Posted on 30 November 2010 with categories: Monthly Summaries

In this month, there have been a lot of different series that impressed me. Especially my top 5 for this month is very close, with each of those series being amazing in its own way. Now, this season does have its share of flops, but for every disappointment, this season also came with a surprise, and that’s what I like about this season.

The main problem with this season is the series length. I’m currently watching 24 series, only seven of them will continue past December. That’s way too little. Granted, there are some series that are currently scheduled for a good length, but there still are too constrained by their series length.

#25 (29) – Iron Man – (5,75/10) – Well, the good news: Iron Man has gotten slightly better: it has an actual plot now. The bad news is that the plot is so ridiculously corny that you could feed an entire orphanage for a month with the cheese it produces. I mean, it’s good to have a villain who has a backstory for once, but the way it was written was just way too sloppily.
#24 (21) – Yosuga no Sora – (6,5/10) – Now this has just become porn. I’m glad that this show doesn’t shy away from the fact that teenagers can have sex and all, but when it boils down to the lead characters running from one girl to the other, just to have sex with her (followed by a convenient reset-ending), then it’s just become softcore porn. Dropped.
#23 (19) – Togainu no Chi – (6,75/10) – I really fail to see the point of this series if it’s just going to have 13 episodes. Right now, eight episodes have passed and this still is a forgettable series, full of hammy acting and bad directing. And really, the plot might actually have been very nice, but the entire show is just ridiculously cheesy. The worst offender is that guy who keeps sprouting these nonsensical lines that are supposed to be symbolic.
#22 (13) – Marie&Gali – (7,25/10) – When some of the scientific explanations turn out to be actually wrong, things have really gotten down hill. This episode continued to pretty much repeat jokes that have already been used by previous episodes, so they lost a lot of their charms.
#21 (16) – The World God Only Knows – (7,25/10) – Here’s my problem with this series: it’s currently overshadowed by a ton of other series in every single way. the conquests are shallow and there are tons of better character studies out there. The characters are dull and forgettable when you look past their gimmicks, the voice acting is unimpressive at best, and so the only reason why I’m still watching it is for the entertainment value, and yet there are so many series this season that are funnier than this show. The best episode of this series still is the one with the broken game, but apart from that this has been just mediocre.
#20 (23) – Arakawa Under the Bridge – (7,5/10) – Still haven’t dropped this, and I have to admit: the characters can be quite interesting. If this was a regular drama, I probably would have loved it. Still, it’s a comedy. And I still don’t find it funny. Perhaps it manages to get a chuckle out of me every two episodes or so, but that’s way too little considering the huge amounts of jokes and antics the creators throw at the viewer.
#19 (22) – MM! – (7,5/10) – This show… should just have ended at episode four. Seriously, it’s a complete mess now, full of random fillers that don’t really progress the characters in any way and contain a fair number of scenes in which the characters start acting ridiculously out of character. And yet, I really have to admit that this is a huge guilty pleasure for me. I laughed like crazy at episode eight, episode seven was also completely hilarious. This show has gotten ridiculously stupid at this point, but at the same time it has not lost its charms, which is more than I can say than for a large amount of other moe and harem series.
#18 (18) – Fortune Arterial – (7,75/10) – The big problem with this series is that when it’s fleshing out its cast, it’s really dull and cheesy. It’s nothing bad, but still pretty much like your average antics you see in a moe show. And yet, the main storyline is actually fairly good. I’m surprised, but the characters have actually developed fairly well, the plot is not too ambitious yet very focused on the main characters, and aside from a few strange decisions that the characters made to increase drama, I’m fairly impressed here.
#17 (11) – Nurarihyon no Mago – (7,75/10) – Here’s the thing: the new and added content for this show was usually really good, and yet then there came a bunch of episodes that completely ignored some of the supposed awesome parts of the manga. I just don’t get that. Also, the fact remains that the overall story of Nurarihyon no Mago still isn’t the most impressive one and there likely isn’t going to be a second season considering the low DVD sales.
#16 (20) – To Aru Majutsu no Index – (8/10) – The nun arc showed a lot about the different fractions of the catholic church, but at the same time it was a bit boring and not very interesting. The following arc was actually very good, and it lacked everything that annoyed me of Railgun. The new arc excels in the chemistry between the different characters, but there’s just too much pointless fanservice at this point.
#15 (7) – Katanagatari – (8,25/10)

