Posted by psgels on 22 April 2011 with categories: Mahou Shoujo Madoka Magica



Dear Shaft: thank you for actually finishing this episode in time and not pulling another Bakemonogatari. Having to wait a month for the final two episodes still is pretty doable. Episode 11 was a rock-solid build-up that was quite worth the wait.

With just about every other character out of the picture now, this episode indeed focused on Madoka, Homura and Kyuubei, but also surprisingly Madoka’s mother also played a large role here. It was really building up to the inevitable: Madoka becoming a mahou shoujo. Or at least, that was very heavily implied at the end of this episode. Overall, while it would have been nice for Madoka to actually refuse Kyuubei throughout the entire series, I can see why she did it: as long as that Walpurgis night can only be defeated by Madoka in her Mahou Shoujo-form, this time-loop will continue on endlessly.

Just, what was the point of that one monologue of Kyuubei? The one where he started talking about the past of the mahou shoujo, where he started talking how many famous girls in history were actually mahou shoujo who were plunged into despair, and how without them we’d still live in caves? That just makes no sense and is completely out of context here.

Now, as for the ending: right now things are heading in exactly the way that has been built up by the previous episodes. At the moment, we’ve reached the inescapable situation where Madoka will destroy the world once she defeats the Walpurgis Night (after all: superpowered Madoka will make for a very exciting final battle). It really seems to be heading towards a loophole ending: the creators try to bend around their own rules in order to find a loophole out of its chaos. It probably will be with casualties, but at least the world will be saved. These kinds of endings really depend on a) how good that loophole is, and b) how exciting the final battle is. Madoka definitely deserves a good closure.
Rating: ** (Excellent)

14 Responses

  1. Janette says:

    Why was Saber Walspurgistnacht?

  2. m says:

    I don’t want to sell the finale short, but I think that I liked this episode more than the finale. It had more tension, a better use of the soundtrack, and impressive action scenes. I was also fond of some style choices, such as the manner in which they animated the swaying trees.

    I did think it was stupid that Junko allowed Madoka to run out into the middle of a storm, after her friend turned up dead and she learned that another girl went missing. Ah well.

  3. Xin says:

    @m Agree completely with all your likes of the episode and that it was the stronger of the two. The Junko/Madoka scene wasn’t skeptical to me on first watch, but after your post it did make me laugh about it.

    I think that suspension of disbelief is based on experience though. As a parent I would agree that its completely ridiculous, but before I was one I could see it being not so far fetched to consider “acceptable.”

    Either way, its a minor suspension of disbelief for how strong both episodes were in all, and what an amazing series this was. 12 was great in a different way.

  4. Firechick says:

    Hot diggity durn, this episode was all kinds of epic on soooooo many levels! And jeez, Walpurgisnacht is creepier than I originally thought! It’s a cross between a giant eye and a lady in a mock-up renaissance era or 18th century dress!

  5. Joe says:

    Kyuubey gave that monologue to explain that the use of magical girls was necessary and, in fact, benefited human society as well. If you pay attention, you’ll notice that people like Cleopatra and Joan of Arc used their powers to change history.

  6. Joe says:

    The monologue is also important for the final episode

  7. gandalf8 says:

    I think that Junko letting Madoka go was already foreshadowed earlier when Junko was talking with Madoka’s teacher at the bar. Junko was all worried, as she sensed that Madoka was hiding something from her about Sayaka’s death. Then the teacher mentioned about how kids really grow fast, and how worrying it can seem to a parent. But, as they grow old, parents need to learn to trust their children to make their own decisions, and learn to let them go when the time comes.

    So when Madoka wanted to go, Junko may have felt very reluctant to let her daughter go, as she could probably sense that something bad was going to happen. Nevertheless, she remembered her earlier conversation, and although with a heavy heart she let her go because she trusts Madoka, and believes that Madoka is doing the right thing. This really shows how strong their bond is.

  8. :3 says:

    I think that Joe is totally right. After Madoka’s rant about how Evil QB was, he explained how, without the wishes and ‘miracles’ they provide to the Mahou Shoujos humanity, as a whole, wouldn’t advance. So, the system, while fucked up, is ‘fair’.

    That monologue was also relevant to the wording of Madoka’s wish. I’m sure that having a better understanding of the whole system helped Madoka to find the loophole.

    @m, I also found ridiculous that Junko let Madoka out. I don’t know what were exactly after, with this scene. Maybe something related to how Madoka, with her streghtened resolve, is now an adult. Junko acceptance of her decision may be the symbolism used to represent how Madoka, as a character, has matured throughout the series.

  9. psgels psgels says:

    Ah, now that I watched this final episode it indeed made sense. When I watched this episode though, I wasn’t too happy about how this monologue just trampled on human ingenuity. These people did awesome things, and didn’t really need mahou shoujo to do that. As a build-up for that ending though, it makes sense.

