Posted on 31 July 2011 with categories: Monthly Summaries

How good do I consider this season to be? Well, to put it like this: I’ve got eighteen series this season that I’d rate at 8,25/10 or higher. In other words, there are eighteen series that I really, really like airing at the same time. The last time such a thing happened was back in September of 2009, and this season we’ve only just started yet!

The main flaw of this season pretty much what has been the main flaw of every season for the past years: length. There are quite a few series that aren’t going t fit their stories in their allotted time, and there again are too few series that dare to go beyond 13 episodes. With the way that the anime sales have bloomed over the past years though, I really hope tat soon we’ll be able to say goodbye to this very annoying trend.

#33 (new) – Mayo Chiki – (2,75/10) – Now this was just horrible. Just one big excuse for cute girls and fanservice and nothing more. The premise is based around the entire cast being complete and utter morons, and it’s just another one of those really bad fanservice comedies that pop up every season. Ignore this one at all costs! Dropped.
#32 (new) – Manyuu Hiken-Chou – (3/10) – Look. I often tell fanservice shows to be a bit more creative. I have said before that I have nothing against creative fanservice that fits within the setting of the series. And yeah, I guess that Manyuu Hiken-Chou does get creative… but I DID NOT MEAN CREATING OUTRIGHT PORN!
#31 (new) – Kaitou Tenshi Twin Angel – (3,75/10) – What the hell happened here? I mean, the original OVA was decent: it was nothing special, but it had some nice morals and showed that being a mahou shoujo really isn’t as easy as it seems. Then this show comes along and it pretty much turns into a really stupid kaitou-busting show full of the most annoying moe antics and stereotypical characters. There’s nothing enjoyable about this: the characters just try to be as energetic as possible but completely forget to be entertaining or even remotely interesting! Dropped.
#30 (new) – Nyanpire – (4/10) – Unfortunately Gonzo’s first series in two years turned out to be Bad Gonzo. I mean, making a kids’ show is one thing, but this was just one huge commercial for a crappy J-Pop band who does the ED. The jokes are also completely unfunny: when I watch a comedy, I want to watch something that makes me laugh, not cringe! Dropped.
#29 (new) – Uta no Prince-Sama Maji Love 1000% – (4/10) – I prepared myself that this would be a campy series. But I never could have imagined the amount of stupidity and cheese that this show ended up delivering. Just about every character is hamming it up, and not to mention how ridiculously stupid the entire premise of this show is. I gave up at the point where the teachers actually forbade the characters to have any romances with each other. What the hell? Isn’t that why you’d want to watch this show in the first place? Dropped
#28 (19) – Baka to Test to Shoukanjuu – (4,25/10) – I’ve seen this one recommended quite a few times, but based on the first episode of the second season, I really don’t get the appeal. It’s just a show about a bunch of idiots and cute girls. I did not find anything even remotely funny about that one episode I watched, and it was a complete chore to sit through. Was that just me, or was it really a bad episode for this series to start with? Dropped.
#27 (new) – Rou Kyuu Bu! – (4,5/10) – This is bad. I mean, for starters we have a show about grade schoolers with a ton of fanservice, but the creators also succeeded in putting together the most obnoxious cast imaginable. The five lead girls all try to act as annoyingly moe as possible. On top of that though, it tries to have a serious story. Those parts don’t mesh! Dropped
#26 (new) – R-15 – (5/10) – Now, there are shows about idiots. Those idiots however completely pale in comparison to the characters in this series: this is the epitome of stupidity. It’s just a bunch of morons pretending to be geniuses filled with random fanservice. It’s nice to see how creative it can get with that for just one episode, but after that it just gets repetitive and actually tries to take itself seriously. There’s no way in which that’s going to work. Dropped.
#25 (new) – Morita-San wa Mukuchi – (6/10) – So, this is nothing but various sketches around a shy girl, nothing more. While I can understand where the creators are coming from, you can’t just base your entire series around this; it’s way too one-sided and forced. Not to mention the utterly poor direction of this thing.
#24 (new) – Yuruyuri – (6,5/10) – At first it looked to be different, but in the end Yuruyuri unfortunately turned out to be exactly what it says on the title: very unsubtle lesbian jokes. It started off pretty decent, but after only three episodes they ran out of inspiration and just kept going with dull lesbian and boob jokes. Dropped.
#23 (new) – The Idolm@ster – (7,25/10) – The Idolm@ster is tolerable, but after three episodes I have to wonder: what makes this show worth watching? The interesting direction of the first episode was immediately dropped, and instead every episode so far has focused on one of the different girls. The first two being the Kugimiya Rie Tsundere and the really shy girl who is afraid of men. The drama around them was weak (especially the one around the tsundere) and the rest of the side characters only used their airtime to just further establish the fact that they’re a bunch of walking cliches. Dropped.
#22 (new) – Nekogami Yaoyorozu – (7,25/10) – So, this show is tolerable. Aaand… that’s a bit of the problem here: yes, it’s better than most of the moe antics shows out there, but still it only gets a chuckle out of me every few minutes. There really are very few reasons to keep watching this series. Only go for this one if you’re really bored. Dropped.
#21 (new) – Itsuka Tenma no Kuro Uragi – (7,5/10) – Okay, so right before I went on my holiday, I wrote up a quick first impression for this series, and published it. At least, that’s what I thought happened, but that post got lost somehow, so that’s why there is no first impression of it. In any case, beyond being the series with the villain with the silliest name, Itsuten is a very cheesy romance show with a lot of angst and moe. Its story does have some potential, but the annoying moe antics, overacting and fanservice certainly aren’t helping its case at the moment.
#20 (new) – Sacred Seven – (7,75/10) – The big problem with Sacred Seven is that it could have been so much more: it’s an original story, it’s got an excellent director, an excellent scriptwriter, and what do they come with? A school emo mecha series. So far in the past four episodes, the emo part is what hurts this series the most: the characters just aren’t well fleshed out and because of that they feel rather unengaging. There are moments where it really shows to be exciting (most notably the second episode), but so at this rate it’s not going to be amongst the highlights of this season. It does have a very good OP, though
#19 (13) – Showa Monogatari – (8/10) – Oooohh…. what the hell happened to that thirteenth episode? I’ve been waiting for ages now and still nothing. This show has had by far the weirdest airing schedule I have ever seen. As for this month, only one episode aired, and in terms of script it was very good. Overall the cast has received quite a bit of depth by now. The bad part is that Kouhei’s voice actor really can’t act, which really hurt during the dramatic bits.
#18 (10) – Sket Dance – (8,25/10) – The music arc was a bit of a disappointment and it lacked the whimsy of the rest of the series, though the other episodes were as fun to watch as ever. This series is really at its best when it manages to stuff in its high amount of energy.
#17 (new) – Dantalian no Shoka – (8,25/10) – After watching Gosick, it is refreshing to see that the main character here actually has a retort to all of his female companion’s insults. Dalian still is smarter than he is, but at least he can have a normal conversation with her without sounding like an idiot. Overall the mysteries in this series need a bit of work, but the atmosphere is really good, and the animation is also quite impressive. Will this work with only 12 episodes, though?
#16 (new) – Blade – (8,25/10) – You know, after the way in which the X-Men turned into a disappointment, I kind-of wrote this series off. Especially when it showed that it had Madhouse’s acting problem again. It’s indeed a bit of a cheesy action series and all, but I don’t know. This series has something, I just can’t put my finger to exactly what. In either case it still has the potential to become the best Marvel series so far if it pulls through: it wisely spends a lot of time on both its main character and villain, and on top of that the side-characters all wisely avoid some of their biggest pitfalls: the female side-kick is useful without hogging over the screen, the enemy vampires pose a threat by killing people actually very often, the main character is bad-ass yet not overpowered. Oh, and this show follows a black vampire slayer in the middle of the Philippines. Thank you, Madhouse for really trying to go around the world instead of just keeping with the same base setting over and over again.
#15 (20) – Nurarihyon no Mago – (8,25/10)

