Posted on 31 January 2011 with categories: Level E




Oh my god. This episode was completely different from what I expected, and yet it continued this series’ streak of awesome episodes like it was nothing! Heck, there was very little comedy in this episode, and it really tried to tell a serious story, and it worked like an absolute charm here! Why the heck did this brilliant of a manga take this long to get animated?!

The thing that immediately sticks out: the graphics in this episode are absolutely amazing. The visual effects are incredibly imaginative and there are a ton of different ideas that looked absolutely gorgeous and that had had no intention at all to look conventional. I mean, holy crap: this is how you make a show with a tight budget! It’s also the contrast with the graphics of the previous three episodes that makes the graphics of this episode stand out.

Also, the story: from out of nowhere, it stars four random high school students with no hint whatsoever from the lead characters. That takes balls there, especially this early on in the series. What’s also great is that the creators pretty much created four distinctive and interesting male characters here: they feel unlike many of the other high school students that we’ve been seeing in anime and they’re completely away from any cliches. The dialogue and characterization is excellent and down to earth.

The episode basically revolves around those four guys as they witness an alien killing a young girl. The story of this alien was also really excellent and tragic: the case of an alien who eats the females in order to reproduce. It made for a really tense climax. All in all it was a brilliant episode…

And the irony is that that moronic prince came up with it! Oh, lord that anti-climax at the end just sealed the deal here. Usually whenever a character comes up with a story it’s pretty lame, but to create such a good scenario here… the creators really showed that this guy is a genius by not portraying him as a terrible storyteller.

I absolutely love David Production at this point. I mean, they continue to go right against the current trends, and they continue to animate stories that make you wonder why the heck nobody else had taken them before, and give them really worthwhile renditions. Ironically, they also don’t seem to care about the “pretty first episode”-syndrome in which creators put a lot of their efforts on the graphics of the first episode as a means to draw people in: first there was Bantorra with the ugly CG boat of episode 1, and now too: the first episode of Level E wasn’t really anything special in terms of graphics, but this episode looked utterly gorgeous.
Rating: *** (Awesome)

Posted on with categories: OVA Impressions




So, in the end Houkago no Pleiades consists out of four five-minute episodes. You can find the youtube links here. For those who don’t know, this is basically an anime, animated by Gainax and sponsored by car producer Subaru. I have no idea why Subaru found it a good idea to advertise its cars to otaku, but apparently they saw an unexplored market here.

In any case, Houkago no Pleiades pretty much is an experiment in visuals. Gainax gratefully took the budget that Subaru provided to them and just tried to create something interesting looking here, at the expense of inserting a bunch of strange car references here and there. And granted, the action scenes have some pretty visuals and animation. At this point it’s definitely mission succeeded.

In exchange though, the story and characters are all pretty bad. The creators really did not put any effort into them at all: the story is just there to show the interesting visuals and it makes no sense whatsoever, while the characters are all just shallow cardboard cut-outs. By far the worst part of this ova is the parts in which this OVA thinks that it can actually get some drama out of them.

So yeah, this is pretty much a one trick pony. Watch it if you’re looking for some nice eye candy. Otherwise you can give it a pass. I will say this, though: for a car commercial, it could have been much more blatant. The Subaru-references are all kept in the background and we don’t even see an actual car appear during these past 20 minutes. But seriously… brooms that make engine noises?
OVA Episode Rating: 7,25/10

Posted on with categories: Anime Reviews



The Break Blade Movies are slowly getting better. The emphasis still is on slowly, though. After this third installment, I’ve still seen too little to really recommend it, but it’s not like the other movies will be doomed to this as well, but at the same time it also introduced a few plot points that I really wonder whether they will work in the rest of the story.

The third movie is the first that actually uses the build-up that the previous movies created, and especially Cleo makes good use of it, with a large portion of this movie devoted to her. This movie overall was quite good in getting the viewer accustomed to most of the side-characters. At the same time though, it still didn’t really solve the problem of its male lead: he still is one of the least likable of the series. This movie just didn’t have as much of him as the previous two, and it was particularly interesting when he wasn’t involved.

The action scenes also were pretty good in this movie, but they weren’t as well animated: there were a few strangely placed still frames, and they did not look as polished as they were in the previous two movies, but the choreography made up for that.

In the end though, I’m still missing something at this point. It fails to stand out in what it’s trying to do and the result is a series of movies that do have some interesting portrayal of warfare in mechas, but too little to make it really worth watching for three hours so far.

Storytelling: 7/10 – Solid, but nothing really attention-grabbing. Should have tried harder.
Characters: 8/10 – The characters make progression in this movie.
Production-Values: 8/10 – Solid, but nothing special.
Setting: 8/10 – It’s simple and therefore well portrayed and relatively believable.

Suggestions:
Gasaraki
Yomigaeru Sora – Rescue Wings
Mobile Polkice Patlabor

Posted on with categories: Monthly Summaries

Before I start with this summary, I have an announcement to make. I already told this in the shoutbox, but tomorrow I’m finally going to say goodbye to my sutdent life and start my new job. What this means for this blog is that I’ll still be able to cover twelve series a week, but I won’t be as fast as I used to be. Especially expect entries on busy days to be released, because I can only make posts in the evening now. I’m also going to stop trying to give a post to every obscure OVA out there (along with DVD specials that I don’t have much to say about), so I’m just going to keep with the major ones that get released, like Black Lagoon and Gundam Unicorn. I will try to follow all of the major movie releases though, but again: expect delays there.

