eoghan
Of those I haven't seen nekromantik or dead things.
SuperMario
That's all I can think for now. I'm sure K-off and others will have more inspiring suggestions down the line
SuperMario
For pychological edge: Haute Tension, Lake Mungo, Three... Extremes (actually the 3 shorts are all interesting), The Tunnel 2011 (underaprreciate Aussie found-footage)
SuperMario
For sick minds, Man Bites Dog, a Serbian film, Der Tolesking, Human Centipede (1&2)
SuperMario
Alright, for pure horror pleasures: Necromantik (1987), Green Inferno, Dead/Alive (my childhood's nightmare), Children Shouldn't Play woth Dead Things (more like a guity pleasure)
SuperMario
Haha scary indeed
Kaiser Eoghan
@Mario: The scariest thing about the haunting was that a remake of it exists that betrays the original.
SuperMario
Now, let me check my own horror list for more reccomendation
Kaiser Eoghan
Hahaha! Possession predates urotsukidouji =P in terms of the tentacle monster thing.
SuperMario
And I heard that the Haunting (1963) is good as well. Some david lynch movies (Lost Highway for example) could be claasified as horror too
SuperMario
Shame he passed away early this year. But he did say that the violent relationship in that movie was based on his own divorce.
Kaiser Eoghan
@Mario: I think Polish directed films are apparently rooted in theater. Though I believe he is a Dadaist.
Kaiser Eoghan
@Mario: Apparently Possession and diabal, all of his works are full of hidden political messages.
Kaiser Eoghan
@Mario: That director is genuinely off-the wall insane, silver globe and l'amour braque actually make that look sane.
SuperMario
Possession the movie that Isabelle Adjani stared in? God, that movie exhausted me
Kaiser Eoghan
Innocents was so much better than its remake the others, the atmosphere was a lot lot stronger too, black and white really adds to the mood too.
Kaiser Eoghan
ha! I loved those.
This year I'm looking for silly horror movies predominently.
SuperMario
Let scare Jessica to death; the innocents 1961, Kill List, goodnight Mommy
Kaiser Eoghan
My alltime favourite horror film is Possession.
Kaiser Eoghan
No fuck it, no sequels. Currently it stands at under the shadow, return of the evil dead 1, dagon, from beyond, re-animator.
SuperMario
Too lazy to check out which horror movies that you've watched, but sure I can reccomend you some, from shitty to pure camp.
Kaiser Eoghan
Actually wait, under the shadow is out next week so that means I only need 5 more.
Kaiser Eoghan
Or maybe a 12 days is more feasible, easier. So that brings it down to six more. Guilty pleasures accepted.
K-Off
Any room for shitty horror in that list?
Kaiser Eoghan
I have to do a 30 days of halloween list soon. Want to limit it to horror films I haven't seen. So far I have the return of the living dead trilogy , dagon, from beyond and the re-animator.
Kaiser Eoghan
I also recently watched stranger things. I felt it did right by its 80s throw back, straight down to the references, score, costumes. Pretty cool monster too and the younger actors I thought were mostly good. Kind of slightly reminded me of the goonies to a small extent. I think it succeeded in being fairly heartfelt. Although I did find it a bit padded.
SuperMario
About the new season, I'm more interested in how these dark horse titles will turn out: Flip-flappers, ClassicalLoid, Mahou Shoujo Ikusei Keikaku, Yuri on Ice
SuperMario
@Aidan: I had Stranger Things on my queue list for a while now, but don't plan to watch it anytime soon. Glad you enjoy it.
K-Off
ReZero is the only show I finished in about 2 seasons. Hopefully the Working spinoff is up to par.
AidanAK47
Hoping things change when the first episodes start airing of the new anime season.
AidanAK47
Things have gotten quiet here. I plan on getting my Mob psycho review up today. I have to say that the next season doesn't interest me very much. There's some great stuff coming next year but the fall is looking pretty...meh.
AidanAK47
Finally got around to watching Stranger Things. Good show, I like the nostalgic way they tell the story though at times its too Spielberg/King. I admit that I can't say I was blown away by it. It's good and I will be watching the second season. But it's a tad.. predictable. Those child actors did a great job though.
K-Off
@Bam I'm not certain the email I have is one you actually use, so here it is: (https://docs.google.com/document/d/1QWnGcuVQuXfOJuh80SDgtiZH4X6Zya_XEG2ZOM6u-5k/edit?usp=sharing)
It's pathetic right now, I'm sorting out my arrangements for Seoul first.
