Posted on 31 January 2011 with categories: Level E




Oh my god. This episode was completely different from what I expected, and yet it continued this series’ streak of awesome episodes like it was nothing! Heck, there was very little comedy in this episode, and it really tried to tell a serious story, and it worked like an absolute charm here! Why the heck did this brilliant of a manga take this long to get animated?!

The thing that immediately sticks out: the graphics in this episode are absolutely amazing. The visual effects are incredibly imaginative and there are a ton of different ideas that looked absolutely gorgeous and that had had no intention at all to look conventional. I mean, holy crap: this is how you make a show with a tight budget! It’s also the contrast with the graphics of the previous three episodes that makes the graphics of this episode stand out.

Also, the story: from out of nowhere, it stars four random high school students with no hint whatsoever from the lead characters. That takes balls there, especially this early on in the series. What’s also great is that the creators pretty much created four distinctive and interesting male characters here: they feel unlike many of the other high school students that we’ve been seeing in anime and they’re completely away from any cliches. The dialogue and characterization is excellent and down to earth.

The episode basically revolves around those four guys as they witness an alien killing a young girl. The story of this alien was also really excellent and tragic: the case of an alien who eats the females in order to reproduce. It made for a really tense climax. All in all it was a brilliant episode…

And the irony is that that moronic prince came up with it! Oh, lord that anti-climax at the end just sealed the deal here. Usually whenever a character comes up with a story it’s pretty lame, but to create such a good scenario here… the creators really showed that this guy is a genius by not portraying him as a terrible storyteller.

I absolutely love David Production at this point. I mean, they continue to go right against the current trends, and they continue to animate stories that make you wonder why the heck nobody else had taken them before, and give them really worthwhile renditions. Ironically, they also don’t seem to care about the “pretty first episode”-syndrome in which creators put a lot of their efforts on the graphics of the first episode as a means to draw people in: first there was Bantorra with the ugly CG boat of episode 1, and now too: the first episode of Level E wasn’t really anything special in terms of graphics, but this episode looked utterly gorgeous.
Rating: *** (Awesome)

Posted on with categories: OVA Impressions




So, in the end Houkago no Pleiades consists out of four five-minute episodes. You can find the youtube links here. For those who don’t know, this is basically an anime, animated by Gainax and sponsored by car producer Subaru. I have no idea why Subaru found it a good idea to advertise its cars to otaku, but apparently they saw an unexplored market here.

In any case, Houkago no Pleiades pretty much is an experiment in visuals. Gainax gratefully took the budget that Subaru provided to them and just tried to create something interesting looking here, at the expense of inserting a bunch of strange car references here and there. And granted, the action scenes have some pretty visuals and animation. At this point it’s definitely mission succeeded.

In exchange though, the story and characters are all pretty bad. The creators really did not put any effort into them at all: the story is just there to show the interesting visuals and it makes no sense whatsoever, while the characters are all just shallow cardboard cut-outs. By far the worst part of this ova is the parts in which this OVA thinks that it can actually get some drama out of them.

So yeah, this is pretty much a one trick pony. Watch it if you’re looking for some nice eye candy. Otherwise you can give it a pass. I will say this, though: for a car commercial, it could have been much more blatant. The Subaru-references are all kept in the background and we don’t even see an actual car appear during these past 20 minutes. But seriously… brooms that make engine noises?
OVA Episode Rating: 7,25/10

Posted on with categories: Anime Reviews



The Break Blade Movies are slowly getting better. The emphasis still is on slowly, though. After this third installment, I’ve still seen too little to really recommend it, but it’s not like the other movies will be doomed to this as well, but at the same time it also introduced a few plot points that I really wonder whether they will work in the rest of the story.

The third movie is the first that actually uses the build-up that the previous movies created, and especially Cleo makes good use of it, with a large portion of this movie devoted to her. This movie overall was quite good in getting the viewer accustomed to most of the side-characters. At the same time though, it still didn’t really solve the problem of its male lead: he still is one of the least likable of the series. This movie just didn’t have as much of him as the previous two, and it was particularly interesting when he wasn’t involved.

The action scenes also were pretty good in this movie, but they weren’t as well animated: there were a few strangely placed still frames, and they did not look as polished as they were in the previous two movies, but the choreography made up for that.

In the end though, I’m still missing something at this point. It fails to stand out in what it’s trying to do and the result is a series of movies that do have some interesting portrayal of warfare in mechas, but too little to make it really worth watching for three hours so far.

Storytelling: 7/10 – Solid, but nothing really attention-grabbing. Should have tried harder.
Characters: 8/10 – The characters make progression in this movie.
Production-Values: 8/10 – Solid, but nothing special.
Setting: 8/10 – It’s simple and therefore well portrayed and relatively believable.

Suggestions:
Gasaraki
Yomigaeru Sora – Rescue Wings
Mobile Polkice Patlabor

Posted on with categories: Monthly Summaries

Before I start with this summary, I have an announcement to make. I already told this in the shoutbox, but tomorrow I’m finally going to say goodbye to my sutdent life and start my new job. What this means for this blog is that I’ll still be able to cover twelve series a week, but I won’t be as fast as I used to be. Especially expect entries on busy days to be released, because I can only make posts in the evening now. I’m also going to stop trying to give a post to every obscure OVA out there (along with DVD specials that I don’t have much to say about), so I’m just going to keep with the major ones that get released, like Black Lagoon and Gundam Unicorn. I will try to follow all of the major movie releases though, but again: expect delays there.

This season is a very interesting example of quality over quantity. It’s small, there are hardly any series that carried over from the previous season and there are six series that I really don’t want to waste my time on. What remains though, is pretty darn good. Especially the best of the season really surprised me here with a solid execution for just about every good series. There is a ton of potential in this season, only held back by the fact that there are way too many series about teenagers.

