Posted on 31 May 2011 with categories: Monthly Summaries

This really is a season of building up: half of the shows are carefully preparing for later, so who knows what kind of season it’ll eventually become? Let me say this though: there are a lot of shows that really take good use of their premises. It’s perhaps not the best spring season we’ve ever had so far, but it is a very imaginative and diverse one. Oh, and the fact that there are so many shows that focus on adults also helps.

OVA Releases
#3 – Valkyria Chronicles III – (7,25/10)

Ah, what a shame. This one was really disappointing. I have to give credits for the creators in the way that they did make their main characters far, FAR less annoying than the characters of the TV-series… but they’re completely flat. Every character just has one side and that’s it. There’s way too much of them for just 24 minutes and they’re alll really poorly acted and fleshed out. The production values are also rather bad, and without knowing overall this just gets one big ‘meh’.
#2 – Norageki – (8,25/10)

This was only 20 minutes long, but it was really well told here. It’s a well paced mystery story with quite a nice ending. The characters, while not having any depth, still were interesting to follow as well.
#1 – Armored Trooper Votoms – Alone Again – (8,5/10)

Thankfully this actually turned out well. The story of Votoms got an excellent conclusion after all. Especially the end was great, but the entire OVA was based around a great idea that definitely fills in some of the gaps that the Gen-ei hen left open. This is simple but effective storytelling like it should be, and I’m glad that it really contributed to the Votoms Franchise again, unlike the abominations that were Case;Irvine and Finder.

TV-Series
#25 (14) – Denpa-Onna to Seishun Otoko – (7/10) – I dropped this show. It had potential at the beginning, but the endless discussions about nothing are badly drawn out and not interesting at all. Not to mention that the series was getting more annoying by the minute.
#24 (23) – A-Channel – (7,5/10) – In the end I dropped this. The biggest reason for this was that it was getting really repetitive; the characters just kept comparing boob sizes and they just kept talking about the same things.
#23 (16) – Sekai-Ichi Hatsukoi – (7,5/10) – It’s a shame, but I just had to drop this after the fifth episode because I just couldn’t get through it. It suddenly introduced a bunch of completely new characters, but they were the example of how ridiculously forced shounen ai can get. It had no good characterization whatsoever and unlike the first four episodes, this was just there to get guys to kiss and feel embarrassed.
#22 (21) – Hen Zemi – (7,5/10) – Hmm, Hen Zemi has become a bit boring. It’s unfortunately as I feared: the current season is just a list of gross things, without the energy or timing of the OVA. Because of that, it just has a shock factor, and when that is gone I see few reasons to actually come back to this, unfortunately.
#21 (24) – The World God Only Knows – (7,75/10) – I think that because of the hype surrounding this series before it aired gave me the complete wrong expectations about this series. For a laid-back story that aims for modest entertainment… I guess that it could have done a lot worse. It still hasn’t grabbed me, though, but I do admit that the past arc was the best so far.
#20 () – Inazuma Eleven – (7,75/10) – Four episodes in, and I strangely enough haven’t dropped this one yet. It has something that keeps me watching. The characters are all boring and the animation also isn’t that impressive, but the energy with which it presents itself is commendable. Seriously, this is really dark for a kids’ show, and it actually created quite a bit of an atmosphere that retained my interest.
#19 (27) – Astaroote no Omocha – (7,75/10) – Here’s the thing with Astarotte no Omocha: it sounds like a really bad premise, but it’s surprisingly heartfelt. It’s nothing special, but the relationship between parent and child is surprisingly well done here. I originally dropped this, but after picking it back up I have to admit that it has surprisingly enjoyable characters.
#18 (10) – Gintama – (8/10) – The Sarutobi-arc was just bad. It tried to be way too silly for the sake of silliness, and was just painful to watch. One more episode like that and I’m going to drop this thing because I don’t want to sit through that any longer. The episode after that was a great recap episode though, but yeah: it’s a little early for that one and it only highlights the production issues that the entire sequel has been having.
#17 (19) – Moshidora – (8/10) – Okay, so the budget was bare-bones, Moshidora actually told a surprisingly good story that made good use of its time of only ten episodes. The end was a bit cheesy, but the premise of a high school girl reading Drucker’s Management was quite interesting.
#16 (9) – Ao no Exorcist – (8/10) – In a surprise, this month suddenly brought the character to Hogwarts and this turned into a school life series. Okay. It’s a bit weird, but in terms of building up it did its job by exploring the characters, discussing their motivations and preparing for all hell to break loose later. Literally, probably.
#15 (7) – Hana-Saku Iroha – (8/10)

Lotsa building up here in this series. That unfortunately doesn’t really make this show as enjoyable to watch as it once was, but it’s still fun to watch the main cast together as they try to run the inn. Now all that’s left is to hope that that build-up actually pay\s off

#14 (20) – Yondemasuyo, Azazel-San – (8/10)

Moloch was awesome. He really saved this series from the same fate as Hen Zemi. But granted, the rest of the cast also is a lot of fun to watch here. It’s completely over the top, but surprisingly watchable.

#13 (18) – Fireball – (8/10)

This show still is random, but in a good way. I love these anti-climaxes that it just keeps throwing at the viewer, and its comedic timing is also pretty good here. Oh, and the graphics also look really good at this point. Recommended if you want to waste two minutes.

#12 (11) – X-Men – (8,25/10)

The visuals here are damn good: this show looks vivid and wild, and the action always is interesting to watch. the story leaves the most tings to be desired: it feels too random at this point. The characters aren’t the best, but they’re still pretty interesting to watch at the moment.

