Posted by psgels on 31 December 2010 with categories: Yearly Summaries

Okay, so this is the final part of my 2010 Summary: the part in which I talk about all of the series that aired during the past year.

Overall out of all of the years that I’ve been blogging, 2010 was the worst one so far. It had a lot of causes, mostly with the huge decrease in different series: this allowed for a lot less series that could try out something unique than usual. On top of that, less series than ever dared to go beyond 13 episodes and a lot of potential was cut short. This is the year in which you can really see the effects on the economic crisis on anime. On top of that, Gonzo died, Sunrise only focused on OVAs and Movies, Madhouse focused most of its talent on Redline and Production IG only released surprisingly mainstream series, so many of the usual heavy hitters weren’t in their top shape. Instead, AIC released more moe shows than ever, and other studios were pretty much doing the same in going for the moe and fanservice.

At the same time though, I also can’t say that this was a bad year for the anime industry. Perhaps only the Winter Season was mediocre, but there still were a lot of interesting series. Especially Noitamina had its best year ever, and there was no shortage of good comedies throughout the entire year. I in any case disagree with the people who say that “anime is dying”, because in any case 2011 is looking to be very promising. We just hit a little dip this year that simply made it not as good as the other years. There’s still plenty of good stuff, and that’s what the rest of this post will be about. Of course, these are all my opinions. Feel free to share your own in the comment section.

The Sleeper Hits of 2010
This section has been added to this list on request by Kalandra, and it’s basically a list of series that I feel went under the radar. It’s not a list of the most underrated series, instead I really want to give some attention to series that many people didn’t give a chance. It’s basically a “list of series that I liked but didn’t have many members on MAL who watched it. It’s not in any order, because I have no idea how to properly rank these. This includes sequels that may have gone beyond people’s radars. I’ve limited this list to just ten spots, and interestingly Yojou-han and Sarai-ya Goyou despite my fears didn’t make it in (though granted, they do take up places 11 and 12…)

Cobra The Animation

Cobra was just one of those series that came from out of nowhere, did what it wanted to do and then just disappeared again. Most of it is indeed forgettable, but it does have an array of pretty neat ideas stuffed into its stories. In fact, it’s the entire point of the Cobra franchise to have these dream-like adventures that may not make any sense whatsoever, but do take the viewer to many different and imaginative places.

Gag Manga Biyori+

I believe that this was the only series this season that wasn’t aimed at kids and that didn’t even get its first freaking episode subbed, so of course it’s a sleeper hit. I’m going to continue to hype this one though, because it really is hilarious If you’re looking for a hyperactive comedy, you can’t really get more hyperactive than this.

Marie&Gali 1st Season

This one is for the people who don’t mind childish series, because at heart, Marie&Gali remains a kids’ show. It’s basically there to explain science to kids, and the first season does this with so much heart. Every single episode is different, no joke is wasted or recycled and it consistently made me laugh. Now, whatever you do, though: don’t touch the second season. It’s much worse.

Heartcatch Precure

Again this is very childish, but Heartcatch Precure has plenty of charms and character development to make up for it. The Precure franchise had gotten pretty notorious for the way that it just kept releasing the same show over and over again, but Heartcatch Precure is a real breath of fresh air in the way that it takes an overused concept and somehow makes it work.

Ookiku Furikabutte – Natsu no Taikai-hen

This one actually surprised me when I found out how few people actually checked it out. I thought that the first season was really popular, but I guess that this was the reason why Funimation explicitly announced that it wasn’t going to release this series. It’s a great sports series, though. I don’t think I’ve ever seen such a meticulously detailed look at baseball than here. If you like depth to your sports series, then go for this one.

Letter Bee Reverse

Again a really slow first season prevented a lot of people from checking this one out, I guess. Let me just say: it is all worth it in the end. The first season admittedly does have some gruelling parts to go through, but once the character development kicked in I was really hooked to this show.

Senkou no Night Raid

Admittedly, this is one show that’s very hard to like. It is packed with historical references and analyses and yet its first half comprises of random storylines: it can be very easily found boring. It is very rewarding for the ones with patience, though, because it turns into an interesting look at China in the 1930s and a typical series where the total is larger than the sum of its parts.

Yumeiro Patissiere – Professional

This mostly went under the radar because of its really long first season. Don’t worry though: it’s only 13 episodes long and packs a surprising amount of character development. You can follow it if you’ve watched the first two or three episodes of the original series, and if you’re tired of shoujo’s trend of seeing who can rip each other off the most, then this is an interesting recommendation as it’s a unique little shoujo series. Just don’t expect it to make the most amount of sense. ^^;

Tantei Opera Milky Homes

Before the start of the Fall Season, there was one show that based on its promo art and premise was dismissed by a huge amount of people. And indeed, if the creators played this type of show straight it indeed would have sucked. Don’t worry though, because it turned out to be a parody that doesn’t take any iota of itself seriously. It had a lot of fun poking holes in the phantom thief genres and recommended if you like parodies.

Soredemo Machi wa Mawatteiru

In 2010, most of the attention to Shaft went to Arakawa under the Bridge and people complaining about Dance in the Vampire Bund, so Soredemo Machi really went under the radar for quite a bit. It’s definitely not for you when you like your comedies to be based on punchlines, but the animation is surprisingly good and the dialogue felt quite realistic here. It’s a nice slice of life that does a bit more than just randomly showing the lives of a bunch of characters.

My 2010 Anime Awards

Worst First Episode

KissXSis

2010 unfortunately did have quite a share of utterly abysmal series, so it took me a while to figure out which first episode really was the worst out of all of them. There are the ridiculously poorly produced flash OVAs Tono to Issho and Haiyoru Nyaru-ani, but they do have this “anyone can make this; even you!”-vibe. There are kids shows like Digimon Xros Wars and Metal Fight Beyblade that were ridiculously poorly produced, but they remain fairly innocent. That SD Romance of the Three Kingdoms Gundam show was also pretty terrible, but that one was so bad that it became hilarious, so I’ll let that one slide as well. What I can’t let slide however is how much worse the bad fanservice shows have become, though. Special Credit goes to Ladies versus Butlers for its beyond awful writing, but the KissXSis TV-series takes the cake. This is everything that’s wrong with anime today: pointless fanservice, incredibly shallow characters, stupid premise, no creativity whatsoever.

Biggest Disappointment

Iron Man

There are sometimes these kinds of series in which everything seems right, and yet something doesn’t work along the way. I’ve had that with Durarara this year: it had a wonderful first half, but something in the second half didn’t sit right with me; it wasted too much time on build-up, it didn’t know whether it wanted to be Baccano’s spiritual successor or not, and too much time was focused on angsty teenagers. That wasn’t my biggest disappointment this year, though. Oh no. There is also this little series called Ookami Kakushi, which promised a great little mystery story from the original stories of Ryukishi07, only to end up completely rushed and stupid. Or how about Nurarihyon no Mago: it had a terrific director, and yet it ended up as nothing but an entire season of build-up. None of these disappointments was as bad as Iron Man, though. Iron Man was a series where so much hype had gone into. It had a great trailer, it was really promising to be another Madhouse epic… only for the actual series to be this ridiculously cheesy superhero flick.

