Posted on 31 March 2011 with categories: Monthly Summaries

This month… was crazy. It was completely different from any other month, there was just so much going on. It’s not just a month of one of the worst catastrophes to hit Japan since the Second World war. Also in terms of anime releases this month was just unique. It’s been a month of extremes for me, best explained through numbers.

First of all, this is the sixth March summary I’ve written on this site. Throughout all these six years, I don’t think I ever have watched as little as 15 series at the same time. This isn’t on purpose either: I just don’t think that there are any other TV-series that were worth my time this season, especially considering how bloody few series continued over from the past Autumn Season. This really turned out to be a series of quality over quantity: three series were completely amazing despite being really short, and they were the ones that made such a small season memorable.

And yet, despite these low numbers, AND having a job that keeps me busy for 36 hours each week, I have never been as active on this blog as I have been during the last month. With this post, I have just broken my own record of the biggest amount of posts made in one month: 86 of them. The movie spree I’ve been having and Supernatural had a big influence in this, but it’s not just that.

Even though there were few TV-series this month, I don’t think I have ever seen a month where so many OVAs and movies were released. Seriously, they just all kept coming, it’s like everyone and his dog released something here, even when not taking Supernatural into account. The quality of most of these OVAs and Movies also was really good. There was a lot of interesting stuff amongst them, both from one shots and from larger ones. It all culminated into one wonderful month of anime.

#15 (18) – Dragon Crisis – (5,5/10)

This final month was the worst we’ve seen so far here! I mean, the last three arcs were completely stupid and moronic. They made no sense whatsoever and their only purpose was to increase Ryuuji’s harem. Overall this was one huge waste of time.

#14 (14) – Kore wa Zombie Desu Ka? – (6,25/10)

This entire month of Zombie was dedicated to the incredibly stupid drama around Hellscythe. It’s a shame, because if it focused on the creativity of the first half then it could have been very enjoyable.The nail in this one’s coffin was the abysmal episode 12, though. I’d like to thank this episode for leaving a really bad aftertaste for this series. Even worse than that multiple Deus ex Machina ending.

#13 (13) – Gosick – (6,5/10)

Gosick episodes have a spark of potential in them. Unfortunately, this spark was completely gone this month. Only two episodes aired, but those were completely unnecessary in this series.

#12 (16) – To Aru Majutsu no Index – (7,75/10)

This is what the entire series should have been. I finally get the feeling that this series is actually moving somewhere again. It’s still not as good as the first season, but at the least I’m glad that this show did not annoy me in the slightest this month.

#11 (15) – Fractale – (7,75/10)

Fractale is an adventure series whose biggest problem is that it has no idea what it’s doing. As a light-hearted adventure series this would have worked nicely, but at the same time this series is also trying to sound deep. And that’s where it fails completely. As a whole, this series is enjoyable. It’s just that the individual ingredients don’t mesh together at all.

#10 (11) – Wolverine – (8/10)

Again, the lack of depth isn’t going to make Wolverine into anything amazing. But as a simple action series this month kicked ass. The finale really was fun and exciting and the creators threw a lot at Wolverine in order to keep things interesting. It did justice to all of the characters, as simple as they were and overall I had a lot of fun watching and blogging this.

#9 (8) – Bakuman – (8,25/10)

Overall, Bakuman is one of those shows where the pacing could have gone up a notch. Still I have to give the past episodes credit for making me think that they were moving kindof fast, while in fact they actually weren’t. It’s still a solid show about making a manga, though. The characters are continuing to grow as well.

#8 (12) – Kimi ni Todoke – (8,25/10)

Episode 9. That was the episode that by far stood out above all of the other Kimi ni Todoke episodes. FINALLY, after so much waiting, this show finally got down to business, and it was glorious.

#7 (7) – Yumekui Merry – (8,25/10)

Before I’ll get enthusiastic about this show again, I first want to see some kind of second season announcement. Yumekui Merry is amazingly written. Episode 13 just isn’t the right time to end it. Not with a villain like Mistletain.

#6 (4) – Star Driver – (8,25/10)

The thing with Star Driver at the moment is that with still one episode remaining, it’s currently balancing on the edge of a cliff. The build-up to the ending has been completely unconventional, and if it can make this work it’ll be brilliant. If it can’t though, this will mean a very rushed ending. Whether or not this month’s episodes were good is entirely dependent on that final episode, but at least the play episode was awesome.

#5 (5) – Supernatural The Animation – (8,5/10)

Supernatural’s biggest problem turned out to be its acting. I don’t mean the voice acting, but instead the way that the creators manage to portray the characters on the screen. It feels stiff and undynamic, and does get in the way of making them believable, especially in Sam’s case. Apart from that though, it has some excellent stories to tell. The first twelve episodes have ranged a bit in quality, but there were some real gems among them. The graphics also look consistently excellent.

#4 (6) – Letter Bee – (8,5/10)

The Cabernet turned out to be a big weakness here. The creators just couldn’t do anything interesting with it in the end. As for the rest of the show though, I have to praise the creators for actually doing pretty good stuff with the characters here. This show actually received closure. Something rare amongst manga-based series where the manga hasn’t finished yet.

#3 (2) – Mahou Shoujo Madoka Magica – (9/10)

Madoka Magica only aired two episodes but the episodes that it did air were amazing. The background story is deep, and continuing this series’ trend to deconstruct the mahou shoujo genre. Bring on that finale!

#2 (1) – Level E – (9/10)

So, in the end it did turn out to be impossible to reach the stellar heights of the first arc. Nevertheless, Level E has been an incredibly varied and interesting series that can both tell great stories and be side-splitting hilarious. Especially the baseball episode was an awesome mystery story, but just about every episode here was incredibly addictive, even when they weren’t funny. This series always has me on the edge of my seat.

#1 (3) – Hourou Musuko – (9/10)

Hourou Musuko ended magnificently It closed itself off perfectly, and yet the final episodes put in a massive amount of character development. Nitori’s development was just amazing, I just loved how the romance in this show worked out, and the introduction of Doi gave a completely different twist to this series. Just about every episode had something amazing, and some of the plot twists just blew my mind. This month did show 5 episodes as compared to Madoka Magica’s only having two, but BY GOD did it make use of them!

