Posted on 30 November 2010 with categories: Monthly Summaries

In this month, there have been a lot of different series that impressed me. Especially my top 5 for this month is very close, with each of those series being amazing in its own way. Now, this season does have its share of flops, but for every disappointment, this season also came with a surprise, and that’s what I like about this season.

The main problem with this season is the series length. I’m currently watching 24 series, only seven of them will continue past December. That’s way too little. Granted, there are some series that are currently scheduled for a good length, but there still are too constrained by their series length.

#25 (29) – Iron Man – (5,75/10) – Well, the good news: Iron Man has gotten slightly better: it has an actual plot now. The bad news is that the plot is so ridiculously corny that you could feed an entire orphanage for a month with the cheese it produces. I mean, it’s good to have a villain who has a backstory for once, but the way it was written was just way too sloppily.
#24 (21) – Yosuga no Sora – (6,5/10) – Now this has just become porn. I’m glad that this show doesn’t shy away from the fact that teenagers can have sex and all, but when it boils down to the lead characters running from one girl to the other, just to have sex with her (followed by a convenient reset-ending), then it’s just become softcore porn. Dropped.
#23 (19) – Togainu no Chi – (6,75/10) – I really fail to see the point of this series if it’s just going to have 13 episodes. Right now, eight episodes have passed and this still is a forgettable series, full of hammy acting and bad directing. And really, the plot might actually have been very nice, but the entire show is just ridiculously cheesy. The worst offender is that guy who keeps sprouting these nonsensical lines that are supposed to be symbolic.
#22 (13) – Marie&Gali – (7,25/10) – When some of the scientific explanations turn out to be actually wrong, things have really gotten down hill. This episode continued to pretty much repeat jokes that have already been used by previous episodes, so they lost a lot of their charms.
#21 (16) – The World God Only Knows – (7,25/10) – Here’s my problem with this series: it’s currently overshadowed by a ton of other series in every single way. the conquests are shallow and there are tons of better character studies out there. The characters are dull and forgettable when you look past their gimmicks, the voice acting is unimpressive at best, and so the only reason why I’m still watching it is for the entertainment value, and yet there are so many series this season that are funnier than this show. The best episode of this series still is the one with the broken game, but apart from that this has been just mediocre.
#20 (23) – Arakawa Under the Bridge – (7,5/10) – Still haven’t dropped this, and I have to admit: the characters can be quite interesting. If this was a regular drama, I probably would have loved it. Still, it’s a comedy. And I still don’t find it funny. Perhaps it manages to get a chuckle out of me every two episodes or so, but that’s way too little considering the huge amounts of jokes and antics the creators throw at the viewer.
#19 (22) – MM! – (7,5/10) – This show… should just have ended at episode four. Seriously, it’s a complete mess now, full of random fillers that don’t really progress the characters in any way and contain a fair number of scenes in which the characters start acting ridiculously out of character. And yet, I really have to admit that this is a huge guilty pleasure for me. I laughed like crazy at episode eight, episode seven was also completely hilarious. This show has gotten ridiculously stupid at this point, but at the same time it has not lost its charms, which is more than I can say than for a large amount of other moe and harem series.
#18 (18) – Fortune Arterial – (7,75/10) – The big problem with this series is that when it’s fleshing out its cast, it’s really dull and cheesy. It’s nothing bad, but still pretty much like your average antics you see in a moe show. And yet, the main storyline is actually fairly good. I’m surprised, but the characters have actually developed fairly well, the plot is not too ambitious yet very focused on the main characters, and aside from a few strange decisions that the characters made to increase drama, I’m fairly impressed here.
#17 (11) – Nurarihyon no Mago – (7,75/10) – Here’s the thing: the new and added content for this show was usually really good, and yet then there came a bunch of episodes that completely ignored some of the supposed awesome parts of the manga. I just don’t get that. Also, the fact remains that the overall story of Nurarihyon no Mago still isn’t the most impressive one and there likely isn’t going to be a second season considering the low DVD sales.
#16 (20) – To Aru Majutsu no Index – (8/10) – The nun arc showed a lot about the different fractions of the catholic church, but at the same time it was a bit boring and not very interesting. The following arc was actually very good, and it lacked everything that annoyed me of Railgun. The new arc excels in the chemistry between the different characters, but there’s just too much pointless fanservice at this point.
#15 (7) – Katanagatari – (8,25/10)

And finally we’re nearing the finale of this thing. The penultimate Katanagatari episode was neither the best of the worst instalment of the series, but it still has the addictive dialogue that made this anime so enjoyable. At the moment my biggest concern is that the main villains are rather flat, so I hope that the final episode can still make something out of them.

#14 (12) – Bakuman – (8,25/10)

Okay, so instead of the manga making process, this month has mostly focused on the romance. Obviously I’m curious to the point at which they actually start making a manga, but the romance itself has gotten much better since the early episodes: it’s moving at a steady pace, not exactly annoying and gets some interesting scenes out of the different characters.

#13 (15) – Soredemo Machi wa Mawatteiru – (8,25/10)

As a bit of a combination between slice of life and a comedy, it has worked surprisingly well. It’s especially the way in which it manages to portray its characters that’s surprisingly down to earth, and yet it can be quite funny and quirky at times. It’s also quite creative, and finally in a good way for a Shaft series again.

#12 (6) – Shinryaku! Ika-Musume – (8,25/10)

There are a few segments that aren’t as funny as the others, but it’s not like this series has run out of material by far. The has been plenty of new and fresh hilarity within this series and Squid Girl remains as adorable as ever. The only thing is that unfortunately, the animation budget has ran out, so the animation isn’t as good as it once was.

#11 (9) – Tantei Opera Milky Holmes – (8,25/10)

Seriously, the jokes in this series are good. It never ceased to amaze me how well and effective this series makes fun of both itself and other series of its genre, and it’s got some amazing comedic timing. The acting still is completely over the the top, but that’s a huge part of the charms of this series. The best jokes still are the first four episodes (nothing has still beaten the sarcophagus), but this month has provided enough other material to laugh at.

#10 (17) – Panty and Stocking with Garterbelt – (8,25/10)

In this month, Panty and Stocking did what I really hoped it would do: pack some variety. Some episodes packed some very creative action, others went more into the parody direction, episode 9’s second half was really charming, and I also really enjoyed the zombies and transformers. The sex and toilet jokes is just a gimmick, what’s really impressed me about this show is its creativity, and that’s something it definitely showed in this month.

#9 (14) – Yumeiro Patissiere – (8,25/10)

The title of this show is wrong. It should be “Yumeiro Business Consultant”. Sure, it’s less catchy and all (although I’d argue that that would make this show even more awesome), but this is pretty much what Ichigo and the other lead characters have been doing over the past nine episodes: helping other characters set up a successful shop, guiding others to get their certificates, and travelling to all kinds of different places in the process. And yes, this is a shoujo series, proving that you can very much make a good shoujo series without resulting in the usual cliches. Take that, Kaichou wa Maid-sama!

