Posted on 31 August 2010 with categories: Monthly Summaries

To be honest, I’m about to consider 2010 as the worst anime year since I started blogging. The summer season overall was held back by its quantity problem, which results in only a few series that I really consider memorable. Does that mean that I consider that anime is dying, though? Absolutely not. I’m very curious to see how it’s going to evolve in the future and in the upcoming years.

In this month, the surprises mostly came from the series that have been carried over from previous season, with a few notable exceptions. Overall it’s a better month than the previous one, and even the series that aren’t going to turn into anything memorable have their share of very enjoyable episodes.

#19 (20) – Amagami SS – (6,25/10) – I’m still watching this show, but it’s still just plain boring. The second arc was simply decent, it at least had some dynamic characters, but apart from that nothing stood out, and the conclusion yet again was too fast and rushed. The third arc however… by god. The portrayal of that shy girl was just abysmal.
#18 (19) – Asobi ni Iku Yo – (7,5/10) – Out of the huge onslaught of moe shows by AIC this season, this one turned out to be the best one. It’s self-conscious and knows that it’s just harmless fun, and the gunfights are enjoyable enough. The characters themselves are really cliched, but they could have been much more annoying. There’s good chemistry between them, which sortof makes up for the huge amount of flaws that this show has in its premise.
#17 (16) – Sekirei – (7,75/10) – The weak point of this series remains the scenes without drama: the voice actors just try too hard to sound cute, and those scenes are just annoying to watch. Still, the main story has been getting better now that the creators revealed the major background behind everything. The characters are definitely coming together now, despite the silly and fanservicey premise
#16 (18) – Ookami-san to Shichinin no Nakama-tachi – (7,75/10) – This one has gotten better. The animation still is consistently good, and it really has been thinking about arcs that give the main characters some depth, rather than the more silly adventures of the first few episodes. My problem with it still is the huge amount of references to otaku pop culture and overused anime cliches that just don’t interest me. Especially the boob jokes have to stop because this show has been overusing those beyond belief.
#15 (6) – Densetsu no Yuusha no Densetsu – (7,75/10) – This month for me wasn’t as good as the previous one, but that mostly had to do with expectations. It’s mostly been a building-up moth for Denyuuden, and nothing really special happened here.
#14 (10) – High School of the Dead – (7,75/10) – What sets High School of the Dead apart from all other fanservice shows this season is its atmosphere, which is really genuinely good. The action itself is also very entertaining. Beyond that it’s just gore an fanservice, but I’m enjoying it so far.
#13 (12) – Katanagatari – (8/10) – This is a bit of a strange series, but even though its episodes are twice as long as usual, I just don’t have a lot to say about it. Nothing really stands out, good or bad. I hope that the final episodes indeed are going to get more interesting so that I’ll at least have something to say about it.
#12 (15) – Heroman – (8/10) – This show is weird. I thought it was predictable, but in this month it made a bunch of really strange choices. That island arc was a completely pointless filler. I have no idea what it did in this series, it had no relation to the plot whatsoever, and overall was boring to get through. On top of that, ONLY now, after more than twenty episodes, did it suddenly decide to reveal the most crucial background information. I mean, especially the explanation of Psy’s leg should have been given right at the beginning. But yeah: the upside of this is that the past few episodes have been really character-centric, and actually did a lot of good stuff with them.
#11 (14) – Mitsudomoe – (8/10) – You know? Of all the moe shows this season, I’m enjoying this one the most. Sure, it has its mind in way, way deep into the gutter, and most of the series consists just out of utterly wrong toilet jokes, but the delivery is top-notch and actually gets better as the series goes on. I don’t want to laugh, yet I can’t help it here.
#10 (11) – Anymaru Tantei Kiruminzoo – (8/10)

Now that the climax has started this show has definitely been delivering, and everything seems to be coming together now. I still believe that this could just as easily have been a 39 episoded series, but it’s been an entertaining month for Anymal Tantei Kiruminzoo.

#9 (7) – Nurarihyon no Mago – (8/10)

Gyuki’s arc was quite good, even though it spent most of its time just building up for the rest of the series. Now that we finally got the introduction arcs done though, we should get to the interesting parts of the story, to which I’m looking forward to a lot. It’s perhaps not the most exciting series, but still a very solid one.

#8 (17) – Kuroshitsuji – (8,25/10)

Now that Alois is in the picture again this show has become a whole lot more interesting. His insanity is just so interesting to watch, and I love all of the interesting plot twists the creators try to put into this. However, it would suck if the sole purpose of this series was just going to be a plot device to get Ciel and Sebastian to happily coexist together.

#7 (8) – Sengoku Basara – (8,25/10)

Building up, building up, building up. Really, this month has been either building up to the finale (which had better be damn awesome with all this hyping) and one particularly crazy action episode that blew all my expectations. I expected this to be just one string of action-scenes, but instead this series went for just a couple of them, while trying to make THOSE as epic as possible. Well, I must say that so far they’re doing a good job because episode 18 (or 6) had without a doubt the best action I have seen this month, but this is all going to depend on these final episodes.

#6 (4) – Rainbow – (8,5/10)

This month we got various mini-arcs that were meant to develop and explore the characters as they move on with their lives, and I’m really liking this show more and more. Some characters can be a bi stereotypical at times(specially the thugs), but it’s still both fun and exciting.

#5 (2) – Seikimatsu Occult Gakuin – (8,5/10)

Seikimatsu Occult Gakuin took on a completely different direction from expected this month, by taking on a much quieter and controlled pacing. I still consider it to be the series with the most solid execution of the Summer Season, though. The episodes ranged from really well executed (episode 06) to a bit disappointing (episode 08), but overall they were all focused on developing the lead character Maya. Whether it’s going to work depends on the final third of this series.

