Posted on 31 August 2011 with categories: Monthly Summaries

This month was an interesting one, definitely. There were unfortunately a few series who took a bit of a dip, or a bit of a wrong turn, but what charcterized the series who didn’t do that: charater development. Tons and tons of character development. Characters who one seemed one-sided gain a ton of depth, and just about every series turned out to be excellent in fleshing its cast out and giving more depth to it.

At this point, I won’t be able to tell whether or not this season really belongs among the best summer seasons we’ve had, because a lot of these series depend on their endings. The past spring will be very hard to beat in terms of awesome endings, but if there’s any season that can do it, it’s this one.

OVA Releases
#2: Carnival Phantasm – (5/10) – Okay, so I tried to watch this while not having played Fate/Stay Night. So obviously I did not enjoy watching all kinds of random references that flew over my head. Heck, I even have trouble imagining how those jokes would have worked if you DID know the meaning behind them. If you haven’t played Fate/Stay Night: don’t even bother with it. If you have though… prepare for something really silly.
#1: Milky Holmes OVA – (8/10)

This… was bizarre. It’s pretty much the same as the series, which is a good thing Its high energy just kept on going and going, with surprisingly good animation. It was incredibly cheesy, but knew it and played that for laughs, which worked nicely. My one complaint is that it was entirely fanservice. Especially turning one of the cast members into an is a very trite twist, but thankfully it was nowhere near as badly done as with series as Kore wa Zombie Desu Ka.

TV Series
#19 (20) – Sacred Seven – (7,25/10) – Sacred Seven: just take your characters, design a bunch of interesting looking monsters and just throw one monster at your characters for every single episode. That would have been more interesting than what the creators are currently doing, because the main plot of this thing is so completely and utterly boring. Apart from Arama, there really is nothing that stands out.
#18 (9) – Ao no Exorcist – (7,75/10) – Ao no Exorcist has gone off into anime original material, and I just have one major problem with that: I don’t care about the plot. It’s just not interesting. I’d rather wtach these characters interacting with each other. Satan? Who cares about Satan! Can’t the characters just all have a sleepover or something? That’s something that this show does really really well.
#17 (15) – Nurarihyon no Mago – (8/10) – I’m a bit behind on this series and haven’t watched the latest two episodes yet. This has to do with business, but also because the show is currently building up and so we’re in the middle of a training arc. I do not want to watch yet another season that’s entirely dedicated to build-up! There are hints of things getting better though: the villain looks interesting at the very least. Now, let’s not let her derail like the last one, okay?
#16 (8) – Gyakkyou Burai Kaiji – (8/10) – Aaand here is the point where this series lost my grip on it: in the end, the pachinko arc was too long. This month featured two episodes that just dragged on and kept repeating themselves. The thing is, that with so few arcs, this thing has lost its dynamic: it’s just waiting for the inevitable to happen. It’ll probably be an adrenaline fest when we get there, but Kaiji: you can also create series of 20 episodes long. It’s been done before. It’s even gonna save you some budget…
#15 (18) – Sket Dance – (8/10)

This month, Sket Dance was testing my patience, both in a good and bad way. The thing remains that it’s not as funny and dynamic as it used to. It however still is creative and is willing to try out risks. Just as I gave up on it, it pulls these strange episodes like the one entirely dedicated on bad jokes, or the double date. At first they may not seem much, but they’re surprisingly clever when you think about them afterward. I in any case want to see where the creators are going with this.

#14 (17) – Dantalian no Shoka – (8,25/10)

At first, Dantalian no Shoka seemed to have an excellent pair of main characters. Now, they’re the biggest weakness of the show, simply because they refuse to evolve. In Dalian’s case, she actually devolved. The rest of the cast, and the stories they run into are wonderfully imaginative, though. They’re incredibly far-fetched, but that’s what makes them fun and interesting. Gainax’s animation also helps.

#13 (16) – Blade – (8,25/10)

Yeah, something has to go really weird for Blade to not end up as the best Marvel series. Sure, its action isn’t as good as some of the other installments, but apart from that it has them beaten in pretty much every other category: the story takes actually interesting detours and has surprisingly engaging (albeit a bit cheesy) sideplots, the cameos are used in the best way so far, so that they actually enhance the characters playing a cameo, the characters have received much more depth than the previous ones and the bond between Blade and the people around him is much more interesting than that of the X-Men and Wolverine, and in terms of setting the characters aren’t wandering around random places, but instead are traveling all across southeast asia. Often visiting places that anime almost never (if they do it at all) touches upon.

#12 (14) – Ikoku Meiro no Croisée – (8,25/10)

Out of the slice of life series that I’m still watching, Croisee is the most overly sappy one. Because of that though, it can also get really genuine, which is an interesting trade-off. Its main selling point is its focus on cultural differences, which is really explored well. There’s a ton of interesting stuff discussed each episode, which very neatly relates back to the characters, instead of being just a kaleidoscope of random peculiar cultural differences.

#11 (10) – Usagi Drop – (8,25/10)

The interesting thing about the slice of life series this season is that they’re all excellent in totally different ways. For Usagi Drop, it’s the realism that really shines. Before I’ll fully judge this series though, I want to see how the creators are planning to end it. It won’t have the infamous trainwreck of the manga ending (which I thankfully have yet to be spoiled about) , but the anime still is going to have to tie itself together and I’m really curious how they’re gonna do that.

#10 (11) – Blood-C – (8,5/10)

It’s actually been a while since I’ve blogged such a controversial title. With that, I mean that Blood-C joins the ranks of series of which people have hugely diverging opinions. Personally, I’m at the positive side of the spectrum: I find this to be a very effective horror series with a gripping atmosphere and top notch fight choreography all around. The cast of characters admittedly aren’t the most interesting of the season, but they do really well in holding my attention and remaining plausible.

#9 (13) – Hana-Saku Iroha – (8,5/10)

The thing that sets Hana-Saku Iroha apart? Its drama. The characters themselves are… annoying to watch at times, but the drama between them is excellent to watch. It’s creative, gets some terrific development out of them, it shows new sides of them, the script is surprisingly well written when tit wants to and it weaves its various sideplots surprisingly creatively together. Because of that I find this to be a very engaging series, desipite how much the characters may get on my nerves.

