Posted by psgels on 15 September 2011 with categories: No.6



Wut?

Okay, that was the complete opposite of what I expected.

Let’s start with the good parts: this show actually delivered quite an emotional finale, much more than I expected and I don’t just mean in the way I’m going to rant below. Safu’s death, the gunfires, plus the huge explosions. Everything was very well delivered at least. Plus, some of the best background tracks that the series had showed yet popped up.

But seriously. I’m stunned at just how much crap the creators pulled out of their ass! I mean, what the hell? So many bloody things were introduced from out of nowhere it’s not even funny:
– Safu magically controls the bees to first attack everyone and then form giant twisters that bring down the walls of No.6… where the hell did that come from? I mean, I understand the super powers and all, but super powers should not be an excuse to just pull whatever the hell happens to be the most convenient for the script.
– The entire building blows itself up as soon as the main computer gets destroyed? That’s one pretty big design flaw, isn’t it?
– Why didn’t they take Safu with them before blowing the thing up in the first place? There was no guarantee that she had been changed forever.

And BY FAR the worst of all:
– That was one of the most blatant revival scenes I have seen in a long while. Holy crap, the point where Shion revived was utterly terrible. The creators completely used Safu’s powers to pull whatever they want out of their ass. Nothing was built up or prepared for it. Also, Safu: why the hell did you turn into a giant bee? You seriously wasted the best parts of the soundtrack on THAT!? What a waste!

Seriously, at the start of this week, I was pretty much convinced that No.6, Kamisama Dolls and Kamisama no Memo-Chou would end up fighting for the spot of my third favourite series this season. The only one still standing straight after this is KamiMemo. KamiDolls looks to head into an utterly generic conclusion, while No.6 ended up at the complete other side of the spectrum where it tried to do way too much and therefore negated a ton of what it had been building up to. Heck, Blood-C may even enter my top 5 of the series that debuted during the Summer Season because of this.

So yeah, this season of Noitamina was definitely weaker than during the spring season: I do consider both Usagi Drop and No.6 to be worse than Anohana and C. Especially where C surprised me by having an awesome conclusion, this one surprised me by how utterly forced it was. The difference was that with C, everything was wrapped up, it got to make the points it wanted to make, and it had its awesome action. The reset it pulled made actual sense and delivered a wonderful sense of irony. No.6 meanwhile came completely out of nowhere.
Rating: — (Lacking)

27 Responses

  1. Snowolf says:

    Yuuuuuuuuuuuup. But I can’t deny it; we all saw this coming- 11 episodes and you expect a decent dystopian plot? Uh.

    No 6 had a lot of potential, but its treatment of everyone BUT the main two characters was really off putting and just. This finale was a mess. Pretty much a solid 6/10 in my book, sad as it is to say. And I still don’t even understand why Nezumi just uh, decided to jump out and leave? What. Even.

  2. enevi says:

    Oh, I’m so pissed now. They destroyed such a good book. None of these nonsensical scenes happened in the novel. NONE. It was much more complicated and involved some scientific explanations, which are nowhere to be found here. Why, Bones, why? … One big rant is coming to town…

  3. Anca says:

    I wouldn’t say this season’s Noitamina was worse because, while it lasted. it was far more entertaining than last season’s – at least for me. Even if the finale wasn’t perfect – but nobody expected it to be. It did better than I thought it would.

  4. steelbound says:

    Bones flubbing the end of a series, inconceivable! Actually, I saw that coming after only 4 episodes.

  5. JD says:

    Ugh, that was awful. The only parts I loved were the scenes where Nezumi was singing to Shion and at the end, where Shion’s mother was running out. The rest were just…meh. I would have been sold if Shion were dead and Nezumi becomes a “changed man.”

    Has anyone read the novels? If it has a different ending, then I guess I’ll just read the manga (which, I hope, follows the novel more closely).

