Posted by psgels on 31 December 2010 with categories: Yearly Summaries

Okay, so this is the final part of my 2010 Summary: the part in which I talk about all of the series that aired during the past year.

Overall out of all of the years that I’ve been blogging, 2010 was the worst one so far. It had a lot of causes, mostly with the huge decrease in different series: this allowed for a lot less series that could try out something unique than usual. On top of that, less series than ever dared to go beyond 13 episodes and a lot of potential was cut short. This is the year in which you can really see the effects on the economic crisis on anime. On top of that, Gonzo died, Sunrise only focused on OVAs and Movies, Madhouse focused most of its talent on Redline and Production IG only released surprisingly mainstream series, so many of the usual heavy hitters weren’t in their top shape. Instead, AIC released more moe shows than ever, and other studios were pretty much doing the same in going for the moe and fanservice.

At the same time though, I also can’t say that this was a bad year for the anime industry. Perhaps only the Winter Season was mediocre, but there still were a lot of interesting series. Especially Noitamina had its best year ever, and there was no shortage of good comedies throughout the entire year. I in any case disagree with the people who say that “anime is dying”, because in any case 2011 is looking to be very promising. We just hit a little dip this year that simply made it not as good as the other years. There’s still plenty of good stuff, and that’s what the rest of this post will be about. Of course, these are all my opinions. Feel free to share your own in the comment section.

The Sleeper Hits of 2010
This section has been added to this list on request by Kalandra, and it’s basically a list of series that I feel went under the radar. It’s not a list of the most underrated series, instead I really want to give some attention to series that many people didn’t give a chance. It’s basically a “list of series that I liked but didn’t have many members on MAL who watched it. It’s not in any order, because I have no idea how to properly rank these. This includes sequels that may have gone beyond people’s radars. I’ve limited this list to just ten spots, and interestingly Yojou-han and Sarai-ya Goyou despite my fears didn’t make it in (though granted, they do take up places 11 and 12…)

Cobra The Animation

Cobra was just one of those series that came from out of nowhere, did what it wanted to do and then just disappeared again. Most of it is indeed forgettable, but it does have an array of pretty neat ideas stuffed into its stories. In fact, it’s the entire point of the Cobra franchise to have these dream-like adventures that may not make any sense whatsoever, but do take the viewer to many different and imaginative places.

Gag Manga Biyori+

I believe that this was the only series this season that wasn’t aimed at kids and that didn’t even get its first freaking episode subbed, so of course it’s a sleeper hit. I’m going to continue to hype this one though, because it really is hilarious If you’re looking for a hyperactive comedy, you can’t really get more hyperactive than this.

Marie&Gali 1st Season

This one is for the people who don’t mind childish series, because at heart, Marie&Gali remains a kids’ show. It’s basically there to explain science to kids, and the first season does this with so much heart. Every single episode is different, no joke is wasted or recycled and it consistently made me laugh. Now, whatever you do, though: don’t touch the second season. It’s much worse.

Heartcatch Precure

Again this is very childish, but Heartcatch Precure has plenty of charms and character development to make up for it. The Precure franchise had gotten pretty notorious for the way that it just kept releasing the same show over and over again, but Heartcatch Precure is a real breath of fresh air in the way that it takes an overused concept and somehow makes it work.

Ookiku Furikabutte – Natsu no Taikai-hen

This one actually surprised me when I found out how few people actually checked it out. I thought that the first season was really popular, but I guess that this was the reason why Funimation explicitly announced that it wasn’t going to release this series. It’s a great sports series, though. I don’t think I’ve ever seen such a meticulously detailed look at baseball than here. If you like depth to your sports series, then go for this one.

Letter Bee Reverse

Again a really slow first season prevented a lot of people from checking this one out, I guess. Let me just say: it is all worth it in the end. The first season admittedly does have some gruelling parts to go through, but once the character development kicked in I was really hooked to this show.

Senkou no Night Raid

Admittedly, this is one show that’s very hard to like. It is packed with historical references and analyses and yet its first half comprises of random storylines: it can be very easily found boring. It is very rewarding for the ones with patience, though, because it turns into an interesting look at China in the 1930s and a typical series where the total is larger than the sum of its parts.

Yumeiro Patissiere – Professional

This mostly went under the radar because of its really long first season. Don’t worry though: it’s only 13 episodes long and packs a surprising amount of character development. You can follow it if you’ve watched the first two or three episodes of the original series, and if you’re tired of shoujo’s trend of seeing who can rip each other off the most, then this is an interesting recommendation as it’s a unique little shoujo series. Just don’t expect it to make the most amount of sense. ^^;

Tantei Opera Milky Homes

Before the start of the Fall Season, there was one show that based on its promo art and premise was dismissed by a huge amount of people. And indeed, if the creators played this type of show straight it indeed would have sucked. Don’t worry though, because it turned out to be a parody that doesn’t take any iota of itself seriously. It had a lot of fun poking holes in the phantom thief genres and recommended if you like parodies.

Soredemo Machi wa Mawatteiru

In 2010, most of the attention to Shaft went to Arakawa under the Bridge and people complaining about Dance in the Vampire Bund, so Soredemo Machi really went under the radar for quite a bit. It’s definitely not for you when you like your comedies to be based on punchlines, but the animation is surprisingly good and the dialogue felt quite realistic here. It’s a nice slice of life that does a bit more than just randomly showing the lives of a bunch of characters.

My 2010 Anime Awards

Worst First Episode

KissXSis

2010 unfortunately did have quite a share of utterly abysmal series, so it took me a while to figure out which first episode really was the worst out of all of them. There are the ridiculously poorly produced flash OVAs Tono to Issho and Haiyoru Nyaru-ani, but they do have this “anyone can make this; even you!”-vibe. There are kids shows like Digimon Xros Wars and Metal Fight Beyblade that were ridiculously poorly produced, but they remain fairly innocent. That SD Romance of the Three Kingdoms Gundam show was also pretty terrible, but that one was so bad that it became hilarious, so I’ll let that one slide as well. What I can’t let slide however is how much worse the bad fanservice shows have become, though. Special Credit goes to Ladies versus Butlers for its beyond awful writing, but the KissXSis TV-series takes the cake. This is everything that’s wrong with anime today: pointless fanservice, incredibly shallow characters, stupid premise, no creativity whatsoever.

Biggest Disappointment

Iron Man

There are sometimes these kinds of series in which everything seems right, and yet something doesn’t work along the way. I’ve had that with Durarara this year: it had a wonderful first half, but something in the second half didn’t sit right with me; it wasted too much time on build-up, it didn’t know whether it wanted to be Baccano’s spiritual successor or not, and too much time was focused on angsty teenagers. That wasn’t my biggest disappointment this year, though. Oh no. There is also this little series called Ookami Kakushi, which promised a great little mystery story from the original stories of Ryukishi07, only to end up completely rushed and stupid. Or how about Nurarihyon no Mago: it had a terrific director, and yet it ended up as nothing but an entire season of build-up. None of these disappointments was as bad as Iron Man, though. Iron Man was a series where so much hype had gone into. It had a great trailer, it was really promising to be another Madhouse epic… only for the actual series to be this ridiculously cheesy superhero flick.

Worst Series

Iron Man

This award only goes for the series that I actually finished… and yeah: again I have to go for Iron Man. The plot is ridiculously corny and the characters are just stupid. Beyond that, the individual stories have no creativity to them whatsoever, there is no depth, the series never really bothers to answer the why and how of its world. Out of all of the possible ways they could have taken this series, the creators ended up choosing one of the worst. Beyond that, Togainu no Chi also was pretty bad at times. For most of its airtime it at lest was a bit decent, but the final two episodes completely trashed any potential it could have had left, leaving it completely pointless.

