Posted on 31 March 2011 with categories: Monthly Summaries

This month… was crazy. It was completely different from any other month, there was just so much going on. It’s not just a month of one of the worst catastrophes to hit Japan since the Second World war. Also in terms of anime releases this month was just unique. It’s been a month of extremes for me, best explained through numbers.

First of all, this is the sixth March summary I’ve written on this site. Throughout all these six years, I don’t think I ever have watched as little as 15 series at the same time. This isn’t on purpose either: I just don’t think that there are any other TV-series that were worth my time this season, especially considering how bloody few series continued over from the past Autumn Season. This really turned out to be a series of quality over quantity: three series were completely amazing despite being really short, and they were the ones that made such a small season memorable.

And yet, despite these low numbers, AND having a job that keeps me busy for 36 hours each week, I have never been as active on this blog as I have been during the last month. With this post, I have just broken my own record of the biggest amount of posts made in one month: 86 of them. The movie spree I’ve been having and Supernatural had a big influence in this, but it’s not just that.

Even though there were few TV-series this month, I don’t think I have ever seen a month where so many OVAs and movies were released. Seriously, they just all kept coming, it’s like everyone and his dog released something here, even when not taking Supernatural into account. The quality of most of these OVAs and Movies also was really good. There was a lot of interesting stuff amongst them, both from one shots and from larger ones. It all culminated into one wonderful month of anime.

#15 (18) – Dragon Crisis – (5,5/10)

This final month was the worst we’ve seen so far here! I mean, the last three arcs were completely stupid and moronic. They made no sense whatsoever and their only purpose was to increase Ryuuji’s harem. Overall this was one huge waste of time.

#14 (14) – Kore wa Zombie Desu Ka? – (6,25/10)

This entire month of Zombie was dedicated to the incredibly stupid drama around Hellscythe. It’s a shame, because if it focused on the creativity of the first half then it could have been very enjoyable.The nail in this one’s coffin was the abysmal episode 12, though. I’d like to thank this episode for leaving a really bad aftertaste for this series. Even worse than that multiple Deus ex Machina ending.

#13 (13) – Gosick – (6,5/10)

Gosick episodes have a spark of potential in them. Unfortunately, this spark was completely gone this month. Only two episodes aired, but those were completely unnecessary in this series.

#12 (16) – To Aru Majutsu no Index – (7,75/10)

This is what the entire series should have been. I finally get the feeling that this series is actually moving somewhere again. It’s still not as good as the first season, but at the least I’m glad that this show did not annoy me in the slightest this month.

#11 (15) – Fractale – (7,75/10)

Fractale is an adventure series whose biggest problem is that it has no idea what it’s doing. As a light-hearted adventure series this would have worked nicely, but at the same time this series is also trying to sound deep. And that’s where it fails completely. As a whole, this series is enjoyable. It’s just that the individual ingredients don’t mesh together at all.

#10 (11) – Wolverine – (8/10)

Again, the lack of depth isn’t going to make Wolverine into anything amazing. But as a simple action series this month kicked ass. The finale really was fun and exciting and the creators threw a lot at Wolverine in order to keep things interesting. It did justice to all of the characters, as simple as they were and overall I had a lot of fun watching and blogging this.

#9 (8) – Bakuman – (8,25/10)

Overall, Bakuman is one of those shows where the pacing could have gone up a notch. Still I have to give the past episodes credit for making me think that they were moving kindof fast, while in fact they actually weren’t. It’s still a solid show about making a manga, though. The characters are continuing to grow as well.

#8 (12) – Kimi ni Todoke – (8,25/10)

Episode 9. That was the episode that by far stood out above all of the other Kimi ni Todoke episodes. FINALLY, after so much waiting, this show finally got down to business, and it was glorious.

#7 (7) – Yumekui Merry – (8,25/10)

Before I’ll get enthusiastic about this show again, I first want to see some kind of second season announcement. Yumekui Merry is amazingly written. Episode 13 just isn’t the right time to end it. Not with a villain like Mistletain.