#11 (13) – Showa Monogatari – (8,25/10)

In this month, this series has continued to paint a surprisingly authentic picture of Japan in 1964. There were a few bad parts, like the animation or the drama around Kouhei, but overall the cast has grown quite nicely so far. The four preview episodes were weird, but they did show how the cast evolved in quite an interesting way. It’s got this great combination between random slice of life and meaningful drama.

#10 (26) – Dororon Enma-Kun Meera Meera – (8,25/10)

This show. Is crazy. It’s a fanservice show, but it delivers its fanservice in such a bizarre way that I can’t help but love it. It’s completely juvenile and yet fun to watch from beginning to end, with great jokes and a lot of creativity that will go with any idea, no matter how stupid ti is. Oh, and beyond that, the soundtrack is also much better than I expected here.

#9 (12) – Deadman Wonderland – (8,5/10)

This show is extreme. It’s complete balls to the walls in its themes and mood. But at the same time though, it doesn’t forget about its characters. This show has become surprisingly interesting to watch due to the cast of characters who are surprisingly well fleshed out for such a premise. Beyond that, it’s also the creativity that the setting has, and all of the things that it just keeps throwing at the lead character that have sold me.

#8 (15) – Sket Dance – (8,5/10)

After its first episode, I heard from several people that the different stories vary from really good to really mediocre. Now here’s the thing: after eight episodes, I have not seen a bad episode yet. Sure, it gets a bit far-fetched at times, but overall Sket Dance surprised me at what a sincere series it has become. Every episode so far has had its charms, and the best thing is that it’s also surprisingly varied: both the different arcs and characters stand on their own, and this series takes pride in its creativity, which seems a gimmick at first, yet ends up surprisingly well used.

#7 (17) – Gyakkyou Burai Kaiji – (8,5/10)

Well, it’s taken a while, but the current arc of Kaiji kicks ass! This arc was very calculate, which makes things pay off even more at the end. The creators really manged to crawl into the minds of these characters, and they really impressed me there. The atmosphere also really worked here. More of these arcs, please.

#6 (8) – [C] The Money Of Soul and Possibility Control – (8,5/10)

The great thing about C is how well it looks upon its subject material: it just keeps offering different views, motivations, people and opinions, some of which are surprisingly well fleshed out. It’s a shame that it doesn’t have the right budget to really animate what it wants, but it does know how to create an atmosphere.

#5 (6) – Steins;Gate – (8,5/10)

Steins;Gate is slow, but very solid. It has a great cast so far, its themes are really interesting, the plot is really well paced and the atmosphere rocks. Sure, it follows a bit of a harem set-up with a guy surrounded by many girls, but it has more tan enough to make up for it.

#4 (4) – Tiger & Bunny – (8,5/10)

If I had to summarize Tiger & Bunny with one word, it’d be lovable. Heck, the entire cast is a joy to watch, even when the main storyline is out of the picture. The bond between the different characters is always being developed, and the whole backdrop of superheroes working for sponsors is still working really well to keep everything together.

#3 (22) – Gosick – (8,75/10)

In this month… Gosick has become amazing. Seriously, the last episode that was even remotely mediocre was episode fourteen. After that, Gosick has been nothing but character development, breath-taking adventures and engaging thrillers. Finally everything has come together, but I seriously did not expect this show to become THIS good. Right now, this show has turned into a roller coaster ride that just keeps coming with interesting plot twists, and not to mention the characters, who received major improvements.

#2 (2) – Hyouge Mono – (8,75/10)

This show can both be hysterical and serious when it wants to, and it just rocks at both areas. It has without a doubt the best dialogue of the entire season, even though it’s really difficult to try and understand. It’s a really authentic view at the sengoku era that combines politics, aesthetics, silliness and intrigue with each other brilliantly so far.

#1 (1) – Ano Hi Mita no Hana no Namae o Boku-Tachi wa Mada Shiranai – (9/10)

This turned out to be an amazing series, with exceptionally brilliant characterizations. Every episode pushes the characters forward and it leaves no moment wasted to give more meaning to them. It’s a sad show, focused on running away, but it has just the right combination between sadness and hope here.

Posted on 30 May 2011 with categories: Ao no Exorcist



Oh, I’m SO glad that this show is going to be 24 episodes long. It really would not have worked at all with only 12 episodes. With this though, this show can actually build itself up well. This episode in particular would have been a waste of time for a short series (there is no way five episodes would be sufficient to wrap everything up right now!), but for a longer show it was a very good look at Shiemi and Izumo.

Also, in true shounen fashion, this episode introduced this series’ class and combat system. That’s not a bad thing, by the way. In fact, one of the things that I like about shounen series is their detailed looks into combat and superpowers. When done right it can make for a very interesting series. This episode for example: when the different powers were introduced they looked like a generic RPG system, and yet at the end of the episode the creators made me really interested in the summon class.

Oh, and this episode subverted the “useless female love interest”-trope. Yeah, she’s naive and all, but it’s good to see a token female who for once doesn’t want to be rescued all the time. I like the chemistry between her and Rin; despite their cliches they have this genuine charm to them.

So yeah, ideally you’d of course want every single episode of a series to kick ass, but as long as it pays off in the end I can understand the need for these school life episodes. I will bitch whenever they’re not interesting, though.
Rating: * (Good)

Posted on with categories: Hana-Saku Iroha



Okay, so with this episode it’s clear: Hana-Saku Iroha is building up to a love polygon: we have this new girl who likes Kou, while Ohana and Kou still don’t know whether they actually like each other, and while Tohru is likely to start hitting on Ohana anytime soon now, with Minko still having her crush on Tohru. The only one who misses at this point is Nako and the entire picture will be complete.