And finally we’re nearing the finale of this thing. The penultimate Katanagatari episode was neither the best of the worst instalment of the series, but it still has the addictive dialogue that made this anime so enjoyable. At the moment my biggest concern is that the main villains are rather flat, so I hope that the final episode can still make something out of them.

#14 (12) – Bakuman – (8,25/10)

Okay, so instead of the manga making process, this month has mostly focused on the romance. Obviously I’m curious to the point at which they actually start making a manga, but the romance itself has gotten much better since the early episodes: it’s moving at a steady pace, not exactly annoying and gets some interesting scenes out of the different characters.

#13 (15) – Soredemo Machi wa Mawatteiru – (8,25/10)

As a bit of a combination between slice of life and a comedy, it has worked surprisingly well. It’s especially the way in which it manages to portray its characters that’s surprisingly down to earth, and yet it can be quite funny and quirky at times. It’s also quite creative, and finally in a good way for a Shaft series again.

#12 (6) – Shinryaku! Ika-Musume – (8,25/10)

There are a few segments that aren’t as funny as the others, but it’s not like this series has run out of material by far. The has been plenty of new and fresh hilarity within this series and Squid Girl remains as adorable as ever. The only thing is that unfortunately, the animation budget has ran out, so the animation isn’t as good as it once was.

#11 (9) – Tantei Opera Milky Holmes – (8,25/10)

Seriously, the jokes in this series are good. It never ceased to amaze me how well and effective this series makes fun of both itself and other series of its genre, and it’s got some amazing comedic timing. The acting still is completely over the the top, but that’s a huge part of the charms of this series. The best jokes still are the first four episodes (nothing has still beaten the sarcophagus), but this month has provided enough other material to laugh at.

#10 (17) – Panty and Stocking with Garterbelt – (8,25/10)

In this month, Panty and Stocking did what I really hoped it would do: pack some variety. Some episodes packed some very creative action, others went more into the parody direction, episode 9’s second half was really charming, and I also really enjoyed the zombies and transformers. The sex and toilet jokes is just a gimmick, what’s really impressed me about this show is its creativity, and that’s something it definitely showed in this month.

#9 (14) – Yumeiro Patissiere – (8,25/10)

The title of this show is wrong. It should be “Yumeiro Business Consultant”. Sure, it’s less catchy and all (although I’d argue that that would make this show even more awesome), but this is pretty much what Ichigo and the other lead characters have been doing over the past nine episodes: helping other characters set up a successful shop, guiding others to get their certificates, and travelling to all kinds of different places in the process. And yes, this is a shoujo series, proving that you can very much make a good shoujo series without resulting in the usual cliches. Take that, Kaichou wa Maid-sama!

#8 (13) – Densetsu no Yuusha no Densetsu – (8,5/10)

Finally! After sixteen episodes, Densetsu no Yuusha no Densetsu has finally gotten awesome. The plot finally has gotten interesting, the characters finally have developed, the scenario finally manages to hold my attention again. Seriously, a ton of characters who once were really annoying have suddenly become very interesting to watch. That’s a really good sign here. Just too bad that it took so long to get there.

#7 (10) – Otome Youkai Zakuro – (8,5/10)

The characterization of this series really turned out to be excellent: the different couples play off each other really well with some actual genuine tension between them. They suffer from their romantic cliches, which prevent their relationships from really developing, but beyond that they’re really well portrayed. The most intriguing is definitely Zakuro’s past.

#6 (3) – Star Driver – (8,5/10)

The thing with Star Driver is that every time I think that I know what’s going to happen next, this show does something completely different. It’s so delightfully unpredictable, and the story definitely got a lot of new dimensions during the past month. On top of that, the characters are also getting neatly fleshed out here, so all that’s left for this series now is to actually start using all of this build-up.