  6. Lirael says:

    I knew the ending wouldn’t be good, thre was too much stuff to cram in but…I never expected it to be this bad. Worst parts were:

    -Sion revival. This series is supposed to be sci-fi. I can understand a bit of fantasy mixed in…but enough to bring a person back to life? Hell to the no…
    -Nezumi leaving for no reason and Sion not even wondering why…
    -the baby

  7. Snowolf says:

    I heard that in the novel’s ending it’s almost similar but there’s no huge revival scene, though Safu does die in the end (which continues to enrage me like no other). I mean we didn’t even get closure on the Dogkeeper or the other guy, or the other Districts, even, Inukashi’s backstory, nor an actual solid account of Nezumi’s life when he was confined in No.6, or the history of Elyurias. And that’s just the top.

    I found NO.6 to have a pretty mellow plot, but I don’t know- was it me or was this entire cast (except for Shion’s mom and the Dogkeeper) pretty…basic? I don’t know. I tried to find something exemplary in this show and couldn’t find anything. The animation was great in some parts and I like how they added a spice of Slice-of-life to the episodes, but just- way too rushed. Dystopian plots are way too complicated to be solved in 11 episodes, something I’m hoping Guilty Crown will avoid with it being 2 cour. If No.6 had a couple of more episodes, I think it, for the most part, (plot wise) would have been okay, but they tried to reduce it to a very simple one and it just didn’t work out.

  8. Leigh says:

    So disappointing…why didn’t they just keep the novel ending? I suggest anyone who was interested in this series to check out the ongoing novel translations – so far they are way better than even the best episodes out of the series.

  9. brita says:

    The thing that made it believable to me was that it was not Safu anymore, but Elyrurias, a goddess of some type. So I was actually pretty pleased…

  10. koolkittychick says:

    Even with all of the previously mentioned criticisms (and they were all quite valid), I was still willing to root for this series because I loved the interaction between the characters and how they developed their relationships to one another — especially Sion and Nezumi — until the very end. It’s like the only person who stayed in character to the very end was Sion’s mom. I bought the motivations and reasons for her actions, even when she ran to find Sion.

    But all the others? It’s like the creators looked up, realized this was the last episode and pulled a horrendous series of out-of-character plots out of their asses to tie up the frayed edges of plot line in this story.

    I can deal with sad endings, endings I didn’t want — heck, I can even deal with ambiguous endings (like in Sinoun) if it’s told in a way that at least somewhat reasonable and in line with the characters involved. But this…this just left me pissed and asking why?!? for so many reasons.

    While I still loved the series as a whole immensely, this ending definitely marred my enjoyment of it. As far as I’m concerned, No. 6 deserved so much more. :(

  11. kurini says:

    I don’t like the ending at all! The whole episode is just too rushed and doesn’t has any sense, Sion die and then survive… juts…omg, I’m disappointed, oh and the kiss, I didn’t need that!

  12. m says:

    This show was just bad. Probably not as bad as C or Fractale, but pretty bad. I had to catch up on weeks of it, and the villains are annoyingly one-dimensional. They had a pile of bodies, which was the cherry on that comically-evil turd sundae of burning and assorted nonsense. For serious.

    The ending was actually ‘enjoyable’ in the way bad horror movies can be enjoyable, by being so bad they’re funny.

    Just imagine the scene where Nezumi, who has already been shot twice, jumps in front of Sion to take a bullet for him, and then imagine what should happen after that in any sensible universe, assuming the round didn’t penetrate Nezumi entirely and hit Sion anyway. The person that shot him should shoot Sion immediately afterward, because he certainly didn’t plan on just shooting one of them and then playing some cards in the rec room. However, instead Sion takes Nezumi away and performs surgery on him, and then intends to drop him down a chute, escape a collapsing building, etc. That is hilariously bad right there. That made up for all of the regular bad I sat through to get to this point. But it got better, because hahahahaha Sion gets shot trying to escape down the chute, because the guard decides he’s still actually less interested in escaping the building than shooting the fleeing intruders. There are some very dedicated Storm Troopers on the exploding Death Star. He wavered a little when he was thwarted by door technology, but he came through in the end.

  13. Enna says:

    Is it strange that, even with all of those flaws, I still thoroughly enjoyed this episode and don’t mind the ending at all?