This season is a very interesting example of quality over quantity. It’s small, there are hardly any series that carried over from the previous season and there are six series that I really don’t want to waste my time on. What remains though, is pretty darn good. Especially the best of the season really surprised me here with a solid execution for just about every good series. There is a ton of potential in this season, only held back by the fact that there are way too many series about teenagers.

#23 (new) – Rio – Rainbow Gate – (4,5/10) – Rio is terrible, but it’s so bad that it’s good. The best was episode three, but after that the fun quickly died and got monotonous. Dropped.
#22 (new) – Oniichan no Koto Nanka Zenzen Suki Janain Dakara ne – (5/10) – They’re brother and sister, but they’re not actually blood related. Ooh, we’re edgy now. At least the execution isn’t as ludicrously poor as KissXSis, but do we really need more series like it?
#21 (new) – IS ~Infinite Stratos~ – (6,25/10) – If there is anything I don’t like, then it’s a series that’s devoted to nothing but dull harem hi-jinks. I tried to keep watching for a bit longer, but I gave up at the point where the spoiled brat suddenly completely changed character and went from tsundere to just badly overplayed dere. Dropped.
#20 (new) – Beelzebub – (6,5/10) – Beelzebub is being adapted by someone who is notorious for his poor adaptations. I really don’t want to waste any time on this, and when it became clear that the second episode was just spamming the same jokes over and over again with poor acting and jokes that fell flat and weren’t built up properly, I tuned out. Dropped.
#19 (new) – Freezing – (6,75/10) – A pretty good start, but it couldn’t keep this up for me. A big part in this obviously is due to that male lead who is beyond clingy, but it’s pretty much the entire cast that doesn’t really seem to know where it wants to go. Dropped.
#18 (new) – Cardfight Vanguard – (6,75/10) – Granted, for a series that’s solely made to sell cards to kids, it’s not that bad. It’s incredibly cheesy, though. You can feed an orphanage for a week with the corn that it produces. Still, the monster designs are pretty decent. They could have done worse. Dropped.
#17 (new) – Dragon Crisis – (7,75/10) – The big problem with Dragon Crisis is that it’s ridiculously cliched. I’m willing to overlook this for now though, because the execution is pretty good. The characters are well portrayed and acted (albeit rather annoying at times), and the dialogue is nicely written. And the good soundtrack and animation of course also help.
#16 (new) – Gosick – (7,75/10) – With Gosick, I dislike the small picture, but I like what’s going on in the big picture. The different mysteries all feel like they are solved way too easily with pretty poor build-up, but when you connect them they seem to be hinting to something deeper. Another problem is that none of the characters really caught my attention so far yet, but we’ve still got 20 episodes left, so anything can happen at this point.
#15 (new) – Kore wa Zombie Desu ka? – (7,75/10)

Hmm, the tricky thing with Zombie was that it had a very good first episode, and then episodes 2 and 3 failed to live up to that. There is still plenty of potential on this one left, though. Especially if it’s indeed true that the drama will be as good as the cliff-hanger of episode three suggested.

#14 (17) – To Aru Majutsu no Index – (7,75/10)

Unfortunately, I did find the Croche di Pietro arc to be the worst Index arc so far. Especially the way in which it ended with that anti-climactic deus ex machina sealed the deal that the entire story had potential, but was just a complete mess in terms of execution. I liked the Venice arc, though. It was very short (why are all of the good arcs in Index II so short?), but it was well built up and a lot more solid than its predecessor.

#13 (17) – Kimi ni Todoke 2nd Season – (7,75/10)

Ack! It’s frustrating to see that there actually is potential for a good romance here, but the characters just refuse to develop themselves! Every time you think that they finally are going to get some progress in their relationship, they come with some sort of anti-climax. I really hope that that new character is going to be able to finally get things moving between the lead couple.

#12 (new) – Wolverine – (8/10)

It’s much, much better than Iron Man. Wolverine knows what it is, and delivers on that: simple but effective action. It’s got a good atmosphere and the action moves around enough to prevent this from getting boring. I’m enjoying the results right now, even though the acting is stiff and a bit hammy at times.

#11 (15) – Mitsudomoe – (8/10)

Something very rare happened here: a comedy sequel is actually turning out to be better than the original. There still are the bad parts, but they are really outweighed by the hilarious parts that are even funnier than the first season. Plus, the amount of misunderstandings has been toned down significantly.

#10 (new) – Showa Monogatari – (8/10)

The way in which it aired its first two episodes three months in advance is a bit strange, but Showa Monogatari is a good series with a down to earth portrayal of a normal family around the 1960s. It’s certainly good to see that the creators are attempting series like this again.

#9 (new) – Fractale – (8/10)

Fractale made the decision to flesh its characters out with rather annoying and moe antics. That makes some parts of it a bit hard to sit through, but it is worth it in the end. The story is definitely intriguing and I like how this show isn’t afraid to get really dark at times. Three episodes so far, and this show has to screw up pretty badly if I’m going to end up liking Kannagi more.

#8 (15) – Bakuman – (8/10)

Bakuman still is slow but solid, but things are definitely starting to happen right now. The characters have gotten more enjoyable to watch, we’ve gotten more in-depth with the manga writing business now that Moritaka and Nizzuma Eiji actually got to meet each other, and it finally looks like things are getting interesting.

#7 (new) – Yumekui Merry – (8,25/10)

Gorgeous artwork and direction, and I’m also enjoying the characters a lot. The main flaw of this series is that the main characters don’t have the most amounts of background or other thing that sets them apart, but it’s well built up and executed.