#6 (4) – Star Driver – (8,25/10)

The thing with Star Driver at the moment is that with still one episode remaining, it’s currently balancing on the edge of a cliff. The build-up to the ending has been completely unconventional, and if it can make this work it’ll be brilliant. If it can’t though, this will mean a very rushed ending. Whether or not this month’s episodes were good is entirely dependent on that final episode, but at least the play episode was awesome.

#5 (5) – Supernatural The Animation – (8,5/10)

Supernatural’s biggest problem turned out to be its acting. I don’t mean the voice acting, but instead the way that the creators manage to portray the characters on the screen. It feels stiff and undynamic, and does get in the way of making them believable, especially in Sam’s case. Apart from that though, it has some excellent stories to tell. The first twelve episodes have ranged a bit in quality, but there were some real gems among them. The graphics also look consistently excellent.

#4 (6) – Letter Bee – (8,5/10)

The Cabernet turned out to be a big weakness here. The creators just couldn’t do anything interesting with it in the end. As for the rest of the show though, I have to praise the creators for actually doing pretty good stuff with the characters here. This show actually received closure. Something rare amongst manga-based series where the manga hasn’t finished yet.

#3 (2) – Mahou Shoujo Madoka Magica – (9/10)

Madoka Magica only aired two episodes but the episodes that it did air were amazing. The background story is deep, and continuing this series’ trend to deconstruct the mahou shoujo genre. Bring on that finale!

#2 (1) – Level E – (9/10)

So, in the end it did turn out to be impossible to reach the stellar heights of the first arc. Nevertheless, Level E has been an incredibly varied and interesting series that can both tell great stories and be side-splitting hilarious. Especially the baseball episode was an awesome mystery story, but just about every episode here was incredibly addictive, even when they weren’t funny. This series always has me on the edge of my seat.

#1 (3) – Hourou Musuko – (9/10)

Hourou Musuko ended magnificently It closed itself off perfectly, and yet the final episodes put in a massive amount of character development. Nitori’s development was just amazing, I just loved how the romance in this show worked out, and the introduction of Doi gave a completely different twist to this series. Just about every episode had something amazing, and some of the plot twists just blew my mind. This month did show 5 episodes as compared to Madoka Magica’s only having two, but BY GOD did it make use of them!

Posted on with categories: Anime Reviews, Hourou Musuko




The past season had three series that really stood with head and shoulders above the rest. They were all genuinely good and took their genres into new and fresh directions. Hourou Musuko takes a look at cross dressers. Most of time when they’re portrayed in a medium, they’re portrayed for laughs or flamboyance. Hourou Musuko however is entirely built around showing the issues that boys who feel like they are girls (and vice versa) run into while growing up. And it does so brilliantly.

For starters, this is one of those series that has a slow pacing, yet somehow manages to make a ton of stuff happen in each episode. It’s full of subtlety, and because of this it can get a ton of genuine drama out of the characters using its limited time of only 11 episode excellently.

This show actually made quite a bold statement by not animating the first X volumes of the manga it’s based on, but instead starting somewhere in the middle. The great thing about this show is that despite this, it still doesn’t feel incomplete. Characters sometimes refer to things that have happened to them in the past, but it’s apparent enough to the viewers to figure out what happened. This method gave the characters both a rich past and future and it gives the impression that there really is much more to them than what we see in the series. It’s a terrific way of characterizing them, and the entire cast of this series pretty much feels incredibly genuine and believable. Oh, and finally we’ve found another show that takes a realistic look at romance, as opposed to the overly sappy view you see in nearly every anime.

