Oh, I have to admit that this show is shrewd. In the previous episode they introduced the most stereotypically evil characters for the story centred around Victorique’s background. Their personalities were so obviously out there , with a group of three random respect-less guys on one hand and this completely deranged maid on the others. I’ve been watching detective stories for so long that it totally didn’t occur to me that they could also be the culprits and that this was just a story in which everything was just as it seems. Har, har, very clever for this show to use an overused trope to its advantage. For once I can’t blame Victorique for refusing to explain how she found out about their identities.
This episode was well told, though. For once the two different murder mysteries in this arc proved to be quite effective red herrings for each other, and the atmosphere was actually quite excellent. Especially that bridge scene was well directed and shot and surprised me how I actually ended up caring for Kujou, of all people.
I also like how the creators wrote their stories into the European history. I mean, it’s not like Seyrun ever existed (or nothing with the same name at least), but this episode came with an entire background of how the village came to exist in the first place and where their ascendants came from. That actually worked very well here.
Oh, and the revelation that Cordellia was still alive only spiced things up even more at the end. This definitely was the best arc of Gosick so far. If it can keep this up, it’s actually going to become a pretty good series here. If not then it still has enough ways to become a total chore to sit through, though.
Rating: ** (Excellent)