Worst Series

Iron Man

This award only goes for the series that I actually finished… and yeah: again I have to go for Iron Man. The plot is ridiculously corny and the characters are just stupid. Beyond that, the individual stories have no creativity to them whatsoever, there is no depth, the series never really bothers to answer the why and how of its world. Out of all of the possible ways they could have taken this series, the creators ended up choosing one of the worst. Beyond that, Togainu no Chi also was pretty bad at times. For most of its airtime it at lest was a bit decent, but the final two episodes completely trashed any potential it could have had left, leaving it completely pointless.

Best Animation Studio

Bones

This is the award I give to the production studio whose collective works impressed me the most. This goes for the large ones, ie the ones who released three or more major works. In the previous years, there always was a clear cut winner, like there was one studio that really surpassed both itself and all of the others. In 2010, there really wasn’t a studio applicable for that: Madhouse created the great Yojou-han, but their mess on Iron Man was just… bad. A-1 Pictures was very diverse with many different looking and animated series. But they also made the disaster of Togainu no Chi. And Toei in the meantime was too busy ripping itself off with the new Digimon and Marie & Gali 2 in contrast with their great work on Heartcatch Precure and Marie&Gali’s first season. Overall, I still consider Bones’ best year to be 2009 (in which it also walked away with this award), and they did produce the pretty but otherwise completely underwhelming Heroman. Still, Full Metal Alchemist and Star Driver were some of the top visual feasts of the past year, so it’s once again my favourite production company of the year.

Most Promising Studio

Daume

This is the award I give to animation studios who are either completely new and really impressed me, or the small studios who suddenly significantly improved themselves compared to previous years. Daume is one of the latter: before this point they only worked on random moe shows. Then 2010 comes and from out of nowhere they deliver the incredibly unique Shiki without any seeming effort. I really hope that they can continue this trend that goes completely against what most other production studios seem to be doing right now.

Best Old Series I Happened to See This Year

Maison Ikkoku

I watched a lot of really good stuff this year, but my three favourites were without a doubt Nana, Maison Ikkoku and Patlabor’s second OVA. They’re all series that make excellent use of their long length: Patlabor’s OVA had some of the most interesting and imaginative scenes I have ever seen in an episodic anime, Nana was an emotional roller coaster and Maison Ikkoku showed character development over a scope that I had not yet seen before. They all had absolutely lovable characters, but I have to give the nudge to Maison Ikkoku for its incredible life-like portrayal of its characters.

Best Background Art

Sora no Oto

I really loved Sora no Oto’s realistic portrayal of the ruins of a European-esque town, and the background art played a huge part in that. It all just feels so incredibly authentic. Beyond that, Durarara and Uragiri also both had really well detailed background art that made great use of CG and Full Metal Alchemist also had a ton of eye candy for its backgrounds.

Most Pleasant Surprise

Heartcatch Precure

I try to check out every first episode of each new series that airs, but back in February, I actually had no intention of checking out the next Precure series. I really thought that it would be the same thing that we’ve been seeing for seven years now. I’m really glad that I was called out on it and ended up checking it out, because that first episode immediately convinced me that this would be a very special series. Other surprises were Yumeiro Patissiere’s second season which suddenly boasted more character development than I could ever have expected and Tantei Opera Milky Holmes which made great use of its seemingly dull premise to parody the heck out of it.

Best Music

Shiki

Finally: the first year in which a Bee-Train series isn’t walking away with this award. Of course, Yakumo’s soundtrack still is excellent, but it’s not the best this time. Other great soundtracks included the one from Letter Bee, Armed Librarians, Heartcatch Precure and Panty and Stocking, but my favourite was Shiki. They’ve got one particularly stunning track, and the creators knew it. You can listen to it over and over again without it getting boring, and it created a truly magnificent atmosphere.

Best Action

Full Metal Alchemist – Brotherhood

I have to give credit here for a bunch of series, for example Sengoku Basara’s first half and especially its sixth episode for delivering one of the best action episodes of the entire year (and it probably would have been the best action scene of the year if it wouldn’t have been for FMA) and Heartcatch Precure that despite being a shoujo series contained better action than a lot of shounen series out there. Star Driver’s action scenes meanwhile are all short but incredibly sweet, but none came close to the epic action of Full Metal Alchemist this year. Especially its finale was just awesome to watch but also just about all of the other climaxes were incredibly addictive.

Best Slice of Life

Cross Game

It may seem a bit boring to hand this award out to Cross Game yet again (it also walked away with this award last year), but it’s just so damn good at it: the way in which it portrays its characters during the slice of life moments are always hilarious and entertaining to watch. Screw the baseball matches, these character are at their best when nothing is happening. If it wasn’t for Cross Game, this award probably would have gone to either Sora no Oto or Soredemo Machi wa Mawatteiru for their great portrayal of their characters and despite not being 100% slice of life still were very interesting to watch when it just showed the characters randomly doing something.

Best Mystery

Letter Bee

I love mystery, but it’s a tricky genre done right. Good mystery lies both in asking and answering questions. The series that was probably the best in asking them was Sora no Oto with the really intriguing setting it created. In terms of answering, Kuroshitsuji always rocked with a ton of weird and interesting ideas. The show that had the best combination of both however was Letter Bee: its mystery always kept me watching, and when it finally got to the point of answering everything, it did not disappoint in the slightest.

Best Horror

Shiki

2010 only had very few good horror titles, and most of the horror series that were shown were only half horror anyway, like High School of the Dead, which despite its tons of fanservice had a consistent and gripping atmosphere or Rainbow, which also made great use of its huge atmosphere especially in the first half of the series. Kaidan Restaurant, while a very low-budgeted kids’ show turned out to be surprisingly decent at storytelling. But yeah, Shiki completely eclipses all of them. It takes a horribly abused subject material and reduces it back to the basics with a terrific atmosphere that can get really gruesome when it wants to.

Best Comedy

Gag Manga Biyori+

2010 introduced me to the weird world of Gag Manga Biyori. It’s completely bizarre, but it really has a collection of truly priceless episodes. No other series this year made me laugh this hard, this often. Some episodes are dedicated to parodying history, others at a particular genre and others are just one big joke that slowly gets built up. It’s surprisingly obscure at times, but its energy is unlike anything else I’ve seen. Beyond that, 2010 was a good year for comedy in any case. Squid Girl, Milky Holmes and Tentai Senshi Sunred were all absolutely hilarious in their own way as well.

Best Fanservice Anime

Panty and Stocking with Garterbelt

I usually don’t bother with the fanservice genre, because it’s riddled with bad and mediocre shows. 2010 also had plenty of them ranging from the mediocre Asobi ni Iku Yo to the terrible Ladies Versus Butlers and KissXsis to the downright porn of Yosuga no Sora. This year however, there were two fanservice series that I consider to be genuinely good and entertaining: B Gata H Kei with a witty portrayal of a teenaged girl and her twisted concepts of sex, and Panty and Stocking, which used its mature themes with the subtlety of an elephant in a porcelain shop. The fanservice obviously wasn’t the best part of the show, but the ballsy way in which it was used was a great breath of fresh air over seeing the hordes of bad fanservice shows that just keep popping up.