It’s a series for which I’ve had hardly anything to criticize for. The story is perfectly balanced, the plot twists are amazing in their subtlety, the cast is amazing, the animation brings both the cast and setting come alive and there is hardly anything that this show does wrong. If I had to nitpick at something then it’s that the characters are portrayed a tad too mature for their age. But so what? This is a wonderful portrayal of growing up. The cross-dressing is only a tiny part of this series. There’s so much to this show, and it’s only 11 episodes long.

Storytelling: 9/10 – Wonderfully subtle, with some amazing plot twists.
Characters: 10/10 – Amazing portrayal of young teenagers growing up,and their issues dealing with it. Wonderful development.
Production-Values: 8/10 – This show is really good at far away shots, with restrained animation, still bringing its cast to life.
Setting: 8/10 – Excellent portrayal of a school in japan. This show knows how to ring its environments to life.

Suggestions:
Aoi Hana
Asatte no Houkou
Sasameki Koto

Posted on with categories: Hourou Musuko



Okay, so this was supposed to be episode 12, even though it was labelled everywhere in the episode as episode 11. It contained no recycled material whatsoever however, so I guess it’s safe to assume that it was really episode twelve. I’m not the only one who is a bit confused, right?

In any case, this was an excellent closure to an excellent series. Even with an episode cut out, Hourou Musuko felt like it had no weaknesses whatsoever to me. It consistently engaging, from start to finish. This episode really ended at the perfect point, with Nitori’s voice changing. It denotes the start of a huge change for him. The time where his body starts changing has finally arrived, and within a few years, he’s going to make the decision whether or not to get surgery.

And yet there was so much more that happened in this episode that developed so many other characters: Doi, Chiba, Takatsuki, Anna: this show took its chance to give all of them even more development than they already had.

Overall, Hourou Musuko understood what it means to be a Noitamina series: you only get 11 or 12 episodes, and that’s the length that you have to work with. They took an excellent part of the manga and made it feel like a complete story: characters have lives that continue on both before and after this show takes place, and yet the series feels complete. I especially loved that talk that Nitori and Anna had, right before the play started.

I’m looking forward to next year’s Noitamina. C is bound to be awesome. Even Kuchuu Buranko, Kenji Nakamura’s least impressive work, was really enjoyable and interesting. Anohana meanwhile is one of those shows that doesn’t seem to belong in Noitamina at first sight. Along with Hana Saku Iroha, it’ll have to take Hourou Musuko’s place as the serious teenaged slice of drama of the season. If they’ll end up as well balanced and written as Hourou Musuko, we’re really in for a treat here.
Rating: *** (Awesome)

Posted on with categories: OVA Impressions



Yeah, this is pretty much Junjo Romantica 3. It doesn’t even try to hide this: the character designs are very similar, albeit a bit more detailed, the set-up is the same, the style is the same, and the way that the characters interact with each other is the same. I know that this is all from the same creators and all, but couldn’t they at least have tried to look a bit different?

In any case though, the irony is that Sekai-ichi Hatsukoi has a good chance of becoming the best show of Studio Deen so far this year. I mean it’s not like Chiaki Kon is a bad director or anything. It’s not original at all or anything, and the whole set-up is… contrived to say the least, but like Junjo Romantica , at the very least it has a good dialogue and chemistry between the lead characters. It also avoids a bunch of gay show tropes, like acknowledging that females actually EXIST.

But yeah, that set-up. It was definitely trying way too hard here. We have this guy who finds out that he’s been stalked by one of his underclassmen and confessed to. It’s someone who he did not know before. So, what’s his first reaction? Yeah. “Now that we’ve got that out of the way, let’s have some sex”. I know that later in the episode he says that he has huge family problems and all, but that makes this show even more emo.