Best Animation Studio

Bones

This is the award I give to the production studio whose collective works impressed me the most. This goes for the large ones, ie the ones who released three or more major works. In the previous years, there always was a clear cut winner, like there was one studio that really surpassed both itself and all of the others. In 2010, there really wasn’t a studio applicable for that: Madhouse created the great Yojou-han, but their mess on Iron Man was just… bad. A-1 Pictures was very diverse with many different looking and animated series. But they also made the disaster of Togainu no Chi. And Toei in the meantime was too busy ripping itself off with the new Digimon and Marie & Gali 2 in contrast with their great work on Heartcatch Precure and Marie&Gali’s first season. Overall, I still consider Bones’ best year to be 2009 (in which it also walked away with this award), and they did produce the pretty but otherwise completely underwhelming Heroman. Still, Full Metal Alchemist and Star Driver were some of the top visual feasts of the past year, so it’s once again my favourite production company of the year.

Most Promising Studio

Daume

This is the award I give to animation studios who are either completely new and really impressed me, or the small studios who suddenly significantly improved themselves compared to previous years. Daume is one of the latter: before this point they only worked on random moe shows. Then 2010 comes and from out of nowhere they deliver the incredibly unique Shiki without any seeming effort. I really hope that they can continue this trend that goes completely against what most other production studios seem to be doing right now.

Best Old Series I Happened to See This Year

Maison Ikkoku

I watched a lot of really good stuff this year, but my three favourites were without a doubt Nana, Maison Ikkoku and Patlabor’s second OVA. They’re all series that make excellent use of their long length: Patlabor’s OVA had some of the most interesting and imaginative scenes I have ever seen in an episodic anime, Nana was an emotional roller coaster and Maison Ikkoku showed character development over a scope that I had not yet seen before. They all had absolutely lovable characters, but I have to give the nudge to Maison Ikkoku for its incredible life-like portrayal of its characters.

Best Background Art

Sora no Oto

I really loved Sora no Oto’s realistic portrayal of the ruins of a European-esque town, and the background art played a huge part in that. It all just feels so incredibly authentic. Beyond that, Durarara and Uragiri also both had really well detailed background art that made great use of CG and Full Metal Alchemist also had a ton of eye candy for its backgrounds.

Most Pleasant Surprise

Heartcatch Precure

I try to check out every first episode of each new series that airs, but back in February, I actually had no intention of checking out the next Precure series. I really thought that it would be the same thing that we’ve been seeing for seven years now. I’m really glad that I was called out on it and ended up checking it out, because that first episode immediately convinced me that this would be a very special series. Other surprises were Yumeiro Patissiere’s second season which suddenly boasted more character development than I could ever have expected and Tantei Opera Milky Holmes which made great use of its seemingly dull premise to parody the heck out of it.

Best Music

Shiki

Finally: the first year in which a Bee-Train series isn’t walking away with this award. Of course, Yakumo’s soundtrack still is excellent, but it’s not the best this time. Other great soundtracks included the one from Letter Bee, Armed Librarians, Heartcatch Precure and Panty and Stocking, but my favourite was Shiki. They’ve got one particularly stunning track, and the creators knew it. You can listen to it over and over again without it getting boring, and it created a truly magnificent atmosphere.

Best Action

Full Metal Alchemist – Brotherhood

I have to give credit here for a bunch of series, for example Sengoku Basara’s first half and especially its sixth episode for delivering one of the best action episodes of the entire year (and it probably would have been the best action scene of the year if it wouldn’t have been for FMA) and Heartcatch Precure that despite being a shoujo series contained better action than a lot of shounen series out there. Star Driver’s action scenes meanwhile are all short but incredibly sweet, but none came close to the epic action of Full Metal Alchemist this year. Especially its finale was just awesome to watch but also just about all of the other climaxes were incredibly addictive.

Best Slice of Life

Cross Game

It may seem a bit boring to hand this award out to Cross Game yet again (it also walked away with this award last year), but it’s just so damn good at it: the way in which it portrays its characters during the slice of life moments are always hilarious and entertaining to watch. Screw the baseball matches, these character are at their best when nothing is happening. If it wasn’t for Cross Game, this award probably would have gone to either Sora no Oto or Soredemo Machi wa Mawatteiru for their great portrayal of their characters and despite not being 100% slice of life still were very interesting to watch when it just showed the characters randomly doing something.

Best Mystery

Letter Bee

I love mystery, but it’s a tricky genre done right. Good mystery lies both in asking and answering questions. The series that was probably the best in asking them was Sora no Oto with the really intriguing setting it created. In terms of answering, Kuroshitsuji always rocked with a ton of weird and interesting ideas. The show that had the best combination of both however was Letter Bee: its mystery always kept me watching, and when it finally got to the point of answering everything, it did not disappoint in the slightest.

Best Horror

Shiki

2010 only had very few good horror titles, and most of the horror series that were shown were only half horror anyway, like High School of the Dead, which despite its tons of fanservice had a consistent and gripping atmosphere or Rainbow, which also made great use of its huge atmosphere especially in the first half of the series. Kaidan Restaurant, while a very low-budgeted kids’ show turned out to be surprisingly decent at storytelling. But yeah, Shiki completely eclipses all of them. It takes a horribly abused subject material and reduces it back to the basics with a terrific atmosphere that can get really gruesome when it wants to.

Best Comedy

Gag Manga Biyori+

2010 introduced me to the weird world of Gag Manga Biyori. It’s completely bizarre, but it really has a collection of truly priceless episodes. No other series this year made me laugh this hard, this often. Some episodes are dedicated to parodying history, others at a particular genre and others are just one big joke that slowly gets built up. It’s surprisingly obscure at times, but its energy is unlike anything else I’ve seen. Beyond that, 2010 was a good year for comedy in any case. Squid Girl, Milky Holmes and Tentai Senshi Sunred were all absolutely hilarious in their own way as well.

Best Fanservice Anime

Panty and Stocking with Garterbelt

I usually don’t bother with the fanservice genre, because it’s riddled with bad and mediocre shows. 2010 also had plenty of them ranging from the mediocre Asobi ni Iku Yo to the terrible Ladies Versus Butlers and KissXsis to the downright porn of Yosuga no Sora. This year however, there were two fanservice series that I consider to be genuinely good and entertaining: B Gata H Kei with a witty portrayal of a teenaged girl and her twisted concepts of sex, and Panty and Stocking, which used its mature themes with the subtlety of an elephant in a porcelain shop. The fanservice obviously wasn’t the best part of the show, but the ballsy way in which it was used was a great breath of fresh air over seeing the hordes of bad fanservice shows that just keep popping up.

Best Script

Yojou-han Shinwa Taikei

Yojou-han was a series that really tried to make the most of its time. It’s really well planned out, not to mention the incredibly fast dialogue that tries to tell as much as possible about what’s going on and how the protagonist is feeling. Beyond that I also want to give credits for the Armed Librarians and the first half of Durarara, in the way that they weaved many seemingly unrelated storylines together.

Best Animation

Full Metal Alchemist – Brotherhood

Perhaps not as incredible as last year’s winner of this award, Bonen no Xamdou, it’s still pretty much no contest here: the animation for especially the action scenes is just epic, and this series keeps up this quality for 64 whopping episodes. Near the end during the non action series there are some weak moments, but they are completely eclipsed by the many, many interestingly animated action scenes. The second and third place go to the Spring Noitamina series of Sarai-ya Goyou and Yojou-han: Masaaki Yuasa ‘s animation was consistently excellent and really brought life to the characters. Sarai-ya Goyou was the same, but in a meticulously detailed way with many subtle movements.

Best Romance

Cross Game

Usually in a romance I prefer an actual relationship between the lead couple to take place, rather than them getting stuck in this endless “will they won’t they” loop. Cross Game however does it with such grace and wit that it becomes consistently enjoyable to watch. The way in which it teases the audience could have backfired horribly in the wrong hands (in the way in which for example Hanamaru Youchien refused to develop anything between the lead character and his love interest), but they do it here in such a way that subtly develops the couple without becoming annoying.