I’m not the biggest fan of love polygons, as they tend to be really annoying, but at the very least this series is aware of that and therefore is building up things carefully. Plus, if the rest of the episodes will be as interesting as this past arc, then it’ll still be a very interesting series.

It’s a nice and stressful episode for Ohana, and I liked how this past arc created its drama, even though it was a collection of coincidences strangely happening all at the same time. This episode however took that idea and rolled with it, resulting in quite a bit of character development and new sides of characters that we hadn’t seen before. Overall, these were the best episodes of Hana-Saku Iroha since the first two episodes.
Rating: ** (Excellent)

Posted on 29 May 2011 with categories: Tiger & Bunny



This show is a delight to watch, even when Lunatic goes on a holiday. Instead, this episode was about the Dragon Kid and like all of the previous that were meant to highlight a particular character, it gave a complete new meaning to her.

what’s more though: even in those episodes, the series continues to build the bond between the important characters, even when they’re not the focus. This episode was also about Kotetsu and his daughter, Barnaby becoming more open about his trauma. This was all made possible by a seemingly silly story at first: taking care of a baby. Because of it though, we even got to see the producer woman being put into a situation that would have been impossible to film (the son of the major getting kidnapped would be… really hard to explain), reducing her to a simple assistant, rather than someone who always gives out orders. All of that was really refreshing. This really was an episode where characters could relate to each other.

The only pity is that the main villains this time only played such a small role. Girls with those abilities deserve to be more than just child kidnappers. I know that it makes perfect sense for the three of them to team up, but they could have been featured in a story that took a bit more advantage of their abilities. Right now they were held back by the one major flaw in storytelling of this series: the way that the main characters are criminal magnets. I know that this series does this to prove its point about superheroes and all, but in this case it prevented a bunch of potentially awesome villains to shine even more.
Rating: ** (Excellent)

Posted on with categories: Deadman Wonderland



It’s still a bit strange to have someone claim that she lost a stomach and all, but I liked this episode a lot again. For the first time it actually brought in a bit of hope. People started to treat Ganta kindly, and for once he wasn’t alone. It will be interesting to see how this series will develop this.

Beyond that, this was an episode of backgrounds as well: there were a lot of flashbacks or characters telling about their pasts and when or why they ended up at the Deadman Wonderland, tying in neatly with the ED. I didn’t like the ED for this series at first, and I still think that Nirgilis did a much better job on Birdy the Mighty and Eureka7, but it’s actually quite interesting to see images of the past of the cast.

I’m not sure what’s up with the priest in this episode. He’s weird in any case, and while he may not be as bad as the Olympic medallist, he still needs a lot of work at this point. Still, this series has a habit of only explaining motives after someone does something strange, so this should be fine. In the end I’m getting more worried about what was originally meant to be the biggest potential pitfall for this series: the length!

The thing with Manglobe is that there is no pattern whatsoever in how their sequels. Their original stories always get the right amount of episodes they deserve, but in terms of their adaptations: Sarai-Ya Goyou condensed the final chapters of its manga so that it could fit everything in. The World God Only Knows came with a sequel that was actually planned in advance, while Seiken no Blacksmith just ended with no intention to fully animate its story. It can be anything at this point, but as great as these past episodes were, episode 12 will be a very bad point to end this series.
Rating: ** (Excellent)

Posted on 28 May 2011 with categories: X-Men




Here’s the thing: after eight episodes, I can pretty much say that X-Men has the best animation of the season. Sure, some of the slice of life series may have more fluidity, but they also are a lot easier to animate and keep consistent. The animation with the X-Men is wild, vivid, colourful and very diverse. C has this too, but at the same time it does have a lot of off-model shots and CG. Tiger & Bunny meanwhile also has the CG working against its otherwise great eye candy. Ao no Exorcist is animated consistently meanwhile, but it instead just looks too mundane too often. The X-Men, while it may not be amongst the Madhouse series with the best visuals, still stands apart with its consistently interesting visuals and excellent character designs. This episode again looked excellent. Perhaps only Nichijou has better animation, but I have seen too little of that to really say something about that.

Overall this turned out to be quite a solid action series: the action kicks ass and appears often, there is intrigue, the characters all have their issues that blend together quit nicely. It’s only the storyline that I’m not yet convinced of: at this point it still feels a bit too random and unconnected. What was the purpose of the U-Men beyond just kidnapping a bunch of people? They really could have used that time to focus more on the characters and real villains.

Apart from that, this episode was really meant to build intrigue, and I’m curious to see whether that will pay off or not. A lot of the series this season are very big on the build up, and most of them are doing a great job on that, though X-Men still feels a bit iffy here. I’ve said before that the main villains here are uninteresting. Wolverine’s ending worked so well because it had a really charismatic villain. What X-Men meanwhile needs to do is build a finale around Sasaki and Xavier on one hand, and Cyclops and Emma Frost on the other hand. It will be much more difficult than just “have battle to defeat the big bad”, although that part definitely must not be half-assed either.
Rating: ** (Excellent)

Posted on with categories: Gosick



Um. Wow. This might just as well have been the best episode of Gosick yet. This past month has just been absolutely amazing for this series, there’s no way around it. The bad stories? All gone. The annoying characters? Who cares about those? Heck, every episode this month has delivered beyond what I could have ever expected from this series.