#4 (5) – Shiki – (8,75/10)

An excellent atmosphere that just continues to get better. This show is very good at building up, and that really starts to show at this point, not to mention that the soundtrack also just gets better with every episode.

#3 (9) – Uragiri wa Boku no Namae wo Shitteiru – (8,75/10)

I’m not sure what happened, but somewhere the creators suddenly decided to flick the awesome-switch here. This series improved beyond belief during the past month, with a number of awesome episodes in which all of the build-up of earlier on in the series is coming together. The music especially has exceeded all my expectations here.

#2 (2) – Heartcatch Precure – (8,75/10)

You can really see the show evolving now that Cure Sunshine has appeared, and it has possibly made this show even better. Some of the fights have become a bit beam-spamming, but the individual stories for each episode have been incredibly charming.

#1 (1) – Giant Killing – (9/10)

I love this show! Especially now near the end now that everything is coming together, the entire cast is just one chunk of personality. The opposing team is just awesome, not to mention the huge amounts of Dutch that the creators managed to insert. Every single character still stands apart as individual despite the huge cast, and not to mention how great the creators are with the build-up of the past arc.

Posted on with categories: Nurarihyon no Mago



Well, it was a bit of a wait, but this episode definitely delivered. Gyuki’s climax definitely was worth the wait, and this episode really changed the course of this series now that Rikuo stopped running away from his demon side, while at the same time not abandoning his human side as Gyuki suggested. It’s great to already see character-development at this stage in the series.

I also see why the previous episode was so necessary, as it really explained the loyalty behind Gyuki’s actions, added to Gyuki’s pride as a youkai. In either case, it’s great to see that the people in this series are willing to grab their own responsibilities instead of running away. I guess that that was the entire point of these introduction arcs.

I do hope that either Rikuo’s classmates will develop like this, or that the story is indeed going to move away from them, as the youkai part of this series is looking to be a lot more interesting than the human part. I understand why they were necessary, though.
Rating: ** (Excellent)

Posted on 30 August 2010 with categories: Seikimatsu Occult Gakuin




It’s episode nine. We’re about to hit the climax with five episodes left. And so this episode comes with a seemingly unrelated arc that ends with a cliff-hanger that will continue into the next episode. I’m really interested in the creators’ intentions here.

Don’t get me wrong here, this episode was excellent as usual. I still consider this to be the best executed series of the season. But I’m fearing that this series will go down the road of Sora no Oto and wait too long with its ending, resulting in a bit of a cop-out. If this episode wasn’t what it looked like and actually was already slightly hinting at that climax then it’s fine, but I don’t want the same thing that happened with Sora no Oto’s ending to happen here.

Anyway, about the episode, when you ignore the time-limit of this show, it was a very good one in its build up. The creators are continuing to develop Maya, using her relationship with her father, and the next episode especially seems designed to push her character in a new direction. Meanwhile this episode was excellent with its facial expressions, especially Maya’s, but JK also shined here.

It’s interesting how the case was seemingly solved before the end of the episode: the spirit’s father accidentally killed her due to neglect, now all that’s seemingly left is to bring this ghost to that father, have a bit of dialogue and things should get finished. That shouldn’t be enough to fill an entire episode. Still, with all that build-up it had better be building up to something awesome. It’s quite like Sengoku Basara Two this season: they’re both spending quite a bit of build up hyping up their own climax, so at this point I still can’t say anything about how good they are going to end up becoming in terms of the big picture, unlike, say, High School of the Dead where you know exactly what to expect.
Rating: ** (Excellent)

Posted on with categories: Anime Reviews




I was really starting to fear that Symphony in August would meet the same fate as Furusato, Japan (as in, arriving to the west three years late and flying completely by people’s attention even though it’s really good), but thank god this didn’t turn out to be true. I really urge someone who likes the realistic kind of movie to somehow sub this thing, because it really doesn’t deserve to fade into obscurity.

Symphony in August turned out to be an incredibly uplifting movie, but the interesting thing is that it’s completely non-fiction: it’s based on the autobiography of the singer and songwriter Ai Kawashima, and takes place seven and eight years ago as she tried to find the recognition for her singing skills. She she even voiced the songs throughout the movie.

After watching,I can really understand why people wanted to make a movie about her life, since it is a very inspiring and slightly unusual road through which Ai worked herself up, and eventually ended up singing the theme song of the Place Promised in Our Early Days (that part isn’t shown in this movie though, it’s solely about her rise to fame), starting out as a street performer. The creators did a wonderful job of portraying her as a character. She grows like a real character, acts very genuinely on the hardest moments of her life, and the people around her who support her are also portrayed as wonderfully restrained.

The director, Akio Nishizawa really has a knack for these kinds of movies: realistic, down to earth and honouring the Japanese cultural heritage of music. In this movie though, I did notice one of the very few points at which he missed the mark: the ending. For who knows what kind of reason, the producers just couldn’t get the right funding to fully animate it, so parts are shown in CG. To make matters worse, at this point the movie abuses its sentimentalism a bit too much and shows a few too many people with tears in their eyes, and this goes on for too long. Apart from that I consider Symphony in August to be just as good as Furusato Japan, but the ending is where the latter is just much better.

Storytelling: 8/10 – Realistic, down to earth and well paced. Only the ending could have used more subtlety.
Characters: 9/10 – Non-fiction, and it shows. A very realistic portrayal of the characters, and they’re charming as hell.
Production-Values: 8/10 – Detailed and well drawn movements, with some unfortunate CG abuse at the end.
Setting: 8/10 – Good portrayal of the modern singing business.