#8 (6) – No.6 – (8,5/10)

Number 6 has only one problem. That didn’t change at all during the past month. It’s still wonderfully written, makes great use of its time to stuff as much plot and character development into its episodes, is really well animated, has an excellent plot and setting… but there still is no way that this one’s gonna end well.

#7 (7) – Kamisama Dolls – (8,5/10)

This still is rock solid entertainment: this month in particular upped the ante by giving the cast some depth to the main cast. Former one-sided characters actually were put in interesting situations and dilemmas, and gained a lot of depth. The storyline is also very effective and keeps making things interesting and entertaining to watch. Sure, there’s some badly placed fanservice, but that’s a minor issue.

#6 (12) – Kami-Sama no Memo-Chou – (8,5/10)

Finally in this month Kami-Sama n Memo-Chou stopped goofing off and showed one heck of a great storyline. Four episodes of undiluted awesomeness with a tight script, creative twists, excellent characters and a wonderful pacing. This is what mystery I expected from this series. It still has the JC Staff Cliches, but it executed them in a completely different manner compared to how they usually do them. Overall this finally lived up to its promise.

#5 (5) – Natsume Yuujin-Chou – (8,75/10)

There was one two episode arc and three episodic stories this month. The arc was great, but the episodic stories really stole the show here. The big advantage of the third season is that Natsume is developing like hell here. Every episode is dedicated to his growth. When you’ve also got heart-warming stories added to that, you’ve really got an amazingly charming series.

#4 (4) – Hyouge Mono – (8,75/10)

The one annoying part about Hyouge Mono this month was that it took a two-week hiatus, so we only got two episodes. What we got though, was absolutely wonderful. The acting in this series just gets better and better, and is without a doubt the best of the entire season. Just about everything is portrayed with the utmost subtlety, only to break that again with the bombastic emotions, and the cast plays excellently off each other. It’s still incredibly slow, so if you don’t have patience this really isn’t the thing for you, but for those who have it really is rewarding. But yeah, the dialogue is still incredibly complicated, so the chance that it will e picked up by subbers is very slim.

#3 (2) – Steins;Gate – (8,75/10)

Steins;Gate showed itself as the series with the best plot of the season. It’s full of intricacies of time-travel and its multi-layered plot is really starting to pay off now, and I especially like how suddenly, the first half of the series gets a completely different meaning. The least impressive part still is its characters, but they are nowhere near bad. They’re well developed, but perhaps just not as dynamic as they could have been.

#2 (1) – Tiger & Bunny – (9/10)

The plot with which Tiger&Bunny decided to go into its finale with was just awesome. Well built up, imaginative, but most importantly the characters were just awesome to watch. Just about every character shined during the past month and it’s incredibly fun to watch these people together. So yeah, it uses a plot device here and there. Who cares when it’s this awesome?

#1 (3) – Mawaru Penguin Drum – (9/10)

Now this one without a doubt stood on top of all of the other shows this month. It’s got a rock-solid direction and just keeps throwing the viewer for loops over and over. It’s chock full of red herrings and symbolism, the animation has a ton of neat details in it, the acting is absolutely wonderful, the characters all stand out and are wonderfully fun to watch. Seriously, if the other episodes are as good as this, then it’s a very strong contender for the best show of 2011.

Posted on 30 August 2011 with categories: Natsume Yuujin-Chou



Another amazing episode. At this point, things have to go really weird if the third season isn’t going to end up as better than the second one. It even has the potential to still surpass the first one. I haven’t seen an episode that beat the Hotaru episode, but apart from that the new season has just about everything running in its favor, and it has two very important things that the first season didn’t have: consistency and development.

Natume’s development really is THE major selling point of this third season. And heck, this episode added even more of it. I mean, the power of friendship is cheesy and all, but this show completely nailed it. Natsume’s concerns for his friends, and their concerns for him were incredibly heart-warming. It’s a wonderful way to show how much the cast has grown since the start of the series: back in the first season, the characters were still way too distant for this episode to have happened.

School festival episodes are overused, but thankfully not the biggest cliches out there. Those go to the hot spring episode, the beach episode and the pool episode, simply because everybody always does the bloody same there. Of course there are the bad festival episodes that are just there to waste time, but the good ones manage to show the cast in a different light, allow the characters to show themselves off, or highlight development. The best ones re the ones who want to make points that could not have been made without the choice to go with a school festival (so, no cheesy “let’s wait until the festival to confess to each other or something). Here, so much stuff gets thrown at Natsume, and he finally gets the chance to show himself off in the center of the attention by being the store clerk. The festival was a perfect chance for that.
Rating: *** (Awesome)

Posted on 29 August 2011 with categories: Hana-Saku Iroha



Um… people; I just realized something: 1.

That’s the number of currently airing series where both parents of the main characters are still alive. Usagi Drop is the freaking ONLY one who has confirmed that! With Hana Saku Iroha we could thus far still dream that Ohana’s father was some horrible bastard who left his girlfriend as soon as he got her pregnant. What happened to the days of Noein, where parents could simply get… divorced or something? The best thing we can hope for at this point is for Sket Dance’s Yusuke’s father to be a raging workaholic who is never at home or something.

Having said that though: I loved this episode, for a lot of different reasons. First of all: the creators did not wait until the last episode to resolve the Tohru subplot. Tohru now knows about Minko’s crush on him, he won’t be misinterpreting hints from her anymore, and with Ohana totally uninterested in him, it will be a matter of time before his crush on her fades.It’s nice to see all of this happen gradually, but more importantly: the creators had other plans for the climax. Plans that indeed involve dissolving the Kissuiso, allowing everyone to go their own way. It’s the best way for everyone to really shine, and to pack in a ton of character development for everyone. I applaud the creators for going that route!