A major improvement. The direction is snappier, the story is more interesting, the pacing moves along faster and the atmosphere is more varied. You can really see that a different staff is adapting this series this time, and alongside all the other flops of Studio Deen this year, it’s good to see that at least here they’re showing that they can still put out a good series.

#14 (new) – Ikoku Meiro no Croisée – (8,25/10)

This one turned out to be a series about cultural differences. It’s quite an interesting variation to the usual slice of life set-up, and I really have to praise Satelight for putting down a very authentic portrayal of France of a century ago. the background art in particular is just great. There are some problems in the character department (mostly because of one particularly annoying character), but overall it’s a heart-warming series so far,

#13 (6) – Hana-Saku Iroha – (8,25/10)

During the past month, Hana-Saku Iroha has been really good, but not as good as during June. This mostly is because the main cast didn’t receive that much attention and instead the side-cast was really well developed. What the next month needs to do is give the same treatment to the main cast.

#12 (new) – Kami-Sama no Memo-Chou – (8,25/10)

This series stands out because it had the best opening episode of the season amongst Penguin Drum. After that it dulled in a bit in order to focus on character building, but there still is a lot of potential here. It’s especially the dialogue that’s well written and the mysteries are well built up, but there are weaknesses. Some bad guys are just plain stupid, and it also has JC Staff-esque fanservice that is completely overused and often out of place.

#11 (new) – Blood-C – (8,25/10)

This show is definitely not for everyone, in top of being completely different in tone compared to the other parts of the blood franchise. It’s a simple series that really just planned to use its first four episodes to build up its atmosphere, but I really like it so far. The atmosphere works, the fight scenes are just completely amazing, and I’m really eager to get to the point where this show starts off for real. The big potential pitfall is that there will be too much build-up, but so far it’s heading into the right direction.

#10 (new) – Usagi Drop – (8,5/10)

This one’s by far the most realistic show of the season. It chronicles how hard it is to take care of a young child, without exaggerating this. There’s a good backstory due to the strange family construction that this series takes place in and the dialogue is all wonderfully down to earth.

#9 (12) – Ao no Exorcist – (8,5/10)

At this point, I’m really watching Ao no Exorcist for the characters: they’ve grown into a lovable bunch with excellent chemistry and the relationships between them are all really well done. So yeah it’s a shounen series, with its share of cliches, but that’s not important here at all.

#8 (11) – Gyakkyou Burai Kaiji – (8,5/10)

The past month has been a lot of build-up, but the tension was still very high and it was very entertaining to watch. There were times at which it took a bit long to get to its point, like with the old guy episode, but it’s not like we’re back to the really slow pacing of the first season. Now all that’s left is to wait whether or not it’s actually going to pay off.

#7 (new) – Kamisama Dolls – (8,5/10)

This turned out to be a very enjoyable and action-packed thriller. It’s all well directed and balanced, alternating between action, drama, comedy and horror quite nicely and while it does have some fanservice cliches, it’s got an intriguing and nicely fleshed out cast of characters and the exciting parts of this series are really delivering so far.

#6 (new) – No.6 – (8,5/10)

Excellent music, excellent animation, excellent characters and an excellent setting. No.6 is a very solid adventure series with strong, constantly evolving characters in an interesting setting. There’s only one problem with this show, but it is a really big one: the length! There’s no way in which 11 episodes is going to be the right number for this one.

#5 (12) – Natsume Yuujinchou – (8,75/10)

The third season of Natsume Yuujinchou has had a wonderful start. Somehow, the creators actually managed to make it increasingly better with every single episode. The atmosphere is still really soothing, yet the stories it tells are strong and well thought out. It’s still a heart-warming story and what’s more: Natsume’s development is really kicking in now. It’s been a major theme of this third season and every episode seems to contribute to it in one way or another.

#4 (2) – Hyouge Mono – (8,75/10)

This was a month for the plot to progress for Hyouge Mono: a lot of changes have been made, a lot of characters have developed, and risen up in ranks, giving a completely different feel to the series. On top of that, Sasuke is just as eccentric as he’s ever been, and this series is giving him more and more incentives to show that eccentricity. It’s still a rock-solid series with amazing acting and characterization that obviously isn’t for everyone.

#3 (new) – Mawaru Penguin Drum – (8,75/10)

This is good. It’s by var the best series of the new season. The direction is wild, vivid and detailed with all kinds of references of which you’ll never know whether they’re symbolism or foreshadowing. The characters are great, the chemistry between them is awesome, the story is imaginative. Just about everything works here.

#2 (4) – Steins;Gate – (9/10)

What a plot! This month Steins;Gate really revealed how much thought went into its plot and narrative structure, and it was glorious. There are so many questions that it’s asking and the time travel plot is now really hitting some high notes with all of the interconnected twists and turns it takes.

#1 (9) – Tiger & Bunny – (9/10)

At this point, Tiger & Bunny has become bloody brilliant. Every episode has delivered an amazing story that gave a ton of development to the main cast, the main storyline has gotten better and better, and just about every character ended up more enjoyable to watch.

Posted on 30 July 2011 with categories: Kami-Sama no Memo-Chou



The fourth episode is traditionally a place for either the first big climax of a series, or a silly episode meant to flesh out certain characters. This was the latte, in which the cast tries to sniff out an underwear thief.

And yeah, that could have been better, and it could have been worse. I mean, it’s obvious that a show like Kamisama Dolls is better at these kinds of scenes because it’s got an actually good comedy director, but I do like that this episode tried to be serious despite having such a silly premise. It did make the revelation of the true culprit strangely contrasting and funny.

I can understand the need for this kind of an episode: it’s good to break up the mood and show more of the characters. I’d just wish that JC-Staff would pick something other than weird fanservice. The underwear thief wasn’t really the bad part of this episode: it had this nice camp-ness. Instead the creators couldn’t refuse to bring Alice in and start making small boob jokes. That’s where it really turned into the bloody overused territory. Go for something different, will ya!?