Suggestions:
Furusato, Japan
Fancy Lala
Piano no Mori

Posted on with categories: Anime Reviews




Bungaku Shoujo is a project consisting out of four OVAs and a movie. I remember not really being impressed by the first OVAs, which didn’t really give me the motivation to check out the other parts of the OVA, so I just decided to go with the movie instead. Which, as it turns out, is completely different.

Before I continue however, I do want to say the following: with most of my series and movie reviews, I try to not include any spoilers. With this movie however, it’s impossible to really talk about my impression of this movie without discussing some of them, so if you haven’t seen the movie yet, you might want to skip the rest of the paragraphs of this review.

I say this of course because Bungaku Shoujo marketed itself as some cheesy romance in which the lead character gets to date a cute girl who eats books. The prologue of the movie reinforces this completely when it throws cliche after cliche when introducing its characters. And in the end, this turned out to be a huge red herring for the real subject matter of this series: dealing with a mentally insane childhood friend.

At this point I’m still not sure whether the creators tried too hard with that character, but nevertheless my highlight of this movie was the interplay between her and the lead character as it really took its time to explore how both of them feel about each other. With excellent animation, I felt myself to really care about these two, and to be honest, the entire cast quickly loses the stereotypes associated with them at the introduction. There is a bit of overacting at times, but even there it feels subtle and restrained, to really give off the impressions of a natural cast. I’m definitely surprised by that.

My main problem with this movie was the conclusion. Basically, most of the major conflicts are solved with a cheesy speech that I feel was totally unnecessary. I would have really preferred it if the characters just talked to each other to sort out their differences. Or heck, went to a proper psychiatrist.

The animation for a movie’s standards is pretty good, but average. There are a few still frames and off models here, but characters are well animated. For movie’s standards it’s nothing extraordinary, though. The soundtrack itself is also nothing to write home about.

Nevertheless it’s a compelling teenaged drama with a lot of symbolism to novels (most notable Kenji Miyazawa’s Night on the Galactic Railroad). It’s not the best and the whole “demon eating books” turned out to be just a gimmick that could have easily been omitted without changing anything, but it definitely kept my attention throughout the movie.

Storytelling: 8/10 – Takes its time to tell the story, great sense of mystery.
Characters: 8/10 – The acting tries a little too hard at times, but nevertheless the cast is believable and charming.
Production-Values: 8/10 – Solid and detailed, but doesn’t stand out compared to other movies.
Setting: 8/10 – Aside from one gimmick that’s not used to its potential, it does its job of supporting the story, especially the book symbolism.

Suggestions:
Night on the Galactic Railroad (one of those movies that I got to appreciate more and more over time, so just ignore that rating).
Gedo Senki
Kappa to Coo to Natsuyasumi

Posted on with categories: OVA Impressions



Okay, so I’ve been a bit lazy for the past days so I’ve got a pretty big movie and OVA backlog right now. First up is a 10-minute OVA that I’m really really late with, Yondemasu, Azazel-san. Do give it a chance though if you’re looking for something funny. The episode is only 10 minutes long, but quite funny.

It’s an OVA that pokes fun at demon summoning. It’s a practice that’s usually very serious business, and you can see that this OVA has the time of its life making this look as ridiculous as possible. And it does so with an actual sense of humor. While turning fierce demons into cute animals is nothing new, this show does it with a number of awesome jokes, especially when the deadpan Moloch appears halfway through. The comedic timing and delivery is just awesome here.

Still, this remains an OVA that was shipped with manga volumes, so don’t expect any background or explanation behind everything. In fact, some of the things said at the beginning of the episode are only explained at the end of it. Nevertheless, if you want something short to laugh at, this does the job.
OVA Episode Rating: 8,25/10

Posted on with categories: High School of the Dead



Well, I guess we all knew what this episode was going to introduce: the LOVE TRIANGLE. Generally, I hate those things because A) they’re annoying, B) go nowhere and C) they way too often get in the way of the real plot. It was a good episode overall, but at this pace I do hope that the final four episodes will remember that this series is focused on horror and fanservice. The romance should just be there to get the best out of the characters.

Either way though, it’s episodes like this that make High School of the Dead into more than just a gore and boob fest, because Saeko did get quite a bit of attention, and we learned a lot more about her. And to be honest, I actually liked the way that Takeshi developed his crush for Saeko a lot more than his angsty side who can’t get over a childhood crush who dumped him years ago.

That’s not to say that it was actually good romance of course, as according to anime logic it seems that whenever a guy and a girl are together in a tight situation they are 100% sure to fall in love. But still, I never started to watch this series for its realism. One thing that I am very glad of is that this series doesn’t try to be funny. The creators could have easily turned Takeshi into a horny peeping pervert in this episode with a stupid grin on his face, but they didn’t. The creators could easily have made the most horrible puns and fanservice jokes throughout the series, but instead they knew that those jokes suck in 99% of the cases. Instead, the jokes they do make either work decently, or are harmless enough to ignore.
Rating: * (Good)

Posted on with categories: Giant Killing



Most of this episode was half-time, but it still was an awesome one. The creators really know how to create tension here, with 35 minutes of the match left and still nobody managed to score. The characters in the meantime are as fun as ever. It also helps that Tatsumi continues to hype his own game with his seemingly endless confidence.

Still, you can see that after the despair of the previous episode, the defence is starting to get together. With 31 minutes however, the problem is indeed Natsuki. He indeed was a bit different from usual in this game, though I never really thought of why this was. The end of this episode however revealed that Tatsumi made quite a devastating comment about his determination. With that I completely understood why he had been running around like a chicken during the past episodes. I guess that Tatsumi wanted to motivate Natsuki, but here’s one thing that seemed to backfire. And interestingly, despite all of the build up of the previous episodes, we still didn’t get to see anything from Sera.

