Posted by psgels on 4 July 2010 with categories: Anime Reviews, Full Metal Alchemist - Brotherhood

Because the first season of Full Metal Alchemist went with its own story, it turned out to be one of the most famous anime of the decade, and the manga was finally about to finish, it maybe wasn’t much of a surprise that Bones ended up animating the story of the manga. And they really made sure to give it a top notch treatment here!

Especially in the past few years, the trend has grown in which series should consider themselves lucky if they can get 26 episodes, or even enough time to animate the entire story on which they’re based. Full Metal Alchemist is different, however: with 64 episodes, it received just the right length in order to tell the full story of the Full Metal Alchemist manga, and boy is it an awesome one!

The story here is completely different from the first season, but I ended up liking it a lot better with the different focus. It’s still focused on a ton of action-scenes, but the story around it is deep, well fleshed out and mature, especially for a series with many shounen elements. The world that the series is set in is well fleshed out, multi-layered and quite detailed.

Another huge focus of this series is the time it spent on characters preparing. With the epic nature of this series, a lot of time is actually spent on the lead characters, finding allies to help them. The cast of this series is huge, but everyone in this series has his or her own part to play in the large scheme of things. The length also allows the creators to really look at all of them and their motivations, backgrounds and purposes, in order to make all of them unique, with excellent results.

What you get is an epic action series with plenty of depth to come by, carefully paced and wrapped up in the end with a finale that’s full of adrenaline. However, you should note that the first fifteen episodes or so follow pretty much the same story as the first Full Metal Alchemist TV-series, and it’s clear that at that point, the creators try to get through these parts as fast as possible in order to get to the new material, compared to the very slowly paced first season.

It of course depends on how keen you’re into seeing the same things again, but there are some notable differences between the two. Brotherhood cuts some of the useless fluff of the first season away, like the moments that were just there to show contrived situations for the lead character to save the day, though it also cuts away a lot of the minor character-building scenes. Don’t worry though, because after 16 episodes, the series continues with a completely different story that in my eyes completely surpasses the original Full Metal Alchemist.

It’s a definite recommendation if you’re looking for something epic. Despite being 64 episodes, Bones keep a surprisingly good animation quality throughout the series, especially the action-scenes themselves look gorgeous for such a long series. The soundtrack also fully captures the grant atmosphere of the story, and will make sure for a show that will keep you entertained.

We here have a series that really made excellent use of its opportunity to finally show an epic story that goes beyond even 52 episodes, while always keeping on track and not losing itself somewhere in the middle. The creators had a really excellent manga to base themselves on, and even though they did not keep to the manga for 100%, the way they brought it to animation still deserves to be applauded.

Storytelling: 9/10 – Well paced and varied in the long run, exciting and engaging in the short run.
Characters: 9/10 – A ton of different characters, most of them get their chance to show off themselves and get some depth. Plenty of character-development as well.
Production-Values: 9/10 – Great animation from Bones, plus an excellent soundtrack.
Setting: 10/10 – Excellent in its depth and multiple layers, focusing both on the big picture as the individual details. Successfully brings many different stories together.

Bounen no Xamdou
– Vision of Escaflowne
Nadia – The Secret of Blue Water

42 Responses

  1. Watcherzero says:

    Maybe im the odd one out then of prefering the original, now the series are identical for the first 25% or so (though second series covered events faster) but I though the anime writers did great work at guessing what direction the manga would take, and you have to admit they guessed a lot of what would happen correctly.

  2. Bruce says:

    I still have to finish this; still on episode 58.

    I thought the first series had much better drama, but not nearly as good of a plot (and that movie was just a dumb attempt to make money).

  3. Kim says:

    Fullmetal Alchemist is a very special series to me. It’s a series I followed for about 6 years and it’s probably the only long time series I have followed that has not let me down once. Brotherhood did not exactly live up to the manga for me (but with how I feel about the manga that was probably an impossible task). Still I am glad Brotherhood was created for people who don’t read manga who could discover this series as well.

    @ Watcherzero the first anime team did not guess. Arakawa told them her ending from the beginning and asked them that they make a different ending from hers. I am guessing they just kept some similar plot points. Still the themes and the way the characters developed are quite different in the two series and that is why I will always prefer the manga/Brotherhood. For me the manga was always about hope and pushing forward despite what happened in the past. It was also very much about the human spirit. That humanity might be weak but we don’t give up and we rely on others that is our strength.

  4. JBM says:

    Both the first and the second series had their good and weak points. The drama is much more emotional and heart wrenching in the first series but everything as a whole was more cohesive in the second series. And just like what psgels has pointed out, the series was very good at producing a stunning climax after a good amount of build up unlike the first series which IMO fell flat in the end after what I believed was still an amazing build up and the follow up movie just made it worse. Anyway, it was one hell of an amazing series. The comparisons will now come in threes: the first series, the second series and the manga. It all ends up with a matter of taste. I prefer the second series and in some aspects and chapters, I prefer the anime version over the manga counterpart. But all in all, the FMA franchise is amazing.

  5. Patrick says:

    As JBM pointed the first series (should not be called 1st season) was MUCH more “emotionally engaging”, and for me that’s what made FMA, at least for me. In the second series I watched 15 ep or so and found I felt nothing so I dropped it.

  6. Denizen says:

    The first series was not “emotionally engaging” in so much as it was just melodramatic, forcing soapy drama in places it didn’t even need to happen. Here’s a flashback, this is serious, omg how sad, etc.

    The second series was dramatic too, but it usually applied it in more striking and upbeat ways – for example, my absolute favourite scene in Episode 19, where Mustang kills Lust, was done in a way to make it as impressive and simply badass as possible. No depth, no heartbreaking last wishes, just an awesome climax.

    The first series probably would have tried to make it into some emotionally charged scene about “Lust’s last regrets” or something like that, when it just didn’t fit.
    FMA was always intended to be a homage of sorts to B-Movies, so it always had cheese to balance the more serious storytelling – the first series didn’t have this, so by using Arakawa’s setting it always ended up not quite working. The new series just worked much better.

    Also, wtf, dropping a series just after its started going in its own direction? That’s so dumb.

  7. Patrick says:

    Denizen It’s your opinion and I respect it (not your way of doing it) but I feel otherwise. I just felt nothing watching second series I don’t know how to explain it better.

