Posted by psgels on 12 September 2011 with categories: Ikoku Meiro no Croisée



This episode increased Yune’s charms even more. It started with all kinds of hints towards Claude’s father, but eventually moved on to Yune confessing some bad experiences she had with her sister… while being rather tipsy. It was a really heart-warming scene. And at the same time we also pretty much know what the finale of this series will focus on.

Speaking of performances, Alicealso showed an interesting side of her when she wasn’t allowed to take Yune to the Grand Magazin. In fact, I have to give the overall cast a lot of praises for doing such a wonderful job of acting out the characters throughout the series. I think the only weak spot at this point is Claude, who has the tendency to just be a bit too angsty at some points. It’s up to the finale to make up for that.

An interesting part about this episode was also the theme of eye color. I actually was under the impression that Japanese people just had brown eyes, but Yune and her sister in particular seem to debunk that myth. I watched this episode raw so I might have missed something, but it’s still quite interesting that there are Japanese with such eye colors.
Rating: ** (Excellent)

7 Responses

  1. LilyGinnyBlack says:

    I haven’t watched this subbed yet myself, but I was able to figure out what was going on the moment I saw Yune’s sister’s eyes. While it is true that the majority of Japanese have dark eyes (either brown or black) there are a rare few that have brown colored eyes (and I think Yune has dark colored eyes, they just aren’t colored pitch black or brown, but they don’t stand out either).

    While Japanese culture and society would like to think of themselves as a completely homogeneous group known as the “Japanese,” their heritage is just as mixed as anyone other country, with a lot of mixture coming from Chinese and Koreans and Mongolians. Some Japanese also most definitely have Ainu (an indigenous group of peoples that lived on the island of Japan before the current day Japanese arrived there and who have lighter skin, rounder eyes, and a taller stature) blood in them.

    Some Japanese, especially around the time right before and after their period of isolation, probably gained some Dutch blood in them too. Since Japan still did very limited trade with the immediate outside world (China and Korea) as well at with the Dutch (they really liked the Dutch).

    So, blue eyes could stem from all of the above (apparently some groups of South Koreans are known to have blue eyes). Or it could just be caused by a mutation or defect in the genes.

    Some Japanese can even be natural red heads, though they are very rare and usually dye their hair black/brown in order to conform and fit in with the standard Japanese appearance.

    Getting back to the episode though, I really liked this episode and what it explored (even though I didn’t understand all of it, but I will watch it subbed soon). I am also looking forward to the next episode, this series was really just very sweet and calming.

  2. strawberrytea says:

    I think the blue eyes that Yune’s sister has are from defect. Actually, I think that maybe the eye color has something to do with her go blind, that the defect made it inevitable that she was going to go blind and the effect of it just progressed as she got older. Maybe it’s corneal opacity. People who go blind tend to have eyes that turn light. Similarly, light eyes can occur before and then later turn the eyes blind.

    So the next episode is going to be the last one. I’ve read all the translated manga chapters up to this point, and from the previews, I think I know where the final episode will be going. I’m a tad bit disappointed, but it’s a slice-of-life series, so I really shouldn’t be going into it with too much expectation for a climactic moment. The wonderful atmosphere and charming characters make up for it.

  3. petitorenji says:

    Everyone is obsessed with things (aka physical qualities) that they don’t have. The Japanese are not to be excluded. That’s why they keep pushing the boundaries to look for ways to excuse themselves into animating some of their race into having the “good” genetic or an unfortunate accidental defect of having lighter eyes, hair, or skin. These colors are more “exotic, pure, and elegant” to them, so to speak, and esp to girls. Yune’s very large eyes have a shade of dark moss green – “to give her more character,” a mangaka would say – aka to make a Japanese child look just as adorable as the French ones. If one speaks of lighting, she could easily have had dark brown eyes.

    This also applies to Rin and Iroha.

    When one’s eyes go blind, they shouldn’t be viewed as a beauty accessory because they’re lighter.