Cordelia’s background… holy crap. To think that in the past half year, there have been two series that feature main characters that were pretty much the products of outright rape (for obvious spoiler reasons I’m not going to mention what the other series was, but those who saw it know what I’m talking about). This episode really gave some insights at who Cordellia was, as well as completely prove me wrong in thinking that the red haired guy was supposed to be a villain.

I also love that how in hindsight, the series has been dropping hints and references to this episode over and over. Unfortunately this can’t be said of every arc: the pointless arcs still remain pointless at this point, but the good arcs are surprisingly well tied to each other. And heck, this past month has really made up for the bad arcs of this series. Gosick has turned from a cheap mystery show to an amazingly engaging adventure series. It’s not just Victorique who is awesome: it’s the bond between every character here that just gets better and better.

The only part I did not like about this episode: Bones didn’t have the budget to really animate that dance scene of Cordellia. That’s a bit of a pity.
Rating: *** (Awesome)

Posted on 27 May 2011 with categories: Ano Hi Mita Hana no Namae o Boku-Tachi wa Mada Shiranai



This probably is the moe-est show that I’ve ever considered as my favourite of a season. I mean, I have enjoyed teenaged drama romances before and all, but not to the point where they were done this well in such a short time. More than any other series this season, this series really nails the feelings of its lead characters and it continues to push their relationships forward. This episode was slightly special, though: for once it focused especially on Jinta and Menma.

Instead, I can only see this episode as a build-up red herring. That’s nothing bad, by the way. Some of my favourite stories use these red herrings. Rather than pointless, I love it when done well, they are excellent in fleshing out the characters and story, and the same pretty much happened here: the whole rocket story has nothing to do with Menma’s wish and all, but this episode really stressed the bond and the memories that the main characters made with each other.

By the way, it’s great that Noitamina has been pretty much consistently amazing for the past five seasons here: for the past five seasons and eight series since the timeslot turned into an hour long, there pretty much has been an amazingly well written series on, with the best still being Spring 2010. 2010 was overall a mediocre year, but THAT was the best season that Noitamina ever had). Heck, pretty much the only mistake during this period was Fractale. As for Anohana, I’d probably put it somewhere in the bottom of the top 8 of my favourite Noitamina series. Where exactly entirely depends on the ending.
Rating: ** (Excellent)

Posted on with categories: The Money of Soul and Possibility Control



Ah, this episode was exactly what this series needed. This was an episode to look back. It took a break from the different battles, and instead gave two characters the chance to play as the narrator, in order to tell a bit more about themselves. In case of Mikuni, it’s about his past, and in case of Mashu it’s about her feelings. It’s a good chance to take a bit of a step back and focus on these characters in order to solidify the finale of this series, and this episode did that wonderfully. Oh, and it was also a really nice touch to suddenly revisit a past character who seemed like nothing but cannon fodder t the time.

I only have a few minor complaints about this episode. The animation for example wasn’t really up to par, even for this series’ standards. I really wonder what this series would have looked like if the earthquake hadn’t happened, and because of that I do have to admit that despite the creative images, Mononoke, Trapeze and Bake Neko have this one trumped in terms of visuals.

As for the individual stories, the thing with C is that none of its episodes so far have been as bad as the worst episodes of Trapeze, nor have they been as good as the best episodes of Trapeze. In terms of the overall story and characters though, C has definitely been better. Of course, Trapeze did tie itself up really nicely in its final episode, but at this pacing, this series can be able to do the same, only with a much better storyline and characters. At the same time though, the direction will never be as good as it was in Mononoke or Bake Neko. It just lacks the energy, force and timing to really draw you in with its pacing.
Bake Neko was pretty much the perfect short story, and ever since I never saw something of Kenji Nakamura that was good as that one. But his shows have always been very interesting to watch.
Rating: ** (Excellent)

Posted on 26 May 2011 with categories: Hyouge Mono



This show really knows when it needs to be funny and when it needs to be serious here, often combining the two really well. That falcon scene for example was hysterical, but also the start of this episode was just awesome in the way in which it turned into a political bluff-match where Sasuke had to take care of the food for important guests. The pineapple already was nicely used in the previous episode, but this episode really took advantage of these cultural differences.

Beyond that, this also had a lot of build-up, but it was much better done than in the previous episode. The acting brought the characters alive here, even when they were just talking to each other: it wasn’t as emotionless as it was an episode ago. And yet at the same time, while this series is completely different from anything that Bee-Train has ever made before, there is one thing that makes this series perfect for them, and they took advantage of this really well: the conversations, and the use of pauses there. I’m not sure whether the manga had this too, but the timing of this series is impeccable. It’s a hate or love technique of course, but I love how these silences also speak huge parts about what these characters are trying to say to each other, non-verbally.

The animation for this series has been… interesting. I mean, it’s not like this series is consistent, but the key scenes are drawn really well, and actually are very well animated. The characters may not move around the screen much, but when they do move it’s slow, yet surprisingly smooth, and these scenes really manage to stand out.
Rating: ** (Excellent)