#8 (13) – Densetsu no Yuusha no Densetsu – (8,5/10)

Finally! After sixteen episodes, Densetsu no Yuusha no Densetsu has finally gotten awesome. The plot finally has gotten interesting, the characters finally have developed, the scenario finally manages to hold my attention again. Seriously, a ton of characters who once were really annoying have suddenly become very interesting to watch. That’s a really good sign here. Just too bad that it took so long to get there.

#7 (10) – Otome Youkai Zakuro – (8,5/10)

The characterization of this series really turned out to be excellent: the different couples play off each other really well with some actual genuine tension between them. They suffer from their romantic cliches, which prevent their relationships from really developing, but beyond that they’re really well portrayed. The most intriguing is definitely Zakuro’s past.

#6 (3) – Star Driver – (8,5/10)

The thing with Star Driver is that every time I think that I know what’s going to happen next, this show does something completely different. It’s so delightfully unpredictable, and the story definitely got a lot of new dimensions during the past month. On top of that, the characters are also getting neatly fleshed out here, so all that’s left for this series now is to actually start using all of this build-up.

#5 (2) – Letter Bee – (8,75/10)

Nichi’s arc was amazing, creative and really gave a new dimension to the plot, but beyond that, the Sylvette episode also rocked. It’s been a really excellent month for Letter Bee, where also the visuals turned out to be more stunning than ever. I really hope that it can keep this up.

#4 (4) – Shiki – (8,75/10)

This was an excellent month for Shiki, and it is at this point where it really set itself apart as a unique horror series. The entire month was just full of despair: just when you thought that things couldn’t get any worse… they do. The decisions that the characters make just keep surprising me.

#3 (8) – Shinrei Tantei Yakumo – (8,75/10)

I’m not sure how many people still are liking this series, but I currently love it: the random stories have gotten actually a lot more solid in this month,but the series really started shining when the main storyline popped up. The latest arc has given a ton of depth to just about every important character. The soundtrack also has become as amazing as you’d expect from a Bee-Train series, the direction has become a lot more solid. It’s really now obvious that the creators were trying to rush through the beginning chapters in order to give these important stories enough time in the space of 13 episodes. It’s risky decision, but it worked out wonderfully.

#2 (5) – Kuragehime – (8,75/10)

Kuragehime turned out to be an amazingly fun series to watch the cast is incredibly dynamic, and the series really shines when it mixes the energy of all kinds of characters with each other, brilliantly making use of all of the flaws of the different characters.

#1 (1) – Heartcatch Precure – (8,75/10)

In this month, Heartcatch Precure went on a hiatus, showed a bunch of light-hearted intermezzos and showcased an episode that surpassed itself yet again. Perhaps it wasn’t as consistent as the previous months, but this series really never ceases to amaze me. The work it put in this month is really making sure for this series to not lose itself in its own epicness in the finale, so they were episodes well spent.

Posted on with categories: Nurarihyon no Mago



Wait, this was supposed to be a complete filler? I really would not have guessed if I wasn’t told this in advance, because this was actually a very good calm before the storm episode, which did exactly what the previous episode failed to do: create an atmosphere and tension. The sense that something really major is going to happen.

On top of that, it also fleshed out Tamazuki, telling a bit about his past and the weapon he wields (why didn’t the manga do that, I wonder?), and I liked the little talk that Nurarihyon had with the tanuki. On top of that, it also was an interesting idea for him to look up Kana, not to kill her, but out of simple curiosity. The dialogue in this episode felt quite natural and overall it really made up for the previous episodes (also notice how everyone is suddenly moving in the backgrounds).

And yet this remains a very strange adaptation. Just like how JC Staff put the wrong director on Bakuman, Studio Deen put Junji Nishimura on the wrong project: this episode really shined because of his influence, but he really is a guy who is at his best when working on original stories. I have to confess that my favourite parts of this series were indeed around the anime original scenes, and yet at the same time this series just glances over the supposed best parts of the manga and keeps delaying the point at which it is supposed to get really good.

I know that there are a lot of rumours and all, but I’m only convinced when an official announcement will arrive on the second season. At the moment, there are a lot of parallels with Letter Bee’s first season, which also padded itself out in order to put the good stuff in a potential second season, but there’s one crucial difference here: with Letter Bee, you could really see that it was building up to something amazing. I’m not seeing that with Nurarihyon no Mago. For all I know the story could end perfectly just at episode 25, and the only single indication I have that the story will end up awesome is the words of some of the manga readers.
Rating: * (Good)

Posted on with categories: Shinryaku! Ika Musume



Another hilarious episode, especially the first two parts rocked and were able to get the best out of Squid Girl. The first part was awesome because of all of the things that go on inside Squid Girl’s head, the second part was awesome because of her antics, while the third part was more focused on the side-characters, and was probably the first story in which Squid Girl did not take up one of the lead roles.

The first part was really good at Squid Girl’s usual habits of making an elephant out of a mosquito when it escalates a simple game of Knock Knock Ginger to the point of Squid Girl getting a new best friend. (On a side-note: that game really has different names in all kinds of different countries: the Japanese call it “Pin-Pon Dash”, while in the Netherlands we call it “Belletje Trekken”, which roughly translates to a childish version of “Pull the Bell”). I especially liked how her antics in this cased managed to surprise even Shizuru, who usually is in control of everything.

The second part was all about makeup. It started all innocently with some lipstick, but I especially loved the scene in which Squid Girl went to get some tips from those trendy girls and ended up looking absolutely ridiculous. This episode also had a lot of fun putting makeup on the rest of the cast, which worked surprisingly well.

The creators did miss a chance to include some neat continuity when Squid Girl ended up painting her face with some coloured marker. The segment ends quickly after that with Squid Girl looking perfectly fine in the next one. In the third segment, they could have had her complain about how long it took to get that off, to introduce some interesting continuity between the different episodes. Also, at the end of this episode the entire restaurant gets destroyed. I really fear that the next episode will just skip to the rebuilt restaurant, though it will be awesome if the next episode focused on rebuilding the entire thing.
Rating: ** (Excellent)

Posted on 29 November 2010 with categories: Autumn 2010 Kaleidoscope



For the Autumn 2010 Kaleidoscope I’ve been talking about different series each week. Otome Youkai Zakuro’s ninth episode makes for the last series I want to say something about. For December, I’m going to fill this category with posts about the series that I think will have the most interesting finales, which probably will be posts focusing on Panty and Stocking and Otome Youkai Zakuro.

Oh and on a side-note: I’m probably not going to go a kaleidoscope for the upcoming winter season, because of the simple reason that TOO MANY SHOWS ARE ENDING at the end of December. With that as a result, I’ve got room for eight new series; nine when Heartcatch Precure ends. That’ll be plenty of room to blog all of the good shows, plus also a bunch of premises that I normally wouldn’t even consider.