K-Off
@Bam I'll send you the itinerary in a few hours. Appreciate the offer for guides but I'll decline on that, otherwise it wouldn't hurt to have additional contacts in japan. The person I'm traveling with is half Japanese, so I trust that we won't run into tourist traps.
SuperMario
It logged me out again. Oh well! That was me Bam
Anonymous207007
@Bam: the first time I've ever heard of Chinchilla. Sorry to hear about your pet. Don't feel bad about the late post, it's perfectly fine. After all, we all volunteer to contribute here, so no pressure on the timing. Just write whenever you feel like it really.
Bam
Can anybody else see these?
Bam
@K-off: right on m8, I'm excited for you. Email me your itinerary and I can not only recommend some spots that aren't just basic tourist-traps, but can also hook you up with some friends to take you around and show you what the real Japan is all about.
Bam
I was planning to release the posts just as scheduled, but my Chinchilla suddenly got ill, and given the exotic nature of such pets I've been in and out of dozens of veterinary clinics. Over a week later and $600 spend, the poor thing finally gave out. I've been pretty out of since it happened, but again sorry for just disappearing.
Bam
I am actually still breathing. Sorry again for the unceremonious absence.
K-Off
@anon196168 I'm all ears for suggestions.
Anonymous196168
If youre going to japan maybe you could do something more unique than just taking pictures of locations? Plenty of those already on Google.
Kaiser Eoghan
Noticing a server error showing up on the shoutbox there.
AidanAK47
Good point, normal users generally just stay anono. ke69Vin?...69...really....that's just sad humor right there.
K-Off
That was most definitely little Kevin as well. 9vinke6 is obviously an anagram.
AidanAK47
@9Vinke6, I don't know what you are trying to share but it ain't an image. Deleting your comment as I don't want dodgy files on the site.
Anonymous181098
Are you kidding??!! Tokyo is amazing if you want excitement & you want to experience social life. But I agree go to Osaka. If tokyo is like Quebec then osaka is like toronto. More laid back
Anonymous180231
OPM was a shoe-in. It's showing very good success on Adult Swim on US TV and Viz is throwing big dollars to keep the gravy train rolling
AidanAK47
One Punch Man season 2 was announced. Expected but most certainly welcome.
...now I need Re:Zero season 2.
CJayTiiii
Honestly, if you are going to Kyoto essentially no shrine is worth visiting in Tokyo because none of them are as nice as the ones in Kyoto and they are essentially all tourist traps.
K-Off
If you guys insist I'll give Osaka serious consideration. But again I'd hate to gloss over Kyoto or Tokyo. But anyhow my 4 week stay in Seoul will be eternity compared to the Japan trip.
CJayTiii
Ikebukuro is probably used almost as much as shibuya? Specifically for durarara right around the station (east side) is used a lot. Kabuki-Cho in shinjuku is definitely used a lot but I couldn't tell you in what off the top of my head.
CJayTiii
Also as someone who lived in Kyoto and now lives in Tokyo, I would suggest spending as much time as possible in Kyoto as there is just so much stuff to do there. Tokyo there honestly really isn't that much stuff to do here other than going out to drink I feel. Lol also Osaka is only a 30 min train ride (about 5$ USD) from Kyoto so it's easy to go there for a couple hours
K-Off
@Mario I'll be home by new years unfortunately, I'll have to settle for Christmas in tokyo.
@CJay Thanks, any suggestions for Tokyo? I'm trying to avoid cliché locations for anime-related scenery. Like Shibuya.
CJayTiii
For Kyoto, Tatami Galaxy is probably the best anime for side by side comparisons. Kamogawa river, Kiyamachi street, and shimogamo shrine are famous areas that pretty much constantly make appearances throughout the show.
SuperMario
@K-Off: Disney Tokyo? haha If it was me I've chosen somewhere more... locally. But who I am to judge as I celebrated last New Year Eve in Times Square, the most tourist spot of them all. But I really hope you can spend some time to go to some shrines for the New Year in Tokyo.
K-Off
@Mario The person I'm travelling with wants to spend Christmas at Disney Tokyo, and unsurprisingly nearly all places will still be open, same as NYC. Christ, I'm more worried about my wallet.
SuperMario
@K-Off: Makes sense. I'd say better stick in one place for long days rather than short trips in several places. Even 10 days for those 2 places wouldn't be enough imo, well especially during Xmas since the streets will be busy and many places could be closed (I guess?)