CHANGE USERNAME
Amagi
The only exceptions are series that had a bigger cast to begin with and exactly know what to do with them and give every single character specific, human traits. Kaze ga Tsuyoku or Bokura no are examples for that.
Amagi
Sad but not surprising that the Slime isekai is turning into another generic shitfest after a rather strong start. It should have been about Slime and the Dragon alone and those other isekaied humans later as well as world building I honestly can't care about the additions to the team at all. But it only proofs to me that series will always get worse the more characters are joining the team.
Kaiser-Eoghan
It does prompt me to read the manga.
Kaiser-Eoghan
Furryguy story got too many episodes. I surprisingly enjoyed the time travel one.
Kaiser-Eoghan
Hmmm, Phoneix, the 2004 series is the definition of a mixed bag, the first story gets gritty and bleak in a way that I liked but its the scifi stories I connect with best, the first one for its premise/set up and the second because the last part kind of hit me and seeing Rock, another Tezuka character cameoing in it was kinda cool.
Kaiser-Eoghan
Pluto will be something that'll definately hold up for me and i can see myself actually appreciating it more when I watch the eventual adaptation.
Kaiser-Eoghan
I guess I'm reading Adolf then after watching the phoenix anime.
Kaiser-Eoghan
I'm thinking more along the lines of wanting a full kare kano adaptation.
Kaiser-Eoghan
@Anon: And I'm not sure if my tastes would be the same now.
Anonymous3115199
Hope it gets a decent episode count that does it justice. Can't imagine it being another rushed 1 episode per volume adaptation.
Kaiser-Eoghan
@Anon: But I'm not sure if I'll catch the remake.I've already read the manga twice years ago and seen the original anime twice aswell.
Anonymous3115199
Fruits Basket. Now that's a name I've not heard in a long time. And it's a getting a remake next year that covers the whole manga.
Kaiser-Eoghan
I am old enough to remember watching 2 episodes of mysterious cities of Gold and one of battle of the planets aswell as the 90s gigantor.
Kaiser-Eoghan
I happy to see studios finally going back to adapt stuff that deserves adapting.
Kaiser-Eoghan
I have also read angel no oka. Still haven't read Adolf or dororo.
Amagi
I can't wait for the Pluto anime (that was announced like a year ago?).
Kaiser-Eoghan
I won't spoil it, but MW had one cheeky ending that I loved.
Amagi
Well it pretty much is a ripoff of Kimba, I once thought people were joking until acrually googled it. Simba was even meant to be called Kimba at first IIRC.
Kaiser-Eoghan
A manga adaptation of mein kampf exists.
Kaiser-Eoghan
I used to joking argue with people when I was younger online about Disney ripping off Kimba.
Kaiser-Eoghan
I've seen all the black Jack stuff, metropolis, I also read Book of human insects, Ayako, apollos song, MW, princess knight and some of ode to kirihito .
Amagi
I wish someone would animate Adolf one day. Or a proper adaption of Buddha.
Kaiser-Eoghan
I bring this up because somebody mentioned Phoenix when talking about Spirit circle.
Kaiser-Eoghan
I must confess to my eternal shame I have never seen Osamu Tezuka's phoenix apart from that one episode with the guy hallucinating that the robot girl was human.
Kaiser-Eoghan
@Lenlo: Ah, to be more specific I meant in general.
Lenlo
Im with ya. If your talking about my comment on Ash's breakdown, im not saying I would have prefered to see it. I just think it did its job of disturbing the viewer well.
Kaiser-Eoghan
@Lenlo: I would rather the characters speak explicitly of certain things in banana fish, sometimes seeing everything isn't neccesary.
Kaiser-Eoghan
Perhaps we should race Yagate and Irozuku, see who's faster.
Kaiser-Eoghan
@Niello: I've had it on hold for about 3 episodes , I'm waiting to see if it does anything before continuing, pretty show tho'.
Niello
It already passed the half way point but nothing happens in irozuku...nothing.
Amagi
Yeah I jsut read it in the thread. I love grandpa.
Kaiser-Eoghan
Seems like a big moment in Chi no Wadachi.
Kaiser-Eoghan
Someone is uploading translated pages of the new beastars chapter on 4chan.
Kaiser-Eoghan
I am behind on some shows, I'm not uptodate with Irozuku or Yagate.
Kaiser-Eoghan
More specifically, I would like a whole side story about old dude and lizard dude before they met Goblin slayer. Also later part of this episode was stressful, such as Priestess bit. I also like that this show isn't afraid to have its MC get their ass kicked.
Kaiser-Eoghan
There was an anime called ristorante paradiso where all the dudes were old.
Amagi
That reminds me that there actually exists an otome'ish pub VN in which every guy is older than 40. Well I have to admit it's at least setting itself apart from the dozens of male j-rock/pop bishounen harem guys VNs out there. Same with that Pigeon otome VN (yes it's actual pigeons).
Kaiser-Eoghan
Goodness, we could have a reverse harem anime called Amagi-san and the 7 battling ojisans =P
Kaiser-Eoghan
@Amagi: I wish the geezer in Goblin slayer would have more to do.
Kaiser-Eoghan
Interesting how I hate certain genres, but when they're put through an exploitation lens I end up liking the genre, probably because it shits all over said genres while cutting out the boring parts.
Amagi
Yeah, same here. I also like it when stories are more mixed regarding age, general look, gender and such which is especially a problem in anime where you usually get 10 characters of the same gender, age and body type. Bonus if it's an idol show and they even have samefaces.
Kaiser-Eoghan
Of course these adult characters can exist outside of a fantasy and also be more relatable to me now, which is also a good thing, in a more serious story.
Kaiser-Eoghan
Alot of this has to do with getting older and being aware of that fact, knowing theres a 30/40 something able to do stuff I can't.
Kaiser-Eoghan
I would welcome an age of pensioner-ploitation films.
Amagi
