Posted on 11 December 2010 with categories: Anime Reviews, Katanagatari




Clocking in at 12 episodes of 50 minutes each, Katanagatari was definitely an interesting experiment of a series. At first sight it seems like a bit of a boring concept to base a series around a quest to gather a different superpowered sword every episode, in the middle of lots and lots of talking, but it’s got enough charms here.

I personally disliked Bakemonogatari, but Katanagatari finds a good balance between its dialogues. They’re interesting, varried and after a few episodes they become pretty able to carry the whole series. The dialogue does a good job at fleshing out the characters, and discussing what’s going on at the plot. The storyi itself is simple at first sight, but gets pretty detailed as it goes on, with quite a bit of historical significance, meshing in excellently with said dialogue.

Another thing that this series is really good at is its martial arts. The fights in this series are often short and to the point, but they’re often interesting looks at the applications of different fighting and weapon styles that together paint quite a complex exploration of martial arts.

There are some downsides to this, most of them having to do with the fact that this series can become a bit too shounen-ish for its own good. Fights are interesting to watch, but they’re also too unrealistic and too much based on logic and too little on physical flaws. It’s a good thing that this series doesn’t force its characters to play tic tac toe, because that would have kept them busy for an eternity.

That’s just a detail that is of course easy to ignore. What’s a bit less easy to ignore is that while most of the battles are down to earth and thought-provoking, there are these few battles that try to be epic and as a result go way too much in the Dragonball Z direction. Perhaps these battles aren’t incredibly long, but they do become rather uninspired with characters moving conveniently too fast for the naked eye to follow, eliminating any kind of strategy just for the sake of over the top fighting that’s done better in a ton of other series. Especially Emonzaemon is guilty of this, and he’s by far the least interesting characters of the series as well, and a very one-sided villain. That’s a big problem in the second half of the series because he features a lot there.

Togame and Shichika form a great led couple, though and the people they run into in every episode are varied and have great back-stories. When you want to watch this series, you really should take into account that relatively little happens in each episode, it’s a very slow paced series and the dialogues take up a HUGE focus of each episode. If you have the patience to appreciate this, then you’ll be rewarded with quite an enjoyable series.

Storytelling: 9/10 – Great use of dialogue to flesh out the story and characters. Great portrayal of martial arts.
Characters: 8/10 – The main villains could have been better, but the rest of the characters are well fleshed out, with the main characters well developed.
Production-Values: 8/10 – The animation is never spectacular, but does what it needs to do to make this series very stylish.
Setting: 8/10 – 5Interesting back-story in Japan’s history. Martial arts are interesting but unrealistic.

Suggestions:
Amatsuki
Tenpou Ibun Ayakashi Ayashi
Blade of the Immortal

10 Responses

  1. lolzudied says:

    The series itself was epic, but the ending is the most epic ending I’ve ever seen in my short life. Oh and CHERIOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!!!!!!

  2. meow says:

    All I’m left with after the end is a mixed feeling of WTF and meh. I’m not sure what I’m supposed to take away from this story. There’s brilliant fights, colourful characters and scenes, unusual, often twisted and cruel drama, but for me it all seemed to come down to a huge anticlimax. Even the reasoning at the very end seemed twisted. Kiki’s plan was to twist history and he succeeded…so why are they saying now that Kiki intended to reset it to the original history? Shouldn’t that be someone else’s plan? (Maybe the princess’s?) It felt like a last minute tack on. There was zero build up or hints as to what the princess was really intending. So the finale seems to me like a cheap way to surprise the audience. Togame’s explanations as she lay dying seemed honest and buyable but do not justify her death as that scene somehow seems to intend. As calculative as she is, her feelings should have and would have won through and it would have and should have been her at the end by Shichika’s side. In the end, there seemed to be no meaning to this whole conflict at all. Well, perhaps this series was meant to have a very Japanese flavour so such a Hollywood-happy ending would have been inappropriate?

    I was expecting a retune of the world, kind of like the end of Rahxephon. Where a reborn Shichika and Togame would meet again. Maybe this plan failed not all of the deviant blades were broken (Shichika didn’t die). Or something. *shrug*

  3. anonymous says:

    Huge Spoiler alert:
    You weren’t watching the last episode closely enough. They said Kiki intended to twist history to avoid what I presume to be WWII, but the problem is that whenever kiki’s creations put history off track (as its done twice before) it manages to get back on track with some new people playing the old roles. Thus, at the end Hitei concludes that Kiki failed. Also the 12 blades were broken. I do agree a bit more hint of the last two minutes would have been great because while I thought it was a fine idea there seemed to be a big jarring personality change (at least in my opinion).

  4. Kyokai says:

    I definitely enjoyed this series a lot. I like this sort of anime that makes you wait and then goes totally BAMF! in the end. I won’t say it was something out of the blue but very well treated. Shichika’s seiyuu did an amazing job in character development, totally golden in the last episode. Definitely one of the best of out there.

