Posted by psgels on 12 September 2010 with categories: Anime Reviews, Kuroshitsuji II

So, yes…. I caved in.

Here’s the thing: for the past summer season, there have been three series that stood out to me: Shiki, because it had the best atmosphere, Occult Academy, because it had the best execution, and Kuroshitsuji II, because it had the best plot (a possible fourth on this list would be Sengoku Basara Two because it had the best action, but that entirely depends on its final three episodes). Because Kuroshitsuji II did what many other series failed at, and became more interesting to watch than I could have hoped for, I guess that I just was obliged to check out that first season now – not all of it, mind you. This is one of those series that at times seems to be actively trying to be bad with its random stories and insert-episodes, so this is a review of just the episodes 5-8 and 17-24. If you want an impression of the entire series, just note that I couldn’t make it even past the second episode. Twice.

Without the random annoying side-story, Kuroshitsuji becomes quite a snappy and diverse series about the occult in England around 150 years ago. There are a few holes in the plot here and there, but they’re all simple enough that they can be just guessed, so I can recommend this method of watching for the people who are interested in Kuroshitsuji’s darker parts, but have no indention of sitting through hordes of uninspired light-hearted moments that only take ten seconds to become annoying.

Because I must say, those darker parts were quite worth it. This series sells itself with bishies doing the most impossible stunts, but behind it is an interesting and quite often disturbing world with quite a bit of intrigue. The lead character Ciel starts out as a bit of a questionable lead character, but he turns out to be quite an interesting anti-hero who has given up on life, just for the sake of his revenge. The darker parts of this series is where the unique selling point of Kuroshitsuji also really shines: Sebastian fits right in with this dark atmosphere, and even the few anticlimactic uses for his powers turn out to be hilarious, like they should be.

Having said that, though, I do want to say that I still like the second season of Kuroshitsuji better. Alois and Claude (and Johanna possibly too) are by far the most interesting characters in the entire franchise, and these two really made a huge spectacle of the second season. The first season tries, and it has some neat villains too by the way, but none of them really get close to how fun it was to just see those two flamboyant characters parade across the screen. Sebastian and Ciel are interesting, but in the end they aren’t really the most complex characters and there is no development between them either. Especially Ciel makes a number of rather strange and stupid decisions throughout the series.

Still, I liked the plot here, the creators put in some very interesting ideas for Ciel to tackle, and overall I had no problems getting though this series and I quite enjoyed it. Kuroshitsuji is a strange series though. I can easily have seen the first season as 13 episodes, and my guess would be that it would have been much more accessible and balanced than that it is now. And yet for some reason this show paraded all over with its bishies and shallow side-stories, even though beneath it is actually pretty good. This isn’t another case of Kobato, whose first half was simply inoffensive before it could get to its good part. Kuroshitsuji’s random stories are annoying beyond belief; they are completely different from that it really is about, and I really don’t want to watch anything more of that.

Storytelling: 8/10 – Good atmosphere, well told, a pretty good sense of build up.
Characters: 8/10 – Nothing special or well developed, but an interesting cast nonetheless with a nice chemistry to watch.
Production-Values: 8/10 – To me, the second season was also better in this aspect, but the art looks consistently solid and the soundtrack is also pretty adequate.
Setting: 8/10 – Okay, it’s England with a lot of liberties taken, but this series makes very good use of these liberties to show a very interesting setting here.

Suteki Tantei Labyrinth
Trinity Blood

7 Responses

  1. brita says:

    So, if I watch this, should i just skip over the rest of the episodes you didn’t list? Or is like the first episodes necessary?

  2. Firechick says:

    Meh. I didn’t really care for this series from the start so I didn’t watch it, though two of my female friends are avid fangirls of it and I respect their liking of it, even though I myself don’t watch the anime or read the manga.

  3. psgels psgels says:

    Brita: reading a synopsis of this series ( should be enough. Episode 5 starts in the middle of an arc, but things shouldn’t be that hard to guess what’s going on.

  4. tanukichan says:

    Truth is, I couldn’t make it past episode 2 either. The servants are annoying as hell, the jokes are too forced and the story is just uninteresting to watch. But now, maybe I’d be able to finish it using your method, haha.