#6 (3) – Letter Bee – (8,5/10)

This month didn’t show the best side of Letter Bee, but it still was really good here, especially Gauche versus Lag was wonderful to watch.

#5 (new) – Hourou Musuko – (8,5/10)

A very solid character study. Hourou Musuko is the kind of slice of life series where the pacing is slow, yet a lot of stuff happens thanks to its huge cast. I especially like how the creators put life in the entire school and backgrounds, and the main characters themselves are also well portrayed and interesting.

#4 (8) – Star Driver – (8,5/10)

This is really getting solid here. The past episodes have continued to shift the themes and purposes of this series back and forth and gave a totally new spin to the cast of characters. We’ve nearly gotten to the parts I’ve been looking forward to the most.

#3 (new) – Mahou Shoujo Madoka Magica – (8,75/10)

Well, you can definitely see that Shaft is working with a different writer this time. Madoka Magica turned out to be a great deconstruction of the mahou shoujo genre with a good script, a great style that at the same time doesn’t overtake the entire series, and some excellent twists along the way. Four episodes in, and this already is my favourite Shaft series since ef – a tale of memories.

#2 (2) – Heartcatch Precure – (9/10)

Heartcatch Precure had an excellent finale, and as usual it followed some tropes, wile averting others. It really worked out wonderfully in the end though, and it really is a shame to see this one go.

#1 (new) – Level E – (9,25/10)

I love this show. It’s looking out to be the best comedy I have seen in years. The comedic timing is top-notch, and the characters are all just lovable in their quirks, and at the same time they’re all away from the usual cliches that you see with alien stories. It’s absolutely hilarious and contains twists that turns around entire characters, time and time again.

Posted on 30 January 2011 with categories: Anime Reviews, Heartcatch Precure




In the first year after I started this blog, I personally was a big fan of the mahou shoujo genre (heck, my favourite series is one). Over the years though, this fandom became less and less. This mostly had to do with the genre stagnating: the mahou shoujo that got released lacked creativity, were all just poorly executed and never really took advantage of their formula to show some great characters. Heartcatch Precure broke this trend, and how! From the outside, it looks like just another Sailor Moon Clone, but within its premise, it does just about everything right here.

To start off with the production values: this show has better fights that most shounen series out there. The battles in this series are consistently dynamic and despite a huge amount of transformation scenes they never get boring or repetitive. This show excels both in hand to hand and long-range combat, and it looks ABSOLUTELY GORGEOUS in the process. The animation in this series is consistently of a high quality, and always interesting to look at. Combine this with an awesome soundtrack, and you’ve got a feast for the senses.

This show also sets itself apart with characters that just are good, right from the start. Tsubomi and Erika are immediately very likable characters, and the entire series just focuses on portraying them as down to earth girls whenever they’re not busy fighting monsters. The characters that join and meet them are also wonderfully written and subtly developed throughout the series. Just about every recurring character has his or her chance to shine in this series.

You should note that this series does follow the classic mahou shoujo format. There will be a lot of episodes that are just dedicated to the characters running into people who have a problem, or are worrying about someone. Even here this series delivers though, because it consistently manages to portray these characters well and makes their problems easily relatable. Hardly ever does this show go for cheap ways to solve these issues, and here too things are kept wonderfully down to earth.

The main flaw of this series is that in the end, it does follow a pretty predictable formula, so expect to see the surprises in this show more in the fine details than in the overall plot. Having said that though, this show proves that you can do amazing things with that formula, and for every mahou shoujo trope that this series adheres to, it also subverts another one.

Another thing that might get on your nerves here is that this series really likes to use a lot of transformation scenes. Most episodes have around two to three minutes of them in total. The good thing though is that these are the best transformation scenes that I have seen since Utena. The animation in the series is already good, but in these scenes it’s five times better. Some of them are a true visual orgasm.

Still, what it boils down to is this: if you have yet to see the classic shoujo oriented mahou shoujo, but are interested in why people are raving about them, there are two series that I recommend: Cardcaptor Sakura and this one. Heartcatch Precure was exactly what the mahou shoujo genre needed and it shows the great things that simply an excellent execution and cast of characters can do to such a simple premise.

Storytelling: 9/10 – Dynamic, fun, childish but consistently enjoyable.
Characters: 9/10 – Both the recurring and the minor characters are all wonderfully fleshed out.
Production-Values: 9/10 – Gorgeous production values and soundtrack.
Setting: 8/10 – Simple, but well fleshed out.

Suggestions:
– Cardcaptor Sakura
Mahou Shoujotai
Otogi Juushi Akazukin (Note that I would rate this one a bit lower if I were to watch it now).

Posted on with categories: Heartcatch Precure




Ah, of course: this episode still had the final moment of our bad guy left: the point at which he increases in size and… holy crap is he huge!

In terms of physics it obviously made no sense whatsoever, but it really looked cool here. The finale mostly stands out in its eye candy, in terms of what actually happens, it pretty much ends like you think it would, including a bit of a deus ex machina that allows the four precures to grow huge enough themselves in order to be able to beat it. Not really a great ending, but it still was a very good one, simply due to the execution and the aftermath that followed afterwards, wrapping up the rest of the story quite nicely, plus we actually got to see Tsubomi’s new sister. I would have liked to see how Cobraja and Sarosina ended up as, but this episode gave enough hints that the two of them also ended up fine.