Best-Looking Graphics

Heartcatch Precure

This is the award I hand out to the series with not perhaps the best animation, but the one with the visuals that really impressed me. In 2010, there were four series whose graphics I really liked: Full Metal Alchemist – Brotherhood, Yojou-han, Sarai-ya Goyou and Hearcatch Precure. I’m still not sure why, but at the time of writing this, the fan of cute things inside of me has really won me over the most. For a mahou shoujo, Heartcatch Precure really looks amazing; it has the most awesome character designs, the transformation sequences are the best transformation scenes that I have seen since Utena. It’s incredibly cute, fluffy and sugary, but with every episode I could count on this series leaving a visual impression on me.

Most Imaginative Setting

Angel Beats

This award is for the series that puts the most interesting and original ideas into its setting. Think of fantasy series as the Armed Librarians and Full Metal Alchemist and the way in which their world works, or the way in which Senkou no Night Raid came with such an incredibly risky subject material of the Japanese actions in China in the 1930s. Index also was quite interesting with its relation between magic and technology. Angel Beats however edges this one for me. I know that the series had its problems and all, but in 13 episodes it really tried to stuff as many interesting ideas as possible. Every few episodes or so, the way that the characters looked at the setting completely changed. It’s a typical series that doesn’t really care about solid storytelling but is more interested in delivering an interesting world and having fun in the process, ad that’s what I liked about this series the most.

Best Story

Armed Librarians – The Book of Bantorra

The two behemoths in terms of story this year were for me easy to think of: The Armed Librarians and Full Metal Alchemist. Both had epic stories that just kept taking twists and turns that just continued to change,. I have to give the edge over to the Armed Librarians here though: in every single arc, it managed to interweave its different plot threads and make them come together in a completely unexpected way. It was amazingly planned out and written together and pretty much made every single episode a blast to watch.

Top 20 Anime 2010

#20: Senkou no Night Raid

The moment where Senkou no Night Raid really impressed me was the moment where it really dared to delve into some of the most controversial topics out there, without becoming drenched in nationalism unlike you see with many different anime who try to have these international plots. It’s easy to find this one boring, but I loved how it both treated itself seriously and yet made it clear that it’s a fantasy story at the same time. Its main problem was its characterization and how people were changing sides a little too often,but it still was a fascinating look at morals and values that really took some HUGE risks here.

#19: Star Driver

Now, Star Driver at this point is only half finished, and it has a long way to go before it can even get close to how good Utena was. So far though, it’s really on a good direction with its characterization: it really tries to stuff as much into one episode as possible and at the halfway point this is really starting to pay off. With battles that are short but incredibly sweet, I’m really looking forward to see whether it can actually pay off.

#18: Otome Youkai Zakuro

Otome Youkai Zakuro was another one of those series that looks like nothing special, yet turned out to be quite a refined shoujo romance. The story was simple but because of that it really was able to give the characters the attention they deserved. There are some unnecessary clichés here and there, but overall it’s surprisingly well written and directed.

#17: Shinrei Tantei Yakumo

The interesting thing about Yakumo was that it was one of the shows that was looked forward to the most, and yet when it actually aired you hardly heard anyone about it. The first episodes of Yakumo were quite rushed indeed, but it eventually came together quite nicely, even without the inclusion of Koichi Mashimo. It’s got a great cast of characters and a bunch of excellent main villains and I also really liked how well it was able to use its own build-up. It’s far from Bee-Train’s best, but still a very solid series.

#16: Gag Manga Biyori

Gag Manga Biyori+ simply was amazing. Its episodes only were five minutes long, yet I was looking forward to it every single week. It consistently had me in stitches unlike any other comedy this year. The direction was absolutely brilliant, and I don’t think that I have ever seen an anime with this much concentrated energy as this thing. And yeah sure, the graphics are really basic and there is no coherent storyline whatsoever. Who cares? It was absolutely hilarious.

#15: Ookiku Furikabutte

The big flaw of Ookiku Furikabutte this year was that it was way too short: it’s incredibly slow paced: that’s not going to fit in just 13 episodes. Beyond that though, it really was better than ever as a series: the animation received an upgrade, the characters were more interesting, the dialogue was better,. with the right time this really would have been even better. It really was one of the most detailed and realistic portrayals of baseball out there.

#14: Kuroshitsuji

Kuroshitsuji II was just… amazing. It completely let go of the manga material, trolled just about everyone multiple times and created an incredibly entertaining story that made excellent use of the unique gimmick of this show of incredibly over the top butlers, without all of the annoyances of the first Kuroshitsuji series. The beginning fillers were… annoying, but everything paid off wonderfully in the end with a bunch of excellent villains. It was silly, but also very creative and I really hope to see more of these kinds of sequels in the upcoming years.

#13: Rainbow

Rainbow always had a problem with its acting: there really was a ton of ham and cheese in this series. What managed to save it was its story, which really was excellent. The two halves of the series form a stark contrast with each other, and pack a huge amount of character development. It really was great to see everyone grow up, but even the time that the characters spend in prison was incredibly atmospheric.

#12: Kuragehime

It’s perhaps not Josei at its finest; it had too many one-dimensional characters and an unresolved plot for that, but Kuragehime consistently enjoyable throughout its entire airtime. Its characters were ridiculously addictive and its energy and acting made every episode a lot of fun to watch. It’s a great romantic comedy that was really well directed.

#11: Seikimatsu Occult Gakuin

A-1 may not have been my favourite production company of the year, they really have been dominating the lower half of my top 20 of the year (they occupy four of the spots between 10 and 20), and with good reason: they came with a lot of different, unique and ambitious series that apart from perhaps Togainu no Chi were very interesting to watch in their own way. The one I consider to be the best though was Occult Academy, a roller coaster ride that takes detours through Ferris wheels and merry-go-rounds. It’s impossible not to be disappointed by it at the end in some way or the other due to pacing issues, but the highs of this series really were absolutely stunning. It had three episodes that were just absolutely amazing, and looking back, they were worth the bore of some of the strange build-up arcs that focused way too much on Maya’s character.

#10: Cross Game

Cross Game is slice of life at its finest. It was great to just watch the characters randomly interact with each other. The character development was really good, slowly showing them age through adolescence. It’s just a shame that it’s also a baseball series. The baseball arcs were just too simple and one sided. Every time they took place, I just kept wishing them to end fast so that this show could go back to what it was really good at.

#9: Letter Bee

Letter Bee is a very hard series to get into: the first season was filled with uninteresting arcs and fillers. It really took a long while to get going. Still, the cliff-hanger at the end of season one was one of the best cliff-hangers for a next season I have ever seen, and the second season is continuing to develop both its plot and characters. The characters have become absolutely lovable, and even the individual episodes that have nothing to do with the main plot are really worth the watch. it’s a unique little shounen series.

#8: Kobato

Kobato has since it aired become one of my favourite examples of a show that starts of slow, but ends wonderfully. Most of the first half was random build-up with stories that were marginally interesting. The second half however saw a complete change of pace. Kobato grew up, the characters got more and more detailed and likeable, and the series only just got better and better as it went on with a heart-wrenching conclusion.

#7: Heartcatch Precure

Heartcatch Precure just came and delivered a perfect portrayal of how a classic mahou shoujo series should be. The action is consistently excellent throughout the entire series, the different stories it tells are al incredibly charming, the lead characters are all excellent and well development. Everything about this series is just incredibly cute with a lot of frills and sparkles, not to mention that it really likes to show of its admittedly gorgeous transformation scenes but the charms and energy of this series made all of it worth watching. it really is top-notch entertainment that can both be childish and serious. It’s definitely the best mahou shoujo to have aired in years.