Posted on with categories: Anime Reviews, Hourou Musuko




The past season had three series that really stood with head and shoulders above the rest. They were all genuinely good and took their genres into new and fresh directions. Hourou Musuko takes a look at cross dressers. Most of time when they’re portrayed in a medium, they’re portrayed for laughs or flamboyance. Hourou Musuko however is entirely built around showing the issues that boys who feel like they are girls (and vice versa) run into while growing up. And it does so brilliantly.

For starters, this is one of those series that has a slow pacing, yet somehow manages to make a ton of stuff happen in each episode. It’s full of subtlety, and because of this it can get a ton of genuine drama out of the characters using its limited time of only 11 episode excellently.

This show actually made quite a bold statement by not animating the first X volumes of the manga it’s based on, but instead starting somewhere in the middle. The great thing about this show is that despite this, it still doesn’t feel incomplete. Characters sometimes refer to things that have happened to them in the past, but it’s apparent enough to the viewers to figure out what happened. This method gave the characters both a rich past and future and it gives the impression that there really is much more to them than what we see in the series. It’s a terrific way of characterizing them, and the entire cast of this series pretty much feels incredibly genuine and believable. Oh, and finally we’ve found another show that takes a realistic look at romance, as opposed to the overly sappy view you see in nearly every anime.

It’s a series for which I’ve had hardly anything to criticize for. The story is perfectly balanced, the plot twists are amazing in their subtlety, the cast is amazing, the animation brings both the cast and setting come alive and there is hardly anything that this show does wrong. If I had to nitpick at something then it’s that the characters are portrayed a tad too mature for their age. But so what? This is a wonderful portrayal of growing up. The cross-dressing is only a tiny part of this series. There’s so much to this show, and it’s only 11 episodes long.

Storytelling: 9/10 – Wonderfully subtle, with some amazing plot twists.
Characters: 10/10 – Amazing portrayal of young teenagers growing up,and their issues dealing with it. Wonderful development.
Production-Values: 8/10 – This show is really good at far away shots, with restrained animation, still bringing its cast to life.
Setting: 8/10 – Excellent portrayal of a school in japan. This show knows how to ring its environments to life.

Suggestions:
Aoi Hana
Asatte no Houkou
Sasameki Koto

Posted on with categories: Hourou Musuko



Okay, so this was supposed to be episode 12, even though it was labelled everywhere in the episode as episode 11. It contained no recycled material whatsoever however, so I guess it’s safe to assume that it was really episode twelve. I’m not the only one who is a bit confused, right?

In any case, this was an excellent closure to an excellent series. Even with an episode cut out, Hourou Musuko felt like it had no weaknesses whatsoever to me. It consistently engaging, from start to finish. This episode really ended at the perfect point, with Nitori’s voice changing. It denotes the start of a huge change for him. The time where his body starts changing has finally arrived, and within a few years, he’s going to make the decision whether or not to get surgery.

And yet there was so much more that happened in this episode that developed so many other characters: Doi, Chiba, Takatsuki, Anna: this show took its chance to give all of them even more development than they already had.

Overall, Hourou Musuko understood what it means to be a Noitamina series: you only get 11 or 12 episodes, and that’s the length that you have to work with. They took an excellent part of the manga and made it feel like a complete story: characters have lives that continue on both before and after this show takes place, and yet the series feels complete. I especially loved that talk that Nitori and Anna had, right before the play started.

I’m looking forward to next year’s Noitamina. C is bound to be awesome. Even Kuchuu Buranko, Kenji Nakamura’s least impressive work, was really enjoyable and interesting. Anohana meanwhile is one of those shows that doesn’t seem to belong in Noitamina at first sight. Along with Hana Saku Iroha, it’ll have to take Hourou Musuko’s place as the serious teenaged slice of drama of the season. If they’ll end up as well balanced and written as Hourou Musuko, we’re really in for a treat here.
Rating: *** (Awesome)

Posted on with categories: OVA Impressions



Yeah, this is pretty much Junjo Romantica 3. It doesn’t even try to hide this: the character designs are very similar, albeit a bit more detailed, the set-up is the same, the style is the same, and the way that the characters interact with each other is the same. I know that this is all from the same creators and all, but couldn’t they at least have tried to look a bit different?

In any case though, the irony is that Sekai-ichi Hatsukoi has a good chance of becoming the best show of Studio Deen so far this year. I mean it’s not like Chiaki Kon is a bad director or anything. It’s not original at all or anything, and the whole set-up is… contrived to say the least, but like Junjo Romantica , at the very least it has a good dialogue and chemistry between the lead characters. It also avoids a bunch of gay show tropes, like acknowledging that females actually EXIST.

But yeah, that set-up. It was definitely trying way too hard here. We have this guy who finds out that he’s been stalked by one of his underclassmen and confessed to. It’s someone who he did not know before. So, what’s his first reaction? Yeah. “Now that we’ve got that out of the way, let’s have some sex”. I know that later in the episode he says that he has huge family problems and all, but that makes this show even more emo.

Based on just this episode, I don’t think that I’ll keep watching it. Like Junjo Romantica, it knows when to be funny and especially the inner monologues are pretty nice here. I just don’t feel like watching something I was lukewarm about a second time.
OVA Episode Rating: 7,5/10

Posted on 30 March 2011 with categories: Anime Reviews, Kimi ni Todoke




Each year, before the start of each Autumn Season, I hold a little poll in which you can all force me to blog a series I wouldn’t normally even consider to cover. The only time at which I could not complete such a series was in 2009, with Kimi ni Todoke’s first season. It had very solid production values; Production IG made sure of that. However, as a romance it just had no idea what it wanted to do. Any scene that focused on Sawako’s (the lead character) growth as a character was overshadowed by its romantic drivel that refused to go anywhere.

It really was the classic syndrome of romance shows, where the creators just refuse to let relationships play out normally, in favour of forced and artificial cheese and drama. It’s because of this that I wasn’t looking forward to its second season. But lo and behold: it actually redeemed itself a bit. The biggest surprises of this season definitely lie in its sequels.

This second season really shows that the creators took a good look at what happened to the first season, with the intention to fix its major flaws. They put aside the romantic nonsense and simply constructed a series with the sole purpose of resolving the romantic relationship between the two lead characters. It’s an in-depth look at how the relationship between the two lead characters grows. It’s no longer another simple “will they won’t they”-story, but instead the series changes into a “when, how and why will they hook up”. A much more interesting premise, and to make matters even better: the creators also figured out how to use slow pacing. Instead of using it for stalling, they use it to slowly build up everything they need, deliver one hell of a climax, and afterwards carefully wrap up everything that needed to be wrapped up. It’s a massive improvement over the first season.