  10. HoHo says:

    “Just, what was the point of that one monologue of Kyuubei? The one where he started talking about the past of the mahou shoujo, where he started talking how many famous girls in history were actually mahou shoujo who were plunged into despair, and how without them we’d still live in caves? That just makes no sense and is completely out of context here”

    No, this context is very important. I’d say that this is a clever way from the author to prevent Madoka to not wish to erase QB race and get the ultimate happy ending. Because if that happens, humanity would have still lived in the cave.

  11. HoHo says:

    Well, I don’t mean that it was QB plan to say that. I mean it was a part of information which helps Madoka to make a decision in the end.

  12. m says:

    Kyuubey’s monologue makes sense as a self-interested party attempting to convince Madoka to give him what he wants. If you prefer you can interpret it as the apology of a completely alien mind, but if I take him seriously he comes across rather poorly. I don’t think it’s brilliant. The handling of Kyuubey’s thought processes is of the lazy “I do not understand your human emotions” alien type, which is weak when you don’t need to feel them to understand how they work; you just need a little game theory and some empirical study. Especially for an organism that appears ready to admit to having interacted with humans for at least two millennia, I would not be impressed when its imagination could not concoct explanations for how pro-social impulses presented humans with advantages in adapting to their environment.

    As for the actions of Junko, there is not a conversation point that obviates basic risk assessment when dealing with the continued existence of your progeny in the aforementioned circumstances. It shows stupendous idiocy to allow your child to flee into a storm that has people evacuating into shelters in order to pursue some shadowy event, doubly so after you suspect your offspring to be lying to you about the mysterious death of her best friend. Should any of you choose to procreate and allow your generally-ignorant and impulsive fourteen year old children talk you into this, and should they then happen to come up dead or missing (as Madoka essentially does, before we consider the magical aspects), do note that I will be over with Kyuubey at the alien autism table puzzled by your irrational behavior.

  13. Kyubey says:

    Cattle should be more grateful.

  14. starpowder says:

    @m I’m afraid I’m going to have to agree and disagree. I didn’t think it was the right decision for Junko to let Madoka go but at the same time, Madoka did tell her things she already knew.

    Also I feel that Kyuubei’s constant comments on, “I don’t understand human emotions” isn’t because of feigned or real ignorace – it’s because, frankly, he doesn’t care. It’s like this (continuing with his analogy of cows), do we care about their feelings as they get slaughtered? Do we care about their feelings when we have hamburgers or steaks or even drink dairy products? No. We don’t take the time to understand, not just because we may or may not know but because we don’t care to.

    Also, I also feel that Kyuubei’s monologue was also necessary. It puts things into perspective, though, if you really think about it, women like Cleopatra and Joan of Arc were in their teens whenever they did what they did or became what they became.

    I also feel that Kyuubei’s trying to take way too much credit for his race by basically saying, “If it weren’t for our help, you would still be in caves.” :\a

Leave a Reply

Shoutbox

Name:
Email:
For:  
Mail will not be published
  • Kaiser Eoghan
    (Sunday, Aug 30. 2015 08:33 AM)
    @Bam: I wasn’t sure if I was going to bother watching the upcoming doctor strange movie. But I hear Mads Mikelson might be in it so I might just see it.
    I heard theres an old run on the comic that was considered Lovecraftian.
  • Kaiser Eoghan
    (Sunday, Aug 30. 2015 06:25 AM)
    I won’t repeat the same review/exposition about the new mad max as I did a while back but I’ll say this it’ll be hard for me to find another action film this year that fills its slot on my 2015 bit of my favourite movies list. The new fast and the furious, the new mission impossible I could put thoe in its place or maybe hateful eight when that comes out.
  • Kaiser Eoghan
    (Sunday, Aug 30. 2015 06:20 AM)
    I can recall one instance when I was about 14 or 15 where I used Japanese phrases in English sentences, thought at the time that it was an internet thing to do. One guy on a message board found it strange so I said I was sorry, didn’t know and stopped.
  • Bam
    (Sunday, Aug 30. 2015 06:11 AM)
    On a side note Mad Max: Fury Road was definitely a blast; all puns intended. It has an incredibly simple premise and certainly doesn’t revolutionize the action genre but it did revitalize it. I guess it takes a 70 year old man to show the kids how it’s done. All hail the mighty V8!
  • Bam
    (Sunday, Aug 30. 2015 06:06 AM)
    Started watching Fate/Zero since I was planning on it and Netflix happen to put it up in their anime lineup. Up to ep04 and so far so good. It manages to have a lot of intrigue for a story I kinda already know th end to. Urobutchi and Nasu are indeed a good team-up and seem to balance eachother out. It’s like he’s the Hanna to Nasu’s Barbera.
  • AidanAK47
    (Sunday, Aug 30. 2015 03:43 AM)
    Well as we all know, personal attacks end every argument ever on the internet…and pigs fly, hell has frozen over and Half Life 3 has been released.
    Though to be fair inserting Japanese phrases into English sentences is one of the most annoying things on the planet.
  • ;(
    (Sunday, Aug 30. 2015 03:27 AM)
    @Jerkoff: kindly do so as well please. Preferably the latter, you cause your parents nothing but grief anyway, so this is actually the best for everyone.
  • jerkocaust
    (Sunday, Aug 30. 2015 02:11 AM)
    @Miyabi Talk like a normal human you faggot or kill yourself you pathetic weeaboo
  • miyabi
    (Sunday, Aug 30. 2015 12:41 AM)
    Ne mina-san I recommend Be My Sweet Darling it’s such a kawaii manwha desu~
  • Kaiser Eoghan
    (Saturday, Aug 29. 2015 09:52 PM)
    @Mintopia: A yes that one, I recommended it on here recently.
    Though I need to read more of it myself.