#6: Shiki

In this year’s top 10, I really had difficulty choosing my numbers 4, 5 and 6. In the end I admit that I liked the numbers 4 and 5 slightly better than Shiki, but this still remains an amazing horror series with a fantastic conclusion. I’ve said this many times before but the exact reason why it rocks is filled with spoilers, so just check it out for yourself.

#5: Giant Killing

Now this is a terrific example of how to do a series on a very low budget: the animation of Giant Killing is nothing special, yet it looks unique, with even the most minor side characters having unique character designs. Throughout its airtime, Giant Killing proved to be a ridiculously addictive series, and if board games aren’t counted as sports then it’s turned into my favourite sports series ever. Especially the finale just keeps the cliff-hangers coming and changes constantly. The entire cast is chock-full of lovable characters, ranging from the soccer players themselves to the coaches, supporters, journalists and managers: everyone on this series is important. On top of that, I don’t think I’ve ever seen a series that handled its foreign languages as well as this series: English, French, Portuguese, Dutch. It was an incredibly international series.

#4: Sarai-ya Goyou

Sarai-ya Goyou turned out to be a ridiculously solid character study: it’s incredibly detailed from start to finish with very subtle characterizations. It’s very realistic and an excellent portrayal of how life was like in the past. It’s got some very complex characters for a show that’s only 12 episodes long, and they all face their own issues. Masanosuke was a great character to watch and see change, and Yaichi’s conclusion also really was excellent. I’m a big fan of Tomomi Mochizuki as a director, and her really managed to breathe life into Fujimi Ono’s manga.

#3: Yojou-han Shinwa Taikei

In 2010, it finally was time for Masaaki Yuasa to show his magic again. And granted, Yojou-han is not as good as Kaiba was. It comes pretty darn close though, with its ground-hog day-esque approach to storytelling that comes together in a really excellent ending that ties the entire series together perfectly. I also love the incredibly fast dialogue and the relentlessly fast pacing of this show that at the same time never rushed. It’s a great example of a mature series that had its own visual identity and really needs to appear more in anime.

#2: Full Metal Alchemist – Brotherhood

In a way my number 1 and 2 are quite similar: they both tried to be the epics of the year in their own way and it took me a long while to figure out which was the one I liked best. The Brotherhood Series was a huge improvement over the first season, it was consistently entertaining, the action was amazing, the few moments of comedy were just hilarious and the entire story just kept going on and continued to develop its story for 64 episodes long. The combination between the story and characters reached some amazing heights and even though it’s not my favourite of the year, I still love this one to bits.

#1: Armed Librarians – The Book of Bantorra

In the end, what sold me completely to the Armed Librarians was the way in which it was told: I mean, this show never took any breaks: it was always developing its story, pushing forth new and outrageous plot twists and trying everything together in ways that just continued to surprise me. It used its characters wonderfully and its storytelling just kept making me come back for more. It has also been by far the series that I had the most fun with blogging. I know that it’s a rushed series and that some f the characters could be more solid and all, but the good things about this series far outweigh the problems I had with this series. It entertained me like no other series this year and that’s why I chose this as my favourite show of 2010.

32 Responses

  1. Firechick says:

    Wait…Heartcatch Precure just gets the #7 spot? I thought it’d be higher. But oh well. It’s all a matter of taste I suppose.

  2. totoum says:

    No mention of Sora no Woto’s setting? I really liked the mix of different cultures it had.

    And I like what someone said about the fanservice in P&S : in other animes you “accidently” see a girls panty , or a girl “accidently” lets the protagonist see her naked,but there’s nothing accidental about the fanservice in P&S!

  3. thomas says:

    Yojou-Han on #1 for me, but nice list :)

  4. reverse says:

    Awesome list 100% agree

    minus the part FMAB beat Yojou-han, that just wrong

  5. c160 says:

    I agree with most of your comments on this year’s series(like usual ;D ).I’m really glad that you blogged Armed Librarian too,since I would never watch past episode one’s ugly CG ship if it weren’t for your review,and now it’s one of my top for this year’s.

    But the number one show for me this year is definitely Heartcatch. It’s consistently excellent all the time,the main cast are so much fun to watch, and its so heartwarming too! I stayed because of the awesome fights at first, and become addicted due to the incredibly heartwarming stories. I’ll be really sad when it’s all over :(

  6. Jeremy says:

    I would maybe trade number 1 and 2 spots because of The Armed Librarian pacing problem but they both were very good. I mostly agree with your list and it must have taken you forever to do! Be sure that for the year 2011 I will continue reading every entry of your blog! Happy new year!

  7. m says:

    The fan service in Panty & Stocking with Garterbelt consists of those scenes where they shift art styles; and it moves from puerile humor to being sensual. It’s doing more with less, which makes it funnier. The show is still the worst thing that I actually watched completely. It wasn’t a complete loss, because there were two sketches and a few scenes in the last two episodes that were interesting, and the soundtrack has some decent tracks (e.g. ‘Theme for Scanty & Kneesocks’ and ‘Champion’).

    The show that defied my expectations the most this year was Star Driver. From the absurd concept art and the premise, I expected it might end up being awful, perhaps even Code Geass awful. I watched it with the expectation that I would spend my time mocking it. I should have had more confidence in the people involved, because it’s turned out to be quite charming and well-directed. It’s definitely a show that never takes itself too seriously, and that works magic for its ability to manage a stable of cliches without being stale. I’m also impressed with the subtlety with which it approaches its dramatic elements.

    I think the biggest disappointment for me this year was Angel Beats!, although Sora no Oto was a close second. Both of these shows had a lot of promise that was hampered by jamming them into one cour.

    Sarai-ya Goyou was probably my favorite show this year. It annoys/saddens me that there is basically no chance I’ll ever be able to buy it on bluray.

    Anyway, that was a lot more than I intended to write. Happy New Year and let us all look forward to even more quality productions in 2011.

  8. Otaku Surf says:

    I may have to check out Kobato after your description of where the series went. I was a big Cardcaptor Sakura fan years ago and that was what led me to watch Kobato (Clamp, ie.). I watched the first few episodes and didn’t think anything of it…definitely take another look at it.

  9. RollingCamel says:

    For music, although I agree Shiki has an awesome soundtrack, nothing comes close to FMA:B in terms of sheer number and variety of tracks it had. For me, FMA:B rules best in music along with Bakumatsu Kikansetsu Irohanihoheto from previous years.

    Rainbow is worth mentioning too..

  10. Nomus says:

    Quite solid and well explained rating. Hard to argue… With two exceptions. First, “Best Fanservice Anime”: Panty and Stocking may be flashy, but Ichiban Ushiro no Daimaou had better storyline and some nice characters. Second: how did Occult Gakuin deserve such high place? Yes it had few really good eps, but altogether wasn’t it worse than those nine shows you put before it?

    And Happy New Year!)

  11. Marmoset says:

    With all your love for cross game I expected it a bit higher. Tatami Galaxy has the be the best this year for me.

    Anyway keep on trucking psgels.

  12. Tan-Tan says:

    WOOT FMA BROTHERHOOD with 3 awards!

    ALWAYS NUMBER 1 IN MY HEART XD

  13. ocswing says:

    Man, another roundup post without mention of Sora no Woto for best OST. I can’t be the only one who thought it was such a good soundtrack.

    Loved the comprehensiveness of the summary posts. Definitely got me to look into some shows I wouldn’t have otherwise. I only recently got into anime blogs, and yours was one I consistently enjoyed reading. Thanks!

  14. evolstar says:

    I agree that this wasn’t an impressive year except for a few good series like Armed Librarians, Shiki, and Giant Killing. I hope this year will be better. I look forward to another year reading this blog. Cheers!

  15. mds says:

    errr,no mention of JC Staff in the best studio list? They’re pretty amazing this year…

  16. Earl says:

    is armed librarians really good? i didn’t really like the first few episodes but maybe I should give it another shot..

    on the other hand FMA, giant killing and shiki (only watched til ep 7 now) are amazing!