Best Script

Yojou-han Shinwa Taikei

Yojou-han was a series that really tried to make the most of its time. It’s really well planned out, not to mention the incredibly fast dialogue that tries to tell as much as possible about what’s going on and how the protagonist is feeling. Beyond that I also want to give credits for the Armed Librarians and the first half of Durarara, in the way that they weaved many seemingly unrelated storylines together.

Best Animation

Full Metal Alchemist – Brotherhood

Perhaps not as incredible as last year’s winner of this award, Bonen no Xamdou, it’s still pretty much no contest here: the animation for especially the action scenes is just epic, and this series keeps up this quality for 64 whopping episodes. Near the end during the non action series there are some weak moments, but they are completely eclipsed by the many, many interestingly animated action scenes. The second and third place go to the Spring Noitamina series of Sarai-ya Goyou and Yojou-han: Masaaki Yuasa ‘s animation was consistently excellent and really brought life to the characters. Sarai-ya Goyou was the same, but in a meticulously detailed way with many subtle movements.

Best Romance

Cross Game

Usually in a romance I prefer an actual relationship between the lead couple to take place, rather than them getting stuck in this endless “will they won’t they” loop. Cross Game however does it with such grace and wit that it becomes consistently enjoyable to watch. The way in which it teases the audience could have backfired horribly in the wrong hands (in the way in which for example Hanamaru Youchien refused to develop anything between the lead character and his love interest), but they do it here in such a way that subtly develops the couple without becoming annoying.

Best-Looking Graphics

Heartcatch Precure

This is the award I hand out to the series with not perhaps the best animation, but the one with the visuals that really impressed me. In 2010, there were four series whose graphics I really liked: Full Metal Alchemist – Brotherhood, Yojou-han, Sarai-ya Goyou and Hearcatch Precure. I’m still not sure why, but at the time of writing this, the fan of cute things inside of me has really won me over the most. For a mahou shoujo, Heartcatch Precure really looks amazing; it has the most awesome character designs, the transformation sequences are the best transformation scenes that I have seen since Utena. It’s incredibly cute, fluffy and sugary, but with every episode I could count on this series leaving a visual impression on me.

Most Imaginative Setting

Angel Beats

This award is for the series that puts the most interesting and original ideas into its setting. Think of fantasy series as the Armed Librarians and Full Metal Alchemist and the way in which their world works, or the way in which Senkou no Night Raid came with such an incredibly risky subject material of the Japanese actions in China in the 1930s. Index also was quite interesting with its relation between magic and technology. Angel Beats however edges this one for me. I know that the series had its problems and all, but in 13 episodes it really tried to stuff as many interesting ideas as possible. Every few episodes or so, the way that the characters looked at the setting completely changed. It’s a typical series that doesn’t really care about solid storytelling but is more interested in delivering an interesting world and having fun in the process, ad that’s what I liked about this series the most.

Best Story

Armed Librarians – The Book of Bantorra

The two behemoths in terms of story this year were for me easy to think of: The Armed Librarians and Full Metal Alchemist. Both had epic stories that just kept taking twists and turns that just continued to change,. I have to give the edge over to the Armed Librarians here though: in every single arc, it managed to interweave its different plot threads and make them come together in a completely unexpected way. It was amazingly planned out and written together and pretty much made every single episode a blast to watch.

Top 20 Anime 2010

#20: Senkou no Night Raid

The moment where Senkou no Night Raid really impressed me was the moment where it really dared to delve into some of the most controversial topics out there, without becoming drenched in nationalism unlike you see with many different anime who try to have these international plots. It’s easy to find this one boring, but I loved how it both treated itself seriously and yet made it clear that it’s a fantasy story at the same time. Its main problem was its characterization and how people were changing sides a little too often,but it still was a fascinating look at morals and values that really took some HUGE risks here.

#19: Star Driver

Now, Star Driver at this point is only half finished, and it has a long way to go before it can even get close to how good Utena was. So far though, it’s really on a good direction with its characterization: it really tries to stuff as much into one episode as possible and at the halfway point this is really starting to pay off. With battles that are short but incredibly sweet, I’m really looking forward to see whether it can actually pay off.

#18: Otome Youkai Zakuro

Otome Youkai Zakuro was another one of those series that looks like nothing special, yet turned out to be quite a refined shoujo romance. The story was simple but because of that it really was able to give the characters the attention they deserved. There are some unnecessary clichés here and there, but overall it’s surprisingly well written and directed.

#17: Shinrei Tantei Yakumo

The interesting thing about Yakumo was that it was one of the shows that was looked forward to the most, and yet when it actually aired you hardly heard anyone about it. The first episodes of Yakumo were quite rushed indeed, but it eventually came together quite nicely, even without the inclusion of Koichi Mashimo. It’s got a great cast of characters and a bunch of excellent main villains and I also really liked how well it was able to use its own build-up. It’s far from Bee-Train’s best, but still a very solid series.

#16: Gag Manga Biyori

Gag Manga Biyori+ simply was amazing. Its episodes only were five minutes long, yet I was looking forward to it every single week. It consistently had me in stitches unlike any other comedy this year. The direction was absolutely brilliant, and I don’t think that I have ever seen an anime with this much concentrated energy as this thing. And yeah sure, the graphics are really basic and there is no coherent storyline whatsoever. Who cares? It was absolutely hilarious.

#15: Ookiku Furikabutte

The big flaw of Ookiku Furikabutte this year was that it was way too short: it’s incredibly slow paced: that’s not going to fit in just 13 episodes. Beyond that though, it really was better than ever as a series: the animation received an upgrade, the characters were more interesting, the dialogue was better,. with the right time this really would have been even better. It really was one of the most detailed and realistic portrayals of baseball out there.

#14: Kuroshitsuji

Kuroshitsuji II was just… amazing. It completely let go of the manga material, trolled just about everyone multiple times and created an incredibly entertaining story that made excellent use of the unique gimmick of this show of incredibly over the top butlers, without all of the annoyances of the first Kuroshitsuji series. The beginning fillers were… annoying, but everything paid off wonderfully in the end with a bunch of excellent villains. It was silly, but also very creative and I really hope to see more of these kinds of sequels in the upcoming years.

#13: Rainbow

Rainbow always had a problem with its acting: there really was a ton of ham and cheese in this series. What managed to save it was its story, which really was excellent. The two halves of the series form a stark contrast with each other, and pack a huge amount of character development. It really was great to see everyone grow up, but even the time that the characters spend in prison was incredibly atmospheric.

#12: Kuragehime

It’s perhaps not Josei at its finest; it had too many one-dimensional characters and an unresolved plot for that, but Kuragehime consistently enjoyable throughout its entire airtime. Its characters were ridiculously addictive and its energy and acting made every episode a lot of fun to watch. It’s a great romantic comedy that was really well directed.