Based on just this episode, I don’t think that I’ll keep watching it. Like Junjo Romantica, it knows when to be funny and especially the inner monologues are pretty nice here. I just don’t feel like watching something I was lukewarm about a second time.
OVA Episode Rating: 7,5/10

Posted on 30 March 2011 with categories: Anime Reviews, Kimi ni Todoke




Each year, before the start of each Autumn Season, I hold a little poll in which you can all force me to blog a series I wouldn’t normally even consider to cover. The only time at which I could not complete such a series was in 2009, with Kimi ni Todoke’s first season. It had very solid production values; Production IG made sure of that. However, as a romance it just had no idea what it wanted to do. Any scene that focused on Sawako’s (the lead character) growth as a character was overshadowed by its romantic drivel that refused to go anywhere.

It really was the classic syndrome of romance shows, where the creators just refuse to let relationships play out normally, in favour of forced and artificial cheese and drama. It’s because of this that I wasn’t looking forward to its second season. But lo and behold: it actually redeemed itself a bit. The biggest surprises of this season definitely lie in its sequels.

This second season really shows that the creators took a good look at what happened to the first season, with the intention to fix its major flaws. They put aside the romantic nonsense and simply constructed a series with the sole purpose of resolving the romantic relationship between the two lead characters. It’s an in-depth look at how the relationship between the two lead characters grows. It’s no longer another simple “will they won’t they”-story, but instead the series changes into a “when, how and why will they hook up”. A much more interesting premise, and to make matters even better: the creators also figured out how to use slow pacing. Instead of using it for stalling, they use it to slowly build up everything they need, deliver one hell of a climax, and afterwards carefully wrap up everything that needed to be wrapped up. It’s a massive improvement over the first season.

At the same time though, I wouldn’t say that this is the second coming of White Album. The fact remains that the first season just left a lot to be desired, and it didn’t even seem to build up for this second season. The second season does make use of some of the things that happened throughout the first season, but it mostly feels like the creators went “oh crap, we actually need to develop these people”. Kimi ni Todoke still is an overly pure portrayal of teenaged romance: great to swoon away, but at the same time it’s not like the story behind it is really deep and thoughtful. The characters remain one-sighted teenagers who only seem to think about romance and the drama still is based entirely around the fact that they refuse to talk to each other. They’re just much better written and portrayed than in the first season.

Storytelling: 8/10 – Has exactly what the first season lacked: focus. Carefully builds up its simple but effective romance.
Characters: 8/10 – They refused to develop in the first season. In the second season however, they do, and IT’S ABOUT BLOODY TIME.
Production-Values: 8/10 – Production IG is solid as expected, though there are too many distorted faces.
Setting: 8/10 – Nothing special nor nothing bad here aside from an overly idyllic portrayal of teenaged life. But then again, something tells me that was very much intentional.

Suggestions:
Bokura ga Ita
Aoi Hana
True Tears

Posted on with categories: Anime Reviews, Kore wa Zombie Desu Ka?




That’s it. With this I’m done giving these generic looking moe shows a benefit of doubt. Kore wa Zombie Desu ka is not as bad as Dragon Crisis. In fact, it has a few parts that are actually good, especially in its first half. It lead me to believe that, in fact, we might get a very enjoyable fanservice show here. Unfortunately though, this show then proceeded to run all of my hopes into the ground.

Let me start with the good stuff: this show is quite creative when it wants to be. When it wants to, it can use its cliched ingredients, insert some good chemistry between the characters, throw in some crazy plot twists and create an excellent tension. There really are a few excellent episodes in this series, especially the first and the one about the slasher. It’s just that there’s just so much crap in the rest of this show.

Zombie is at its best when the chemistry around its characters is dynamic. It’s got well written banter that works well with its nonchalant zombie main character. It’s quite enjoyable when it doesn’t take its own cliches seriously and instead tries to put them into a creative scenario. Most of the time though, it just forgets this and devolves into dull moe hi-jinks. Eventually, it just gives up trying to be interesting and just opts for lazy slice of life that’s just there to fill up time. The characters in this show are nowhere near well written enough to remain enjoyable when they’re not funny.