The characterization for the wedding also was wonderful, making this a really heart-warming episode. Enishi and Takako really came together as a couple here, and the subtle details, like them holding hands were nicely animated as well. Ooh, and Ohana’s mother has finally returned! Next episode she seems to be making an even bigger appearance, which is going to make that finale even more awesome.
Rating: ** (Excellent)

Posted on with categories: Ikoku Meiro no Croisée



Now, don’t get me wrong, this episode was wonderful. However, it did feature the big one; the cliche of cliches: the childhood friends. Instead of having Claude and Camille dating at their fifteenth or sixteenth, the creators consciously chose to show a romance between young kids of around ten years old. Here it makes sense: the theme of this episode would not have worked with older characters, but this is really something that lazy anime just keep using over an dover again.

This is something that has always baffled me about Japanese culture: how serious they view the romance between children. Instead of just playing tag, with everyone going his own way afterwards, anime seem to place a huge value on the memories they made as a kid. Instead of looking back at those childhood romances as an adorable quirk, every anime seems to believe those memories will decide your fate for your entire life. With this episode I was originally planning to question the Japanese culture again, only we’re talking about French kids here. But then again, I’m not French either. Are the French obsessed over childhood romances as well?

Anyway, the reason why I consider it to be such a bad twist is because it’s forced and overused. The big problem being the former, and the latter is the thing that made it worse. Nine times out of ten, when a childhood friend becomes involved, this is just reduced to a flashback, and a cheap excuse to get the main couple dating. It’s like saying: “I’m too bland for you, but we used to play tag together!” – and anime just keeps using that as an excuse.

In this episode things are different, though. It definitely had its purpose; this is a series about cultural differences. Not just between the French and the Japanese, but also between generations and between social classes. The childhood romance wasn’t used as a cheap romance, but instead to give Claude and Camille even more character. It added a ton of things to both the cast and the setting, on top of being adorably executed. And seeing Claude’s father was a plus too.

Here’s the thing with this show: it’s forcing me to reconsider the stereotypes I have in my mind about anime cliches. It’s not like Ao no Exorcist, which just has a bunch of cliches and executes them well, no this is really thought-provoking and it’s forcing me to take a different look at things I took for granted. Now that’s great storytelling.

Also, the tea ceremonies immediately gave me flashbacks to Hyouge Mono. I can not watch those anymore without picturing these overly obsessive faces along with it. It was quite good though: again it was a neat way to show how different something simple like tea can be. Plus, the way in which the Japanese sit. Because the bodies of Asians are slightly different from Europeans, they can sit like that much more naturally. I find it particularly murderous for my legs when I’m forced to sit like that for more than ten minutes.
Rating: ** (Excellent)

Posted on with categories: Ao no Exorcist



The problem with the fillers is that they derail certain characters at times. This time the most obvious was once again Yukio, but Mephisto also acted weird and inconsequential. First this guy gets all serious, and after a really random intervention from the Vatican that he could have stopped easily, he just walks away, abandoning his students that are held hostage. Make up your mind, will ya?

But yeah, Yukio: I still am not buying his subplot. It’s annoying and just feels forced. Like the Konekomaru arc, he’s overreacting way too much and just keeps on angsting about having to protect his brother. That’s just not interesting and gets annoying really fast. It’s not the kind of subplot you’d hold secret for the viewer, especially since they’re being so un-subtle about it.

The rest of this episode had the right spirit, though. Rin’s classmates have been handled quite well in this original story, and this episode solved the biggest barrier between him and them: Rin’s flames. He may have learned to control them a bit too sudden (isn’t it more logical if you gain control of flames like that gradually over time?) and that teacher also was surprisingly interesting. Again pulling his wife in was a bit cliched, but there definitely is more potential in him now than Satan.

Also, why does Yukio shoot with tranquilizers? I mean, with Rin I can understand and all, but against monsters who threaten the lives of his friends. Dude, get a bazooka or something. Anything better than those “it may look like I’m carrying a lethal weapon, but THOU SHALT NOT KILL, KIDS!”-phony weapons.
Rating: (Enjoyable)

Posted on 28 August 2011 with categories: Kami-Sama no Memo-Chou



Yup, now that this arc has officially finished, I can say that it’s the best arc of Kami-Sama no Memo-Chou so far. The two extra episodes really did it, and allowed this series to really create a surprisingly interesting story with some very creative twists. Oh, and Narumi… he actually popped up as a very good leader; that’s not something that many of his counterparts can boast here.

So I have been rather busy lately, so I don’t have as much time as I’d like to really speculate what’s going on. Because of that the truth behind the mystery really came out of left field for me, and that made it all the more satisfying. I love how nearly all makes sense with the build-up that these past four episodes have put into it.

the only thing that I’m a bit iffy about is the Fourth’s reasons for keeping silent. I mean, I understand them, but Renji was willing to destroy everything he built up, which basically involved him putting the lives of everyone loyal to him on the line. Was that really worth it for a simple pride issue? The only thing I can think of is that he didn’t expect Renji to go as far as he did.

I really wonder: can the final four episodes top this? It al depends on what kind of material they’re gonna adapt. The thing is: I do not think that this will get a second season. The thing with JC Staff is that they in general are very loyal with their series… and yet Aoi Hana did not get a sequel (this has been confirmed: disappointing sales were the reasons). Based on recent years this was about the only series of theirs that really left with an open end and that did not get a sequel along the way… but then Uragiri and Yumekui Merry came around, both with disappointing sales. In the same way, I really can’t see Kami-Sama no Memo-Chou’s sales to turn out good. It does have the typical JC staff tropes, but it executes them in a completely different way from usual, to the point where there’s hardly any cliched moe left at this point. Even Alice’s antics are nothing like her counterparts (we can thank her excellent voice acting for that; I shiver at the thought of them putting Rie Kugimiya on the job again…). The problem is that this is just all speculation, of course. It’s gonna take years before we fully know whether this is true.
Rating: ** (Excellent)

Posted on with categories: Tiger & Bunny



Um yeah. That’s possible too. I really kept wondering on how the creators would end up solving the memory alterations of Maverick. The previous episode built up an epic plan to do that, and it really looked like Tiger was going to have to try his best to both convince everyone, while not being too cheesy at the same time. Or just wait for Kaede to show up and zap everyone back.