#11: Seikimatsu Occult Gakuin

A-1 may not have been my favourite production company of the year, they really have been dominating the lower half of my top 20 of the year (they occupy four of the spots between 10 and 20), and with good reason: they came with a lot of different, unique and ambitious series that apart from perhaps Togainu no Chi were very interesting to watch in their own way. The one I consider to be the best though was Occult Academy, a roller coaster ride that takes detours through Ferris wheels and merry-go-rounds. It’s impossible not to be disappointed by it at the end in some way or the other due to pacing issues, but the highs of this series really were absolutely stunning. It had three episodes that were just absolutely amazing, and looking back, they were worth the bore of some of the strange build-up arcs that focused way too much on Maya’s character.

#10: Cross Game

Cross Game is slice of life at its finest. It was great to just watch the characters randomly interact with each other. The character development was really good, slowly showing them age through adolescence. It’s just a shame that it’s also a baseball series. The baseball arcs were just too simple and one sided. Every time they took place, I just kept wishing them to end fast so that this show could go back to what it was really good at.

#9: Letter Bee

Letter Bee is a very hard series to get into: the first season was filled with uninteresting arcs and fillers. It really took a long while to get going. Still, the cliff-hanger at the end of season one was one of the best cliff-hangers for a next season I have ever seen, and the second season is continuing to develop both its plot and characters. The characters have become absolutely lovable, and even the individual episodes that have nothing to do with the main plot are really worth the watch. it’s a unique little shounen series.

#8: Kobato

Kobato has since it aired become one of my favourite examples of a show that starts of slow, but ends wonderfully. Most of the first half was random build-up with stories that were marginally interesting. The second half however saw a complete change of pace. Kobato grew up, the characters got more and more detailed and likeable, and the series only just got better and better as it went on with a heart-wrenching conclusion.

#7: Heartcatch Precure

Heartcatch Precure just came and delivered a perfect portrayal of how a classic mahou shoujo series should be. The action is consistently excellent throughout the entire series, the different stories it tells are al incredibly charming, the lead characters are all excellent and well development. Everything about this series is just incredibly cute with a lot of frills and sparkles, not to mention that it really likes to show of its admittedly gorgeous transformation scenes but the charms and energy of this series made all of it worth watching. it really is top-notch entertainment that can both be childish and serious. It’s definitely the best mahou shoujo to have aired in years.

#6: Shiki

In this year’s top 10, I really had difficulty choosing my numbers 4, 5 and 6. In the end I admit that I liked the numbers 4 and 5 slightly better than Shiki, but this still remains an amazing horror series with a fantastic conclusion. I’ve said this many times before but the exact reason why it rocks is filled with spoilers, so just check it out for yourself.

#5: Giant Killing

Now this is a terrific example of how to do a series on a very low budget: the animation of Giant Killing is nothing special, yet it looks unique, with even the most minor side characters having unique character designs. Throughout its airtime, Giant Killing proved to be a ridiculously addictive series, and if board games aren’t counted as sports then it’s turned into my favourite sports series ever. Especially the finale just keeps the cliff-hangers coming and changes constantly. The entire cast is chock-full of lovable characters, ranging from the soccer players themselves to the coaches, supporters, journalists and managers: everyone on this series is important. On top of that, I don’t think I’ve ever seen a series that handled its foreign languages as well as this series: English, French, Portuguese, Dutch. It was an incredibly international series.

#4: Sarai-ya Goyou

Sarai-ya Goyou turned out to be a ridiculously solid character study: it’s incredibly detailed from start to finish with very subtle characterizations. It’s very realistic and an excellent portrayal of how life was like in the past. It’s got some very complex characters for a show that’s only 12 episodes long, and they all face their own issues. Masanosuke was a great character to watch and see change, and Yaichi’s conclusion also really was excellent. I’m a big fan of Tomomi Mochizuki as a director, and her really managed to breathe life into Fujimi Ono’s manga.

#3: Yojou-han Shinwa Taikei

In 2010, it finally was time for Masaaki Yuasa to show his magic again. And granted, Yojou-han is not as good as Kaiba was. It comes pretty darn close though, with its ground-hog day-esque approach to storytelling that comes together in a really excellent ending that ties the entire series together perfectly. I also love the incredibly fast dialogue and the relentlessly fast pacing of this show that at the same time never rushed. It’s a great example of a mature series that had its own visual identity and really needs to appear more in anime.

#2: Full Metal Alchemist – Brotherhood

In a way my number 1 and 2 are quite similar: they both tried to be the epics of the year in their own way and it took me a long while to figure out which was the one I liked best. The Brotherhood Series was a huge improvement over the first season, it was consistently entertaining, the action was amazing, the few moments of comedy were just hilarious and the entire story just kept going on and continued to develop its story for 64 episodes long. The combination between the story and characters reached some amazing heights and even though it’s not my favourite of the year, I still love this one to bits.

#1: Armed Librarians – The Book of Bantorra

In the end, what sold me completely to the Armed Librarians was the way in which it was told: I mean, this show never took any breaks: it was always developing its story, pushing forth new and outrageous plot twists and trying everything together in ways that just continued to surprise me. It used its characters wonderfully and its storytelling just kept making me come back for more. It has also been by far the series that I had the most fun with blogging. I know that it’s a rushed series and that some f the characters could be more solid and all, but the good things about this series far outweigh the problems I had with this series. It entertained me like no other series this year and that’s why I chose this as my favourite show of 2010.

32 Responses

  1. Firechick says:

    Wait…Heartcatch Precure just gets the #7 spot? I thought it’d be higher. But oh well. It’s all a matter of taste I suppose.

  2. totoum says:

    No mention of Sora no Woto’s setting? I really liked the mix of different cultures it had.

    And I like what someone said about the fanservice in P&S : in other animes you “accidently” see a girls panty , or a girl “accidently” lets the protagonist see her naked,but there’s nothing accidental about the fanservice in P&S!

  3. thomas says:

    Yojou-Han on #1 for me, but nice list :)

  4. reverse says:

    Awesome list 100% agree

    minus the part FMAB beat Yojou-han, that just wrong

  5. c160 says:

    I agree with most of your comments on this year’s series(like usual ;D ).I’m really glad that you blogged Armed Librarian too,since I would never watch past episode one’s ugly CG ship if it weren’t for your review,and now it’s one of my top for this year’s.

    But the number one show for me this year is definitely Heartcatch. It’s consistently excellent all the time,the main cast are so much fun to watch, and its so heartwarming too! I stayed because of the awesome fights at first, and become addicted due to the incredibly heartwarming stories. I’ll be really sad when it’s all over :(

  6. Jeremy says:

    I would maybe trade number 1 and 2 spots because of The Armed Librarian pacing problem but they both were very good. I mostly agree with your list and it must have taken you forever to do! Be sure that for the year 2011 I will continue reading every entry of your blog! Happy new year!

  7. m says:

    The fan service in Panty & Stocking with Garterbelt consists of those scenes where they shift art styles; and it moves from puerile humor to being sensual. It’s doing more with less, which makes it funnier. The show is still the worst thing that I actually watched completely. It wasn’t a complete loss, because there were two sketches and a few scenes in the last two episodes that were interesting, and the soundtrack has some decent tracks (e.g. ‘Theme for Scanty & Kneesocks’ and ‘Champion’).