#23 (new) – Rio – Rainbow Gate – (4,5/10) – Rio is terrible, but it’s so bad that it’s good. The best was episode three, but after that the fun quickly died and got monotonous. Dropped.
#22 (new) – Oniichan no Koto Nanka Zenzen Suki Janain Dakara ne – (5/10) – They’re brother and sister, but they’re not actually blood related. Ooh, we’re edgy now. At least the execution isn’t as ludicrously poor as KissXSis, but do we really need more series like it?
#21 (new) – IS ~Infinite Stratos~ – (6,25/10) – If there is anything I don’t like, then it’s a series that’s devoted to nothing but dull harem hi-jinks. I tried to keep watching for a bit longer, but I gave up at the point where the spoiled brat suddenly completely changed character and went from tsundere to just badly overplayed dere. Dropped.
#20 (new) – Beelzebub – (6,5/10) – Beelzebub is being adapted by someone who is notorious for his poor adaptations. I really don’t want to waste any time on this, and when it became clear that the second episode was just spamming the same jokes over and over again with poor acting and jokes that fell flat and weren’t built up properly, I tuned out. Dropped.
#19 (new) – Freezing – (6,75/10) – A pretty good start, but it couldn’t keep this up for me. A big part in this obviously is due to that male lead who is beyond clingy, but it’s pretty much the entire cast that doesn’t really seem to know where it wants to go. Dropped.
#18 (new) – Cardfight Vanguard – (6,75/10) – Granted, for a series that’s solely made to sell cards to kids, it’s not that bad. It’s incredibly cheesy, though. You can feed an orphanage for a week with the corn that it produces. Still, the monster designs are pretty decent. They could have done worse. Dropped.
#17 (new) – Dragon Crisis – (7,75/10) – The big problem with Dragon Crisis is that it’s ridiculously cliched. I’m willing to overlook this for now though, because the execution is pretty good. The characters are well portrayed and acted (albeit rather annoying at times), and the dialogue is nicely written. And the good soundtrack and animation of course also help.
#16 (new) – Gosick – (7,75/10) – With Gosick, I dislike the small picture, but I like what’s going on in the big picture. The different mysteries all feel like they are solved way too easily with pretty poor build-up, but when you connect them they seem to be hinting to something deeper. Another problem is that none of the characters really caught my attention so far yet, but we’ve still got 20 episodes left, so anything can happen at this point.
#15 (new) – Kore wa Zombie Desu ka? – (7,75/10)

Hmm, the tricky thing with Zombie was that it had a very good first episode, and then episodes 2 and 3 failed to live up to that. There is still plenty of potential on this one left, though. Especially if it’s indeed true that the drama will be as good as the cliff-hanger of episode three suggested.

#14 (17) – To Aru Majutsu no Index – (7,75/10)

Unfortunately, I did find the Croche di Pietro arc to be the worst Index arc so far. Especially the way in which it ended with that anti-climactic deus ex machina sealed the deal that the entire story had potential, but was just a complete mess in terms of execution. I liked the Venice arc, though. It was very short (why are all of the good arcs in Index II so short?), but it was well built up and a lot more solid than its predecessor.

#13 (17) – Kimi ni Todoke 2nd Season – (7,75/10)

Ack! It’s frustrating to see that there actually is potential for a good romance here, but the characters just refuse to develop themselves! Every time you think that they finally are going to get some progress in their relationship, they come with some sort of anti-climax. I really hope that that new character is going to be able to finally get things moving between the lead couple.

#12 (new) – Wolverine – (8/10)

It’s much, much better than Iron Man. Wolverine knows what it is, and delivers on that: simple but effective action. It’s got a good atmosphere and the action moves around enough to prevent this from getting boring. I’m enjoying the results right now, even though the acting is stiff and a bit hammy at times.

#11 (15) – Mitsudomoe – (8/10)

Something very rare happened here: a comedy sequel is actually turning out to be better than the original. There still are the bad parts, but they are really outweighed by the hilarious parts that are even funnier than the first season. Plus, the amount of misunderstandings has been toned down significantly.

#10 (new) – Showa Monogatari – (8/10)

The way in which it aired its first two episodes three months in advance is a bit strange, but Showa Monogatari is a good series with a down to earth portrayal of a normal family around the 1960s. It’s certainly good to see that the creators are attempting series like this again.

#9 (new) – Fractale – (8/10)

Fractale made the decision to flesh its characters out with rather annoying and moe antics. That makes some parts of it a bit hard to sit through, but it is worth it in the end. The story is definitely intriguing and I like how this show isn’t afraid to get really dark at times. Three episodes so far, and this show has to screw up pretty badly if I’m going to end up liking Kannagi more.

#8 (15) – Bakuman – (8/10)

Bakuman still is slow but solid, but things are definitely starting to happen right now. The characters have gotten more enjoyable to watch, we’ve gotten more in-depth with the manga writing business now that Moritaka and Nizzuma Eiji actually got to meet each other, and it finally looks like things are getting interesting.

#7 (new) – Yumekui Merry – (8,25/10)

Gorgeous artwork and direction, and I’m also enjoying the characters a lot. The main flaw of this series is that the main characters don’t have the most amounts of background or other thing that sets them apart, but it’s well built up and executed.

#6 (3) – Letter Bee – (8,5/10)

This month didn’t show the best side of Letter Bee, but it still was really good here, especially Gauche versus Lag was wonderful to watch.

#5 (new) – Hourou Musuko – (8,5/10)

A very solid character study. Hourou Musuko is the kind of slice of life series where the pacing is slow, yet a lot of stuff happens thanks to its huge cast. I especially like how the creators put life in the entire school and backgrounds, and the main characters themselves are also well portrayed and interesting.

#4 (8) – Star Driver – (8,5/10)

This is really getting solid here. The past episodes have continued to shift the themes and purposes of this series back and forth and gave a totally new spin to the cast of characters. We’ve nearly gotten to the parts I’ve been looking forward to the most.

#3 (new) – Mahou Shoujo Madoka Magica – (8,75/10)

Well, you can definitely see that Shaft is working with a different writer this time. Madoka Magica turned out to be a great deconstruction of the mahou shoujo genre with a good script, a great style that at the same time doesn’t overtake the entire series, and some excellent twists along the way. Four episodes in, and this already is my favourite Shaft series since ef – a tale of memories.

