Oh god. Not the cliff-hangers again?! The end of this episode promises many frustrating weeks of waiting what’s going to happen next. Seriously, the end of this episode made me really hungry to see what happens next.
I loved this episode. It was pretty much nothing but Okarin experimenting with making simple changes to the past, some of which failed and some of which succeeded. The ones that did succeed kept taking things a bit further, though, all in ways that seem pretty strange at first. Why did a simple message to change cell phones prevent that cell phone woman to join Okarin? Or did she change something else and just didn’t show it to people? Also, the idea of using pagers to send messages seventeen years back into the past, on something as vague changing genders.
Also, eight episodes in, and I have to say that I really like the cast. Sure, they have their annoying moments,but they’re very well balanced together, filling in for each others’ flaws. I’m usually not into characters doing random things unless I find the characters interesting, and that’s exactly the case here: even when they’re just shopping for bread, I’m interesting in what these characters are doing. This episode in particular just kept juggling its characters around, showing a bit of all of them.
There’s one thing that just keeps catching my attention though, and that especially stands out while making screenshots: this is one series that doesn’t care about consistency in its drawings. In fact, the entire season is full of distorted faces. Especially in the post-quake era it just shows how difficult it is to consistently make the faces of your characters expressive and believable. The shows that do this the best out of this spring season are Hyouge Mono and Ano Hana, by the way.
Rating: ** (Excellent)