  8. kagura says:

    Have you actually read the whole review? ‘Cause psgels states pretty clearly that the first fifteen episodes cover the same material as the half of the first anime did, and that the creators probably wanted to get through those episodes as fast as possible, in order to get to the real meat of the story. So yeah, no wonder that the emotional impact of the first anime would be lost (although I agree with Denizen that it was too melodramatic for its own good). I think you should give Brotherhood a second chance before passing such a definite judgement.

    And psgels, this is really an excellent review, so all I can say is “thank you” :)

  9. Hana says:

    @ Patrick: You shouldn’t have dropped it after 15 episodes. That’s when it started to actually get good.

  10. jimao says:

    bunch of guys beating up a boss who wants to take over the world, and with no sacrifices on the good guys’ side (hell even mustang’s eyes were healed)…

    I understand everyone has different taste but this is ridiculous that no one here is standing up for FMA-2003.

  11. jimao says:

    @patrick: good decision. Brotherhood starts off as shounen, and quickly degerenates into even more shounenish cheese. I defy anyone to tell me the difference between brotherhood and yuyu hakusho, if there is any.

  12. MarieLuise says:

    The 1st series was a mess and full of plot holes but there was something incredible touching and intriguing about it. I felt so much for the characters. I remember Ed dying at the end, it was heart breaking. Even though I never really enjoyed the additional movie, there was bitterness in it which I really liked. It made me think, guess what it was all about. Maybe I just had this feeling BECAUSE the whole story Bones came up with made no sense, but it was extremly exciting to watch.

    And FMA Brotherhood? The story is much better – no doubt about that. And Bones did a better job I ever expected. But seriously: what should we learn at the end? What was it all about? I especially think about Ed fighting with father after Al went to the gate to give Ed back his arm. There was so much hatred in this scene (Ed extremly angry, the soldiers started to cry out loud: destroy him! Destroy him!), so again: what was it all about? David fighting against Goliath, killing him and dancing over his head? I know Arakawa put a lot of thouhgts in her story (Panteism etc.), but yeah.. in the end it was just about fighting, killing, winning, standing up and so on. It felt emotionally empty for me. Not to mention that I found it hard to understand and feel sympaty for characters like Mustang and Hawkeye. How many people did they kill in Ishbal? You can argue that was one of the good (and mature) points of the story (no black-white characters), but for me the whole series was full of strange morals. Not to mention that I got the impression Arakawa glorified the army the way she was portraying Olivier and her soldiers. Yeah, and Mustangs goal always was to became Führer (When I hear this word I always think about Hitler. He was the “Führer”). Why don’t decinde for a democracy and not a country leaded by the army? Well, maybe I’m just missing here something great. And maybe all of this was discussed before. In that case I appologize for my pointless post ;-)

  13. kaei says:

    @jimao: If you need someone to tell you the difference between Yuyu Hakusho and FMA, even if someone does tell you you probably won’t be able to grasp it. But whatever, I’ll give it a shot. For one thing, Yuyu Hakusho is a long running generic shounen manga with a never-ending list of enemies that degenerates quickly into a tournament style slugfest and fight of the week. FMA has a beginning, climax and end, and each fight had purpose and the author didn’t introduce new enemy after new enemy and infinite power-ups. FMA treated its female characters with respect; YYH’s females were just window dressing.

    Also, some sacrifices on the good guy’s side – Hohenheim, namely – doesn’t even get to see his grandchildren even though he finally wants to live. This is manga-only, but Havoc doesn’t get magically healed by the Philosopher’s stone – there is a picture of him undergoing physical therapy. Ed never gets his leg back. Good friends who died during the final fight stay dead. Hughes stays dead. Nina stays dead. Trisha stays dead. All the people killed in the making of Philosopher’s stones stay dead. Winry’s parents stay dead. These people have ALL sacrificed a lot, and the ending is about them picking themselves up and moving on and walking on their own two feet.

    OR did you want the ending to be a dismal hopeless slaughterfest with all the leads dead and the ones remaining crying before you consider it a good story?

  14. kaei says:

    @MarieLuise: You bring up good points on how you think the ending could have been better, eg. the democracy, decreasing the importance of the army, etc. but the only thing I can say is if you want that kind of story where those things happen, you’ll have to look elsewhere (and I agree with you that Mustang and Hawkeye et al. have committed war crimes, the army has too much importance etc.) Those things that you think should go, other people might appreciate them, and if the author changed it, it wouldn’t be Fullmetal Alchemist anymore.

    You may think you missed “something great” but I don’t think there’s anything wrong with that – some stories just resonate better with some people than others =)

  15. Kim says:

    I am sorry but if the only thing that you can get out of the story is let’s kill the bad guys then you have serious comprehension issues. But I get it only things that end with angst, sacrifice, and suffering are deep. Don’t make me laugh.

    The brothers sacrificing themselves in the first series was not deep at all. It showed they learned absolutely NOTHING. What was the whole thing during the first Scar fight when Al told Ed not to waste his life. To live if you have a chance and maybe find a way to save poor girls like Nina.

    The characters in Brotherhood actually do something POSITIVE with their lives in the end. From Ed and Al traveling the world to thank all the people that helped them, to Al and Ed doing research to help people who were hurt by alchemy, to Roy working to overhaul the Ishval policy, to Scar trying to help the Ishval people not lose their culture. The manga is full of positive messages and hope about the future.

    And when Ed gave up alchemy (and didn’t sacrifice his life) he showed that he understands it is okay to not rely on this special power. He is okay with being a normal human being and relying on his friends (it was his reliance on his friends not alchemy that helped him win in the first place). This shows that Ed in Brotherhood actually developed and learned something through his experiences. This was the opposite of Father who wanted to be above everyone. Father’s arrogance is what caused him to lose.

  16. Kim says:

    Also yes Roy being healed by the Philosopher Stone might seem easy but in a sense it was the Ishvalans that were given him a second chance and he is using that chance to change the policy on Ishval.

    What do I mean the stone Marcoh gave him was made up of Ishvalans. The stone was then used by Kimbley to kill Ishvalans. The stone eventually falls into Al’s hands and he uses this to defeat Kimbley, and now Marcoh gives it to Roy (who also participated in the Ishval massacre) to change the Ishval policy. Thus the whole thing comes full circle.

    Also the Amestris world might eventually become a Democracy but that will take time.

  17. Meep says:

    Very well said, Kim~

  18. MarieLuise says:

    @kaei: thank you for your nice post :-)

    @kim: It seems it really is all about different tastes. You didn’t tell me something I didn’t know before and of course my opinion about the ending of the series didn’t change. I don’t need a sappy ending with lots of pointless drama to appreciate a story, but I do like some bitterness. I do like brothers who maybe don’t learn that much and maybe don’t get all of their goals (because I think that’s more “real” than such a overall happy ending). But at the same time I’m well aware that Arakawa always had such an happy ending in her mind, it is/was her way of storyteling. And if you like the whole story you have to like the ending too. I really think so, but I just fail on that.