#2 (2) – Heartcatch Precure – (9/10)

Heartcatch Precure had an excellent finale, and as usual it followed some tropes, wile averting others. It really worked out wonderfully in the end though, and it really is a shame to see this one go.

#1 (new) – Level E – (9,25/10)

I love this show. It’s looking out to be the best comedy I have seen in years. The comedic timing is top-notch, and the characters are all just lovable in their quirks, and at the same time they’re all away from the usual cliches that you see with alien stories. It’s absolutely hilarious and contains twists that turns around entire characters, time and time again.

Posted on 30 January 2011 with categories: Anime Reviews, Heartcatch Precure




In the first year after I started this blog, I personally was a big fan of the mahou shoujo genre (heck, my favourite series is one). Over the years though, this fandom became less and less. This mostly had to do with the genre stagnating: the mahou shoujo that got released lacked creativity, were all just poorly executed and never really took advantage of their formula to show some great characters. Heartcatch Precure broke this trend, and how! From the outside, it looks like just another Sailor Moon Clone, but within its premise, it does just about everything right here.

To start off with the production values: this show has better fights that most shounen series out there. The battles in this series are consistently dynamic and despite a huge amount of transformation scenes they never get boring or repetitive. This show excels both in hand to hand and long-range combat, and it looks ABSOLUTELY GORGEOUS in the process. The animation in this series is consistently of a high quality, and always interesting to look at. Combine this with an awesome soundtrack, and you’ve got a feast for the senses.

This show also sets itself apart with characters that just are good, right from the start. Tsubomi and Erika are immediately very likable characters, and the entire series just focuses on portraying them as down to earth girls whenever they’re not busy fighting monsters. The characters that join and meet them are also wonderfully written and subtly developed throughout the series. Just about every recurring character has his or her chance to shine in this series.

You should note that this series does follow the classic mahou shoujo format. There will be a lot of episodes that are just dedicated to the characters running into people who have a problem, or are worrying about someone. Even here this series delivers though, because it consistently manages to portray these characters well and makes their problems easily relatable. Hardly ever does this show go for cheap ways to solve these issues, and here too things are kept wonderfully down to earth.

The main flaw of this series is that in the end, it does follow a pretty predictable formula, so expect to see the surprises in this show more in the fine details than in the overall plot. Having said that though, this show proves that you can do amazing things with that formula, and for every mahou shoujo trope that this series adheres to, it also subverts another one.

Another thing that might get on your nerves here is that this series really likes to use a lot of transformation scenes. Most episodes have around two to three minutes of them in total. The good thing though is that these are the best transformation scenes that I have seen since Utena. The animation in the series is already good, but in these scenes it’s five times better. Some of them are a true visual orgasm.

Still, what it boils down to is this: if you have yet to see the classic shoujo oriented mahou shoujo, but are interested in why people are raving about them, there are two series that I recommend: Cardcaptor Sakura and this one. Heartcatch Precure was exactly what the mahou shoujo genre needed and it shows the great things that simply an excellent execution and cast of characters can do to such a simple premise.

Storytelling: 9/10 – Dynamic, fun, childish but consistently enjoyable.
Characters: 9/10 – Both the recurring and the minor characters are all wonderfully fleshed out.
Production-Values: 9/10 – Gorgeous production values and soundtrack.
Setting: 8/10 – Simple, but well fleshed out.

Suggestions:
– Cardcaptor Sakura
Mahou Shoujotai
Otogi Juushi Akazukin (Note that I would rate this one a bit lower if I were to watch it now).

Posted on with categories: Heartcatch Precure




Ah, of course: this episode still had the final moment of our bad guy left: the point at which he increases in size and… holy crap is he huge!

In terms of physics it obviously made no sense whatsoever, but it really looked cool here. The finale mostly stands out in its eye candy, in terms of what actually happens, it pretty much ends like you think it would, including a bit of a deus ex machina that allows the four precures to grow huge enough themselves in order to be able to beat it. Not really a great ending, but it still was a very good one, simply due to the execution and the aftermath that followed afterwards, wrapping up the rest of the story quite nicely, plus we actually got to see Tsubomi’s new sister. I would have liked to see how Cobraja and Sarosina ended up as, but this episode gave enough hints that the two of them also ended up fine.

Now, Suite Precure. This episode indeed ended with a preview. One thing is for sure at this point: it is not going to be the visual orgasm that Heartcatch Precure was. To start, you should know the following:
– Heartcatch Precure’s characters were designed by the guy who also did the character designs of Casshern Sins.
– Suite Precure’s characters were designed by the guy who also did the character designs of Kaidan Restaurant. And this guy is also going to be the chief animation director!

Get what I mean? The result is…. ugh. The animation also doesn’t look as polished as Heartcatch Precure either, nor does the editing look any good.

The only thing we can hope for now is that the mysterious series composition guy actually knows what he’s doing, and that the director is up to the job. He did direct the One Piece Strong World Movie, but I have no clue whether he’d also work for a long series as Suite Precure. He was the episode director of three Heartcatch Precure episodes before, which were all pretty good and especially in the way that they focused on the characters. I really hope that he’s going to take that over to Suite Precure, because there still is some potential.

In any case, to get back to Heartcatch, it has definitely been fun following this series for the past year. It ahd a lot of mahou shoujo tropes, but had such a solid execution that those didn’t matter at all.
Rating: ** (Excellent)

Posted on with categories: Star Driver



A beach episode? Of course, things wouldn’t be so simple. This episode was about 40% beach, and the other 60 percent answered a ton of questions, along with changing the entire set-up of this show, yet again.

Interestingly, this episode revealed that all of the seals had to be broken in a particular order. Interestingly, that makes a lot of the battles early on in the series much more like long-term preparations by the crux brigade: they were basically killing time while they were trying to find out where the heck the fourth maiden went. Wako getting captured in the first episode was nothing more than one of the members of the brigade acting for herself.

The badges meanwhile turned out to be fake emblems. Head probably used those at first, while he was trying to gather the ones with the real emblems. What does this mean for the ones who always used the fake emblems? I mean, in terms of combat ability they have become completely pointless now, despite how the entire series has been carefully building up their characters, and here they suddenly get swapped out by this horde of characters where far less attention went into.

