Posted by psgels on 28 April 2011 with categories: Spring 2011 Kaleidoscope



Ooh, Moshidora, what are you doing to me? As if I wasn’t busy enough already…

On a serious note though: we really need more of these kinds of series, who don’t care about airing weekly for 13 or 26 weeks, and instead just create their own schedule. The big problem with anime in general is that it’s just so damn inflexible, and it’s the series like this and Supernatural that really show that there are many different ways to release your series.

Moshidora overall impressed me, because of how much time it spent taking an in-depth look at the baseball team in question. With just three episodes, and Druker’s book was used well in order to help understand these players and get them to perform better. This episode continues on that trend, and takes a look at motivation, introducing a competitive element in the training. They’re all quite nice ideas here. I also like that for once, we get to take a look at a baseball team that isn’t fully committed, and where making a mistake is more the norm than the exception.

This series’ biggest problem is its cheese. Whenever this show gets too dramatic, it just loses my suspense of disbelief because it just overexaggerates things too much, and the acting just isn’t good enough to make these scenes believable. This episode spend a lot of time on this one guy who kept ditching trainings because of a mistake he made. That on its own is very believable: I’ve had this many times myself with my Karate practices. But when he angsted he acted just like his dog died. The way he reacts just isn’t believable. The cheesy violin background music did not help.

Also, what was up with that ending of this episode?
Rating: * (Good)

3 Responses

  1. maglor says:

    I was slightly disappointed at how things were progressing at the end of this episode. Maybe it was from the original novel, but the pace changed from people making little but important steps with helps from other people, to one or two stars acting like a savior. The reason I liked the ep 1 and 2 was because most of the development was believable and the motivations of the characters being plausible. This episode gives us someone who can do in few days, analysis with depth and breadth that may take a team of dozen dedicated person at least a week, as well as overblown spread of reputation. I hope these were just temporary comedic elements, because I am not seeing this series for some superhero-like saviors.

  2. Catherine Meyers says:

    Hi,
    I don’t know why but an irregular release schedule has it’s ups and downs, for me the down is uncertainty, the up is they get to work in each episode and provide quality, don’t know, I still love Moshidora.
    Also, you have a great blog. Would you be interested in a link exchange? Let me know to send you info on my site ^^

    Cathy

  3. Marina says:

    Your comment at the end of your entry about the closing scene of this episode reminds me of similar comments in Abandoned Factory’s discussion of Episode 3. I choose to take it as a humorous representation of how successful Minami’s use of Drucker’s management strategies have been, and that others are starting to notice it as well. The image is unrealistic and over-the-top, yes, but I laughed :)

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  • Emma
    (Sunday, May 24. 2015 05:48 AM)
    Ashura was an excellent example of how to through anime illicit and emotional response in an honest, non-melodramatic way.
  • Emma
    (Sunday, May 24. 2015 05:46 AM)
    @Bam: I’d be more than happy to take a look at some of those shorts anytime.
  • Bam
    (Sunday, May 24. 2015 05:44 AM)
    @Emma: there’s a lot of European animators that got active in the last 10 years or so that are really reinvigorating their animation scene, and every now and then I get introduced to some fabulous shorts.
  • Bam
    (Sunday, May 24. 2015 05:40 AM)
    @Emma: no I don’t really mind gory ‘for the fuck of it’ violence, I even like it in some grindhouse type of works, but I just don’t think it’s always effective as a shock factor. Live-action is the most sympathetic for obvious reasons, but there are animated works that do elicit a deep response. Probably because of circumstances but also the details of the in-between animation, which can induce certain feelings of disgust.
  • Emma
    (Sunday, May 24. 2015 05:39 AM)
    *here and there
  • Emma
    (Sunday, May 24. 2015 05:35 AM)
    @Bam: I really wish there was more arthouse anime now to give some kind of a balance to everything thats out these days.
  • Emma
    (Sunday, May 24. 2015 05:33 AM)
    Now I like my exploitation every so often, but yes Bam I really do wish that adult and mature storytelling could be better associated with truly, more pure mature themes.
  • Emma
    (Sunday, May 24. 2015 05:25 AM)
    I get choked up over Bergmans cries and whisper and Autumn sonata, I look back on a work by Key and Jun Maeda and wonder, think of how silly it looks to me now.
  • Emma
    (Sunday, May 24. 2015 05:24 AM)
    I also find it easier to get an emotional response from a honest drama, live action film, largely due to the real people doing the acting. Sometimes you get an actor whose just that good too…
  • Emma
    (Sunday, May 24. 2015 05:22 AM)
    I’ve gotten my odd emotional reaction here from anime and manga but a lot of the time it feels like the jump scare in a generic horror movie, I got shocked but I felt minipulated afterwards it wasn’t genuine, the same goes for some anime/manga drama when it takes a melodramatic turn instead of a bleak, honest one.

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