The big nail in this one’s coffin though is that it has no bloody clue how to tell a good story. The drama in the first half can actually get quite good when the show still is a collection of random episodes about the important characters, but it completely falls apart when it tries to build up for some overall storyline. The drama gets incredibly cheesy, and the worst part is that the creators don’t even realize this, so they just keep stretching the cheese ad nauseum.

The entire second half of this series is based around complete stupidity from one character that ends with one heck of a Deus ex Machina (several of them, actually). And then, when the climax is over and you thought that things couldn’t get any worse… episode 12 will destroy any good memories that were still left with one giant middle finger to both its audience and cast of characters.

Studio Deen. Please put some people who can actually tell a story on your next series. I mean, you’ve showed in the past that you can make genuinely good moe shows with Touka Gettan and YamiBoushi. Why so much laziness?

Storytelling: 7/10 – When it wants to, it can be very enjoyable and dynamic, but this doesn’t happen often enough and gets ruined by some terrible episodes and drama.
Characters: 6/10 – Try to be serious, but fail. Try to be enjoyable, but fail as well. Only when they try to be themselves they work well.
Production-Values: 8/10 – Pretty decent animation. Certainly not the worst.
Setting: 7/10 – Has nice ideas, but doesn’t use them often enough.

Suggestions:
Touka Gettan
Higurashi no Naku Koro ni
Yami to Boushi to Hon no Tabibito

Posted on 29 March 2011 with categories: Level E



Awesome to see the entire main cast together again for the finale of this series. I mean, these are the kinds of characters who are awesome to watch, no matter what they do. Having an entire arc focus on them was exactly what this show needed to close off well.

Also, I finally spotted an overused cliche in this series: the seemingly helpless girl who manages to hit a home-run against all expectations. But then again, as an alien it makes perfect sense, and this episode even poked fun at the “walking into the shower”-scene that baffles me of why it was the first one to do that.

Overall, it’s true that the first arc of Level E was without a doubt its best: it had the element of surprise and used it utterly brilliantly. What happened after that is very interesting, though. Instead of joining the bandwagon of trying to make more episodes in the same vein, the rest of the episodes continued to experiment with all kinds of different stories and characters surrounding aliens on earth. Standalone it’s indeed easy to just compare the to the first three episodes and label this as a show that goes downhill, but nevertheless I find the way in which this series paints together a complete picture, making use of its momentum and constantly changing its focus and characters, to be quite brilliant and the single most enjoyable show of this season.

The thing is that I rarely give very high ratings to comedies, even though it’s a huge genre in anime. Level E has opened my eyes on how good the genre can be when it has some actually interesting stories to tell. This way, it can also be good whenever it’s not funny. Call it the X-Factor of comedies. With most comedies I’m just disappointed when they’re not funny, because besides being funny they fall apart without their humour. For Level E though, I think that it also would have worked as a series if it didn’t have its humour. It’d obviously be less awesome, but I can imagine that it would still keep my attention.

What’s more: a lot of comedies seem to be trying to solve this by going all serious in the final two episodes. I’ve only seen very few of them that actually pulled off such a good climax, though (Hyakko being one of those rare examples). This series however showed that you can just as easily tell serious stories that fit in 1 to 3 episodes that can work just as well as long arcs if they all succeed in coming together and form a whole and creating its own universe.
Rating: ** (Excellent)

Posted on with categories: Mobile Suit Gundam Unicorn, OVA Impressions



The adults in Gundam Unicorn… are actually portrayed really well. Their maturity works quite well. And like I said before: the execution here is incredibly solid and if this wasn’t bound by Gundam cliches, I definitely would have liked it even more than I am now. There are plenty of characters here who take themselves seriously, are intelligent and make for a great war drama.

What annoys me about Gundam Unicorn is something that annoys me about a lot of other Gundams as well. They’re certain ideas and tropes that just continue to run throughout all kinds of Gundam Series that I just can’t get behind, and seeing those repeated over and over… I have to admit that those are killing my enjoyment of this series a bit.