Now, Suite Precure. This episode indeed ended with a preview. One thing is for sure at this point: it is not going to be the visual orgasm that Heartcatch Precure was. To start, you should know the following:
– Heartcatch Precure’s characters were designed by the guy who also did the character designs of Casshern Sins.
– Suite Precure’s characters were designed by the guy who also did the character designs of Kaidan Restaurant. And this guy is also going to be the chief animation director!

Get what I mean? The result is…. ugh. The animation also doesn’t look as polished as Heartcatch Precure either, nor does the editing look any good.

The only thing we can hope for now is that the mysterious series composition guy actually knows what he’s doing, and that the director is up to the job. He did direct the One Piece Strong World Movie, but I have no clue whether he’d also work for a long series as Suite Precure. He was the episode director of three Heartcatch Precure episodes before, which were all pretty good and especially in the way that they focused on the characters. I really hope that he’s going to take that over to Suite Precure, because there still is some potential.

In any case, to get back to Heartcatch, it has definitely been fun following this series for the past year. It ahd a lot of mahou shoujo tropes, but had such a solid execution that those didn’t matter at all.
Rating: ** (Excellent)

Posted on with categories: Star Driver



A beach episode? Of course, things wouldn’t be so simple. This episode was about 40% beach, and the other 60 percent answered a ton of questions, along with changing the entire set-up of this show, yet again.

Interestingly, this episode revealed that all of the seals had to be broken in a particular order. Interestingly, that makes a lot of the battles early on in the series much more like long-term preparations by the crux brigade: they were basically killing time while they were trying to find out where the heck the fourth maiden went. Wako getting captured in the first episode was nothing more than one of the members of the brigade acting for herself.

The badges meanwhile turned out to be fake emblems. Head probably used those at first, while he was trying to gather the ones with the real emblems. What does this mean for the ones who always used the fake emblems? I mean, in terms of combat ability they have become completely pointless now, despite how the entire series has been carefully building up their characters, and here they suddenly get swapped out by this horde of characters where far less attention went into.

One big mystery at this point is Sugata: I really feel like the creators are saving a ton of stuff for the last third of this series, and this king cybody has to be one of the major ones: this episode revealed that he also is completely useless now that the third phase is is activated. Plus, there still is the mystery of what makes Takuto so special: in the previous episodes he always miraculously was one phase above the others, but the new power he finds here is kindof vague. It’s in any case not the fourth phase, because then he’d permanently be a Galactic Pretty-Boy.
Rating: ** (Excellent)

Posted on 29 January 2011 with categories: Mitsudomoe



And this episode is hilarious again. Seriously, this show is inconsistent, but that’s also part of the fun: this way you won’t know what to expect, which is definitely good for a comedy. This episode was mostly made out of random sketched, but the good thing about this episode was that all of them were pretty much different from each other. Again: unpredictability is great for a comedy.

And among these sketches were a number of great ones. My favourite was the one where Miku photoshopped a bunch of pictures of Mitsuba. There’s just so much wrong about that: the fact that Miku had been stalking and secretly taking pictures, to the way that she actually tried to make them into a ghost story. The best part was when it turned out that she ended up photoshopping Hitoha’s face on all these pictures. It was quite well built up and completely hilarious. I also like that the occult girl turned into a nice running gag here,similar to the ones that Gintama used.

The last sketch of the episode, the swimming pool one, was also a great one, especially when the creators kept toying with Hitoha’s death, accompanied by conveniently appearing violinists, only to be followed by a huge anti-climax when Futaba appeared. The ED that followed there was also priceless. It perhaps wasn’t as good as the custom ED of that one episode of the first season, but it’s still great to see the creators pulling this again, while not overdoing it with every single episode.

There also were a number of sketches that had their minds into the gutter, but I actually found them pretty funny this time. Especially the first one, which was wrong on many levels, but the fact that the same thing pretty much went on into the mind of all four of the girls made it hilarious.

And yet again: this episode avoided what was milked out the most in the first season: the misunderstandings. It did continue with Yuudai’s perverted techniques, but even there it built further upon it, instead of just repeating the same jokes. The worst part of this episode was for me the festival one: that was just the umpth time in which the creators tried to put some panties on Shinya, which has gotten really old by now.
Rating: ** (Excellent)

Posted on with categories: Letter Bee



So apparently we’re now in anime original territory? Well, this episode didn’t feel as solid in the adventure department, but that may also be because if I got things right, the episode director of this episode was the director of Glass no Kantai… In any case, I’m glad that the creators are now already building up to their own ending, rather than doing this, say, during the final three episodes.

What I meant with that this episode wasn’t as solid as the others was that strange point of Aria fanservice that felt totally out of place for this series, or the way in which Nichi suddenly pulled another power out of nowhere(she can now even make wheelchairs), that conveniently located trap door for Nichi or that very badly animated horse carriage…

At the same time though, there was still plenty of good stuff here, most of it revolving around Gauche versus Lag. The scene in which Gauche pretty much tells him that he simply received a bunch of Lag’s memories is quite powerful, but at the same time we got confirmed that the letter bullet at least partially worked: if Gauche entirely spoke the truth in that scene, he would have been able to kill Lag easily.
Rating: * (Good)

Posted on with categories: Bakuman



This was another one of the very good episodes of Bakuman. The premise was simple: just stuff a bunch of mangaka into a room watch them for 20 minutes. It worked wonderfully and I loved how good they play off each other. Nizuma and Moritaka already were very different, but the creators add two more vastly different characters here, with varying amounts of experience.