It’s a bit weird at first, but as the episode went on I really appreciated what a great anti-climax this was. After all, this episode did avoid exactly what I was afraid of: cheesy monologues for every single one of the side characters. Instead, Tiger’s attempts were shown to have some subtle influences, but they just weren’t enough for the team mentality of the heroes who worked together. In the meantime, Sky High’s brilliant action of touching Kaede on the shoulder still leaves the perfect opportunity for Kotetsu to really scrape the barrel in trying to get the memories of his friend back: for a lot of different characters, this indeed would have been rather weird.

Added to that was that the characters were just incredibly enjoyable throughout the entire episode. Just about everyone shined and was fun to watch. The cast of Tiger & Bunny really has what I’d like to call the X-Factor for me: it’s hard to describe, but beyond well developed and acted, they put in this extra bit to make them even more interesting, and make them consistently enjoyable, even when they’re not doing anything. For me, this is one of the greatest heights a cast can reach. This series has had episodes that hinted to that very much in the past, but this episode sealed the deal.
Rating: *** (Awesome)

Posted on 26 August 2011 with categories: Hyouge Mono



Finally, after two weeks we’ve got more Hyouge Mono again. While the wait was terribly long, it did make me realize again how special this series is, and how this series just does not care about how many conventions it screws.

The details in the animation once again were sublime. This series may not have a big budget or anything, but the animation when Hideyoshi performed that dance was just amazingly smooth and powerful. On top of that, the amount of detail this series puts in its characters’ facial expressions still is completely un-rivaled. This makes it able to bring its characters alive in such a unique manner.

Even though this was a lot of building up, it’s still a ton of fun to watch Sasuke build up his own… um… “empire”, while at the same time, the focus is really starting to shift towards Toyotomi Hideyoshi, who after Oda Nobunaga rose up to try and unite Japan. I really wonder how this series is planning to use its length. It seems the most logical point to end would be where Tokugawa Ieyasu manages to unite japan successfully. It’s just… how will Hideyoshi and Sasuke play their parts in this? I mean, according to History the hostilities between the Hashiba and Tokugawa clans will end with Toyotomi Hideyoshi’s influence. At this point, I can still so many barriers before that’s gonna happen.
Rating: ** (Excellenty)

Posted on with categories: Blood-C



At first sight it may seem that Clamp are just reusing the same things, though they’ve actually succeeded quite well by now in building their own universe. The wish in this episode was the best example of that so far for this series: it’s of the same type of wish as with xxxHolic, Tsubasa Chronicle and Kobato, but instead of just being the same, they strengthen each other and are all different ways to look at the same concept. This episode is all about the nature of wishes: is this one going to be a good or a bad one?

This again was a very powerful episode, as it revealed that Saya’s father had pretty much been deceiving her. It’s also where the build-up of the earlier episodes comes into play again, and nothing really turn out what they seemed to be. If the earlier episodes would have immediately stated this, this revelation would not have been as powerful.

On the animation front, it is a bit of a shame that the creators couldn’t hold on to the amazingly fluent animation of the first few episodes; probably due to budget issues, but I’m glad to see that they’re still trying. Especially when that giant swordsman attacked: you could actually see him put his weight into his blows (Saya really needed her supernatural strength in order to be able to defend from forces like that!), and he really felt like he made an impact on the scenery whenever he went, destroying just about everything he stepped on, rather than just leaving giant foot-prints like a lot of other shows like to do. The attention to detail still is abundant.

Also, and this is something I just realized while up this entry… we have a dog who is the owner of a shop who sells wishes… voiced by Jun Fukuyama. Could it be? I’m getting some serious Kobato flashbacks here.
Rating: ** (Excellent)

Posted on with categories: Mawaru Penguin Drum



WTF, Penguin Drum. Just… wtf…

The first half of this episode was predictable enough. Heck, it was even so predictable that I was ready to label it as the least interesting episode of Penguin Drum so far. That actress is shrewd, and this episode pretty much was dedicated to showing the announcement of her engagement with Tabuki for its first half, with the most worthwhile parts being the references to classic shoujo. Ringo still didn’t really do anything worthwhile to stop it and was about to give up, so probably she shouldn’t have any more need for the diary, which would pretty much allow Shouma to take it. Or at least, that’s what I thought would happen.

Then came the toad scene. What the hell were the creators smoking when they came up with that one?

Ringo in this episode…. got completely deranged. I knew she was a bit weird, but this episode just made her outright crazy. And I don’t mean in the way that anime usually portrays crazy people, with lots of yelling and over the top laughing and stuff. Instead her plans to outright rape her teacher completely took me out of left field. I knew that this series had balls, but I did not expect them to be this big. This looks like it’s full of romantic cliches, and then it just keeps subverting the hell out of them.
Rating: *** (Awesome)

CHANGE USERNAME
AidanAK47
I have played all the big roguelikes and found they have the same problem. I argee on procedural generation. Even if the map is different every time you are essentailly going through the same rooms and doing the same things.
Masky
Though to be honest, I don't like procedural(or designed room and then game connects them randomly) games much. I much enjoy hand designed dungeons since I rarely play games through more than once anyway so roguelike's appeal of "Every time you play it through its different!" doesn't appeal to me much and hand designed dungeons are much more memorable
Masky
Can't really comment further on that since I don't know which roguelikes you have played, and neither I have played gungeon so I don't know if its badly designed to the point you can't do anything if rng says so. Though I guess there is nothing wrong about liking luck based games, if roguelike in question is truly unbeatable if rng says so, well, its really badly designed one if you ask me.
AidanAK47
Take my last run. Made it up to the fourth floor. Got plenty of guns but none were really useful. Even then ran out of ammo for all of them and the game was cheap about giving out ammo. Plenty of money but shops with nothing worth buying. Over 5 heart containers but no goddamn health. Died on the boss because I rolled out of a bullet into another bullet. Pretty much unavoidable.
AidanAK47
@Masky, that's the theory but in pretty much every roguelike I played its not the case. If the RNG decides you are going to have a bad time then you are going to have a bad time. Skill can only bring you so far. I have played this game for 7 hours and I know I could have finished it in 2. Only thing stopping me is a dice roll.
Masky
Like, the thing with roguelikes is that they can get easier/harder depending on luck, but well done one should be completable even without any upgrades at all if you are skilled enough.
Masky
Thats not the really case with roguelikes though, unless game design is bad and includes insta kill traps and such that are unavoidable if you are unlucky
AidanAK47
I hate roguelikes. Been playing enter the Gungeon and I just lost all patience with it. Getting real tired of my victory being decided by a RNG. It never feels satisfying to finish a roguelike because I know my victory was determined by pure luck.
AidanAK47
So we got to rely on fansubs for it when it's airing.
AidanAK47
@Mario, Nope. I think because netflix only puts up full seasons they are only planning to put it up when it's finished airing. Or when it's dubbed.
SuperMario
But how does the Netflix thing work? So of I have a Netflix account I can watch the show weekly?
SuperMario
@Aidan: that's a dumb way to do things really because unless you watch the show weekly, everyone gonna forget that it even exist. Just look at Re-Life last year
Lenlo
thought*. Words are hard.