In any case, this episode is a good point to talk about this series, because a) we’ve gotten some significant build-up at this point and know where this show is heading to, b) I can praise a lot about it and c) I can also criticize a bit about it.

Starting with a), Otome Youkai Zakuro definitely has built up the best cast out of all the shows I’m not blogging this season. It’s got three couples who play off each other really well, and the past episodes have developed some really genuine relationships between all of them. the most intriguing being Zakuro and the mystery behind her: she’s a really tragic character who was really well explored in the past eight episodes.

Now, this episode was meant as a bit of an intermezzo between the heavy arcs, mostly focusing on fleshing out the romances a bit. It was enjoyable because we’ve seen relatively little of the cast in light-hearted situations due to the short length of this series. This episode was enjoyable, simply because the characters have been very well developed at this point, and because of that they were fun to watch.

And yet, this episode also enlarged some of the major flaws of this series. For that I need to go back to the source material, or its original author Lily Hoshino. When you look at the different covers of some of the other manga she has written, there’s one thing that immediately caught my attention: they all look the bloody same! Nearly all of them feature two people looking mellow and hugging each other. I couldn’t find a premise for most of them on ANN, but the premises I did find were just completely stupid and cliched, most notably that one about a family which forces all of its children to marry guys.

The creators here really gave a wonderful adaptation of the Otome Youkai Zakuro, but at the same time you can see that the romance is bound by these stupid cliches. The romance is mostly mature, and yet because of that premise the characters never really become couples, even though how obvious it is that Susukihotaru and Yoshinokazura are into each other, with the same going on for Bonbori and Hoozuki and Hanakiri.

Zakuro also suffers from these romantic cliches, though slightly different. In her case it’s indeed more logical to become good friends with Agemaki due to the large tension between them, and I actually really liked the point at which her crush on Hanadate was revealed. But yeah: he’s a bad guy, making what could have been a mature love triangle into a cheesy shoujo affair and Zakuro closer and closer to a standard tsundere. It’s pointless twists like these that are really holding back the otherwise truly excellent execution of this series.

Again though, I really like this series despite these criticisms. What’s even more impressive here is that JC Staff is really busy this season: they’re working on four different series at once, and yet all four of them are actually pretty good. Obviously some are better than others, but compare that to AIC which was in the same position during the previous Summer Season, working on four moe shows at the same time, where in the end every single one of them turned out to be dull and boring.
Rating: * (Good)

Posted on with categories: OVA Impressions



Megane na Kanojo consists of four separate stories of about 12 minutes long each. They don’t have anything to do with each other, and pretty much tell the stories of random couples, all in which a girl with glasses pays a big role. Hence the title, Megane na Kanojo. Right… so where to star?

The first two episodes are just plain boring. They’re based on two completely stupid premises that really don’t go anywhere and are just padded out with stupid and boring romantic antics. Only go for these if you’re a big fan of teenaged antics, otherwise don’t even bother with them.

The third part is slightly better, and at least tries to get something genuine off the ground (it’s also the only episode of the four that doesn’t feature teenagers), but in the end it shoots itself in the foot with its own cliches and stupidity. The fourth episode is the only one of the four which isn’t ruined by its own stupidity, but instead we’re treated to a cheesy romantic flick with a ton of teenaged angst.

So overall, it’s a big resounding “meh”. Megane na Kanojo isn’t exactly bad, it’s just unbelievably boring. It’s based on very unremarkable short romantic stories, but most of the airtime is just filled with boring and cheesy teenaged dialogue, and whenever it wants to get to some genuine drama it immediately ruins its own build up with its own stupidity. The only episode I’d even remotely recommend is the third one, but even there the lead character is a complete airhead, but at least her inner monologues were a bit charming. Otherwise, this is nothing more than AIC with its moe again.
OVA Episode Rating: 6.5/10

Posted on with categories: Shinrei Tantei Yakumo



Again: I’m baffled here. We all know that the first episodes had problems due to being rushed and all. And so here this episode comes with the main plot of this show and it suddenly becomes incredibly solid. Seriously, this episode was amazing in both its plot and atmosphere, and showed more than ever that Koichi Mashimo isn’t the only big talent that’s walking around in Bee-Train.

I’m really impressed by the plot here, and especially how it focused on just about everyone here: both the main characters and the villains. I just love how this episode tied everything together, the plot is both disturbing, imaginative and deep. And I really have to admit here: the bad guys in this series kick ass. They don’t just look evil, their actions really pack a punch here, from the trauma they inflicted on Yakumo’s mother by first raping her, murdering her boyfriend and then getting her to kill her own son, to recruiting little girls by having them kill off their own family. I also love the subtlety with which Yakumo now remembers his past. He’s obviously silent and introvert, but it’s not like he’s angsting over it either. I also really liked how he as a kid didn’t really like Takeda Shunsuke, and only much later found out that he was dating his mother.

Now, the one point at which I have criticisms of this episode was the way in which Gotou suddenly arrived at exactly the right time behind Miyuki Nanase, but I’ve seen far worse coincidences: Takeda Shunsuke made sure to tell everyone the location of Yakumo, with Gotou using a car with a bit of a delay, he could catch up to Haruka who took the train.

Speaking of which, Haruka again just ran into a situation unprotected, even though Takeda Shunsuke advised her to stay, but for once her actions make sense here: she was being targeted by Miyuki Nanase, and hiding would have actually worked against her favour: Miyuki would have easily captured her, just going to Yakumo would have saved Miyuki the trouble of dragging her over to Nagano, which is why she was left untouched. The way Miyuki was defeated may perhaps been a bit of a cop-out, but really: it was the only way. It’s already been established at this point that she’s completely badass, and that there’s no way that she would have lost in a real fight.

Also, what the hell was up with the animation in this episode? I mean, that’s not Bee-Train. I mean, smooth frame-rates are one thing, but there were tons of shots in this episode which had completely fluent movement, with more frame-rates than I’ve probably ever seen in a Bee-Train series. That scene in which Nanase told about how she murdered her parents was also just amazing: there was a TON of style within just those thirty seconds.

I now understand what this series is doing, and why the first few chapters were so incredibly rushed: they were simply trying to go through those chapters as fast as possible, so that they could put more emphasis on these final few episodes. You know how a lot of series waste too much time on their introductions, so that their endings get rushed? Denyuuden is a good example of that at the moment: it’s currently amazing, but it did take sixteen episodes with a lot of boring build-up to get there. That’s what the creators most likely wanted to avoid here, so for that they had to sacrifice some first impressions due to these rushed chapters.

The current Autumn Season wasn’t the best one for the reputation of series that feature adults as main characters, with Iron Man, Togainu no Chi and Hakuouki with their cheesy stories and characters and in a bit less of a way Panty and Stocking and Arakawa who have their minds in the gutter and riverbed respectively, but at the same time I really appreciate how there still are series like Otome Youkai Zakuro, Kuragehime and Shinrei Tantei Yakumo that try to come with mature storylines that aren’t chockful of teenaged antics. They may have a few cliches, they may be a bit rushed, but they really are the proof that anime hasn’t entirely been taken over by whimsical teenagers.
Rating: *** (Awesome)

Posted on 28 November 2010 with categories: Heartcatch Precure



We’re getting close to the end now, Dune is about to unleash his chaos onto the earth, the Sabaku are getting more and more desperate to take out the Precure, and the grand finale is only a few months away. So naturally, this episodes puts our cast in a kindergarten and has them fight a giant stuffed animal. Of course!

