Posted on 31 August 2010 with categories: Monthly Summaries

To be honest, I’m about to consider 2010 as the worst anime year since I started blogging. The summer season overall was held back by its quantity problem, which results in only a few series that I really consider memorable. Does that mean that I consider that anime is dying, though? Absolutely not. I’m very curious to see how it’s going to evolve in the future and in the upcoming years.

In this month, the surprises mostly came from the series that have been carried over from previous season, with a few notable exceptions. Overall it’s a better month than the previous one, and even the series that aren’t going to turn into anything memorable have their share of very enjoyable episodes.

#19 (20) – Amagami SS – (6,25/10) – I’m still watching this show, but it’s still just plain boring. The second arc was simply decent, it at least had some dynamic characters, but apart from that nothing stood out, and the conclusion yet again was too fast and rushed. The third arc however… by god. The portrayal of that shy girl was just abysmal.
#18 (19) – Asobi ni Iku Yo – (7,5/10) – Out of the huge onslaught of moe shows by AIC this season, this one turned out to be the best one. It’s self-conscious and knows that it’s just harmless fun, and the gunfights are enjoyable enough. The characters themselves are really cliched, but they could have been much more annoying. There’s good chemistry between them, which sortof makes up for the huge amount of flaws that this show has in its premise.
#17 (16) – Sekirei – (7,75/10) – The weak point of this series remains the scenes without drama: the voice actors just try too hard to sound cute, and those scenes are just annoying to watch. Still, the main story has been getting better now that the creators revealed the major background behind everything. The characters are definitely coming together now, despite the silly and fanservicey premise
#16 (18) – Ookami-san to Shichinin no Nakama-tachi – (7,75/10) – This one has gotten better. The animation still is consistently good, and it really has been thinking about arcs that give the main characters some depth, rather than the more silly adventures of the first few episodes. My problem with it still is the huge amount of references to otaku pop culture and overused anime cliches that just don’t interest me. Especially the boob jokes have to stop because this show has been overusing those beyond belief.
#15 (6) – Densetsu no Yuusha no Densetsu – (7,75/10) – This month for me wasn’t as good as the previous one, but that mostly had to do with expectations. It’s mostly been a building-up moth for Denyuuden, and nothing really special happened here.
#14 (10) – High School of the Dead – (7,75/10) – What sets High School of the Dead apart from all other fanservice shows this season is its atmosphere, which is really genuinely good. The action itself is also very entertaining. Beyond that it’s just gore an fanservice, but I’m enjoying it so far.
#13 (12) – Katanagatari – (8/10) – This is a bit of a strange series, but even though its episodes are twice as long as usual, I just don’t have a lot to say about it. Nothing really stands out, good or bad. I hope that the final episodes indeed are going to get more interesting so that I’ll at least have something to say about it.
#12 (15) – Heroman – (8/10) – This show is weird. I thought it was predictable, but in this month it made a bunch of really strange choices. That island arc was a completely pointless filler. I have no idea what it did in this series, it had no relation to the plot whatsoever, and overall was boring to get through. On top of that, ONLY now, after more than twenty episodes, did it suddenly decide to reveal the most crucial background information. I mean, especially the explanation of Psy’s leg should have been given right at the beginning. But yeah: the upside of this is that the past few episodes have been really character-centric, and actually did a lot of good stuff with them.
#11 (14) – Mitsudomoe – (8/10) – You know? Of all the moe shows this season, I’m enjoying this one the most. Sure, it has its mind in way, way deep into the gutter, and most of the series consists just out of utterly wrong toilet jokes, but the delivery is top-notch and actually gets better as the series goes on. I don’t want to laugh, yet I can’t help it here.
#10 (11) – Anymaru Tantei Kiruminzoo – (8/10)

Now that the climax has started this show has definitely been delivering, and everything seems to be coming together now. I still believe that this could just as easily have been a 39 episoded series, but it’s been an entertaining month for Anymal Tantei Kiruminzoo.

#9 (7) – Nurarihyon no Mago – (8/10)

Gyuki’s arc was quite good, even though it spent most of its time just building up for the rest of the series. Now that we finally got the introduction arcs done though, we should get to the interesting parts of the story, to which I’m looking forward to a lot. It’s perhaps not the most exciting series, but still a very solid one.

#8 (17) – Kuroshitsuji – (8,25/10)

Now that Alois is in the picture again this show has become a whole lot more interesting. His insanity is just so interesting to watch, and I love all of the interesting plot twists the creators try to put into this. However, it would suck if the sole purpose of this series was just going to be a plot device to get Ciel and Sebastian to happily coexist together.

#7 (8) – Sengoku Basara – (8,25/10)

Building up, building up, building up. Really, this month has been either building up to the finale (which had better be damn awesome with all this hyping) and one particularly crazy action episode that blew all my expectations. I expected this to be just one string of action-scenes, but instead this series went for just a couple of them, while trying to make THOSE as epic as possible. Well, I must say that so far they’re doing a good job because episode 18 (or 6) had without a doubt the best action I have seen this month, but this is all going to depend on these final episodes.

#6 (4) – Rainbow – (8,5/10)

This month we got various mini-arcs that were meant to develop and explore the characters as they move on with their lives, and I’m really liking this show more and more. Some characters can be a bi stereotypical at times(specially the thugs), but it’s still both fun and exciting.