    I will say it again: the end of FMA brotherhood was all about fighting, killing etc. You can use nicer words and say it was about getting your goals, fighting for your future, for the people you love, for friendship etc. I just felt the urge to kill and win at the end of the series and a toooo long battle with no real emotions in it (the scenes with Greed were ridiclous and incredible cheezy). And when Ed was calling Hohenheim “father” – I just knew he would do that, because I have seen such moments hundred million times before in movies, books etc.

    What you said about Roy and the stone: I don’t want to add something to that. It is a good example for the “strange morals” I talked about. It has to do with forgivness and getting the chance to do some good things (which was also a major theme of the series regarding the Ishbal massacre) but it made a strange aftertase in my mouth ;-)

    But don’t get me wrong. FMA is in my top 5 of favorite anime. And I was back then the first one who tried to convince psgels to blog this series.

    @psgels: I enjoyed your blogging about FMA very much. Thank you for that :-)

  19. Kim says:

    @Marie Luise,

    Although I don’t agree with everything you said my comment was not directed at you (well maybe the 2nd one about Roy but not the first one).

    This is an action/adventure series so yes there are fights. However people seem to forget there were fights in the first series too. If I recall in the final episode (or 2nd to last episode) it was Envy VS Ed. There were plenty of fights in the movie too. But there is still plenty of symbolism and message beyond the fights. And as for the fights I enjoyed the fact that EVERYONE was fighting together from the children to adults. That is something you don’t see in most stories.

    As for not getting what you want and not learning anything being more “real” no I don’t agree with that. It might be true in some cases but it certainly doesn’t have to be true. In fact that it is a very negative outlook on life.

    It’s also fine to enjoy a more bitter story. I usually prefer bitter sweet endings myself. I am just making a point that an ending does not have to be bitter to have depth.

  20. Ebod says:

    I never read/watched FMA for its DEEP SYMBOLIC MEANING, because while it had some, that really wasn’t its aim.

    FMA manga and brotherhood = awesome entertainment with good plot, amazing characters, and humor.

    FMA first anime = wangst wangst wangst plus even more. Not only was it a mood whiplash from the first half of the series following the manga, the ending, exactly as Kim said, showed that Ed and Al both learned NOTHING. Not having a happy ending =/= automatically equal AMAZING DEPTH. Each to their own, but I prefer it when my characters do a little more than just stand in the rain moping about their life. Also, Al had almost no personality left by the end of the first FMA anime.

  21. Deschain says:

    I have been following this blog since the first episode of Brotherhood (and since I never read the manga), I waited to throw in my two cents until it was over . This series was excellent plot driven series, but the first one was an excellent character driven story. I prefer character driven stories over plot ones, although I can enjoy both

    The first FMA did have an aim and it told it well. The first series was all about Alchemy and the process of how it works. Alchemy is a huge part of their world and everyone could use it with the proper training, it is an intricate part of their world. While Ed and Al believed alchemy could be used for good, positive goals, they quickly realized that the world doesn’t see it that way. The Homunculus were a clear example of the negative aspect of Alchemy. Pride, Lust, Envy, Greed, Sloth, Wrath, Gluttony weren’t just characters, there were themes, sins that were present all throughout the anime. Seeing the Elric brothers confront these things and holding on to their beliefs shows resolve, not an inability to learn. To me the first series reflects our world as much as the one of Amestris and the goals of both the heroes and the villains, felt like something we all can relate to. To me they are both different animes. We already had the one that focused on the philosophy and their world. This one was sorely needed, especially for someone like me in order to get a full perspective on the FMA universe.

  22. Charred Knight says:

    @Jimao I defy you to tell me the difference between the first Fullmetal Alchemist and a funeral. Mizushima confused characters crying, talking about how depressing your life is, and characters dying useless deaths for actual drama. He completely misunderstood what the series was about. Also is comparing something to Yuu Yuu Hakusho supposed to be an insult? Once you grow up maybe we can debate some anime instead of hearing about how angst = art.

  23. Deschain says:

    This is the kind of crap I hate from people. Simplifying an anime like FMA and FMA Brotherhood is the pure sign of stupidity. FMA Brotherhood is not like Yu Yu Hakusho. Does it share the same aspects? Sure, but a lot if not all anime share certain traits that adhere to formula. That is just one side to FMA Brotherhood not the whole.

    As for the Mizushima statement. Wow, this person looked at the manga and noticed a principle, a law of equivalency and crafted a story that stimulates emotion and thought. If you didn’t catch that then that’s sad. And FMA was not angst in the way you are describing it. FMA was about seeing the world for what it truly was, a place filled with individuals who posses the knowledge and ability to help others and instead use it to further their own agendas. Having you principles and beliefs questioned and challenged is an intense experience. If you failed to see that aspect then fine that’s you, but don’t simplify it to angst alone. He wasn’t trying to follow the same kind feeling in the manga, he focused on a human story and it was good

  24. Kim says:

    @ Deschain

    When I said I felt Ed and Al didn’t learn anything in the first series I was talking specifically about the scene when they both sacrificed themselves for each other. This scene was a disappointment for me. And in general the development of Ed and Al was a disappointment for me. However I can’t say they learned absolutely nothing in the course of the series. I believe they learned the world is not perfect, bad things can be done with alchemy, and you can’t get everything you want in the end. I am not too fond of the themes in the first series but these themes were presented well.

    However Ed and Al in Brotherhood and the manga stuck to their beliefs too: To not use others in their quest to get their bodies back (this is why Ed refused to use Hohenheim’s last soul or the P.Stone but instead came up with his own way to get Al back). So you see Ed and Al not only hold on to their beliefs in the manga storyline but also succeed because of what they learned through their experiences (that they did not succeed by alchemy but through the help of others).

    Learning something and sticking to your beliefs is not mutually exclusive.