But I digress: this was a very good episode for Min. At the end of the episode Alice delivered a very good twist to the story, and I did not suspect that the creators would bring in her father at this point. The story between the two of them is very good, down to earth and yet a bit silly, and it worked out really well., on top of asking a few more questions (why didn’t she recognize her own father).

What puzzles me though is why the creators picked Min of all people to give some real depth. Seriously, she’s the most fleshed out character at this point, having gotten two full episodes of attention. Of course, it would be great if she were just the tip of the iceberg, but that entirely depends on the length of this series. This show is one of the very few series this season of which it’s still a mystery of exactly how long it’s going to be, but Ideally you’d want 24 episodes for this thing. Especially considering how large the cast is, and how much time this episode just devoted to one of them.
Rating: * (Good)

Posted on with categories: Steins;Gate, Summer 2011 Kaleidoscope



Nurarihyon no Mago – 30
Talk about a massive improvement here. There are the types of stories that should be slow-paced. Nurarihyon no Mago is not one of them. Another big disadvantage of the first season is how little time it spent on backgrounds, so right now this series is really catching up on that, with half of the second season consisting out of background and all. Junji Nishimura really did not fit this series: he should be busy with original stories. That’s where he really shines at. The snappy direction here is much better, especially in this episode. The art also looks much crisper. This could very well be the only actually good thing of Studio Deen this year.
Rating: ** (Excellent)

Steins;Gate – 01
After many people recommended it, I re-watched the first episode of Steins;Gate and holy crap What the hell!? If you haven’t re-watched that episode by now: go and re-watch it. Don’t read the rest of this paragraph of analysis and just watch it. This episode did the opposite of what I expected and actually asked more questions than it answered. The big one is the message that Okarin sent to Daru: how the heck did that happen? How the heck did Okarin send a D-Mail when it hadn’t been invented yet? It’s going to be the key to save Mayuri, though: if Okarin never sent the message back to Daru, Daru would never have been able to warn Okarin, and CERN would never have been able to track them down. And holy crap, this show will also turn into a quest to save Makise Kurisu. I totally forgot that some version of Okarin actually tried to warn Makise Kurisu. Now… has the future Okarin created a freaking time-loop for himself? This plot just got even more amazing than it already has.
Rating: *** (Awesome)

Sket Dance – 17
This arc was really strange. I really got the impression that it didn’t know what it wanted to do here: there was this huge build-up with the members of the Sket-Dan joining all different bands and having practicing for an upcoming school concert championship… and here this episode comes and throws in a bunch of illnesses and broken arms causing these bands to disband (no pun intended) immediately. It then turns into some moral life-lesson for a violinist as the three members just do the predictable and form a band themselves. I was really looking forward to see all of the different bands compete with each other, but instead this episode skipped across most of the acts for just a few seconds and the only one that we really got to see was this really cheesy J-Rock song in which Bossun suddenly revealed that he has the singing voice of a J-Pop Idol. This series always did so well in capturing school life, but to me, it felt like it didn’t really do this with the school concert. It all just felt too clean. The song that the Sket Dan performed was just too rehearsed (remember that these guys had very little time to prepare. I don’t care how much you practiced, you’re not going to get THAT good in that little time). It’s a bloody shame, because these school concerts are often very fun to watch. Especially because this one looked to be a REAL concert, unlike those silly unimpressive idol acts.
Rating: (Enjoyable)

Usagi Drop – 04
Do note that I’m not guaranteeing to blog every series every single week in this kaleidoscope. This time I was merely late with checking out Usagi Drop’s episode, but there may be weeks where I just don’t have any inspiration about the latest episode. In any case, I like how the children in this series really sound like young children, rather than voice actresses trying to act really high-pitched. I also like that this episode introduced yet another single parent, with whom Daikichi can relate with. He’s by no means a perfect parent, but the tension between him and Rin is quite interesting to watch.
Rating: ** (Excellent)

Posted on 29 July 2011 with categories: Anime Reviews




Ah, the nineties: a time where you still could make huge series based on a simple premise that aren’t kiddie shows. Mahoujin Guruguru couldn’t possibly have been made in today’s age: it’s a non-stop series of 45 episodes, devoted to nothing but RPG-parodies. And this review doesn’t even include the 38-episode sequel that aired six years later.

Let me tel you one thing about this series though: the jokes in Mahoujin Guruguru are quite brilliant. It may be that I’m a big fan of parodies and all, but even taking that into account I have to praise at how creative this series can get with its gags. This series is sharp, witty and has a great time poking fun at all kinds of RPG cliches. It goes far further than just having characters act silly or have them engage in quirky banter: this show is always looking for situations to make actual good and well thought out jokes and clever situations. This is definitely the biggest selling-point for this series.

The length also allows the creators to tell an engaging storyline that brings the characters to all kinds of places and worlds. The storyline here is pretty simple (bad guy evil. kill him), but the various subplots and side characters keep this series moving. There’s even a bit of character development, albeit nothing special, although it remains a nice twist to see that the creators actually used the RPG leveling-system for the two lead characters.

With the length also come a number of problems, though. The jokes of Mahoujin Guruguru are really good, but it does not have enough material for 45 episodes. The result? Running jokes and repetition, while refusing to repeat jokes that had the potential to be even funnier with more fleshing out. It’s not like this series suddenly features a dip in quality along the way: it’s pretty consistent with alternating its good jokes with its overused jokes and its jokes that just don’t work. That doesn’t prevent that from really weighing down on this series.

the mostt notable of the overused running jokes is the old man. This guy. This guy is beyond obnoxious: he will do everything in his power to annoy both the viewer and the characters. And he just. refuses. to. freaking. quit. In the same way there are a few more jokes that are used way too much, and on top of that there are a number of episodes that just aren’t interesting. I’d say: cut this thing down to about 30 to 35 episodes and you’d have a classic.

Right now, this series is fun, but long-winded. On one hand you don’t want to watch this if you’re looking for something exciting, because the good jokes are just a tad too far in between compared to today’s standards. If you want to watch a laid-back series and don’t care about time though, then this is a great recommendation for light-hearted fun. Most shows that claim to be just light-hearted fun hardly have anything that makes them worth watching. Guruguru however has plenty of them.

Storytelling: 9/10 – This show has aged: its pacing is a tad too slow for today’s standards. In terms of the joke department though, this is really, really good.
Characters: 8/10 – There is character development, but again: this is small for the standards of a 45-episode series. Then again though, it does have quite a likable cast that are fun to watch throughout the entire series. WITH a number of exceptions, though.
Production-Values: 7/10 – Again: dated. Very simple graphics and animation that doesn’t make use of this. Good Monster designs, though.
Setting: 8/10 – Has a ton of fun poking, subverting, averting and analyzing the RPG-genre.

Suggestions:
Kero Kero Chime (This is what I’m talking about with more compact: the characters are a tad more annoying, but it is shorter and its good jokes to unfunny jokes ratio is a lot higher)
Mysterious Cities of Gold

Posted on with categories: Blood-C



Holy crap! The fights here just continue to get better and better. This episode once again upped the antes, with some stunning results. It really had me at the edge of my seat the entire time.