In any case, I’m still surprised at how well the chemistry turned out here. All of the attention that the series has put into the different characters is really paying off right now, and something tells me that the next few episodes will give the rest of the cast beyond the defenders their time to shine. It’s a shame though, I really don’t see huge DVD-sales for this series, so I really doubt that there’s going to be a second season.
Rating: *** (Awesome)

Posted on 29 August 2010 with categories: Uragiri wa Boku no Namae wo Shitteiru



Holy crap, here is one series that suddenly became just better and better. Seriously, these past two episodes have far surpassed anything else this series had offered up to that point. And this episode ended with yet another cliffhanger, as if to say that it’s still nowhere near done yet. I keep wondering how many parts of the soundtrack the creators haven’t shown yet.

In a way though: I love these kinds of series: those who for their majority aren’t anything special aside from a few scenes here and there, and suddenly as they enter their final quarter flick the awesome switch and finish with one heck of a finale. Uragiri looks to be well on this path with only three episodes left, same with Kobato half a year ago. The disadvantage is of course that it’s impossible to pick these kinds of series out when they first start. I’m REALLY glad that I took the few hints of episode two and continued to blog this series, because I recall having laughed quite a bit at this series for how silly it looked at times.

One of the things I especially liked here was the way in which Reiga continues to set off hints to Yuki that Kanata was still out there, only to completely trash Yuki afterwards, telling him to get off his high horse. It’s a very interesting way of showing Yuki’s flaws, this naivety in which he keeps hoping for Kanata to magically return really adds to his character, and yet this doesn’t take his naivety over the top like what you see with most naive characters who too often degenerate into utter stupidity.

With three episodes left (according to ANN at least, don’t take my word on that because they still seem to believe that this show is only 13 episodes long), I do hope that the creators still have enough time to put girl Yuki’s background in it. Right now, that’s my biggest question mark along with the reason why Reiga protected Yuki in this episode. If the creators can pull that off, while making these three episodes as good as the past two, then I’ll be entirely happy.
Rating: *** (Awesome)

Posted on with categories: Sengoku Basara



As much as I like the soundtrack of Shiki, I do not consider it to be the best of the Summer Season. The soundtrack for Sengoku Basara is just epic, especially after this episode showed that it can also hold its ground in the quiet and subtle scenes. I’m also not sure who that singer was who popped up in the middle, but she has a great voice.

Also, colour me surprised here. At the start of this series, I really thought that this was going to be an action series. As in: we get a bunch of exciting battles every episodes. As it turns out though, I was wrong: this series tries to be much more than just brainless action. This was the second episode in a row that didn’t spend any attention on any kind of action scenes, and instead it again focused on its character background and building up. The side characters may not have developed much, but there is actually quite a bit of character development amongst the main ones, especially Date Masamune and Yukimura, but also Toyotomi changed compared to the flashbacks we see him in in this episode.

The first season tried this too, but the key mistake it made was that it didn’t feel like it was building up to anything. The arcs were all seemingly unrelated, and not really that interesting. But yeah, at the same time I do have to agree: it did lay out the foundation for this second season to work with. Without that first season, this second season would not be as solid as it is now. I still blame it for being boring, though.

In any case, with so much build up, that final quarter had better be awesome. This series may not be the next Bakumatsu Kikansetsu Irohanihoheto, but I’m still enjoying it a lot. I expected to get bored when I realized that this episode again wouldn’t involve fighting, but this didn’t turn out to be the case.
Rating: * (Good)

CHANGE USERNAME
Kaiser Eoghan
Bah, haven't you heard, the best villain category was for the dictionary in Lost passage, must have been bastard-hard effort getting that compiled =P
AidanAK47
To sum that up, don't bully my waifu or I will end you.
AidanAK47
@Mario, She only killed him once and tortured him for information once. Both times because he had something which showed he had a connection to the witch. Besides, the anime mainly showed off her good points but she still has a crushing inferiority complex and a rather delicate mindset.
SuperMario
Oh I have one. How about Lovepon? lol
SuperMario
@Topgavin: it was sarcasm actually, if we do it again next year we might cut down some categories. But I totally agree that we're lacking of good villains. Biba and that teacher are the worst as they actually dragged their shows down.
Topgavin
Honestly though there's been a real lacking of good villains last year. I hear some guy from Jojo was pretty good, but other than that they've either been okay or lackluster. Makes you wonder how FMA:B managed to get so many villians right in so many ways when shows usually fail to get even 1 half as good.
Topgavin
@Supermario Biba or Teacher-dude from Erased surely...
SuperMario
Maybe we should include the best villain next time, haha. I honestly don't know who to pick...
SuperMario
oh Rem, that demon girl who tried to kill Subaru many times over. Why is she the best girl again?
SuperMario
@Kaiser: I watched Moonlight last night in cinema and it was great. I had high expectation for that and it pretty much delivered. Also Janelle Monae was so freaking hot.
SuperMario
OMG, that 3rd episode of Rakugo was so greattttt. @Lenlo: don't need to understand the meaning of the rant thou, Yotaro doesn't understand either
Kaiser Eoghan
Think of the fine children/breeding stock Aidan and rem would offspring =P
Kaiser Eoghan
Dye their hair, make things confusing ;)
AidanAK47
@Anon, hahahaha, cool joke bro.....
...............................Don't make me destroy you.
Lenlo
The one with red hair of course
Anonymous765953
rem? who's that?
Lenlo
Having read the books, theres afew inconsistencies and I dont like some of the choices for actors.
Kaiser Eoghan
*couldn't
Kaiser Eoghan
Buh buh but Aiiiidan you still have the koe no katachi movie and thaaats kyoani =P But lol phantom world was so poor I couldn't get past the second episode. A shame that they could go with the darker spin the author ended up apparently going for in later volumes.
AidanAK47
@Lenlo, I am currently eh on it as well. Only at the second episode so far. I find it interesting but it has a lot of things that turn me off.
Lenlo
7 YEARS I SAT ON THAT BOAT!