    The show that defied my expectations the most this year was Star Driver. From the absurd concept art and the premise, I expected it might end up being awful, perhaps even Code Geass awful. I watched it with the expectation that I would spend my time mocking it. I should have had more confidence in the people involved, because it’s turned out to be quite charming and well-directed. It’s definitely a show that never takes itself too seriously, and that works magic for its ability to manage a stable of cliches without being stale. I’m also impressed with the subtlety with which it approaches its dramatic elements.

    I think the biggest disappointment for me this year was Angel Beats!, although Sora no Oto was a close second. Both of these shows had a lot of promise that was hampered by jamming them into one cour.

    Sarai-ya Goyou was probably my favorite show this year. It annoys/saddens me that there is basically no chance I’ll ever be able to buy it on bluray.

    Anyway, that was a lot more than I intended to write. Happy New Year and let us all look forward to even more quality productions in 2011.

  8. Otaku Surf says:

    I may have to check out Kobato after your description of where the series went. I was a big Cardcaptor Sakura fan years ago and that was what led me to watch Kobato (Clamp, ie.). I watched the first few episodes and didn’t think anything of it…definitely take another look at it.

  9. RollingCamel says:

    For music, although I agree Shiki has an awesome soundtrack, nothing comes close to FMA:B in terms of sheer number and variety of tracks it had. For me, FMA:B rules best in music along with Bakumatsu Kikansetsu Irohanihoheto from previous years.

    Rainbow is worth mentioning too..

  10. Nomus says:

    Quite solid and well explained rating. Hard to argue… With two exceptions. First, “Best Fanservice Anime”: Panty and Stocking may be flashy, but Ichiban Ushiro no Daimaou had better storyline and some nice characters. Second: how did Occult Gakuin deserve such high place? Yes it had few really good eps, but altogether wasn’t it worse than those nine shows you put before it?

    And Happy New Year!)

  11. Marmoset says:

    With all your love for cross game I expected it a bit higher. Tatami Galaxy has the be the best this year for me.

    Anyway keep on trucking psgels.

  12. Tan-Tan says:

    WOOT FMA BROTHERHOOD with 3 awards!

    ALWAYS NUMBER 1 IN MY HEART XD

  13. ocswing says:

    Man, another roundup post without mention of Sora no Woto for best OST. I can’t be the only one who thought it was such a good soundtrack.

    Loved the comprehensiveness of the summary posts. Definitely got me to look into some shows I wouldn’t have otherwise. I only recently got into anime blogs, and yours was one I consistently enjoyed reading. Thanks!

  14. evolstar says:

    I agree that this wasn’t an impressive year except for a few good series like Armed Librarians, Shiki, and Giant Killing. I hope this year will be better. I look forward to another year reading this blog. Cheers!

  15. mds says:

    errr,no mention of JC Staff in the best studio list? They’re pretty amazing this year…

  16. Earl says:

    is armed librarians really good? i didn’t really like the first few episodes but maybe I should give it another shot..

    on the other hand FMA, giant killing and shiki (only watched til ep 7 now) are amazing!

  17. Shippoyasha says:

    I actually wouldn’t rate Fullmetal so high personally. I mean, it’s AMAZINGLY done, but the story was just so ROTE and by the books. Every bad guy is in fact not really a bad guy (even the homunculus have a non-baddie reason why they exist) and it wraps itself with a neat and tidy bow too well I thought. The worst trap about a shonen style show. I would barely rate it anywhere near my top 15 shows of the year.

    That said, I agree with Bantorra though. Unlike something like Fullmetal, its premise is incredibly fatalistic (dead characters STAY DEAD. Evil guys TRULY ARE EVIL) and it just kept going full steam with its downright perverted portrayal of death and the powers of evil and destruction of the world. Which made noble, avatar-of-good characters like Noloty feel even more heroic than she looked.

  18. Iryne says:

    I was expecting Shiki to be #1 and Sarai-ya Gojou to be #2. I never did like the FMA premise. I read the manga, imo FMA just tries too hard to tug at the heart strings with its philosophies and tragedy. It gets more and more apparent as you go on.

    I just think Shiki, Kuroshitsuji and Shinrei Tantei Yakumo should be ranked higher. Was also surprised to see Otome Youkai Zakuro on the list. It was pretty boring for me.

  19. windy says:

    Great list! Happy new year!

  20. mds says:

    @shippoyasha :

    evil guys who stay evil = one dimensional,shallow characterization.
    Boredom.Cliched.And the list goes on.

    Anyway,happy new year everyone,hope this year also prosperous for this blog!

  21. thomas says:

    @ mds: I myself prefer shades of grey. They don’t have to pull 180’s to make the antagonists interesting in the story, they could just give the baddies interesting back stories. The people we consider to be “bad people” generally don’t think they’re doing bad things, it’s just a matter of views.

    @ people who think certain shows should be higher in the list: You may also wish to include which shows should then be placed lower as result ;)

  22. Hunter-Wolf says:

    Enjoyed reading this a lot, i also have to say i feel glad i watched Armed Liberians … it turned out to be quite a big surprise .. sadly it isn’t as popular as many other lesser shows that aired in 2010 … which makes me (again) glad that i’m following this blog ^_^

    Keep it up .. i await more interesting posts in 2011.

  23. JDM says:

    2010 was a good year. Not the best but good year.

    Now with regards to the list, I know a lot are whining because this show is rated higher than this or that, but you know what, simply because a show is here already means psgels rated it as one of the best. It might matter to some how or why x is rated higher than y, but in the end if you think about it, it’s just pointless. Because both x and y are great shows. Personally, I can’t rank them properly and it would take me a week of self-debating to even start ranking it. I loved a show and that’s it, no need to rank them as long as they’re part of my top 10. ok rant over.

    Then again, awesome list! Thanks for blogging! I came to know more anime this year because of your blog!

  24. Ncrdrg says:

    Thanks for the recommendations. I usually love a lot of the shows you recommend although there is definitely quite a few I never got into at all (Star Driver (too flashy, no substance), Yakumo (ugh, I wanted a tense mystery anime because I’m a fan from the manga) or Senko no Night Raid (worst pace I’ve ever seen in an anime and incredibly hard to watch).

    But like others said, it’s your tastes and you can defend them. I loved Ore no Imouto in contract of you dropping it, I loved series like Code Geass above Bantorra), it’s all subjective.

    I noted a few series I’ve overlooked to check them out later. Thanks for the list, you’re very entertaining to read. I assume we can expect Winter 2011 first impressions soon?

  25. tokebi says:

    Having recently finished reading the final volume of Sarai-ya Goyou, I just have to say that the anime would’ve been absolutely mind-blowing had it been allowed to run for at least 24 episodes. If you liked the development of Masa and Yaichi in the adaptation, the original story is just… stunning.

    Anyways, this ranking was fun to read. I refer to your judgment a lot when browsing for a series to spend my idle time. Thanks!

  26. AnimeFan000 says:

    I agree with best looking graphics for Heartcatch Precure!. The graphics were amazing because the Character designer is the one who did Doremi and Casshern Sins.