There of course was the danger of this series falling victim to the syndrome where the biggest budget is spent on the first episode. And I guess it is true that the animation is not as fluid as we saw in the first episode, but even taking that into consideration the action scenes are just stunning. This episode really surprised me at how far it went with its gore until the censors went crazy. The way the bodies of those fishermen (or whoever they were) moved when they were devoured was really well done, but the rest of the fight as well was just one giant struggle.

A big problem with this series is that the dialogue during the quiet bits isn’t that… interesting. Still, I don’t mind that at tall. One reason is because at this point I’ve got enough patience to wait until the good bits, but the other is that for me this series is really succeeding in building its atmosphere. The slice of life bits are really, really simple, but the atmosphere they create that way in combination with the contrasting dark parts of this series has really caught me in.

I also wonder: this series so far has really outright refused to share any background on just about anything that Saya has been doing. When will this be revealed, or is that going to be the task of the movie? At the very least Saya is something supernatural and that dog is no ordinary dog, but I do wonder when this show is going to start with its background. It’s rare for a series to have so little exposition in its first four episodes.
Rating: ** (Excellent)

Posted on with categories: Hyouge Mono



Oh god. We’ve reached the point now where Sasuke has become a Daimyou. A Japanese feudal Lord. He got his own area to govern over. An area he chose because its name sounded like “Olive” (the color, not the food). So now, he’s the Lord of Olive. If this guy isn’t eccentric, then I don’t know anymore. I can only imagine what he’s planning to do with it. Mind you: we’re not even at the halfway point of this series. There’s still so much that still has to happen (39 episodes for the win!).

Seriously though: some very interesting things have happened since the death of Oda Nobunaga: Sasuke has gradually been climbing up the ranks under the influence of Hashiba Hideyoshi. Under Oda Nobunaga he was just a messenger on the front lines, but with Hideyoshi things are completely different and he was able to grab much more influence by playing his cards right.

Heck, we see very little main characters like him, who actually end up having so much influence, unless we’re talking about nobles, royalty or other stuff that allows you to inherit everything you need from your parents or stuff like that. And most characters who do meet these criteria often try to keep it a mystery of how they made it to the point they are. Sasuke may be from an influential family, but the past 17 episodes really showed in detail that the biggest reason why he is at the place he is now thanks to his own abilities, connections and effort. His family only plays a relatively minor role, and his genes aren’t even hinted at.
Rating: ** (Excellent)

Posted on with categories: Mawaru Penguin Drum



Okay. That was awesome!

This really sends back memories to the episode in Utena, where Nanami tried out various plans to get rid of Himemiya. It was really bizarre and hilarious from start to finish, not to mention the hilariously over the top delusions that Ringo had. Finally there’s another series who does them right!

A date going wrong is nothing new, but this episode knew that and just went with trying to create the most bizarre and over the top ways for things to fail, playing around with things like “destiny” at the same time. Now THIS is what I consider to be a good romantic comedy: one with creative jokes that doesn’t just try to regurgitate the same things over and over again with characters who are basically just morons. The direction once again was just wonderful in this episode which made it all the more fun to watch.

The chemistry between these characters is also just amazing, and even when the characters aren’t doing anything there’s the penguins who fill in to keep things interesting; because of that there’s always something going on, and then this episode also brought in that skunk. With so many penguin references throughout this series it’s hard to guess whether it’s actually important or not.

Because that’s the great thing of the symbolism in this series: this series doesn’t just list a bunch of references; it actively plays with them, like the advertisement of the opera that sparked Ringo’s fantasies turning out to be related to her love rival, the penguin pictures, or how apples and trains keep returning in the actual narrative without any kind of forced plot device. Or take the train advertisements: the previous episode pointed to being smelly, and guess what? This episode has a skunk on the loose. Logically that must mean that the next episode will feature something getting stolen. The diary, perhaps?

What’s more, I’m also impressed that this show is already building up arcs, even though the current arc isn’t over yet. This episode suddenly revealed that Kanba has made quite a number of enemies through the girls he dated, and the creators are actually planning to turn this into a major plot point. I’m still really impressed at how good the writing in this series is!
Rating: *** (Awesome)

Posted on 28 July 2011 with categories: No.6



Okay, so this episode didn’t reveal the secret of Number Six. Instead, it went for character building. And it did that well.

My biggest surprise was at how much detail was put into Shion’s mother: I just thought that she was one of the token parents who was just set to disappear after the second episode. Here though, they went into her past, how she’s doing and had Shion contact her though Nezumi’s mice. Beyond that, we learned that Nezumi refused to talk about himself, but there were tons of hints to his character (and again a ton of hints at how his character change), the dog girl got some depth and overall this series still upholds its standards of pushing its story forward.

What I especially like here is how every episode so far has been significantly different in terms of themes and focus. This episode takes a look at the characters and the setting in a completely different way and it’s consistently changing and pushing its characters into different situations. With 22 episodes this really has the potential to become a classic. With 11 episodes it will probably be a very engaging series with a very open ending.

The animation also was really well done in this episode. There were very little still frames and a ton of movement, the background art was really well drawn, but also the people and dogs in the background were really well designed. Overall the question of the series with the best visuals is a tough one this season, unlike last Spring where the X-Men very convincingly took that award. In terms of fluidity and movement there’s Blood-C, in terms of consistency there’s Penguin-Drum, in terms of extravagance there’s Dantalian no Shoka and in terms of attention to detail and designs there’s this series.
Rating: ** (Excellent)

Posted on 26 July 2011 with categories: Steins;Gate



Talk abOUt a bloody moral dilemma here. Whereas the previous episode was all about Feyris, this one is all about Feyris. I had my doubts about her at first, but heck: this episode really gave her character a different twist by explaining what the message was that she sent back. Spoilers coming up.

So in order to save her father from being killed, Feyris sent a message to her father in ordedr to get rid of a bizarre coincidence that happened to her in the past. Or at least, this is what I made of it: she got kidnapped, at the same time that her father died in a crash. For some reason the kidnappers weren’t able to contact Feyris’ father in time, and my guess is that after that, Feyris probably used her inheritance to set up Akihabara.

Basically Feyris had to choose between her father and Mayuri. If she saved her father, he would still have had to deal with the kidnappers, and he would have gotten the message telling about the IBN5100. I have no idea where that one came from yet, but that is one message that will probably be impossible to erase. In any case, usually when anime pull something like this, they come with this convenient way that allows for both options to come true. Not here though: Feyris deciding to change the past back made all that happened into a bit of a dream.

