It’s the penultimate episode, and a series that once was so incredibly fast paced here really takes its time to deliver its story properly. The result is one of the quietest episodes of the entire series. It’s going to depend entirely on the final episode whether its time was well spent. The main event of this episode was that indeed it wasn’t Yakumo’s father who stabbed Ishii, but instead it was the father of that little girl he talked to. This guy really is quite the interesting villain, doing everything while dead and only able to talk and influence people. In terms of the side-characters, I especially liked Gotou. Throughout the entire series, his dialogue and voice acting has been consistently snarky and amusing.
Unfortunately, this episode ended with the infamous “let’s nearly kill someone right before the final episode”-cliffhanger. That’s a bit of a bad sign as most of the series that pull that twist only use it as a cheap gimmick instead of making it really part of the ending. Again, it’s all going to depend on that final episode and whether they can portray it well. The problem is that Nanase Miyuki has been built up as pretty much the strongest and most professional character of the entire series. If she manages to miss Haruka (or whoever she intended to shoot), it’s going to ruin her character.
In any case, Bee-Train have usually worked with famous composers, such as Yuki Kajiura, the ALI Project and Kou Outani. I really like that this time, they went with the relatively unknown RON, and pretty much allowed them to put all kinds of creativity in the soundtrack. This episode premiered a ton of new tracks, all of which worked wonderfully well. The only soundtrack they did previously was the Kurenai ED, which was generic J-Pop, so I’m really impressed by what they ended up delivering when they moved out of that genre.
Rating: * (Good)