Eventually found the actual first ep though and enjoyed it.
Lenlo
Was funny. I tried to find the first Ep for Little Witch, found original short made afew years ago, watched it and though "This is very similar to the original... Whats new".
AidanAK47
Little witch is one of the best shows this season and yet I can't get subtitles because Netflix doesn't release shows weekly. Motherf*cker.
Lenlo
Ore Monogatari I enjoyed. It was a nice romance that actually explored what happens after the confession. Also the 2 leads are just precious.
Lenlo
Alright but unmemorable seems like a good summation.
SuperMario
@Lenlo: one good thing about Seiren is if you don't like this romance, the whole thing gonna reset after episode 4 so there's a chance that you might end up like it. Agreed that the comedy wasn't very good. Alright but unmemorable
SuperMario
@Topgavin: I watched like first 3 episodes and stopped because I didn't have much time there, but I enjoyed what I saw. A well-written and endearing show in my book
Topgavin
Has anyone here watched Ore Monogatari before? Because in the 4 years I've watched anime, I've never heard of it (I guess it did come out 2 years ago) and yet it's turning out to be one of my favorite shows. Always great going into a show expecting nothing and getting pleasantly surprised.
AidanAK47
Only one more impression to go. Should have it up tomorrow.
Lenlo
Im really not feeling Seiren. Its "comedy" isnt for me and I just dont find it very enjoyable to watch so far. Im curious if it gets any better but 2 episodes in it just isnt that good.
HelghastKillzone
That ending scene is an entire side-story compressed into that. Don't expect anymore of it from here on out as the it sticks to ruthless military/fantasy pretty well.
LookingForKeys
@Topgavin I think it was good, making it the second episode. That way the first set up the world the story will be in, and showed how much of a monster the "little girl" really is right at the end, and then made ep.2 the explanation. Nothing against Tanya trying to rip "God" a new one.
That after-credits scene, though...
SuperMario
Hmm, as much as I like Seiren's omnibus format, it doesn't turn out really hot this second episode. Demi-chan, on the other hand, still maintains its endearing tone. Might blogging Demi-chan instead
Topgavin
Yeah, that second episode was much better than the first. Dunno why they didn't start with that to be honest, waste of an opportunity for a good hook episode. The voice for the main girl still sounds weird to me though; I get it's supposed to sound weird because it symbolizes 'her' being out of place and her personality and body being a mismatch, but it'll certainly take some getting used to.
AidanAK47
Youjo Senki, now we are talking. Like Helghast said, Did the god scene way better than the LN and manga. Made it less comedic and more intimidating.
Lenlo
Oh man that Rakugo intro. Not sure what to think, but first time seeing it I liked it
Kaiser Eoghan
I sort of like good will hunting because I kind of saw a bit of myself in Damon's character when I watched it ages ago.
Kaiser Eoghan
@Mario: Remaking psycho and ruining the shower scene, for shame van sant, for shame.
Kaiser Eoghan
Its easy to ripoff some obscure thing though and get away with it. The dogtooth director essentially stole an old Mexican film to make that.
SuperMario
@Kaiser: yeah, that following some guys from behind like they were on a RPG games, which I think actually fit with the tones of Elephant. I have such mixed feeling with Gus van Sant too. Don't really think he's a great director.
Kaiser Eoghan
@Mario: Although Istvan Szabo is probably a little more well known for that Mephisto film that updates the Faust story. Zoltan Fabri's the fifth seal is a very thought provoking war movie.
Kaiser Eoghan
@Mario: I remember seeing a film documentary that featured Gus van sant in one section, they showed clips of tarrs films, Sant ripped of the cinematography and stole the style from some British short film to make Elephant.
SuperMario
@Kaiser: agree on the other Hungarian filmmakers, I don't know much about them either.
Kaiser Eoghan
@Mario: Scorsese's Silence was a big comeback. I really really emotionally connect with spiritual crisis stories.
SuperMario
@kaiser: yep, definitely check wreckmeister down. Althought I admit that watching his 2-hour plus films will feel like 5-hour anyways
Kaiser Eoghan
@Mario: I'm more tolerant of darker teenage/coming of age films/stories. Les Demons was a big surprise.
Kaiser Eoghan
@Mario: Though its kind of frustrating, I do think Tarr probably takes attention away from other hungarian filmakers because no-body knows who the hell the others are.
Kaiser Eoghan
@Mario: Man, wreckmeister was so visually arresting I started getting dreams from it.
Kaiser Eoghan
@Mario: I would consider Tarr to be kind of a poor mans Janco, Angelopolus and Tarkvosky rolled into one. I don't entirely "get" wreckmeister and man from London but they are great atmospheric mood piece experiences.
SuperMario
@Kaiser: I had been wanting to watch Belar Tarr's Turin Horse and Werckmeister Harmonies for so long now. Well, Fat Girl is shocking haha, but I'm normally drawn into those kind of films anyway.
SuperMario
@Kaiser: Margaret took like 5,6 years to release because he couldn't cut it down in the way he wanted. The final cut if I remembered correctly was edited by Martin Scorsese
Kaiser Eoghan
@Mario: Only a HDcam for moonlight now.
Kaiser Eoghan
I looks like my lineup is witch academia, rakugo and youjo senki, well the most latter one until I get bored.
Kaiser Eoghan
@Mario: I sense a directors cut for manchester, it feels like it need another 30 minutes.
SuperMario
@Kaiser: right up my valley. Watch Kenneth Lonergan's previous works Magaret and You Can Count on Me. Magaret is very messy but have a raw dialogue and interactions as well
SuperMario
Now the first episodes are over, I will keep on covering 3-gatsu, as for the other twos atm I have 3 options: 1) full romance/anti-romance high school Seiren/Scum's Wish. 2) slice-of-life moe monster girls Demi-chan/Maid Dragon and 3) Mature,dark Onihen/Acca (which although I like them I don't have much to talk about).If you guys have any preference on which shows you like covered then let me know
Kaiser Eoghan
@Helghast: At this point I'm watching youjo senki as an entertaining guilty pleasure.
Kaiser Eoghan