  14. evolstar says:

    Wow, that’s one of the worst endings I’ve seen in a while, I practically had whip lash by the end. I knew this ending was coming but still, it pisses me off especially since this show had two of my favorite characters this season. All that development went down the drain. All of a sudden Sion did a 180 and wanted to destroy No. 6- the person who defended it for the WHOLE series.

    By the way psgels, you review had me crying I was laughing so hard.

  15. qwerty1 says:

    God… I saw this coming and I really hoped it wouldn’t happen. From the beginning of this show I saw Shangri-La coming all over again.

    Take a well developed plot/problem that seemed like it would be gradually expanded on and solved in an even slightly logical manner and then they pull a literal Deus Ex Machina out for the final act.

  16. Taara535 says:

    m’s take on the ending was somewhat more enjoyable than the actual show. Some determined stormtroopers indeed!

  17. Seijin says:

    Awful, awful ending.

    This show started out so promising, but went downhill since mid-season and ended in this trainwreck.

  18. consterhk says:

    I felt I had paid for a very expensive buffet and was served a great appetizer and main dish, but it ended with a sucker for dessert.

    I was under the impression that it would be 12 episodes, and that 11 would be an informative episode to build up to the end.. but after seeing this episode, I doubt another episode can save this one…

    I now have high hopes that the novel will answer those loose ends (and there were many!).

    How does Elyurias select who gets infected and who doesn’t? Did she selectively infect and punish the evildoers of No 6 (inhabitants of main city) sparing the people in the districts and outside the walls.. or was it all random? Where does that put Sion? – What about those dream flashbacks Sion and Nezumi had (I thought those bees were evil.. they’re not?)
    Ugh, I can go on and on about those loose ends…

  19. Firechick says:

    Hey Psgels. Have you seen the Nostalgia Critic’s review of the other animated titanic movie? Because I personally think Shion’s revival is nothing compared to the spit that happens in the movie he reviewed.

  20. P-chan says:

    OMG. The Fail of this episode cannot be exaggerated. SPOILERS / First of all, in the novels, Safu lost her physical body when she merged with the giant bee thing. What Shion and Nzumi saw was merely an illusion caused by the Bee Thing so that Safu could see Shion again one last time and say goodbye. This is why she’s never touching anything in the scenes that were in the novels.

    Nezumi was telling Shion to shut up because he realized Safu was really dead and telling her to come with them was pretty cruel.

    Nezumi set the building’s computer to all explode within a certain time limit using the Mother computer where Safu was. Which is why the building explodes.

    Nezumi was shot. Shion was unable to do the surgery. They escape down the shoot and regroup with Dogkeeper and Rikiga and then get medical help for Nezumi from a hospital that Shion knows.

    After Nezumi is saved and the everything else is wrapped up, Nezumi leaves to go on a journey. It wasn’t really said in the summaries, but I think it had less to do with needing to leave and more with not being able to stay.

    This is just my guess, but someone who hates No. 6 like him couldn’t really stay to rebuild it. And you couldn’t expect him to either. Shion wants to stay with Nezumi but chooses to stay and rebuild the city for Safu and his mom and all the people from West Block and the citizens as well. Nezumi does say they’ll meet again, so I assume that he’ll return when the traces of the old No. 6 are gone. But that’s just my guess.

    Also, Dogkeeper keeps the baby. /

  21. AidanAK47 says:

    My reaction while watching….

    “Well ok, the exposition was pretty bad and the bee tornadoes were stupid but still got to give the writers credit for killing off the main char…(Glowing)…no…No…DON’T YOU DARE…NO!NO NO NO NO NO NO NO NO!”

    From then it was a downward spiral.

  22. Oersted says:

    Ok, let’s be realistic here about the ending: it was rushed, pulled plot devices out of nowhere, a lot of characters were utterly ignored (we never really learn about this “I want to survive” stuff of the dogkeeper) and there are these ugly plot holes around.