Still havnt finished Flip Flappers. I like it, its pretty, each episode is different, but I can barely tell what the over-arching narrative is and thats a big deal to me
Lenlo
ITS REAL
Lenlo
BOAT TIER
Lenlo
@Aidan, Series of Unfortunate Events was eh. I wasnt a big fan of the TV adaptation, though I did like Neil Patrick Harris
Kaiser Eoghan
@Lenlo: BOAT TIER lmao.
Kaiser Eoghan
Thats why I LOVED flippflappers so much, where else can I get THAT anywhere, totally its own thing/beast.
Lenlo
My big ones for the year were easily Rakugo and Re:Zero. Disappointments, biggest one is Berserk. Ive been following it for years, have the entire series on my shelf, and I watched it like a captain going down with his ship
Kaiser Eoghan
At the same time well, yes its still good to see a non-highschool story in ANYTHING.
Kaiser Eoghan
Ah, you see I don't really award points to an anime doing something unique to anime, I judge by all mediums as a group/whole. 91 days may be a mafia drama, kabaneri may be a zombie show but theres already plenty of those in the world elsewhere.
Kaiser Eoghan
I could see myself getting some oldskool charm out of alderman if I watched it. I was waiting for yuri on ice to be dubbed. Drifters for all its problems was some of the most fun I've had in ages.
Kaiser Eoghan
The only thing I saw that I truly abhorred though was the new shinkai film.
Kaiser Eoghan
Most of the other stuff I didn't really bother watching. Its pointless for me to shit on about 91 days and re:zero because I was guaranteed to dislike both before seeing either.
Kaiser Eoghan
Biggest disappointments for me were erased , berserk and joker game. Whereas my surprise was lost passage. My favourites of the year were flippflappers and Rakugo. I wanted Kabaneri and dimesion w to save anime and bring back some oldskool charm but that didn't happen.
AidanAK47
Alright I spent over an hour formatting this thing and now I am knackered. Readers, this summery is over 23 pages long so be prepared as this thing is pretty huge. Don't say you were not warned.
AidanAK47
@Kaiser, Watch it. I bet it will be up your alley.
Kaiser Eoghan
Thats a problem with adaptations, put a voice on certain characters and it can become irritating.
Kaiser Eoghan
And to be fair on scums wish, that it deals with the sex bit in a teen story, well that makes it more daring and thats points for it.
Kaiser Eoghan
@Aidan: Largely stayed away from that series as I assumed it was for young children.
Kaiser Eoghan
@Aidan: Additionally the relationships in that manga got too convoluted, the comedy stands out worse in the anime too. Still though I DO dig the idea behind the show of two kids who are in a fake relationship.
AidanAK47
@Kaiser, you think that's hard to watch try watching Netflix's A series of unfortunate events. Because boy do I want to brutally murder the banker and his family. That may sound severe to you but trust me, you will feel likewise.
Kaiser Eoghan
@Aidan: You were right about it being harder to watch scums wish than read it. I want to hit the twin tails girl with a hatchet.
Kaiser Eoghan
I'm laughing now remembering an old ANN review where they stated golgo 13 was a stress reliever for 30 something Japanese office workers, I get that so much more now lol
Kaiser Eoghan
But seriously violence in fiction, anime/manga included is so damn therapeutic.
Kaiser Eoghan
As such I genuinely was able to enjoy the new M night shaylman flick lol
Kaiser Eoghan
Venting here largely because I can, I now imagine the teenage/twenty something audience members at horror/thriller films as the victims in the films, makes it more tolerable to deal with their existence in the cinema.
Lenlo
I cant help but feel theres some cultural aspect I am missing to the Rakugo rant scene. Makes me sad.
Lenlo
Rakugo, continues to be great and gets another time skip. Im always surprised by how engrossing it is just listening to these people talk.
Lenlo
Makes me sad, just like Berserk. Got an entire shelf dedicated to it but its just so slow. stupid boat.
Lenlo
Vagabond was phenomenal, but its been on hiatus for years now hasnt it
Kaiser Eoghan
....well without spoiling towards the middle of that rakugo episode and all throughout during that middle part, my opinion on Yotaro's character went far up.
Kaiser Eoghan
Struggling to remember the name of that josei samurai manga from the 90s (or earlier 2000s), had a gender bending theme.
Kaiser Eoghan
I've already read kenshin and vagabond, I loved shigurui death frenzy and sword of the stranger but found samurai champloo uneven. Theres a kagemusha manga but I haven't read it and I've yet to see/read blade of the immortal.
Kaiser Eoghan
At a glance I'll go against the grain and say I think demi-chan is funnier than konosuba, going on one episode of each.
I've been watching a fare share of samurai films in the last two years and lately so I'm open to wathing more anime/reading manga dealing with samurai.
SuperMario
Hand Shakers, how I love to watch it jumping off the cliff. This show contains lines like "I don't understand... even if I did understand... but I don't understand." It isn't a dialogue that we encounter too often I'm sure.
AidanAK47
@Mario, Sounds good to me. With me covering Little Witch Academia, Saga of Tanya the evil and Rakugo this season is well covered.
SuperMario
so I've decided to blog 3-gatsu, Scum's Wish and ACCA this season. A bit worry about the latter as I still don't have much to talk about that. Let's try it and see what happens; I say
SuperMario
Okay, I'm not hot on Onihei this week, as if the main theme about these two episodes were "people can be corrupted" then I'm not buying it. ACCA, on the other hand, was still very solid of building up the world and its big events to come.
AidanAK47
I have played all the big roguelikes and found they have the same problem. I argee on procedural generation. Even if the map is different every time you are essentailly going through the same rooms and doing the same things.
Masky
Though to be honest, I don't like procedural(or designed room and then game connects them randomly) games much. I much enjoy hand designed dungeons since I rarely play games through more than once anyway so roguelike's appeal of "Every time you play it through its different!" doesn't appeal to me much and hand designed dungeons are much more memorable
Masky
Can't really comment further on that since I don't know which roguelikes you have played, and neither I have played gungeon so I don't know if its badly designed to the point you can't do anything if rng says so. Though I guess there is nothing wrong about liking luck based games, if roguelike in question is truly unbeatable if rng says so, well, its really badly designed one if you ask me.
AidanAK47
Take my last run. Made it up to the fourth floor. Got plenty of guns but none were really useful. Even then ran out of ammo for all of them and the game was cheap about giving out ammo. Plenty of money but shops with nothing worth buying. Over 5 heart containers but no goddamn health. Died on the boss because I rolled out of a bullet into another bullet. Pretty much unavoidable.
AidanAK47
@Masky, that's the theory but in pretty much every roguelike I played its not the case. If the RNG decides you are going to have a bad time then you are going to have a bad time. Skill can only bring you so far. I have played this game for 7 hours and I know I could have finished it in 2. Only thing stopping me is a dice roll.
Masky
Like, the thing with roguelikes is that they can get easier/harder depending on luck, but well done one should be completable even without any upgrades at all if you are skilled enough.
Masky
Thats not the really case with roguelikes though, unless game design is bad and includes insta kill traps and such that are unavoidable if you are unlucky
AidanAK47
I hate roguelikes. Been playing enter the Gungeon and I just lost all patience with it. Getting real tired of my victory being decided by a RNG. It never feels satisfying to finish a roguelike because I know my victory was determined by pure luck.
AidanAK47
So we got to rely on fansubs for it when it's airing.
AidanAK47
@Mario, Nope. I think because netflix only puts up full seasons they are only planning to put it up when it's finished airing. Or when it's dubbed.
SuperMario
But how does the Netflix thing work? So of I have a Netflix account I can watch the show weekly?
SuperMario
@Aidan: that's a dumb way to do things really because unless you watch the show weekly, everyone gonna forget that it even exist. Just look at Re-Life last year
Lenlo
thought*. Words are hard.

