Posted by psgels on 19 December 2010 with categories: Anime Reviews




Hell yeah! This is going to be review number 666, and what better series to spend it on than another controversial Bee-Train title?And I mean, after watching Madlax, I just have to say that these guys continue to amaze me.

Madlax is the second instalment in the “Girls with Guns” trilogy, after Noir and before El Cazador. Girls with Guns is a very misleading title, though. It’s true that all series focus on girls that have guns and all, but in essence, Noir is the only one of the three that should be watched as an action series. The focuses of the other two are completely different, and therefore they don’t spend a lot of their time on creating interesting action scenes. With El Cazador, the main focus was its characters. With Madlax, the main focus is the plot. Despite the many similarities in the premises, this leads to three completely different series: if you dislike the simple battles of Madlax, there is Noir’s action and atmosphere. If you find the characters of Noir not fleshed out enough, there is El Cazador. If you were annoyed with how nothing in El Cazador seemed connected, there is Madlax.

And really, all three series are truly excellent at what they focus at. Madlax has a truly excellent plot that is wonderfully told. The plot never takes a break or drags: every episode is meant to flesh it out, and contains just the right balance between build up and new developments that just make the story of this series more and more interesting with every iteration. The story itself is very creative, and I loved the many different twists that would give either a character or a subplot a whole new dimension. For every conventional element of the plot, there’s also an unconventional one.

In terms of the characterization, out of all the lead characters of the Girls With Guns Trilogy, Margaret has the least interesting characterization. She has however the most interesting background, so it all evens out this way. Madlax meanwhile is a very compelling main character, who really keeps the series interesting, along with just about every other side character. This show also seems to have the talent to make any minor side-character who just only has one or two lines more than just a paper bag, and actually like someone with a clear purpose in the story.

The graphics of this series are by far its weakest point. There’s nothing wrong with the inbetween animation (which really can get quite good at times), but there is hardly any animation cleanup, leading to tons and tons of distorted faces. In the same way, the gunfights in this series are simply tools to tell the story. The music on the other hand, is absolutely fantastic. It manages to save the simple action scenes time and time again, and does an absolutely wonderful job at supporting the storytelling.

Now, there is something that you should know before you check out this series: in order to build up, it uses repetition and one liners. This is a series full of morals, and in a lot of scenes, characters often tend to repeat things that have just been said. This isn’t to the point where it gets in the way of the story: it’s all properly balanced so that you don’t have endless scenes of characters saying the same things over and over again, but there nevertheless is a lot of it in this series. If you already know that you don’t like the series that pull these things, then Madlax will be a bit harder to enjoy. It would also have helped if the voice acting was a bit better for these build up techniques to really work.

I’ve often been criticized with why I keep complaining at other repetitive franchises like Shaft and Gundam, and yet keep praising Bee-Train. And yes, I agree that there are a lot of similarities between Shaft and Bee-Train: both are pretty much built around one director with his particular style, and both produce series with a lot of similarities. Bee-Train often has ridiculously skilled marksmen, mystery plots, strong female characters and similar settings (in Madlax, people continuously travel back and forth between two countries, just like they did with El Cazador; half of the show takes place in France, just like it did in Noir), while Shaft, while having many different premises and characters often repeats the same jokes, gimmicks and scenarios and has a lot of pointless sequels. (Both have more than enough exceptions, of course)

For me, the essential difference is that Bee-Train keeps recycling is premises, while Shaft keeps recycling its scenarios. Based on the right execution, you can make any cliche good, and that’s what Bee-Train keep doing: all of their series have this distinct style, but yet when you look at the details they’re nearly all interesting in their own way (their good series in any case). With Shaft on the contrary, it gets a lot harder to care about their premises when they keep repeating the same joke or joke formats that I’ve gotten tired of ages ago. Repetition can be a bad thing, but it’s not as black and white that it’s impossible to make something great out of it.

Storytelling: 10/10 – A number of coincidences are used here and there, but aside from that it has a terrific use of build-up, an excellent plot that just keeps moving, many intriguing plot twists and wonderful use of music to support the storytelling.
Characters: 8/10 – For Bee-Train’s standards they may not have the best characterization and the voice acting is a bit off at times, but they’re still wonderfully colourful and interesting to watch.
Production-Values: 8/10 – Bad cleanup animation, good inbetween animation, awesome soundtrack.
Setting: 9/10 – Moral-heavy, but a very interesting back story that’s well portrayed as well.

Suggestions:
– .Hack//Sign
– Noir
El Cazador de la Bruja

11 Responses

  1. Alec says:

    I enjoyed both Noir and Madlax. I cant say the same to El Cazador though.

    I was really surprised when they showed sci-fi elements in the 2nd half of the anime

  2. Frost says:

    I tried watching this the other day and gave up halfway through lol its just so boring… Not to mention Bee Train seems to enjoy having a good for nothing sidekick in every series aka Margaret

    Madlax (the girl) was the only reason I didnt drop this earlier

    What a disappointment… I loved Phantom, so when I heard about this Bee Train trilogy I was pretty excited, but they all seem to be downright boring… The whole series I kept waiting for something to happen, it just feels like it goes nowhere

  3. c160 says:

    I love the trilogy oh so very much,and I think Madlax definitely have the most awesome soundtrack among the three. Glad you enjoyed them too ^^

  4. Puran says:

    You know you’re a bee train fanboy when you consider madlax good….