At the same time though, I wouldn’t say that this is the second coming of White Album. The fact remains that the first season just left a lot to be desired, and it didn’t even seem to build up for this second season. The second season does make use of some of the things that happened throughout the first season, but it mostly feels like the creators went “oh crap, we actually need to develop these people”. Kimi ni Todoke still is an overly pure portrayal of teenaged romance: great to swoon away, but at the same time it’s not like the story behind it is really deep and thoughtful. The characters remain one-sighted teenagers who only seem to think about romance and the drama still is based entirely around the fact that they refuse to talk to each other. They’re just much better written and portrayed than in the first season.

Storytelling: 8/10 – Has exactly what the first season lacked: focus. Carefully builds up its simple but effective romance.
Characters: 8/10 – They refused to develop in the first season. In the second season however, they do, and IT’S ABOUT BLOODY TIME.
Production-Values: 8/10 – Production IG is solid as expected, though there are too many distorted faces.
Setting: 8/10 – Nothing special nor nothing bad here aside from an overly idyllic portrayal of teenaged life. But then again, something tells me that was very much intentional.

Suggestions:
Bokura ga Ita
Aoi Hana
True Tears

Posted on with categories: Anime Reviews, Kore wa Zombie Desu Ka?




That’s it. With this I’m done giving these generic looking moe shows a benefit of doubt. Kore wa Zombie Desu ka is not as bad as Dragon Crisis. In fact, it has a few parts that are actually good, especially in its first half. It lead me to believe that, in fact, we might get a very enjoyable fanservice show here. Unfortunately though, this show then proceeded to run all of my hopes into the ground.

Let me start with the good stuff: this show is quite creative when it wants to be. When it wants to, it can use its cliched ingredients, insert some good chemistry between the characters, throw in some crazy plot twists and create an excellent tension. There really are a few excellent episodes in this series, especially the first and the one about the slasher. It’s just that there’s just so much crap in the rest of this show.

Zombie is at its best when the chemistry around its characters is dynamic. It’s got well written banter that works well with its nonchalant zombie main character. It’s quite enjoyable when it doesn’t take its own cliches seriously and instead tries to put them into a creative scenario. Most of the time though, it just forgets this and devolves into dull moe hi-jinks. Eventually, it just gives up trying to be interesting and just opts for lazy slice of life that’s just there to fill up time. The characters in this show are nowhere near well written enough to remain enjoyable when they’re not funny.

The big nail in this one’s coffin though is that it has no bloody clue how to tell a good story. The drama in the first half can actually get quite good when the show still is a collection of random episodes about the important characters, but it completely falls apart when it tries to build up for some overall storyline. The drama gets incredibly cheesy, and the worst part is that the creators don’t even realize this, so they just keep stretching the cheese ad nauseum.

The entire second half of this series is based around complete stupidity from one character that ends with one heck of a Deus ex Machina (several of them, actually). And then, when the climax is over and you thought that things couldn’t get any worse… episode 12 will destroy any good memories that were still left with one giant middle finger to both its audience and cast of characters.

Studio Deen. Please put some people who can actually tell a story on your next series. I mean, you’ve showed in the past that you can make genuinely good moe shows with Touka Gettan and YamiBoushi. Why so much laziness?

Storytelling: 7/10 – When it wants to, it can be very enjoyable and dynamic, but this doesn’t happen often enough and gets ruined by some terrible episodes and drama.
Characters: 6/10 – Try to be serious, but fail. Try to be enjoyable, but fail as well. Only when they try to be themselves they work well.
Production-Values: 8/10 – Pretty decent animation. Certainly not the worst.
Setting: 7/10 – Has nice ideas, but doesn’t use them often enough.

Suggestions:
Touka Gettan
Higurashi no Naku Koro ni
Yami to Boushi to Hon no Tabibito

Posted on 29 March 2011 with categories: Level E



Awesome to see the entire main cast together again for the finale of this series. I mean, these are the kinds of characters who are awesome to watch, no matter what they do. Having an entire arc focus on them was exactly what this show needed to close off well.

Also, I finally spotted an overused cliche in this series: the seemingly helpless girl who manages to hit a home-run against all expectations. But then again, as an alien it makes perfect sense, and this episode even poked fun at the “walking into the shower”-scene that baffles me of why it was the first one to do that.

Overall, it’s true that the first arc of Level E was without a doubt its best: it had the element of surprise and used it utterly brilliantly. What happened after that is very interesting, though. Instead of joining the bandwagon of trying to make more episodes in the same vein, the rest of the episodes continued to experiment with all kinds of different stories and characters surrounding aliens on earth. Standalone it’s indeed easy to just compare the to the first three episodes and label this as a show that goes downhill, but nevertheless I find the way in which this series paints together a complete picture, making use of its momentum and constantly changing its focus and characters, to be quite brilliant and the single most enjoyable show of this season.

The thing is that I rarely give very high ratings to comedies, even though it’s a huge genre in anime. Level E has opened my eyes on how good the genre can be when it has some actually interesting stories to tell. This way, it can also be good whenever it’s not funny. Call it the X-Factor of comedies. With most comedies I’m just disappointed when they’re not funny, because besides being funny they fall apart without their humour. For Level E though, I think that it also would have worked as a series if it didn’t have its humour. It’d obviously be less awesome, but I can imagine that it would still keep my attention.

What’s more: a lot of comedies seem to be trying to solve this by going all serious in the final two episodes. I’ve only seen very few of them that actually pulled off such a good climax, though (Hyakko being one of those rare examples). This series however showed that you can just as easily tell serious stories that fit in 1 to 3 episodes that can work just as well as long arcs if they all succeed in coming together and form a whole and creating its own universe.
Rating: ** (Excellent)

Posted on with categories: Mobile Suit Gundam Unicorn, OVA Impressions



The adults in Gundam Unicorn… are actually portrayed really well. Their maturity works quite well. And like I said before: the execution here is incredibly solid and if this wasn’t bound by Gundam cliches, I definitely would have liked it even more than I am now. There are plenty of characters here who take themselves seriously, are intelligent and make for a great war drama.

What annoys me about Gundam Unicorn is something that annoys me about a lot of other Gundams as well. They’re certain ideas and tropes that just continue to run throughout all kinds of Gundam Series that I just can’t get behind, and seeing those repeated over and over… I have to admit that those are killing my enjoyment of this series a bit.