Eventually found the actual first ep though and enjoyed it.
Lenlo
Was funny. I tried to find the first Ep for Little Witch, found original short made afew years ago, watched it and though "This is very similar to the original... Whats new".
AidanAK47
Little witch is one of the best shows this season and yet I can't get subtitles because Netflix doesn't release shows weekly. Motherf*cker.
Lenlo
Ore Monogatari I enjoyed. It was a nice romance that actually explored what happens after the confession. Also the 2 leads are just precious.
Lenlo
Alright but unmemorable seems like a good summation.
SuperMario
@Lenlo: one good thing about Seiren is if you don't like this romance, the whole thing gonna reset after episode 4 so there's a chance that you might end up like it. Agreed that the comedy wasn't very good. Alright but unmemorable
SuperMario
@Topgavin: I watched like first 3 episodes and stopped because I didn't have much time there, but I enjoyed what I saw. A well-written and endearing show in my book
Topgavin
Has anyone here watched Ore Monogatari before? Because in the 4 years I've watched anime, I've never heard of it (I guess it did come out 2 years ago) and yet it's turning out to be one of my favorite shows. Always great going into a show expecting nothing and getting pleasantly surprised.
AidanAK47
Only one more impression to go. Should have it up tomorrow.
Lenlo
Im really not feeling Seiren. Its "comedy" isnt for me and I just dont find it very enjoyable to watch so far. Im curious if it gets any better but 2 episodes in it just isnt that good.
HelghastKillzone
That ending scene is an entire side-story compressed into that. Don't expect anymore of it from here on out as the it sticks to ruthless military/fantasy pretty well.
LookingForKeys
@Topgavin I think it was good, making it the second episode. That way the first set up the world the story will be in, and showed how much of a monster the "little girl" really is right at the end, and then made ep.2 the explanation. Nothing against Tanya trying to rip "God" a new one.
That after-credits scene, though...
SuperMario
Hmm, as much as I like Seiren's omnibus format, it doesn't turn out really hot this second episode. Demi-chan, on the other hand, still maintains its endearing tone. Might blogging Demi-chan instead
Topgavin
Yeah, that second episode was much better than the first. Dunno why they didn't start with that to be honest, waste of an opportunity for a good hook episode. The voice for the main girl still sounds weird to me though; I get it's supposed to sound weird because it symbolizes 'her' being out of place and her personality and body being a mismatch, but it'll certainly take some getting used to.
AidanAK47
Youjo Senki, now we are talking. Like Helghast said, Did the god scene way better than the LN and manga. Made it less comedic and more intimidating.
Lenlo
Oh man that Rakugo intro. Not sure what to think, but first time seeing it I liked it
Kaiser Eoghan
I sort of like good will hunting because I kind of saw a bit of myself in Damon's character when I watched it ages ago.
Kaiser Eoghan
@Mario: Remaking psycho and ruining the shower scene, for shame van sant, for shame.
Kaiser Eoghan
Its easy to ripoff some obscure thing though and get away with it. The dogtooth director essentially stole an old Mexican film to make that.
SuperMario
@Kaiser: yeah, that following some guys from behind like they were on a RPG games, which I think actually fit with the tones of Elephant. I have such mixed feeling with Gus van Sant too. Don't really think he's a great director.
Kaiser Eoghan
@Mario: Although Istvan Szabo is probably a little more well known for that Mephisto film that updates the Faust story. Zoltan Fabri's the fifth seal is a very thought provoking war movie.
Kaiser Eoghan
@Mario: I remember seeing a film documentary that featured Gus van sant in one section, they showed clips of tarrs films, Sant ripped of the cinematography and stole the style from some British short film to make Elephant.
SuperMario
@Kaiser: agree on the other Hungarian filmmakers, I don't know much about them either.
Kaiser Eoghan
@Mario: Scorsese's Silence was a big comeback. I really really emotionally connect with spiritual crisis stories.
SuperMario
@kaiser: yep, definitely check wreckmeister down. Althought I admit that watching his 2-hour plus films will feel like 5-hour anyways
Kaiser Eoghan
@Mario: I'm more tolerant of darker teenage/coming of age films/stories. Les Demons was a big surprise.
Kaiser Eoghan
@Mario: Though its kind of frustrating, I do think Tarr probably takes attention away from other hungarian filmakers because no-body knows who the hell the others are.
Kaiser Eoghan
@Mario: Man, wreckmeister was so visually arresting I started getting dreams from it.
Kaiser Eoghan
@Mario: I would consider Tarr to be kind of a poor mans Janco, Angelopolus and Tarkvosky rolled into one. I don't entirely "get" wreckmeister and man from London but they are great atmospheric mood piece experiences.
SuperMario
@Kaiser: I had been wanting to watch Belar Tarr's Turin Horse and Werckmeister Harmonies for so long now. Well, Fat Girl is shocking haha, but I'm normally drawn into those kind of films anyway.
SuperMario
@Kaiser: Margaret took like 5,6 years to release because he couldn't cut it down in the way he wanted. The final cut if I remembered correctly was edited by Martin Scorsese