This is exactly what this series needs at this point though. The problem with a lot of these light-hearted series that get near their end is that they become too epic: things either become too serious, letting go of the charms that made them once fun to watch, or the saving the world feels so out of place or sense that it becomes just cheesy. This episode was exactly needed in order to keep the light hearted fun still in the series while the creators are closing off the story. It’s exactly because of this that the creators waited so long with going to the kindergarten, because it’s really effective at that, and on top of that it’s also more than just another “child with worries”-episode. Seriously, when was the last time we had an episode that followed that formula anyway?

I also have to praise this show for not giving Tsubomi any magical upgrades because she’s the main character: this episode again very much stated that Cure Moonlight is by far the most powerful Precure. It’s really great to see that the creators stayed true to this, even through the various stages in which the powers of the Precures were developed.

On the topic of the next Precure series, it finally got its own website, but apart from that no new information has been revealed. Based on the logo it’ll probably revolve around music, but then again: Heartcatch Precure’s main theme was flowers, and yet you don’t see any of that, while Fresh Precure had a very watery-themed logo, and yet I failed to spot any significant hints to liquids in the episodes that I watched aside from an occasional pool. There are some interesting possibilities for this becoming an animated musical of some sort, but for that to work the creators had better prepare an awesome soundtrack that can dwarf even Heartcatch Precure’s, otherwise it’ll have lost its entire point.

Toei, you’ve really set yourself a challenge here. Heartcatch Precure pretty much already is really close to the perfect way to handle the classic mahou shoujo premise. At this stage, it’s very much possible that Suite Precure will be some sort of cash-in, however Toei is strange. I’d love to see them really grab the ambitions to try and trump even Heartcatch with the next Precure. But ah well, once the staff gets announced we’ll be a lot wiser.
Rating: ** (Excellent)

Posted on with categories: Star Driver



Yet again: an episode that gives a complete new spin to the story. And we’re only nine episodes in yet; normally you see these kinds of things ten episodes later or something. This episode again did something that went completely against my expectations, it brought in A TON of new stuff, characters and plot threads.

Mizuno, the west maiden really brings a huge new plot along with her. From out of nowhere, she introduces a new Crux Brigade member (replacing the head, who went on a holiday after what happened in the previous episode), who turns out to be Mizuno’s twin sister, entirely in it to protect her sister from being found out (even going to the point of setting up a flamboyant act for it), not knowing that her subordinates (four also totally new characters) have formed their own brigade and are pretty much just using her as a tool. This definitely brings some great new potential to the series. Also, this episode on top of that introduces painter R. We have no clue who it is apart from that it’s special to both good guys and bad guys.

I don’t really understand the whole point of the shrine maidens at this point, though: why is the West Maiden necessary to reach third phase? I mean, I can understand it if you’d need 1 maiden for phase 1, 2 for phase 2 etc (opening up the possibility for a phase 4 as well), but the fish girl just left and the brigade members still were able to enter phase 2.

This wasn’t the most enjoyable episode because it spent quite an amount of time introducing these new characters (plus, I’m missing the fish girl song). The fight scene in this episode also was a bit unremarkable (again, it was just used to build up and nothing more). The romantic hi-jinks were also not the most enjoyable, but the fanservice could have been much worse I guess. There were no stupid cliches nor was there too much of a focus on the fanservice, so I guess it’s all-right.
Rating: * (Good)

Posted on with categories: Letter Bee



Ah, a wonderful conclusion to the second part of Nichi’s arc. I expected this episode to delve into what happened to Nichi after she was thrown into the ocean, but instead this episode was all about her sister, and her feelings throughout the past 200 years. That too really worked, because she really is a great character. I also really want to applaud this episode for its portrayal of how she uses her hair as a weapon. Nichi looks like a bunch of chopsticks compared to how she’s able to use it.

Now, it’s obvious that the manga chapter in this case was a bit too short for 20 minutes, so there were quite a few flashbacks. The ones that were shown right after the OP and the break were just shallow, but I have to admit that watching the parts again in which Lag found Nichi really got to me. Flashbacks like that really work when they show exactly how much the characters in question have grown.

This episode also gave an answer to what those strange frozen Gaichuu were, but it still was rather vague, but at the same time it made it a bit more likely why Gauche went after them. I also really wonder what’s in store for Lag now that Nichi isn’t with him… something just tells me that he’s going to run into Gauche again…
Rating: ** (Excellent)

Posted on 27 November 2010 with categories: Bakuman



Another episode where the biggest airtime is devoted to the romance. If I had known this at episode 2 or 3 and wasn’t forced to blog this series, then I probably would have given up on this series, but at this point things definitely have gotten better. The problem was really was that it made some bad first impressions, the way in which Moritaka likes the girl whose mother was liked by his uncle and whose best friend has a crush on Moritaka’s best friend, not to mention that she wants to be a voice actress: the creators used it well for the story, but it was just too convenient.

The romance is well developed, though. This episode had a lot of fun sorting out Akito’s love live, which was pretty enjoyable. I’m also glad that the romance is actually moving forward at a steady rate instead of getting stale. It’s far from True Tears or White Album levels though and it still has a long way to go, it made use of some annoying cliches that make no sense, like when someone pretended that you can only like or dislike someone, with no inbetween.

Also, my memory may be fooling me here, but this may be the first time in which someone was actually suspended from school for a while, due to a violent incident. In any case it’s something you don’t see often. I also liked how Ishizawa did not get punished, which lead characters to discuss some very down to earth flaws in their school rule system. Quite realistic.
Rating: ** (Excellent)