#5 (2) – Seikimatsu Occult Gakuin – (8,5/10)

Seikimatsu Occult Gakuin took on a completely different direction from expected this month, by taking on a much quieter and controlled pacing. I still consider it to be the series with the most solid execution of the Summer Season, though. The episodes ranged from really well executed (episode 06) to a bit disappointing (episode 08), but overall they were all focused on developing the lead character Maya. Whether it’s going to work depends on the final third of this series.

#4 (5) – Shiki – (8,75/10)

An excellent atmosphere that just continues to get better. This show is very good at building up, and that really starts to show at this point, not to mention that the soundtrack also just gets better with every episode.

#3 (9) – Uragiri wa Boku no Namae wo Shitteiru – (8,75/10)

I’m not sure what happened, but somewhere the creators suddenly decided to flick the awesome-switch here. This series improved beyond belief during the past month, with a number of awesome episodes in which all of the build-up of earlier on in the series is coming together. The music especially has exceeded all my expectations here.

#2 (2) – Heartcatch Precure – (8,75/10)

You can really see the show evolving now that Cure Sunshine has appeared, and it has possibly made this show even better. Some of the fights have become a bit beam-spamming, but the individual stories for each episode have been incredibly charming.

#1 (1) – Giant Killing – (9/10)

I love this show! Especially now near the end now that everything is coming together, the entire cast is just one chunk of personality. The opposing team is just awesome, not to mention the huge amounts of Dutch that the creators managed to insert. Every single character still stands apart as individual despite the huge cast, and not to mention how great the creators are with the build-up of the past arc.

Posted on with categories: Nurarihyon no Mago



Well, it was a bit of a wait, but this episode definitely delivered. Gyuki’s climax definitely was worth the wait, and this episode really changed the course of this series now that Rikuo stopped running away from his demon side, while at the same time not abandoning his human side as Gyuki suggested. It’s great to already see character-development at this stage in the series.

I also see why the previous episode was so necessary, as it really explained the loyalty behind Gyuki’s actions, added to Gyuki’s pride as a youkai. In either case, it’s great to see that the people in this series are willing to grab their own responsibilities instead of running away. I guess that that was the entire point of these introduction arcs.

I do hope that either Rikuo’s classmates will develop like this, or that the story is indeed going to move away from them, as the youkai part of this series is looking to be a lot more interesting than the human part. I understand why they were necessary, though.
Rating: ** (Excellent)

Posted on 30 August 2010 with categories: Seikimatsu Occult Gakuin




It’s episode nine. We’re about to hit the climax with five episodes left. And so this episode comes with a seemingly unrelated arc that ends with a cliff-hanger that will continue into the next episode. I’m really interested in the creators’ intentions here.

Don’t get me wrong here, this episode was excellent as usual. I still consider this to be the best executed series of the season. But I’m fearing that this series will go down the road of Sora no Oto and wait too long with its ending, resulting in a bit of a cop-out. If this episode wasn’t what it looked like and actually was already slightly hinting at that climax then it’s fine, but I don’t want the same thing that happened with Sora no Oto’s ending to happen here.

Anyway, about the episode, when you ignore the time-limit of this show, it was a very good one in its build up. The creators are continuing to develop Maya, using her relationship with her father, and the next episode especially seems designed to push her character in a new direction. Meanwhile this episode was excellent with its facial expressions, especially Maya’s, but JK also shined here.

It’s interesting how the case was seemingly solved before the end of the episode: the spirit’s father accidentally killed her due to neglect, now all that’s seemingly left is to bring this ghost to that father, have a bit of dialogue and things should get finished. That shouldn’t be enough to fill an entire episode. Still, with all that build-up it had better be building up to something awesome. It’s quite like Sengoku Basara Two this season: they’re both spending quite a bit of build up hyping up their own climax, so at this point I still can’t say anything about how good they are going to end up becoming in terms of the big picture, unlike, say, High School of the Dead where you know exactly what to expect.
Rating: ** (Excellent)

Posted on with categories: Anime Reviews




I was really starting to fear that Symphony in August would meet the same fate as Furusato, Japan (as in, arriving to the west three years late and flying completely by people’s attention even though it’s really good), but thank god this didn’t turn out to be true. I really urge someone who likes the realistic kind of movie to somehow sub this thing, because it really doesn’t deserve to fade into obscurity.

Symphony in August turned out to be an incredibly uplifting movie, but the interesting thing is that it’s completely non-fiction: it’s based on the autobiography of the singer and songwriter Ai Kawashima, and takes place seven and eight years ago as she tried to find the recognition for her singing skills. She she even voiced the songs throughout the movie.

After watching,I can really understand why people wanted to make a movie about her life, since it is a very inspiring and slightly unusual road through which Ai worked herself up, and eventually ended up singing the theme song of the Place Promised in Our Early Days (that part isn’t shown in this movie though, it’s solely about her rise to fame), starting out as a street performer. The creators did a wonderful job of portraying her as a character. She grows like a real character, acts very genuinely on the hardest moments of her life, and the people around her who support her are also portrayed as wonderfully restrained.

The director, Akio Nishizawa really has a knack for these kinds of movies: realistic, down to earth and honouring the Japanese cultural heritage of music. In this movie though, I did notice one of the very few points at which he missed the mark: the ending. For who knows what kind of reason, the producers just couldn’t get the right funding to fully animate it, so parts are shown in CG. To make matters worse, at this point the movie abuses its sentimentalism a bit too much and shows a few too many people with tears in their eyes, and this goes on for too long. Apart from that I consider Symphony in August to be just as good as Furusato Japan, but the ending is where the latter is just much better.