    I also agree about Heartcatch being the Most Pleasant Suprise; I thought I would never touch Precure again until Heartcatch Precure! came, the first episode really got me into watching this series. If it wasn’t for Heartcatch Precure! I would be sticking to Cardcaptor Sakura and Sailor Moon as the only 2 Mahou Shoujo series I would only watch. I’m also watching Nanoha now though :)

    Too bad Heartcatch Precure! didn’t make it to the top 5 :(

  27. reverse says:

    A bit early but, be sure to included best OST and best use of OST for this year. and best sound effect would be nice too

  28. Otaku says:

    I dont see why Shiki is regarded in such a high manner. Honestly it was a decent and full of plot holes. The ending was also one of the biggest disappointments ive come across

  29. cass says:

    Good list.
    Bantorra is very hard to beat and sad to say but the competition is getting weaker & weaker with each passing seasons.

    All those panties shots cant hide the fact that the stories are being replace by thin excuses and characters by robotic stereotypes…

    I would have love for you to make a small place for Legend of legendary heroes which is more interesting than it seems…

    Keep it up. Love your site…

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Leave a Reply

CHANGE USERNAME
Amagi
@Kaiser: You're right, totally forgot that. Looking forward to this. Also I could have sworn I heard about a new project from Iso (Dennou Coil) last year but I guess I either confused him with someone else or with Children of Ether in which he's involved in some kind of way.
Kaiser-Eoghan
@Amagi: That series was going to be devilman crybaby .
Amagi
Wasn't Yuasa also doing a series of some sort this year? Haven't watched the movies yet but I loved most of his stuff so far, with Kaiba being my favorite.
Anonymous1575628
Wow, Houseki did not disappoint for me this week.
Kaiser-Eoghan
I enjoyed it for what it was. But I'd say even if you didn't read the subs you probably wouldn't have much trouble following it.
Kaiser-Eoghan
I actually had a look and lu over the wall, coincidentally , there are moments of where Yuasa's imagination/visuals shine through and its a genuinely charming film at times, but it does almost outstay its welcome and there's a sense Yuasa was somewhat restrained this time round, it IS a kids movie and that kind of does need to be taken into account, its not AS mad as mind game or kemonozume.
Amagi
Yoake Tsugeru Lu no Uta is subbed, but no idea if the subs are good
Kaiser-Eoghan
And its quite natural.
Kaiser-Eoghan
@Mario: Florida project succeeds through its free flowing nature/narrative and manages to be hilarious all the while managing to never allow you forget its also a kitchen sink drama, the best performances come from William Dafoe and the girl. At the end it gut punches the audience emotionally.
SuperMario
@Kaiser: also expecting Florida Project, 3 Billboards, and The Shape of Water in my end
Kaiser-Eoghan
Eh, Kino was a bit too slight this week.
Kaiser-Eoghan
@Mario: Just Lu, disaster artist and happy end left now for the year. Maybe the new Godzilla.
Kaiser-Eoghan
@Mario: I felt that Sion Soni's Noriko's dinner table did the irl acting thing better.
SuperMario
@Kaiser: I'm going to watch The Killing of a Sacred Deer. Consider I regarded The Lobster as one of the best film of that year and Dogtooth and Alps impressed me a lot; I have high hope for this one
Kaiser-Eoghan
Mooooommm, I want my Lu over the wal subs and I want them now OMO!
Niello
...Can't torrent where I am, grrrr.
Kaiser-Eoghan
I'm quite fond of Go Nagai's devilman, so I'll be interested in seeing Yuasa's adaptation of it whenever it comes out.
SuperMario
@Kasier: ha! thanks Kaiser. Finally it's out... gonna download it now
Kaiser-Eoghan
@Mario: Here is a link to Night is short walk on girl English subbed: https://nyaa.si/view/979508
Kaiser-Eoghan
@Mario: OR JUST MONIKA Amirite =P
SuperMario
in all seriousness though, I hope they can use one week break to smooth out their production.
SuperMario
so Just Because's taking a break this week. The reason: just because
Lenlo
Mhmhmm Inuyashiki was great this week. I just love this show.
Amagi
The hell- no didn't know that. I really wouldn't have expected tribute songs to this series
Niello
@Amagi: Did you know this exists? And it's by Igorrr no less. https://www.youtube.com/watch?v=yhQQ57N-9ys&list=PL9ku-W0xIzd4EYUL9bUG2CZXBIy7cCiSk
Niello
And yes, I'm just waiting and waiting for the day the anime get announced. No doubt it'll becomes a classic.
Niello
@Eoghan, I don't think it becomes a mess though, the story threads all come together amazingly well.
KTravlos
I too recommend at least watching 2nd episode of Tanya before passing judgement.