K-Off
@Mario It doesn't seem like I'll go to Osaka, the goal is to explore Kyoto and Tokyo and much as possible for a week and a half. If I can squeeze it in there I will, but that means spending less time in Kyoto and/or Tokyo. The bulk of my trip will be in Tokyo for now.
SuperMario
Yeah, Kenshin had a whole Kyoto act, but it was more historical anw and I feel it didn't explore the city that much (more of a ruined city)
Really, only uchoten Kazoku, tatami galaxy and durarara come to mind. Are you planning to go to Osaka as well? I heard from my friend Osaka is about an hour drive from Kyoto only.
K-Off
@Anon174851 Ah good one.
@Mike Thanks. Durarara is a good suggestion, but I haven't watched Rurouni Kenshin.
Mike
@Kaiser Sure, the story doesn't do anything for me but it's not a waste of time.
@K-Off You can do pretty much anything in Tokyo I'll bet. Anime in general aside from shows like Durarara don't emphasize the setting very much... Kyoto is more interesting, rurouni kenshin is the first thing that comes to mind.
Anonymous174851
uchouten kazoku is a really good one set in kyoto!
K-Off
Haven't heard of it. Anyways, do you guys have any suggestions for favorite anime series set in Kyoto or Tokyo? I'm planning my itinerary and the idea is to take a lot of side by side comparison pictures from their anime depictions to RL. I have YuruYuri, SYD, Detective Conan, and various KyoAni spots in mind, but my brain isn't remembering others.
Kaiser Eoghan
I'm considering finding some War/military manga to read, has anyone read Gunka no balthazar? Is it worthwhile?
AidanAK47
@Anon164960, They announced a second season for it so they ain't done with that trainwreck yet.
Anonymous165129
Gate
Anonymous164960
So Rewrite took the "Bad End" route. Interesting. Their choice, not the show of course which was a freaking mess from start to finish.
Kaiser Eoghan
Ah, reminding me that I have not left Ireland since 2012 when I went to Rome. Although I have floated around the idea of maybe going to Slovakia.
K-Off
@Mario Thanks, although I'll be working the whole time I'm at Seoul with sundays off. Expecting about 40-50 hours of work a week. Sucks that your trip got canned, in the Winter there's no place you'd want to be other than southern California.
SuperMario
Congrats K-Off. Hope you enjoy the trip. I myself originally planned to go to US on this December but now the plan got wrecked. Should be fun spending Xmas in Japan especially
K-Off
Got my international drivers permit from AAA today, and it also looks like I'm stuck with over half the travel fees since I've signed myself off the agency plan. It's now official, I'm going to Seoul and then spending my christmas holidays in Tokyo. Been a long time since I left the country, last time was in 2011.
SuperMario
That was me Mario
Anonymous140274
@Masky: it wasn't, but Gui Niao did mention the pipe has multi-purpose functions: do far he uses the pipe to write, to create a hallucination smoke, to make an actual bushfire, to open the lock, now to be a sword-pipe. What's next? To be a wifi modem? to be a boomerang? to shapeshift into an umbrella?
Masky
So Thunderbolts Fantasy :D Totally called the pipe being a sword (assuming it wasn't shown earlier and I just forgot about it)
AidanAK47
@Anon146321, typos are hard to avoid when you write fast. What's really important to is that the point gets across, which it did.
Anonymous146321
Medium not meduim
Masky
I wonder if trolls consider people explaining why their trolling is bad a successful trolling .-. I mean, my experience is that most of trolls aren't really smartest or most creative of people, I think most of them are happy if people just talk about them.
AidanAK47
@Anon141285, oh come on boy. Put some effort into trolling. You need to get people to actual think you believe what you are saying. Here you have already messed up because you use the old "Chinese cartoons" which is supposed to piss of anime fans because it suggests you are ignorant of the meduim but then you reference the nukes showing full well you know where they are from. You have failed.
Anonymous141285
Chinese cartoons proof that two nukes weren't enough. Or were too much depending on the perspective
SuperMario
oh, talking about teenage horror female movie, make sure to check out Raw whenever its available online. That is one hell of a fun cannibal ride!
SuperMario
my point is we tend to spend our stupid 20s phase feel like its wasted, but really it does help develop our hobby/sense/wisdom, whatever it is.
Kaiser Eoghan
I find myself now that I've grown up wanting to punch kid characters from horror films lol
Kaiser Eoghan
About the watching stories with younger female characters...its starting to feel like I shouldn't be or that it doesn't feel appropriate, actually sort of awkward/skeevy.