@Mario: Too many reboots upcoming, will wait for the dvds instead. I want to explore more of manchester by the sea's director's work. I also want to finally get more into Bela Tarr's stuff.
Kaiser Eoghan
@Mario: I was rather shocked by A Ma souer/fat girls final act. Scenes with the Italian in the bedroom were initially creepy.
SuperMario
@Kaiser: it's a nice review Kaiser, a bit jealous with you that you've seen those 3 films which are touted as the best films of 2016. Also Fat Girl, haha, I love that movie.
Kaiser Eoghan
Poor yotaro =< you have so much stuff going down on you =<
HelghastKillzone
Youjo Senki episode was so good today. That revamped scene with God just fitted so right.
AidanAK47
A official release of that game in the west is apparently coming but it's been a few years and not much news about it.
Kaiser Eoghan
@Aidan: Ah yes that was the one.
AidanAK47
@Kaiser, Had to think for a moment on that one but I think I was talking about this. https://vndb.org/v3144
Kaiser Eoghan
Now I'd hardly consider myself a studio trigger fan, but I watched the first witch academia episode there, it was actually kind of fun, got the same reaction from me as flipflappers did, that magical, special feeling.
Kaiser Eoghan
@Mario: I also, of interest reviewed Kenneth Lonegrans new film: http://letterboxd.com/shao_liu_ringon/film/manchester-by-the-sea/
Kaiser Eoghan
@Mario: Moonlight got some feels out of me though it could of been more, it ends abruptly and with 20 extra minutes they could have spent a bit more time on each section of his life.
Kaiser Eoghan
@Mario: I checked out lala land, ending was very well executed, one of three scenes in the film that were impressive visually. The whole thing looked pretty and Gosling and Stone had some decent chemistry. Although it didn't resonate emotionally as strongly as the musicals of Jacques Demi did.
Kaiser Eoghan
MOM I want aiyoku no eustia and I want it now.
Kaiser Eoghan
I've never heard of himawari or tokyo babel. The hellsing comparison at least interests me in dies irae. What was the name of that visual novel again that was coming out soon, Aidan you described it as "And Kaiser would love it because its supposed to be really fucked up".
Kaiser Eoghan
I vaguely remember the anime for 11 eyes, it was very forgettable, even the voice acting was poor, hated the childhood friends and the pacing was poor, those black knight things were kind of interesting though.
Kaiser Eoghan
@Aidan: You'll have to add me onto the list of those unsatisfied with the ever 17 writer, I read one of those games and felt it was a bunch of interesting bait that never paid off.
AidanAK47
Anyway I plan on doing a review of 11eyes here when I finish it.
AidanAK47
Can't say I was a fan of Ever17. That was a really good twist but when it came to explaining it their was a lot of contrived development. Generally not a fan of the writer. Looseboy, Ryukishi, Gen and Nasu are more my kinda thing
AidanAK47
@Anon, it is nice that so many VNs are on steam but I wish they wouldn't be stupid with the whole no adult content thing. Not so much for myself but to prevent idiots from writing negitives reviews because the game doesn't have sex. VNs can grip you in a way anime simply can't and while they require pathence and time those can be some pretty powerful stories.
Anonymous678956
@Aidan, I am so happy steam's so VN-friendly now. I think it's a very good type of media. Like anime, it has nice visuals, music and some movement but also the inner monologue and text amount of books. It's the perfect combination. Plus, the routes, which are often puzzle pieces and PoVs you have to go through to understand the whole story. True routes like the one of Ever17 blew my mind.
AidanAK47
Hopefully the two VNs I bought of steam turn out better. Tokyo Babel is supposed to be alright and I heard really good things about Himawari.
AidanAK47
I am about a third of the way through the game and really not much of worth has happened. The concept is interesting but the execution is sorely lacking.
AidanAK47
I went in expecting it to be a mixed bag and it's pretty below my expectations. It's just not really well written and the protagonist is a moron. THere isn't really routes and instead you are pretty much stuck with his childhood friend as the main love interest. Problem with that is her character begins and ends with loving the main.
Anonymous675376
@Aidan, damn. 11Eyes is on my reading list as well. Although I almost expected it to not be as good as I thought it'd be (back then). Guess I would have enjoyed it if I was able to read it while the (shitty) adaption aired, maybe I have seen/read too many series by now. Guess I'll still give it a try some day though.
AidanAK47
@Anon, I haven't heard the OST or watched the intro video. I only know it be reputation and have decided to walk into it as blind as I can. Still slightly worried as I was somewhat looking forward to reading 11Eyes for a couple of years and now that I am reading it it's well...not good.
Anonymous675376
@Aidan, same here. I was waiting years for this, since I saw the intro video for the first time. Also, that OST!
HelghastKillzone
Youjo Senki is already leagues better than Izetta. It's going to be top anime of forever and ever. (maybe not)
AidanAK47
And finally Dies Irae is funded. May actually be able to play and finish the game before the anime airs. If the hype is real behind this baby it could be a new personal favorite Visual Novel of mine. Already looking promising with it being like a cross between Hellsing and Fate/Stay Night. Two things I most certainly like.
Lenlo
@Masky, in regards to style over substance thats where im at with Gurrne Lagann.
Topgavin
Yeah, I'll probably watch the next episode to see whether it can redeem itself. Hopefully it can but considering 1st episodes usually get a lot of budget, there's some severe doubt in there.
AidanAK47
I actually argee with character designs and voices are bad in regards to female characters. Still the next episode might change your mind if we get more into the main characters head.
Anonymous671470
It's boring
Topgavin
Also, it seems I disagree with a lot of people in thinking Youjo Senki will be a massive trainwreck. The character designs are awful, the voice acting is mismatched but most of all the premise just seems so very dumb. If I wanted to watch a badass kill people I'd go watch Hellsing or Drifters, because at least those don't have some op, disproportionate loli as the mc.
AidanAK47
Gets even more complicated when you account for Satire and Parody. You could equally argue all examples listed as being as such.