To take this episode:
– The main character is the vehicle for a lot of “war is bad” drama.He inherently believes that killing is evil… and yet he flies around in a giant killing machine.
– There also is that mentality of “oh, us adults are old and fail. Let us sacrifice ourselves so that the youth can shine” that I just can’t get behind, even though the adults are portrayed as far more useful and reliable.
– Then it also suddenly brought up the skilled minor bad guy who does nothing but frantic yelling. Especially Gundam 00 abused this one heavily.
– Oh, and let’s not forget the lead character unlocking his hidden powers once he sees one of his friends killed. Realistic warfare? Hah.

Nevertheless, this all could have been much, much worse. You can see that Char actually is aware of all these tropes around the lead characters, and has constructed a pretty solid plan around them with much more details than you usually see. Meanwhile, while the main character isn’t the best advertisement for “war is bad”, his romantic interest is actually trying to resolve conflicts using diplomacy as the “Relena” of this series. That’s one cliche that I don’t have any qualms about: it’s good to have a voice of reason in Gundam series: someone who doesn’t constantly think about fighting.

Also, I have yet to see my to biggest annoyances of the Gundam franchise: the endless yelling and angsting, and the long strings of monotone battles that they tend to devolve in. If Gundam Unicorn can actually avoid these in its second half, then it can really get quite good. However, this episode already contained a hint to the former (that guy who just kept yelling). As for the second annoyance, though: those usually are the result of this series remaining too long in space, where there really isn’t much to do apparently. The end of this episode showed the characters descending to earth.

A descending scene that was really good, by the way. The song behind it was ridiculously cheesy, but somehow the direction made it all work all the characters finally taking a break between all the fighting in order to actually get through the atmosphere safely. That’s good build-up here, to end the episode with a completely different mood.
OVA Episode Rating: 8/10

Posted on 28 March 2011 with categories: Anime Reviews, Dragon Crisis




The past Winter Season was a dark season… for Studio Deen in any case. They came out with more series than any other series, and all of them were disappointing even despite my low expectations. I mean, I am a fan of them and all, but the reason for that is most definitely not their consistency!

I originally wanted to be a bit more generous with my rating for this series, but the more I thought about this show, the more I realized that it just doesn’t have anything redeemable. There’s no reason to watch this thing; everything it does has been done better a thousand times already. Dragon Crisis at heart is a boring cliche-fest that lacks any sort of ambition.

The structure of this series consists out of six two-episode arcs. This show somehow manages to do the impossible and become progressively worse with every successive arc. Seriously, just when you think that this show couldn’t get any worse, it manages to finds some way to prove you wrong until at the end, the creators just outright give up. Every arc is pretty much focused on adding someone to the lead guy’s harem. Yeah, that loses its charm really quickly.

Beyond that the writing is just outright stupid. This is the kind of show that was written by people who think that teenagers (its target audience) have the mental capacities of a lobotomized squirrel. Characters act solely on what’s convenient to the plot and make the most bizarre leaps in logic at times. Any attempts of this show to become genuine is overshadowed by their complete stupidity. Add that to a plot that is just chockful of plot evices, deus ex machinas and inconsequential techno-babble that too make no sense whatsoever. All of that really is not helped by a really annoying cast of cliches and stereotypes that are supposed to be characters in which hardly anyonee stands out.

One of the big eslling points of Dragon Crisis looked to be its animation, with Masashi Ishihama (the guy behind the gorgeously animated Read or Die and Welcome to the Space Show) as its animation director. But even factoring in the lower budget that this series received, the animation is surprisingly bland: it’s not used well, the characters are all carbon copies of each other with just different hairstyles and despite a relatively high framerate for Studio Deen’s standards, none of the visuals stand out as particularly impressive.

The reason why I still consider a series like Fractale to be good, despite the way in which it too has a lot of flaws, is because it still is a very enjoyable adventure. There is absolutely nothing enjoyable about Dragon Crisis. None of the drama works, its stories are completely void of any creativity, its characters are just there to get in the lead guy’s pants and it just had no intention of trying to do anything even remotely interesting.

Thats the big problem with Studio Deen: they’ve been losing their talent left and right and just aren’t trying hard enough most of the time. They need some incentive: something to really get them to produce the really good stuff again, because this… this just is a complete waste.

Storytelling: 4/10 – Completely unambitious, doesn’t know what it wants to do and therefore is full of deus ex machina and plot induced stupidity.
Characters: 5/10 – None stands out. It’s just one big harem with all the cliches in place.
Production-Values: 8/10 – Not as good as you’d expect, but doesn’t cause this show to get any worse than what it already is.
Setting: 5/10 – This show looks like it adctually has a complex background with its dragons and rare artifacts, but in the end it’s nothing but mere cliches and techno-babble.

Suggestions:
Dragonaut The Resonance (Yes, I’m actually recommending Dragonaut over this one. At least that one had some ambition!)
Fractale
Ichiban Ushiro no Daimaou

Posted on 27 March 2011 with categories: Supernatural The Animation



Now this is more like it! Episode 12 was definitely the best episode of the second batch of Supernatural episodes. It not only showed a completely different perspective from usual, it also gave a lot of new depth to the overall story and on top of that, it was a terrific standalone story as well.

It really was a great idea to have an entire episode focused around Sam and Dean’s father: this episode was entirely devoid of those two, safe for one photograph. Their father (John) also makes for an excellent central character: he knows when to remain in the shadows and when to be useful and do something. This allowed the story of this episode to really shine.