#5 (2) – Letter Bee – (8,75/10)

Nichi’s arc was amazing, creative and really gave a new dimension to the plot, but beyond that, the Sylvette episode also rocked. It’s been a really excellent month for Letter Bee, where also the visuals turned out to be more stunning than ever. I really hope that it can keep this up.

#4 (4) – Shiki – (8,75/10)

This was an excellent month for Shiki, and it is at this point where it really set itself apart as a unique horror series. The entire month was just full of despair: just when you thought that things couldn’t get any worse… they do. The decisions that the characters make just keep surprising me.

#3 (8) – Shinrei Tantei Yakumo – (8,75/10)

I’m not sure how many people still are liking this series, but I currently love it: the random stories have gotten actually a lot more solid in this month,but the series really started shining when the main storyline popped up. The latest arc has given a ton of depth to just about every important character. The soundtrack also has become as amazing as you’d expect from a Bee-Train series, the direction has become a lot more solid. It’s really now obvious that the creators were trying to rush through the beginning chapters in order to give these important stories enough time in the space of 13 episodes. It’s risky decision, but it worked out wonderfully.

#2 (5) – Kuragehime – (8,75/10)

Kuragehime turned out to be an amazingly fun series to watch the cast is incredibly dynamic, and the series really shines when it mixes the energy of all kinds of characters with each other, brilliantly making use of all of the flaws of the different characters.

#1 (1) – Heartcatch Precure – (8,75/10)

In this month, Heartcatch Precure went on a hiatus, showed a bunch of light-hearted intermezzos and showcased an episode that surpassed itself yet again. Perhaps it wasn’t as consistent as the previous months, but this series really never ceases to amaze me. The work it put in this month is really making sure for this series to not lose itself in its own epicness in the finale, so they were episodes well spent.

Posted on with categories: Nurarihyon no Mago



Wait, this was supposed to be a complete filler? I really would not have guessed if I wasn’t told this in advance, because this was actually a very good calm before the storm episode, which did exactly what the previous episode failed to do: create an atmosphere and tension. The sense that something really major is going to happen.

On top of that, it also fleshed out Tamazuki, telling a bit about his past and the weapon he wields (why didn’t the manga do that, I wonder?), and I liked the little talk that Nurarihyon had with the tanuki. On top of that, it also was an interesting idea for him to look up Kana, not to kill her, but out of simple curiosity. The dialogue in this episode felt quite natural and overall it really made up for the previous episodes (also notice how everyone is suddenly moving in the backgrounds).

And yet this remains a very strange adaptation. Just like how JC Staff put the wrong director on Bakuman, Studio Deen put Junji Nishimura on the wrong project: this episode really shined because of his influence, but he really is a guy who is at his best when working on original stories. I have to confess that my favourite parts of this series were indeed around the anime original scenes, and yet at the same time this series just glances over the supposed best parts of the manga and keeps delaying the point at which it is supposed to get really good.

I know that there are a lot of rumours and all, but I’m only convinced when an official announcement will arrive on the second season. At the moment, there are a lot of parallels with Letter Bee’s first season, which also padded itself out in order to put the good stuff in a potential second season, but there’s one crucial difference here: with Letter Bee, you could really see that it was building up to something amazing. I’m not seeing that with Nurarihyon no Mago. For all I know the story could end perfectly just at episode 25, and the only single indication I have that the story will end up awesome is the words of some of the manga readers.
Rating: * (Good)

Posted on with categories: Shinryaku! Ika Musume



Another hilarious episode, especially the first two parts rocked and were able to get the best out of Squid Girl. The first part was awesome because of all of the things that go on inside Squid Girl’s head, the second part was awesome because of her antics, while the third part was more focused on the side-characters, and was probably the first story in which Squid Girl did not take up one of the lead roles.