I always enjoyed movies with old guys for example. Not only that, but I usually like it. For various reasons like the stories they have to tell, the nearing death (for very old ones) or a midlife crisis but welp, these movies were common 40 years ago, now it's teens and young adults since these are the demographies that are most likely willing to pay for the cinema or to buy merch.
Amagi
Yeah same here. Modern hollywood movies are way more mainstream than old ones and try to be the lowest common denominator with the most common tropes and stereotypical characters so unless you have more or less the most common taste and way of thinking for whatever reason you won't enjoy it and only get even more bored with every new movie that just feels like the 1000 movies before that.
Kaiser-Eoghan
Wheras I'd delight in anything left field or out of the box, because I love being constantly buzzed or surprised or seeing something do something uncompromising or weird.
Kaiser-Eoghan
*sense of
Kaiser-Eoghan
But I understand that people feel belittled when they watch something they can't make traditional sense or or morally work out .
Kaiser-Eoghan
But I've accepted that the stuff I really really like is going to be alien to a majority. I'd watch a lurid ova or b movie over any popular shounen or most post 80s hollywood films.
Kaiser-Eoghan
There would have been a time where I'd thought I was doing it wrong or that people would just think me some kind of hipster or contrarian for not liking popular/mainstream stuff/what everyone in the same room/site likes.
Amagi
Same with movies. I guess in the end it's always about being able to relate. If there is a strange character only certain people can relate to they'll enjoy it while everyone else falls asleep and vice versa with more typical characters. Hell I have seen a ton of non-stop action movies that literally put me to sleep because there was nothing for me to root for nor any great twists to expect.
Amagi
It's strange but whenever people hate a series for being too boring it turns out to be a series I like which is weird because I consider 80% of all existing series boring, including many series most people actually consider exciting and/or enjoyable as hell.
Kaiser-Eoghan
I remember there was a devil may cry anime, the guy subbing it didn't do a very good job but it was an okay extended advert for the game.
Lenlo
The man has also said that if someone would get him the rights to Berserk, he would do that to.
Animosh
Well, you still deserve credit for suggesting the series, because otherwise I wouldn't have even known it existed. :) But yeah, I like that people here are so open-minded. Anime is great and all, but there's plenty to discover outside of it (though to be fair, I'm lagging behind with many of them: following anime seasonally is great for discussion, but it can eat up a lot of time).
SuperMario
@Animosh: don't mention it. I'm glad you enjoy it. I don't take credits in this case since I myself haven't watched it yet. I love it how this community is willing to try other medium and not exclusively anime
Animosh
Really surprised this isn't more well known. Not that there's been much competition, but it's easily the best (western) cartoon I've seen this year.
Animosh
@SuperMario: thanks again for recommending Lastman! I just finished it, and it was a lot of fun. It doesn't have much depth, but it was incredibly entertaining: it just keeps throwing these bizarrely over the top action set-pieces at you without pausing, it oozes style, and its soundtrack is killer (it reminded me a bit of Hotline Miami). And it can be pretty damn funny too. It even ends strongly.
SuperMario
"I swear if I see some nonsense like her not being able to stay “Professional” due to having a boyfriend then I will have to strangle something" --> is that why you had screenshot of kitties up there?
SuperMario
@Kaiser: little sister has a strong chance to be a protag in the last arc. I'm genuinely surprised that Futaba is the main girl in this arc thou
Kaiser-Eoghan
I want to see the little sister looking scared in bunnygirl agrain.
Kaiser-Eoghan
Yay! Sing and eiji are doing something and Ash's freakout while melodramtic and ridiculous was still bleak, learn a bit more about Blanca which is good. Didn't like the goofy bit with yut-lung.
Kaiser-Eoghan
@Mario: Not intellectually non-intellectual enough for me.
Kaiser-Eoghan
Bunny-girl has redeemed itself. Also my favourite part of this weeks episode was 7 or 8 minutes before the end .
SuperMario
I mean, just reading that title alone I might check out what this movie is about. lol
SuperMario
Well, I come across an unusual film title today. A Japanese film called "When I Get Home, My Wife Always Pretends to be Dead"
Kaiser-Eoghan
The Lafalle arc (as thematically I probably engaged the most here)and the final arc both elevated this series for me, even though I did enjoy the bit with Vann early on.
I’ve heard people don’t like the ending it hit with me.
Really solid.
Kaiser-Eoghan
Dramatically this even kind of clicked for me and the antagonist surprised me as did twintails girl and bestghosts eventual roles, comedy isn’t exactly funny but I did laugh at points.
Kaiser-Eoghan
Apparently I got third time lucky with Mizukami, because I found this a very fresh take on the re-incarnation genre while actually DOING something worthwhile with it, his pacing/story telling style definitely feels a better fit to me in a short manga like this.
Kaiser-Eoghan
After a degree of indifference to planet with and only liking Biscuit hammers last arc, I ended up approaching Spirit circle expecting to not really have any opinion on it.
Kaiser-Eoghan
@Mario: Just my kind of weird.
Anonymous3093267
sword eyes
SuperMario
Here's another experimental animated short for you, Kaiser, Tango (1981) https://www.youtube.com/watch?v=lo8O8lYDzIU
SuperMario
@Animosh: yeah the second part was released in VOD earlier this year and I watched it. Prefer the 1st one much better
Vonter
I don't know why, but I thought you were talking about Tomorrowland. That Disney movie that bombed and everyone seemed very lukewarm about. I suppose because I don't know exactly what was the problem with it, didn't see much discussion about it.
Animosh