I really liked the story of Grey and Lilly Baker. It’s also what really established the demons as a real threat here. They’ve got a tragic father-daughter relationship, but this episode was really genuine. For once the acting did not get in the way, and was amongst the best this series has shown so far.
Rating: *** (Awesome)

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Vonter
I watched some episodes of KonoSuba yesterday, reminds me of Those Who Hunt Elves. And I suppose it might be an easy recommendation because it mainly comes down to; do you find it funny? or fun? If not, skip.
Kaiser-Eoghan
While yes its true of watching those slice of life shows week by week is better, I felt that when reading the manga for Aria it was easier to marathon by reading it rather than watching.
SuperMario
Flying witch have the same atmosphere, but it's a purely slice of life anime. I love Aria too and I agree that watching it 1 episode a time is the best way to enjoy it. Can't think of other serious anime that have those calming elements for now
Anonymous1042537
Yeah, I noticed they all have pretty different structures from one another (ACCA's political, Mushishi's naturalistic, Monster is a thriller, Rakugo's about a specific art form, 3-gatsu is ostensibly about Shogi, etc.) but I found that I found some similar calming elements in them (to different degrees of course).
Anonymous1042537
Thanks, I'll definitely check Aria out!
AidanAK47
One of the hardest shows to marathon besides Bakemonogatari. Though Bakomono gave me a headache after a few episodes whereas Aria just had me so mellow that I could drift into sleep at any second.
AidanAK47
Don't know if you could call it a sub genre as the examples you listed are all really different from each other.
Though in the vein of calming shows I think you can add the Aria series to the list. That show is so relaxing that you find yourself nodding off to it. Not out of boredom but it just has that effect on you.
Anonymous1042537
Do you guys know if there's a specific subgenre like this, or am I making it up? And are there other anime with that kind of feel. Not exactly slice of life, but in the general vicinity of it.
Anonymous1042537
The Great Passage was another great example. It delved into the seemingly boring subject matter of dictionary-making, but it was a surprisingly charming show. 3-Gatsu no Lion also looks promising, I enjoyed a lot of the first season (but wasn't a fan of the forced comedy sometimes).
Anonymous1042537
Like the episode where Tenma first meets Grimmer on the train to Prague and they have a picnic on the mountain was so dang good. I really need to rewatch that.
Anonymous1042537
There are some elements of that style in other shows too, but to a lesser extent. Like some parts of Rakguo (mainly season 1) was very soothing. Naoki Urasawa's Monster had some fantastic, almost melancholic episodes like this.
Anonymous1042537
It seems that most anime w/ that kind of style usually also have another genre mixed in. Mushishi was also very naturalistic, ACCA had a political underpinning.
Anonymous1042537
It's sort of in the vein of a "Mushishi" style show. I suspect it's an emerging subgenre of slice of life that's meant to be very calming, relaxing, atmospheric which I really am digging.
Anonymous1042537
I really hope there are more shows like it; not that it was perfect, but it was certainly unique and hit a lot more than it missed. I really like those cool, quiet shows you can enjoy with a nice cup of tea before you go to sleep.
Anonymous1042537
Ironically though, I would say that the first half of ACCA (up until the big flashback) is better enjoyed week by week, or at least that's what I found.
Kaiser-Eoghan
@Mario: It felt good marathoning a show again rather than waiting week by week and next weekend I'll probably marathon house of five leaves.
Kaiser-Eoghan
@Mario: Forgot to mention...there were certainly a share of moments in Acca that feel fanservish to the female audience =P
SuperMario
@Aidan: haven't noticed that. Will fix it soon.
AidanAK47
@Mario, Only problem I can see is that the posts have no spaces in between paragraphs.
SuperMario
... to be near my laptop for an entire week. First time that I had to blog entirely through my phone. Seemed to work out fine but I had to borrow screenshots from other source (I thank you that other source) ^^
SuperMario
*unless* rather than *as long as*. This has been a crazy week for me as I didn't have a chance
SuperMario
@anon1039488: I find the idea of limiting excess to exclusively stream an aime is a dumb idea; because as long as people have a chance to expose to the anime they won't really care to check it out. So I detest owning the legal streaming account, but I always pay back by buying DVDs/Blurays that I liked
SuperMario
I watched House of Five Leaves by the same mangaka and I really enjoyed it. Nataume Ono is a pretty excelent storyteller (a bit mixed on her art-style thou)
SuperMario
@Kaiser: I agree that the first dew episodes of ACCA were not that engaging but the endingg neatly tied up all loose ends. I still feel Grossular's act is kind of messy (why was he under such control from Lilium? He's not that kind to be in such passive role to be honest) but other than those I don't have any real complaints.
Anonymous1039488
Competition is good, but it makes it cost so much to legally watch everything. That's why a lot of people pirate I feel.
Anonymous1039488
You have Crunchryoll and Funi, fine. Then there's Daisuki which is kinda random. Then Amazon, Netflix, and Hulu all have some random anime, though it seems that mainly Amazon has current series
Anonymous1039488
I don't have Amazon Strike, which is like their new venture into anime I guess. There's too many streaming services to keep up with tbh
Kaiser-Eoghan
To be honest I'm pretty crap when it comes to supporting things, I don't pay for almost all the things I watch/read/play, I don't have a crunchy or amazon account, I still pirate legal streams.
Kaiser-Eoghan
@Anon: Is it a case that your country is blocked? Maybe go for a vpn? If you absolutely have to you could pirate the show...
Anonymous1039488
I wanna watch Re:Creators but don't have Amazon... :( alas
Kaiser-Eoghan
I feel like I need to wait and see approach with sekaisuru Kado...this prologue phase is...long...
Kaiser-Eoghan
I wish it had been 24 episodes long though to better organize itself.
Kaiser-Eoghan
Favourite characters were Jean, Groslur and Nino.
Can’t say I cared for the goofy interactions between Jean’s workfriends though.
Kaiser-Eoghan
Yet for whatever I could say about the pacing, when the twists happen they creep up on you and the show mostly lands every one of them, even if I’m not exactly pleased that sometimes the series does the “I pulled it out of the hat/ass” approach.
I’m relatively indifferent on the art/animation.
Kaiser-Eoghan
I did feel it picks up, improves by the mid-mark and to an extent the wait is worth it and things do come together even if I wasn’t always totally confidant with how it was getting there.
Kaiser-Eoghan
Having the protagonist go from district to district to flesh out the settings a decent enough idea and the main characters a fairly chill, cool guy.
Though the dialogue does create suspicion, intrigue, it does also plod/pad in equal measure at times.
Kaiser-Eoghan
Finally decided to sit down and watch Acca.
This show had its lovers/haters I’m sure, having watched it my feelings are mixed.
It is a slight breath of fresh air I’ll give it that and makes me want to maybe re-assess of adaptations of the author’s work.
Kaiser-Eoghan
@Mario: The only assayas film I've encountered so far that I disliked was Irma Vep, even though the lead actress was great, the surrounding performances, especially by Jean-Pierre-Lenaud were awful. Sils Maria I was initially evasive of because I'd heard that the relationship between Binoche and Stewarts characters was under-unexplored.
SuperMario
@Kaiser: Weersathakul's films are something else entirely...Otherworldly yet still cinematic. I feel a bit underwhelmed after watching the Unknown girl. The identity of the culprit, for example, feel forced for me that take me out our their naturalistic style. I'mmin between Clouds of sils maria too, know it's a good movie but it feels pretentous at times, like the movie Youth
Kaiser-Eoghan
@Mario: I also got round to watching Unknown girl by Dardenne, it carries enough moments of their brilliance but I felt they didn’t have as much mastery over their usual pacing style this time round, for the first time it felt like a thriller that played out like a drama, rather than a drama that has a pseudo thriller feel to it.
Going to watch Clouds of sils Maria next.
Kaiser-Eoghan