One big mystery at this point is Sugata: I really feel like the creators are saving a ton of stuff for the last third of this series, and this king cybody has to be one of the major ones: this episode revealed that he also is completely useless now that the third phase is is activated. Plus, there still is the mystery of what makes Takuto so special: in the previous episodes he always miraculously was one phase above the others, but the new power he finds here is kindof vague. It’s in any case not the fourth phase, because then he’d permanently be a Galactic Pretty-Boy.
Rating: ** (Excellent)

Posted on 29 January 2011 with categories: Mitsudomoe



And this episode is hilarious again. Seriously, this show is inconsistent, but that’s also part of the fun: this way you won’t know what to expect, which is definitely good for a comedy. This episode was mostly made out of random sketched, but the good thing about this episode was that all of them were pretty much different from each other. Again: unpredictability is great for a comedy.

And among these sketches were a number of great ones. My favourite was the one where Miku photoshopped a bunch of pictures of Mitsuba. There’s just so much wrong about that: the fact that Miku had been stalking and secretly taking pictures, to the way that she actually tried to make them into a ghost story. The best part was when it turned out that she ended up photoshopping Hitoha’s face on all these pictures. It was quite well built up and completely hilarious. I also like that the occult girl turned into a nice running gag here,similar to the ones that Gintama used.

The last sketch of the episode, the swimming pool one, was also a great one, especially when the creators kept toying with Hitoha’s death, accompanied by conveniently appearing violinists, only to be followed by a huge anti-climax when Futaba appeared. The ED that followed there was also priceless. It perhaps wasn’t as good as the custom ED of that one episode of the first season, but it’s still great to see the creators pulling this again, while not overdoing it with every single episode.

There also were a number of sketches that had their minds into the gutter, but I actually found them pretty funny this time. Especially the first one, which was wrong on many levels, but the fact that the same thing pretty much went on into the mind of all four of the girls made it hilarious.

And yet again: this episode avoided what was milked out the most in the first season: the misunderstandings. It did continue with Yuudai’s perverted techniques, but even there it built further upon it, instead of just repeating the same jokes. The worst part of this episode was for me the festival one: that was just the umpth time in which the creators tried to put some panties on Shinya, which has gotten really old by now.
Rating: ** (Excellent)

Posted on with categories: Letter Bee



So apparently we’re now in anime original territory? Well, this episode didn’t feel as solid in the adventure department, but that may also be because if I got things right, the episode director of this episode was the director of Glass no Kantai… In any case, I’m glad that the creators are now already building up to their own ending, rather than doing this, say, during the final three episodes.

What I meant with that this episode wasn’t as solid as the others was that strange point of Aria fanservice that felt totally out of place for this series, or the way in which Nichi suddenly pulled another power out of nowhere(she can now even make wheelchairs), that conveniently located trap door for Nichi or that very badly animated horse carriage…

At the same time though, there was still plenty of good stuff here, most of it revolving around Gauche versus Lag. The scene in which Gauche pretty much tells him that he simply received a bunch of Lag’s memories is quite powerful, but at the same time we got confirmed that the letter bullet at least partially worked: if Gauche entirely spoke the truth in that scene, he would have been able to kill Lag easily.
Rating: * (Good)

Posted on with categories: Bakuman



This was another one of the very good episodes of Bakuman. The premise was simple: just stuff a bunch of mangaka into a room watch them for 20 minutes. It worked wonderfully and I loved how good they play off each other. Nizuma and Moritaka already were very different, but the creators add two more vastly different characters here, with varying amounts of experience.

This episode also touched upon the less than dreamy side of manga writing: if you can’t come up with interesting storylines or images you can very easily spend decades as an assistant. Granted, this is an anime so I guess that we are to assume that that 33-year-old guy is really old, but this episode did seem to suggest that most manga authors are fairly young. Is that a fair assumption, or are there also plenty of older mangaka around, beyond the successful ones?

I also like how this episode established that Niizuma wasn’t perfect either, and that he actually learns some things from the other characters. The dialogue in this episode felt quite natural, especially when Eiji went out of “airplane-mode” and started talking normally. This probably is the first shounen jump adaptation in ages that doesn’t have some sort of bad guy, and it really showed in this episode: nobody is really trying to be evil here, and instead they’re just being themselves.
Rating: ** (Excellent)

