This episode did exactly what I hoped to: instead of goofing off, it wasted no time in pushing the plot forward. Instead of waiting until the penultimate episode for the Sisterhood to actually stand up and do something, it brings in the news that Chieko’s mother is planning to sell the place. That was exactly what this series needed to prevent it from getting stale.
This episode itself was also a complete chaos with the amount of things that happened at the same time: Tsukimi was too busy being love-sick, the sisterhood made a failed attempt to speak up at a council meeting, a newly introduced woman starts hitting on Shuu and Kuranosuke starts his attempts on giving the entire sisterhood a huge make-over. Every part of this was just full of energy, and I especially liked the parts of the episode that tried to mix all of these together, which made this episode juggle all kinds of emotions. It’s one of the rare points at which you can really see that this is from the same director as Baccano and Durarara, as Takehiro may be one of the most versatile directors out there: it feels like his style changes with every series he’s working on.
Unlike the previous episode we didn’t get to see into Shuu’s mind this time, which probably was a build-up for the next number of episodes, because we don’t know exactly what kind of impact the previous episode made on him. This episode portrayed him as relatively normal, but at the same time we also don’t really know what kind of impact that woman made on him (who by the way is quite a character: the personalities she creates for the people she manipulates sound so fake when you consider her real character): was she meant as a character to develop him, Tsukimi or both?
Rating: *** (Awesome)