@Mario: The entire second half, which I’d have watched an entire film about is very atmospheric and dreamy/esoteric nearing just exactly the kind of thing I like.
The way he uses/shoots Thailands geography along with his cinematography is impressive, particularly in that second half.
Kaiser-Eoghan
@Mario: He shoots something simple like a chopping scene in a strangely engaging way, the scene with the old woman going into the cave is also very impressively shot and that one driving scenes with that pop song in the background has an airy feel to it.
In some ways I agree that there’s a bit of sensuality to it.
Kaiser-Eoghan
@Mario: It’s the kind of film that feeling tired/relaxed when watching it isn’t a condemnation of it(although a share of moments in the first half could be patience testing), it’s the sort of film where you aren’t really aware of anything outside of watching the film when you watch it.
Kaiser-Eoghan
@Mario: I finally looked into a Weersathakul film, Tropical Malady. I don’t even know how to give a star rating for this film.
SuperMario
I'm still on the fence with Alice & Zouroku. Like the title suggests, the warm chemistry between those two are its strongest point, but those moments are far and few in between as the story progresses and I don't care one bit about the Red Queen storyline. I might drop this one if the story doesn't improve
SuperMario
@Lenlo: 3 episodes anf Berserk still hasn't grabbed me as much. Yep facial expressions are really off-putting
Lenlo
Man... the facial expression in Berserk for the 3D models are, ever so slowly, killing me.
AidanAK47
Alright. Tommarrow I will get out all those posts I am late on seeing as the impressions are all finished.
AidanAK47
SukaSuka still has me mixed. On one hand there really are some great ideas and some well executed moments. But some of the dialogue is a bit typical of a light novel and the fanservice is really shameless. The massage at the end of the episode was something the show could really do without.
Konstantinos Travlos
I am in love with RE:Creators. I have no idea if they will keep it as good, but these two first episodes did all the right things.
AidanAK47
Alright, Easter made me lazy so it's time to play catch up.
Kaiser-Eoghan
@Puran: Or even Georgiou Nikolaidis while I'm at it, morning patrol is a great mood piece. Not familiar with the other guy.
Puran
@Kaiser: No Grammatikos recommendation? :)
SuperMario
I still enjoy Zero pretty much. I like the contrast between the beastfallen and Zero. The hilarious lines sound more like accidental to me, not the best product but I enjoy the ride so far
SuperMario
@Kaiser: agree with everything you said. Apparently Haneke put Flashmob on hold because the main actress was conflicting in her schedule, so he decided to do Happy End instead
Kaiser-Eoghan
@Aidan: Does the old man represent gritty anime of old? I don't know honestly I'm just throwing it out there.
Kaiser-Eoghan
@Mario: In case you hadn't heard, Haneke dropped the Flashmob movie and is now doing one about the refugee crisis.
Kaiser-Eoghan
@Mario: To whoever will be playing Godard in that biopic, I'd wonder if they could capture how incredibly douchey he sounds irl lol
Kaiser-Eoghan
@Mario: There is such a big divide between 50s/60s Bresson and 70s/80s Bresson.
Kaiser-Eoghan
@Mario: Lathimos and Avaranas remind me in an odd way of Tarr in that they're the only Greek filmakers people seem to talk about , Check out Koundorous and Theodorous Angelopolous' works if you can.
Kaiser-Eoghan
@Mario: Meh, I don't like that sort of overly on the nose social commentary some American films and tv shows do in recent years.
Kaiser-Eoghan
@Mario: Godards extremely hit or miss with me. Hazanavicius did the artist I think, but I'd sooner recommend Biancnieves as a stronger example of a modern take on silent cinema or maybe a Guy Maddin film.
Kaiser-Eoghan
@Mario: Lotznitza directed a gentle creature not Zvyagintsev, though the latter is a fantastic director, Leviathan's ending hit me very very hard, its gut punching and I appreciated that the return never went into too much detail regarding the father.
SuperMario
@Kaiser: off topic, I didn't realize Get Out having such buzz reception. It's coming here next week so I will get to watch it
SuperMario
@Kaiser: Michel Hazanavicius makes a biopic about Jean-Luc Godard and Anne Wiazemsky (the actress in Au Hasard Balthazard), which I think will be interesting. I considered The Lobster one of the best film out of that year so I anticipate his next movie a hell lot. Yep, I watched few movies from Andrey Zvyagintsev and he certainly is in my radar. Bleak, social commentary, technical impressive
AidanAK47
Oh, it's confirmed that was what was actually said in Japanese. Well...that's rather cringe worthy.
AidanAK47
@Anon, Can't say I am too fond of it myself. Though that arrow to the knee reference definitely sounds like something the translator added in.
Anonymous1026829
Holy shit Zero is hilarious. "I used to be a mercenary like you once. But then I took an arrow to the knee." "My magic is super weak so I need a powerful offering. Can you loan me your head please?" The comedy is so pointed and understated.
Vonter
I do like how contrasting Zelda is to Nier in the sense that. Zelda cares more about how the game plays and making the player have fun constantly but doesn't care about telling something. Nier Automata doesn't care what it throws to the player but cares a lot about it tells the things that happen to player.
Vonter
I think this is a hard game to score. Mainly because IMO the combat has wear out a bit do to the repetition and the sidequests have been a mixed bag with some being relevant to the plot or themes and some being just fodder to level up. On the other hand the game has a lot of implications, subtext and symbolism that so far has been enriching to reflect upon.
AidanAK47
@Vonter, Actually wrote up 4/5s of a review on Nier Automata but with the new season I haven't had time to finish writing the review. Though my thoughts on it are similar to yours.
Vonter
Nier Automata has a 10+ hour prologue. So far the game feels like it's more interested in delivering strong emotions than a compelling narrative, not that script is poor but seems disjointed in a way, circling around the themes of existentialism, purpose and truth without overexpositing about these things. It also some moments remind me of Fragile Dreams. Like the despair.
AidanAK47
The old man is the one I can't pin down. Been thinking he might represent the kind of anime that's critically lauded but sadly unpopular. Makes sense as he's one of the few on the opening that doesn't stand near ads for his anime. Or else he's a live action drama representative.
AidanAK47
Been wondering about the Re:Creators characters. We got the obvious representatives from Magical girl, Mecha, Light novel and video game. The knight girl looks like clear homage to Saber from Fate so a Visual novel representive? The psycho girl looks to be a chunni anime representative. And the guy who appeared at the end of ep 2 is clearly Shounen.
Kaiser-Eoghan
@Mario: The Ramsay one sticks out as the most interesting to me as does the lathimos one. I'm curious about that Russian one about the woman looking for her imprisoned husband as I'd like to watch more contempory Russian films.
Kaiser-Eoghan
@Mario: If you can get passed the accents Ramsay did a strong piece of social realism in the 90s called Ratcatcher.
Kaiser-Eoghan
@Mario: I think the only Baumbach film I've seen is Frances Ha and I liked the new wavey feel it had. With The lobster and re-watching dogtooth I was able to get into Lathimos' pitch black humour alot more. I've never actually seen a hong-sang so film.
AidanAK47
@Amagi, I still really enjoy it but I do get what you mean. Looking at the series overall so far it does feel like there was lost potential.
Amagi
I honestly still don't know what to think of LWA. I wasn't a fan of the formularic first half but the second half doesn't really catch me either. I loved the first OVA though.
AidanAK47
Well I will be damned. That G Koh commenter managed to predict the inclusion of Yggdrasil in Little Witch Academia. Nicely done.
SuperMario
@Kaiser: sadly i won't make it this year. I wanna try the Toronto International Film Fest next time whenever I have a chance
SuperMario
@Kaiser:you heard about this year's Cannes selection?Overall it's solid, not many that scream "masterpiece" for me.Overall I'm exciting for Hong Sang Soo's new movies (he has 2 movies screening at Cannes and 1 already aired at Berlin.What the hell),and The Killing of the Scared Deer(Yorgos Lnthimos), You were never really here (Lynne Ramsay),Okja(Bong Joon Ho) and Meyerowitz Stories(Noah Baubach)
Kaiser-Eoghan
Hmmm...just found out That Blame! 2017 is being done by a the Ajin director, not sure how I felt about that.