Looking forward to the Urasawa manga as well!
SuperWooper
@Anonymous: Thanks! Reading blog posts used to be my go-to distraction when I took breaks at work. Now I have to take breaks from writing them. It's a grind at times, but Star Crossed ought to be alive for a while yet.
Amagi
Adaptions for series like these only work when they're passion projects. If they're not they end up like the Dies Irae anime.
Amagi
It's another one of those series I really wish to see as an anime with music, movement and so on. But same as with Made in Abyss, it needs a cometent director and one that is in love with the work or else it will be a letdown
Amagi
@Niello: Yes and I fucking love it. The gritty style, the setting, the characters and designs and so on. @Kaiser didn't know she was under Nihei that's cool. I love these sketchy styles
Kaiser-Eoghan
@Niello: yes and more people I believe should so, despite that its kind of become a mess, I take the thing as one big black comedy. The woman who drew it interestingly enough apprenticed under Tsutomu Nihei.
Niello
Anyone here read Dorohedoro?
Anonymous1566521
Just passing by to say like the place, it's kinda perfect to read for whenever I take a break. And most importantly I haven't read anything stupid. Hopefully it won't die anytime soon:0
Vonter
Masky - Overlord has an OP isekai, yet I find that series compelling do to the world building, and how even with power and influence, the MC plays like a chessmaster and not brute force his way into doing something.
AidanAK47
@Masky, I wouldn't write off Tanya so fast. Make it to episode 2 at least.
Kaiser-Eoghan
I feel I need to actually properly get into Godzilla for some frame of reference before the anime film, I've only seen the new one and the original.
Amagi
Or the Hiroshima movie
Amagi
I know you can't have everything but considering that we currently have Blame, the Itoh movies, Lu over the Wall, Godzilla or Napping Princess this is rather a let down
Amagi
Meh, not really happy about the anime film festival decision here - a few good movies are there: heaven's feel, motherfucka (from the tekkonkinkreet guy) and another one that sounds great but other than that a lot specials like conan movie #718 or something, the third part (why?) of persona 3 and other movies that are just specials of series I dropped at some point
Masky
*WWI
Masky
I mean, op isekai mc is boring whether they are hero or villain, thats how tired I'm of that trope at least
Masky
So was wondering what was up with that Tanya the Evil show and was disappointed to find out its "Isekai were MC is evil and WWII esque fantasy setting"
Anonymous1566013
dragon ball kai
Anonymous1566013
dragon ball z
Kaiser-Eoghan
@Mario: That Godard biopic you mentioned is showing tonight and on sunday afternoon, at the very least I'll be checking out Le Chinoise in preparation for it.
SuperMario
@Kaiser: and right after I just watched Loving Vincent in theatre, it's available online
Kaiser-Eoghan
@Amagi: Blame! got released ages ago and no one watched it.
Kaiser-Eoghan
@Mario: Out in cinemas in Dublin in 3 weeks though, might aswell wait.
SuperMario
Also Lu over the Wall is out, with Russian subtitle. So anyone here who can understand Russian, you're in luck
Amagi
@Kaiser: Thanks, I love quite many anime movies. Guess I have something to watch this weekend.
AidanAK47
Not many I am afraid. Though I do like it's music.
Anonymous1565678
who is fairy tail fan here
Kaiser-Eoghan
For those interested anime Godzilla is out in a few weeks. Also Genocidal organ, napping princess and in this corner of the world are out as is the Fate/ilya movie.
Kaiser-Eoghan
I'm interested enough to read more of that Urasawa manga.
Kaiser-Eoghan
I don't point out errors (although its part of my job at work to lol) but I feel that one thing was noticeable in the Kino review, soap instead of soup is mentioned.
Kaiser-Eoghan
Eh, I quite like it when anything deals with religion or conviction in a mature way, it makes me feel things.
AidanAK47
Not really keen on following a Urasawa manga while it's ongoing considering how much of a slow burn his stories usually are.
Amagi
To the English only people: the Urasawa manga is translated into English now - it's on Mangastream (so beware of the watermark, but better than nothing)
Anonymous1565136
The anime?
SuperMario
... still on course with the anime (my phone acting up again)
SuperMario
@afgm: welcome back mate. It has been awhile. Hope you're
Anonymous1564565
@Amagi, The sign post with Iyami's teeth symbol read something like Buddhist reseach facility, which only makes it weirder.
Amagi
Also that Iyami clone seems to be the same as the running guy on page 2 (which was also the promo page posted on sites like ANN)
Amagi
Thank you very much anon. I love how international this chat is. But what you said makes the story feel even weirder. Really wonder what this is about but I can't say I am not interested now
Anonymous1564565
This is weird, really weird.
Anonymous1564565
[spoiler] As expected, now he's in another trouble. ...He mistook a crow for a blue bird that will bring happiness. And then we go back to the scene at the beginning when he hallucinate about someone calling. ...Is that Iyami from Osomatsu-san?
Anonymous1564565
[spoiler]Then because Trump is currently popular, their plan to is mass produce the mask with the guy's factory? (He's totally getting dupe isn't e?)
Anonymous1564565
[spoiler] The wife won a lottery and got a free vacation ticket to a luxurious cruise ship. She then left the husband with another guy. The Trump parody hag person is Beverly Duncan. Then one of the husband coworker put on a mask of Trump and start mocking.
afgm
I feel like the site is finally coming back into its own :)
afgm
(and great old writers)
afgm
Great new writers on the site
Anonymous1564565
[spoiler] He's trying to look at tax avoidance and discuss it to his fam. The turns out the gov start checking so that plan was a bust. Now they are looking at potential confiscations, including their flip flop factory.
Anonymous1564565
[Spoiler] So the guy seem to be having some kind of hallucination of someone calling him, even though there's no one in that direction.
Anonymous1564565
@Amagi "but it's in Thai", :)
Amagi
I am really looking forward to the Pluto anime. But I guess it won't come earlier than spring 2018 or something.
Amagi
If it was Japanese I'd at least understand a few parts (and almost everything if it was French) but now I have not the slightest idea what this is about but it does look interesting. I also liked Urasawa's earlier one shot. The one after Billy
Amagi
Not sure if I am allowed to link scans so here an indirect (last post) one I found, but it's in Thai (I hope someone who understands it will translate that chapter into English) https://www.reddit.com/r/manga/comments/780rve/sl_how_long_until_we_see_the_1st_chapter_of_naoki/
Anonymous1564517
It shows a lot of shots though that bring back memories of Urasawa's earlier works. Its great that he's going weird; Urasawa is one of the best at producing unique series, even if his methodical writing and storytelling style is always evident.
Anonymous1564517
Is it Mujirushi? I saw some French advert for it, (nothing said except that it's launching soon), but I can't find anything else on it.
Amagi
There is a (sadly, non-English) scan for Urasawa's new manga and it looks weird. Hundreds of masks of some presidential candidate that looks like a female Trump and a weird and shady guy at the end.
Lenlo
That said, why is PUBG on any of these lists. Its still in beta
Lenlo
Horizon on the other hand is easily understood and fits the open world mold well. I like Nier more, but Horizon is still a really good game.
Lenlo
Everyone knows it exists, but not everyone likes it/could finish it/understands it.
Lenlo
Thats the thing, it still is a niche. Its in the same category of Souls games now
Niello
Nier may not be a new IP, but it's an IP that finally rise from obscurity after being a really niche cult hit for years.
Niello
Why would being weird a negative for Nier? Doesn't that imply creativity?
Vonter
I suppose because Horizon is a new IP and also less weird than Nier. I haven't played it, but presentation alone has marked a great impression of that game.
Niello
Why is Nier in only 3 categories and Horizon Zero Dawn so many even where it's not deserve?
Niello
I still think Maho Yome is super overrated. The show so far has been more about spectacles than anything. I get it, the manga is pretty good, still not one nearly even one of the best though.
Vonter
PUBG I feel its an odd choice. Mainly because it's the only game listed that I wasn't aware it existed.
Vonter
The game awards are near, and so here are the nominations for all categories:
http://thegameawards.com/awards/
Anonymous1562244
KT Here. they did not force it. They let the circumstances do the talking and it was powerful.
Anonymous1562244
KT Here: Yes psgels is a man, yes for a long time I was under the impression he was a woman. Now and Then, Here and There is indeed excellent. The thing was exactly that, a frank depiction of what child soldiers go through. Considering how most shounen shows are essentially about kids engaging in war, the frank and gritty depictions was welcome if dis-concerning. And as Super pointed out they did
SuperMario