  5. inachan says:

    For my part, I really liked it until ep 13 or so, when the indian arc started, but then I found the second half to be boring and just random with its plot. I really liked the fillers after the first story arc too, they where so much fun!

  6. Fiona says:

    I recommend watching the filler episodes and side stories as well, because I found every episode in the series says something about Ciel and Sebastian, and their relationship. It seemed the directors/writers wanted to reveal something about the two characters, and created side stories/filler episodes to make that revelation.

    Episode 9 is a good example. On the surface, it is a filler episode. However, this is the only episode that shows what Ciel really thinks about Sebastian.

    I agree the Indian prince story arc was the least interesting in the series. This story arc served to compare the two master and servant relationships. That is, Ciel and Sebastian had complete faith and understanding of each other (compared to Prince+Agni).

  7. otakuhime says:

    well, epis dat u listed r all fillers…shitty i must say…

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  • Kaiser Eoghan
    (Wednesday, Oct 7. 2015 04:45 PM)
    If sakurako-san disappoints I am ignoring everything modern that is based on a light novel from now on. I’ve been hit by these adaptations far too often.
  • Kaiser Eoghan
    (Wednesday, Oct 7. 2015 02:43 PM)
    ….Dear God…I have no words in which to describe hidan no aria AA, no words. The original I could take the piss out of. But this is a new low standard set for the light novel medium.
  • Bam
    (Tuesday, Oct 6. 2015 09:02 PM)
    One-Punch Man’s pilot was almost adapted flawlessly. It straight up uses the manga panels as it’s main storyboard, but added just enough new touches to improve the action instead of ruining it. Now let’s see how they animate the mosquitos and all the lasers for the next episode.
  • Bam
    (Tuesday, Oct 6. 2015 08:57 PM)
    And that’s why Madhouse is one of the few respectable studios left. I thought that they will be seriously diminished after Masao Maruyama took some of its key members and funded MAPPA, but One-Punch Man showed that they are still one of the best in the business.
  • k-off
    (Tuesday, Oct 6. 2015 08:51 PM)
    @Kaiser The anime industry isn’t advanced enough in CG to make it look good, is all it is.
  • Kaiser Eoghan
    (Tuesday, Oct 6. 2015 05:51 PM)
    @K-off: Your not wrong, it certainly looks poor but some of the old gonzo animated stuff was far more woeful looking. Stellvia, which was done by xebec was another example of old anime cgi which was quite ugly to look at. Just as I prefer traditional effects in film I also prefer traditional animation techniques to cg.
  • k-off
    (Tuesday, Oct 6. 2015 05:42 PM)
    Lately, the use of badly integrated cgi have been making my eyes sore,from the obviously cgi background characters in Asterisk to the overly fluid mech movements in Aldnoah. I still remember the shitty cgi piano hands in Kimi no Uso.
  • Bam
    (Tuesday, Oct 6. 2015 12:04 AM)
    On the note of good balance between humor and drama- I think BoJack Horseman is an example of a show that executed that almost perfectly in both seasons. You are laughing one minute and amused by the hijinks and silliness and the next minute you are actually moved and shocked by the honest introspection. Too be honest BoJack is more a tragic character then a goofy one, and his struggles are deeper and more existential than they have any business being in a show with anthropomorphic animals.
  • Bam
    (Monday, Oct 5. 2015 11:56 PM)
    The changes in the setting actually made me more excited for season 3 then what I felt the past few weeks, since now the plot needs to move forward from the cliffhanger and hopefully this translates to more cohesion and refocusing on what mad the show great in the first place. I’m pretty sure S3 will also be a blend of episodic and arch story elements tho. Overall a few ups and downs but still a great show.
  • Bam
    (Monday, Oct 5. 2015 11:52 PM)
    The finale also had some of the most overall arch story elements featured in the season. Earth joining the Galactic Federation is a big deal story-wise from now on. Also the use of a cover of Johnny Cash’s “Hurt” (not the Nine Inch Nails one clearly) was a nice fitting yet surprising touch. The throwback to Mr. PB after the credits was a good idea, but felt flat in it’s actual execution.

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