AidanAK47
Think this is the best time to end the series too as the difficultly was getting to be a bit too cheap.
AidanAK47
Lore wise it's pretty disappointing. Ending the game with an enemy that doesn't really have that much relevance. But Gameplay wise it was excellent. The final area was just beautiful.
Lenlo
Ringed City was a great piece of DLC and a good way to end the series imo.
AidanAK47
Dark souls sure can give you workout. Finally got around to finishing the ringed city DLC. Funny thing is that people were raving about how hard Midir was when I didn't have that much trouble with him. Gaol gave me some trouble but I managed it. Hardest was the demon prince and god I hate multi stage boss fights. Such a goddamn pain.
SuperMario
Atom still waiting for suitable subs. I swear to God, for a completist like myself the wait is unbearable, especially it should've been available already
HelghastKillzone
Yes it is.
Anonymous1020539
I mean...
Anonymous1020539
Re:producers is really great
Kaiser-Eoghan
@Aidan: I can see myself chancing more of it, I kind of caught into its rhythm a bit.
AidanAK47
Novels are actually really short. About 90 pages long per volume. They really could cover this in a single cour.
AidanAK47
@Kaiser, SukaSuka? From what I could tell it covered the first two chapters of the light novel. Each novel has 5 chapters. Though the first and last chapter are more of a prologue and epilogue respectively.
Kaiser-Eoghan
Actually if shuumatsu's first episode is going faster than the novel, roughly how much so? Its still obviously a slow burn in animated format but how much was covered in episode 1?
AidanAK47
Could have done without the huge infodump but otherwise still loving Re:Creators. Seeing a magical girl shocked over her own level of destructive power was great.
Kaiser-Eoghan
Eh, I liked the use of music early on in shuumatsu and theres a good mood set up early on along with a good opening scene but the later parts of the episode except maybe for the after credits bit get a shrug from me.
Kaiser-Eoghan
@Mario: Kado has made its hook, now it needs not to keep holding its cards and get going.
SuperMario
hmmm, don't know what to think about Kado ep2. Still good but I expected more
SuperMario
But really my mentality is that this site comes first. Getting more traffic and improve the site are my top priorities, then "what I wanna do for myself" comes later
SuperMario
@Travlos: guess you won't have to read me this season :). Haven't checked out the last episode of Kado yet but based from the first 2 episodes I think you'd enjoy that show.
Don’t worry. It’s something Aidan and me both agree on. We pretty much write for ourselves, otherwise we couldn’t have stayed this long. I get a chance to go off track once in a while to write something I wanna write.
Konstantinos Travlos
@SuperMario. I am definitely watching Shingeki no Koyjin 2, Shingeki no Bahamut 2, Re:Creators, Little Witch Academia, and probably Kado and Zero Kara. I may also do Zipang this season.
On the reaction reaction. What you say is ok. But remember, a hobby is something you do for yourself. There is a limit to how much you should care about the views of others. :)
Kaiser-Eoghan
@Lenlo: Or if I can use a quote from Chang from Black lagoon : "A fragranced shit will forever still retain the smell of shit"
Lenlo
As most likely the biggest Berserk fan in this chatbox, its better but that doesnt make it good. Spraying fabreeze on crap doesnt make it any more appealing. Yet I will watch it anyways.
Anonymous1018231
You don't even know
Anonymous1018231
Lies Aidan it is soooo much better
Anonymous1017807
Tbh I'm enjoying Alice to Zouroku so much simply because I identify with the old guy's no-nonsense attitude. It's fun to see the annoying loli get put in her place. X.D
AidanAK47
Anyway Bam is supposed to be covering it. Seeing as he covered the first season.
AidanAK47
@Anon, I watched the first episode of the second season. Better? Yes, but only slightly.. It has all the same problems as the first season.
Anonymous1017501
and nobody's covering it lol
Anonymous1017501
Like dramatically
Anonymous1017501
It really is much better
Anonymous1017501
You know guys its not too late to start watching Berserk Season 2...
AidanAK47
I just get annoyed when interaction is like "HUMAN, YOUR EMOTION RESPONSE IS DIFFERENT. I THEORIZE THIS IS THE REASON YOUR EMOTIONAL RESPONSE IS DIFFERENT."
Their is a definite layer of pretentiousness in how it's written, seeing how nobody gets annoyed when every character tries to psychological profile them.
AidanAK47
@Mario, I have heard word that these two episodes were a prologue story and the real story is going to kick into gear next episode. But if the characters keep talking like this then it's not going to matter what happens. It will just be terrible.
AidanAK47
@Anon, Jojo part 5 died for this. That makes it all the sadder. Plus it's two cour so this show is gonna be on for half a year.
SuperMario
Being said all that I will follow it for 1 more episode
SuperMario
And then that girl who passed away because of the reset. I feel my emotions drying up at that point. Tasteless. Heartless
SuperMario
Wanna say the same thing regarding Sagrada Reset as well. I have the feeling the show tries to sound smart that ultimately if I hear someone talks like this in real life, I would go punch his face. Manipulating the social worker by slitting your own wrist? WHAT? Asking a girl about her rules, then whenever she answers you give your own warped opinions on it to sound like you know it all? WHAT
Anonymous1016169
@Aidan: Lol, Sagrada reminds me of how I used to write. Pretentious, overly complex dialogue that nobody would use in real life unless they were trying too hard. It grits on my ears so much that I don't think I can keep watching it, especially because this is probably how it's going to be for the whole series.
Anonymous1016169
@Amagi: I feel your pain. I used to enjoy those types of shows, but I've found more and more since getting out of high school that they just make me want to take a nap. It doesn't help that they're everywhere. X.D
AidanAK47
God Sagrada Reset is frustrating. So many good ideas, all absolutely ruined by the dialogue and characters. If you just changed the dialogue a bit and made the characters emote more then this would be so very interesting. But they manage to drain the life out of the story.
AidanAK47
@Amagi, in most cases you can easily write off the ones not worth your time based on the summery. Occasional those kinds of show can turn out to be worth watching but it just doesn't happen often enough.
Amagi
Nothing against those types of anime in general, but it's just not aimed at me I guess. - I also should specify: school (semi)harem, not school alone. I enjoy Tsuki ga Kirei.
Amagi
I really love this season but I should stop testing the school- and shoujo stuff. It's almost never worth the time and it always bores me so much that I have to stop watching anime for a few hours.
Anonymous1016169
@Travlos: Why does a hobbyist artist care when someone critiques their art or a fanfic writer care about reader feedback? When you do something you enjoy, it's normal to want to improve and other people's opinions are important for that.
SuperMario
@Travlos: because 1) We still need to listen to what readers say to improve and 2) we're debating more about rating system, which I also feel the need of upgrading. btw, any shows that catch your interests so far this season?
Konstantinos Travlos
Why do you guys care about what someone thinks about your reviews? You are doing a good enough thing as is, and t is a hobby. Do your thing and do not lose time on this.
Anonymous1015915
I think I'm just gonna follow sukasuka and re:creators this season. Seem to of shown the most potential universally.
Anonymous1015442
Soy and almond milk are also available as alternatives for the lactose intolerant.
Anonymous1015442
From the manga it seems like it would translate well into an anime with the right production values so I think I'm going to try it. I was mostly concerned that they'd push the melodrama even more through the roof, haha. I did see some of the reviews on it here and they made me hopeful that it was fairly well-executed.And of course the milk can be chocolate. Just not vanilla, vanilla milk is yuck i
Lenlo
Its certainly making me happy I waited until the end of the season to binge it.
SuperMario
I'd have the milk as well... Need more milk to my life.
SuperMario
Hope Scum's Wish entertains you, Lenlo. ^^
Lenlo
I will say the sound design has been great for Scums Wish though I have not read the manga to see how it matches up
Lenlo
I dont think "enjoyed" is the right word for this kind of show, but I do know im going to finish it.