  5. mds says:

    agree with Puran ^ ^

  6. Pax says:

    actually, I would say that if you consider the Blade of the Immortal anime good that is when you know you are a bee train fanboy xD anyway, what put a smile on my face after reading this review was the Shaft-Bee train comparison, now we need a shaft fanboy.

    omg I just noticed that Bee train is listed as one of the producers of Hyougemono, I am so freakin worried, that was the only anime I was looking forward to atm…

  7. psgels psgels says:

    Pax: they are? That’s going to be awesome then. :)

  8. Sywen says:

    I consider Madlax as the better one of the 3 (noir/ el cazador). the thing i liked most is the really heavy use of foreshadowing. the first few episodes, there are scenes that really make no sense at all, untill you know the later episodes. for example the “red shoes” or “it is going to rain tonight”. I really recommand a rewatch for Madlax, its even better ;)

  9. ManuOtaku says:

    Psgels how come you didnt review noir already, you keep mentioning on all the reviews for bee train series, and for me is the best of the trilogy, but not review of it on this site?, or it is my fault because i didnt see it? either way please review it, ASAP

  10. psgels psgels says:

    ManuOtaku: I didn’t review it because I watched it before starting this blog. Don’t worry though, I’m working on a bit of a compilation post of the shows I watched before starting this blog.

  11. ManuOtaku says:

    Thanks Psgels,and dont worry take your time.

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  • Ebod
    (Tuesday, Mar 3. 2015 08:22 PM)
    V for Vendetta for me has always been a more “literary” work than Watchmen, but Watchmen is spectacular because it’s a story that can only be told in full scope in the comic format. While I feel like many major themes and events from V for Vendetta could easily be adapted into, say, novel format, the same could not be said of Watchmen. Also, the racist whitewashing Hollywood does of Asian characters really has to stop.
  • Bam
    (Tuesday, Mar 3. 2015 06:30 AM)
    Watchmen was deemed ‘unadaptable’ for about thirty years, so just getting what Snyder got out of the material is a huge success; it is said that what he did was to write a book version of Ingmar’s Holy Mountain. Watchmen is the only graphic novel to ever win a Hugo award and is easily the most intricate and multilayered Alan Moore comic, so it’s no surprise that it continues to top ‘best comics of all time’ charts to this day.
  • Bam
    (Tuesday, Mar 3. 2015 06:20 AM)
    I beg to differ. Doctor Manhatten is the most intriguing character of Watchmen and the comic is a giant in ,not only in the comic world, but the history of literature itself. It is a deconstruction of superheros and Dr. M shows how afraid the world would really be when faced with a ‘superman’ and how a creature in such a higher realm of time and perception would show apathy toward humans and their foolish struggles.
  • Bam
    (Tuesday, Mar 3. 2015 06:15 AM)
    GitS just won’t work. Maybe in a world before the Matrix, but not now with so many elements of it borrowed liberally by so many franchises in various mediums. Scarlet Johansson is decent in roles that fit her. She was enjoyable in Lost In Translation, but race aside she has nothing in common with Kusanagi. This is a travesty and the franchise is dear to me so it especially burns my ass.
  • Emma
    (Tuesday, Mar 3. 2015 06:10 AM)
    While I am no fan of man of steel, Nolan and Snyder, just about anyone would have a hard time taking a difficult character like superman and making him work on screen.
  • Emma
    (Tuesday, Mar 3. 2015 06:08 AM)
    Apart from Veidt and Rorshach I could never get into the characters all that much in watchmen. I also found the film overly long and mediocre acted for the larger part. But to each there own. For Alan moores works I always preferred his Miracleman, swamp thing, V for Vendetta stories.
  • Bam
    (Tuesday, Mar 3. 2015 06:06 AM)
    Nolan can produce the action plus personal and dark story that Alita would need, and he also brings talent such as composer Hans Zimmer and Cinematographer Sally Pfister to the table. Him and Snyder have too much combined integrity to make a mockery out of Alita like Spielberg did with the GitS license.
  • Bam
    (Tuesday, Mar 3. 2015 06:03 AM)
    Well Snyder has respect for his source materials and that is key in anime-to-film adaptations. Hell I’m a big Watchmen fan and I thought his version was (almost painfully) close to the comic. You’re not going to get that anywhere else in Hollywood. Also the combination of Nolan/Snyder is quite different than them individually.
  • Emma
    (Tuesday, Mar 3. 2015 05:34 AM)
    And directed it as a co-production with America, using a Japanese cast.
    Yeah…this is impossible…
  • Emma
    (Tuesday, Mar 3. 2015 05:32 AM)
    The only way a live action ghost in the shell film would work is if Mamoru oshii directed it.

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