    Now, I won’t say something like “who cares?” because those are valid criticisms, but I don’t. Seriously, perhaps I have an ability for suspense of disbelief, but it is very possible to enjoy No.6 from beggining to end. As a matter of fact, the execution of this episode pretty much rocked.

    So yeah, another excelent show ruined by 11 episodes. I still liked it, but it’s really hard to recomend.

  23. Jérémy says:

    The ending pulled lots of things out of nowhere and the almost everything will be fine end was beyond cheezy but…I still really loved it :S It kind of sucked that Sion came back to life but other then that, I was incredibly entertained and I enjoyed it. Even now, a second season would be nice, to see how things turn out after the destruction of No.6. Oh and lol at that rebel guy who wanted Sion’s mother who failed and got himself killed because of the bees!

  24. Pafiume says:

    There were a few things that just bugged me. I agree they should have taken Safu. I mean… What? She was still there when they were talking to her, I doubt she would be COMPLETELY GONE. But whatever, I accepted that.

    Then the two main characters died! Or at least one of them does, and the other would wait for death with the corpse. I was actually okay with that. I thought it was crazy, but it felt really nice to me. It showed realism, they’re trying to escape, but so are other people, and they’re also freaking out and trying to kill the people that fucked them over. I liked that. I ended up liking that Sion died, it was really emotional.

    And then MAGICAL ALIVE! What? Like, what? THAT’s the superpower I don’t like. Magical life giving songs. It just made me laugh, and then giant bee god appears and explodes the roof. I thought the bee was going to blow up Nezumi and Sion, not bring Sion back…

    Even then, I was like, okay, this could still be good. Nice happy ending, I can be okay with this I suppose. And then Nezumi LEAVES. He has literally no reason to leave. They just destroyed the city he’s been obsessed with destroying like all of his life. He just expressed his connection to Sion by rather staying with him and slowly dying than continuing to live on without him. AND YET he will still go on to live on without him. But ya know, let’s fuck it and have him walk away to live alone like a cool guy. God damn it. That’s fucking bullshit.

    I must say I loved that scene with Sion’s mother, though. I think that is the part that makes me happiest, because it’s just so nice to see her so excited to see her son, to be able to be reunited with him. Ignoring the fact that she’s running in a random direction with no idea where he is, while he could actually have FOUND her. Still, it was a great little emotional scene, even if some things still ended up ruining it. And I mean, if he really had died, that would have just been heartbreaking.

    The ending was disappointing. But I did enjoy the series. Honestly I don’t know if more episodes would have helped it, because if this was where the ending was going to head anyway, with random re-aliving and ditching of lovers I’d still be upset. But. I guess this series should be about the ride, not the destination. For me at least.

  25. Denizen says:

    Truly I didn’t find the finale too terrible, and it had enough clever tricks to cover up some plot points or conclude some storylines, even if it couldn’t take care of all of them.

    Honestly I have seen other endings much more jarring and out of place than this one, not that it does excuse giant magical bee tornadoes.

  26. AKI says:

    OK. That was some stupid ending. Jesus Christ, I can’t believe that I was watching the same anime that I was watching a week ago. Seriously wtf happened?

    Bee tornadoes that can knock dawn huge building sized walls? Ugh. Still, the rest of the episodes were top notch – it’s the bad ending that leaves a bitter aftertaste.

  27. Robert2413 says:

    Yeah, the ending was rushed and ultimately unsatisfying. But it was by no means random. In fact, many of Ep 11’s elements were foreshadowed in Ep. 5. Beware of spoilers in the brain dump below.