AidanAK47
Little Witch Academia is a decontruction of Harry Potter....I don't believe that but honestly if I tried I could put some reasoning behind that statement.
Topgavin
In the end, it always comes down to opinion (as with every discussion about anime, for some reason). You could spin any and every series as a "deconstruction", which is why people shy away from using the word. You could argue NGE, Madoka and Re:Zero are all deconstructions yet also argue Gundam, Precure and SAO are depending on what points you weigh more importantly.
Masky
Like, if deconstruction is supposed to be just "break the elements and then play story how it would realistically go down" well I haven't watched NGE, but as far as I know it does have stuff that isn't typical to mecha genre besides the "It would fuck up kids" thing plus "realistically how it would play out" is pretty subjective thing. I mean, its mainly about how cynical bastard the writer is :P
Masky
Like I said, I don't fully agree with it because I find video's speaker's attitude annoying, but I found it semi convincing. Main thing I don't find convincing about it is that I don't think its hard to turn video's own arguments agaisnt it and say that by its own logic NGE isn't deconstruction either, like Aidan just said earlier
Masky
And I don't really have energy for checking out the "correct" one. If there even is one. Anyway, the hipster video I was talking about was titled "What Actually Is A Deconstruction?" if you want to check it out.
Masky
Hmm, well, it does depend on definition you use. Like if you use "realistic" thing, well, Magical Girl shows don't usually have "You turn into monsters" thing going on and reason why NGE's pilots go crazy is from dangerous situations rather than evas making them do so. But honestly, I don't really have strong opinion on matter since word seems to be one of those with several different meaning
SuperMario
for me Madoka IS a deconstruction of Magical girl, and yeah like what Aidan said
SuperMario
I think part of Utena is a deconstruction of "prince riding horse and save the girl" because that notion is just a foundation for Utena to become a prince herself and save other girl. That's breaking it apart and resemble it again in its own way. Don't have to be dark/ don't have to be real either
AidanAK47
@Masky, That's just debating semantics. Besides that difinition would pretty much mean that Neon Genesis Evangelion isn't a decontruction either. Madoka isn't a decontruction because it's dark. It's more in its aspects of criticising why a girl should throw her ordinary life away for something as dangerous as being a magical girl. It does take plenty of the typical tropes and turn them on its head
SuperMario
@Masky: Genre deconstruction is such a tricky word that I normally try to avoid using because there's really no set characteristic about the term and different people have different opinions about what constitute "deconstruction". For me, I disagree that deconstruction have to be dark and real, hmm can't say it well but I will give you an example:
Masky
But yeah, I guess I could try to find the video if you guys are interested, though like I said, I got hipsterish feel from the video and felt rather annoyed through it even though I did get what the point was and found it sort of convincing besides my annoyance
Masky
(not that liking NGE is hipsterish, its just that I find NGE to be more style than substance sort of series <_< Anyway, guy didn't dislike madoka or anything, he just seemed to dislike people using word deconstruction wrong in his opinion)
Masky
(especially with how much they seemed to praise Neon Genesis Evangelion)
Masky
I mean, I think the guy was being somewhat hipsterish, but its true the being darker take on genre isn't same as deconstructing the genre
Masky
@AidanAK47: Some other guy on youtube did video that had actually pretty good point about how Madoka isn't really deconstruction, if you go by definition of "Break it down to parts and then play them straight to show how horrifying it would be in real life"
Anonymous670441
Gente - Ristorante no Hitobito
Kaiser Eoghan
If anything its the hate I have for certain characters that makes it more effective.
Kaiser Eoghan
The obsessional level of attachment is just uncomfortable to me, I don't want to get THAT attached to a non-real character.
Kaiser Eoghan
Its literally just a case of "Okay lets look at this picture of this character, she looks interesting, no feelings or expression from me, apply this fetish, fap, get release, go home. "
Kaiser Eoghan
Or drooling/dribbling/heavy breathing/grinning over the characters. I abhor alot of the anime girls I find attractive or am indifferent, even when looking at ecchi/hentai drawings I'm straight and clinical with it.
Kaiser Eoghan
I mean to each their own. But I really hate the level of emotion/devotion to moe/finding the characters attractive. Such as celebrating their birthdays, going on about how cute/hot they are, how important it is that they're virgins. Or not being being self-aware of how irritating the characters are.
Lenlo
Anime hipster is pretty accurate. His general treatment of the current state of anime is annoying, as is his obsession with moe. Maybe its cause I cant stand moe most of the time, but it bugs me.
Kaiser Eoghan
@Lenlo: Essentially my brothers view on digibro.
Kaiser Eoghan
@Aidan: I don't usually feel the need to correct errors in your reviews as the errors are generally un-important, but I think you meant to say apprentices rather than appearences in the Rakugo review, just bringing that up as it felt like kind of a throw off.
AidanAK47
Which is kinda like saying Madoka wasn't a magical girl deconstruction because Sailor Moon and Nanoha had dark elements too.
AidanAK47
Went and read the reddit comments on it and seems I was right on the money.
AidanAK47
@Lenlo, He's basically a anime hipster. For example, I saw a thumbnail of his which had Saitama on it and below it "Is There Meaning In "Subverting" Shounen Tropes?" and I thought "Okay, he's going to go on about how OPM isn't subversive and then list a bunch of arbitrary examples in an attempt to redefine what is actually subversive"
Lenlo
I have lots of issues with Digibro. Dude has some good points, but other very horrible ones. Some issues he feels strongly about and gets kinda biased on imo.
Anonymous669202
