Posted on 27 July 2010 with categories: Rainbow




Awesome, it really looks like we’re going to get an arc about the future of each of the lead characters at this pace, if this episode was any hint at least. On top of that, the creators also put in a lot of effort to make all the different arcs flow into each other: this episode neatly wrapped up the main story between Mario and Setsuko, while it also showed some depth for Baremoto and Cabbage, before moving on to Joe’s future as a musician.

I love the way in which Setsuko’s marriage was wrapped up here: it’s clear that the two love each other, but at the same time the series didn’t chose the cheap way out by devolving in cheesy quest for love abandon her chance for real happiness with her new husband, who will be able to take better care of her compared to Mario, due to his background. Because of that, the romance in this episode was powerful, yet not drawn out or overblown. That smile of Mario, when he saw Setsuko at her wedding, pretty much said it all.

Baremoto meanwhile, in the really rare moments of comedy in this series, gets introduced by Suppon to some old hag in his quest to find some kind of woman. I’m not sure what was up with that, but it’s probably some sort of build-up. Either way though, it’s great to see that everyone is now building their own future here, which was even more symbolized by Mario leaving for Tokyo. I’m really interested in whether Cabbage will join him. He’s always been this simple, lovable type, and while he never really got an arc for himself, I still like the way he turned out.

Meanwhile, Joe. The creators really wanted to use the build-up of the earlier episodes here. And it’s a very strange plot twist here, for him to get into a situation where sleeping with some influential woman in order to make it big in the music industry. Usually a plot twist like that would get rejected immediately, but I’m not sure whether the creators intend this to symbolize how Joe should look at the bright sides of his past, whether he should simply accept what happened, or whether they meant to make some kind of point about how childrape victims can turn out. They already showed a different perspective in this with An-chan’s friend who committed suicide.

And god dammit what happened to his sister?! I mean, I know that he accepted that both of them went into different directions, and he probably has no idea where she is right now, but bloody Nora. She was adopted by someone who looked like a freaking mass rapist for god’s sake. Can’t we at least get a slight hint of what happened to her? Think of the character-development here!
Rating: ** (Excellent)

3 Responses

  1. Kode-Dekka says:

    I agree, this was a great episode all around. As for Joe’s sister, if the preview is any indication, she shows up next episode.

  2. czz says:

    I wonder if Sakuragi had lived would Setsuko still have married that guy. They would have had more time together together to develop a deeper bond. She also didn’t seem to love mario as deeply as she loved him and pretty much said it in the rain.

  3. Kori says:

    Setsuko didn’t abandon her marriage simply because she never loved Mario IMO. All she saw in him is Sakuragi’s image.

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  • Emma
    (Sunday, Apr 20. 2014 02:57 AM)
    Good answer =)
  • Nyangoro
    (Sunday, Apr 20. 2014 02:50 AM)
    I think that the internet has, to an extent, weakened the influence of critics. Now, everyone with enough spare time can be a critic. In this deluge of people with their own opinions, it’s hard to figure out who’s opinion is, for lack of a better word, better. Rather than look at any one critic, they may look at a conglomeration of critics. Even still, with the wealth of info about any given thing, they may just decide to see it for themselves.
  • Emma
    (Sunday, Apr 20. 2014 02:47 AM)
    I guess I’m curious as to how effected people are by the professionals reviews when they decide to see a film.
  • Jalapeno Bagel
    (Sunday, Apr 20. 2014 02:45 AM)
    well, critics are part of the audience too. they’re just more “knowledgeable” about the field.
  • Jalapeno Bagel
    (Sunday, Apr 20. 2014 02:45 AM)
    yeaahh! Lia ED, been so long (i think).
  • Emma
    (Sunday, Apr 20. 2014 02:43 AM)
    Audience accepting things, yes thats important , but critic approved also carries its equal worth, not just talking comics here on both sides of the world but in general…also interests me…in the end who has most influence , the critic or the audience? How influenced are the audience in comparison by critics to their own judgement non effected by critics?
  • Jalapeno Bagel
    (Sunday, Apr 20. 2014 02:42 AM)
    ah manga disney. will it ever return.
  • Emma
    (Sunday, Apr 20. 2014 02:39 AM)
    Thats a pretty interesting comment vincent and nyan. As Shoujo art was as far as I know the basis eventually for moe/lolicon.
  • Vincent
    (Sunday, Apr 20. 2014 02:35 AM)
    @Nyan so essentially Shoujo is a manga time capsule XD
  • Nyangoro
    (Sunday, Apr 20. 2014 02:33 AM)
    Not to say that there aren’t certain broader trends among demographics, of course. Hell, the funny thing about shounen/shoujo artwork blending is that the shoujo art style came out of a time when manga all looked roughly the same regardless of demographic, lol

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