CHANGE USERNAME
Lenlo
I cant help but feel theres some cultural aspect I am missing to the Rakugo rant scene. Makes me sad.
Lenlo
Rakugo, continues to be great and gets another time skip. Im always surprised by how engrossing it is just listening to these people talk.
Lenlo
Makes me sad, just like Berserk. Got an entire shelf dedicated to it but its just so slow. stupid boat.
Lenlo
Vagabond was phenomenal, but its been on hiatus for years now hasnt it
Kaiser Eoghan
....well without spoiling towards the middle of that rakugo episode and all throughout during that middle part, my opinion on Yotaro's character went far up.
Kaiser Eoghan
Struggling to remember the name of that josei samurai manga from the 90s (or earlier 2000s), had a gender bending theme.
Kaiser Eoghan
I've already read kenshin and vagabond, I loved shigurui death frenzy and sword of the stranger but found samurai champloo uneven. Theres a kagemusha manga but I haven't read it and I've yet to see/read blade of the immortal.
Kaiser Eoghan
At a glance I'll go against the grain and say I think demi-chan is funnier than konosuba, going on one episode of each.
I've been watching a fare share of samurai films in the last two years and lately so I'm open to wathing more anime/reading manga dealing with samurai.
SuperMario
Hand Shakers, how I love to watch it jumping off the cliff. This show contains lines like "I don't understand... even if I did understand... but I don't understand." It isn't a dialogue that we encounter too often I'm sure.
AidanAK47
@Mario, Sounds good to me. With me covering Little Witch Academia, Saga of Tanya the evil and Rakugo this season is well covered.
SuperMario
so I've decided to blog 3-gatsu, Scum's Wish and ACCA this season. A bit worry about the latter as I still don't have much to talk about that. Let's try it and see what happens; I say
SuperMario
Okay, I'm not hot on Onihei this week, as if the main theme about these two episodes were "people can be corrupted" then I'm not buying it. ACCA, on the other hand, was still very solid of building up the world and its big events to come.
AidanAK47
I have played all the big roguelikes and found they have the same problem. I argee on procedural generation. Even if the map is different every time you are essentailly going through the same rooms and doing the same things.
Masky
Though to be honest, I don't like procedural(or designed room and then game connects them randomly) games much. I much enjoy hand designed dungeons since I rarely play games through more than once anyway so roguelike's appeal of "Every time you play it through its different!" doesn't appeal to me much and hand designed dungeons are much more memorable
Masky
Can't really comment further on that since I don't know which roguelikes you have played, and neither I have played gungeon so I don't know if its badly designed to the point you can't do anything if rng says so. Though I guess there is nothing wrong about liking luck based games, if roguelike in question is truly unbeatable if rng says so, well, its really badly designed one if you ask me.
AidanAK47
Take my last run. Made it up to the fourth floor. Got plenty of guns but none were really useful. Even then ran out of ammo for all of them and the game was cheap about giving out ammo. Plenty of money but shops with nothing worth buying. Over 5 heart containers but no goddamn health. Died on the boss because I rolled out of a bullet into another bullet. Pretty much unavoidable.
AidanAK47
@Masky, that's the theory but in pretty much every roguelike I played its not the case. If the RNG decides you are going to have a bad time then you are going to have a bad time. Skill can only bring you so far. I have played this game for 7 hours and I know I could have finished it in 2. Only thing stopping me is a dice roll.
Masky
Like, the thing with roguelikes is that they can get easier/harder depending on luck, but well done one should be completable even without any upgrades at all if you are skilled enough.
Masky
Thats not the really case with roguelikes though, unless game design is bad and includes insta kill traps and such that are unavoidable if you are unlucky
AidanAK47
I hate roguelikes. Been playing enter the Gungeon and I just lost all patience with it. Getting real tired of my victory being decided by a RNG. It never feels satisfying to finish a roguelike because I know my victory was determined by pure luck.
AidanAK47
So we got to rely on fansubs for it when it's airing.
AidanAK47
@Mario, Nope. I think because netflix only puts up full seasons they are only planning to put it up when it's finished airing. Or when it's dubbed.
SuperMario
But how does the Netflix thing work? So of I have a Netflix account I can watch the show weekly?
SuperMario
@Aidan: that's a dumb way to do things really because unless you watch the show weekly, everyone gonna forget that it even exist. Just look at Re-Life last year
Lenlo
thought*. Words are hard.

