Posted by psgels on 5 September 2011 with categories: Hana-Saku Iroha



Bravo, Hana-Saku Iroha! Well done! Awesome episode! This is what I’ve been waiting for!

Seriously, this is the thing that sets Hana-Saku Iroha apart from the other slice of life dramas: when it wants to deliver drama, it really delivers it well, with terrific acting and imaginative set-ups. This episode brought all sorts of events from the series together, and the great thing is that the creators really put in effort to give this episode an as interesting premise as possible while still never tugging at the viewer’s suspense of disbelief. Sure, there are some coincidences, but their timing is used wonderfully, so who cares?

I mean, the creators could have just settled for showing how everyone would move on after the closure of the Kissuiso. Then however, they didn’t just bring in the director again, they actually also showed the test footage he made during his arc, and the creators show it to Kou of all people. There was a ton of character development because of that, and Ohana and Kou only met at the end of this episode.

To think that, in three weeks there finally won’t be any Mari Okada series airing. Ever since 2008, there have only been two seasons in which she DIDN’T write something: Summer 2008, Spring 2009. Apart from that she hasn’t just been churning out one series after the other, but she wrote many of my favourites with only rare moments of weaknesses (really, only Fractale really went wrong, along with perhaps that Kodomo no Jikan OVA; Vampire Knight apparently was a very good adaptation of an unfortunately cheesy manga, and perhaps Kuroshitsuji I was a bit too long for its own sake). My favourite has to be the work she did on adapting the Armed Librarians, with a close second the amazing original script that she wrote for Ano Hana.

As for Hana-Saku Iroha, I remember comparing it to True Tears, noting how it completely lacked its subtlety. After 23 episodes, this still remains the case, but True Tears was the kind of series that really turned its subtlety and ambiguity into its main selling point: you could never tell what the characters were really thinking. Hana-Saku Iroha meanwhile is a lot more blatant, but it has a big knack for creating interesting situations and genuine drama. Overall, if I had to compare the two then I think I’d still prefer True Tears, but that’s mostly because it really had amazing acting, whereas the characters of Hana-Saku Iroha do tend to try a bit too hard at times. I still consider this to be an excellent series though: it took its hiccups, and didn’t just make up for them, but actually used them and made them a core part of the series.
Rating: *** (Awesome)

2 Responses

  1. Scruffy says:

    The ‘coincidences’ were actually set up by Ohana’s mother. She was the one who was going to be meeting the director and tipped ‘auntie’ as to where he was going to be. And of course she must have known that Ohana was coming as well so went and grabbed Ko for the viewing.

    I loved this episode. I was worried that the show was going to set up Ohana to just see Ko with Bookshop girl and never get a chance to express her feelings but now at least she’ll be able to be clear and ‘fess it up’

  2. Ray says:

    Unfortunately, I feel that all this is too little too late. Hana-Saku Iroha has been a major disappointment and everything with this show has been too easy. The only good episodes were the first two-three and then the rest has been this… depressing filler. Ohana came to ‘love’ Kissuiso far too quickly (ex: The 1999 version of Annie was bad b/c Warbucks grew to like Annie far too quickly than in the older version)…

    I feel as if all the growth that should have felt natural for the characters in this series has been forcibly contrived artificially and nothing has been wholly satisfying. All the emotions feel so flat. Either ‘YAY OMG I LOVE KISSUISO SO MUCH NOW’ or ‘OMG _____ DOESN’T LIKE ME?? WHY?’

    Compared to the Armed Librarians, this show has been a cruel joke. It should have been a 13 episode series for sure, then we might’ve had some real dimension and depth to characters, a plot that was more rigid, and a romance that I would MAYBE care about. If this show ends up getting a 90/100 or higher, I will be very surprised…

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  • K-Off
    (Monday, Jun 27. 2016 11:03 PM)
    Damn Tokyo Mirage is expensive. Costs more than a Fire Emblem game and Persona 4 combined so this better be worth it.
  • K-Off
    (Monday, Jun 27. 2016 10:57 PM)
    Always difficult to talk about slice of lifes. Usually its always “This week our characters went to the park. The end.”
  • Kaiser Eoghan
    (Monday, Jun 27. 2016 05:42 PM)
    @Bam: There was this bizzaro Joan of arc slide show arthouse erotica anime from the 70s that recently got a re-release, its somewhat tied to Tezuka, really trippy shit, Kanashimi no belladonna.
  • Kaiser Eoghan
    (Monday, Jun 27. 2016 05:35 PM)
    As a book I could see it flowing better. Oshii or Kamiyama could more effectively adapt such density of material to screen.
  • Kaiser Eoghan
    (Monday, Jun 27. 2016 05:32 PM)
    Ultimately I think it got too ambitious and had too much on its plate.
  • Kaiser Eoghan
    (Monday, Jun 27. 2016 05:31 PM)
    I have yet to see genocidal organ, although yes Harmony was pretty below average and that was putting it mildly. I will consider re-evaluating it if it gets dubbed/when the dub comes out.
    Admittedly its a film of big ideas, my problem with it that the movie itself is just so plodding and I found it too overstuffed to properly focus on/fully develop its themes and the exposition was particularly heavy handed.
  • SuperMario
    (Monday, Jun 27. 2016 05:15 PM)
    @Bam: yeah, heard about the Project Itoh, from what I heard they’re not that good thou, with only Empire of Corpses has a slightly favorable reviews. I believe Kaiser watched Harmony alrready and he gave a very negative rating.
  • Bam
    (Monday, Jun 27. 2016 03:55 PM)
    For those who have somehow managed to miss the hype for Harmony:
    https://www.youtube.com/watch?v=hC-6U8HCF8c
    The visuals are intriguing, the palette very sharp, and the CGI relatively well integrated. The early reviews been scathing tho, and given my experience with Empire of Corpses I can guess why.
  • Bam
    (Monday, Jun 27. 2016 03:49 PM)
    Each piece of the trilogy is handled by a different cast and company. Empire of Corpses was done by Wit Studio, Harmony by Studio 4°C, and Genocidal Organ by Manglobe (or Geno Studio as they are called now).
  • Bam
    (Monday, Jun 27. 2016 03:43 PM)
    Anybody seen Empie of Corpses? I watched it to get primed for that Harmony feature film anime, which is part of Project Itoh trilogy. Studio Wit went all out here. The animation is great, and the premise has potential, but the delivery was just botched.

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