The first part was really good at Squid Girl’s usual habits of making an elephant out of a mosquito when it escalates a simple game of Knock Knock Ginger to the point of Squid Girl getting a new best friend. (On a side-note: that game really has different names in all kinds of different countries: the Japanese call it “Pin-Pon Dash”, while in the Netherlands we call it “Belletje Trekken”, which roughly translates to a childish version of “Pull the Bell”). I especially liked how her antics in this cased managed to surprise even Shizuru, who usually is in control of everything.

The second part was all about makeup. It started all innocently with some lipstick, but I especially loved the scene in which Squid Girl went to get some tips from those trendy girls and ended up looking absolutely ridiculous. This episode also had a lot of fun putting makeup on the rest of the cast, which worked surprisingly well.

The creators did miss a chance to include some neat continuity when Squid Girl ended up painting her face with some coloured marker. The segment ends quickly after that with Squid Girl looking perfectly fine in the next one. In the third segment, they could have had her complain about how long it took to get that off, to introduce some interesting continuity between the different episodes. Also, at the end of this episode the entire restaurant gets destroyed. I really fear that the next episode will just skip to the rebuilt restaurant, though it will be awesome if the next episode focused on rebuilding the entire thing.
Rating: ** (Excellent)

Posted on 29 November 2010 with categories: Autumn 2010 Kaleidoscope



For the Autumn 2010 Kaleidoscope I’ve been talking about different series each week. Otome Youkai Zakuro’s ninth episode makes for the last series I want to say something about. For December, I’m going to fill this category with posts about the series that I think will have the most interesting finales, which probably will be posts focusing on Panty and Stocking and Otome Youkai Zakuro.

Oh and on a side-note: I’m probably not going to go a kaleidoscope for the upcoming winter season, because of the simple reason that TOO MANY SHOWS ARE ENDING at the end of December. With that as a result, I’ve got room for eight new series; nine when Heartcatch Precure ends. That’ll be plenty of room to blog all of the good shows, plus also a bunch of premises that I normally wouldn’t even consider.

In any case, this episode is a good point to talk about this series, because a) we’ve gotten some significant build-up at this point and know where this show is heading to, b) I can praise a lot about it and c) I can also criticize a bit about it.

Starting with a), Otome Youkai Zakuro definitely has built up the best cast out of all the shows I’m not blogging this season. It’s got three couples who play off each other really well, and the past episodes have developed some really genuine relationships between all of them. the most intriguing being Zakuro and the mystery behind her: she’s a really tragic character who was really well explored in the past eight episodes.

Now, this episode was meant as a bit of an intermezzo between the heavy arcs, mostly focusing on fleshing out the romances a bit. It was enjoyable because we’ve seen relatively little of the cast in light-hearted situations due to the short length of this series. This episode was enjoyable, simply because the characters have been very well developed at this point, and because of that they were fun to watch.

And yet, this episode also enlarged some of the major flaws of this series. For that I need to go back to the source material, or its original author Lily Hoshino. When you look at the different covers of some of the other manga she has written, there’s one thing that immediately caught my attention: they all look the bloody same! Nearly all of them feature two people looking mellow and hugging each other. I couldn’t find a premise for most of them on ANN, but the premises I did find were just completely stupid and cliched, most notably that one about a family which forces all of its children to marry guys.

The creators here really gave a wonderful adaptation of the Otome Youkai Zakuro, but at the same time you can see that the romance is bound by these stupid cliches. The romance is mostly mature, and yet because of that premise the characters never really become couples, even though how obvious it is that Susukihotaru and Yoshinokazura are into each other, with the same going on for Bonbori and Hoozuki and Hanakiri.

Zakuro also suffers from these romantic cliches, though slightly different. In her case it’s indeed more logical to become good friends with Agemaki due to the large tension between them, and I actually really liked the point at which her crush on Hanadate was revealed. But yeah: he’s a bad guy, making what could have been a mature love triangle into a cheesy shoujo affair and Zakuro closer and closer to a standard tsundere. It’s pointless twists like these that are really holding back the otherwise truly excellent execution of this series.