  25. Deschain says:

    So basically what you are saying is that the ending was bad. I can see how that can happen, but sacrificing themselves and not using others was presented in the first series as well. Ed didn’t use the prisoners to transmute them into a philosopher’s stone. When Al realized that Wrath had Ed’s limbs he was going to “rip” them off, but he refrained from that. When Al became a Philosopher’s Stone, Ed refused to use his powers out of fear it may destroy Al; which is the exact same thing with Hohenheim wanting to use his life for Al in Brotherhood. Granted I do like Brotherhood’s solution better, but in the first series, Ed realized that he can’t have it all. Saving his brother’s life and restoring his body was much more important than receiving his limbs. Once again that was demonstrated in Brotherhood when Al sacrificed himself. So in general both shows exhibited the same ideas, but they both stuck to their own themes. In the end of the first series it wasn’t about simply restoring a limb or a body, it was to restore life. A life for a life is equivalent exchange which was the whole theme of the the first series, but instead of Ed receiving death, he was given the chance to live on and find a way back to his brother again.

  26. Watcherzero says:

    I think a good metaphor is how its so easy to tell the difference between CGI and film, CGI is too perfect, theirs too few defects, dirt, cracks or imperfections and so the eye can always tell which is the better more realistic version.

    In the same way the first series had this, people died pointlessly, people didnt learn from their mistakes, charachters had to wing it when their plans didnt always work. This was much more reflective of real life than the second series where everyone was perfect, every death was a noble and meaningful sacrifice, people always learned from their mistakes and everything always went to plan.

    To me the first series was film, the second was CGI.

  27. Kim says:

    I am sorry but just because a character grows and learns something from their experience does not make it fake. That’s called character development and good writing.

    In real life people DO learn from their mistakes, they DON’T always die needless deaths, and people DO get happy endings. I don’t think the ending of the 2nd series is perfect I find it hopeful & positive. That doesn’t make it any less poignant and real than the first series with all its forced emotion and needless melodrama.

  28. Kim says:

    I should add I don’t think there is anything wrong with preferring the more dramatic/darker first series to the more hopeful/lighter 2nd series. But when you say one is film the other is CGI or one is art the other is trash. That is what I have an issue with because it is complete nonsense.

  29. psgels psgels says:

    Whoa there, there’s no need to look at this in such a black and white way. In real life, it’s not like people either learn from all their experiences or the other way around, instead they learn from some cases, while at others they don’t.

    Personally my biggest gripe against the first season wasn’t this overacting. There are plenty of other shows that have that and where it works. I wouldn’t say that it’s not understanding the manga, instead it’s just a completely different interpretation. Nothing wrong with that.

    Instead, I did not like how the first season had so many forced plot points. The first half suffered because it tried too hard to make Ed like a hero by making him run into situations in which he conveniently save the day in half-assed stories. In the second half, it was the tendency of the creators to bring back characters who had no business being there. These characters were in most cases completely shallow (the biggest example I can think of right now being Rose) and took time and focus away from the characters that really mattered.

  30. Kim says:

    Whoa there, there’s no need to look at this in such a black and white way. In real life, it’s not like people either learn from all their experiences or the other way around, instead they learn from some cases, while at others they don’t.

    To clarify I wasn’t trying to say that things always work out for people in real life either. Sometimes they don’t but at the same time sometimes they do. And neither situation is more realistic than the other. So I agree with you. :)

  31. Reltair says:

    Awesome series that are also long are so rare these days…

  32. Scytheslash says:

    I get a bad feeling the movie is going to be an intersection of the previous FMA characters and Brotherhood characters…….. maybe Dante will make an appearance again? Revisiting Ishvaal seems pointless, after it has been resolved in the show

  33. Bobby says:

    i am a little confused as to what exactly the brotherhood movie can cover. i mean, after defeating a guy who was essentially a god, what kind of decent bad guy can they create that ISN’T a total (KITTEN) by comparison (lol)

    the review and grade is pretty spot on IMHO

  34. Ive says:

    I will say it again: the end of FMA brotherhood was all about fighting, killing etc.

    Thank God. I’m tired of series where people try to stay away from fighting and killing the enemy because of their idiotic morals. I was fine with Ed saving Pride, but if he and the rest of the soldiers weren’t cheering for Father’s death, something would be terribly lacking.

    I’m not saying that peace isn’t a good thing, and that morals are always idiotic; not at all. I’m just… so tired of good guys not killing the main, evil bad guys. If a person like Father, or Kimblee (who I actually really like as a character) is in my grasp, that is it: I would take their life and never think twice about it. They are evil, and they must be stopped. That in and of itself can be a moral, too, I suppose.

    I also really like the Ishbalan Massacre and its implications on the soldiers in general. They were ‘only following orders’, but since they were still human, they had deal with their obediance. It was really… rather nice, in its own way.

    Oh, I loved all the FMA series. I liked this series more then the First Series by a long shot, though I’d consider the Manga tied with Brotherhood.

    The biggest problems with this series, and I know there are a few of them, that I can think off top hand are the start of the series (but that was inevitable, unforunately), the ‘last minute save’ (this one irritates me in all forms of media, though), and the lack of good characters dying. I don’t want it to be a total death-march, but…

  35. Ibrahim Peasnell says:

    I decided to drop this series around episode thirty when the plot became more complicated and characters reappearing in this series. One element of this series I dislike is the character designs and art director of this series compared to the previous series of FMA. I did watch the last couple of episodes just for interest sake, and I can say that the ending of FMA:Brotherhood is a bit better then the previous series of FMA, though the music was better in the first series of FMA then FMA:Brotherhood. Overall, I would say that FMA:Brotherhood is a nice addition to the FMA franshise though prefer the first series of FMA over the second due to that I prefear good music and character designs over a better plot of FMA:Brotherhood.

  36. Tan-Tan says:

    The fact that a lot of people are arguing about FMA:Brotherhood means it’s an awesome series :D A lot of you seem to argue about the battle in the end. I understand we view this as “barbarism” but do you really know the meaning of the final battle? A struggle between forces?

    @jimao: World domination was never the goal of Father. By saying that, I already know you didn’t understand the story. Father wants to learn more of the world and to be the “perfect being”. He already thinks he is above humans and simply wishes to “be more”.

    People consider Brotherhood having a happy ending. And apparently, they don’t like the fact that none of the main characters die because of the “lack of sacrifice” and probably pissed of (@jimao again) that Roy got his eyes back.

    Yes, well, we do enjoy misery more than happy endings :P We seem to be unable to accept happiness happening totally.

