I currently have reviewed almost 700 series (this is my 692th review, to be exact), and yet I haven’t quite seen anything like The Big O here. The way in which it somehow manages to combine film noir with giant robots fighting each other is really commendable. On top of that, the soundtrack is completely unique as well, it has a unique main character for an anime, and even the entire premise that this series is based on is just… unlike anything I’ve seen. Sunrise, I applaud you for creating such an interesting series!
First things first, though, because this series does like to toy with your suspense of disbelief a lot. You see, the protagonist, Roger Smith has the profession of “Negotiator”: he mediates between fair deals in order to solve conflicts. And seriously, you’d be surprised at how this show time and time again makes these negotiation jobs boil down to giant robot fights. Some villains have some of the most bizarre reasons to suddenly grab a giant robot in order to attempt to accomplish their goals.
I also hope that you like series that don’t bother to answer all of the questions they ask, because this show loves to pretend that it doesn’t make any sense. Instead, it leaves things up to the viewer to interpret, and fill in the blanks. And that’s the beauty of this series: none of the characters really has any idea what’s going on. What we see here is 26 episodes of characters struggling against the unknown, everyone doing this with a different interpretation. This show doesn’t just have an original setting, it also manages to make it very deep by consistently looking at it through different eyes and trying to analyze it.
It also helps that it’s wonderfully told. The entire series has this great mysterious atmosphere, and the stories it presents work really well with the lead couple, Roger Smith and Dorothy. The two of them also play off each other extremely well and are both very well written. Roger Smith is a great lead character because he constantly thinks and never takes anything for granted, while Dorothy’s deadpan portrayal of an android is consistently haunting. The dialogue is also really well written, and the scriptwriters time and time again manage to accurately portray all of the different characters end up in this series.
The Big O is mostly episodic, but it’s the kind where everything comes together at the end. When I watched some of the episodes, they seemed pretty pointless at first, but now that I just finished the final episodes, I’m surprised at how each of the episodes had its purpose, either by adding to one of the characters, giving the setting more depth, or the storyline itself.
My one complaint is that the action scenes, while wonderfully combined with the dialogue, do feel a bit formulaic after a while. This also has to do with the fact that the battles are often held held for… strange reasons. As the show goes on, the stakes that are put on the battles actually increase, though, which takes the monotony away again.
This show also has its share of mindscrew moments. If you’re looking for a confusing series to watch, then this definitely is a recommendation, because when you look beyond the unanswered questions you can see that this show has a story that the creators put a lot of thought and effort into.
|Storytelling:||9/10 – Excellent atmosphere and good build-up. The script is great and everything nicely comes together after a while. Just don’t start nit-picking every tiny detail.|
|Characters:||9/10 – Diverse, no teenagers, and the characters fit the setting exactly and make excellent use of this.|
|Production-Values:||8/10 – Unique look, and during the money shots the inbetween animation really is impressive.|
|Setting:||9/10 – Imaginative, unique and thought-provoking. It doesn’t answer a majority of the questions it asks, but knows it and uses it to its full advantage.|