Posted by psgels on 31 December 2010 with categories: Kuragehime



Yeah, this episode was rushed. At the same time though, I’m amazed at how much the creators managed to put in just this single episode.

Overall this series should have been better balanced in order to avoid this problem. I’d say, that stuffing episodes7, 8, 9 and 10 in just three episodes would have already done wonders, but this episode still was really enjoyable. It’s just that it didn’t resolve half of its plot and the things it did resolve were… yeah.

As for the cliff-hanger at the end of the previous episode: it turned out to be a mistake by a bunch of construction workers. In the end the problem gets solved in a way that does make sense in the end… but still remains questionable: Chieko’s mother just arrives with the message that she doesn’t intend to sell the thing after all. It’s one of those “why didn’t you say so in the first place!?”-twists at the ending, though granted this is a decent version of it: it was established episodes ago that Chieko’s mother’s phone was broken so she had no way of contacting them.

This episode also went back and forth between a fashion contest from out of nowhere at the same time. And remember that girl that Banba and Jiji ran into? She’s a supermodel and is at the same fashion show. Apart from a few “ah, I remember you!”, that encounter was never really used. At the same time we also see Shuu and Shouko who bump into each other at the same plane.

And don’t get me wrong, this was a very entertaining episode: the creators knew that they’d never be able to wrap everything up so they tried to stuff in as much as possible in this episode. Overall this is a series that doesn’t do well in terms of the big picture, but rather shines through its individual scenes and jokes, and that’s something it really was excellent at.

Probably the worst thing about this episode was that none of the romances were resolved. Shouko and Shuu were literally on a plane together when we last saw them, and the tension between Kuranosuke and Tsukimi is the same that it ever was. Unlike Shiki, which ended Perfectly, Kuragehime really should have had a normal time-slot to really show its best.

Next season’s Noitamina should prove to be significantly different: from a silly and over the top Josei comedy about cross dressers, we’re moving to a realistic and down to earth slice of life series about cross dressers and from a brutal horror show with lots of mystery we’re moving to a moe show with lots of mystery. Again, the question is whether they’re right for Noitamina or not: are their mangas small enough to fit within 11 episodes or will they be as incomplete as Kuragehime?
Rating: * (Good)

9 Responses

  1. Diasen says:

    Which are the two shows in this timeslot next season?

  2. psgels psgels says:

    Diasen: Fractale and Hourou Musuko

  3. “moe show with lots of mystery,” sure you aren’t confusing Fractal with Gosick? Fractal seems more like a fantasy than anything else…

  4. Happy says:

    Did you watch this with eng subs?

  5. lHyDrAl says:

    Fractale is anime original btw..
    Yamakan FTW.

  6. LS says:

    particularly enjoyed that they found time for a Burmese Harp reference … that’s a deep cut right there

  7. Perrin4869 says:

    Bah, this didn’t work as an ending, or as anything for that matter, for me it was a terrible episode. I would have preferred something even more open ended, rather than a piece of nonsense. Or at least that’s what I felt I was watching all along.
    In the end, I must say that this series never lived up to the expectations I had of it after the first episode (though I’m not sure exactly what my expectations where, they definitely weren’t met), but I enjoyed watching… Except for the last few episodes.

  8. windy says:

    Shouko should be labeled as one of the funniest character of the year; she was really good at making me laugh, I loved the moment when she was plucking off the flower’s petals and it ended on “he hates me”, it’s just so like her, I don’t think I ever heard a character that concluded with the same result, it’s a shame this show has to end so soon, I’d like more and more of it.

  9. Jeremy says:

    I rather enjoyed this ending but it would have been much better if it was in 2 or 3 episodes instead of just 1. The whole fashion show thingy should have taken a whole episode. It’s also sad that we don’t get closure on many storyline like shou and that lady (which is one of my favourite characters on the show, she’s hilarious!) Overall, the show would have been so much better if it would have lasted longer. Sad :(

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  • Bam
    (Sunday, Jun 26. 2016 10:32 AM)
    If a series wants to be sophisticated about complex concepts like war and conflict, then it has to presuppose the fact that it is part of human nature. Resources are limited, and even aside from that, greed exists. There is no way to take out a few head figures to stop a war- there will be a vacuum that will almost immediately be filled by a similar, if not worse, individual. A world “where no one cries” or suffers, or dies, etc, cannot exist as long as we have free will.
  • Bam
    (Sunday, Jun 26. 2016 10:26 AM)
    F/SN delved into this deeply with the Shirou/Archer dichotomy, but then it pussied out at the decisive moment. Archer was right, his arguments made perfect sense, yet the arrogant naive Shirou had to pull thru by sheer will alone, and a vague hope and promise that he’ll find a way somehow. I swear, I’m not sure if Nasu gave in to pressure to make a so-called “good prevails” ending, or that he honestly believes in it. Looking at his material, I’ll bet on the former.
  • Bam
    (Sunday, Jun 26. 2016 10:22 AM)
    hehe … that’s why you don’t get me started on Eva or Berserk.
  • Bam
    (Sunday, Jun 26. 2016 10:20 AM)
    It also delved into the depth of what a desperate goodie-two-shoes people-pleaser protagonist would actually be like, and the reception he would get from his peers, specially the women. That alone right there was a deconstruction of the majority of shonen main characters.
  • Bam
    (Sunday, Jun 26. 2016 10:00 AM)
    There was no hype machine back then. The internet was still in its infancy. So when a show became this popular there was certainly some merit to it. The organic/machine hybrid mecha was relatively new, and the scene construction and cinematography was for the most part immaculate. There’s a reason why the mecha genre is divided to “pre-Eva” and “post-Eva”.
  • Bam
    (Sunday, Jun 26. 2016 09:53 AM)
    It also didn’t hurt that the character, costume and mecha designs were slick and attractive, done by the under-appreciated Yoshiyuki Sadamoto.
  • Bam
    (Sunday, Jun 26. 2016 09:31 AM)
    It came up with clever scenarios to common mecha tropes, and answered the questions that would arise from them:
    -Why do we use mechas with melee weapons against alien invaders instead of conventional weapons? AT fields on Angels.
    -Why use kids to pilot them? The Gehrin Project.
    -What happens when you put kids in sever combat situations? Extreme PTSD.
  • Bam
    (Sunday, Jun 26. 2016 09:27 AM)
    These types of deconstruction shows that are run-of-the-mill now didn’t really exist back then. Eva did afterall became the tropemaker for Gainax endings. To see the creator’s psyche twist in front of our eyes was incredible. The show went from a regular monster of the week mecha series to a deranged psycho-thriller by the end of it.
  • Bam
    (Sunday, Jun 26. 2016 09:23 AM)
    Eva was fresh and quite unique for its time. Not that everything they did was original, but they certainly put their own twist on it. I also enjoyed the “fuck-you” ending of the tv series. Anno always defended it as intentional, but we all know it was really a budgetary constrain. well, at least we got the amazing End of Evangelion movie to supplement it.
  • Bam
    (Sunday, Jun 26. 2016 09:21 AM)
    @K-of: yup Eva geek here, guilty as charged. In my defense, I watched it week-to-week when it aired back in 96, and the landscape of anime was a lot different back then.

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