Also, can the milk be chocolate?
Anonymous1015350
@Lenlo: That's true, but I also feel like everyone here needs some milk. And I've been reading the Scum's Wish manga and can't decide if it'll be worth it to watch the anime.
Lenlo
Scums Wish, 4 episodes in, has been the perfect little dose of depression I crave from each anime season.
Lenlo
I have to say, its a pretty fun break from super srs anime discussion sometimes
Anonymous1014938
There's so much sass in this chatbox sometimes I can't even. :.D
AidanAK47
Also please note that if data gathering results do not support your hypothesis that there will be no refunds
AidanAK47
I will have you know my data gathering services are quite expensive and I don't operate until paid.
Anonymous1014125
Aidan is providing the data for us.
Lenlo
You do know that for the scientific method, you make a hypothesis and then you run experiments to produce data to prove or disprove said hypothesis. It cant just sit in limbo and then you go "I was right". You have to provide data at some point. At this point, you have yet to provide any data to support what you say.
Sir Robin
You seem to have never heard of the scientific method then Aidan. You don't need proof before you formulate an hypothesis. Fortunately this most recent development of you being wrong supports it.
AidanAK47
I am sure Sir Robin would be delighted to hear this but I think I was wrong in my assessment of SukaSuka(Shūmatsu Nani Shitemasu ka? Isogashii Desu ka? Sukutte Moratte Ii Desu ka?) That insert song at the begining of the episode was masterful and a number of things have changed my mind about it. It may be more interesting than I first expected. First novel was still pretty boring though.
AidanAK47
Should have another impressions post up today. As for what I am covering that's Little Witch Academia, Attack on Titan and Sekaisuru Kado.
AidanAK47
At least we never have to fight tooth and nail to cover something as what we want to cover never clashes.
SuperMario
Which mean 2 PA Works, 2 original shows and 3 slice-of-life shows. Well done Mario for being predictable and consistently boring as ever
Total users: 23

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What makes Flip Flappers stand out from the rest of the anime field? I found a lot of people asking that question along the way. Well, first off, Flip Flappers isn’t your ordinary anime offering, that’s for sure. Its visual styles are too much and too incoherent for one thing, the narrative never really reveal […]

Sound! Euphonium 2 (Fall 2016) Review – 86/100

I must admit that out of all the series I was blogging last year, Sound Eupho 2 was the one I’m saddest to see it ends; not because it was my absolute favorite anime last year, but because the sheer amount of their attention to details and their ridiculously quest for perfection are something that […]