To take this episode:
– The main character is the vehicle for a lot of “war is bad” drama.He inherently believes that killing is evil… and yet he flies around in a giant killing machine.
– There also is that mentality of “oh, us adults are old and fail. Let us sacrifice ourselves so that the youth can shine” that I just can’t get behind, even though the adults are portrayed as far more useful and reliable.
– Then it also suddenly brought up the skilled minor bad guy who does nothing but frantic yelling. Especially Gundam 00 abused this one heavily.
– Oh, and let’s not forget the lead character unlocking his hidden powers once he sees one of his friends killed. Realistic warfare? Hah.

Nevertheless, this all could have been much, much worse. You can see that Char actually is aware of all these tropes around the lead characters, and has constructed a pretty solid plan around them with much more details than you usually see. Meanwhile, while the main character isn’t the best advertisement for “war is bad”, his romantic interest is actually trying to resolve conflicts using diplomacy as the “Relena” of this series. That’s one cliche that I don’t have any qualms about: it’s good to have a voice of reason in Gundam series: someone who doesn’t constantly think about fighting.

Also, I have yet to see my to biggest annoyances of the Gundam franchise: the endless yelling and angsting, and the long strings of monotone battles that they tend to devolve in. If Gundam Unicorn can actually avoid these in its second half, then it can really get quite good. However, this episode already contained a hint to the former (that guy who just kept yelling). As for the second annoyance, though: those usually are the result of this series remaining too long in space, where there really isn’t much to do apparently. The end of this episode showed the characters descending to earth.

A descending scene that was really good, by the way. The song behind it was ridiculously cheesy, but somehow the direction made it all work all the characters finally taking a break between all the fighting in order to actually get through the atmosphere safely. That’s good build-up here, to end the episode with a completely different mood.
OVA Episode Rating: 8/10

Posted on 28 March 2011 with categories: Anime Reviews, Dragon Crisis




The past Winter Season was a dark season… for Studio Deen in any case. They came out with more series than any other series, and all of them were disappointing even despite my low expectations. I mean, I am a fan of them and all, but the reason for that is most definitely not their consistency!

I originally wanted to be a bit more generous with my rating for this series, but the more I thought about this show, the more I realized that it just doesn’t have anything redeemable. There’s no reason to watch this thing; everything it does has been done better a thousand times already. Dragon Crisis at heart is a boring cliche-fest that lacks any sort of ambition.

The structure of this series consists out of six two-episode arcs. This show somehow manages to do the impossible and become progressively worse with every successive arc. Seriously, just when you think that this show couldn’t get any worse, it manages to finds some way to prove you wrong until at the end, the creators just outright give up. Every arc is pretty much focused on adding someone to the lead guy’s harem. Yeah, that loses its charm really quickly.

Beyond that the writing is just outright stupid. This is the kind of show that was written by people who think that teenagers (its target audience) have the mental capacities of a lobotomized squirrel. Characters act solely on what’s convenient to the plot and make the most bizarre leaps in logic at times. Any attempts of this show to become genuine is overshadowed by their complete stupidity. Add that to a plot that is just chockful of plot evices, deus ex machinas and inconsequential techno-babble that too make no sense whatsoever. All of that really is not helped by a really annoying cast of cliches and stereotypes that are supposed to be characters in which hardly anyonee stands out.

One of the big eslling points of Dragon Crisis looked to be its animation, with Masashi Ishihama (the guy behind the gorgeously animated Read or Die and Welcome to the Space Show) as its animation director. But even factoring in the lower budget that this series received, the animation is surprisingly bland: it’s not used well, the characters are all carbon copies of each other with just different hairstyles and despite a relatively high framerate for Studio Deen’s standards, none of the visuals stand out as particularly impressive.