Eventually found the actual first ep though and enjoyed it.
Lenlo
Was funny. I tried to find the first Ep for Little Witch, found original short made afew years ago, watched it and though "This is very similar to the original... Whats new".
AidanAK47
Little witch is one of the best shows this season and yet I can't get subtitles because Netflix doesn't release shows weekly. Motherf*cker.
Lenlo
Ore Monogatari I enjoyed. It was a nice romance that actually explored what happens after the confession. Also the 2 leads are just precious.
Lenlo
Alright but unmemorable seems like a good summation.
SuperMario
@Lenlo: one good thing about Seiren is if you don't like this romance, the whole thing gonna reset after episode 4 so there's a chance that you might end up like it. Agreed that the comedy wasn't very good. Alright but unmemorable
SuperMario
@Topgavin: I watched like first 3 episodes and stopped because I didn't have much time there, but I enjoyed what I saw. A well-written and endearing show in my book
Topgavin
Has anyone here watched Ore Monogatari before? Because in the 4 years I've watched anime, I've never heard of it (I guess it did come out 2 years ago) and yet it's turning out to be one of my favorite shows. Always great going into a show expecting nothing and getting pleasantly surprised.
AidanAK47
Only one more impression to go. Should have it up tomorrow.
Lenlo
Im really not feeling Seiren. Its "comedy" isnt for me and I just dont find it very enjoyable to watch so far. Im curious if it gets any better but 2 episodes in it just isnt that good.
HelghastKillzone
That ending scene is an entire side-story compressed into that. Don't expect anymore of it from here on out as the it sticks to ruthless military/fantasy pretty well.
LookingForKeys
@Topgavin I think it was good, making it the second episode. That way the first set up the world the story will be in, and showed how much of a monster the "little girl" really is right at the end, and then made ep.2 the explanation. Nothing against Tanya trying to rip "God" a new one.
That after-credits scene, though...
SuperMario
Hmm, as much as I like Seiren's omnibus format, it doesn't turn out really hot this second episode. Demi-chan, on the other hand, still maintains its endearing tone. Might blogging Demi-chan instead
Topgavin
Yeah, that second episode was much better than the first. Dunno why they didn't start with that to be honest, waste of an opportunity for a good hook episode. The voice for the main girl still sounds weird to me though; I get it's supposed to sound weird because it symbolizes 'her' being out of place and her personality and body being a mismatch, but it'll certainly take some getting used to.
AidanAK47
Youjo Senki, now we are talking. Like Helghast said, Did the god scene way better than the LN and manga. Made it less comedic and more intimidating.
Lenlo
Oh man that Rakugo intro. Not sure what to think, but first time seeing it I liked it
Kaiser Eoghan
I sort of like good will hunting because I kind of saw a bit of myself in Damon's character when I watched it ages ago.
Kaiser Eoghan
@Mario: Remaking psycho and ruining the shower scene, for shame van sant, for shame.
Kaiser Eoghan
Its easy to ripoff some obscure thing though and get away with it. The dogtooth director essentially stole an old Mexican film to make that.
SuperMario
@Kaiser: yeah, that following some guys from behind like they were on a RPG games, which I think actually fit with the tones of Elephant. I have such mixed feeling with Gus van Sant too. Don't really think he's a great director.
Kaiser Eoghan
@Mario: Although Istvan Szabo is probably a little more well known for that Mephisto film that updates the Faust story. Zoltan Fabri's the fifth seal is a very thought provoking war movie.
Kaiser Eoghan
@Mario: I remember seeing a film documentary that featured Gus van sant in one section, they showed clips of tarrs films, Sant ripped of the cinematography and stole the style from some British short film to make Elephant.
SuperMario
@Kaiser: agree on the other Hungarian filmmakers, I don't know much about them either.
Kaiser Eoghan
@Mario: Scorsese's Silence was a big comeback. I really really emotionally connect with spiritual crisis stories.
SuperMario
@kaiser: yep, definitely check wreckmeister down. Althought I admit that watching his 2-hour plus films will feel like 5-hour anyways
Kaiser Eoghan
@Mario: I'm more tolerant of darker teenage/coming of age films/stories. Les Demons was a big surprise.
Kaiser Eoghan
@Mario: Though its kind of frustrating, I do think Tarr probably takes attention away from other hungarian filmakers because no-body knows who the hell the others are.
Kaiser Eoghan
@Mario: Man, wreckmeister was so visually arresting I started getting dreams from it.
Kaiser Eoghan
@Mario: I would consider Tarr to be kind of a poor mans Janco, Angelopolus and Tarkvosky rolled into one. I don't entirely "get" wreckmeister and man from London but they are great atmospheric mood piece experiences.
SuperMario
@Kaiser: I had been wanting to watch Belar Tarr's Turin Horse and Werckmeister Harmonies for so long now. Well, Fat Girl is shocking haha, but I'm normally drawn into those kind of films anyway.
SuperMario
@Kaiser: Margaret took like 5,6 years to release because he couldn't cut it down in the way he wanted. The final cut if I remembered correctly was edited by Martin Scorsese
Kaiser Eoghan
@Mario: Only a HDcam for moonlight now.
Kaiser Eoghan
I looks like my lineup is witch academia, rakugo and youjo senki, well the most latter one until I get bored.
Kaiser Eoghan
@Mario: I sense a directors cut for manchester, it feels like it need another 30 minutes.
SuperMario
@Kaiser: right up my valley. Watch Kenneth Lonergan's previous works Magaret and You Can Count on Me. Magaret is very messy but have a raw dialogue and interactions as well
SuperMario
Now the first episodes are over, I will keep on covering 3-gatsu, as for the other twos atm I have 3 options: 1) full romance/anti-romance high school Seiren/Scum's Wish. 2) slice-of-life moe monster girls Demi-chan/Maid Dragon and 3) Mature,dark Onihen/Acca (which although I like them I don't have much to talk about).If you guys have any preference on which shows you like covered then let me know
Kaiser Eoghan
@Helghast: At this point I'm watching youjo senki as an entertaining guilty pleasure.
Kaiser Eoghan
@Mario: Too many reboots upcoming, will wait for the dvds instead. I want to explore more of manchester by the sea's director's work. I also want to finally get more into Bela Tarr's stuff.
Kaiser Eoghan
@Mario: I was rather shocked by A Ma souer/fat girls final act. Scenes with the Italian in the bedroom were initially creepy.
SuperMario
@Kaiser: it's a nice review Kaiser, a bit jealous with you that you've seen those 3 films which are touted as the best films of 2016. Also Fat Girl, haha, I love that movie.
Kaiser Eoghan
Poor yotaro =< you have so much stuff going down on you =<
HelghastKillzone
Youjo Senki episode was so good today. That revamped scene with God just fitted so right.
AidanAK47
A official release of that game in the west is apparently coming but it's been a few years and not much news about it.
Kaiser Eoghan
@Aidan: Ah yes that was the one.
AidanAK47
@Kaiser, Had to think for a moment on that one but I think I was talking about this. https://vndb.org/v3144
Kaiser Eoghan
Now I'd hardly consider myself a studio trigger fan, but I watched the first witch academia episode there, it was actually kind of fun, got the same reaction from me as flipflappers did, that magical, special feeling.
Kaiser Eoghan
@Mario: I also, of interest reviewed Kenneth Lonegrans new film: http://letterboxd.com/shao_liu_ringon/film/manchester-by-the-sea/
Kaiser Eoghan
@Mario: Moonlight got some feels out of me though it could of been more, it ends abruptly and with 20 extra minutes they could have spent a bit more time on each section of his life.
Kaiser Eoghan