Yeah, I can give the show a full review (says the guy who is currently behind on his weekly post). But be mindful that as this show is in my top 10 anime, my rating might be even higher than psgels' (Usually my taste is different than his but in Now and Then we are pretty much on the same page)
SuperMario
The shounen element is for me, intentional as Now and then plays by the typical shounen rules (with a bery typical shounen protagonist) entirely in its first episode before slaming every brutal things towards him. Yep, they imply many dark contents make it much more disturbing. That girl (I think her name is Mary)'s circumstance ripped my heart
Nielllo
@Mario: I'd be interest in that! The atmosphere to me is like Jing the Bandit King but less surreal and more shounen.
Kaiser-Eoghan
@Mario: The scene where the girl is raped/abused in the prison. It stands out for the fact they imply it rather than showing.
SuperMario
Actually, I can re-watch it over the weekend and give it a full review. Again, it has been awhile so I'm intrigued to see how the show's holding up for me now
SuperMario
They're brutal but not for the sake of being brutal, I never feel the show as heavy handed on its brutality, or sugarcoating the optimistism of the main character. The show is about the scar of war and for that imo they really deliver the message
SuperMario
That's what happen when I prepared to write a long comment, but work held me up so I had to cut it short. It's been awhile since I last saw Now and Then, but I feel the show has a frank and down to earth depection of the terror of war...
Nielllo
@SuperMario, You'll need to explain it to me man...
Anonymous1561608
@Psgels is woman
Anonymous1561597
Really???
SuperMario
@Niello: i love Now and Then. One of the rare series that I rated 10/10. I feel all the drama is raw, and effective
Nielllo
The last time I check, the scanlation group doesn't have the translator position filled up. At this point I'm probably going to order the remaining volumes at some point and just try to read it in Japanese. The worse thing is it's a josei so the text doesn't have furigana and I'll be stuck with just Kanji.
Nielllo
That sums up my feeling for Now and Then, Here and There really well.I took a look at the raw of the last chapter and it pretty much ended like how I think it would (mostly the epilogue, so not much spoiler)
Kaiser-Eoghan
With how slow the updates are for Amatsuki's manga I will probably re-re-read the whole thing again when it ever finishes. I disliked the protaganist of now and then here and there , while I did enjoy the misery the characters went through as it made for good drama and that dictator guy was suitably effective, I never got the FEELs watching it.
Nielllo
My taste generally align well with psgels (hurray for seeing potential in Amatsuki? that one surprised me, really didn't expect a 90/100, not complaining of course), but can someone explain to me, the appeal of Now and Then, Here and There?
Kaiser-Eoghan
*are many
Kaiser-Eoghan
I suppose we do live in the introvert age, so there probably are who have plenty of time to burn.
Kaiser-Eoghan
I agree about the having more time when your young thing definitely though, I'd argue I probably had too much of it, we probably don't use that time as well as we should come to think of it looking back.
Kaiser-Eoghan
Which means I also have more time because I'm not in a relationship.
Kaiser-Eoghan
I know this will sound terrible, but I don't really bother associating with women beyond necessary interaction.
Kaiser-Eoghan
*or hikkimori
Kaiser-Eoghan
I'm not upset about this, just means theres extra time to be filled because everyones too pre-occupied in their spare time.
Kaiser-Eoghan
I save well and don't have many people to buy for , I also pirate everything.
Kaiser-Eoghan
I wouldn't call myself a NEET of hikkikomori, but genuinely do have absolutely no life, so I pretty much only leave my home for part time work/food/cinema trips. I don't party or drink and I see old friends once or twice a year (They've all moved), maybe my brother slightly more but not as often as most people would.
SuperMario
@Vyse: haha, you have a wild imagination. I'm pretty sure he's man
SuperMario
@anon1561372: pretty much what Kaiser said. He did came back a few months ago for monthly summaries but it seems life's swallowing him again. Would love to see him back to be honest
SuperMario
@Aidan: well, I'm at a stage where I don't have either enough time or money or anything concrete for my life. So I envy those who have plenty times to burn
Kaiser-Eoghan
Psgels professional and social life became more demanding and had a bout of writers block. Going by the photograph and voice on some of the podcasts he did, psgels is very much a man.
VyseLegendaire
psgels is a female
Anonymous1561272
@SuperMario Where did he go? Did he just stop completely?
AidanAK47
Well his posts were not as long as ours and I think he did them mostly in his secondary school years and you have plenty of time to burn back then. I remember I used to make a point of finishing games 100% back then and I replayed a ton of them over and over again.
SuperMario
And back in the day, psgels could blog like 3 or 4 posts per day, many of them on the same day of its airing. How the hell could he do that consistently for almost 10 years?
SuperMario
Fell asleep yesterday while writing Houseki review. Now that bastard will have to wait until later tonight (It's morning here). Apologize for that
Niello
Really? I thought the manga art is gorgeous. The beginning, not so much, but her art really improved. I love how whimsical it is. Other characters not so much, but Mahmut's design is really a step down from the manga.
KTravlos
ah you will hate me. Much as I love the story, I just cannot find the character art pleasing. On that one point for me the animated version was better. For example I much preferred the depiction of Einstein in the anime than in the manga. Now this is a personal thing, but I am shallow, and I do read manga partly for the art. So I am torn. I prefer the manga for the story but the anime for the art
Niello
@KTravlos: As a fan of the manga, I wouldn't say it's for us manga reader at all. I dropped this abomination long ago, I just can't stand it. It got butchered just like Amatsuki was, and tha's by the same director. I really really hope he never get to touch on an adaptation ever again.
KTravlos
also the Altai episode this week showed all the problems of the series. The pace was just too fast. Essentially this was just an episode for manga readers. Very very problematic
KTravlos
@SuperMario. I actually think that a double review of Altiar and AS would work better, as a way to talk a bit more expansively on the whole genre
Kaiser-Eoghan
Oh hey awesome, new black mirror episodes in December.
Anonymous1558371
it's not really a plot twist, but it is a drastic change.
Anonymous1558371
I honestly don't know how well the anime will handle it. I'd like to think they will surpass the manga because they put a lot of care into the scene. It involves a fight scene and they have been handling those well, so I'm hopeful.
SuperMario
@anon1558097: will that shock plot twist whatever-it-is even make it this season? I'll be honest but if I have to compare the current anime to what I've read from the manga so far (first few chapters), The manga is more inventive and awe-inspiring for me
Anonymous1558097
@Mario: DON'T. I'm having a much better time enjoying the show ever since I stop comparing it to the manga. Still a shame I won't be getting the initial shock reaction from what's going to happen in the second half though.
SuperMario
Now you guys are really tempting me to read on the houseki manga, but I WON'T
Kaiser-Eoghan
I really wish that we could see more of the snail race things in houseki , the Gems and moon people have had their turn.
Kaiser-Eoghan
Honey and clover had a much stronger balance of humour and drama, with sugatsu I feel its the drama that stands out best.
Kaiser-Eoghan
Okay major major MAJOR houseki spoilers....sensei is really....
.....
.....Saitama from onepunch man.
Kaiser-Eoghan
@Mario: I've only seen the first season.
Kaiser-Eoghan
@Mario: And anyone who breaks your Dia(mond) must be destroyed.
SuperMario
@Kaiser: just look at the lastest episode (27), juggling, bouncy, silly in the first half and then emotional depth in the second. Well, that's a 3-gatsu's tone we pretty come to expect now
SuperMario
@Kaiser: ANYONE DARE TO MAKE MY HINA CRIES WILL HAVE TO PAY. I share the exact same sentiment with Rei
Kaiser-Eoghan
I will say this...it is...an un-evenly paced series...but always jolts you before you get too bored with it.
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Featured Posts

Girls’ Last Tour – 07 [Labyrinth – Cooking]

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Houseki no Kuni – 06 [First Battle]

Houseki maintains its impressive streak this week, with Phos learning their new role patronizing, a job once again clearly isn’t suitable for our main character. While you could say Houseki follows the same formula from the very first week: first introduces a huge array of Gems’ cast, then leaves Phos out in some kind of […]

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Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

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