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Vonter
I watched some episodes of KonoSuba yesterday, reminds me of Those Who Hunt Elves. And I suppose it might be an easy recommendation because it mainly comes down to; do you find it funny? or fun? If not, skip.
Kaiser-Eoghan
While yes its true of watching those slice of life shows week by week is better, I felt that when reading the manga for Aria it was easier to marathon by reading it rather than watching.
SuperMario
Flying witch have the same atmosphere, but it's a purely slice of life anime. I love Aria too and I agree that watching it 1 episode a time is the best way to enjoy it. Can't think of other serious anime that have those calming elements for now
Anonymous1042537
Yeah, I noticed they all have pretty different structures from one another (ACCA's political, Mushishi's naturalistic, Monster is a thriller, Rakugo's about a specific art form, 3-gatsu is ostensibly about Shogi, etc.) but I found that I found some similar calming elements in them (to different degrees of course).
Anonymous1042537
Thanks, I'll definitely check Aria out!
AidanAK47
One of the hardest shows to marathon besides Bakemonogatari. Though Bakomono gave me a headache after a few episodes whereas Aria just had me so mellow that I could drift into sleep at any second.
AidanAK47
Don't know if you could call it a sub genre as the examples you listed are all really different from each other.
Though in the vein of calming shows I think you can add the Aria series to the list. That show is so relaxing that you find yourself nodding off to it. Not out of boredom but it just has that effect on you.
Anonymous1042537
Do you guys know if there's a specific subgenre like this, or am I making it up? And are there other anime with that kind of feel. Not exactly slice of life, but in the general vicinity of it.
Anonymous1042537
The Great Passage was another great example. It delved into the seemingly boring subject matter of dictionary-making, but it was a surprisingly charming show. 3-Gatsu no Lion also looks promising, I enjoyed a lot of the first season (but wasn't a fan of the forced comedy sometimes).
Anonymous1042537
Like the episode where Tenma first meets Grimmer on the train to Prague and they have a picnic on the mountain was so dang good. I really need to rewatch that.
Anonymous1042537
There are some elements of that style in other shows too, but to a lesser extent. Like some parts of Rakguo (mainly season 1) was very soothing. Naoki Urasawa's Monster had some fantastic, almost melancholic episodes like this.
Anonymous1042537
It seems that most anime w/ that kind of style usually also have another genre mixed in. Mushishi was also very naturalistic, ACCA had a political underpinning.
Anonymous1042537
It's sort of in the vein of a "Mushishi" style show. I suspect it's an emerging subgenre of slice of life that's meant to be very calming, relaxing, atmospheric which I really am digging.
Anonymous1042537
I really hope there are more shows like it; not that it was perfect, but it was certainly unique and hit a lot more than it missed. I really like those cool, quiet shows you can enjoy with a nice cup of tea before you go to sleep.
Anonymous1042537
Ironically though, I would say that the first half of ACCA (up until the big flashback) is better enjoyed week by week, or at least that's what I found.
Kaiser-Eoghan
@Mario: It felt good marathoning a show again rather than waiting week by week and next weekend I'll probably marathon house of five leaves.
Kaiser-Eoghan
@Mario: Forgot to mention...there were certainly a share of moments in Acca that feel fanservish to the female audience =P
SuperMario
@Aidan: haven't noticed that. Will fix it soon.
AidanAK47
@Mario, Only problem I can see is that the posts have no spaces in between paragraphs.
SuperMario
... to be near my laptop for an entire week. First time that I had to blog entirely through my phone. Seemed to work out fine but I had to borrow screenshots from other source (I thank you that other source) ^^
SuperMario
*unless* rather than *as long as*. This has been a crazy week for me as I didn't have a chance
SuperMario
@anon1039488: I find the idea of limiting excess to exclusively stream an aime is a dumb idea; because as long as people have a chance to expose to the anime they won't really care to check it out. So I detest owning the legal streaming account, but I always pay back by buying DVDs/Blurays that I liked
SuperMario
I watched House of Five Leaves by the same mangaka and I really enjoyed it. Nataume Ono is a pretty excelent storyteller (a bit mixed on her art-style thou)
SuperMario
@Kaiser: I agree that the first dew episodes of ACCA were not that engaging but the endingg neatly tied up all loose ends. I still feel Grossular's act is kind of messy (why was he under such control from Lilium? He's not that kind to be in such passive role to be honest) but other than those I don't have any real complaints.
Anonymous1039488
Competition is good, but it makes it cost so much to legally watch everything. That's why a lot of people pirate I feel.
Anonymous1039488
You have Crunchryoll and Funi, fine. Then there's Daisuki which is kinda random. Then Amazon, Netflix, and Hulu all have some random anime, though it seems that mainly Amazon has current series
Anonymous1039488
I don't have Amazon Strike, which is like their new venture into anime I guess. There's too many streaming services to keep up with tbh
Kaiser-Eoghan
To be honest I'm pretty crap when it comes to supporting things, I don't pay for almost all the things I watch/read/play, I don't have a crunchy or amazon account, I still pirate legal streams.
Kaiser-Eoghan
@Anon: Is it a case that your country is blocked? Maybe go for a vpn? If you absolutely have to you could pirate the show...
Anonymous1039488
I wanna watch Re:Creators but don't have Amazon... :( alas
Kaiser-Eoghan
I feel like I need to wait and see approach with sekaisuru Kado...this prologue phase is...long...
Kaiser-Eoghan
I wish it had been 24 episodes long though to better organize itself.
Kaiser-Eoghan
Favourite characters were Jean, Groslur and Nino.
Can’t say I cared for the goofy interactions between Jean’s workfriends though.
Kaiser-Eoghan
Yet for whatever I could say about the pacing, when the twists happen they creep up on you and the show mostly lands every one of them, even if I’m not exactly pleased that sometimes the series does the “I pulled it out of the hat/ass” approach.
I’m relatively indifferent on the art/animation.
Kaiser-Eoghan
I did feel it picks up, improves by the mid-mark and to an extent the wait is worth it and things do come together even if I wasn’t always totally confidant with how it was getting there.
Kaiser-Eoghan
Having the protagonist go from district to district to flesh out the settings a decent enough idea and the main characters a fairly chill, cool guy.
Though the dialogue does create suspicion, intrigue, it does also plod/pad in equal measure at times.
Kaiser-Eoghan
Finally decided to sit down and watch Acca.
This show had its lovers/haters I’m sure, having watched it my feelings are mixed.
It is a slight breath of fresh air I’ll give it that and makes me want to maybe re-assess of adaptations of the author’s work.
Kaiser-Eoghan
@Mario: The only assayas film I've encountered so far that I disliked was Irma Vep, even though the lead actress was great, the surrounding performances, especially by Jean-Pierre-Lenaud were awful. Sils Maria I was initially evasive of because I'd heard that the relationship between Binoche and Stewarts characters was under-unexplored.
SuperMario
@Kaiser: Weersathakul's films are something else entirely...Otherworldly yet still cinematic. I feel a bit underwhelmed after watching the Unknown girl. The identity of the culprit, for example, feel forced for me that take me out our their naturalistic style. I'mmin between Clouds of sils maria too, know it's a good movie but it feels pretentous at times, like the movie Youth
Kaiser-Eoghan
@Mario: I also got round to watching Unknown girl by Dardenne, it carries enough moments of their brilliance but I felt they didn’t have as much mastery over their usual pacing style this time round, for the first time it felt like a thriller that played out like a drama, rather than a drama that has a pseudo thriller feel to it.
Going to watch Clouds of sils Maria next.
Kaiser-Eoghan
@Mario: The entire second half, which I’d have watched an entire film about is very atmospheric and dreamy/esoteric nearing just exactly the kind of thing I like.
The way he uses/shoots Thailands geography along with his cinematography is impressive, particularly in that second half.
Kaiser-Eoghan
@Mario: He shoots something simple like a chopping scene in a strangely engaging way, the scene with the old woman going into the cave is also very impressively shot and that one driving scenes with that pop song in the background has an airy feel to it.
In some ways I agree that there’s a bit of sensuality to it.
Kaiser-Eoghan
@Mario: It’s the kind of film that feeling tired/relaxed when watching it isn’t a condemnation of it(although a share of moments in the first half could be patience testing), it’s the sort of film where you aren’t really aware of anything outside of watching the film when you watch it.
Kaiser-Eoghan
@Mario: I finally looked into a Weersathakul film, Tropical Malady. I don’t even know how to give a star rating for this film.
SuperMario
I'm still on the fence with Alice & Zouroku. Like the title suggests, the warm chemistry between those two are its strongest point, but those moments are far and few in between as the story progresses and I don't care one bit about the Red Queen storyline. I might drop this one if the story doesn't improve
SuperMario
@Lenlo: 3 episodes anf Berserk still hasn't grabbed me as much. Yep facial expressions are really off-putting
Lenlo
Man... the facial expression in Berserk for the 3D models are, ever so slowly, killing me.
AidanAK47
Alright. Tommarrow I will get out all those posts I am late on seeing as the impressions are all finished.
AidanAK47
SukaSuka still has me mixed. On one hand there really are some great ideas and some well executed moments. But some of the dialogue is a bit typical of a light novel and the fanservice is really shameless. The massage at the end of the episode was something the show could really do without.
Konstantinos Travlos
I am in love with RE:Creators. I have no idea if they will keep it as good, but these two first episodes did all the right things.
AidanAK47
Alright, Easter made me lazy so it's time to play catch up.
Kaiser-Eoghan
@Puran: Or even Georgiou Nikolaidis while I'm at it, morning patrol is a great mood piece. Not familiar with the other guy.
Puran
@Kaiser: No Grammatikos recommendation? :)
SuperMario
I still enjoy Zero pretty much. I like the contrast between the beastfallen and Zero. The hilarious lines sound more like accidental to me, not the best product but I enjoy the ride so far
SuperMario
@Kaiser: agree with everything you said. Apparently Haneke put Flashmob on hold because the main actress was conflicting in her schedule, so he decided to do Happy End instead
Kaiser-Eoghan
@Aidan: Does the old man represent gritty anime of old? I don't know honestly I'm just throwing it out there.
Kaiser-Eoghan
@Mario: In case you hadn't heard, Haneke dropped the Flashmob movie and is now doing one about the refugee crisis.
Kaiser-Eoghan
@Mario: To whoever will be playing Godard in that biopic, I'd wonder if they could capture how incredibly douchey he sounds irl lol
Kaiser-Eoghan
@Mario: There is such a big divide between 50s/60s Bresson and 70s/80s Bresson.
Kaiser-Eoghan
@Mario: Lathimos and Avaranas remind me in an odd way of Tarr in that they're the only Greek filmakers people seem to talk about , Check out Koundorous and Theodorous Angelopolous' works if you can.
Kaiser-Eoghan
@Mario: Meh, I don't like that sort of overly on the nose social commentary some American films and tv shows do in recent years.
Kaiser-Eoghan
@Mario: Godards extremely hit or miss with me. Hazanavicius did the artist I think, but I'd sooner recommend Biancnieves as a stronger example of a modern take on silent cinema or maybe a Guy Maddin film.
Kaiser-Eoghan
@Mario: Lotznitza directed a gentle creature not Zvyagintsev, though the latter is a fantastic director, Leviathan's ending hit me very very hard, its gut punching and I appreciated that the return never went into too much detail regarding the father.
SuperMario
@Kaiser: off topic, I didn't realize Get Out having such buzz reception. It's coming here next week so I will get to watch it
SuperMario
@Kaiser: Michel Hazanavicius makes a biopic about Jean-Luc Godard and Anne Wiazemsky (the actress in Au Hasard Balthazard), which I think will be interesting. I considered The Lobster one of the best film out of that year so I anticipate his next movie a hell lot. Yep, I watched few movies from Andrey Zvyagintsev and he certainly is in my radar. Bleak, social commentary, technical impressive