  37. israel8491 says:

    I think this is a very good grade. FMA Brotherhood was an amazing anime, but it was not without flaws.
    I got introduced to the manga first. I fell head over heels in love, and from there I went to the anime. I watched the first episode of the first anime before calling it quits. I hated the art. It was just bad. I read the new plot line on various sites and from there I’ve gotten a good idea of how the anime-verse works. I think it has some interesting ideas, but it can’t hold a candle to the manga-verse.
    Brotherhood I really loved. I wasn’t very pleased when it deviated from the manga, but I understood. The only thing I disliked was the first episode (what’s with that, both animes have sucky first episodes?) but after that it got great. I really liked the art, especially in comparison to the first anime’s.
    In the end, Brotherhood was a great anime and I’m so glad it got to run for as long as it did.
    To everyone who wanted more people to die, *ahem*: Nina, Alexander, Tucker, Hughes, Lust, Envy, Sloth, Gluttony, Wrath, Greed, Father, Hohenheim, Buccaneer, Fu, about ten thousand Ishvalans, who knows how many soldiers, Trisha, Barry, Slicer, everyone from the Devil’s Nest, Cornello….
    Really? You want more? I’m amazed at how many people survived.
    And after all the stuff they’ve been through, I think the characters have earned their happy ending.

  38. Mr. Derrrrp says:

    Fullmetal Alchemist is GOD. plain and simple.
    The english dub is excellent as well.
    Now go to your room!

  39. gedata says:

    I guess I’m the only one who was legitimatley amazed by what both series did

  40. ArmourBB says:

    I need to say that I love that extra jab the manga take at the 2003 anime when Riza said:
    ‘Is Ed going to sacrifice himself to bring Al back?’
    and Roy answered: ‘No, because he knows the pain of being left alone and he wouldn’t put Al through that.’

    This. So much.