SuperMario
True enough. But remember that even Quentin Tarantino had his 20s basically just a movie-clerk, watched movies like a maniac and he made that classic Pulp Fiction when he was like 33
Kaiser Eoghan
Looking back It feels dickish that I laughed reading NHK.
Kaiser Eoghan
I mean look at Re-life, I mean ow, everyone went through that.
Kaiser Eoghan
I think we'll find that stage where we'll get irritated by stories reminding us of our stupid 20s phases eventually just as some teenage focused anime/manga annoyingly remind us of being teens.
Kaiser Eoghan
In terms of anime/manga, much as I'd still see myself liking NHK I could see myself getting more frustrated with the lead character now being in my early 30s.
Kaiser Eoghan
In the past year I've been looking at hentai/ecchi imageboards not as often as I used to.
Kaiser Eoghan
Judy Delphy and Juliette Binoche have aged surprisingly well...
Ah its less fancying/finding them attractive, moreso taking notice of them.
SuperMario
I can understand the others but Meryl Streep too? Man, you're aging I can tell
Kaiser Eoghan
@Mario: Julianne Moore, Isabelle Huppert, Meryl Sreep, Susan Sarandon, Cate Blanchett.
SuperMario
@Kaiser: like whom if I may ask?
SuperMario
But I'm always interested in women issues myself so Mustang just hit me hard
Kaiser Eoghan
Its a sign of me aging I guess too. I'm noticing older actresses too now where I wouldn't have in the past.
SuperMario
Looking forward to Under the Shadow too, also really keen to see how The Bad Batch would turn out to be
SuperMario
Strangely I've become more engaged with teen, coming-of-age films recently (well, Aku no Hana is sort of teen drama as well),but yes, old man's psyche is my thing too
Kaiser Eoghan
@Mario: Synecdoche, the passenger, winter light, anomalisa , wild strawberries , la notte for example.
Kaiser Eoghan
@Mario: The day is coming where drama centred around twentyboppers won't have the same level of effect on me. Had I seen buffalo 66 5 years ago I would have been all over it. Old man/middle age angst is becoming more my thing.
Kaiser Eoghan
@Mario: I'm honestly having a harder time getting into films that focus on young girls/teenagers.
Kaiser Eoghan
@Mario: Theres only a few upcoming films left I'm looking forward to, Elle, Valley violence, whispering star and under the shadow.
Kaiser Eoghan
@Mario: I appreciate mustang for the issue it deals with and addresses but I felt it predictable and the drama didn't hit harshly enough. It feels like an academy/oscars film.
SuperMario
Kaiser: remember I mention about watching those 96 Cannes line-ups? I think I will get to watch them soon, since I downloaded all the movies already
SuperMario
@Kaiser: btw, you hated Mustang? It's also one of my favorite film so far.
SuperMario
but maybe think of it that way will make the manga more entertaining...
SuperMario
You see Aku no Hana as a dark comedy? haha I'm speechless
Kaiser Eoghan
Like you Mario I don't care for heavy infodumping and that took me out of the new world.
Kaiser Eoghan
Bebop had that problem for me in that I saw outlaw star and trigun first.
Kaiser Eoghan
I still feel aku no hana is a guilty pleasure manga, a crazy dark comedy or maybe thats just my humour.
Kaiser Eoghan
Hataraku had me laughing up to episode 7, while Amagi felt stale from the start.
Looking back on Baccano I still like Claire and Russo but the other characters not so much, the main series is enjoyable enough but the extra episodes hold back the score.
I've never watched Habane straight through although I have finished the series. Ghost vs ergo? Ergos final episode wrecked the show.
Topgavin
I thing Hataraku was a lot more consistent, but Amagi had some standout episodes. For me the OVA, the pirate ship episode and the school episode were great. "Simply put, we have to go lewder" is one of my fav quotes
K-Off
How was that by the way? I never bothered to watch Amagi Brilliant Park all the way through because I felt so cynical about it after the first two episodes. Hataraku Mao Sama on the other hand was genuinely refreshing for the first half of the season.
SuperMario
In other news, The Eccentric Family is getting 2nd season. Now I'm filled with joy
SuperMario
Still feel bad to compare an 1-cour series (Baccano) to an 4-cours one. But in this case Baccano would take my cake.