@SuperMario: I think I've seen World of Tomorrow, but not 100% sure. There's apparently a second part out though, and I definitely haven't seen that!
Animosh
And Umfeld (https://vimeo.com/umfeld) is also worth mentioning. It kind of consists of shorts, it's technically animated (at least in part: it mixes real footage and CGI I think?), and it's definitely weird. It's a very polarizing work though. I love it, but it wouldn't surprise me if most people here hate it.
Animosh
Some other things that came to mind: Tim Burton's "Vincent" (it's stop-motion, but whatever), Loom (https://vimeo.com/24069938) and E-Baby (https://vimeo.com/25435555). And the stop-motion shorts by Lee Hardcastle are pretty fun, if you're in the mood for some needlessly disgusting horror.
Kaiser-Eoghan
@Mario: I enjoyed embrace of the serpent which has the same director as Birds of passage so I'll keep an eye out for it.
SuperMario
@Kaiser: I'm going to see Roma and Birds of Passage this weekend. Really excited for both
Kaiser-Eoghan
As for the she-ra thing well, as I've gotten older I probably have avoided kids stuff more.
Kaiser-Eoghan
I don't want to see tokenism being seen as acceptance when it isn't, it feels that people are putting forth the idea that something is only being/can be accepted because its being portrayed in a tokenistic way.
Kaiser-Eoghan
Its fine, obviously to have strong female characters, Ripley in Alien, Sarah Conner in Terminator, awesome....Rey in star wars....no.
Kaiser-Eoghan
I think too often shows and films, American ones today, are tokenistic or clicheed with inserting issues, merely just throwing them in or tacking them on for the sake of ticking boxes rather than any earnesty or doing anything.
Anonymous3086853
@SuperMario - I do. Yet at the same time it was a bit outside of my comfort zone, watching something like this considering that (let's be honest) msot shows are men oriented. Even the ones with great female characters. This one despite having tomboyish girls is mainly about these girls with male characters having supporting roles. I suppose that's were the uneasiness lies in my case.
Kaiser-Eoghan
@Mario: Just got done watching both earlier, his dark humour jives well with me and I liked the concept.
SuperMario
@Kaiser @Animosh: if you haven't seen World of Tomorrow plsssss check it out. I can't recommend it highly enough
SuperMario
@Vonter: Maybe it's a good things that shows for general audiences like this have queer context. Don't you think?
Anonymous3086853
Also because I'm a bit immature, this show is kinda gay. There's a lot of ship baiting moments, one same sex couple in the last episode and rainbows, pastel colors, emasculated male characters and some female crossdressing.
Anonymous3086853
The weakest aspect is that several secondary characters get lost in the shuffle. Kinda like Big Hero 6 in which the team had personalities but just didn't had the time to develop in any meaningful way. Still both the main cast and villains were good and like I say the protagonist and antagonist had strong arcs for a first season.
Anonymous3086853
So I now finished watching She Ra, and it got even better as it was building towards the season's end. Thes strongest aspect is the rivalry between Adora and Catra, the chemistry is very strong, kinda like Optimus and Megatron or Xavier and Magneto. In which both parts seem equally capable and to have mind games with the other.
Kaiser-Eoghan
Oh hey cool, rain town is done by the Penguin hhighway anime movie guy.
Kaiser-Eoghan
It looks like I haven't seen Don Hertzfedlts World of tomorrow films.
Kaiser-Eoghan
Also Prince Achmed and How Wang-Fo Was Saved.
Kaiser-Eoghan
Ah. yes, thanks animosh, I had a look at Rain town there, I like the style it was done in, it achieves the emotions its trying to convey well without needing dialogue, piano score actually helps rather than hinders.
Kaiser-Eoghan
Glassy ocean, that was another short I watched lately.
Kaiser-Eoghan
Oh inka isha is country doctor.
Kaiser-Eoghan
I know Mario has seen this style on animation, but anyone else see any oil on glass animation?
Kaiser-Eoghan
I actually prefer robot carnival to genius party but liked both.
Kaiser-Eoghan
Zepo, The Pride of Strathmoor were recent animated shorts I watched.
Kaiser-Eoghan
Recently I watched two shorts, death and the mother and pleasures of war.
Kaiser-Eoghan
I'd say any eastern european short films would be worth anyones time.
Kaiser-Eoghan
I'm not familiar with rain town or Inaka Isha .
Amagi
Kaiser: Have you seen Inaka Isha from Kafka?
Animosh
In the meanwhile, though, I'd also be very interested in recommendations! The shorts I mentioned are among my favorite animated works, so if you know anything similar, please let me know. :)
Animosh
For western animation I really like the Don Hertzfeldt shorts. And there was this short called "Rain Town" that was really impressively animated. I'm sure there were others, but my long-term memory is pretty lousy. If something else comes to mind I'll let you know.
Animosh
I'm pretty sure you're already going to be familiar with all of my favorites, but here you go: Morimoto's shorts are all fantastic (Dimension Bomb, Beyond, Noiseman Sound Insect, etc), and two others that come to mind are Cat Soup and Kigeki (or Comedy) by Nakazawa. There are also some great collections out there (like the Genius Party ones), but again, you've probably seen those already.
Kaiser-Eoghan
If anyone has any suggestions for weird short animations, I'm looking for excuses to watch some more and I'm in the mood for them.
Kaiser-Eoghan
@Masky: Mario's youtube link had cgi models of rem and ram in the video.
Masky
I'm confused when was Rem even mentioned
Kaiser-Eoghan
I only ever watched he-man and stuff related to it in passing when I was younger, Conan was more my thing back then.
Kaiser-Eoghan
For so long I'd always referred to she-ra as she-man.
AidanAK47
@Mario, What is this heresy!
....
....Rems always cute.
Anonymous3084910
Hilda is fine, though is very laidback kinda like a young reader's novel. It has its moments but its fantasy with slice-of-life coming of age.