Kaiser Eoghan
@Mario: Only a HDcam for moonlight now.
Kaiser Eoghan
I looks like my lineup is witch academia, rakugo and youjo senki, well the most latter one until I get bored.
Kaiser Eoghan
@Mario: I sense a directors cut for manchester, it feels like it need another 30 minutes.
SuperMario
@Kaiser: right up my valley. Watch Kenneth Lonergan's previous works Magaret and You Can Count on Me. Magaret is very messy but have a raw dialogue and interactions as well
SuperMario
Now the first episodes are over, I will keep on covering 3-gatsu, as for the other twos atm I have 3 options: 1) full romance/anti-romance high school Seiren/Scum's Wish. 2) slice-of-life moe monster girls Demi-chan/Maid Dragon and 3) Mature,dark Onihen/Acca (which although I like them I don't have much to talk about).If you guys have any preference on which shows you like covered then let me know
Kaiser Eoghan
@Helghast: At this point I'm watching youjo senki as an entertaining guilty pleasure.
Kaiser Eoghan
@Mario: Too many reboots upcoming, will wait for the dvds instead. I want to explore more of manchester by the sea's director's work. I also want to finally get more into Bela Tarr's stuff.
Kaiser Eoghan
@Mario: I was rather shocked by A Ma souer/fat girls final act. Scenes with the Italian in the bedroom were initially creepy.
SuperMario
@Kaiser: it's a nice review Kaiser, a bit jealous with you that you've seen those 3 films which are touted as the best films of 2016. Also Fat Girl, haha, I love that movie.
Kaiser Eoghan
Poor yotaro =< you have so much stuff going down on you =<
HelghastKillzone
Youjo Senki episode was so good today. That revamped scene with God just fitted so right.
AidanAK47
A official release of that game in the west is apparently coming but it's been a few years and not much news about it.
Kaiser Eoghan
@Aidan: Ah yes that was the one.
AidanAK47
@Kaiser, Had to think for a moment on that one but I think I was talking about this. https://vndb.org/v3144
Kaiser Eoghan
Now I'd hardly consider myself a studio trigger fan, but I watched the first witch academia episode there, it was actually kind of fun, got the same reaction from me as flipflappers did, that magical, special feeling.
Kaiser Eoghan
@Mario: I also, of interest reviewed Kenneth Lonegrans new film: http://letterboxd.com/shao_liu_ringon/film/manchester-by-the-sea/
Kaiser Eoghan
@Mario: Moonlight got some feels out of me though it could of been more, it ends abruptly and with 20 extra minutes they could have spent a bit more time on each section of his life.
Kaiser Eoghan
@Mario: I checked out lala land, ending was very well executed, one of three scenes in the film that were impressive visually. The whole thing looked pretty and Gosling and Stone had some decent chemistry. Although it didn't resonate emotionally as strongly as the musicals of Jacques Demi did.
Kaiser Eoghan
MOM I want aiyoku no eustia and I want it now.
Kaiser Eoghan
I've never heard of himawari or tokyo babel. The hellsing comparison at least interests me in dies irae. What was the name of that visual novel again that was coming out soon, Aidan you described it as "And Kaiser would love it because its supposed to be really fucked up".
Kaiser Eoghan
I vaguely remember the anime for 11 eyes, it was very forgettable, even the voice acting was poor, hated the childhood friends and the pacing was poor, those black knight things were kind of interesting though.
Kaiser Eoghan
@Aidan: You'll have to add me onto the list of those unsatisfied with the ever 17 writer, I read one of those games and felt it was a bunch of interesting bait that never paid off.
AidanAK47
Anyway I plan on doing a review of 11eyes here when I finish it.
AidanAK47
Can't say I was a fan of Ever17. That was a really good twist but when it came to explaining it their was a lot of contrived development. Generally not a fan of the writer. Looseboy, Ryukishi, Gen and Nasu are more my kinda thing
AidanAK47
@Anon, it is nice that so many VNs are on steam but I wish they wouldn't be stupid with the whole no adult content thing. Not so much for myself but to prevent idiots from writing negitives reviews because the game doesn't have sex. VNs can grip you in a way anime simply can't and while they require pathence and time those can be some pretty powerful stories.
Anonymous678956
@Aidan, I am so happy steam's so VN-friendly now. I think it's a very good type of media. Like anime, it has nice visuals, music and some movement but also the inner monologue and text amount of books. It's the perfect combination. Plus, the routes, which are often puzzle pieces and PoVs you have to go through to understand the whole story. True routes like the one of Ever17 blew my mind.
AidanAK47
Hopefully the two VNs I bought of steam turn out better. Tokyo Babel is supposed to be alright and I heard really good things about Himawari.
AidanAK47
I am about a third of the way through the game and really not much of worth has happened. The concept is interesting but the execution is sorely lacking.
AidanAK47
I went in expecting it to be a mixed bag and it's pretty below my expectations. It's just not really well written and the protagonist is a moron. THere isn't really routes and instead you are pretty much stuck with his childhood friend as the main love interest. Problem with that is her character begins and ends with loving the main.