Storytelling: 8/10 – Realistic, down to earth and well paced. Only the ending could have used more subtlety.
Characters: 9/10 – Non-fiction, and it shows. A very realistic portrayal of the characters, and they’re charming as hell.
Production-Values: 8/10 – Detailed and well drawn movements, with some unfortunate CG abuse at the end.
Setting: 8/10 – Good portrayal of the modern singing business.

Suggestions:
Furusato, Japan
Fancy Lala
Piano no Mori

Posted on with categories: Anime Reviews




Bungaku Shoujo is a project consisting out of four OVAs and a movie. I remember not really being impressed by the first OVAs, which didn’t really give me the motivation to check out the other parts of the OVA, so I just decided to go with the movie instead. Which, as it turns out, is completely different.

Before I continue however, I do want to say the following: with most of my series and movie reviews, I try to not include any spoilers. With this movie however, it’s impossible to really talk about my impression of this movie without discussing some of them, so if you haven’t seen the movie yet, you might want to skip the rest of the paragraphs of this review.

I say this of course because Bungaku Shoujo marketed itself as some cheesy romance in which the lead character gets to date a cute girl who eats books. The prologue of the movie reinforces this completely when it throws cliche after cliche when introducing its characters. And in the end, this turned out to be a huge red herring for the real subject matter of this series: dealing with a mentally insane childhood friend.

At this point I’m still not sure whether the creators tried too hard with that character, but nevertheless my highlight of this movie was the interplay between her and the lead character as it really took its time to explore how both of them feel about each other. With excellent animation, I felt myself to really care about these two, and to be honest, the entire cast quickly loses the stereotypes associated with them at the introduction. There is a bit of overacting at times, but even there it feels subtle and restrained, to really give off the impressions of a natural cast. I’m definitely surprised by that.

My main problem with this movie was the conclusion. Basically, most of the major conflicts are solved with a cheesy speech that I feel was totally unnecessary. I would have really preferred it if the characters just talked to each other to sort out their differences. Or heck, went to a proper psychiatrist.

The animation for a movie’s standards is pretty good, but average. There are a few still frames and off models here, but characters are well animated. For movie’s standards it’s nothing extraordinary, though. The soundtrack itself is also nothing to write home about.

Nevertheless it’s a compelling teenaged drama with a lot of symbolism to novels (most notable Kenji Miyazawa’s Night on the Galactic Railroad). It’s not the best and the whole “demon eating books” turned out to be just a gimmick that could have easily been omitted without changing anything, but it definitely kept my attention throughout the movie.

Storytelling: 8/10 – Takes its time to tell the story, great sense of mystery.
Characters: 8/10 – The acting tries a little too hard at times, but nevertheless the cast is believable and charming.
Production-Values: 8/10 – Solid and detailed, but doesn’t stand out compared to other movies.
Setting: 8/10 – Aside from one gimmick that’s not used to its potential, it does its job of supporting the story, especially the book symbolism.

Suggestions:
Night on the Galactic Railroad (one of those movies that I got to appreciate more and more over time, so just ignore that rating).
Gedo Senki
Kappa to Coo to Natsuyasumi

Posted on with categories: OVA Impressions



Okay, so I’ve been a bit lazy for the past days so I’ve got a pretty big movie and OVA backlog right now. First up is a 10-minute OVA that I’m really really late with, Yondemasu, Azazel-san. Do give it a chance though if you’re looking for something funny. The episode is only 10 minutes long, but quite funny.

It’s an OVA that pokes fun at demon summoning. It’s a practice that’s usually very serious business, and you can see that this OVA has the time of its life making this look as ridiculous as possible. And it does so with an actual sense of humor. While turning fierce demons into cute animals is nothing new, this show does it with a number of awesome jokes, especially when the deadpan Moloch appears halfway through. The comedic timing and delivery is just awesome here.

Still, this remains an OVA that was shipped with manga volumes, so don’t expect any background or explanation behind everything. In fact, some of the things said at the beginning of the episode are only explained at the end of it. Nevertheless, if you want something short to laugh at, this does the job.
OVA Episode Rating: 8,25/10

Posted on with categories: High School of the Dead



Well, I guess we all knew what this episode was going to introduce: the LOVE TRIANGLE. Generally, I hate those things because A) they’re annoying, B) go nowhere and C) they way too often get in the way of the real plot. It was a good episode overall, but at this pace I do hope that the final four episodes will remember that this series is focused on horror and fanservice. The romance should just be there to get the best out of the characters.

Either way though, it’s episodes like this that make High School of the Dead into more than just a gore and boob fest, because Saeko did get quite a bit of attention, and we learned a lot more about her. And to be honest, I actually liked the way that Takeshi developed his crush for Saeko a lot more than his angsty side who can’t get over a childhood crush who dumped him years ago.