Again though, I really like this series despite these criticisms. What’s even more impressive here is that JC Staff is really busy this season: they’re working on four different series at once, and yet all four of them are actually pretty good. Obviously some are better than others, but compare that to AIC which was in the same position during the previous Summer Season, working on four moe shows at the same time, where in the end every single one of them turned out to be dull and boring.
Rating: * (Good)

Posted on with categories: OVA Impressions



Megane na Kanojo consists of four separate stories of about 12 minutes long each. They don’t have anything to do with each other, and pretty much tell the stories of random couples, all in which a girl with glasses pays a big role. Hence the title, Megane na Kanojo. Right… so where to star?

The first two episodes are just plain boring. They’re based on two completely stupid premises that really don’t go anywhere and are just padded out with stupid and boring romantic antics. Only go for these if you’re a big fan of teenaged antics, otherwise don’t even bother with them.

The third part is slightly better, and at least tries to get something genuine off the ground (it’s also the only episode of the four that doesn’t feature teenagers), but in the end it shoots itself in the foot with its own cliches and stupidity. The fourth episode is the only one of the four which isn’t ruined by its own stupidity, but instead we’re treated to a cheesy romantic flick with a ton of teenaged angst.

So overall, it’s a big resounding “meh”. Megane na Kanojo isn’t exactly bad, it’s just unbelievably boring. It’s based on very unremarkable short romantic stories, but most of the airtime is just filled with boring and cheesy teenaged dialogue, and whenever it wants to get to some genuine drama it immediately ruins its own build up with its own stupidity. The only episode I’d even remotely recommend is the third one, but even there the lead character is a complete airhead, but at least her inner monologues were a bit charming. Otherwise, this is nothing more than AIC with its moe again.
OVA Episode Rating: 6.5/10

Posted on with categories: Shinrei Tantei Yakumo



Again: I’m baffled here. We all know that the first episodes had problems due to being rushed and all. And so here this episode comes with the main plot of this show and it suddenly becomes incredibly solid. Seriously, this episode was amazing in both its plot and atmosphere, and showed more than ever that Koichi Mashimo isn’t the only big talent that’s walking around in Bee-Train.

I’m really impressed by the plot here, and especially how it focused on just about everyone here: both the main characters and the villains. I just love how this episode tied everything together, the plot is both disturbing, imaginative and deep. And I really have to admit here: the bad guys in this series kick ass. They don’t just look evil, their actions really pack a punch here, from the trauma they inflicted on Yakumo’s mother by first raping her, murdering her boyfriend and then getting her to kill her own son, to recruiting little girls by having them kill off their own family. I also love the subtlety with which Yakumo now remembers his past. He’s obviously silent and introvert, but it’s not like he’s angsting over it either. I also really liked how he as a kid didn’t really like Takeda Shunsuke, and only much later found out that he was dating his mother.

Now, the one point at which I have criticisms of this episode was the way in which Gotou suddenly arrived at exactly the right time behind Miyuki Nanase, but I’ve seen far worse coincidences: Takeda Shunsuke made sure to tell everyone the location of Yakumo, with Gotou using a car with a bit of a delay, he could catch up to Haruka who took the train.

Speaking of which, Haruka again just ran into a situation unprotected, even though Takeda Shunsuke advised her to stay, but for once her actions make sense here: she was being targeted by Miyuki Nanase, and hiding would have actually worked against her favour: Miyuki would have easily captured her, just going to Yakumo would have saved Miyuki the trouble of dragging her over to Nagano, which is why she was left untouched. The way Miyuki was defeated may perhaps been a bit of a cop-out, but really: it was the only way. It’s already been established at this point that she’s completely badass, and that there’s no way that she would have lost in a real fight.

Also, what the hell was up with the animation in this episode? I mean, that’s not Bee-Train. I mean, smooth frame-rates are one thing, but there were tons of shots in this episode which had completely fluent movement, with more frame-rates than I’ve probably ever seen in a Bee-Train series. That scene in which Nanase told about how she murdered her parents was also just amazing: there was a TON of style within just those thirty seconds.