    TAKE THAT fma2003

Leave a Reply

I'll consider golden kamuy at least.
I'm too busy with galactic heroes original to watch the remake right now and you can bet for certain i am staying far far away from mahou shoujo site.
While I won't say anythong doreikus villain reveal pretty much killed it for me. I never really watched much of full metal panic due to not finding it funny.
Just let Wixoss, Sword art and tokyo ghoul die already , its beating the dead horse at this point.
Kaiser-Eoghan in the meantime you can all content yourself with that preview.
You keep using that word. I do not think it means what you think it means.
@Anon, When it's done.
They actually take work you know, not as if I can just cough them up on a whim.
Spring Preview when?
I enjoy TONS of subtitled stuff, but I have to admit...sometimes to re-winding and pausing when the dialogue gets heavy or complex.
I know Aico has a shit dub but sometimes I find myself watching in English and feeling lazy because its easier to watch more now that way.
I used to be able to marathon stuff so easily but now I can't do the 12 episodes in one go thing like I used to.
Something goes off, even after 30 minutes to an hour "Shit....have to see if something NOW....can't stop myself"
I'm not the kind of person who messes with their phone in a cinema, but at home somehow theres this moments where I just get this distracting urge to keep checking some site, E-mail, snacking, going to the bathroom too often or lie down, look at someones doujin/smut art or write something all when I'm supposed to be doing something else.
What I mean is, I'll be reading/watching something and its not boring at all, maybe even interesting, but I can't stop pausing sometimes for...reasons and it takes me longer to get through something because of this.
I know this is pretty much an effect of living in this generation but, for those of you who experience this, how do you guys deal with "distraction." Sometimes this annoys me....
@Amagi: I'm evasive of "non-old man pubs" at night , particularly late at night, I don't want to come across any "characters" I'd prefer not to encounter.
Liquor goes great after copious amounts of beef and steak
@Amagi, Considering that I am here, you probably should have expected a Fate GO review.
Wow I didn't expect a FGO review here
Well it's the reason why I never drink alcohol at home. Even if I were depressed it wouldn't change my mood so it's pointless.
I can reach a point where I feel like dreaming but none of my character traits change. Guess it always varies depending on the person. Same with my best friend, he's just get tired when drunk, but nothing else ever happens.
@Kaiser: Same here. Often go to pubs with friends at night but not only do I not want to ever get my mind "altered" by alcohol, it doesn't even work it seems. Or maybe it's the will or that I am just not influenceable.
Ah, this is just me being in grumpyKaiser mode =)
I have been drunk, I do not like it. I do like being tipsy, but hate drunk. I generally like beer because it does not muck me up as bad as harder drinks (ouzo, raki, and I absolutely despise tequila). The first time in my life I celebrated Valentine's Day was this year. Have to say that it was not too bad.
Baccardi and Vodka were the only forms of alcohol I felt didn't especially taste "off" to me.
I also dislike Valentines day for the schmaltz, insincerity, fakeness around it and the idea there has to be "a day" for it and the captilization, commercialization of emotions.
In all my thirty one years I have never been drunk and never intend to, I dislike the idea of surrendering my mind to alcohol and feeling "altered". If anything you would be safer doing marijuana.
And Guinness is massively overrated.
@Anon: I care for neither really.
Alcohol culture in a nutshell: if you like to drink sweet alcohol that actually tastes good instead of liquor that tastes like gasoline and piss, you're a pussy.
I've no interest in Irelands drinking culture /festival days much.
Its really just a day off or an excuse for 13 year olds to get drunk.
He was Welsh aswell and there weren't exactly that much snakes in Ireland to begin with.
@Mario: Its technically St Patricks day now yes. Not that I personally care for it, I got going to the parade out of my system over a decade ago, never liked the oirishness and cliches/commercialisim around it, in the end it just makes it impossible to get around the city, plus the weather is so poor its pointless going out anyway.
I saw some Irish flags around my area. Is it St Patrick day today?
I did listen to some of aico's dub, I don't think any of these people are experienced or professional voice actors.
Anon: B the beginning was too much of an awkward genre mix. I was content to just ignore aico because I'm not a fan of Bones as a studio but you're the second person to say it reminds them of some old ova.
@Anon: I enjoyed the combination of old and new with devilman, it even being able to eclipse the ovas, aswell as the experimental visual style and transgression, and as you said, the surprising emotional involvement.
So i finish, B the Beginning, Aico, Devilman( What a feel's ride). and I must say that they're far from perfect, but they remaind me of 90, early 2000 anime, that i loved so much and that is a big plus. Today's anime doesnt feel quite the same in my opinion, what are your thoughts.. Now im getting excited to watch SWORD GAI!.
While obvious an anime series, After the rain often feels like a live action film.
@Mario: Actually that does remind me, I never saw Pola X by Carax.
Miike is extremely hit or miss, but I loved how Audition minipulated the viewer with its slower first half before really taking off, most of Ichi the killer is just a perversely funny black comedy to me.
Chang-dong-Lee is refreshingly less melodramatic then other Korean directors.
Benh Zeitlin is one I'm not familiar with, but it turns out he did beasts of southern wild and I enjoy magical realism.
@Mario: I wasn't aware Carax was still alive, some sgements of holy motors work, others don't , lovers on the bridge was a more accessible film I recall.
@Fluca: okay. Kinda fixed it. I don't think we have a spoiler code so I just changed your spoiler into white color
@Kaiser: I'm checking movies from indie auteur directors that could come out this year, interested Benh Zeitlin's second movie, Lee Chang Dong's and Leos Carax's one
Would love to see Our Little Sister in anime form, actually
Although Miike directs like at least 40 feature films, I only remember his Audition and Ichi the Killer the most, both of which I have extremely mixed feeling about
Every time I here the title Aico, it makes me think its some kind of eco/environmental thing, which I know it isn't.
The fate/extra Alice character (I looked her up) looks like she belongs in rozen maiden.
The modern Japanese directors can be prolific Miike and Sono pump out more than one film a year.
And it shows, that Our little sister adaptation, that live action adaptations CAN sometimes work.
Quick fact, that action crime josei anime, Bananna fish, coming out in April is based on a manga by the writer of Our little sister's manga.
@Mario: The interest being, how he would handle something so removed from his usual style.
@Mario: Actually re-checking, its next week, The third murder , which seems very different, a courtroom drama with some philosophy in it.
I really enjoy Our Little Sister, but I think mainly because the film is entirely within my comfort zone (Slice of life manga material, about the life of these girls)
@Kaiser: Which one will you see? He now directs one movie per year so it's hard to keep track some times. I really like his style and I reckon people who like slice-of-life will enjoy his movies
@Mario: Hirokazu Koreeda has a new film out, seeing it on Friday, I've only seen Our little sister by him.
@Anon: I essentially deleted the rest of the episodes off my computer after struggling through the first, like most, maybe moreso I got very turned off by the genre mixing. Thats not to say that I'm against genre mixes though, but they have to be weird, I mean really weird.
I am not a fan of breather episodes, something most modern anime are pretty keen to insert. I hate breaking of climaxes in order to show three SoL-, fanservice- or formularic monster of the week episodes before the main plot progresses further. When I want SoL I go watch a full fleshed SoL. Aico is pretty straight forward and kinda easy to watch in one go in that regard. Nothing really new though.
Just finished Aico. Had a few downsides like most series but I enjoyed it. Felt like a classic scifi anime you'd see in the 90s.
@Anon, I watched it. Though it was mixed but a decent enough watch. It really felt like two shows hastily combined into one. Been thinking of writing a review for it and Aico once I finish Aico.
*Have you watch
Have toy watch, B The Beginning?
I would call it somewhat lightweight however, but I won't complain/level too much against it, as it is afterall, a family film.
*in my memory
Nice animation showcase aswell though I don't know how long this will really stay i my memory, though it was nice.
Although it relies on being fairly convenient, linear and simplistic, that Mary witch flower anime movie is at its strongest when visually drawing the viewer into its world and wherever it shows spectacle. I'd say its adequately charming. Fair enough.
Hakata sounds like Gangasta. A series I enjoyed, despite its massive flaws
thanks guys. I will probably give it a try. I am also watching the Castlevania anime finally. Not really worth it for me. Also I watched the first episode of Garo Vanishing Line. I can a say it was fun.
Hi guys, anyone here played Sea Bed VN? Just wondering...
@Anon1880687 - I watched a couple of episodes. Feels like a foreign series. Since it doesn't feel like an anime made in Japan. I did like the group of revengers seem to have more personality than the main leads which insinuate chemistry but doesn't go deep into it. I don't remember if they explain why one of the leads chooses to dress like a girl. Though at least they give him/her a male voice.
@KTravlos: me. Not impressed. First few eps were alright with a set of bold characters, but later the lot just goes around in circle for these characters acting cool and cool rules the day. I dropped it after episode 6
KT here. Has anybody watched Hakata Tonkotsu Ramens? Impressions?
@Vonter: It gets more serious later although I agree it's better starting this without any knowledge about the series, like I did. I just loved the tragicomical jokes and the obsessive nostalgia Bojack suffered from and neither needed nor expected any drama but it was pretty good when it happened nonetheless.
@Anon, Not really. They just wanted to find some justification for the trashy aspects for a show they liked rather than accept it.
And while I understand how obnoxious it can be, there are times when people complain about a show doesn't explain itself and then get pissed off when you try to give an explanation.
