Posted by psgels on 11 December 2010 with categories: Anime Reviews, Katanagatari




Clocking in at 12 episodes of 50 minutes each, Katanagatari was definitely an interesting experiment of a series. At first sight it seems like a bit of a boring concept to base a series around a quest to gather a different superpowered sword every episode, in the middle of lots and lots of talking, but it’s got enough charms here.

I personally disliked Bakemonogatari, but Katanagatari finds a good balance between its dialogues. They’re interesting, varried and after a few episodes they become pretty able to carry the whole series. The dialogue does a good job at fleshing out the characters, and discussing what’s going on at the plot. The storyi itself is simple at first sight, but gets pretty detailed as it goes on, with quite a bit of historical significance, meshing in excellently with said dialogue.

Another thing that this series is really good at is its martial arts. The fights in this series are often short and to the point, but they’re often interesting looks at the applications of different fighting and weapon styles that together paint quite a complex exploration of martial arts.

There are some downsides to this, most of them having to do with the fact that this series can become a bit too shounen-ish for its own good. Fights are interesting to watch, but they’re also too unrealistic and too much based on logic and too little on physical flaws. It’s a good thing that this series doesn’t force its characters to play tic tac toe, because that would have kept them busy for an eternity.

That’s just a detail that is of course easy to ignore. What’s a bit less easy to ignore is that while most of the battles are down to earth and thought-provoking, there are these few battles that try to be epic and as a result go way too much in the Dragonball Z direction. Perhaps these battles aren’t incredibly long, but they do become rather uninspired with characters moving conveniently too fast for the naked eye to follow, eliminating any kind of strategy just for the sake of over the top fighting that’s done better in a ton of other series. Especially Emonzaemon is guilty of this, and he’s by far the least interesting characters of the series as well, and a very one-sided villain. That’s a big problem in the second half of the series because he features a lot there.

Togame and Shichika form a great led couple, though and the people they run into in every episode are varied and have great back-stories. When you want to watch this series, you really should take into account that relatively little happens in each episode, it’s a very slow paced series and the dialogues take up a HUGE focus of each episode. If you have the patience to appreciate this, then you’ll be rewarded with quite an enjoyable series.

Storytelling: 9/10 – Great use of dialogue to flesh out the story and characters. Great portrayal of martial arts.
Characters: 8/10 – The main villains could have been better, but the rest of the characters are well fleshed out, with the main characters well developed.
Production-Values: 8/10 – The animation is never spectacular, but does what it needs to do to make this series very stylish.
Setting: 8/10 – 5Interesting back-story in Japan’s history. Martial arts are interesting but unrealistic.

Suggestions:
Amatsuki
Tenpou Ibun Ayakashi Ayashi
Blade of the Immortal

10 Responses

  1. lolzudied says:

    The series itself was epic, but the ending is the most epic ending I’ve ever seen in my short life. Oh and CHERIOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!

  2. meow says:

    All I’m left with after the end is a mixed feeling of WTF and meh. I’m not sure what I’m supposed to take away from this story. There’s brilliant fights, colourful characters and scenes, unusual, often twisted and cruel drama, but for me it all seemed to come down to a huge anticlimax. Even the reasoning at the very end seemed twisted. Kiki’s plan was to twist history and he succeeded…so why are they saying now that Kiki intended to reset it to the original history? Shouldn’t that be someone else’s plan? (Maybe the princess’s?) It felt like a last minute tack on. There was zero build up or hints as to what the princess was really intending. So the finale seems to me like a cheap way to surprise the audience. Togame’s explanations as she lay dying seemed honest and buyable but do not justify her death as that scene somehow seems to intend. As calculative as she is, her feelings should have and would have won through and it would have and should have been her at the end by Shichika’s side. In the end, there seemed to be no meaning to this whole conflict at all. Well, perhaps this series was meant to have a very Japanese flavour so such a Hollywood-happy ending would have been inappropriate?

    I was expecting a retune of the world, kind of like the end of Rahxephon. Where a reborn Shichika and Togame would meet again. Maybe this plan failed not all of the deviant blades were broken (Shichika didn’t die). Or something. *shrug*

  3. anonymous says:

    Huge Spoiler alert:
    You weren’t watching the last episode closely enough. They said Kiki intended to twist history to avoid what I presume to be WWII, but the problem is that whenever kiki’s creations put history off track (as its done twice before) it manages to get back on track with some new people playing the old roles. Thus, at the end Hitei concludes that Kiki failed. Also the 12 blades were broken. I do agree a bit more hint of the last two minutes would have been great because while I thought it was a fine idea there seemed to be a big jarring personality change (at least in my opinion).

  4. Kyokai says:

    I definitely enjoyed this series a lot. I like this sort of anime that makes you wait and then goes totally BAMF! in the end. I won’t say it was something out of the blue but very well treated. Shichika’s seiyuu did an amazing job in character development, totally golden in the last episode. Definitely one of the best of out there.