That’s not to say that it was actually good romance of course, as according to anime logic it seems that whenever a guy and a girl are together in a tight situation they are 100% sure to fall in love. But still, I never started to watch this series for its realism. One thing that I am very glad of is that this series doesn’t try to be funny. The creators could have easily turned Takeshi into a horny peeping pervert in this episode with a stupid grin on his face, but they didn’t. The creators could easily have made the most horrible puns and fanservice jokes throughout the series, but instead they knew that those jokes suck in 99% of the cases. Instead, the jokes they do make either work decently, or are harmless enough to ignore.
Rating: * (Good)

Posted on with categories: Giant Killing



Most of this episode was half-time, but it still was an awesome one. The creators really know how to create tension here, with 35 minutes of the match left and still nobody managed to score. The characters in the meantime are as fun as ever. It also helps that Tatsumi continues to hype his own game with his seemingly endless confidence.

Still, you can see that after the despair of the previous episode, the defence is starting to get together. With 31 minutes however, the problem is indeed Natsuki. He indeed was a bit different from usual in this game, though I never really thought of why this was. The end of this episode however revealed that Tatsumi made quite a devastating comment about his determination. With that I completely understood why he had been running around like a chicken during the past episodes. I guess that Tatsumi wanted to motivate Natsuki, but here’s one thing that seemed to backfire. And interestingly, despite all of the build up of the previous episodes, we still didn’t get to see anything from Sera.

In any case, I’m still surprised at how well the chemistry turned out here. All of the attention that the series has put into the different characters is really paying off right now, and something tells me that the next few episodes will give the rest of the cast beyond the defenders their time to shine. It’s a shame though, I really don’t see huge DVD-sales for this series, so I really doubt that there’s going to be a second season.
Rating: *** (Awesome)

Posted on 29 August 2010 with categories: Uragiri wa Boku no Namae wo Shitteiru



Holy crap, here is one series that suddenly became just better and better. Seriously, these past two episodes have far surpassed anything else this series had offered up to that point. And this episode ended with yet another cliffhanger, as if to say that it’s still nowhere near done yet. I keep wondering how many parts of the soundtrack the creators haven’t shown yet.

In a way though: I love these kinds of series: those who for their majority aren’t anything special aside from a few scenes here and there, and suddenly as they enter their final quarter flick the awesome switch and finish with one heck of a finale. Uragiri looks to be well on this path with only three episodes left, same with Kobato half a year ago. The disadvantage is of course that it’s impossible to pick these kinds of series out when they first start. I’m REALLY glad that I took the few hints of episode two and continued to blog this series, because I recall having laughed quite a bit at this series for how silly it looked at times.

One of the things I especially liked here was the way in which Reiga continues to set off hints to Yuki that Kanata was still out there, only to completely trash Yuki afterwards, telling him to get off his high horse. It’s a very interesting way of showing Yuki’s flaws, this naivety in which he keeps hoping for Kanata to magically return really adds to his character, and yet this doesn’t take his naivety over the top like what you see with most naive characters who too often degenerate into utter stupidity.

With three episodes left (according to ANN at least, don’t take my word on that because they still seem to believe that this show is only 13 episodes long), I do hope that the creators still have enough time to put girl Yuki’s background in it. Right now, that’s my biggest question mark along with the reason why Reiga protected Yuki in this episode. If the creators can pull that off, while making these three episodes as good as the past two, then I’ll be entirely happy.
Rating: *** (Awesome)

Posted on with categories: Sengoku Basara



As much as I like the soundtrack of Shiki, I do not consider it to be the best of the Summer Season. The soundtrack for Sengoku Basara is just epic, especially after this episode showed that it can also hold its ground in the quiet and subtle scenes. I’m also not sure who that singer was who popped up in the middle, but she has a great voice.

Also, colour me surprised here. At the start of this series, I really thought that this was going to be an action series. As in: we get a bunch of exciting battles every episodes. As it turns out though, I was wrong: this series tries to be much more than just brainless action. This was the second episode in a row that didn’t spend any attention on any kind of action scenes, and instead it again focused on its character background and building up. The side characters may not have developed much, but there is actually quite a bit of character development amongst the main ones, especially Date Masamune and Yukimura, but also Toyotomi changed compared to the flashbacks we see him in in this episode.

The first season tried this too, but the key mistake it made was that it didn’t feel like it was building up to anything. The arcs were all seemingly unrelated, and not really that interesting. But yeah, at the same time I do have to agree: it did lay out the foundation for this second season to work with. Without that first season, this second season would not be as solid as it is now. I still blame it for being boring, though.

In any case, with so much build up, that final quarter had better be awesome. This series may not be the next Bakumatsu Kikansetsu Irohanihoheto, but I’m still enjoying it a lot. I expected to get bored when I realized that this episode again wouldn’t involve fighting, but this didn’t turn out to be the case.
Rating: * (Good)

CHANGE USERNAME
Anonymous1828321
Thank you
Lenlo
A shame. Kokkoku had the first truly dull episode this week. Suppose one had to come eventually, but this one was mostly an info dump.
AidanAK47
Like lightning, I strike. Junji Ito is basically interesting ideas with deeply flawed execution. It's not scary, doesn't really capture Ito's style and the animation is bare bones. While the stories themselves can have there interesting points, they are often not fleshed out enough. Honestly I am getting rather bored with it.
Lenlo
Holy bejesus Aidan. Nice triple post. :P