AidanAK47
Oh, it's confirmed that was what was actually said in Japanese. Well...that's rather cringe worthy.
AidanAK47
@Anon, Can't say I am too fond of it myself. Though that arrow to the knee reference definitely sounds like something the translator added in.
Anonymous1026829
Holy shit Zero is hilarious. "I used to be a mercenary like you once. But then I took an arrow to the knee." "My magic is super weak so I need a powerful offering. Can you loan me your head please?" The comedy is so pointed and understated.
Vonter
I do like how contrasting Zelda is to Nier in the sense that. Zelda cares more about how the game plays and making the player have fun constantly but doesn't care about telling something. Nier Automata doesn't care what it throws to the player but cares a lot about it tells the things that happen to player.
Vonter
I think this is a hard game to score. Mainly because IMO the combat has wear out a bit do to the repetition and the sidequests have been a mixed bag with some being relevant to the plot or themes and some being just fodder to level up. On the other hand the game has a lot of implications, subtext and symbolism that so far has been enriching to reflect upon.
AidanAK47
@Vonter, Actually wrote up 4/5s of a review on Nier Automata but with the new season I haven't had time to finish writing the review. Though my thoughts on it are similar to yours.
Vonter
Nier Automata has a 10+ hour prologue. So far the game feels like it's more interested in delivering strong emotions than a compelling narrative, not that script is poor but seems disjointed in a way, circling around the themes of existentialism, purpose and truth without overexpositing about these things. It also some moments remind me of Fragile Dreams. Like the despair.
AidanAK47
The old man is the one I can't pin down. Been thinking he might represent the kind of anime that's critically lauded but sadly unpopular. Makes sense as he's one of the few on the opening that doesn't stand near ads for his anime. Or else he's a live action drama representative.
AidanAK47
Been wondering about the Re:Creators characters. We got the obvious representatives from Magical girl, Mecha, Light novel and video game. The knight girl looks like clear homage to Saber from Fate so a Visual novel representive? The psycho girl looks to be a chunni anime representative. And the guy who appeared at the end of ep 2 is clearly Shounen.
Kaiser-Eoghan
@Mario: The Ramsay one sticks out as the most interesting to me as does the lathimos one. I'm curious about that Russian one about the woman looking for her imprisoned husband as I'd like to watch more contempory Russian films.
Kaiser-Eoghan
@Mario: If you can get passed the accents Ramsay did a strong piece of social realism in the 90s called Ratcatcher.
Kaiser-Eoghan
@Mario: I think the only Baumbach film I've seen is Frances Ha and I liked the new wavey feel it had. With The lobster and re-watching dogtooth I was able to get into Lathimos' pitch black humour alot more. I've never actually seen a hong-sang so film.
AidanAK47
@Amagi, I still really enjoy it but I do get what you mean. Looking at the series overall so far it does feel like there was lost potential.
Amagi
I honestly still don't know what to think of LWA. I wasn't a fan of the formularic first half but the second half doesn't really catch me either. I loved the first OVA though.
AidanAK47
Well I will be damned. That G Koh commenter managed to predict the inclusion of Yggdrasil in Little Witch Academia. Nicely done.
SuperMario
@Kaiser: sadly i won't make it this year. I wanna try the Toronto International Film Fest next time whenever I have a chance
SuperMario
@Kaiser:you heard about this year's Cannes selection?Overall it's solid, not many that scream "masterpiece" for me.Overall I'm exciting for Hong Sang Soo's new movies (he has 2 movies screening at Cannes and 1 already aired at Berlin.What the hell),and The Killing of the Scared Deer(Yorgos Lnthimos), You were never really here (Lynne Ramsay),Okja(Bong Joon Ho) and Meyerowitz Stories(Noah Baubach)
Kaiser-Eoghan
Hmmm...just found out That Blame! 2017 is being done by a the Ajin director, not sure how I felt about that.
AidanAK47
Think this is the best time to end the series too as the difficultly was getting to be a bit too cheap.
AidanAK47
Lore wise it's pretty disappointing. Ending the game with an enemy that doesn't really have that much relevance. But Gameplay wise it was excellent. The final area was just beautiful.
Lenlo
Ringed City was a great piece of DLC and a good way to end the series imo.
AidanAK47
Dark souls sure can give you workout. Finally got around to finishing the ringed city DLC. Funny thing is that people were raving about how hard Midir was when I didn't have that much trouble with him. Gaol gave me some trouble but I managed it. Hardest was the demon prince and god I hate multi stage boss fights. Such a goddamn pain.
SuperMario
Atom still waiting for suitable subs. I swear to God, for a completist like myself the wait is unbearable, especially it should've been available already
HelghastKillzone
Yes it is.
Anonymous1020539
I mean...
Anonymous1020539
Re:producers is really great
Kaiser-Eoghan
@Aidan: I can see myself chancing more of it, I kind of caught into its rhythm a bit.
AidanAK47
Novels are actually really short. About 90 pages long per volume. They really could cover this in a single cour.
AidanAK47
@Kaiser, SukaSuka? From what I could tell it covered the first two chapters of the light novel. Each novel has 5 chapters. Though the first and last chapter are more of a prologue and epilogue respectively.
Kaiser-Eoghan
Actually if shuumatsu's first episode is going faster than the novel, roughly how much so? Its still obviously a slow burn in animated format but how much was covered in episode 1?
AidanAK47
Could have done without the huge infodump but otherwise still loving Re:Creators. Seeing a magical girl shocked over her own level of destructive power was great.
Kaiser-Eoghan
Eh, I liked the use of music early on in shuumatsu and theres a good mood set up early on along with a good opening scene but the later parts of the episode except maybe for the after credits bit get a shrug from me.
Kaiser-Eoghan
@Mario: Kado has made its hook, now it needs not to keep holding its cards and get going.
SuperMario
hmmm, don't know what to think about Kado ep2. Still good but I expected more
SuperMario
But really my mentality is that this site comes first. Getting more traffic and improve the site are my top priorities, then "what I wanna do for myself" comes later
SuperMario
@Travlos: guess you won't have to read me this season :). Haven't checked out the last episode of Kado yet but based from the first 2 episodes I think you'd enjoy that show.
Don’t worry. It’s something Aidan and me both agree on. We pretty much write for ourselves, otherwise we couldn’t have stayed this long. I get a chance to go off track once in a while to write something I wanna write.
Konstantinos Travlos
@SuperMario. I am definitely watching Shingeki no Koyjin 2, Shingeki no Bahamut 2, Re:Creators, Little Witch Academia, and probably Kado and Zero Kara. I may also do Zipang this season.
On the reaction reaction. What you say is ok. But remember, a hobby is something you do for yourself. There is a limit to how much you should care about the views of others. :)
Kaiser-Eoghan
@Lenlo: Or if I can use a quote from Chang from Black lagoon : "A fragranced shit will forever still retain the smell of shit"
Lenlo
As most likely the biggest Berserk fan in this chatbox, its better but that doesnt make it good. Spraying fabreeze on crap doesnt make it any more appealing. Yet I will watch it anyways.
Anonymous1018231
You don't even know
Anonymous1018231
Lies Aidan it is soooo much better
Anonymous1017807
Tbh I'm enjoying Alice to Zouroku so much simply because I identify with the old guy's no-nonsense attitude. It's fun to see the annoying loli get put in her place. X.D
AidanAK47
Anyway Bam is supposed to be covering it. Seeing as he covered the first season.
AidanAK47
@Anon, I watched the first episode of the second season. Better? Yes, but only slightly.. It has all the same problems as the first season.
Anonymous1017501
and nobody's covering it lol
Anonymous1017501
Like dramatically
Anonymous1017501
It really is much better
Anonymous1017501
You know guys its not too late to start watching Berserk Season 2...
AidanAK47
I just get annoyed when interaction is like "HUMAN, YOUR EMOTION RESPONSE IS DIFFERENT. I THEORIZE THIS IS THE REASON YOUR EMOTIONAL RESPONSE IS DIFFERENT."
Their is a definite layer of pretentiousness in how it's written, seeing how nobody gets annoyed when every character tries to psychological profile them.
AidanAK47
@Mario, I have heard word that these two episodes were a prologue story and the real story is going to kick into gear next episode. But if the characters keep talking like this then it's not going to matter what happens. It will just be terrible.
AidanAK47
@Anon, Jojo part 5 died for this. That makes it all the sadder. Plus it's two cour so this show is gonna be on for half a year.
SuperMario
Being said all that I will follow it for 1 more episode
SuperMario
And then that girl who passed away because of the reset. I feel my emotions drying up at that point. Tasteless. Heartless
SuperMario
Wanna say the same thing regarding Sagrada Reset as well. I have the feeling the show tries to sound smart that ultimately if I hear someone talks like this in real life, I would go punch his face. Manipulating the social worker by slitting your own wrist? WHAT? Asking a girl about her rules, then whenever she answers you give your own warped opinions on it to sound like you know it all? WHAT
Anonymous1016169
@Aidan: Lol, Sagrada reminds me of how I used to write. Pretentious, overly complex dialogue that nobody would use in real life unless they were trying too hard. It grits on my ears so much that I don't think I can keep watching it, especially because this is probably how it's going to be for the whole series.
Anonymous1016169
@Amagi: I feel your pain. I used to enjoy those types of shows, but I've found more and more since getting out of high school that they just make me want to take a nap. It doesn't help that they're everywhere. X.D
AidanAK47
God Sagrada Reset is frustrating. So many good ideas, all absolutely ruined by the dialogue and characters. If you just changed the dialogue a bit and made the characters emote more then this would be so very interesting. But they manage to drain the life out of the story.
AidanAK47
@Amagi, in most cases you can easily write off the ones not worth your time based on the summery. Occasional those kinds of show can turn out to be worth watching but it just doesn't happen often enough.
Amagi
Nothing against those types of anime in general, but it's just not aimed at me I guess. - I also should specify: school (semi)harem, not school alone. I enjoy Tsuki ga Kirei.
Amagi
I really love this season but I should stop testing the school- and shoujo stuff. It's almost never worth the time and it always bores me so much that I have to stop watching anime for a few hours.
Anonymous1016169
@Travlos: Why does a hobbyist artist care when someone critiques their art or a fanfic writer care about reader feedback? When you do something you enjoy, it's normal to want to improve and other people's opinions are important for that.
SuperMario
@Travlos: because 1) We still need to listen to what readers say to improve and 2) we're debating more about rating system, which I also feel the need of upgrading. btw, any shows that catch your interests so far this season?
Konstantinos Travlos
Why do you guys care about what someone thinks about your reviews? You are doing a good enough thing as is, and t is a hobby. Do your thing and do not lose time on this.
Anonymous1015915
I think I'm just gonna follow sukasuka and re:creators this season. Seem to of shown the most potential universally.
Anonymous1015442
Soy and almond milk are also available as alternatives for the lactose intolerant.
Anonymous1015442
From the manga it seems like it would translate well into an anime with the right production values so I think I'm going to try it. I was mostly concerned that they'd push the melodrama even more through the roof, haha. I did see some of the reviews on it here and they made me hopeful that it was fairly well-executed.And of course the milk can be chocolate. Just not vanilla, vanilla milk is yuck i
Lenlo
Its certainly making me happy I waited until the end of the season to binge it.
SuperMario
I'd have the milk as well... Need more milk to my life.
SuperMario
Hope Scum's Wish entertains you, Lenlo. ^^
Lenlo
I will say the sound design has been great for Scums Wish though I have not read the manga to see how it matches up
Lenlo
I dont think "enjoyed" is the right word for this kind of show, but I do know im going to finish it.