  5. Hogart says:

    This turned out to be a pretty typical series as far as I’m concerned, just with some nice artwork, solid characterization, and moments of decent dialogue (when they weren’t going overboard, which was most of the time). It didn’t help that the pointlessly conversations sometimes felt circular or repetitive. It saved itself by not taking itself too seriously and by not trying to glorify things or pick sides.

    It just wasn’t the right balance for me, though. It felt too artificially padded out (though I love talky and ponderous shows), the comedy misfired for me, the stories were hit and miss (though the hits were solid), and the romance felt tedious and artificial for some reason. But all in all, I still very much preferred it over what it’s apparently parodying.

  6. Solaris says:

    @Meow: “In the end, there seemed to be no meaning to this whole conflict at all.”
    This is the keypoint. Katanagatari is an ode to pointless struggles, and Togame’s own death, beyond sadness, brings out a great symbolic meaning.

    Hogart: Given this author love for pointless chats, Katanagatari’s dialogues aren’t pointless such as, say, Bakemonogatari’s. On the other hand i’d say they’re quite focused on char development. It’s a big char study, and all of their talk gives out a lot of deepness. This raises the show much higher than all of those shonen production out there.

  7. Leo says:

    I feel quite sad that it just ended like that because…i actually hoped Togame come back or something but still…it was really interesting watching Shichika grow up and actually fall in love wif Togame.
    Cherio=/= chesto

  8. Ethan says:

    to rate this honestly, it was a struggle to get through, but sooooooooooooo worth it. its a really really well written story with unpredictable outcomes that leave an impact on the intelligent watcher. however since i could relate to some of the characters very well i had a very very big bias for this anime. but still when you get to that last episode you’ll be wishing their was more. at least i was = w=

  9. John says:

    Just as an aside, I am pretty sure the future to avoid 100 later isn’t WWII. I think it was when Commodore Perry arrived in his black ships in 1853. But the twist ending to this show was a little forced. Shichika losing his soul after Togame’s death would have been a proper way for the show to end, w/o the little epilogue.

  10. mastermyotis says:

    Can someone on this website please do a top 10 best anime to watch, cause I stuck on which anime I should watch this year and in the future.

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  • Bam
    (Tuesday, Mar 3. 2015 06:30 AM)
    Watchmen was deemed ‘unadaptable’ for about thirty years, so just getting what Snyder got out of the material is a huge success; it is said that what he did was to write a book version of Ingmar’s Holy Mountain. Watchmen is the only graphic novel to ever win a Hugo award and is easily the most intricate and multilayered Alan Moore comic, so it’s no surprise that it continues to top ‘best comics of all time’ charts to this day.
  • Bam
    (Tuesday, Mar 3. 2015 06:20 AM)
    I beg to differ. Doctor Manhatten is the most intriguing character of Watchmen and the comic is a giant in ,not only in the comic world, but the history of literature itself. It is a deconstruction of superheros and Dr. M shows how afraid the world would really be when faced with a ‘superman’ and how a creature in such a higher realm of time and perception would show apathy toward humans and their foolish struggles.
  • Bam
    (Tuesday, Mar 3. 2015 06:15 AM)
    GitS just won’t work. Maybe in a world before the Matrix, but not now with so many elements of it borrowed liberally by so many franchises in various mediums. Scarlet Johansson is decent in roles that fit her. She was enjoyable in Lost In Translation, but race aside she has nothing in common with Kusanagi. This is a travesty and the franchise is dear to me so it especially burns my ass.
  • Emma
    (Tuesday, Mar 3. 2015 06:10 AM)
    While I am no fan of man of steel, Nolan and Snyder, just about anyone would have a hard time taking a difficult character like superman and making him work on screen.
  • Emma
    (Tuesday, Mar 3. 2015 06:08 AM)
    Apart from Veidt and Rorshach I could never get into the characters all that much in watchmen. I also found the film overly long and mediocre acted for the larger part. But to each there own. For Alan moores works I always preferred his Miracleman, swamp thing, V for Vendetta stories.
  • Bam
    (Tuesday, Mar 3. 2015 06:06 AM)
    Nolan can produce the action plus personal and dark story that Alita would need, and he also brings talent such as composer Hans Zimmer and Cinematographer Sally Pfister to the table. Him and Snyder have too much combined integrity to make a mockery out of Alita like Spielberg did with the GitS license.
  • Bam
    (Tuesday, Mar 3. 2015 06:03 AM)
    Well Snyder has respect for his source materials and that is key in anime-to-film adaptations. Hell I’m a big Watchmen fan and I thought his version was (almost painfully) close to the comic. You’re not going to get that anywhere else in Hollywood. Also the combination of Nolan/Snyder is quite different than them individually.
  • Emma
    (Tuesday, Mar 3. 2015 05:34 AM)
    And directed it as a co-production with America, using a Japanese cast.
    Yeah…this is impossible…
  • Emma
    (Tuesday, Mar 3. 2015 05:32 AM)
    The only way a live action ghost in the shell film would work is if Mamoru oshii directed it.
  • Emma
    (Tuesday, Mar 3. 2015 05:29 AM)
    Wait wait…his Van helsing film is a reboot sorry I confused it with the other one.

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