I really have to praise the creators here by the way: this show isn’t spiraling out of control; it’s getting more and more entangled with itself. It’s currently trying to re-engineer the plot, to the point where the time machine never got made. This forces the creators to go back to all of the major events of the first half. Talk about an awesome plot.

by the same logic, the next episode should then delve into the gender change again. The episode ended with the IBN5100 still not present at the shrine, and this makes sense: it disappeared after the gender change, not after Akihabara’s change. We’re about to find out what the heck could have caused that to happen: why would the girl version of Ruka want to get rid of that machine?
Rating: *** (Awesome)

Posted on with categories: Shiki



Throughout the Shiki series, there were these select times where this blue haired woman turned up. The last time was in a bathtub with a corpse, but we really didn’t know anything about her. This episode tells her story.

Having said that though, that particular story felt a bit too one-sided to me, and was the least interesting bit of this episode to me. I didn’t really “get” the insanity of this woman. Instead though, I loved just about everything that happened around her. This episode actually recapped the entire series from the eyes of some of the side-characters, tying things together in the process. It explains how the fire started, it shows a bit more about the family at the drive-by restaurant of the first episode (when that first episode aired I really thought that they would be important characters), we know who the asleep Shiki was in the house that Akira broke into. Oh, and the nurse also got stabbed through the heart. They didn’t show the process, but the aftermath was there.

What’s more is that Ozaki appears every now and then in this episode, and that surprisingly showed really well how his character developed through the series, and I also liked those tiny details like him trying to relax a bit after murdering his wife.

And so, Shiki is finally finished. There were a few plot threads that I would have liked to have seen a bit more of, for example what happened to Akira, or where that crazy occult woman went who once took over an episode, but overall it has been a wonderful series. Furthermore, I really wonder what exactly got this show 22 episodes of airtime in Noitamina of all things. What convinced the producers to go with what pretty much is a perfect formula if kept up with: Noitamina is big enough for this now.

I think it has a lot to do with the irony of Noitamina in Spring and Summer of 2010: it pretty much was the best half year that Noitamina ever had, delivering three utter classics with Yojou-han Shinwa Taikei, Sarai-Ya Goyou and Shiki, although unfortunately they pretty much flopped. My guess is that the producers are playing things safe for 2011 by not straying from the format they built up (which is something I can understand, after what happened to the Noise-timeslot), but I really do hope that 2012 will show more 22-episode series in the timeslot. That’s really something that can make a great timeslot even better.
Rating: ** (Excellent)