Anonymous3084910
@SuperMario Yeah I know, She Ra is the twin sister of He Man. But strangely it seems Dreamworks may not have the right to those characters. It was a marketing idea trying to bring more girls to that universe but like most girls show from the time it had a very flat depiction of what little girls want to see.
SuperMario
Sorry Aidan, I know it's blasphemy but I have to post here. Enjoy the OP song with the twins https://www.youtube.com/watch?v=v9MUjISNm0U&index=4&list=PLU56jBSlcHw8-ol9Hi4lJ0GR0tU6EOf2a
SuperMario
I'll probably check out Hilda. Heard a lot of hypes about that show
SuperMario
@Vonter: I've heard of She-Ra, she's the female counterpart (well, sister) of He-Man (the most powerful man in the universe and the secret identity of Prince Adam). Sounds silly but I'm not even kidding
Vonter
All in all, despite not being a big thing, I think is an enjoyable recommendation. My only nitpick is that it maybe too light hearted for some kinda like above My Little Pony but below something Voltron. Also despite being less childish than the original is still kinda of girly with lots of pastel colors although it balances it a bit having girls being more tomboyish in different degrees.
Vonter
Like with Voltron it amuses me seeing anime tropes being played through western lens. Since I'm a bit hesitant to say that could this count as a harem series despite not being male gaze moments? Also having the most sensible hotspring episode I've seen.
Vonter
In this one this She Ra has pathos. A bit like Korra there's doubt in her role and also a complicated relationship with her rival. I do like the role reversal in the knight's tale this clearly is, in that most roles that would be played by men are played by women in this story. Matriarchy, displacement of both femminine beauty but also empowerment.
Vonter
So I've watched some of the new She Ra from Netflix. So far I'm in, it's not deep but it's quite charismatic. I do like there's more pathos in regards to these characters which pretty much were confined to their archetype to an extreme like the original Power Rangers.
Kaiser-Eoghan
It manages to make watching something like running engaging, when I'd otherwise probably not watch the sport. Also, last week the show ended up popping into my head when I was sitting around doing pretty much nothing and made me think "Ok fuck it, not sitting around doing nothing, going to go out for a run around the block"
Lenlo
I also agree, characters losing in sports is important. They can't start at the top, it makes the series lose meaning
Lenlo
I quite enjoyed Kaze Fui this week. I think your correct that the one who got the reality check was Kurahara, who thought he was the only one able to actually make it. I also thing that he has a competitive streak a mile wide, and might be a little afraid of failure. Doesnt think the team can make it, so why bother
Kaiser-Eoghan
Think I wasn't i the mood for honda-san this week even though I laughed.
Kaiser-Eoghan
Y'know I like it when sports series actually show the characters you know...actually lose.
Anonymous3083989
Huh, interesting in this episode of Kaze ga that it's Kakeru who got a reality check during the track meet since he was beaten by two other runners. I think we're due for an episode soon where he has to confront his past demons instead of fleeing from them.
Anonymous3083626
@Kaiser-Eoghan - Aging in fiction, I think has more to do with the story than the characters. I mean the jokes about Ash Ketchum, Detective Conan, Archie. The Flinstones tried to make different stories by aging Pebbles and Bam Bam. Or Batman having two Robins graduating into their own heroes. But in the end dynamics change, hence why most cartoons don't age the characters.
Kaiser-Eoghan
Which is why when aging does occur in anime/manga, such as in vinland saga or nanoha for example, its appreciated.
Kaiser-Eoghan
And of course, animated characters often don't age much.
Kaiser-Eoghan
I can remember enjoying the simpsons movie back when I watched it, but thinking about it it really was just an extended episode. Really the show peaked with the who shot Mr Burns episode. Catching bits of recent episodes and seeing them use modern stuff while they never age seems weird too.
Amagi
I do think series are allowed to move forward though, I am kinda interested in the Pkmn movie for example. But certain shows should just end, Simpsons for example was a parody of the 90s, it just can't work in a more modern setting IMO.
Amagi
I stopped with the Simpsons when Maude was killed/died, it was just a step in the wrong direction they should have never done and it killed the series for me. I disliked it before already though, I think I noticed the series getting worse since season..9? Or 10, not sure anymore.
Amagi
Anime for Dorohedoro announced.
Kaiser-Eoghan
Therefore ruining the fanservice fun for everybody.
Kaiser-Eoghan
My favourite beach episodes are ones where it rains and they end up not being able to go.
Kaiser-Eoghan
After that it was just the film for me.
Kaiser-Eoghan
Actually, regarding the simpsons, the episode I stopped on was sometime in the early 2000s, Homer was stuck on some island resort or something.
Kaiser-Eoghan
I suppose it was just as much a case of falling out of watching/playing too and then there being so many episodes/games catchup was impossible. I probably should read the manga someday.
Anonymous3081957
@Kaiser-Eoghan -Kinda like Sponge Bob, Power Rangers or The Simpsons, I can't blame those who move forward, It's imposible for a show to go that long without losing steam. I did check the Sun and Moon first season and while I think the personality and energy is better it doesn't exactly push the concept forward. Still somehow Pokemon is still a phenomenon.
Kaiser-Eoghan
@Vonter: Very strange hearing a Pikachu talk with Ryan Reynolds voice. But my days of pokemon are behind me.
KyokoHyuga
?????
KyokoHyuga
who likes pokemon here
SuperMario
@Amagi: I think the person who made the sub for Maquia did a pretty neat job. Not perfect but the translation flows well
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