  17. Shippoyasha says:

    I actually wouldn’t rate Fullmetal so high personally. I mean, it’s AMAZINGLY done, but the story was just so ROTE and by the books. Every bad guy is in fact not really a bad guy (even the homunculus have a non-baddie reason why they exist) and it wraps itself with a neat and tidy bow too well I thought. The worst trap about a shonen style show. I would barely rate it anywhere near my top 15 shows of the year.

    That said, I agree with Bantorra though. Unlike something like Fullmetal, its premise is incredibly fatalistic (dead characters STAY DEAD. Evil guys TRULY ARE EVIL) and it just kept going full steam with its downright perverted portrayal of death and the powers of evil and destruction of the world. Which made noble, avatar-of-good characters like Noloty feel even more heroic than she looked.

  18. Iryne says:

    I was expecting Shiki to be #1 and Sarai-ya Gojou to be #2. I never did like the FMA premise. I read the manga, imo FMA just tries too hard to tug at the heart strings with its philosophies and tragedy. It gets more and more apparent as you go on.

    I just think Shiki, Kuroshitsuji and Shinrei Tantei Yakumo should be ranked higher. Was also surprised to see Otome Youkai Zakuro on the list. It was pretty boring for me.

  19. windy says:

    Great list! Happy new year!

  20. mds says:

    @shippoyasha :

    evil guys who stay evil = one dimensional,shallow characterization.
    Boredom.Cliched.And the list goes on.

    Anyway,happy new year everyone,hope this year also prosperous for this blog!

  21. thomas says:

    @ mds: I myself prefer shades of grey. They don’t have to pull 180’s to make the antagonists interesting in the story, they could just give the baddies interesting back stories. The people we consider to be “bad people” generally don’t think they’re doing bad things, it’s just a matter of views.

    @ people who think certain shows should be higher in the list: You may also wish to include which shows should then be placed lower as result ;)

  22. Hunter-Wolf says:

    Enjoyed reading this a lot, i also have to say i feel glad i watched Armed Liberians … it turned out to be quite a big surprise .. sadly it isn’t as popular as many other lesser shows that aired in 2010 … which makes me (again) glad that i’m following this blog ^_^

    Keep it up .. i await more interesting posts in 2011.

  23. JDM says:

    2010 was a good year. Not the best but good year.

    Now with regards to the list, I know a lot are whining because this show is rated higher than this or that, but you know what, simply because a show is here already means psgels rated it as one of the best. It might matter to some how or why x is rated higher than y, but in the end if you think about it, it’s just pointless. Because both x and y are great shows. Personally, I can’t rank them properly and it would take me a week of self-debating to even start ranking it. I loved a show and that’s it, no need to rank them as long as they’re part of my top 10. ok rant over.

    Then again, awesome list! Thanks for blogging! I came to know more anime this year because of your blog!

  24. Ncrdrg says:

    Thanks for the recommendations. I usually love a lot of the shows you recommend although there is definitely quite a few I never got into at all (Star Driver (too flashy, no substance), Yakumo (ugh, I wanted a tense mystery anime because I’m a fan from the manga) or Senko no Night Raid (worst pace I’ve ever seen in an anime and incredibly hard to watch).

    But like others said, it’s your tastes and you can defend them. I loved Ore no Imouto in contract of you dropping it, I loved series like Code Geass above Bantorra), it’s all subjective.

    I noted a few series I’ve overlooked to check them out later. Thanks for the list, you’re very entertaining to read. I assume we can expect Winter 2011 first impressions soon?

  25. tokebi says:

    Having recently finished reading the final volume of Sarai-ya Goyou, I just have to say that the anime would’ve been absolutely mind-blowing had it been allowed to run for at least 24 episodes. If you liked the development of Masa and Yaichi in the adaptation, the original story is just… stunning.

    Anyways, this ranking was fun to read. I refer to your judgment a lot when browsing for a series to spend my idle time. Thanks!

  26. AnimeFan000 says:

    I agree with best looking graphics for Heartcatch Precure!. The graphics were amazing because the Character designer is the one who did Doremi and Casshern Sins.

    I also agree about Heartcatch being the Most Pleasant Suprise; I thought I would never touch Precure again until Heartcatch Precure! came, the first episode really got me into watching this series. If it wasn’t for Heartcatch Precure! I would be sticking to Cardcaptor Sakura and Sailor Moon as the only 2 Mahou Shoujo series I would only watch. I’m also watching Nanoha now though :)

    Too bad Heartcatch Precure! didn’t make it to the top 5 :(

  27. reverse says:

    A bit early but, be sure to included best OST and best use of OST for this year. and best sound effect would be nice too

  28. Otaku says:

    I dont see why Shiki is regarded in such a high manner. Honestly it was a decent and full of plot holes. The ending was also one of the biggest disappointments ive come across

  29. cass says:

    Good list.
    Bantorra is very hard to beat and sad to say but the competition is getting weaker & weaker with each passing seasons.

    All those panties shots cant hide the fact that the stories are being replace by thin excuses and characters by robotic stereotypes…

    I would have love for you to make a small place for Legend of legendary heroes which is more interesting than it seems…

    Keep it up. Love your site…

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CHANGE USERNAME
Kaiser Eoghan
....well without spoiling towards the middle of that rakugo episode and all throughout during that middle part, my opinion on Yotaro's character went far up.
Kaiser Eoghan
Struggling to remember the name of that josei samurai manga from the 90s (or earlier 2000s), had a gender bending theme.
Kaiser Eoghan
I've already read kenshin and vagabond, I loved shigurui death frenzy and sword of the stranger but found samurai champloo uneven. Theres a kagemusha manga but I haven't read it and I've yet to see/read blade of the immortal.
Kaiser Eoghan
At a glance I'll go against the grain and say I think demi-chan is funnier than konosuba, going on one episode of each.
I've been watching a fare share of samurai films in the last two years and lately so I'm open to wathing more anime/reading manga dealing with samurai.
SuperMario
Hand Shakers, how I love to watch it jumping off the cliff. This show contains lines like "I don't understand... even if I did understand... but I don't understand." It isn't a dialogue that we encounter too often I'm sure.
AidanAK47
@Mario, Sounds good to me. With me covering Little Witch Academia, Saga of Tanya the evil and Rakugo this season is well covered.
SuperMario
so I've decided to blog 3-gatsu, Scum's Wish and ACCA this season. A bit worry about the latter as I still don't have much to talk about that. Let's try it and see what happens; I say
SuperMario
Okay, I'm not hot on Onihei this week, as if the main theme about these two episodes were "people can be corrupted" then I'm not buying it. ACCA, on the other hand, was still very solid of building up the world and its big events to come.
AidanAK47
I have played all the big roguelikes and found they have the same problem. I argee on procedural generation. Even if the map is different every time you are essentailly going through the same rooms and doing the same things.
Masky
Though to be honest, I don't like procedural(or designed room and then game connects them randomly) games much. I much enjoy hand designed dungeons since I rarely play games through more than once anyway so roguelike's appeal of "Every time you play it through its different!" doesn't appeal to me much and hand designed dungeons are much more memorable
Masky
Can't really comment further on that since I don't know which roguelikes you have played, and neither I have played gungeon so I don't know if its badly designed to the point you can't do anything if rng says so. Though I guess there is nothing wrong about liking luck based games, if roguelike in question is truly unbeatable if rng says so, well, its really badly designed one if you ask me.
AidanAK47
Take my last run. Made it up to the fourth floor. Got plenty of guns but none were really useful. Even then ran out of ammo for all of them and the game was cheap about giving out ammo. Plenty of money but shops with nothing worth buying. Over 5 heart containers but no goddamn health. Died on the boss because I rolled out of a bullet into another bullet. Pretty much unavoidable.
AidanAK47
@Masky, that's the theory but in pretty much every roguelike I played its not the case. If the RNG decides you are going to have a bad time then you are going to have a bad time. Skill can only bring you so far. I have played this game for 7 hours and I know I could have finished it in 2. Only thing stopping me is a dice roll.
Masky
Like, the thing with roguelikes is that they can get easier/harder depending on luck, but well done one should be completable even without any upgrades at all if you are skilled enough.
Masky
Thats not the really case with roguelikes though, unless game design is bad and includes insta kill traps and such that are unavoidable if you are unlucky
AidanAK47
I hate roguelikes. Been playing enter the Gungeon and I just lost all patience with it. Getting real tired of my victory being decided by a RNG. It never feels satisfying to finish a roguelike because I know my victory was determined by pure luck.
AidanAK47
So we got to rely on fansubs for it when it's airing.
AidanAK47
@Mario, Nope. I think because netflix only puts up full seasons they are only planning to put it up when it's finished airing. Or when it's dubbed.
SuperMario
But how does the Netflix thing work? So of I have a Netflix account I can watch the show weekly?
SuperMario
@Aidan: that's a dumb way to do things really because unless you watch the show weekly, everyone gonna forget that it even exist. Just look at Re-Life last year
Lenlo
thought*. Words are hard.