This episode also touched upon the less than dreamy side of manga writing: if you can’t come up with interesting storylines or images you can very easily spend decades as an assistant. Granted, this is an anime so I guess that we are to assume that that 33-year-old guy is really old, but this episode did seem to suggest that most manga authors are fairly young. Is that a fair assumption, or are there also plenty of older mangaka around, beyond the successful ones?

I also like how this episode established that Niizuma wasn’t perfect either, and that he actually learns some things from the other characters. The dialogue in this episode felt quite natural, especially when Eiji went out of “airplane-mode” and started talking normally. This probably is the first shounen jump adaptation in ages that doesn’t have some sort of bad guy, and it really showed in this episode: nobody is really trying to be evil here, and instead they’re just being themselves.
Rating: ** (Excellent)

CHANGE USERNAME
Lenlo
That was an interesting comparison. Cool to see how far anime has come.
Lenlo
I cant wait to watch Kaze Fui tonight to answer those questions Kazier!
Kaiser-Eoghan
@Lenlo: Someone has done a comparison video for Dororo for a scene in the new one, comparing it with the old one: https://www.youtube.com/watch?v=j38anJY3BtA
Kaiser-Eoghan
Maybe some people found the flashback scenes too dramatic, but I didn't mind, they worked for me.
Kaiser-Eoghan
@Lenlo:One thing that has come to mind, how would it go if he encountered the coach again, but in the present?
Kaiser-Eoghan
@Lenlo:I also liked how the flashback was done in a grainy looking style.
If I found someone who was finding it hard to get into this show, I think that this episode would win them over and it’s the episode I found myself feeling the most.
Kaiser-Eoghan
@Lenlo: Episode 13 of Kaze ga tsuyoku is the fitting and perfect culmination of what has come before it and all is now essentially out on the table dramatically and all the better for it because of how well this series has built itself up.
Animosh
In essence it is still a battle shounen though: even if the fights always have narrative weight (it's not just fighting for the sake of fighting), the characters are to a significant extent developed through fights. So if that's not your thing it might be a hard sell even with its amazing animation and sympathetic cast.
Animosh
@Lenlo/Kaiser: the problem with Mob though is that its first two episodes are by far the worst of the series. So if you give it a try you should watch at least until the third episode, and possibly even episode 4/5 (since it's the first really good arc of the series imo).
Animosh
Yeah, it must be tough to blog three shows in the span of two days, especially with how long your posts tend to be. I find it hard enough already just to keep up with everything!
Lenlo
Ugh. Didnt get to Kaze Fui tonight. A shame. This whole Dororo/MobPsycho then Kaze Fui air schedule is gonna be a pain. You can expect Kaze Fui's maybe... Thurs? Not sure yet. Busy night
Kaiser-Eoghan
*newer not old
Kaiser-Eoghan
Some additional things I always notice in certain things, sometimes in these old medieval films or shows, in the American ones the characters occassionally don't look earthy enough.
Kaiser-Eoghan
Koyomi from clannad i mean
Kaiser-Eoghan
Somewhere in my head Koyomi is this weird anime take on an autist.
Amagi
All she did what stupid, but everyone was saying that she was a genius that would probably soon develope the theory of eversthing so it must be real even if she's only ever smart when the plots needs her to do some sudden computer hack or something.
Amagi
Smart characters can only be written by smart writers. So sometimes writers just tell that the characters are smart but you don't actually witness it. It's either shown by using such wise one liners or just because someone else is telling the audience they're smart. Reminds me of that one Kyoani genius girl.
Kaiser-Eoghan
Can't do the walk, don't do the talk.
Kaiser-Eoghan
I can buy it more for a tough old dude.
Kaiser-Eoghan
On more thought, alot of it has to do with who is saying them. Men who look like children with no charisma.
Amagi
I absolutely hate these one liners too. Especially when you can already hear them in the trailer.
Kaiser-Eoghan
I hate it when scripts coverup for awful characters by spamming quips at you.
Amagi
It's why I dislike so much stuff that gets released today. All these run-of-the-mills, copies, clones, alternative universes, sequels and so on.
Kaiser-Eoghan
But, beyond cgi, its the modern take wise-ass stuff that drives me nuts.
Amagi
Even if you're just drawing a landscape you need creativity. Where are the shadows, the lighting, what atmosphere should it trigger and so on. Maybe even a hidden motif.
Kaiser-Eoghan
ANARCHY KINO-MACHE!
Amagi
Yeah creativity is, well, should be among the most important things out there. I mean movies, anime, etc are actual art, art is meaningless without creativity. At least the narrating type of art.
Amagi
Kinda miss these anime. They're rare to begin with but I can't imagine anyone creating such a thing nowadays. Like Blame/Ergo/Texhno, even Lain. They never sold though, so I can even kind of understand it.
Kaiser-Eoghan
Ergo worked for me up until the ending.
Kaiser-Eoghan
I think clever is too often a miused word by people when they describe things. They reduce it to being "Just a smart storyline", when really it is more suited a word to something in tune with its creative side.
Amagi
Ergo Proxy even had a dense/heavy plot that was developing while you're busy figuring the setting out. And many things were shown indirectly. It was one of the rare anime I had to watch twice to get it. Texhnolyze is also such a thing but more bizarre in my opinion, less logical than Ergo, but still great.
Kaiser-Eoghan