So overall how is Junji Ito? From what ive read so far, it seems pretty hit or miss on the horror/gore front. Failing to live up to the manga. I havnt read it though, so im curious what ya think
AidanAK47
Akumetsu?
Anonymous1828142
Wearing a mask
Anonymous1828142
What was the name of the manga where the main character is some superhuman high school student who goes around fighting Japanese politicians
Lenlo
On a side note, I should really start Violet Evergarden at some point...
Lenlo
"Anime is dying" is just a meme that gets thrown around because of Miyazaki.
Lenlo
Maybe. I dont think average score per year is a good metric though, as the cash ins are increasing, but I doubt the passion projects are decreasing. For instance we had /alot/ of duds this year, but people only really remember/care about the good ones of which there was a fair number. It wasnt a bad year for decent/good anime.
AidanAK47
Well yeah, but they didn't have as many Animation studios back then as we do right now. So it's not so much that we lost artistic merit but rather the number of studios cashing in on popular trends for a quick buck have increased. Even then, I am willing to put money on there being just as much harem anime in yesteryear as we have cute girls shows in present.
Lenlo
Perhaps, but I would argue those were on smaller scales, and even then, thats not so different from Western animation or movies. Just look at Warner Bros and their DC push after the success of Marvel. Every industry has those who chase successful trends, yet they arnt failing
AidanAK47
@lenlo, the thing is though that before Moe crap there was eva copy crap and before eva copy crap you had space opera crap and before space opera crap you had hyperviolet OVA crap. The industry has always tried to cash in on a popular trend.
Kaiser-Eoghan
I feel people went apeshit over, say highschool of the dead because they never saw a bunch of old B/exploitation films, thus that show was never special to me and even failed at an imitation of such.
Kaiser-Eoghan
I think people getting to excited for it being unique to a single medium or for, its setting themselve up for disappointment.
Kaiser-Eoghan
I just think its incredibly limited thinking to base it all on just ONE medium, you CAN hold up anime to film when anaylzing anime.
Kaiser-Eoghan
Why should 91 days get a free pass just because its an anime about gangsters? Go watch a film about it instead which theres probably many of, joker game fail you as the mature spy thriller it ended up not being, who cares, Tinker tailor soldier spy exists.
Kaiser-Eoghan
I dislike this "Its unique for an anime/manga to do this, so instantly lets latch on to it, despite fact that same something is already extremely prevalent in other mediums "
Kaiser-Eoghan
Case in point 91 days and Joker game "It has adults, lets pre-rejoice before the show even came out"
Kaiser-Eoghan
I feel though because of the level of dissatisfaction with said moe shows that people are going to leap far too quickly on anything just slightly different, getting their hopes up too high and end up feeling let down.
Lenlo
That, or it all comes crashing down around our ears. With stuff like Houseki no Kuni and Made in Abyss from last year however, I think its going to be ok. We are just getting inundated with crap right now.
Lenlo
I do think that some of the artistic part of it has been lost, its gotten diluted in the never ending river of Moe crap. But that doesnt mean its gone. Just harder to find. Eventually all the random moe shows no one cares about will fail and stop getting made. But the anime audience will still be around, to enjoy the better stuff thats left.
Lenlo
Same thing happened in the mid/late 90's and early 00's to American cartoons.
Lenlo
Eh, I dont think anime is dying. Changing no doubt. Its going through a rough growth stage right now. It has a bigger audience than ever and people are trying to cash in on that with lots of shows that are basically the same
Kaiser-Eoghan
@Mario: Tank you and damn you for posting screencap of loli-tachibana, I now have cuteness overload a diabeetus =<
Kaiser-Eoghan
I realize thats a very minor detail to focus on though.
Kaiser-Eoghan
Thats why I can really really get into a history manga if the art is top quality, the costume designs.
Kaiser-Eoghan
On the historical thing, I have a massive I repeat massive thing for full body medieval armoured characters hacking the shit into things or just the armour in general , especially templar armour designs. I also have an little obsession with male aristocratic army uniforms from the Prussian era and world war 2.
Kaiser-Eoghan
That recent Urasawa manga Travlos mentioned is ending also
@Mario: We might get a complete adaptation of after the rain, the manga is ending.
Kaiser-Eoghan
More historical manga I found, haven't read the second one however, I didn't hear those two mentioned on here either before.
Kaiser-Eoghan
[link src="http://kissmanga.com/Manga/Hawkwood
http://kissmanga.com/Manga/Ad-Astra-Scipio-to-Hannibal"]
AidanAK47
@Anon, yes clearly you know better than everyone else on the planet despite having no evidence whatsoever to back up you claims. Thank you nameless Stranger, we owe you a debt for telling us the same thing we hear every year. Let me congratulate you by kicking you out the door.
Kaiser-Eoghan
I can generally come up with an opinion for what I follow/watch/read , but I don't really have one on kokkuu.
KTravlos
Well we watched the first episode of Kokkuku. Interesting. The ED theme is quite the fanservice.
SuperMario
@Ktravlos: If your like to check out some other shows this season then I'd definitely recommend After the Rain.
SuperMario
@KTravlos: at least Kino is thought-provoking. I can't say the same for Violet Evergarden. In fact I remain skeptical with VE
KTravlos
I am quite enjoying both Violet Evergarden and Mahoutsukai. Violet gives me similar vibes to the first Kio series, though obviously Kino was a better series.
SuperWooper
EPIC post, anon!
Anonymous1825128