The reason why I still consider a series like Fractale to be good, despite the way in which it too has a lot of flaws, is because it still is a very enjoyable adventure. There is absolutely nothing enjoyable about Dragon Crisis. None of the drama works, its stories are completely void of any creativity, its characters are just there to get in the lead guy’s pants and it just had no intention of trying to do anything even remotely interesting.

Thats the big problem with Studio Deen: they’ve been losing their talent left and right and just aren’t trying hard enough most of the time. They need some incentive: something to really get them to produce the really good stuff again, because this… this just is a complete waste.

Storytelling: 4/10 – Completely unambitious, doesn’t know what it wants to do and therefore is full of deus ex machina and plot induced stupidity.
Characters: 5/10 – None stands out. It’s just one big harem with all the cliches in place.
Production-Values: 8/10 – Not as good as you’d expect, but doesn’t cause this show to get any worse than what it already is.
Setting: 5/10 – This show looks like it adctually has a complex background with its dragons and rare artifacts, but in the end it’s nothing but mere cliches and techno-babble.

Suggestions:
Dragonaut The Resonance (Yes, I’m actually recommending Dragonaut over this one. At least that one had some ambition!)
Fractale
Ichiban Ushiro no Daimaou

Posted on 27 March 2011 with categories: Supernatural The Animation



Now this is more like it! Episode 12 was definitely the best episode of the second batch of Supernatural episodes. It not only showed a completely different perspective from usual, it also gave a lot of new depth to the overall story and on top of that, it was a terrific standalone story as well.

It really was a great idea to have an entire episode focused around Sam and Dean’s father: this episode was entirely devoid of those two, safe for one photograph. Their father (John) also makes for an excellent central character: he knows when to remain in the shadows and when to be useful and do something. This allowed the story of this episode to really shine.

I really liked the story of Grey and Lilly Baker. It’s also what really established the demons as a real threat here. They’ve got a tragic father-daughter relationship, but this episode was really genuine. For once the acting did not get in the way, and was amongst the best this series has shown so far.
Rating: *** (Awesome)

Shoutbox

Name:
Email:
For:  
Mail will not be published
  • Emma
    (Tuesday, Sep 2. 2014 11:11 AM)
    @Bam: I think thats the reason I’m always writing, don’t want to fall out of practice.
  • Bam
    (Tuesday, Sep 2. 2014 11:01 AM)
    A Change of pace is always good, and often necessary. Remember not to lose momentum though. Squandering one’s potential is all to easy.
  • Emma
    (Tuesday, Sep 2. 2014 10:54 AM)
    @Bam: I feel that by the start of next year or perhaps latest next March I will be on a writing hiatus possibly after 9999 submissions.
  • Bam
    (Tuesday, Sep 2. 2014 10:48 AM)
    @Emma: hehe yeah, I used to write quite a lot but just sorta lost it. We had a podcast at school where we texted random facts and different things to students, I wrote the short poems. I have a short story called Tehran Burns that people I know responded rather well to, but I never quite finished.
  • Emma
    (Tuesday, Sep 2. 2014 10:43 AM)
    @Bam: Thanks, and I see you’ve left me a rather poetic comment at that too.
  • Bam
    (Tuesday, Sep 2. 2014 10:43 AM)
    Now why would the devil wear white? I wonder …
  • Bam
    (Tuesday, Sep 2. 2014 10:42 AM)
    @Emma: I really enjoyed the Decoder of Dreams. That was so cool Emma, thanks for sharing.
  • Emma
    (Tuesday, Sep 2. 2014 10:37 AM)
    @Bam: He was dressed in loose, baggy white clothes and had fire like hair and fully white eyes, his body was a muscular build.
  • Bam
    (Tuesday, Sep 2. 2014 10:34 AM)
    now the trickster character got my attention. Are there more satanic correlation or does it end at the red skin?
  • Emma
    (Tuesday, Sep 2. 2014 10:32 AM)
    Excellent work Bam that gave me some material to work with: http://emma-hime.deviantart.com/art/Decoder-of-dreams-479784655