@Amagi: Its really really nice knowing that I can talk to someone like you about this on my level .
Amagi
It's why I love series with strong settings so much. See Blame for example. Even Made in Abyss. You never know what kind of landscape you will see next and in Blame everything is fucked to behin with.
Amagi
Yeah. Well we do watch movies to feel excitement, and you can't really feel that if you can guess what happens next.
Kaiser-Eoghan
Now obviously these types of things can end up a coin toss of it either works or it doesn't, but I appreciate the risk taken.
Amagi
I tolerate it for games because whereas I still don't like it there, at least the game as an additional value which is the gameplay. So even with weak atmosphere I am still enjoying it for being a good game. But when I watch a movie I want get sucked in to some degree instead of being aware that I am just the audience (or the player).
Kaiser-Eoghan
I like that feeling of I don't know whats going to happen next.
Kaiser-Eoghan
I like the idea of a madman getting to do a movie and running with his imagination.
Amagi
It's like dreaming and suddently hearing your real life cat meowing and realising that it's just a dream, you're in the bed and about to wake up. And yes this is exactly why I dislike CGI
Kaiser-Eoghan
But sometimes people cry pretentious wrongly, when there wasn't really any intended thing to get.
Amagi
It's why I am so easily angered over little errors or writing problems. Because they destroy the atmosphere more than anything else.
Kaiser-Eoghan
I mean, I do like themes, characters etc, but my favourite experience is nightmare/dreamscapes.
Amagi
If the atmosphere is missing it doesn't matter what story you are telling, everything feels kinda hollow. Doesn't mean that show with weak atmo and great plot is bad, but it would be ten times better with the proper atmosphere.
Kaiser-Eoghan
I hate this modern idea of "It HAS to be coherent or mean something or follow some kind of linear or logical thing or some kind of rules"
Amagi
@Kaiser: Yeah it's why I often say that atmosphere is the most important part of a story, actually.
Kaiser-Eoghan
With cgi I am constantly reminded I am watching a film.
Amagi
Don't know all of the titles you mentioned, will probably look into a few of those I don't know.
Kaiser-Eoghan
What I love about these old slavic art films, is no longer being aware of the world around me when I watch them. They use actual crafted cinematography so they can still feel like you're living it, despite being so unreal.
Amagi
Technobabylon and Gemini Rue are my favorites. These games capture this fucked up feeling of noir-punk and dark cyberpunk perfectly and have a bunch of great twists and character arcs.
Amagi
I like this type of darkness somehow, as well as trash punk and noir stuff. I do enjoy the Wadjet Eyes games for that reason.
Kaiser-Eoghan
Naturally I loved both
Kaiser-Eoghan
Hard to be God and On the silver globe are insane, there's this sense of what the utter hell am I watching? But you feel like you've been transported someone else entirely.
Amagi
"We" (Мы) is also a Russian dystopia novel, it shared a bunch of similarities with 1984 but was written long before Orwell had had even started with 1984.
Amagi
STALKER has also made me check out a bunch of Russian/Ukrainian novels. I love their ideas. Their dystopias and everything.
Amagi
Slavs are doing good games right now. Looking forward playing this Russia Fallout clone.
Kaiser-Eoghan
I can't remember the name of the Soviet animation with the robot that keeps on working after everyone's dead.
Kaiser-Eoghan
But crappy puns aside. Dead mans letters, letters never sent, Ivan's child hood, Andreii Rublev, Cranes are flying and I am Cuba have amazing cinematography.
Kaiser-Eoghan
I wanna b a Potemkin master....
....like no-one ever was =P
Kaiser-Eoghan
Dead mans letters is up there with Threads as being one of the best apocalypse films.
Kaiser-Eoghan
*evangelion
Kaiser-Eoghan
Or would that be Nyguen genesis Evagelion =)
Kaiser-Eoghan
@Mario: You'll always be my ho chi main man minh Mario =)
SuperMario
I love Soviet cinema. Yeah the Mirror has that monochrome part. And they aren’t that big as they used to be but Soviet animation has great history
Kaiser-Eoghan
Stalker is an excellent science fiction film and not neccesarily because of need to anaylze it, but because it works of a visual-psychic level.
Kaiser-Eoghan
@Amagi: Zerkalo/mirror is a great example of this, just a stream of the directors thoughts, all visual impressionism, there might be a scene where I couldn't tell you the why or the what, but it'd make me feel something.
Kaiser-Eoghan
@Amagi: Basically where to understand, is simply to feel.
Kaiser-Eoghan
@Amagi: Its always fascinating that some filmakers have the ability to just let the film wash over you and move you with intricately crafted arthouse visuals. That they can do that, without character arcs/intellectual message/monologues.
Amagi
Speaking of soviet stuff I kinda want another movie or maybe even a cartoon like some of these old soviet movies that were partly monochrome and partly colored during important scenes. Didn't solaris have that too? - I know the monochrome parts were done to save money, but it was kinda impressive seeing colorless movies turning colorful ones during emotional scenes.
Kaiser-Eoghan
@Lenlo: Definately something that would appeal to me in terms of alternate style of animation. I'm actually quite a fan of different, out there animation styles.
Lenlo
Heres the ED
Lenlo
Yup, paint on glass. The entire ED for the first season was done in that style. Mob loves to use obscure or generally unusual art styles to sell the other worldlyness of its spirits.
Kaiser-Eoghan
That sounds pretty cool.
Kaiser-Eoghan
Excuse me....paint on glass effects in Mob? There was a Soviet animator that used that style.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