I now understand what this series is doing, and why the first few chapters were so incredibly rushed: they were simply trying to go through those chapters as fast as possible, so that they could put more emphasis on these final few episodes. You know how a lot of series waste too much time on their introductions, so that their endings get rushed? Denyuuden is a good example of that at the moment: it’s currently amazing, but it did take sixteen episodes with a lot of boring build-up to get there. That’s what the creators most likely wanted to avoid here, so for that they had to sacrifice some first impressions due to these rushed chapters.

The current Autumn Season wasn’t the best one for the reputation of series that feature adults as main characters, with Iron Man, Togainu no Chi and Hakuouki with their cheesy stories and characters and in a bit less of a way Panty and Stocking and Arakawa who have their minds in the gutter and riverbed respectively, but at the same time I really appreciate how there still are series like Otome Youkai Zakuro, Kuragehime and Shinrei Tantei Yakumo that try to come with mature storylines that aren’t chockful of teenaged antics. They may have a few cliches, they may be a bit rushed, but they really are the proof that anime hasn’t entirely been taken over by whimsical teenagers.
Rating: *** (Awesome)

Posted on 28 November 2010 with categories: Heartcatch Precure



We’re getting close to the end now, Dune is about to unleash his chaos onto the earth, the Sabaku are getting more and more desperate to take out the Precure, and the grand finale is only a few months away. So naturally, this episodes puts our cast in a kindergarten and has them fight a giant stuffed animal. Of course!

This is exactly what this series needs at this point though. The problem with a lot of these light-hearted series that get near their end is that they become too epic: things either become too serious, letting go of the charms that made them once fun to watch, or the saving the world feels so out of place or sense that it becomes just cheesy. This episode was exactly needed in order to keep the light hearted fun still in the series while the creators are closing off the story. It’s exactly because of this that the creators waited so long with going to the kindergarten, because it’s really effective at that, and on top of that it’s also more than just another “child with worries”-episode. Seriously, when was the last time we had an episode that followed that formula anyway?

I also have to praise this show for not giving Tsubomi any magical upgrades because she’s the main character: this episode again very much stated that Cure Moonlight is by far the most powerful Precure. It’s really great to see that the creators stayed true to this, even through the various stages in which the powers of the Precures were developed.

On the topic of the next Precure series, it finally got its own website, but apart from that no new information has been revealed. Based on the logo it’ll probably revolve around music, but then again: Heartcatch Precure’s main theme was flowers, and yet you don’t see any of that, while Fresh Precure had a very watery-themed logo, and yet I failed to spot any significant hints to liquids in the episodes that I watched aside from an occasional pool. There are some interesting possibilities for this becoming an animated musical of some sort, but for that to work the creators had better prepare an awesome soundtrack that can dwarf even Heartcatch Precure’s, otherwise it’ll have lost its entire point.

Toei, you’ve really set yourself a challenge here. Heartcatch Precure pretty much already is really close to the perfect way to handle the classic mahou shoujo premise. At this stage, it’s very much possible that Suite Precure will be some sort of cash-in, however Toei is strange. I’d love to see them really grab the ambitions to try and trump even Heartcatch with the next Precure. But ah well, once the staff gets announced we’ll be a lot wiser.
Rating: ** (Excellent)

Posted on with categories: Star Driver



Yet again: an episode that gives a complete new spin to the story. And we’re only nine episodes in yet; normally you see these kinds of things ten episodes later or something. This episode again did something that went completely against my expectations, it brought in A TON of new stuff, characters and plot threads.

Mizuno, the west maiden really brings a huge new plot along with her. From out of nowhere, she introduces a new Crux Brigade member (replacing the head, who went on a holiday after what happened in the previous episode), who turns out to be Mizuno’s twin sister, entirely in it to protect her sister from being found out (even going to the point of setting up a flamboyant act for it), not knowing that her subordinates (four also totally new characters) have formed their own brigade and are pretty much just using her as a tool. This definitely brings some great new potential to the series. Also, this episode on top of that introduces painter R. We have no clue who it is apart from that it’s special to both good guys and bad guys.