    I wouldn’t know about the Japanese being very mixed, as 99% of the Japanese are, well, Japanese, and I highly doubt Yune is an Ainu.

  4. Terry says:

    The Japanese are a mongoloid race which, as a professional matter, is a statement about physical features more than it is about genetic stock.

    Scientifically speaking, there is actually no measurable genetic difference between “subsets” of mongoloid races such as the Japanese, Koreans, Mongolians, Chinese, etc, even compared to Pacific Islander and American Indian – besides the normal variances you’ll find between individuals of any “race”.

    In fact, in the strictest terms, there are surprisingly negligible differences between humans of all races. Even the most sophisticated dna analysis in the United States can’t tell what a person’s race is.

    Racial genetics is actually a political study; and most biotech professionals regard it as such. Susceptibility to diseases, for example, is dependant on past medical history and imunization (related to geography), and personal lifestyle. Genetic diseases and deformities like sickle-cell anemia are found in any race and treated the same way regardless of race. So unless there is a practical reason that race-related genetics affects treatments and – ultimately – lives, tehn it is regarded as an inert factor.

    Hence, the “Mongoloid” racial distinctions are less about things empirical like “data-sets” or “sample-sizes” and more to do with appearances and racial-identity politics.

    For a large segment of Japanese, race is a matter of pride and face. They don’t like any implication that a “pure” descendant (whatever that means) of the Yamato race is indistinguishable from a person born of Chinese or Korean parents.

    Many have a visceral aversion to it as if being genetically similar to Chinese or Koreans is somehow an insult. *shrug*

  5. LilyGinnyBlack says:

    @petitorenji: I wasn’t saying that Yune was specifically Ainu mixed, I was talking about Japanese in general and one of the possibilities for why or where blue eyes could come from.

    Also, while 99% of Japanese are Japanese, what I meant by them not being as pure as they make their race out to be is that, well, I’m talking purely about ancestry and what has ended up “making up” the Japanese people, which is Korean and Chinese and etc. They have mixed blood in them, just like every other person out there, it just isn’t *as* mixed as some, but it isn’t as pure as the Japanese would like to believe either.

    After all, there is substantial evidence that some ancient Japanese rulers (during the Yayoi, Kofun, and etc. periods of Japan) were actually Korean. There are also a large amount of Korean and Chinese that got stranded in Japan after being held their as labor workers during the war, and have now mostly assimilated themselves into Japanese culture (claiming themselves to be Japanese, changing their names to a Japanese one, and etc.). Of course, that doesn’t change the fact that their blood isn’t (or wasn’t) completely “Japanese” though.

    In the case of Yune’s sister, however, since she is going blind then a mutation or defect does seem to be the most likely case. Especially since this series has been realistic in the hair and eye color department and rather realistic over all.

    Also, why Japanese draw anime and manga characters as mostly Caucasian is most likely for a variety of reasons: since anime was inspired originally by Disney that could have something to do with its origins, I’ve also heard that the Japanese try to relate better to the outside world through anime and manga by having characters that look Caucasian, going along with that, it is only through animation that they can really get diversity in what they are viewing since most Japanese share similar physical characteristics.

    It is also probably a combination of the fact that Japanese society is very restricting and conforming, it is only through anime and manga that you can really get or experience someone with bright pink hair or someone with gold eyes, those hair and eye colors could also be used to add the air and element of fantasy to the piece of work as well.

  6. petitorenji says:

    @ above comment(s)