@Amagi: Again you psychically read my mind =P I was just thinking that about Farnese arlier.
Kaiser-Eoghan
@Amagi: I think I've accepted there are some manga I need to wait until they're finished before go back to them either due to slow scans or because they've gone on so long or go on hiatus.
Amagi
I think the later half as well as the hiatus killed it for me. Can't deal with that two chapters per year policy.
Lenlo
I, however, am still a rabid Berserk fanboy. :D
Amagi
I am also never a fan of characters completely changing personalities once they're redeemed. Farnese was an interesting villain and while I agree that she needed to overcome her trauma the current Farnese is just some soulless helpful big sister type. She only exists to care for Cjaskar and at some point even Cjaskar's eternal problem was starting to get on my nerves.
Amagi
@Kaiser: Same opinion on Berserk again. The arc before that with the inquisition tower was one of the highpoints of the manga, everything went downhill once Schierke had joined which is kinda sad since it was one of my favorite series before that.
Lenlo
Mob is much more character focused than OPM. OPM riffs on Shounen, while Mob is a much more character driven drama kinda series, with shounen elements. I would give it a shot for an episode or two.
Kaiser-Eoghan
@Amagi: Berserk started losing me when he started travelling around with those kids.
@Amagi/Animosh: Do you believe that Mob has better choreography than onepunch?
Kaiser-Eoghan
@Amagi:I will give exceptions to magical elements if a show can produce an adventure narrative worthwhile or if it’s a magical girl show.
If magic is featured in an occult horror fashion or in an exploitative way, I will also lean toward allowing it.
Kaiser-Eoghan
@Amagi: While I very much doubt Mob would be my thing, given how I generally felt indifferent to onepunch man and bias against shounen action, yes the art for Mob, when elevated by an anime adaptation lends itself to something unique looking and I can praise that.
Lenlo
I think ONE's style fits Mob better, and Murata's style fits OPM better. So yeah, Bones chose well on that front
Amagi
Not only are overdesigned characters really bad for movement which is actually needed to make a series and their characters feel alive but they also often look really bad in my opinion and there is a limit on how overdesigned a character can be until I stop taking them seriously at all.
Amagi
Yeah. I also honestly think that many anime are suffering from overdesigning.
Animosh
And I like Mob's artstyle a lot as well. It gives the series a unique look, and it gives the animators all the freedom they could wish for to play around with the characters (and basically everything else) as they see fit. Add Bones to the mix, and you have one of the best-looking series out there.
Animosh
I prefer the full ONE experience too. It's part of the reason why I slightly prefer Mob Psycho. OPM looks great and all, but there's way too much meaningless fighting going on in the manga lately. I prefer the tighter and more consistently subversive storytelling of the webcomic, although I still enjoy the manga a lot as well (and the story climaxes in particular tend to look freaking amazing).
Amagi
Different example since this is actual fantasy but I also prefered the early Berserk series over the later parts. When the supernatural horror stuff was more of a hidden thing appearing around Guts and otherwise just on special occasions, while most people didn't even believe such things exist. I prefer that over the high (dark) fantasy we have now although I get what Miura is aiming at.
Amagi
I guess I just have a thing for this secret-club mentality. I prefer it over worlds with blatan magical powers everyone uses and knows about.
Amagi
It's weird but I almost always hate anime with and about magic, the more fantasy it is the less I like it (usually, not always), but then again occult stuff is always totally my thing.
Amagi
I am quite happy they stick with the original Mob Psycho designs from ONE for this series. The OPM manga is probably one of the best looking things out there but ONE's artstyle has a lot of charme and makes characters more unique, especially if looks as polished as in the anime adaption.
Lenlo
Mmm cant wait to watch it. Kaze Fui, still great
Anonymous3309336
I really like how Kurahana admitted that he let his emotions get to him when he threw that punch at the coach back then. Now he feels remorseful about that day and how he made enemies from his former teammates.
Anonymous3309336
Meanwhile, looks like the next episode will focus on Prince again and his attempts to further improve his time.
Anonymous3309336
Meanwhile, his new teammates understand the pain he's been going through and want him to move on from that. Definitely as some of the best writing of this season.
Anonymous3309336
That punch he threw at the coach was certainly well-deserved, but I can see why the other teammates including Sakaki would come to despise him.
Anonymous3309336
This episode of Kaze ga... was great as always, as we see more of Kurahana's past and how his awful coach made Sakaki and the rest of his former team turn on him.
Kaiser-Eoghan
I wouldn't have minded reading several volumes of seeing Satou on the run.
Animosh
Thanks! That's good to know. An alternate ending could have been fun, but I suppose the ending of the anime was fitting, and if it ain't broke don't fix it.
Amagi
Looks like it's going to end. I guess it ends the same but we can't say for sure yet.
Animosh
For those of you still reading Happy Sugar Life: is the manga continuing past the anime? Or does it look like it's going to end in the same way? If it takes a different path it might be worth checking it out.
Anonymous3307077
children of the whales
Lenlo
Holy crap. Mob Psycho 100 is the best thing since sliced bread. BONES thank you.