acca looks visually interesting, and I personally really dig this kind of show, but it seems that it's definitely not for everyone
AidanAK47
Time to live up to my word. Four posts incoming.
AidanAK47
Man, Little witch Academia was so good. I disagree with the whole Digibro thing about being able to recognise a great show in it's first episode but watching this makes me think that this really is going to be something special.
AidanAK47
Alright, gonna put in effort today and have 3 or 4 first impressions posts done. That should knock out near half the season.
Kaiser Eoghan
Had a flip through handshakers. Garish is the word I'd use to describe it visually, it takes you out of the show.
Topgavin
ASuperMario From the first minute I can already tell it's by the same people that made K. Those colour filters and the extremely jarring/obvious city CGI is unmistakable.
SuperMario
Hand Shakers, literally makes my hands shaking. It's an abosolute mess. Highly recommended to check it out because it's so terrible it's great to watch
Vonter212
Yeah, and it's also a literal woman in refrigerator plot device, since that the thing that pushes the story forward.
Masky
I'd say that having to hide your sister's body in fridge would count as daaaaaaark and edgy, but when the body is wearing only underwear, and for some reason main character put metal things in fridge to keep body standing(I guess to not knock fridge open from inside?) I think it goes to "exploitation" you are talking about
Vonter212
@Masky - Did someone said doing dark things for drama? That's the bread and butter to get despair. Unless it's for the sake of perversion. Then it's just exploitation.
Kaiser Eoghan
@Masky: His other works dead tube and scumbag go further in the unhinged regard.
Masky
*relies on easy "let's do [x dark thing] for drama!" thing
Masky
Geez, Mayonaka no X Giten is fricking disturbing/disgusting ._. I'm pretty sure that writing relies on e, but I can't help but think mangaka is trying to make corpses sexy.
SuperMario
I found Onihei to be quite good, actually one of the most solid new episode I watched this new season. Guys, check them out
Vonter
I just hope it doesn't fall into the same misstep Kabaneri or Inuyasha or Bleach fall by making a villain so over the top that it crossed the line of not having a satisfying downfall.
Anonymous657941
@Vonter I think they just moved on. I lost interest rather quickly and I guess even the fans did that at some point, like with some other long-running series. There is much more new and more direct "fujo" stuff out there, many of them probably switched. Don't know what happens in the manga but maybe the story got worse or contained things some people didn't like.
Vonter
January will be loli dictator month (for me) :p. World Conquest Zvezda Plot, Youjo Senki: Saga of Tanya the Evil (new), Seraph of the End. For some reason I stumble into three curious series with little power hungry girls. If I can ask, why did Owari Seraph's hype died, I remember back it was mentioned more often. It still has the fujoshi fanart but still, I don't see people bringing it up.
SuperMario
@CATski: well, if you didn't like its first 3 episodes I dont think the rest gonna change your mind. Have you finished Erased then? How did you like it?
SuperMario
But I understand it's difficult to speak in front of camera, get some time to get used to it
SuperMario
@kaiser: I won't commend on poem as I'm terrible at it myself but younneed to work more on presentation Kaiser. Small little things like looking directly at the camera or say "thanks for listening" in the end can connect you to the audience better
Anonymous657071
Ok. I'll give the thing another chance. *clicks torrent* XD. CATski.
Kaiser Eoghan
@Topgavin: You might like centaur no nanami if you like demi-chan.
Kaiser Eoghan
Damn...repeated myself =<
Kaiser Eoghan
There are these things called slam sessions done in bars where people get up and read out stuff in front of a crowd and read stuff out. Actually watching rakugo made me think about practicing for that kind of thing.
Kaiser Eoghan
@Mario: the video I did was of me reading out a short piece of writing I did, a poem. lol I uploaded it to the wrong youtube account too I just realized =P
[link src="https://www.youtube.com/watch?v=ypBZ2hBDBYs&t=11s
I"] was recording this from my mothers laptops inbuilt cam while reading off my desktop.
SuperMario
@Kaiser: I think it's a good idea for you to try out reviewing movies/stuffs in youtube channel. I'll be very interesting to listen to them
SuperMario
@Topgavin: Agree. Demi-chan was so charming. Definately one of my favorite so far this new season
Topgavin
Demi-chan's first episode was good. Like, really really good. That blonde-haired girl was hilarious, the teacher-student relationship between the MC and the girls is really interesting and the social/practical problems the demi's face make it look like my favorite show so far.
CATski
Ah... ok. Is it really that good or it's just one of those "artsy" animes that tend to get overrated by their ardent fans? I didnt find the rakugo bit interesting.... probably the weakest aspect of the show for me.
Kaiser Eoghan
@Aidan: Why did I read that chapter. Why did I do that to myself.
Kaiser Eoghan
Admittedly yes the premise is not for everyone, but if you stick with it, the flashback arc had some good character work in there.
CATski
Rakugo has a season 2? I watched ep 1 - 3 of season 1 then promptly deleted it. The loud "yankee" dude was annoying. And the anime was boring.
Kaiser Eoghan
Oh man, I've been thinking lately of trying to start some kind of youtube channel. I did a few trial run videos. Its much much harder than it looks, didn't realize how nervy being in front of a video camera was.
Kaiser Eoghan
*a declining art and rakygo halls are closing down
Kaiser Eoghan
As the show continues to mention how "its declining art", that got me thinking of the modern day, how while things like tv and cinemas probably hurt attendances for rakugo performances, the internet has replaced theaters .
Kaiser Eoghan
Ah, now I've watched it. It'll be interesting to see Yotaro's relation to sukeroku's daughter develop. By all intents he should be an irritating character and not as interesting a yakumo based on his personality, but I can't help but like him, example of a goofball character done right.
Anonymous654016
ElDlive is looking good
Kaiser Eoghan
I haven't gotten around to rakugo's second seasons first episode yet =<
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