  5. Hogart says:

    This turned out to be a pretty typical series as far as I’m concerned, just with some nice artwork, solid characterization, and moments of decent dialogue (when they weren’t going overboard, which was most of the time). It didn’t help that the pointlessly conversations sometimes felt circular or repetitive. It saved itself by not taking itself too seriously and by not trying to glorify things or pick sides.

    It just wasn’t the right balance for me, though. It felt too artificially padded out (though I love talky and ponderous shows), the comedy misfired for me, the stories were hit and miss (though the hits were solid), and the romance felt tedious and artificial for some reason. But all in all, I still very much preferred it over what it’s apparently parodying.

  6. Solaris says:

    @Meow: “In the end, there seemed to be no meaning to this whole conflict at all.”
    This is the keypoint. Katanagatari is an ode to pointless struggles, and Togame’s own death, beyond sadness, brings out a great symbolic meaning.

    Hogart: Given this author love for pointless chats, Katanagatari’s dialogues aren’t pointless such as, say, Bakemonogatari’s. On the other hand i’d say they’re quite focused on char development. It’s a big char study, and all of their talk gives out a lot of deepness. This raises the show much higher than all of those shonen production out there.

  7. Leo says:

    I feel quite sad that it just ended like that because…i actually hoped Togame come back or something but still…it was really interesting watching Shichika grow up and actually fall in love wif Togame.
    Cherio=/= chesto

  8. Ethan says:

    to rate this honestly, it was a struggle to get through, but sooooooooooooo worth it. its a really really well written story with unpredictable outcomes that leave an impact on the intelligent watcher. however since i could relate to some of the characters very well i had a very very big bias for this anime. but still when you get to that last episode you’ll be wishing their was more. at least i was = w=

  9. John says:

    Just as an aside, I am pretty sure the future to avoid 100 later isn’t WWII. I think it was when Commodore Perry arrived in his black ships in 1853. But the twist ending to this show was a little forced. Shichika losing his soul after Togame’s death would have been a proper way for the show to end, w/o the little epilogue.

  10. mastermyotis says:

    Can someone on this website please do a top 10 best anime to watch, cause I stuck on which anime I should watch this year and in the future.

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  • Raggers
    (Thursday, Aug 21. 2014 04:38 PM)
    Meh, I quite like Space Dandy. The creativity levels are off the chart and each episode is fresh and it parodies/emulates a whole variety of things (many Western). It’s great. Unless you absolutely need plot.
  • Anon
    (Thursday, Aug 21. 2014 04:37 PM)
    Sigh
  • AidanAK47
    (Thursday, Aug 21. 2014 02:43 PM)
    @Bam, did you honestly compare anime production to slavery? Slavery was an ethical issue. Shitty entertament is not an ethical issue. As Raggers said, you can whine and bitch all you want but unless you plan to brainwash the entire consumer base ain’t nothing gonna change.
  • Raggers
    (Thursday, Aug 21. 2014 02:14 PM)
    The main problem here isn’t the producers but the consumers of anime. The money is with the fanservice and shitty shounen, and anime is expensive to produce. Far better that we get a few great shows each season, paid for by the rubbish ones, than we get middling mediocrity everywhere.
  • Bam
    (Thursday, Aug 21. 2014 01:56 PM)
    You can justify your call to indifference, after all it’s much easier than doing anything.
  • Bam
    (Thursday, Aug 21. 2014 01:56 PM)
    That’s fine, let them have their pandering shows and whatnot, just don’t squander the ones that have potential. I’m sure there are a lot of people that told the blacks that “whining is futile” and just accept slavery as a way of life. And they were right untill someone did something about it. Animation as a medium was deemed as for kids only, again till a few did something about it.
  • AidanAK47
    (Thursday, Aug 21. 2014 01:52 PM)
    As for why they aim for teenagers most of the time it’s because it’s the time where it will hit the most demographics. Aim for kids and you knock out the adults. Aim for adult and you knock out the kids. Aim for teenagers and you get both as Kids look forward to being teens and Adults generally have a nostalgia for the golden days(So to speak)
  • AidanAK47
    (Thursday, Aug 21. 2014 01:47 PM)
    The greats are great because they are rare. Whining about a lack of quailty is a futility. Because these things arn’t made using creativity, they are made using money to get money.
    Besides, Pandering entertainment can still be entertaining in its own way
  • AidanAK47
    (Thursday, Aug 21. 2014 01:43 PM)
    @Bam, somehow I think you don’t get it. We arn’t almost near anything.
    Being a fan is always a matter of wading through the garbage to find gold. A film fan must put up with the michel bays, amercain pies and that one romantic comedy movie that they keep remaking to get the kubriks. Music fans need to put up with those songs that sound like 50 other songs to get the greats. Video game fans, the sequels and knock offs to get the Okami’s. It’s the same.
  • Bam
    (Thursday, Aug 21. 2014 01:14 PM)
    It is indeed human to rebel against what we cannot accept, but in this case specially, because it feels that we are almost there but somehow we keep getting further. We get the talents together and then they bomb. Most unfortunate.

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