1 · 2 · 3 · 4 · 5 · »

Featured Posts

Gangsta. – 08

Some focus on Alex this time around as with the drug out of her system she remembered that she had a younger brother. A pretty startling revelation for her as forgot about him the whole time she was under Barry’s control. It was done well on just how much this shocked her but I must […]

Gate: Thus the JSDF Fought There! – 08

Itami continues to be a mystery as he is shown not only to be a ranger but also a member of special forces. Its not really confirmed whether he is a genius in hiding or a slacker who was tossed into high profile positions and got through it with minimum effort. The big part of […]

Gakkou Gurashi! – 07

This episode has been a weaker episode than those so far. The opening has gone through a number of changes now that we have reached over the halfway point. Megumi’s part of the opening has been replaced by a shot of her grave, the colourful transition after showing the title is now a series of […]

Gangsta. – 07

Now the past has been mostly revealed, Worick’s friendship with Nicholas has become a more complex thing. Worick seems to see him as a good friend yet resent him for going kill crazy and murdering his whole family. Though the murder of his father looked to be an order he himself made to Nicholas and […]

Gate: Thus the JSDF Fought There! – 07

I understand that for an anime adaption some character designs need to be simplified in order for an easier time to keep them in proportion in animation. But while the characters who suffer in this episode because of this are indeed minor characters, its really a shame to see them become something unrecognisable. The two […]

Gakkou Gurashi! – 06

Well the story continues on from the flashback, showing Miki first joining the club. Right off the bat the episode pushes to answer the question of Megumi’s existence. It’s a answer that was pretty obvious by this point as the foreshadowing was pretty heavy on this particular detail but this episode makes it crystal clear. […]

Gangsta. – 06

When taking into account the show so far, I find that the quiet character moment stand out far more than the over the top fight scenes with knife wielding psychos on rooftops. The dialogue between characters is much more engaging that two characters jumping around like Bleach Soul Reapers. In particular it great seeing Worick […]

Gate: Thus the JSDF Fought There! – 06

Richard Wagner’s “Ride of the Valkyries” is a fairly iconic piece of music in pop culture. So much so that after Apocalypse Now (1979) whenever there is a helicopter assault in any piece of media, it’s practically obligatory to play Ride of the Valkyries. Even just today when finishing Far Cry 3 and had a […]

Gakkou Gurashi! – 05

As these episodes go on it really is something to wonder about the matter of Yuki being a hindrance or a help. I have said previously that she does push the group in the right direction but it is still a case where her mentality is dangerous. The group need to come up with excuses […]

Latest Reviews

Little Witch Academia The Enchanted Parade – 81/100

I wonder when it was that a film being childish became a flaw. As a medium grows it takes steps to aim to mature itself and seek a more intellectual level of presenting entertainment. Animation did it as Anime aimed to explore terrontry that cartoons refuse to explore and video games only recently broke away […]

Fate/Stay Night Unlimited Bladeworks Review – 85/100

For a long time now this adaption has been the dreams of many a Fate fan with many believing it would never come to pass, but now that it is here is it everything that we dreamed? Short answer to this is no, long answer is nearly. I feel this show will have many divided […]

Shirobako Review – 80/100

When you see a harem anime and sigh as the breasts of the female lead jiggle with every step and wind that can flip a skirt it’s easy to forget that somewhere in Japan a group of people worked hard to get that jiggle right and draw each frame of animation. The hardships of the […]

Clipboard06

Nerawareta Gakuen Review – 84/100

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series […]

Clipboard03

Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

Clipboard01

Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

Clipboard04

Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

Clipboard01

Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

Clipboard08

Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]