Anonymous675376
@Aidan, damn. 11Eyes is on my reading list as well. Although I almost expected it to not be as good as I thought it'd be (back then). Guess I would have enjoyed it if I was able to read it while the (shitty) adaption aired, maybe I have seen/read too many series by now. Guess I'll still give it a try some day though.
AidanAK47
@Anon, I haven't heard the OST or watched the intro video. I only know it be reputation and have decided to walk into it as blind as I can. Still slightly worried as I was somewhat looking forward to reading 11Eyes for a couple of years and now that I am reading it it's well...not good.
Anonymous675376
@Aidan, same here. I was waiting years for this, since I saw the intro video for the first time. Also, that OST!
HelghastKillzone
Youjo Senki is already leagues better than Izetta. It's going to be top anime of forever and ever. (maybe not)
AidanAK47
And finally Dies Irae is funded. May actually be able to play and finish the game before the anime airs. If the hype is real behind this baby it could be a new personal favorite Visual Novel of mine. Already looking promising with it being like a cross between Hellsing and Fate/Stay Night. Two things I most certainly like.
Lenlo
@Masky, in regards to style over substance thats where im at with Gurrne Lagann.
Topgavin
Yeah, I'll probably watch the next episode to see whether it can redeem itself. Hopefully it can but considering 1st episodes usually get a lot of budget, there's some severe doubt in there.
AidanAK47
I actually argee with character designs and voices are bad in regards to female characters. Still the next episode might change your mind if we get more into the main characters head.
Anonymous671470
It's boring
Topgavin
Also, it seems I disagree with a lot of people in thinking Youjo Senki will be a massive trainwreck. The character designs are awful, the voice acting is mismatched but most of all the premise just seems so very dumb. If I wanted to watch a badass kill people I'd go watch Hellsing or Drifters, because at least those don't have some op, disproportionate loli as the mc.
AidanAK47
Gets even more complicated when you account for Satire and Parody. You could equally argue all examples listed as being as such.
AidanAK47
Little Witch Academia is a decontruction of Harry Potter....I don't believe that but honestly if I tried I could put some reasoning behind that statement.
Topgavin
In the end, it always comes down to opinion (as with every discussion about anime, for some reason). You could spin any and every series as a "deconstruction", which is why people shy away from using the word. You could argue NGE, Madoka and Re:Zero are all deconstructions yet also argue Gundam, Precure and SAO are depending on what points you weigh more importantly.
Masky
Like, if deconstruction is supposed to be just "break the elements and then play story how it would realistically go down" well I haven't watched NGE, but as far as I know it does have stuff that isn't typical to mecha genre besides the "It would fuck up kids" thing plus "realistically how it would play out" is pretty subjective thing. I mean, its mainly about how cynical bastard the writer is :P
Masky
Like I said, I don't fully agree with it because I find video's speaker's attitude annoying, but I found it semi convincing. Main thing I don't find convincing about it is that I don't think its hard to turn video's own arguments agaisnt it and say that by its own logic NGE isn't deconstruction either, like Aidan just said earlier
Masky
And I don't really have energy for checking out the "correct" one. If there even is one. Anyway, the hipster video I was talking about was titled "What Actually Is A Deconstruction?" if you want to check it out.
Masky
Hmm, well, it does depend on definition you use. Like if you use "realistic" thing, well, Magical Girl shows don't usually have "You turn into monsters" thing going on and reason why NGE's pilots go crazy is from dangerous situations rather than evas making them do so. But honestly, I don't really have strong opinion on matter since word seems to be one of those with several different meaning
SuperMario
for me Madoka IS a deconstruction of Magical girl, and yeah like what Aidan said
SuperMario
I think part of Utena is a deconstruction of "prince riding horse and save the girl" because that notion is just a foundation for Utena to become a prince herself and save other girl. That's breaking it apart and resemble it again in its own way. Don't have to be dark/ don't have to be real either
AidanAK47
@Masky, That's just debating semantics. Besides that difinition would pretty much mean that Neon Genesis Evangelion isn't a decontruction either. Madoka isn't a decontruction because it's dark. It's more in its aspects of criticising why a girl should throw her ordinary life away for something as dangerous as being a magical girl. It does take plenty of the typical tropes and turn them on its head
SuperMario
@Masky: Genre deconstruction is such a tricky word that I normally try to avoid using because there's really no set characteristic about the term and different people have different opinions about what constitute "deconstruction". For me, I disagree that deconstruction have to be dark and real, hmm can't say it well but I will give you an example:
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