CHANGE USERNAME
Vonter
Or are the 50s the new late 30s or early 40s?
Vonter
Are japanese people vampires? https://ultra.fandom.com/wiki/Toru_Furuya
Kaiser-Eoghan
@Vonter: If you look at the voice list, that Japanese voice actor for Mario in that anime movie is the same voice actor for Amuro Ray from the original Gundam.
Vonter
Also considering Baby Bowser was raised by Kamek. I suppose those beings could be made by magic.
Vonter
@Kaiser-Eoghan - My head canon is that Bowser made them himself. Kinda Lord Zedd or Rita from Power Rangers.
Kaiser-Eoghan
I still subscribe to the headcanon that Peach is the mother of Bowsers children.
Kaiser-Eoghan
I remember growing up with the relatively poor American cartoons, none of them featured Wario.
Kaiser-Eoghan
I have committed videogame genocide apparently.
Kaiser-Eoghan
Everytime I broke or hit a brick in the Mario games I was probably murdering a toad.
Vonter
The ending it's "interesting" considering the relationship Mario and Peach have isn't something as close, as Link and Zelda.
Vonter
@Kaiser-Eoghan - It's weird but at the same time it does use elements from the game. Like the music, and story bits from the manual from the original Super Mario Bros. (Where it mentioned Bowser uses magic to turn Toads into the bricks, clouds and other objects of the game).
Kaiser-Eoghan
I never did end up watching the Mario anime movie that came out in the 80s.
Vonter
Also someone is putting the effort of making a Bowsette adventure doujin. This is the type of stuff that could be it's own original thing since it strays far from what's Mario. Despite the occasional mild nudity it's quite fun so far, despite also how weird it is.
Vonter
@Kaiser-Eoghan - At the very least it'll be interesting to see where it goes. It happens also every time something comes back. Times change and so the way we make stories. Also the original run had a curtain call chapter, so this is more a new story.
Kaiser-Eoghan
Which is often what happens with episodic stuff for me.
Kaiser-Eoghan
I essentially read Fraken Fran until I got my fill of it.
AidanAK47
@Vonter, I feel that Franken Fran pretty much ran it's course though. Not sure what a new series could bring.
Vonter
Latest news: Franken Fran will get a new manga series. After it was cut short, it seems this little horror manga will get another chance: https://imgur.com/a/ypjtI4c
Vonter
I also read a bit ahead on Shield Hero. And I like it is character driven, but the cast isn't as big as other Isekai, like in Overlord where there are too many characters to easily keep track of what's happening (ever since it started Overlord feels like the most attached to its light novel origins).
Vonter
The monster town growing and expanding into it's own country reminded me of Digimon World. A game which you allied with Digimon to expand your town, add shops and other services. I've heard Xenoblade X was also like that.
Vonter
I watched during the weekend, the Slime Isekai. It's fine, though it lacked more conflict, the MC feels like its too powerful. Maybe this would have been great as a videogame since the concept of how this Slime evolves reminds me of the SNES game: E.V.O. The Search of Eden. It was about your character evolving through the ages and the player choosing how it adapts to it's environment.
Animosh
Also nice to see some love for LOGH in your personal lists (especially Aidan's). I guess it's too much of a niche series (a political epic in space) to score highly in the overall list, but I loved it. It retained much of what made the OVA so great while providing a much-needed update to its visuals and arguably better pacing.
Animosh
I also hadn't heard of the Kase-san OVA. Not sure whether enough can really happen in a one-hour OVA to make it worthwhile (it gives the impression of being promotional material more than a full-fledged adaptation), but I've been looking for another good yuri series after Bloom into You, so it can't hurt to give it a try.
Animosh
Nice to see Kaze ga made it on the list, even with just one cour out. I've seen most of the stuff that's won positive awards, but I've always avoided Pop Team Epic because of how silly it seemed to me. But given all the positive reviews (here and elsewhere) maybe I should give it a chance after all.
Kaiser-Eoghan
Yu-no can go fuck itself.
Kaiser-Eoghan
There's also Yuasa's new thing.
Kaiser-Eoghan
Maybe the thriller shows will be worthwhile but I'm not really as interested.
Kaiser-Eoghan
Yeah spring looks packed for me, there's also that throwback ova to riding Bean and some creature horror ova.
Kaiser-Eoghan
I notice that Index gets an annoying amount of episodes/adaptations, one of those shows that keeps going away for a while then keeps coming back.
Kaiser-Eoghan
We might get dororohedero and Vinliand saga at years end. I would like for pluto to air this year.
Kaiser-Eoghan
Definately looking forward to the josei and shoujo stuff in Spring 2019, nothing of interest for me thats on the summer 2019 list yet.
Vonter
Like you wrote, seems like it's the start for new ways to stream anime. With Crunchyroll making simulcasts and Netflix putting some anime in the spotlight considering the audience it has (and it also helps it has better dubs, at least in spanish). Finally I felt last year the criticism of fanservice got more loud, also summed with how tumblr and facebook politics are putting restrain on sex conten
SuperWooper
@Anon, Netflix is getting Watanabe's new series, Carole & Tuesday, next season. It might not have the mass appeal of Crybaby (violence and sex) or Aggretsuko (cute animals), but it ought to do well for them if they slap "FROM THE DIRECTOR OF COWBOY BEBOP" all over the Internet.
Vonter
Last year I also didn't watched a lot of drama or slice of life, which is a shame since a lot of what's listed reads like it fits those genres.
Vonter
Kind of a lukewarm year 2018 was in terms of anime series. Although I admit I watched a lot of trash as well. Most of the good stuff I watched last year was on Netflix. In terms of bad I already an issue on the list because disappointing, bad and trash are different degrees of badness.
Kaiser-Eoghan
Sorry for being so long and overdramatic, I'd normally stay quiet but I had to get my feelings out.
Kaiser-Eoghan
I don't want to say anymore about this show anymore, I know those who did watch it generally emotionally connected with it or thought it was some kind of epic, if anything I felt it was an epic ruined by being chopped down. I hated it.
Kaiser-Eoghan
Nothing seems settled on long enough and nothing registers.
Kaiser-Eoghan
As Hateable as Jomy is in the beginning, I would at least liked to have seen proper flow of plot structure allowing for some natural progression of character.
Kaiser-Eoghan
As an idea and I think if explored with more episodes/more it could be something, this also includes Keith.
Kaiser-Eoghan
The timeskip and general pacing annihilate anything that could be anything approaching reaching close to working with this series, resulting in an un-compelling cast I feel nothing for that ruins and undersells any drama which is far too overdone when it occurs.
Kaiser-Eoghan
I can't complete this, don't care if I've watched the first half.
Kaiser-Eoghan
I didn't like the couple of episodes of Terra e I watched a some years ago, unfortunately this second attempt, over halfway through the show only illustrates further just how much I utterly despise this show.
Kaiser-Eoghan
As I've said before, I do think re-watches are important, especially years later after watching a show you disliked, if only to see if you'll enjoy it on the second run, lately thats been mostly successful for me, however....
Anonymous3325300
Meanwhile, I do expect that this year will be much stronger in terms of quality. Of course, I had the same assumptions last year based on the winter shows, but I do feel like this could be a stronger year full of great shows, instead of a lot of merely "good" ones.
Anonymous3325300
I predict that Netflix this year probably won't have a Devilman/Aggretsuko-level hit in terms of new anime. Evangelion is probably all they need, even though it's an old series.
Lenlo
If anyone thought that wasn't getting on this list, they either didnt watch it or have really low standards
Kaiser-Eoghan
@Lenlo: Its so catharctic that you listed steins;gate 0 I remember how we essentially lived and watched it together.
Lenlo
I think thats what the most pleasant surprise category is supposed to be. Didnt wanna double up on to many cats
Kaiser-Eoghan
No biggest surprise category?
Kaiser-Eoghan
I can understand including bunny-senpai as a runner up, I'd have trouble picking between it and sorayori.
Lenlo
Episode 7 is so damn good, I don't care that its American.
Kaiser-Eoghan
@Aidan: How do you think I feel, I'm not far off 35.
Kaiser-Eoghan
Glad you actually made room for a movie category aswell.
Kaiser-Eoghan
Based Lenlo, cheating with American anime cartoon.
Lenlo
Im just happy I got Castlevania on this list at all
Kaiser-Eoghan
Dropped planet with, hinamatsuri and violent evergarden though, didn't see Hisone.
Kaiser-Eoghan
I probably would have replaced planet with with happy sugar life or banana fish though or yagate ga kimi.
Kaiser-Eoghan
In any case, I am glad my wife Kanna Hanazawa won an award on your list and that Devilman got featured more than once.
Kaiser-Eoghan
Ah, I though you would be splitting the voice actor category into voice actor and voice actress, though I suppose that's probably cheating a bit.
SuperWooper
You're not alone - of the four of us, I was the only one who watched it.
Kaiser-Eoghan
I must have missed ASAGAO TO KASE-SAN. Hadn't heard of it until now, I should have paid more attention.
Anonymous3324478
Oh and the music was pretty good too I guess. Another episode is airing in March.
Anonymous3324478
Masa also recovered from his car accident from a few episodes ago. It was totally unneeded in my opinion.
Anonymous3324478
The last episode of Tsurune was a decent ending to an otherwise formulaic sports show with some great animation on par for the course with KyoAni. Minato overcame his target panic and won it for the team. Twins got owned big time.
Animosh
There's a new episode out of the Gridman voice drama: https://barnnn.blogspot.com/2019/01/ssssgridman-voice-drama-episode-6n.html. It's a pretty good one too.
Animosh
My only worry is if the series will be able to get to its logical stopping point (the end of the Claw arc) in 12 episodes. But I suppose I should trust Bones over my vague memories of how much content there is left to cover.
Animosh
Yeah, I agree a split cour could be good. It would allow the series to maintain its high levels of animation, and given how stacked next season looks to be (anime aside, there's also American Gods and the Game of Thrones madness to keep up with), and with another ONE show airing, a break wouldn't be so bad.
SuperMario
Split cour of Mob Psycho would be awesome. I don't want to watch 2 ONE's adaptation in one season
Lenlo
Not for bloggin
Lenlo
While I love Mob, I am a bit happy its only 1 cour. I couldnt do 3 2 cour series
Animosh
Assuming we do get 12 episodes, a split cour would still make sense ... but I guess we'll just have to wait for the official confirmations
Animosh
As far as I can tell the only source is some guy in Twitter, so not sure how reliable it is
Vonter
@Kaiser-Eoghan - Devilman Lady is what comes to mind on how to do this type of show better. That one had also a special agency for supernatural incidents, has a simple but compelling main character, uses it's time to build atmosphere and mood and even the action while a bit stilted had better monster design and the violence it's graphic but entertaining like Robocop.
Vonter
@Kaiser-Eoghan - Ok I will check. I'm also curious where it goes in terms of tone. Because it's all over the place.
Vonter
Ok. Last time I tried the login in feature didn't respond. This time it worked.
Kaiser-Eoghan
@Anon: Keep me posted of magical girl spec ops in case it does turn into the kind of guilty pleasure shlock it should.
Kaiser-Eoghan
@Anon: Is this vonter? If you register an account you can keep the name.
Anonymous3321080
But I think what gets me the most its how it beats the dead horse of the 80s action hero arc. Van Damme, Arnold and Stallone had more or less these type of lines. Its kind of funny this anime pretends these aren't tropes we don't use anymore because of how corny they come off. It'll definitely work better as an abridged series since it can be very boring when it tries to add the school life moment
Anonymous3321080
Also Mahou Spec Ops... Is interestingly bad. It tries to be exploitative and shocking but feels very sloppy, kinda like that meme of *slow heavy metal music plays* It also wants to play it like a dark shoujo anime, but the cute monsters are just distracting.
Anonymous3321080
Reading your conversations about idols, despite being mediocre Gokudolls and Ore Mahou Shoujo made jabs at that culture. At least painting some aspects that may be true of how exploitative it is. I suppose because those are subpar, over the top and cheap is what they can do that. Can't remember one aside from Perfect Blue which criticizes that industry.
Kaiser-Eoghan
But only if there was more anime noirs.
Amagi
Reminds me of that stalin vs hitler comic. Think it was russian. They're attacking each other with magical super powers there. And yeah, I love noir now that you mention it.
Kaiser-Eoghan
@Amagi: That'd make for a great noir story.
Kaiser-Eoghan
@Amagi: Imagine Stalin and Hitler trolling each other on twitter.
Amagi
It's easy to construct superiority when you never have to show your private face and never participate in mundane chat talks or so.
Amagi
I bet a lot of people who had some aura of authority back then due to only ever appearing in books or for very rare (scripted) speeches would probably laughing stocks now if we'd see them commenting on daily stuff and news on twitter or reddit.
Amagi
I personally have given up upon having heroes. I still find a lot of historical people interesting but let's be real the few of them that weren't blatanly bad in some way were different then we imagine them to be (even if they're good). Just look how different people feel now that you see them tweeting on twitter VS policians etc decades ago.
Amagi
I like the idea of a main character longing for a dead friend and role model he had and still idolizes. Then at some point he starts reconstructing his friend's past to cherish his memories about him even more but finds out that the friends wasn't the hero he believed him to be and maybe even the own memories of him were idealized a lot over the years after his death without him even noticing.
Amagi
Yeah we are always searching for some sort of über-ich or perfect being that symbolizes the goal of some personality growth we're trying to achieve.
Kaiser-Eoghan
Or the reason why some people need to have so many things or idols they probably don't need.
Kaiser-Eoghan
I think there is a genetic/mental inadequacy in humanity that makes us susceptible to following "higher people who we forget are actually human" because of our own desire for an avatar or general inadequacy as human beings.
Amagi
Yeah this. It's probably also why they defend them so eagerly. Because it's actually true that "their" version of that person would never do that.
Kaiser-Eoghan
@Amagi: And that probably creates a much stronger blow to them when the actor is found guilty of a crime.
Kaiser-Eoghan
@Amagi: Very good response.
Amagi
It's kinda weird how almost everything we know about others is actually just interpretation to some degree.
Amagi
The weird thing is that I think that many fans of acrots/celebrities rather create their own versions of them they fall in love with rather than loving the actual person, whom they barely even know. It's fun because the concept of a waifu sounds extremely weird to normal people, but many normal people kinda do this too but with real persons (but imaginary personality).
Kaiser-Eoghan
I think thats where it starts getting obsessive or where it gets too close to the next level, such as what the anon mentioned.
Kaiser-Eoghan
I also can't bring myself to get too attached to a celebrity or to a character. I do look at hentai doujins yes but, I've probably had thoughts about certain actors or what not, but I never actually want to sleep with them, again I think that's taking fantasy too far.
Amagi
I never know if these are serious celebrations or rather some fun memes they do to post, I always assumed the latter. Kinda.
Kaiser-Eoghan
I think the fans celebrating the idol's birthday thing is taking it to far too, especially if its an anime character.
Amagi
Yeah I was never an idol fan either, and I don't just mean the idol genre in anime but anything similar to idol stuff in general, like being a fanboy/girl of some celebrity or something. Was never able to get into that.
Kaiser-Eoghan
Its all too superficial.
Kaiser-Eoghan
Don't like the ideas it gives teenage girls either .
Kaiser-Eoghan
Certain topics just set me off =<
Amagi
The third episode of Wake Up girls was pretty good in that regard. I think it was the third one.
Kaiser-Eoghan
But yes, thats a pretty bad story what happened to the woman you mentioned.
Kaiser-Eoghan
@Anon: Might be a good idea to catch some documentaries on that topic .
Kaiser-Eoghan
But that was just a sentence from some guy on a podcast though.
Kaiser-Eoghan
Now though I didn't see it, I do recall someone saying some of that Wake up girls idol anime slightly brought up seedier parts of the industry if not much.
Kaiser-Eoghan
The hallow shallowness of the idol industry I mean.
Kaiser-Eoghan
I also dislike the shallowness of it.
Kaiser-Eoghan
I love how Perfect blue takes influences from those gialli/giallo style films from the 60s/70s to an extent, while also spitting on the industry.
Kaiser-Eoghan
But you know what sucks? A part of me, both in regards to those women (and probably some of the male idols) whether it be in reality or animation, I can't actually deny finding some of these men/women actually physically attractive.
Kaiser-Eoghan
Music industry has its seediness just about everywhere and of course victim blaming going to appear everywhere, not just Japan.
Kaiser-Eoghan
*commodification-consumerist
Kaiser-Eoghan
@Anon: I hate capitalism, I hate the idol communication-commercialist industry and the willing self-aware slaves and their masters who perpetuate it, the music is largely awful aswell. I don't watch most of the idol anime, I think the idea of 30 something men throwing cash it is awful.
Anonymous3319279
Wonder if there will be some modern equivalent of Perfect Blue? That was a scathing critique of the idol industry back in the late 90s. Although given how shows that are flat out glorifying the industry are the best-selling shows on BD every year, I doubt it.
Anonymous3319279
In short, she was assaulted by two men at her home who were then arrested. Then she was pressured by her managers into claiming that she was to blame for this, not the men and apologizing to an audience.
Anonymous3319279
Hearing about what happened to some idol named Mahohon seriously makes me wonder if idol culture in Japan seriously needs an overhaul and if media needs to stop glorifying the industry so much.
Anonymous3319260
Ok. No pressure, just asking.
AidanAK47
@Anon, we are working on it. It's nearing completion and should be posted soon.
Anonymous3318799
I don't know if I missed it. But have you put the overview of 2018? Of best show, best character, etc. Did 2018 had a good anime villain?
Masky
Anyhoo, surprisingly Lovecraft's books have some really faithful manga adaptions
Masky
A story set in world post "Cthulhu"(or whatever is setting equivalent) awakening and transcending humans into "savage" inhuman world that he is supposed to bring forth
Masky
Ya know, speaking of lovecraft here is what I really want to see:
Kaiser-Eoghan
Well I guess Die Farbe and whisperer in the darkness count and the cthulu one, the latter two were done by the Lovecraft society.
Kaiser-Eoghan
The closest we got with an actual adaptation was Dreams of the witchhouse , but they left out Nyarlathotep.
Kaiser-Eoghan
Those films were fun, but none of them dated well either.
Kaiser-Eoghan
I have to seperate my knowledge of the books from Stuart Gordon and Brian yuznas films that borrow elements and titles from Lovecrafts works, once I accept their takes on him are just body horror a black comedies I can kind of accept it more.
Lenlo
I think Junji Ito's manga works have come the closest to Lovecrafts brand of horror, and we all saw how that adaptation went.
Lenlo
Yeah, Lovecraft is a hard one. Even his own books are hit or miss, because it is a very fine line for his brand of psychological horror. Would make for an interesting and unique anime if done well though
Kaiser-Eoghan
A lovecraft themed world would find some difficulty in getting the atmosphere right as he has proved difficult to adapt.
Lenlo
Ah. Yeah, a non-traditional setting like that would be good. I think Isekai, to really change it up, should start going for non-traditional settings. Sci-Fi, Lovecraft, etc. I think this was mentioned before yeah?
Kaiser-Eoghan
@Lenlo: I believe the anon was saying it in relation to making a good setting for an isekai show.
Lenlo
Its why I standby Sakaki in this that, even if he was a dick about it, he is right to be angry at how it all placed out. Just not at Kurahara.