Eventually found the actual first ep though and enjoyed it.
Lenlo
Was funny. I tried to find the first Ep for Little Witch, found original short made afew years ago, watched it and though "This is very similar to the original... Whats new".
AidanAK47
Little witch is one of the best shows this season and yet I can't get subtitles because Netflix doesn't release shows weekly. Motherf*cker.
Lenlo
Ore Monogatari I enjoyed. It was a nice romance that actually explored what happens after the confession. Also the 2 leads are just precious.
Lenlo
Alright but unmemorable seems like a good summation.
SuperMario
@Lenlo: one good thing about Seiren is if you don't like this romance, the whole thing gonna reset after episode 4 so there's a chance that you might end up like it. Agreed that the comedy wasn't very good. Alright but unmemorable
SuperMario
@Topgavin: I watched like first 3 episodes and stopped because I didn't have much time there, but I enjoyed what I saw. A well-written and endearing show in my book
Topgavin
Has anyone here watched Ore Monogatari before? Because in the 4 years I've watched anime, I've never heard of it (I guess it did come out 2 years ago) and yet it's turning out to be one of my favorite shows. Always great going into a show expecting nothing and getting pleasantly surprised.
AidanAK47
Only one more impression to go. Should have it up tomorrow.
Lenlo
Im really not feeling Seiren. Its "comedy" isnt for me and I just dont find it very enjoyable to watch so far. Im curious if it gets any better but 2 episodes in it just isnt that good.
HelghastKillzone
That ending scene is an entire side-story compressed into that. Don't expect anymore of it from here on out as the it sticks to ruthless military/fantasy pretty well.
LookingForKeys
@Topgavin I think it was good, making it the second episode. That way the first set up the world the story will be in, and showed how much of a monster the "little girl" really is right at the end, and then made ep.2 the explanation. Nothing against Tanya trying to rip "God" a new one.
That after-credits scene, though...
SuperMario
Hmm, as much as I like Seiren's omnibus format, it doesn't turn out really hot this second episode. Demi-chan, on the other hand, still maintains its endearing tone. Might blogging Demi-chan instead
Topgavin
Yeah, that second episode was much better than the first. Dunno why they didn't start with that to be honest, waste of an opportunity for a good hook episode. The voice for the main girl still sounds weird to me though; I get it's supposed to sound weird because it symbolizes 'her' being out of place and her personality and body being a mismatch, but it'll certainly take some getting used to.
AidanAK47
Youjo Senki, now we are talking. Like Helghast said, Did the god scene way better than the LN and manga. Made it less comedic and more intimidating.
Lenlo
Oh man that Rakugo intro. Not sure what to think, but first time seeing it I liked it
Kaiser Eoghan
I sort of like good will hunting because I kind of saw a bit of myself in Damon's character when I watched it ages ago.
Kaiser Eoghan
@Mario: Remaking psycho and ruining the shower scene, for shame van sant, for shame.
Kaiser Eoghan
Its easy to ripoff some obscure thing though and get away with it. The dogtooth director essentially stole an old Mexican film to make that.
SuperMario
@Kaiser: yeah, that following some guys from behind like they were on a RPG games, which I think actually fit with the tones of Elephant. I have such mixed feeling with Gus van Sant too. Don't really think he's a great director.
Kaiser Eoghan
@Mario: Although Istvan Szabo is probably a little more well known for that Mephisto film that updates the Faust story. Zoltan Fabri's the fifth seal is a very thought provoking war movie.
Kaiser Eoghan
@Mario: I remember seeing a film documentary that featured Gus van sant in one section, they showed clips of tarrs films, Sant ripped of the cinematography and stole the style from some British short film to make Elephant.
SuperMario
@Kaiser: agree on the other Hungarian filmmakers, I don't know much about them either.
Kaiser Eoghan
@Mario: Scorsese's Silence was a big comeback. I really really emotionally connect with spiritual crisis stories.
SuperMario
@kaiser: yep, definitely check wreckmeister down. Althought I admit that watching his 2-hour plus films will feel like 5-hour anyways
Kaiser Eoghan
@Mario: I'm more tolerant of darker teenage/coming of age films/stories. Les Demons was a big surprise.
Kaiser Eoghan
@Mario: Though its kind of frustrating, I do think Tarr probably takes attention away from other hungarian filmakers because no-body knows who the hell the others are.
Kaiser Eoghan
@Mario: Man, wreckmeister was so visually arresting I started getting dreams from it.
Kaiser Eoghan
@Mario: I would consider Tarr to be kind of a poor mans Janco, Angelopolus and Tarkvosky rolled into one. I don't entirely "get" wreckmeister and man from London but they are great atmospheric mood piece experiences.
SuperMario
@Kaiser: I had been wanting to watch Belar Tarr's Turin Horse and Werckmeister Harmonies for so long now. Well, Fat Girl is shocking haha, but I'm normally drawn into those kind of films anyway.
SuperMario
@Kaiser: Margaret took like 5,6 years to release because he couldn't cut it down in the way he wanted. The final cut if I remembered correctly was edited by Martin Scorsese
Kaiser Eoghan
@Mario: Only a HDcam for moonlight now.
Kaiser Eoghan
I looks like my lineup is witch academia, rakugo and youjo senki, well the most latter one until I get bored.
Kaiser Eoghan
@Mario: I sense a directors cut for manchester, it feels like it need another 30 minutes.
SuperMario
@Kaiser: right up my valley. Watch Kenneth Lonergan's previous works Magaret and You Can Count on Me. Magaret is very messy but have a raw dialogue and interactions as well
SuperMario
Now the first episodes are over, I will keep on covering 3-gatsu, as for the other twos atm I have 3 options: 1) full romance/anti-romance high school Seiren/Scum's Wish. 2) slice-of-life moe monster girls Demi-chan/Maid Dragon and 3) Mature,dark Onihen/Acca (which although I like them I don't have much to talk about).If you guys have any preference on which shows you like covered then let me know
Kaiser Eoghan
@Helghast: At this point I'm watching youjo senki as an entertaining guilty pleasure.
Kaiser Eoghan
@Mario: Too many reboots upcoming, will wait for the dvds instead. I want to explore more of manchester by the sea's director's work. I also want to finally get more into Bela Tarr's stuff.
Kaiser Eoghan
@Mario: I was rather shocked by A Ma souer/fat girls final act. Scenes with the Italian in the bedroom were initially creepy.
SuperMario
@Kaiser: it's a nice review Kaiser, a bit jealous with you that you've seen those 3 films which are touted as the best films of 2016. Also Fat Girl, haha, I love that movie.
Kaiser Eoghan
Poor yotaro =< you have so much stuff going down on you =<
HelghastKillzone
Youjo Senki episode was so good today. That revamped scene with God just fitted so right.
AidanAK47
A official release of that game in the west is apparently coming but it's been a few years and not much news about it.
Kaiser Eoghan
@Aidan: Ah yes that was the one.
AidanAK47
@Kaiser, Had to think for a moment on that one but I think I was talking about this. https://vndb.org/v3144
Kaiser Eoghan
Now I'd hardly consider myself a studio trigger fan, but I watched the first witch academia episode there, it was actually kind of fun, got the same reaction from me as flipflappers did, that magical, special feeling.
Kaiser Eoghan
@Mario: I also, of interest reviewed Kenneth Lonegrans new film: http://letterboxd.com/shao_liu_ringon/film/manchester-by-the-sea/
Kaiser Eoghan
@Mario: Moonlight got some feels out of me though it could of been more, it ends abruptly and with 20 extra minutes they could have spent a bit more time on each section of his life.
Kaiser Eoghan
@Mario: I checked out lala land, ending was very well executed, one of three scenes in the film that were impressive visually. The whole thing looked pretty and Gosling and Stone had some decent chemistry. Although it didn't resonate emotionally as strongly as the musicals of Jacques Demi did.