And thanks Kaiser!
Amagi
well we have a döner kebab ship at least.
Amagi
I am from Frankfurt, another one of the biggest German cities but there isn't much to see here aside from skyscrapers and banks.
Kaiser-Eoghan
*had **taught
Kaiser-Eoghan
I hah had some notion that the Japanese didn't really know English or it wasn't well thought over there?
Kaiser-Eoghan
Lenlo's taste continues to be impeccably based.
Kaiser-Eoghan
lol I thought coolass47 was covering Kaguya.
Kaiser-Eoghan
Germany, both Koln and Berlin, especially Koln felt like a home to me and felt the less alienating/foreign.
Kaiser-Eoghan
.....probably embarassing but, I think I'd be put off sleeping on the floor in a futon or using one of those weird Japanese toilets.
Kaiser-Eoghan
Truly I am the Kaiser Eoghan.
Kaiser-Eoghan
Beyond that I've been to Belgium, Spain, France, Italy, Northern Ireland and Wales.
Kaiser-Eoghan
I've never been outside of Europe. I didn't have problems getting around Germany though when I went because my then girlfriend was from there and I knew enough to cope on a Holiday.
Amagi
also no matter which country I visited till now people were always friendly
Amagi
Yeah, now thinking about it, I could even find everything in Iran so I guess Japan should work too. Most people knew enough random English or German words to somehow lead you to the place and you want to visit unless it's some really weird relief or a small town that's difficult to reach but tourists usually stick with the big stuff.
SuperMario
... years ago and Japan is pretty safe and the signs are easy to follow in general. Even the locals who don’t speak English they are pretty friendly and help you the best they can. You don’t need to be worry on that front
SuperMario
I did it alone few
Amagi
Not sure how he did it (he went completely alone too) but it seems to be possible somehow. Not sure if I would make it though.
Amagi
Someone I know managed it alone and he isn't even that good in English.
Lenlo
I think I can manage. Lots of English signage in places like the rail systems and such. That plus the small amount I am learning in preparation and how much english they teach them over there, I should be ok
Kaiser-Eoghan
@Lenlo: Do you feel you'd be able to get by in Japan? As far as I know you don't speak any Japanese.
Animosh
Mob was great again too. The adaptation is really knocking it out of the park. And looks like we'll be getting one of my favorite side stories next week.
Animosh
I love how upbeat Slime continues to be. If only all wars were resolved like this. And then he goes on to improve everyone's lives by building homes, infrastructure, and coalitions based on common interests? Rimuru for president!
Anonymous3303364
I retired from the force in middle school enjoying my retirement, I still see the faces of the comrades we lost when we defeated the big bad and saved the world, I haven't seen my cute marketable mascot in 3 years, but I like this new life I'm living, I thought I found peace but the battlefield always calls out to me, why? Because war never changes.
Anonymous3303364
I love this comment since it's more well put on what this dark magical girls show really is:
Vonter
Perhaps in ten years when the next trope comes. I wonder if some will look back to the tropes from now with different eyes. Like they say, you don't know what you have until you lose it.
Vonter
Yeah, maybe I could watch some of that schlock. In a way some of it has become more endearing over time. Since times have changed.
Kaiser-Eoghan
Vampire wars was fantastic though, used shitfuck as a word from what I remember.
Kaiser-Eoghan
Yes! Finally they're saying it.
Kaiser-Eoghan
Watching a compiliation of dub cursings for angel cop, not enough F-bombs yet.
Kaiser-Eoghan
I always wish some of these old ovas got to go on for longer, especially AD police and bubblegum crisis. I'd have loved a full gunsmith cats or riding bean show.
Kaiser-Eoghan
I have to watch Angel cop some day I really do.
Kaiser-Eoghan
And I think vonter, if magical girl ops can't achieve the exploi angle then it has failed all the further. We'll have to see.
Kaiser-Eoghan
@Vonter: I was disappointed when I saw the more modern anime! Because it didn't have the art I liked in the ovas.
Vonter
I do remember now. Did you watched the Birdy The Mighty OVA (not the series, the OVA). That one I remember liking because it was cheesy, visceral, had IMO better designs for the aliens than the ones in the TV series and I digged the dynamic of the two leads. However it was cut short. Perhaps it was too derivative for the time.
Kaiser-Eoghan
Sometimes I can actually take ridiculousness much better when its a live action exploitation thing if it happens to fail in animated form. That Jeanne d'arc anime and maybe magical girl spec ops would have made hilarious 60s/70s Eurotrash films.
Kaiser-Eoghan
One of the only modern anime to do the exploitation angle right was Freezing.
Vonter
I want to believe there's something like that already out. But I'm blocked. I can only mention that I now want to rewatch some of Devilman Lady. It does have a female lead battling monsters with an 80s sci fi horror vibe, I don't know it reminds me for some reason to movies like Godzilla 1985 or King Kong Lives.
Kaiser-Eoghan
@Vonter: Or go mental.
Kaiser-Eoghan
@Vonter: Thats one I still need to get around to. If I have to have a darker magical thing, it either has to be camp and goofy enough while taking itself dead seriously or keep some of the fun .
Vonter
@Kaiser-Eoghan - If you haven't check a couple of episodes of Lady Devilman. Despite being formulaic, the monsters on that anime are really well made and feel creative, morbid and creepy.
Kaiser-Eoghan
@Vonter: lol Damn, now I want to see Go Nagai's take of Magical girl ops.
Kaiser-Eoghan
And I love how some old ovas would sometimes take place in America, but in this IDEA of it, getting it wrong.
Kaiser-Eoghan
@Vonter: I love how they added in those stupid curse words every few minutes aswell, wonderfully incompotent.
Kaiser-Eoghan
@Vonter: Mad bull 34 was lovingly perverse , like a Japanese equivalent to those wonderful Italian police things.
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