@Mario: I checked out lala land, ending was very well executed, one of three scenes in the film that were impressive visually. The whole thing looked pretty and Gosling and Stone had some decent chemistry. Although it didn't resonate emotionally as strongly as the musicals of Jacques Demi did.
Kaiser Eoghan
MOM I want aiyoku no eustia and I want it now.
Kaiser Eoghan
I've never heard of himawari or tokyo babel. The hellsing comparison at least interests me in dies irae. What was the name of that visual novel again that was coming out soon, Aidan you described it as "And Kaiser would love it because its supposed to be really fucked up".
Kaiser Eoghan
I vaguely remember the anime for 11 eyes, it was very forgettable, even the voice acting was poor, hated the childhood friends and the pacing was poor, those black knight things were kind of interesting though.
Kaiser Eoghan
@Aidan: You'll have to add me onto the list of those unsatisfied with the ever 17 writer, I read one of those games and felt it was a bunch of interesting bait that never paid off.
AidanAK47
Anyway I plan on doing a review of 11eyes here when I finish it.
AidanAK47
Can't say I was a fan of Ever17. That was a really good twist but when it came to explaining it their was a lot of contrived development. Generally not a fan of the writer. Looseboy, Ryukishi, Gen and Nasu are more my kinda thing
AidanAK47
@Anon, it is nice that so many VNs are on steam but I wish they wouldn't be stupid with the whole no adult content thing. Not so much for myself but to prevent idiots from writing negitives reviews because the game doesn't have sex. VNs can grip you in a way anime simply can't and while they require pathence and time those can be some pretty powerful stories.
Anonymous678956
@Aidan, I am so happy steam's so VN-friendly now. I think it's a very good type of media. Like anime, it has nice visuals, music and some movement but also the inner monologue and text amount of books. It's the perfect combination. Plus, the routes, which are often puzzle pieces and PoVs you have to go through to understand the whole story. True routes like the one of Ever17 blew my mind.
AidanAK47
Hopefully the two VNs I bought of steam turn out better. Tokyo Babel is supposed to be alright and I heard really good things about Himawari.
AidanAK47
I am about a third of the way through the game and really not much of worth has happened. The concept is interesting but the execution is sorely lacking.
AidanAK47
I went in expecting it to be a mixed bag and it's pretty below my expectations. It's just not really well written and the protagonist is a moron. THere isn't really routes and instead you are pretty much stuck with his childhood friend as the main love interest. Problem with that is her character begins and ends with loving the main.
Anonymous675376
@Aidan, damn. 11Eyes is on my reading list as well. Although I almost expected it to not be as good as I thought it'd be (back then). Guess I would have enjoyed it if I was able to read it while the (shitty) adaption aired, maybe I have seen/read too many series by now. Guess I'll still give it a try some day though.
AidanAK47
@Anon, I haven't heard the OST or watched the intro video. I only know it be reputation and have decided to walk into it as blind as I can. Still slightly worried as I was somewhat looking forward to reading 11Eyes for a couple of years and now that I am reading it it's well...not good.
Anonymous675376
@Aidan, same here. I was waiting years for this, since I saw the intro video for the first time. Also, that OST!
HelghastKillzone
Youjo Senki is already leagues better than Izetta. It's going to be top anime of forever and ever. (maybe not)
AidanAK47
And finally Dies Irae is funded. May actually be able to play and finish the game before the anime airs. If the hype is real behind this baby it could be a new personal favorite Visual Novel of mine. Already looking promising with it being like a cross between Hellsing and Fate/Stay Night. Two things I most certainly like.
Lenlo
@Masky, in regards to style over substance thats where im at with Gurrne Lagann.
Topgavin
Yeah, I'll probably watch the next episode to see whether it can redeem itself. Hopefully it can but considering 1st episodes usually get a lot of budget, there's some severe doubt in there.
AidanAK47
I actually argee with character designs and voices are bad in regards to female characters. Still the next episode might change your mind if we get more into the main characters head.
Anonymous671470
It's boring
Topgavin
Also, it seems I disagree with a lot of people in thinking Youjo Senki will be a massive trainwreck. The character designs are awful, the voice acting is mismatched but most of all the premise just seems so very dumb. If I wanted to watch a badass kill people I'd go watch Hellsing or Drifters, because at least those don't have some op, disproportionate loli as the mc.
AidanAK47
Gets even more complicated when you account for Satire and Parody. You could equally argue all examples listed as being as such.
AidanAK47
Little Witch Academia is a decontruction of Harry Potter....I don't believe that but honestly if I tried I could put some reasoning behind that statement.
Topgavin
In the end, it always comes down to opinion (as with every discussion about anime, for some reason). You could spin any and every series as a "deconstruction", which is why people shy away from using the word. You could argue NGE, Madoka and Re:Zero are all deconstructions yet also argue Gundam, Precure and SAO are depending on what points you weigh more importantly.
Masky
Like, if deconstruction is supposed to be just "break the elements and then play story how it would realistically go down" well I haven't watched NGE, but as far as I know it does have stuff that isn't typical to mecha genre besides the "It would fuck up kids" thing plus "realistically how it would play out" is pretty subjective thing. I mean, its mainly about how cynical bastard the writer is :P
Masky
Like I said, I don't fully agree with it because I find video's speaker's attitude annoying, but I found it semi convincing. Main thing I don't find convincing about it is that I don't think its hard to turn video's own arguments agaisnt it and say that by its own logic NGE isn't deconstruction either, like Aidan just said earlier
Masky
And I don't really have energy for checking out the "correct" one. If there even is one. Anyway, the hipster video I was talking about was titled "What Actually Is A Deconstruction?" if you want to check it out.
Masky
Hmm, well, it does depend on definition you use. Like if you use "realistic" thing, well, Magical Girl shows don't usually have "You turn into monsters" thing going on and reason why NGE's pilots go crazy is from dangerous situations rather than evas making them do so. But honestly, I don't really have strong opinion on matter since word seems to be one of those with several different meaning
SuperMario
for me Madoka IS a deconstruction of Magical girl, and yeah like what Aidan said
SuperMario
I think part of Utena is a deconstruction of "prince riding horse and save the girl" because that notion is just a foundation for Utena to become a prince herself and save other girl. That's breaking it apart and resemble it again in its own way. Don't have to be dark/ don't have to be real either
AidanAK47
@Masky, That's just debating semantics. Besides that difinition would pretty much mean that Neon Genesis Evangelion isn't a decontruction either. Madoka isn't a decontruction because it's dark. It's more in its aspects of criticising why a girl should throw her ordinary life away for something as dangerous as being a magical girl. It does take plenty of the typical tropes and turn them on its head
SuperMario
@Masky: Genre deconstruction is such a tricky word that I normally try to avoid using because there's really no set characteristic about the term and different people have different opinions about what constitute "deconstruction". For me, I disagree that deconstruction have to be dark and real, hmm can't say it well but I will give you an example:
Masky
But yeah, I guess I could try to find the video if you guys are interested, though like I said, I got hipsterish feel from the video and felt rather annoyed through it even though I did get what the point was and found it sort of convincing besides my annoyance
Masky
(not that liking NGE is hipsterish, its just that I find NGE to be more style than substance sort of series <_< Anyway, guy didn't dislike madoka or anything, he just seemed to dislike people using word deconstruction wrong in his opinion)
Masky
(especially with how much they seemed to praise Neon Genesis Evangelion)
Masky
I mean, I think the guy was being somewhat hipsterish, but its true the being darker take on genre isn't same as deconstructing the genre
Masky
@AidanAK47: Some other guy on youtube did video that had actually pretty good point about how Madoka isn't really deconstruction, if you go by definition of "Break it down to parts and then play them straight to show how horrifying it would be in real life"
Anonymous670441
Gente - Ristorante no Hitobito
Kaiser Eoghan
If anything its the hate I have for certain characters that makes it more effective.
Kaiser Eoghan
The obsessional level of attachment is just uncomfortable to me, I don't want to get THAT attached to a non-real character.
Kaiser Eoghan
Its literally just a case of "Okay lets look at this picture of this character, she looks interesting, no feelings or expression from me, apply this fetish, fap, get release, go home. "
Kaiser Eoghan
Or drooling/dribbling/heavy breathing/grinning over the characters. I abhor alot of the anime girls I find attractive or am indifferent, even when looking at ecchi/hentai drawings I'm straight and clinical with it.
Kaiser Eoghan
I mean to each their own. But I really hate the level of emotion/devotion to moe/finding the characters attractive. Such as celebrating their birthdays, going on about how cute/hot they are, how important it is that they're virgins. Or not being being self-aware of how irritating the characters are.
Lenlo
Anime hipster is pretty accurate. His general treatment of the current state of anime is annoying, as is his obsession with moe. Maybe its cause I cant stand moe most of the time, but it bugs me.
Kaiser Eoghan
@Lenlo: Essentially my brothers view on digibro.
Kaiser Eoghan
@Aidan: I don't usually feel the need to correct errors in your reviews as the errors are generally un-important, but I think you meant to say apprentices rather than appearences in the Rakugo review, just bringing that up as it felt like kind of a throw off.
AidanAK47
Which is kinda like saying Madoka wasn't a magical girl deconstruction because Sailor Moon and Nanoha had dark elements too.
AidanAK47
Went and read the reddit comments on it and seems I was right on the money.
AidanAK47
@Lenlo, He's basically a anime hipster. For example, I saw a thumbnail of his which had Saitama on it and below it "Is There Meaning In "Subverting" Shounen Tropes?" and I thought "Okay, he's going to go on about how OPM isn't subversive and then list a bunch of arbitrary examples in an attempt to redefine what is actually subversive"
Lenlo
I have lots of issues with Digibro. Dude has some good points, but other very horrible ones. Some issues he feels strongly about and gets kinda biased on imo.
Anonymous669202
acca looks visually interesting, and I personally really dig this kind of show, but it seems that it's definitely not for everyone
AidanAK47
Time to live up to my word. Four posts incoming.
AidanAK47
Man, Little witch Academia was so good. I disagree with the whole Digibro thing about being able to recognise a great show in it's first episode but watching this makes me think that this really is going to be something special.
AidanAK47
Alright, gonna put in effort today and have 3 or 4 first impressions posts done. That should knock out near half the season.
Kaiser Eoghan
Had a flip through handshakers. Garish is the word I'd use to describe it visually, it takes you out of the show.
Topgavin
ASuperMario From the first minute I can already tell it's by the same people that made K. Those colour filters and the extremely jarring/obvious city CGI is unmistakable.
SuperMario
Hand Shakers, literally makes my hands shaking. It's an abosolute mess. Highly recommended to check it out because it's so terrible it's great to watch
Vonter212
Yeah, and it's also a literal woman in refrigerator plot device, since that the thing that pushes the story forward.
Masky
I'd say that having to hide your sister's body in fridge would count as daaaaaaark and edgy, but when the body is wearing only underwear, and for some reason main character put metal things in fridge to keep body standing(I guess to not knock fridge open from inside?) I think it goes to "exploitation" you are talking about
Vonter212
@Masky - Did someone said doing dark things for drama? That's the bread and butter to get despair. Unless it's for the sake of perversion. Then it's just exploitation.
Kaiser Eoghan
@Masky: His other works dead tube and scumbag go further in the unhinged regard.
Masky
*relies on easy "let's do [x dark thing] for drama!" thing
Masky
Geez, Mayonaka no X Giten is fricking disturbing/disgusting ._. I'm pretty sure that writing relies on e, but I can't help but think mangaka is trying to make corpses sexy.
SuperMario
I found Onihei to be quite good, actually one of the most solid new episode I watched this new season. Guys, check them out
Vonter
I just hope it doesn't fall into the same misstep Kabaneri or Inuyasha or Bleach fall by making a villain so over the top that it crossed the line of not having a satisfying downfall.
Anonymous657941
@Vonter I think they just moved on. I lost interest rather quickly and I guess even the fans did that at some point, like with some other long-running series. There is much more new and more direct "fujo" stuff out there, many of them probably switched. Don't know what happens in the manga but maybe the story got worse or contained things some people didn't like.
Vonter
January will be loli dictator month (for me) :p. World Conquest Zvezda Plot, Youjo Senki: Saga of Tanya the Evil (new), Seraph of the End. For some reason I stumble into three curious series with little power hungry girls. If I can ask, why did Owari Seraph's hype died, I remember back it was mentioned more often. It still has the fujoshi fanart but still, I don't see people bringing it up.
SuperMario
@CATski: well, if you didn't like its first 3 episodes I dont think the rest gonna change your mind. Have you finished Erased then? How did you like it?
SuperMario
But I understand it's difficult to speak in front of camera, get some time to get used to it
SuperMario
@kaiser: I won't commend on poem as I'm terrible at it myself but younneed to work more on presentation Kaiser. Small little things like looking directly at the camera or say "thanks for listening" in the end can connect you to the audience better
Anonymous657071
Ok. I'll give the thing another chance. *clicks torrent* XD. CATski.
Kaiser Eoghan
@Topgavin: You might like centaur no nanami if you like demi-chan.
Kaiser Eoghan
Damn...repeated myself =<
Kaiser Eoghan
There are these things called slam sessions done in bars where people get up and read out stuff in front of a crowd and read stuff out. Actually watching rakugo made me think about practicing for that kind of thing.
Kaiser Eoghan
@Mario: the video I did was of me reading out a short piece of writing I did, a poem. lol I uploaded it to the wrong youtube account too I just realized =P
[link src="https://www.youtube.com/watch?v=ypBZ2hBDBYs&t=11s
I"] was recording this from my mothers laptops inbuilt cam while reading off my desktop.
SuperMario
@Kaiser: I think it's a good idea for you to try out reviewing movies/stuffs in youtube channel. I'll be very interesting to listen to them
Total users: 46

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