Kaiser Eoghan
MOM I want aiyoku no eustia and I want it now.
Kaiser Eoghan
I've never heard of himawari or tokyo babel. The hellsing comparison at least interests me in dies irae. What was the name of that visual novel again that was coming out soon, Aidan you described it as "And Kaiser would love it because its supposed to be really fucked up".
Kaiser Eoghan
I vaguely remember the anime for 11 eyes, it was very forgettable, even the voice acting was poor, hated the childhood friends and the pacing was poor, those black knight things were kind of interesting though.
Kaiser Eoghan
@Aidan: You'll have to add me onto the list of those unsatisfied with the ever 17 writer, I read one of those games and felt it was a bunch of interesting bait that never paid off.
AidanAK47
Anyway I plan on doing a review of 11eyes here when I finish it.
AidanAK47
Can't say I was a fan of Ever17. That was a really good twist but when it came to explaining it their was a lot of contrived development. Generally not a fan of the writer. Looseboy, Ryukishi, Gen and Nasu are more my kinda thing
AidanAK47
@Anon, it is nice that so many VNs are on steam but I wish they wouldn't be stupid with the whole no adult content thing. Not so much for myself but to prevent idiots from writing negitives reviews because the game doesn't have sex. VNs can grip you in a way anime simply can't and while they require pathence and time those can be some pretty powerful stories.
Anonymous678956
@Aidan, I am so happy steam's so VN-friendly now. I think it's a very good type of media. Like anime, it has nice visuals, music and some movement but also the inner monologue and text amount of books. It's the perfect combination. Plus, the routes, which are often puzzle pieces and PoVs you have to go through to understand the whole story. True routes like the one of Ever17 blew my mind.
AidanAK47
Hopefully the two VNs I bought of steam turn out better. Tokyo Babel is supposed to be alright and I heard really good things about Himawari.
AidanAK47
I am about a third of the way through the game and really not much of worth has happened. The concept is interesting but the execution is sorely lacking.
AidanAK47
I went in expecting it to be a mixed bag and it's pretty below my expectations. It's just not really well written and the protagonist is a moron. THere isn't really routes and instead you are pretty much stuck with his childhood friend as the main love interest. Problem with that is her character begins and ends with loving the main.
Anonymous675376
@Aidan, damn. 11Eyes is on my reading list as well. Although I almost expected it to not be as good as I thought it'd be (back then). Guess I would have enjoyed it if I was able to read it while the (shitty) adaption aired, maybe I have seen/read too many series by now. Guess I'll still give it a try some day though.
AidanAK47
@Anon, I haven't heard the OST or watched the intro video. I only know it be reputation and have decided to walk into it as blind as I can. Still slightly worried as I was somewhat looking forward to reading 11Eyes for a couple of years and now that I am reading it it's well...not good.
Anonymous675376
@Aidan, same here. I was waiting years for this, since I saw the intro video for the first time. Also, that OST!
HelghastKillzone
Youjo Senki is already leagues better than Izetta. It's going to be top anime of forever and ever. (maybe not)
AidanAK47
And finally Dies Irae is funded. May actually be able to play and finish the game before the anime airs. If the hype is real behind this baby it could be a new personal favorite Visual Novel of mine. Already looking promising with it being like a cross between Hellsing and Fate/Stay Night. Two things I most certainly like.
Lenlo
@Masky, in regards to style over substance thats where im at with Gurrne Lagann.
Topgavin
Yeah, I'll probably watch the next episode to see whether it can redeem itself. Hopefully it can but considering 1st episodes usually get a lot of budget, there's some severe doubt in there.
AidanAK47
I actually argee with character designs and voices are bad in regards to female characters. Still the next episode might change your mind if we get more into the main characters head.
Anonymous671470
It's boring
Topgavin
Also, it seems I disagree with a lot of people in thinking Youjo Senki will be a massive trainwreck. The character designs are awful, the voice acting is mismatched but most of all the premise just seems so very dumb. If I wanted to watch a badass kill people I'd go watch Hellsing or Drifters, because at least those don't have some op, disproportionate loli as the mc.
AidanAK47
Gets even more complicated when you account for Satire and Parody. You could equally argue all examples listed as being as such.
AidanAK47
Little Witch Academia is a decontruction of Harry Potter....I don't believe that but honestly if I tried I could put some reasoning behind that statement.
Topgavin
In the end, it always comes down to opinion (as with every discussion about anime, for some reason). You could spin any and every series as a "deconstruction", which is why people shy away from using the word. You could argue NGE, Madoka and Re:Zero are all deconstructions yet also argue Gundam, Precure and SAO are depending on what points you weigh more importantly.
Masky
Like, if deconstruction is supposed to be just "break the elements and then play story how it would realistically go down" well I haven't watched NGE, but as far as I know it does have stuff that isn't typical to mecha genre besides the "It would fuck up kids" thing plus "realistically how it would play out" is pretty subjective thing. I mean, its mainly about how cynical bastard the writer is :P
Masky
Like I said, I don't fully agree with it because I find video's speaker's attitude annoying, but I found it semi convincing. Main thing I don't find convincing about it is that I don't think its hard to turn video's own arguments agaisnt it and say that by its own logic NGE isn't deconstruction either, like Aidan just said earlier
Masky
And I don't really have energy for checking out the "correct" one. If there even is one. Anyway, the hipster video I was talking about was titled "What Actually Is A Deconstruction?" if you want to check it out.
Masky
Hmm, well, it does depend on definition you use. Like if you use "realistic" thing, well, Magical Girl shows don't usually have "You turn into monsters" thing going on and reason why NGE's pilots go crazy is from dangerous situations rather than evas making them do so. But honestly, I don't really have strong opinion on matter since word seems to be one of those with several different meaning
SuperMario
for me Madoka IS a deconstruction of Magical girl, and yeah like what Aidan said
SuperMario
I think part of Utena is a deconstruction of "prince riding horse and save the girl" because that notion is just a foundation for Utena to become a prince herself and save other girl. That's breaking it apart and resemble it again in its own way. Don't have to be dark/ don't have to be real either
AidanAK47
@Masky, That's just debating semantics. Besides that difinition would pretty much mean that Neon Genesis Evangelion isn't a decontruction either. Madoka isn't a decontruction because it's dark. It's more in its aspects of criticising why a girl should throw her ordinary life away for something as dangerous as being a magical girl. It does take plenty of the typical tropes and turn them on its head
SuperMario
@Masky: Genre deconstruction is such a tricky word that I normally try to avoid using because there's really no set characteristic about the term and different people have different opinions about what constitute "deconstruction". For me, I disagree that deconstruction have to be dark and real, hmm can't say it well but I will give you an example:
Masky
But yeah, I guess I could try to find the video if you guys are interested, though like I said, I got hipsterish feel from the video and felt rather annoyed through it even though I did get what the point was and found it sort of convincing besides my annoyance
Masky