Also, can the milk be chocolate?
Anonymous1015350
@Lenlo: That's true, but I also feel like everyone here needs some milk. And I've been reading the Scum's Wish manga and can't decide if it'll be worth it to watch the anime.
Lenlo
Scums Wish, 4 episodes in, has been the perfect little dose of depression I crave from each anime season.
Lenlo
I have to say, its a pretty fun break from super srs anime discussion sometimes
Anonymous1014938
There's so much sass in this chatbox sometimes I can't even. :.D
AidanAK47
Also please note that if data gathering results do not support your hypothesis that there will be no refunds
AidanAK47
I will have you know my data gathering services are quite expensive and I don't operate until paid.
Anonymous1014125
Aidan is providing the data for us.
Lenlo
You do know that for the scientific method, you make a hypothesis and then you run experiments to produce data to prove or disprove said hypothesis. It cant just sit in limbo and then you go "I was right". You have to provide data at some point. At this point, you have yet to provide any data to support what you say.
Sir Robin
You seem to have never heard of the scientific method then Aidan. You don't need proof before you formulate an hypothesis. Fortunately this most recent development of you being wrong supports it.
AidanAK47
I am sure Sir Robin would be delighted to hear this but I think I was wrong in my assessment of SukaSuka(Shūmatsu Nani Shitemasu ka? Isogashii Desu ka? Sukutte Moratte Ii Desu ka?) That insert song at the begining of the episode was masterful and a number of things have changed my mind about it. It may be more interesting than I first expected. First novel was still pretty boring though.
AidanAK47
Should have another impressions post up today. As for what I am covering that's Little Witch Academia, Attack on Titan and Sekaisuru Kado.
AidanAK47
At least we never have to fight tooth and nail to cover something as what we want to cover never clashes.
SuperMario
Which mean 2 PA Works, 2 original shows and 3 slice-of-life shows. Well done Mario for being predictable and consistently boring as ever
Total users: 31