I don’t really understand the whole point of the shrine maidens at this point, though: why is the West Maiden necessary to reach third phase? I mean, I can understand it if you’d need 1 maiden for phase 1, 2 for phase 2 etc (opening up the possibility for a phase 4 as well), but the fish girl just left and the brigade members still were able to enter phase 2.

This wasn’t the most enjoyable episode because it spent quite an amount of time introducing these new characters (plus, I’m missing the fish girl song). The fight scene in this episode also was a bit unremarkable (again, it was just used to build up and nothing more). The romantic hi-jinks were also not the most enjoyable, but the fanservice could have been much worse I guess. There were no stupid cliches nor was there too much of a focus on the fanservice, so I guess it’s all-right.
Rating: * (Good)

Posted on with categories: Letter Bee



Ah, a wonderful conclusion to the second part of Nichi’s arc. I expected this episode to delve into what happened to Nichi after she was thrown into the ocean, but instead this episode was all about her sister, and her feelings throughout the past 200 years. That too really worked, because she really is a great character. I also really want to applaud this episode for its portrayal of how she uses her hair as a weapon. Nichi looks like a bunch of chopsticks compared to how she’s able to use it.

Now, it’s obvious that the manga chapter in this case was a bit too short for 20 minutes, so there were quite a few flashbacks. The ones that were shown right after the OP and the break were just shallow, but I have to admit that watching the parts again in which Lag found Nichi really got to me. Flashbacks like that really work when they show exactly how much the characters in question have grown.

This episode also gave an answer to what those strange frozen Gaichuu were, but it still was rather vague, but at the same time it made it a bit more likely why Gauche went after them. I also really wonder what’s in store for Lag now that Nichi isn’t with him… something just tells me that he’s going to run into Gauche again…
Rating: ** (Excellent)

Posted on 27 November 2010 with categories: Bakuman



Another episode where the biggest airtime is devoted to the romance. If I had known this at episode 2 or 3 and wasn’t forced to blog this series, then I probably would have given up on this series, but at this point things definitely have gotten better. The problem was really was that it made some bad first impressions, the way in which Moritaka likes the girl whose mother was liked by his uncle and whose best friend has a crush on Moritaka’s best friend, not to mention that she wants to be a voice actress: the creators used it well for the story, but it was just too convenient.

The romance is well developed, though. This episode had a lot of fun sorting out Akito’s love live, which was pretty enjoyable. I’m also glad that the romance is actually moving forward at a steady rate instead of getting stale. It’s far from True Tears or White Album levels though and it still has a long way to go, it made use of some annoying cliches that make no sense, like when someone pretended that you can only like or dislike someone, with no inbetween.

Also, my memory may be fooling me here, but this may be the first time in which someone was actually suspended from school for a while, due to a violent incident. In any case it’s something you don’t see often. I also liked how Ishizawa did not get punished, which lead characters to discuss some very down to earth flaws in their school rule system. Quite realistic.
Rating: ** (Excellent)

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  • AidanAK47
    (Thursday, Oct 2. 2014 12:39 PM)
    @Emma, Sadist my ass. You may like to think that but from what I can tell you are definitly an M. Hell you have a thing for Louise from Zero and that a serious abuser. Not to mention that chick you knew in real life. Honestly I wondered why you would put up with that chick for so long but if your an M then it makes perfect sense.
  • Bam
    (Thursday, Oct 2. 2014 10:31 AM)
    @Emma: it’s unavoidable.
  • Emma
    (Thursday, Oct 2. 2014 10:20 AM)
    I was going to try avoid that joke lol
  • Bam
    (Thursday, Oct 2. 2014 10:10 AM)
    That’s probably because of Eden of East XD
  • Emma
    (Thursday, Oct 2. 2014 10:09 AM)
    East of eden sounds familiar.
  • Bam
    (Thursday, Oct 2. 2014 09:35 AM)
    @Emma: Viva Zapata!, East of Eden, The Forgotten Village?! The man’s a legend, not much else could be said about him at this point.
  • Emma
    (Thursday, Oct 2. 2014 09:30 AM)
    Next on the list is to rewatch blue velvet because a friend likened some of my work to it.
  • Emma
    (Thursday, Oct 2. 2014 09:29 AM)
    @Bam: You know somethings a good movie when it crosses your mind “Oh no, I hope he/she doesn’t die”.
  • Emma
    (Thursday, Oct 2. 2014 09:28 AM)
    I had a place in my heart for of mice and men when I was young =)
  • Bam
    (Thursday, Oct 2. 2014 09:23 AM)
    *no “the”