Of course, as ardent fans of anime, the writers of this site would not deign to agree or even entertain the idea that their passion is no longer the same artisanal endeavor it once was.
AidanAK47
@Anon, Oh. Actually surprised I forgot about that. Yeah, when it comes to something being described as edgy I think Goblin Slayer fits that definition perfectly.
AidanAK47
@Lenlo, You can still throw down your take if you want.
Anonymous1824209
AidanAK47 - Or the women shields.
Lenlo
You know, sometimes I dont regret forgetting about this chatbox. Missing the "anime is dying" conversation? One of those times
AidanAK47
Oh, Goblin Slayer is getting an anime adaption. I was rather lukewarm on it but I wonder how the anime is going to handle the rather unsavoury aspects. Like the rape. Lots and lots of rape.
AidanAK47
I remember the last guy said he would make a chart and I thought it was a brillent idea as at least something useful could come out of this old dead horse. Then his chart turned out to be a useless jpeg with series thrown to the left or right.
AidanAK47
It does stir up conversation but it's really just the same conversation repeated. I remember stating the exact same points Nayrael and Bokusen are saying around a year ago when this last came up.
AidanAK47
@Anon, Indeed Ratings are subjective but it would at least be a general mainstream consensus of the quality of anime over the years. Not final but at least it's better evidence than one persons general assumption. And other factors are impossible to quaitify.
Nayrael
A good parody of the "Anime back then and now - what happened? meme (if the links are not blocked here): https://i.imgur.com/JZqxz6f.jpg
Nayrael
Not to mention that back in the olden days you didn't see every Anime that aired. Official translators and fansubbers selected the best stuff, which resulted in you seeing the best shows and never even knowing about the shit-tier shows.
Bokusen
I think that people who say "anime is dying" are just getting too nostalgic. It's easy to remember the hit series from earlier seasons. It's less easy to remember all the forgettable generic series that you dropped after 1 episode, and so anime tends to "seem better" back then because of people's tendency towards selective memory.
Anonymous1820731
Why are there more bad anime? Because there are more anime being made. That means the good ones are buried under the lots of bad ones. But saying "anime is dying" from that is like saying "music is dead because I don't like Britney Spears." Why does this conversation always come up, its obvious conversation bait.
Anonymous1820589
@Aidan: You are the first to obsess over the fact that reviews are subjective. And since they're subjective, looking at anime 'ratings' over time does nothing to gauge the measure of effort and artistic talent that goes into making anime.
Kaiser-Eoghan
Which I got my answer by the way.
SuperWooper
>average review scores
What do those have to do with whether anime is "dying" or not? You'd need to look at the money.
Kaiser-Eoghan
Want to add that I agree with both you and Aidan, only brought up those two topics back there because I wanted to know what shows now will be popular in the future.
SuperMario
I'm on the side of Aidan regarding to this. For me it's not neccessary means the anime industry has become "better" or "worse", it's just that it takes new shape and trends and based on the number of anime produced, the industry isn't going down soon
AidanAK47
Am I really going to draft up a chart gathering average review scores of the past 25 years just t shut up this talk of anime dying?
But even if I did that won't toss aside this nonsense.
Kaiser-Eoghan
I know this is complete guesswork.
AidanAK47
Plus the industry is dying? Bloody hell, we got major companies FUNDING anime. Streaming services and more anime coming out that ever before. You can argue that this new anime is weaker but honestly it's just misguided. It takes time but great shows are still coming out. Just like back then.
Kaiser-Eoghan
Well thats kind of what I meant, what, when passage of time comes into it are going to end up being classic based on that, speculatively speaking.
Kaiser-Eoghan
Thats probably a much better way of phrasing it, inheriting mantles. I'm going to say that promised neverland is presently along with Titan a BIG modern shounen.
AidanAK47
Anyway my point is that the shows of the past, the so called classics, are just as flawed as the shows of today. It is only through the passage of time that they become classics. When Stein;Gate finished airing, I seen no one call it a classic. Same goes for Madoka and Fate/Zero. Now, you have people putting up the pedestals.
AidanAK47
Though if anything has inherited the Shounen mantle, it's likely Boku no hero.
AidanAK47
There is no big three Shounen and that's honestly for the best. Because in generally the declining aspect of Naruto and Bleach was mainly due to the pressure on the mangaka to put out chapters on a weekly basis. In fact it's pretty much the primary factor in Bleachs decline.
AidanAK47
Bebop is great but even it is hit and miss by nature. Doubt many remember much about the casino episode and the Alien spoof episode is likely not anyone's favorite. Eva is massively flawed but no one wants to admit it due to the massive amount of praise it receives and influence it has on the industry.
Kaiser-Eoghan
But what is the new big three shounen?
AidanAK47
If we go further back to DBZ, that has tons of issues with filler, dragging out episodes, animation shortcuts, and even complaints of it doing the same thing over and over again with it's story. No to mention the underutilised cast and the everlasting act up putting Goku on a greater pedestal.
AidanAK47
But let us dissect this viewpoint of yours. You claim the Shouen-jump canon as a great, guessing that refers to the shounen big three. But aside from One piece, the other two are emmensily flawed. Naruto is 50% filler and Bleach drops seriously in quality after soul society.
AidanAK47