ProZD nails it on the head yet again The people who continue to make excuses for kill la kill's fan service are the same ones fapping to episodes of the show to this day
@Vonter: From what I hear, while it does have comedy, by the second season not only does it improve, but its more of a drama.
I've been watching Bojack Horseman. It's good, yet watching certain clips before the actual series made me expect a darker show. I know it's a cartoon, but some jokes reduced the impact of certain events. Though I suppose it's meant to be uplifting and not just mean spirited. It gave me some Nier and Aku no Hana vibes.
We watched the first three episodes of B the Beginning. I must say I enjoyed it. We will see how the rest goes.
*whole franchise bar Macross delta
Despite loving the mans work since I got started on anime when I was younger, I still haven't seen Kawamori's most recent Macross series despite seeing the whole franchise.
I think devilman set me up for the idea that netflix would be putting out more transgressive anime.
If i were to rank the three netflix original shows that have released so far in descending order, it would be devilman crybaby, AICO, and then B: the beginning
so i just finished binge watching AICO...give it a watch if you guys have time, it's pretty good
@Mario: A good dose of reality in that episode though.
@Mario: Well I guess I called it completely wrong on who Chihiro was lol
@Amagi: Steins gate spent far too much time on a jokey first half.
Not that I'm trashing polemical writing, I find stuff by Jean-Luc-Godard fucking funny.
Doing a giant mood piece isn't pretentious, because it probably doesn't have a concrete meaning any way.
While still keeping it with enough sophistication .
For example, doing a rant of a film will only communicate to your intellectual friends and people already in the know, the working class guy you want to inform with your societal/political/religious ideas , was probably watching a western back in the 60s/70s, just incorporate the themes into that while not sacrificing the films appeal
With regards to pretension, I think that comes into play when you have a director trying to communicate ideas but ends up becoming ridiculously, overly polemical, its better to communicate thought provoking ideas through something straight, while also remaining some distance.
I think it often happens when authors create things on the fly, at least with manga. You can see terrible forms of comedy/SoL -> drama/scifi switches among webcomics, which are usually done by "amateurs", some of them being pretty young. It's always good when a series hints or blatantly shows what it is during its first episodes/chapters. Not talking about mysteries but genres.
Usually for dramatic comedy to work I feel it needs to let the viewer know early on that the story will feature both....the sudden drama thing generally is a result where a funny film needs an ending and a story needs to be fabricated hastily.
Melodrama is like genre mixes. If it does work it can be something special, but it's really hard to write and most directors just lack the talent to do so. It's like a comedy that turns serious at some point. It CAN work, but there aren't many cases where that happens. Usually they're just alienating their comedy fans and the drama fans weren't there to begin with.
Same here
I think some really old Euro movies, latin ones especially get away with melodrama well because the acting was different and more theatrical .
If the mekodramatics can properly cast a spell on a viewer, I am open to it if the writers strong enough but in general, when I'm watching something, the best stories are the ones where the atmosphere is so assure I forget I'm watching fiction.
I know they just want to make their audience feel good but I think it's a terrible moral or idea. Especially since most people know at least one person they loved that died from such illnesses. No matter what they did or tried to do to overcome it.
Yeah exactly. Honestly most cancer movies are terrible I think. I also hate these series in which the main character, I don't know, wins a match for his cancer-ridden love and then s/he recovers.
@Amagi: Too silly for me, the psycho faces.
@Kaiser: Not using music can be a great method to illustrate serious moments I think.
I've spoken to my father about this, who recovered from cancer years ago, those kind of phrases irritate him, hr said " don't battle, fight cancer, you fucking suffer through it, then if your lucky you get through it"
I mean, again, I loved Madoka but I see how this method they used is kinda cheap. It's still better than many other series of that type. I am aready looking forward to see how terrible Magical Girl Site is, the trailer looks like a psycho face trash fest.
The really annoying thing is when some of these docs and dramas use phrases like "her battle, her FIGHT, her BRAVE fight against cancer.
I enjoyed Madoka but I know what you mean. I think I will never rewatch Madoka but I love to see certain Tutu- and Sailor Moon scenes from time to time. I think Madoka is kinda similar to netflix shows or code geass in that regard. It always ends with some evil cliffhanger to hype you up for the next episode and it throws in one shocking revelation after another for the same reason.
@Amagi: On the music thing, some documentaries do this. What I loved about Shoah and night and fog is that the directors showed the landscapes/buildings where it happened and never used music.
I mean I know how bad ww2 and other things were. I really don't need rain, sad music and lots of actor tears to realize that. It reminds me of the laughing tracks sitcoms have that tell you when you have to laugh. And newer movies have exaggerated effects as well, not a fan of that. I rather see well thought-out content than a bomb-show. Not to mention that I hate sensory overload.
Its also kind of why I can NEVER look at hentai of something I enjoyed when I was young.
Which I admit is bias and a crap opinion lol
I grew up with Cardcaptor Sakura and Sailormoon and looking into lighthearted mahou shoujo , I don't mind nanoha and tutu, but there was always the feeling madoka was corrupting something.
On dark moe, I've stopped with lol edgy when criticizing Madoka, I realize that its the equivalent to Batman porn to me, the idea of that level of a slant on a genre I went for when I was a kid.
I agree. I was interested in Schindler's List when I was ~12 or so because it was something new for me. Nowadays I realize it's not really my thing, there are many western war shows that come of as too "pathetic" to me, they feel too much like, well, Hollywood blockbusters (which is what they actually are) than a serious commetary on war or so.
@Amagi: Thats the trouble I have with Hollywood , a film about Autism like Rain man or a mental illness movie like I am Sam, these American movies never seem real and the depictions feel so hammy and inaccurate.
On the dark moe trope, rather than throwing out words on it, its the tonal inconsistency that gets to me.
Yeah the opposite is bad as well. A show can have good intentions, even lots of good ideas but still have a bad execution.
Schindler's list is a great example of this, personally I think popcorn drama/oscar baiting the holocaust is somewhat distasteful and the film comes off as comparitively ingenuinely when I've seen a couple of eastern war films by people who actually lived during the war.
And "egdy" is very much about the tone a series has and not so much the actual content. Therefore it has to be explained as well, a dark series, even one with lots of blood, isn't necessarily edgy, it depends on the stance the autor has, whom we're supposed to root for and why, how characters and scenes are depicted and the overall tone, moral and so on.
On another note, to go back to "critic proof", this is a terrible practice because it allows people to take an easy topic for a story and it become forbidden to give a bad review.
Yeah, "badly written" for example doesn't mean anything unless you're gonna illustrate how it is badly written by showing and analyzing examples from the show and explain why the writing for these scenes is weak
Thats why I like here, people actually talk about a show in some detail, even the reviewers.
An non-backed up opinion when I'm looking for a show to follow doesn't tell me anything, how am I meant to know to watch something based on a single word or sentence?
I suppose its less of a case of buzzwords and more how people don't explain anything . The reason I say I have to do a 300 word review or long opinion on something is because I feel buzzwords and one word/one sentence opinions are un-helpful.
@Amagi: And I think thats certainly an issue, the lines being bkurred between shitposting/trolling and genuine critique .
I mean there are a lot of badly written shows out there or shows that are too tryhard, but people often use these phrases as buzzwords for everything and don't state reasons for using these terms for a specific show. I see tons of "egdy" posts as soon as a series is a bit darker than the usual harem and it's hard to distinguish these pieces from actual shitposts or trolls.
It sounds better to say that I don't like something because it's too egdy, too stupid and pure pandering (when it's about moe) or "badly written" than saying that I can't relate to certain settings, characters and so one or that I've seen a certain idea too often.
@Kaiser: I think many people just don't want to admit that disliking a series is usually a subjective thing. They rather want to credit their own intelligence for not liking it.
New Boogiepop anime announced for 2018 o/
Alita, eden endless world , ghost in the shell, Lain , blame, biomega , the Japanese perfected a genre America started.
@Vonter: Well deserved oscar for the visuals definately, Deakins got his overdue reward.
Tetsuo , bubblegum crisis, cyber city oedo are other good ones as was goku midnight eye.
@Vonter: It was the rebellion bit that got me worried if they were planning some sort of follow up.
I, robot eh? I remember that one, I don't mind Will Smith but he's not convincing in a serious role.
The replicants preparing for war, took me out of the movie, since it was delivered like a footnote for your action blockbuster, kinda like how they ripped apart I, Robot.
Still I got reminded why it inspired manga and anime like Akira, Cowboy Bebop and many others. There's a lot of atmosphere, and like I said, the visual storytelling is very strong. Since there were a lot of double meanings to several shots early in in the film. The egomaniac Jesus wannabe villain felt very odd, especially his speechifying.
But I'll have to see it again with that extended cut when I'm less the victim of hype.
Theres a certain idea of....they made an OKAY blade runner sequel, it wasn't allowed to be bad or great.
@Vonter: Its a case really of, you had a four star film! Then turned it into a three star!
Then again I am interested when Denis will be going back to his arthouse films instead.
I hope they aren't going for a sequel though.
It does add to the humanity of the replicants but I felt the ending cruel on Goslings character.
Jowie was a bit fanservicey.
Total users: 23