Also @Anon, I loved Bloodborne! No idea what the convo is about, but saw it mentioned
Lenlo
They should Kaiser, I agree. Just look at American college football right now. ITs coming out all over the place, and people wonder why teams dont speak out against it. Its because they are kids, they think "This is how its SUPPOSED to be. Only the best make it. Its not the coaches fault, he makes us win". etc etc.
Kaiser-Eoghan
There is a spinoff anthology for bloom into you's manga.
Kaiser-Eoghan
Or other big issues relating to sports such as performance enhancing drugs.
Kaiser-Eoghan
Lenlo, a thought popped into my head there, more sports shows should focus on abuse.
Kaiser-Eoghan
I think flipflappers is one of my favourites in years, but it was definately at its best when it wasn't really about wrapping up its story.
Amagi
Space Dandy and Kaiba had this to some degree too. Liked both series.
Amagi
@Kaiser: Kinda sad that the latter half of Flip Flappers was rather weak because it started with this different worlds idea.
Amagi
I think Matsumoto stuff might actually be the very first anime I have seen in my life, not regularly though and usually when I was in Italy.
Kaiser-Eoghan
The noir world could be in black and white.
Kaiser-Eoghan
How about another world that has different sections that follow different genres?
Kaiser-Eoghan
@Anon: Helped greatly by his use of artistic cinematography and use of dramatic stills.
Anonymous3316528
Old anime has very bitter stories. Despite the old drawings, several had harsh live lessons. Osamu Dezaki had such a talent to direct drama.
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Winter 2019 Summary – Week 2