Also Fate series is trash? That definitely seems aimed at me. What first series are you referring to? Fate/Zero, Fate/Stay Night 2006? Fate/UTW? The same thing over and over again? Sure each series has a holy grail war, but none of them every turned out the same. I am more than willing to admit that the spinoff series outside of the main canon are lesser. Calling them trash however is hyperbole.
AidanAK47
@Anon, Not this crap again. The old "Anime isn't as good as it used to be", how many times have I heard that over the years, and each and every time it proves more untrue.
Kaiser-Eoghan
One point I'm trying to get at is, I don't get throwing the word bad taste around when I know I was probably in the same position as that other fan years ago.
Kaiser-Eoghan
Another thing, for shows we talk up and obviously I've been just as guilty of this, how many of these am I going to be able to recite off by heart years down the line?
Kaiser-Eoghan
I don't like Madoka but thats a good example of a modern classic that'll keep in peoples minds, people still care.
Kaiser-Eoghan
*its a
Kaiser-Eoghan
@Anon: The reason I want to see a new show become a modern classic is because I'm tired of this "fleeting masterpiece" way of thinking, where I a show is super popular during the season and gets talked up as if it'll stick in the mind years on, then weeks later it disappears from memory.
Anonymous1819907
And anime watchers tend to be attracted to series that are just plain boring. The Fate franchise is case and point. The same thing over and over again. It really is a disgrace, to be honest--in my opinion. The first series was great, and I look forward to the movie. But everything in between is trash. But they still get the views, since people are sheep.
Anonymous1819907
The shonen-jump canon, shows like bebop and eva were huge in their time. The industry is just not the same--it's really dying. There isn't the same desire to blow shows up like there used to be. Shonen jump is still at it, but those shows are rarely worth watching, even if they're popular
Anonymous1819907
its a good anime, but it doesn't have the same staying power since it was not an entire industry
Kaiser-Eoghan
Sorry for the long post, I want to get people talking again here.
Kaiser-Eoghan
I would love for this to happen with, say, made in Abyss, that becoming a show that we remember decades from now and still talk about.
Kaiser-Eoghan
Something else I want to bring up, what shows do you all REALLY believe will still be talked about in the future . Bebop and Eva still come up regularly to this day, what new shows do you think will become big classics.
Kaiser-Eoghan
To base taste on things you watched ages ago doesn't really work.
Kaiser-Eoghan
I bring that up because I remember a comment somewhere I read that said, the people who trashed guilty crown, forget geass was 10 years ago and if guilty crown had came out back then instead of geass they would have embraced it instead at the time.
Kaiser-Eoghan
On the bad taste thing, I could easily say Mahouka or sword art are terrible, but back when I watched and loved code geass people where probably bashing it as overhyped shit in the same way people like to do with sword art/mahouka now.
Kaiser-Eoghan
I sure years ago I would have been all over violet evergarden.
Kaiser-Eoghan
For example most anime/manga melodrama has lost its effect on me, I hate Clannad and Kanon now and I won't watch the new code geass season because I want to crop it and death note both up to a teenage error and mistake.
Kaiser-Eoghan
And in some cases it only takes five or so years.
Kaiser-Eoghan
If not that, it’s the show no one gave a shit about that you loved or it’s a recent gem.
Kaiser-Eoghan
And it hit me, the stuff you often end up loving, becoming a measure of your true taste, in my case at least are the re-discoveries, the show you HATED or didn’t get the first time round, maybe you watched it again soon after or years later, but then it does something for you that tops anything you watched in your early days.
Kaiser-Eoghan
Then I remember theres a huge amount of big shounens I never cared for and popular writers that I never liked or if I did found somewhat overated.
Kaiser-Eoghan
Given that I’m in my thirties and have been watching anime, reading manga since I was 11, that’s led to a very very large re-watch list, something things I will NEVER get the time to go back to re-assess , for all I know they could actually be terrible series. Then there’s when I DO go back on shows and let’s face it most DON’T hold up (of course its good when they do hold up).
Kaiser-Eoghan
This has been on my back/mind for a bit now, to where I’m actually somewhat confused by this “tastes” thing in relation to myself.
AidanAK47
@Anon, Out of nowhere comment don't you think? Besides it ain't that I have perfect taste. It's just that my taste is the only one that matters.
Anonymous1819624
@Aidan you don't need to keep pretending you have perfect taste in anime. we are all aware your taste is often questionable, as all of ours are at times.
Kaiser-Eoghan
Its kind of a pity because there were moments where I saw potential in it and thought maybe this would be some kind of exception.
Kaiser-Eoghan
But to more calmly review this, I do think its possible to present topics like this, though in a more accessible way, I think even someone more versed in this would be bothered by this presentation, in addition to this manga never flowing properly, the dialogue just feels it was ripped directly from an article or book.
Kaiser-Eoghan
I suppose in all fairness, its right to say I never studied any of these subjects in much detail that it brings up and never did anything sciencey for more than two years at school so I was probably doomed from the start.
Kaiser-Eoghan
I know the expected response to what I said there is "why do you read/continue to read things you know you won't like" but if I don't come out of my comfort zone theres no chance of me being surprised.
AidanAK47
Hehe..well Kaiser, I don't remember saying it was good. I just said it was an insane ride. I found its concept interesting but the presentation was just terrible.
Kaiser-Eoghan