(not that liking NGE is hipsterish, its just that I find NGE to be more style than substance sort of series <_< Anyway, guy didn't dislike madoka or anything, he just seemed to dislike people using word deconstruction wrong in his opinion)
Masky
(especially with how much they seemed to praise Neon Genesis Evangelion)
Masky
I mean, I think the guy was being somewhat hipsterish, but its true the being darker take on genre isn't same as deconstructing the genre
Masky
@AidanAK47: Some other guy on youtube did video that had actually pretty good point about how Madoka isn't really deconstruction, if you go by definition of "Break it down to parts and then play them straight to show how horrifying it would be in real life"
Anonymous670441
Gente - Ristorante no Hitobito
Kaiser Eoghan
If anything its the hate I have for certain characters that makes it more effective.
Kaiser Eoghan
The obsessional level of attachment is just uncomfortable to me, I don't want to get THAT attached to a non-real character.
Kaiser Eoghan
Its literally just a case of "Okay lets look at this picture of this character, she looks interesting, no feelings or expression from me, apply this fetish, fap, get release, go home. "
Kaiser Eoghan
Or drooling/dribbling/heavy breathing/grinning over the characters. I abhor alot of the anime girls I find attractive or am indifferent, even when looking at ecchi/hentai drawings I'm straight and clinical with it.
Kaiser Eoghan
I mean to each their own. But I really hate the level of emotion/devotion to moe/finding the characters attractive. Such as celebrating their birthdays, going on about how cute/hot they are, how important it is that they're virgins. Or not being being self-aware of how irritating the characters are.
Lenlo
Anime hipster is pretty accurate. His general treatment of the current state of anime is annoying, as is his obsession with moe. Maybe its cause I cant stand moe most of the time, but it bugs me.
Kaiser Eoghan
@Lenlo: Essentially my brothers view on digibro.
Kaiser Eoghan
@Aidan: I don't usually feel the need to correct errors in your reviews as the errors are generally un-important, but I think you meant to say apprentices rather than appearences in the Rakugo review, just bringing that up as it felt like kind of a throw off.
AidanAK47
Which is kinda like saying Madoka wasn't a magical girl deconstruction because Sailor Moon and Nanoha had dark elements too.
AidanAK47
Went and read the reddit comments on it and seems I was right on the money.
AidanAK47
@Lenlo, He's basically a anime hipster. For example, I saw a thumbnail of his which had Saitama on it and below it "Is There Meaning In "Subverting" Shounen Tropes?" and I thought "Okay, he's going to go on about how OPM isn't subversive and then list a bunch of arbitrary examples in an attempt to redefine what is actually subversive"
Lenlo
I have lots of issues with Digibro. Dude has some good points, but other very horrible ones. Some issues he feels strongly about and gets kinda biased on imo.
Anonymous669202
acca looks visually interesting, and I personally really dig this kind of show, but it seems that it's definitely not for everyone
AidanAK47
Time to live up to my word. Four posts incoming.
AidanAK47
Man, Little witch Academia was so good. I disagree with the whole Digibro thing about being able to recognise a great show in it's first episode but watching this makes me think that this really is going to be something special.
AidanAK47
Alright, gonna put in effort today and have 3 or 4 first impressions posts done. That should knock out near half the season.
Kaiser Eoghan
Had a flip through handshakers. Garish is the word I'd use to describe it visually, it takes you out of the show.
Topgavin
ASuperMario From the first minute I can already tell it's by the same people that made K. Those colour filters and the extremely jarring/obvious city CGI is unmistakable.
SuperMario
Hand Shakers, literally makes my hands shaking. It's an abosolute mess. Highly recommended to check it out because it's so terrible it's great to watch
Vonter212
Yeah, and it's also a literal woman in refrigerator plot device, since that the thing that pushes the story forward.
Masky
I'd say that having to hide your sister's body in fridge would count as daaaaaaark and edgy, but when the body is wearing only underwear, and for some reason main character put metal things in fridge to keep body standing(I guess to not knock fridge open from inside?) I think it goes to "exploitation" you are talking about
Vonter212
@Masky - Did someone said doing dark things for drama? That's the bread and butter to get despair. Unless it's for the sake of perversion. Then it's just exploitation.
Kaiser Eoghan
@Masky: His other works dead tube and scumbag go further in the unhinged regard.
Masky
*relies on easy "let's do [x dark thing] for drama!" thing
Masky
Geez, Mayonaka no X Giten is fricking disturbing/disgusting ._. I'm pretty sure that writing relies on e, but I can't help but think mangaka is trying to make corpses sexy.
SuperMario
I found Onihei to be quite good, actually one of the most solid new episode I watched this new season. Guys, check them out
Vonter
I just hope it doesn't fall into the same misstep Kabaneri or Inuyasha or Bleach fall by making a villain so over the top that it crossed the line of not having a satisfying downfall.
Anonymous657941
@Vonter I think they just moved on. I lost interest rather quickly and I guess even the fans did that at some point, like with some other long-running series. There is much more new and more direct "fujo" stuff out there, many of them probably switched. Don't know what happens in the manga but maybe the story got worse or contained things some people didn't like.
Vonter
January will be loli dictator month (for me) :p. World Conquest Zvezda Plot, Youjo Senki: Saga of Tanya the Evil (new), Seraph of the End. For some reason I stumble into three curious series with little power hungry girls. If I can ask, why did Owari Seraph's hype died, I remember back it was mentioned more often. It still has the fujoshi fanart but still, I don't see people bringing it up.
SuperMario
@CATski: well, if you didn't like its first 3 episodes I dont think the rest gonna change your mind. Have you finished Erased then? How did you like it?
SuperMario
But I understand it's difficult to speak in front of camera, get some time to get used to it
SuperMario
@kaiser: I won't commend on poem as I'm terrible at it myself but younneed to work more on presentation Kaiser. Small little things like looking directly at the camera or say "thanks for listening" in the end can connect you to the audience better
Anonymous657071
Ok. I'll give the thing another chance. *clicks torrent* XD. CATski.
Kaiser Eoghan
@Topgavin: You might like centaur no nanami if you like demi-chan.
Kaiser Eoghan
Damn...repeated myself =<
Kaiser Eoghan
There are these things called slam sessions done in bars where people get up and read out stuff in front of a crowd and read stuff out. Actually watching rakugo made me think about practicing for that kind of thing.
Kaiser Eoghan
@Mario: the video I did was of me reading out a short piece of writing I did, a poem. lol I uploaded it to the wrong youtube account too I just realized =P
[link src="https://www.youtube.com/watch?v=ypBZ2hBDBYs&t=11s
I"] was recording this from my mothers laptops inbuilt cam while reading off my desktop.
SuperMario
@Kaiser: I think it's a good idea for you to try out reviewing movies/stuffs in youtube channel. I'll be very interesting to listen to them
SuperMario
@Topgavin: Agree. Demi-chan was so charming. Definately one of my favorite so far this new season
Topgavin
Demi-chan's first episode was good. Like, really really good. That blonde-haired girl was hilarious, the teacher-student relationship between the MC and the girls is really interesting and the social/practical problems the demi's face make it look like my favorite show so far.
CATski
Ah... ok. Is it really that good or it's just one of those "artsy" animes that tend to get overrated by their ardent fans? I didnt find the rakugo bit interesting.... probably the weakest aspect of the show for me.
Kaiser Eoghan
@Aidan: Why did I read that chapter. Why did I do that to myself.
Total users: 40

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