Star Crossed Anime Blog

1 User(s) Online Join Server

Featured Posts

Violet Evergarden – 10 [Loved Ones Will Always Watch Over You]

It’s a neat (and cruel) trick Violet Evergarden pulled this week. I always have a soft spot for mature undertone story from a point of view of kids (that’s why I am always fond of To Kill a Mockingbird, for instance) so this story is right within my wheelhouse. Violet Evergarden’s melodrama approach can be […]

A Place Further than the Universe – 11 [Bash That Drum Can!]

Another episode of Universe that delves into friendship issues. While I can see many hiccups along the way, I can still say the ride is worth it. Not that I think this episode stands out, rather that I don’t know exactly how I feel about this episode’s resolution. This episode features my favorite girl, a […]

Fate/Extra Last Encore – 07[A Story for Someone’s Sake ― Nursery・Rhyme ―]

Thus ends the Nursery Rhyme two episode arc and that certainly was more confusing than it needed to be. The fight was once again, anticlimactic and rather lacking strategy wish as well. I mean our protagonists kept talking like they had a plan but it pretty much amounted to just climbing the tower and fighting […]

Darling in the Franxx – 09[Triangle Bomb]

Today on Darling in the Franxx, death flags averted. I admit that throughout this episode I fully prepared myself to see Goro die. The signs were everywhere with him confirming to Hiro that he was in love with Ichigo, the mission leaving him stranded with a trolosuar, the hair clip as well as the base […]

Junji Ito Collection – 10[Greased/Bridge]

Ugh, I was lucky I ate before that first story started. Not so much scary but very disgusting with the oily dirty house and that brother with the pimples…ugh. This story is more gross out factor than actual horror as there isn’t really a plot besides this girl living with her horrible family in a […]

Mahoutsukai no Yome – 22 [As you sow, so shall you reap]

These past few episodes I have been rather critical of Mahoutsukai, and rightfully so I would say. The new characters are lackluster, the plot/stories dull. A 7/10 series at best. It is with this mindset, this frame of reference, that I can see “As you sow, so shall you reap” is the best episode of […]

Violet Evergarden – 08/09 [Violet Evergarden]

If I haven’t known beforehand that Violet Evergarden has 14 episodes, I would easily assume that this is the conclusion of Violet Evergarden. And in some ways, there is a strong sense of closure in this latest episode. This last two episodes have their full attention to the core development of Violet, that includes an […]

After the Rain – 08/09 [Quiet Rain/ Rain of Sorrow]

We take a side road from our main romance between Tachibana and Kondou in this last two episodes, instead focus on each own friendship, short story Rashomon and pimple. Not that I consider Ameagari anything less than stellar, the show moves with confident pace with so much lovely subtle details. After the unforgettable event where […]

3-gatsu no Lion – 37/38 [White Storm/Restart]

If you had to take a wild guess at the atmosphere of these two episodes based on the above screencaps, you’d probably settle on, “Somber, with some levity near the end,” and you’d be exactly right. Given the typhoon that dominated this doubleheader, and the snowy theme associated with Meijin Souya’s character, it fell to […]

Latest Reviews

Mary and the Witch’s Flower – 73/100 (Joint Review)

Wooper: Mary and the Witch’s Flower is the first feature film from Studio Ponoc, which spun off from Studio Ghibli in early 2015. Given Ghibli’s towering reputation, the bar was high for this inaugural flick, which recently made its way to U.S. theaters, giving Lenlo and I a chance to see it on the big […]

In This Corner of the World (2016) Movie Review – 90/100

In this Corner of the World (for the purpose of this review, I’ll refer it as “Corner”), is the truest slice of life drama if you ever encounter one, in that it’s a slice into an ordinary life of an ordinary girl during the War period. That speaks into the very first strength of Corner, […]

Houseki no Kuni (Fall 2017) Review – 92/100

Make no mistake, Houseki no Kuni is the most ambitious anime project of the year. Not only because it’s an entirely CG project (and make a damn good use of it, mind you), or because of its narrative scope that at once strange, grand and beauty, but also in its very conception in their production […]

Fate/Apocrypha Anime Review – 64/100

I was quite excited for Apocrypha and in the so called year of Fate adaptations, it looked to be the crown jewel. Sadly, partly due to lacking adaption and the source lacking in areas, this anime turned out to be not quite the jewel I thought it would be. It’s hard to call this a […]

Kino’s Journey -The Beautiful World Anime Review – 73/100

One of the surprises of the year was to see the return of Kino’s Journey, a very well regarded and more unique anime among those deemed classic. Many, myself included, were very much looking forward to the return of Kino and her talking Motorrad. Though due to some factors this series doesn’t quite live up […]

Girls’ Last Tour (Fall 2017) Review – 86/100

Girls’ Last Tour falls within my favorite new trend that emerging the anime medium over the last decade: a dark moe anime. Set in a post-apocalyptic world where the human race has almost extinct, our two girls wandering around the world in their kettenkrad looking for food and shelter. If it sounds a bit bleak […]

Two tales of War: Reviewing The Heroic Legend of Arslan and Altair: A Record of Battles

It would not be an exaggeration to say that my favorite type of anime is the political-military epic. This comes partly out of my profession, I study war and politics, but also my hobby, as military and political history is something I enjoy. When it comes to anime there is a clear sub-category that can […]

The Night is Short, Walk On Girl (2017) Movie Review – 92.5/100

“How many decades have passed since our drinking contest?” “It hasn’t been that long. It was only a few hours ago, this very night!” That gap in time perceiving plays a significant role in Night is Short. For you see, it all depends on how our perception of the surroundings and time itself can affect […]

Ballroom e Youkoso Review – 65/100

In the weeks leading up to the summer 2017 season, Ballroom e Youkoso was one of the most buzzed-about new series. Produced by the Production I.G. team responsible for the smash hit Haikyuu!!, and set to air on Amazon’s brand new Anime Strike service, the series had no shortage of promotion or hype behind it. […]