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Featured Posts

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Mushishi – 07

Now this was such a beautiful episode. We often see Mushi portrayed as parasites. In fact, they are pretty much based on the insects and viruses of their world. There probably are enough real viruses and insects living in the Mushishi world, but they just aren’t the focus of the series. Anyway, what they did […]

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Jojo’s Bizarre Adventure – Stardust Crusaders – 06 & 07

This is where this arc gets weird. We’re still in adventure modus, however in these two episodes Jotaro not only meets some of the most bizarre Stand users, it’s also done in the most camp way possible. You can see a clear difference with the first two seasons of Jojo: there it was all about […]

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Ping Pong – 05 & 06

Episodes 05 and 06 are dedicated to character-development. It’s here where Ping Pong shows that it also knows its stuff in terms of storytelling; the develoment doesn’t start too early or too late, and these two episodes really added depth to all of the different characters, despite that there were no big matches. I’m currently […]

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Mushishi – 03 – 06

I have not forgotten about this show. Not at all. I just finished marathoning these four episodes, and holy cheeseballs on a stick! this is the best anime in years! This was everything I could have hoped for and blows just about everything else out of the water. Talk about raw, powerful storytelling. I now […]

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Jojo’s Bizarre Adventure – 03 – 05

Jojo really is not kind to its females. Every time a hint is even dropped to a girl kicking ass here, it comes with this weird plot-twist that undermines any fighting potential of them. In this arc, it’s the rule that says that your stand will kill you if youaren’t strong enough. And so, Joseph’s […]

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Ping Pong – 03 & 04

The opening of Ping Pong wasn’t done in time, so the first two episodes showed a sortof montage as a placeholder. Now we know why, with episode 03 and 04. The creators actually got the single best animator currently in the business to oversee it: Shinya Ohira. This guy understands animation like no other. The […]

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Ping Pong – 02

Yes, I know that more people here were involved in making this series beyond Masaaki Yuasa. It’s written by the creator of Tekkon Kinkreet, Taiyo Mashimoto. That guy is awesome. And the combination between those two makes this series even better. Because here’s the thing: anime is significantly different from manga or light novels. Beyond […]

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Jojo’s Bizarre Adventure – Stardust Crusaders – 02

We can never quite get rid of magic fights at a school, now can we, Jojo. Ah well, I forgive it this time, just due to how hilarious it looks seeing these ridiculously bulky men walk around pretending to be high school students. It’s just so over the top, and yet Jojo sets itself apart […]

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Mushishi Season 2 – 02

Oh yes. This is it. This is what storytelling should be about: telling real stories about real people, all with their own problems that need to be overcome. And this show does that time and time again in just one episode. I still can’t believe how authentic this series is. The thing is, when I […]

Latest Reviews

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Nerawareta Gakuen Review – 84/100

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series […]

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Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

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Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

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Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

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Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

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Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

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Silver Spoon Review – 86/100

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

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Yondemasuyo, Azazel-San Z Review – 82,5/100

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]

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Gargantia on the Verdurous Planet Review – 81/100

Gargantia on the Verdurous Planet tells the storyline of a planet that is completely submerged, with only giant ships residing on the surface, while one of those ships gets visited by this guy and his AI-mecha from this very technologically advanced civilization. Yes, this show is about world building. What this show managed to do […]