Sorry for ranting but this makes my blood absolutely seethe and boil.
Kaiser-Eoghan
I got to the last two chapters and just stopped caring, the info dumping, the multiple lives thing, especially the my own father/mother thing and magical girl part....fuck...
Kaiser-Eoghan
And yes I'm talking about Qualia....this...was....abject...punishing headwrecking agony to read.
Kaiser-Eoghan
Okay fuck it, just fuck it, I refuse, absolutely refuse to touch anything involving many worlds interpretation, time travel, shared memory,multiple runthroughs/loops ever again under any any circumstances, this is the worst form of storytelling I can possibly sit through from my perspective , I cannot finish this its impossible.
Kaiser-Eoghan
I've given away/sold/thrown out anime/manga before, including figures and posters while keeping others , can't remember off hand, but it was to free space.
Kaiser-Eoghan
@Mario: Together we make....tiger and dragon....Toradora =O
Kaiser-Eoghan
@Mario: To be clearer, any interesting series/films they threw out?
Kaiser-Eoghan
@Mario: Anything else interesting they threw out?
Kaiser-Eoghan
@Mario: I'm year of the tiger, Aidan is year of the dragon.
SuperMario
And today is the Lunar New Year, happy new year guys! It's a year of the Dog so for those who is born in the year of the Dog... my condolenses since it is supposed to be your bad luck year
SuperMario
I think they move away so they just throw all their dvds there. There were other live action movies and series in there
Kaiser-Eoghan
@Mario: Strange that if he truly didn't want it that he never decided to just sell it.
SuperMario
@Aidan: I tested it and all of the DVDs are playable. The package includes the whole show and the movie. Not a scratch either
Kaiser-Eoghan
pppftt, not leaving it in the trash and instead going out and getting the blurays instead =P
Lenlo
Ha, shouldnt be surprised you read it to
AidanAK47
Everytime I read a newly translated Re:Zero chapter I just hunger for a new anime season. The latest chapter would be fantastic animated
AidanAK47
@Mario, Maybe the discs got scratched and the don't work anymore? Otherwise this is blasphemy if the highest degree.
SuperMario
Don't know how should I feel about that :))
SuperMario
Can you believe it? Someone in my apartment just threw away the Cowboy Bebop boxset. Normally I don't pick up someone's trash but it's a crime NOT TO in this case. %$^&&
Kaiser-Eoghan
I will hearby read Murasakiro Qualia!
Kaiser-Eoghan
@Mario: Very good voice casting decision with hourou musuko, the voice actor for the protaganist was an actual 14 year old and sounds kind of androgynous anyway.
SuperMario
@Kaiser: it comes as no surprise for me if the mangaka of Housou Musuko is a lesbian, since the show has a honest feeling if someone who actually experience those issues
Kaiser-Eoghan
So that probably came after or something.
Kaiser-Eoghan
None of those episodes 30 involved this ant-arc Aidan mentioned as I recall.
Bokusen
0_o What the heck...It must take a long while to get good then.
Kaiser-Eoghan
All I was told by a hunter x hunter fan on here was after I said I'd watched 30 episodes was "I wonder if the next arc will change your mind"
Bokusen
Does Hunter x Hunter really take 40 eps to get good? I've been thinking of watching it since I really liked YYH & it's the same mangaka. I got hooked on YYH by episode 7, but if HxH takes 40 eps to hook me I might get tired of it before then.
Kaiser-Eoghan
And in some cases it can represent an temporary escape from the self.
Kaiser-Eoghan
As an odd, maybe interesting relevant point, in some cases, well I think most a non-mtf , both a physical and psychological male, if they wear female clothing, the body reacts as if its like contact with a woman.
Kaiser-Eoghan
@Anon: Or for a very old manga on that theme: http://mangakakalot.com/chapter/claudine/chapter_0
Kaiser-Eoghan
The anime worked suprisingly well despite the decision to start in the middle.
Kaiser-Eoghan
As much as I absoslutely love hourou musuko I do need to raise some flaws with the manga, the ending is rushed and underveloped and it is true the characters are too precocious.
Anonymous1811397
Is very slow, and I did reach a point of feeling nothing was happening. I did like the anime pacing things faster. Also like with the anime Aoi Hana it did have a poignant line. In Aoi Hana was the response to the tomboy that wanted to reengage with the MC, and in Hourou Musuko was coming out with his girlfriend.
Anonymous1811397
@SuperMario - Yep, it's maybe the most innocent yet mature take on transgender themes I've seen on a manga. I like it also tackles both genders, since we see women can wear more masculine clothing and be fine with it, but a man doing it is still weird, and unfitting. Also I think it's also the first time I've seen someone going to a catholic church to pray in a japanese setting. However, the manga
Kaiser-Eoghan
Although I was reading Qualia as it was being translated then fell behind, something that needs to be read in one go probably.
Kaiser-Eoghan
*musuko
Kaiser-Eoghan
@Mario: I believe the author of hourou mysuko is a lesbian.
Kaiser-Eoghan
@Aidan: I believe that was discussed on here some years back between myself, you and wicked and how the manga could alienate readers with the sciencey dialogue.
AidanAK47
So I read a manga called Murasakiiro no Qualia. And boy, that was one insane ride.
SuperMario
it addresses such a touchy theme with so much grace
SuperMario
boy, just one episode into Housou Musuko and I already fall head over heels for it. Only one issue is the character designs are kinda similar, which took me quite a bit to follow the cast
SuperWooper
Hey, anon. ;)
Kaiser-Eoghan
I feel there's too much pressure on people to watch the "YOU HAVE TO WATCH" because its popular anime.
Kaiser-Eoghan
Just comparing level Es art to hunter x hunter shows how he isn't playing at his A-game with Hunters artwork.
SuperMario
I hated John Wick 2. The plot is just an excuse for too much dull action
SuperMario
Holy cow
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