Welcome to the new weekly section where I will cover current season’s shows that I’m still following that haven’t been blogged by us, the leftovers so to speak. That way readers who watch these shows below can keep tabs on how we feel about them. At the moments aside from the top tiers shows we […]

Kouya no Kotobuki Hikoutai – 02 [The Wandering Six]

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Boogiepop wa Warawanai (2019) – 04 [VS The Imaginator 1]

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Kaguya-sama wa Kokurasetai – 02

WARNING: This review of Kaguya-sama wa Kokurasetai has been authored by a non-manga reader. His ignorance of future characters and plot points may limit his perspective on the series as it unfolds. Proceed with caution! Boy, is this show a treat. I know we’re only two weeks into the winter season, but Kaguya-sama is my […]

Yakusoku no Neverland – 02[131045]

Thus the story of the Promised Neverland starts in earnest now that the first episode has revealed it’s book and the nature of the orphanage is revealed. As someone aptly put it, this is like Chicken Run, the anime. It’s quite interesting seeing things from a new perspective now that the curtain has risen as […]

Kaze ga Tsuyoku Fuiteiru – 13 [And Then Start Running]

Kaze Fui returns, contending with and maybe even beating Mob Psycho for best episode of the week! We have introspection, backstory, and the team coming together to protect their emotionally stunted friend! Lets charge in! Everything about Kaze Fui this week was fantastic. From the narrative to the VA’s. But one I want to hit […]

Dororo – 2 [The Story of Bandai]

Hello and welcome to show number two for me of the new season! Dororo is an interesting one, based on a 1960’s manga, with this being its second adaptation. This week we meet another demon, learn our leads name and that not all spirits are bad. Let’s dive in! Visually, Dororo is sort of a […]

Goblin Slayer Anime Review – 60/100

The controversial nature of this shows opening episode may have many turning away from it due to believing it’s nothing but shock value but that truly isn’t what Goblin Slayer is. I will say that the manga may hold some truth to that statement but thanks to some tasteful censoring(Yes, sometimes censoring can be a […]

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Goblin Slayer Anime Review – 60/100

The controversial nature of this shows opening episode may have many turning away from it due to believing it’s nothing but shock value but that truly isn’t what Goblin Slayer is. I will say that the manga may hold some truth to that statement but thanks to some tasteful censoring(Yes, sometimes censoring can be a […]

Zombieland Saga Anime Review – 60/100

Zombieland Saga was a show that came out of the gate guns blazing, no one expected it nor did anyone predict it but it left a strong impression when it first aired it’s starting episodes. Originally considered to be another zombie apocalypse anime, it overthrew expectations by turning out to be a zombie idol anime. […]

SSSS.GRIDMAN (Fall 2018) Anime Review – 87/100

Let it be known that I’ve never been a fan of Trigger. For me, they’re one of the most style-with-no-substance studio on Earth with a tendency for god-awful fanservice, and total nonsense in terms of story and characters. Yet GRIDMAN completely caught me off guard in the first two episodes, and from there, there was […]

Thunderbolt Fantasy 2 (Fall 2018) Anime Review – 86/100

If anyone has been familiar with the first season of Thunderbolt Fantasy, you’d find yourself a lot to enjoy in this second installment. Served as a sequel, but not a direct continuation to the first, viewers don’t need the knowledge of the original in order to enjoy this ride. Thunderbolt 2 carries many trademarks that […]

Irozuku Sekai no Ashita kara (2018 Fall) Anime Review – 73/100

In the last few years, it’s great to see P.A Works has slowly created their own studio identity, putting more original works with consistent production values. Just in 2018, they produced 4 shows (quite a good number if you ask me), 3 of them were original: Maquia, Sirius the Jaeger and Irozuku. As I said, […]

Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai Anime Review – 82/100

In the wake of many a school based light novel show this may be the small bits of fresh air was can savor out of this overdone setting. Rascal does not dream of Bunny Girl(Or by its japanese title above) is a series not about rascals or bunny girls but instead about contextualising common high […]

Banana Fish Anime Review – 72/100

Some days, I wonder what it is with America and anime about organized crime. Baccano!, 91 Days, Blood Blockade Battlefront, all set in America, all involving criminal underworlds. Today, I get to add another to that list in the form of Banana Fish. Much more grounded than the others, it’s story dates all the way […]

Castlevania Season 2 Review – 73/100

According to much of the Western Anime community, this series wouldn’t be relevant for a site like this. Being made in the West by Americans, and English being its first language, many would disqualify it from the start. However I name them all fools for Castlevania, Directed by Sam Deats and Ryoichi Uchikoshi is clearly […]