1 · 2 · 3 · 4 · 5 · »

Featured Posts

Clipboard03

Mushishi – 07

Now this was such a beautiful episode. We often see Mushi portrayed as parasites. In fact, they are pretty much based on the insects and viruses of their world. There probably are enough real viruses and insects living in the Mushishi world, but they just aren’t the focus of the series. Anyway, what they did […]

Clipboard04

Jojo’s Bizarre Adventure – Stardust Crusaders – 06 & 07

This is where this arc gets weird. We’re still in adventure modus, however in these two episodes Jotaro not only meets some of the most bizarre Stand users, it’s also done in the most camp way possible. You can see a clear difference with the first two seasons of Jojo: there it was all about […]

Clipboard01

Ping Pong – 05 & 06

Episodes 05 and 06 are dedicated to character-development. It’s here where Ping Pong shows that it also knows its stuff in terms of storytelling; the develoment doesn’t start too early or too late, and these two episodes really added depth to all of the different characters, despite that there were no big matches. I’m currently […]

Clipboard01

Mushishi – 03 – 06

I have not forgotten about this show. Not at all. I just finished marathoning these four episodes, and holy cheeseballs on a stick! this is the best anime in years! This was everything I could have hoped for and blows just about everything else out of the water. Talk about raw, powerful storytelling. I now […]

Clipboard03

Jojo’s Bizarre Adventure – 03 – 05

Jojo really is not kind to its females. Every time a hint is even dropped to a girl kicking ass here, it comes with this weird plot-twist that undermines any fighting potential of them. In this arc, it’s the rule that says that your stand will kill you if youaren’t strong enough. And so, Joseph’s […]

Clipboard01

Ping Pong – 03 & 04

The opening of Ping Pong wasn’t done in time, so the first two episodes showed a sortof montage as a placeholder. Now we know why, with episode 03 and 04. The creators actually got the single best animator currently in the business to oversee it: Shinya Ohira. This guy understands animation like no other. The […]

Clipboard07

Ping Pong – 02

Yes, I know that more people here were involved in making this series beyond Masaaki Yuasa. It’s written by the creator of Tekkon Kinkreet, Taiyo Mashimoto. That guy is awesome. And the combination between those two makes this series even better. Because here’s the thing: anime is significantly different from manga or light novels. Beyond […]

Clipboard02

Jojo’s Bizarre Adventure – Stardust Crusaders – 02

We can never quite get rid of magic fights at a school, now can we, Jojo. Ah well, I forgive it this time, just due to how hilarious it looks seeing these ridiculously bulky men walk around pretending to be high school students. It’s just so over the top, and yet Jojo sets itself apart […]

Clipboard01

Mushishi Season 2 – 02

Oh yes. This is it. This is what storytelling should be about: telling real stories about real people, all with their own problems that need to be overcome. And this show does that time and time again in just one episode. I still can’t believe how authentic this series is. The thing is, when I […]

Latest Reviews

Clipboard03

Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

Clipboard01

Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

Clipboard04

Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

Clipboard01

Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

Clipboard08

Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

Clipboard04

Silver Spoon Review – 86/100

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

Clipboard07

Yondemasuyo, Azazel-San Z Review – 82,5/100

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]

Clipboard05

Gargantia on the Verdurous Planet Review – 81/100

Gargantia on the Verdurous Planet tells the storyline of a planet that is completely submerged, with only giant ships residing on the surface, while one of those ships gets visited by this guy and his AI-mecha from this very technologically advanced civilization. Yes, this show is about world building. What this show managed to do […]

Clipboard01

Yahari Ore no Seishun no Love Come wa Machigatteiru Review – 82,5/100

I like surprises, like when a series comes that just turns out to be good against my expectations. Yahari Blahblah from the outside had all the signs to turn into yet another one of those high school comedies: snarky male lead, pointlessly long title that fails at being witty, various other cliched side-characters. And they […]