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Resuming from the convenience store shopping and onwards on to the sightseeing trip into Tokyo, Re:Creators does a massive info dump and theory, courtesy of the gluttonous caster-type Meteora Österreich. I wasn’t all too invested in how these heroes came into Souta’s world but information splitting off and colliding with each other between all the […]

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Kobayashi-san chi no Maid Dragon (Winter 2017) Review – 74/100

I remember back in the first impression of last Winter season, I regarded Demi-chan as a better Monster Girls slice of life subgenre over this one. But as the season progressed, while Demi-chan run out of its steam quickly, this one picked up its pace after an underwhelming first episode to become a much more […]

Scum’s Wish (Winter 2017) Review – 80/100

I remember after watched a movie called “Requiem for a Dream” a few years back, I felt devastated for an entire week. The ending hit me so hard that after finished that movie I had to walk around my area for 2 hours in the middle of night to settle my feeling and I thought […]

Shouwa Genroku Rakugo Shinjuu Review – 90/100

When you have watched a large amount of anime you can come to assume that you have learned a lot about Japanese culture. Though I think it’s testament to how limited it is to view Japan through anime when you come to realize that despite watching so much, you have never heard of Rakugo. Rakugo […]

Youjo Senki Saga of Tanya the Evil Review – 80/100

Isekai stories have become somewhat of a tiresome genre as of late. There have been many stories of people being transported/reincarnated into other worlds where they shed their once pitiful exterior and become some legendary figure in another world. In most cases it’s trit, balant childish wish fulfilment and the stories often become tiresome when […]

ACCA: 13-Territory Inspection Dept. (Winter 2017) Review – 83/100

Imagine my utmost amazement when a show that I wasn’t that confident on taking in the beginning turned out to be one of the most solid offering this season had to offer. ACCA is the most recent anime adaptation from mangaka Natsume Omo, which despite isn’t a household name, many of her works (6 titles […]

Demi-chan wa Kataritai (Winter 2017) Review – 62/100

Demi-chan is one of the newest addition to the monster girl subgenre, which usually feature a human helpless male lead get stuck in a harem of mythical creatures, in form of oversized boob girls of course (why usually those monsters are in female forms anyways? Aren’t they sexless?). In this case, we have monster girls […]

Seiren (Winter 2017) Review – 51/100

Let me say this out front, Seiren is NOT a good show, it’s a highly uneven one. Throughout its run, I can see some solid moments and fresh ideas that could potentially raise it above the bar, but ultimately, view it as a whole, Seiren is a show that isn’t worth recommending. At first, I’m […]

Flip Flappers (Fall 2016) Review – 93/100

What makes Flip Flappers stand out from the rest of the anime field? I found a lot of people asking that question along the way. Well, first off, Flip Flappers isn’t your ordinary anime offering, that’s for sure. Its visual styles are too much and too incoherent for one thing, the narrative never really reveal […]

Sound! Euphonium 2 (Fall 2016) Review – 86/100

I must admit that out of all the series I was blogging last year, Sound Eupho 2 was the one I’m saddest to see it ends; not because it was my absolute favorite anime last year, but because the sheer amount of their attention to details and their ridiculously quest for perfection are something that […]