    Many people found the haunting waltz scene in Ep. 5 to be random, incomprehensible or comic. However, its payload is symbols and metaphor and it was no wonder that Shion found “dancing” so tiring! I believe that its main purpose (in addition to being ravishingly romantic to those of us fond of the BL genre) was to foreshadow the important events at the end of Ep. 11, rendering these events much less random than most reviewers thought. During the waltz, there was a lonely railroad track going towards the horizon (Nezumi’s leaving at the very end and Shion’s feelings about it, which were made far clearer in the novel than in the anime), a ruined tower with two spires (Nezumi and Shion’s difficult relationship, particularly if one pages Dr. Freud and he replies that sometimes a cigar isn’t just a cigar), dancing at the edge of a precipice (pretty much self-explanatory), and the most enigmatic one – a ruined doll lying at the bottom of a puddle of water. If one accepts that the emotional turning point of the series was Nezumi’s tears (shown for an instant after Nezumi crawled close to Shion’s lifeless body, sang his requiem, and finally, broken and fatally wounded himself, prepared to die at Shion’s side), then the ruined doll represented the dead Shion and the water through which we saw the doll was Nezumi’s tears.

    Character flaws undo antiheroes in classic tragedies. Through most of the series, I expected that Nezumi’s hatred of No. 6 and his obsession with destroying it would lead to his annihilation. But it turned out that No. 6’s government was, in fact, more evil than we imagined it could be – a Pandora’s box that finally exploded in Ep. 9, spewing out the worst horrors of 20th-century totalitarianism. Nezumi’s hatred of No. 6’s government and his determination to destroy it was justified in any moral universe I can imagine. Meanwhile, we found out that in his life, Nezumi had somehow endured the unendurable and his final sacrifice, made only for the sake of singing Shion’s requiem, finally unfroze the rusted karmic wheel and justified Elyurias’ healing him and resurrecting Shion.

    Was this more randomness, as many have claimed? Turning again to Ep. 5, it’s clear that Elyurias was a *diety*, which is why she appeared in the stained glass in Ep. 5. Her presence there among other ancient images implied that she had been worshipped for a very long time. In Ep. 11’s resurrection scene, she appeared as a firebird or phoenix, eternally rising out of her own ashes. A billion or so people in the real world believe that a certain Son of God could raise the dead, so why not Elyurias in this fictional one? Deus ex machina is fine by me if there is an actual Deus involved.

    Finally, here’s something to ponder: I believe that Nezumi is probably most interesting gay male character in anime, ever. (And I only threw in “probably” because I couldn’t seen every anime that exists.) Nezumi is entirely unstereotypical (unlike, for example, the swishing “gay” Hero in Tiger & Bunny – just one of many such execrable examples in anime). Nezumi’s behavior is essentially masculine, yet, as it was always done in Shakespeare’s day, he sometimes plays female roles on stage. Because of his mixture of masculine and feminine attributes, it’s unclear if he would take a seme or uke role offstage. He might even switch, depending on his mood. Like most gay men, he became aware of an unformed attraction toward his own gender while still very young (as we saw in Ep. 1). And most important, he *hides* in a painstakingly constructed metaphorical closet. Indeed, the subtext of hiding to protect oneself from pain or destruction pervades the entire anime; almost all of the major characters do it. Nezumi hides his emotions behind a facade of sarcasm and invective. He lives underground in a hidden place containing precious cultural remnants of the old, destroyed world. He is constantly aware of the danger of revealing too much of himself and his shock at the end of Ep. 5, when Shion touches him, comes mostly from the realization that he unwittingly revealed far more of himself than he ever thought was safe. Terrifyingly, Shion didn’t just touched Nezumi’s neck but somehow worked his way under Nezumi’s skin.

    The destruction of the Forest People by gunfire and flames may have been a metaphor for the holocaust in Germany during World War II, in which gay people were among the many oppressed groups who were rounded up and exterminated. Given that one of the Nazis’ main techniques was burning victims alive (as the Forest People were), this works. Although it’s a stretch, the destruction of the Forest People could also be a metaphor for the holocaust that was AIDS for the 15 years after 1980. when it seemed that the dying would never end.

    Finally, No. 6 has been criticized for being too “theatrical” and “melodramatic.” However, there’s nothing wrong with theatricality and melodrama per-se. Wikipedia, in an article that’s well worth reading, defines melodrama as “a dramatic work that exaggerates plot and characters in order to appeal to the emotions.” Melodrama has an honorable tradition going back to at least the 18th century and opera would not exist without it. Thanks to its artifice and distillation of emotion for dramatic effect, melodrama has often appealed to gay men, who are always in some way “outsiders” existing beyond the periphery of the heterosexual bubble inside which most of the world operates – a bubble so all-pervasive that it is hard for those within it to see its borders or imagine that there might be anything else outside. Hence, No. 6’s theatricality makes total sense to me – I’m a sucker for artistically created melodrama!