    Aha. Those who were interviewed that question have done a good job brainwashing the viewers. Of couse they would say that they’re exaggerating the eyes because they were influenced by Disney; they want to be internationally recognized, etc. and all of those good lies.
    But seriously, look at Disney animation – the ones in the the 1930s, 40s, (decades which influenced anime the most) – the eyes are not “big” the eyes are expressive. These are two different things. Disney brought groundbreaking realism into the cinema – but they had to still had to implement caricatures and exaggerations as the simple technology had to make features (namely facial features) simpler. Look at anime girls: take their eye color and hair color/style away. Everyone would look the same, if not the same race. Their eye to head ratio and proportions are redundantly exaggerated, not like Disney – where the style helps the forming of the characters and the plot.
    Japanese society is not restricting anymore. It has always had a dichotomy between its constrictive traditions and its new hype trends. And Japan has embraced that very early on. There is no need to flaunt “self-expression” anymore. We live in a post-post-modern world.
    And of course race is a matter of pride. We have been taught by our teachers and politicians and parents that nationalism is fundamental to a well-formed society. And we have been taught by the media that the skinnier, wider-eyed you are, the more successful one would be.

  7. Terry says:

    @ petitorenji

    Many aspects of the art-form of animation are generated and then grafted by other imitators petitorenji. And though I don’t have a ready example at hand, I’m sure even Disney did this too.

    Warner Bros. comes to mind.

    However, vis a vis Japanese animators, it is a fact that cutesy “big eyes” weren’t anything new when the Japanese began to catch up in animation and even comic book production. Warner Bros. was among the first to use oversized eyes, noticing that its audiences thought them to be more comical. Disney later used this principle to great effect in its depiction of the Seven Dwarves in Snow White (itself the ground-breaking animation that changed the art-form forever).

    But what ultimately set the stage for the “cutesy” big eyes was the ultimate classic “cutesy” of them all:

    Bambi.

    Yes, Bambi exchanged his “big eyes” for “more expressive” and more realistic versions/proportions when he grew up, but the very idea of them being used to adore audiences was implemented by design in this movie (and accidentally in earlier animations).

    That is not to say that the Japanese didn’t graft this principle into their own animated works in the 1960s into films and episodic series like Leo the Lion (nearly 30 years after Warner Bros mass produced technique and 20 years after Disney perfected it) or that they didn’t develop some version of the original perfected artform (Bambi).

    It would, however, be rather small-minded and dishonest to pretend that Japanese animators to claim uniqueness or originality much as the Soviet Union once to credit for every invention from chewing gum to supercomputers.

    In truth, the artform is no more [and no less] original nor unique to Japan any more than “uniqueness” and “originality” can be attributed to the Japanese race and culture itself.

Leave a Reply

Shoutbox

Name:
Email:
For:  
Mail will not be published
  • Emma
    (Sunday, May 24. 2015 05:48 AM)
    Ashura was an excellent example of how to through anime illicit and emotional response in an honest, non-melodramatic way.
  • Emma
    (Sunday, May 24. 2015 05:46 AM)
    @Bam: I’d be more than happy to take a look at some of those shorts anytime.
  • Bam
    (Sunday, May 24. 2015 05:44 AM)
    @Emma: there’s a lot of European animators that got active in the last 10 years or so that are really reinvigorating their animation scene, and every now and then I get introduced to some fabulous shorts.
  • Bam
    (Sunday, May 24. 2015 05:40 AM)
    @Emma: no I don’t really mind gory ‘for the fuck of it’ violence, I even like it in some grindhouse type of works, but I just don’t think it’s always effective as a shock factor. Live-action is the most sympathetic for obvious reasons, but there are animated works that do elicit a deep response. Probably because of circumstances but also the details of the in-between animation, which can induce certain feelings of disgust.
  • Emma
    (Sunday, May 24. 2015 05:39 AM)
    *here and there
  • Emma
    (Sunday, May 24. 2015 05:35 AM)
    @Bam: I really wish there was more arthouse anime now to give some kind of a balance to everything thats out these days.
  • Emma
    (Sunday, May 24. 2015 05:33 AM)
    Now I like my exploitation every so often, but yes Bam I really do wish that adult and mature storytelling could be better associated with truly, more pure mature themes.
  • Emma
    (Sunday, May 24. 2015 05:25 AM)
    I get choked up over Bergmans cries and whisper and Autumn sonata, I look back on a work by Key and Jun Maeda and wonder, think of how silly it looks to me now.
  • Emma
    (Sunday, May 24. 2015 05:24 AM)
    I also find it easier to get an emotional response from a honest drama, live action film, largely due to the real people doing the acting. Sometimes you get an actor whose just that good too…
  • Emma
    (Sunday, May 24. 2015 05:22 AM)
    I’ve gotten my odd emotional reaction here from anime and manga but a lot of the time it feels like the jump scare in a generic horror movie, I got shocked but I felt minipulated afterwards it wasn’t genuine, the same goes for some anime/manga drama when it takes a melodramatic turn instead of a bleak, honest one.