Topgavin
I reckon The Devil is a Part Timer vs Amagi Brilliant Park would be a fun one, and I wouldn't know which would win.
AidanAK47
Baccano vs Durarara might make a good matchup. Baccano is the better one but Durarara does seem to be more popular.
Syndrome
Yeah it is a bit obvious and they dont share much in common anyway. Just that they are two of the most well known anime out there. I enjoyed NGE more than Cowboy Bebop, but I agree on the later beeing overall a better anime.
AidanAK47
Oh look. Berserks Manga is on Haitus again. Muira...just..at this point I ain't even mad. Just disappointed.
SuperMario
Well, new post on Flowers of Evil is out. Come eat it up.
SuperMario
@Syndrome: was thinking about that match-up (NGE vs Cowboy Bebop) but isn't it too obvious? I always intend to pick something that caught you guys off-guard haha
AidanAK47
@Syndrome, no contest. Cowboy Bebop wins outright.
Syndrome
On a serious note, for related anime, I would be curious about something like Ergo Proxy against Ghost in the Shell
Syndrome
Go for NGE vs Cowboy Bebop and watch the world burn
SuperMario
Yeah, I agree it's one of the main factors, but even so From the New World had a higher grade too. But I wouldn't pick Haibane Renmei against From the New World if I didn't think it had a chance to win. Those who loved the former really loved it, while people more appreciate From the New World than actually love it. Well, can't beat the consensus I guess.
Topgavin
I'd say a major reason for that would be the popularity difference. On MAL, Haibane has a following of 110k people, with FTNW having 270k.
SuperMario
I'm personally quite disappointed with the results. Will try harder for a more competitive match-up next time
AidanAK47
@Mario, if you say so. I say by now the victor has been decided.
SuperMario
@Aidan: we don't need to sticky the Versus Show again, as I will put up the Aku no Hana post tomorrow anyway
AidanAK47
Yeah the brightness got a bit much in some places after episode 18.
Topgavin
I thought the brightness was done well in the episode with Rem sitting beside Subaru's bed and her smiling/crying, but yeah this was too much
SuperMario
@anon125687: my thought exactly. While I was watching it I thought to myself that it's too bright!!
Anonymous125687
Why do final episodes overdo the blur effect and fuzzy lighting its literally over dramatic cancer. Just let it end normally ffs
afgm
Well, it's hard, since it doesn't really feel finished, so even if you know it will eventually end well if given a chance, you can't really put your full confidence behind those bets
AidanAK47
Got a bit long winded in that review and yet I feel like I really didn't get across what makes the series so good.
AidanAK47
Well that's the Re:Zero review written up. I will get to work on 91 days next and maybe Prisms Illya maybe after that. Lost all entuasim after they messed up that last episode in Illya. Overall it's been pretty disappointing.
AidanAK47
As for that twist. I think they could work it easily into a first episode. The impact would still be there for people marathoning the thing in the future and it would be a good "Oh Shit!" moment to start the second season. If they jump ahead a bit to a certain moment it would actually make for a great opener.
AidanAK47
I say the only chance of season two not coming would be if White Fox doesn't like money. Considering that the pace which the light novel adaption has sped up from every few months to a release every month I guess that they want to make that second season as badly as we want it. At this pace they could start a second season in maybe a years time. Maybe every half a year depending on cour length.
Syndrome
Also, if season 2 ever come (that would be a surprise if not, and truly annoying), I dont know how they will manage with the "twist", as something this impactful would come way too fast without any kind of setup. Wait and see, I guess.
Syndrome
After seeing the last Re:Zero I couldnt help but spoil myself, and I kind of understand why WhiteFox went with that kind of ending, skipping what would be a giant shtstorm on the internet. Even though, in a sad world where there would be no season 2, Im still a bit disappointed with the ending. Its nice to wrap it up this way but its a stale regarding the plot and there is no food for thought.
SuperMario
@aidan: you sure are fast when it comes to Re:Zero haha. Alrighty, we'll go with that then
AidanAK47
@mario,I am putting up a Re:Zero post. Tommarrow. I will unsticky it for a day and then we can sticky it again.
reaLjustified
@K-Off No worries, it's so messed up. Stay safe.
SuperMario
@Aidan: if you going to post Re:Zero review soon, you can unsticky the Versus Show post, otherwise I will take it down in 2 days
SuperMario
@K-Off: I feel for ya. Glad that there were only minor injuries. I heard a blogger claimed that he did it because of the gay rights. Sound bullsh*t to me
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