1 · 2 · 3 · 4 · 5 · »

Featured Posts

Fate/Stay Night Unlimited Bladeworks – 20

This episode wasn’t quite what I expected. It is true that I didn’t get the big fight I was looking for, though there were clashes going on. However this still was a very good episode. So on the matters of Kirei, Rin, Lancer and Shinji it was all done perfectly. Well there was this weird […]

Knights of Sidonia S2 – 3-6

So far the focus has been pretty heavily on Tsumugi, the chimera. Who is strangely moefied. Its really odd to see what is essentially a giant  tentacled monster display the characteristics of a innocent cutsy little girl. Still she is to me one of the better characters of the show. Untainted by the negative aspects […]

Fate/Stay Night Unlimited Bladeworks – 19

Oh my god, I can’t believe that Archer is the future Shirou Emiya!….said no one who watched this episode. But yes the cat is out of the bag. Archer is Shirou turned cynical and jaded after playing executioner for a couple of decades. There was a small bit showing how he contracted with the world […]

Fate/Stay Night Unlimited Bladeworks – 18

Well here it is. The name drop. The very thing the route is called after. And its….its…kinda bad. Of all the places to make the first visual blunder, why did it have to be here? Well Archers reality marble/noble phantasm Unlimited Blade Works was unleashed and Ufotable thought the best treatment would be to render […]

Knights of Sidonia S2 – 1-2

Even after a long break its nice to see that Sidonia hasn’t lost its edge. The story is still engaging and CG robot battles dynamic. However…was the CG this bad before? I remember it took some time to get used to the CG animation of the last season but this seems especially stiff. The easy […]

Fate/Stay Night Unlimited Bladeworks – 16

So at the start of this episode featured the big moment of Gilgamesh ripping out Illya’s heart and it was surprisingly underwhelming. It is true that in context this makes more sense and fits his character better. But it is a little disappointing. Strangely this wasn’t how it was in the visual novel and this […]

Fate/Stay Night Unlimited Bladeworks – 15

The word that encompasses this episode in a nutshell would be brutal. Whether you love her or hate her, I say few would believe that Illya deserved this fate. The tragedy is ever more pungent if you know the full details of her past. Anime only viewers may not get the most out of this […]

Fate/Stay Night Unlimited Bladeworks – 14

As a reader of the Fate/stay night visual novel I can confirm that the majority of this episode was anime original content. However instead of being about castors history like I thought, it’s of his backstory with her first master. In all honestly making the episode be about her history with Jason would have been […]

Some Quick First Impressions: DanMachi, Denpa Kyoushi and Arslan Senki

Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Short Synopsis: Our protagonist wants to be an RPG pimp I am getting SAO reminders already. Let me talk about something for a moment. You see when I first played the game dark souls I was frustrated and angry at myself because of my own […]

Latest Reviews

Shirobako Review – 80/100

When you see a harem anime and sigh as the breasts of the female lead jiggle with every step and wind that can flip a skirt it’s easy to forget that somewhere in Japan a group of people worked hard to get that jiggle right and draw each frame of animation. The hardships of the […]

Clipboard06

Nerawareta Gakuen Review – 84/100

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series […]

Clipboard03

Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

Clipboard01

Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

Clipboard04

Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

Clipboard01

Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

Clipboard08

Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

Clipboard04

Silver Spoon Review – 86/100

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

Clipboard07

Yondemasuyo, Azazel-San Z Review – 82,5/100

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]