    Is No. 6 a great sci-fi anime? Not compared to some of its competition – No. 6’s running time is too short to tell the story that it needed to tell and I’m the first to admit that Ep. 11 should have been twice as long. (Could we dream that the Blu-ray release might offer this, given the criticism that Bones got for the rushed finale?) However, thanks to the subtlety with which it handles the BL themes (blink and you’ll miss the defining scenes) No. 6 is one of my favorite anime with BL elements, second only to “Legend of the Galactic Heroes,” which I believe *is* the greatest sci-fi anime ever. (Compared to the Nezumi/Shion relationship in No. 6, in LOGH one can make a stronger argument that Reinhardt/Siegfried is limited to a very intense “bromance.” Or not. But be sure to watch the gaiden before deciding!)

    As always, your mileage may vary. But somehow, No. 6 has worked its roots deep into my brain. Standing out in a field overloaded with clichés and formulas: shonen tournaments, magical girls, moe, harems, reverse harems, ecchi, teenage detectives, and nothing-ever-happens-here-slice-of-life, the depth of No. 6’s subtext and its willingness to take artistic risks has made No. 6 one of my favorite animes of 2011.

Leave a Reply

CHANGE USERNAME
Anonymous1057532
Konstantinos here: I have to disagree. I liked the episode and felt they did a good job giving exposition. I like Meteora. That said when Alicertia meets Selesia. Oh boy, that will be a rumble.

On other notes: Attack of the Titan. If they do not pull a bait and switch, we are not in Kansas anymore.

Shingeki no Bahamut: What exceptional animation.
AidanAK47
It really does feel like this show is aiming to be something akin to Fate/Zero as that too did have a exposition heavy beginning. Difference here is that series had Urobuchi writting and while the man my be more famous for his murderous treatment of characters, he is a master of presenting exposition.
AidanAK47
I hope that's the majority of the exposition done for Re:creators. We established the stakes, rules and factions. So now would be good to focus on the creator and creation interactions plus badass battles.
Honestly I really regret Meteora coming into the story when she's being pretty much a massive exposition device.
Konstantinos Travlos
Hmm the "The Man who Knew 75 Languages" reminds me of the game "The Last Express". Great game. Definitely interested.
Anonymous1056824
moster keaton
Anonymous1056607
ditective conan
AidanAK47
@Anon, Pretty sure you are just trying to pick a fight more than defend the show but a decent show to me would be one that is deeply flawed but enjoyable to some degree. Sagrada reset is not this. It goes out of it's way to be unenjoyable. To me it's a 3/4 out of 10 show. Interesting concept but with a presentation so alien that the viewer can't empathise with anything on screen.
Lenlo
I mean, decent warrants about a 5-6. That, in theory, should be an "Average" show.
Anonymous1055365
It's a decent show. You're being overly critical.
SuperMario
In the Out of Competition slot (you think that I'm finished?), 2 films in particular that catch my interest are the Korean Lost in the Moonlight which looks like a fun and lightheart adventure, and the Norway-Poland co-production adult-oriented The Man who Knew 75 Languagues about the star-crossed love between the Queen of Romania and a titular man, I guess
SuperMario
Rounding up the Main Competition are Animal Crackers, a 3G American family film which I don't have good feeling about; Big Fish and Begonia - a Chinese indie film that divided the critics, but gathered skyhigh commercial success in its mainland China; and finally Zombillenium which sounds like an enjoyable European children film
SuperMario
From other countries, most notable films are the Loving Vincent - the first feature length hand painting; the Chinese black comedy Have a Nice Day that premiered in Berlin earlier this year; Ethel and Ernest which already gained a strong reviews from the UK; Tehran Taboo- a German production about the lives of 3 women in Iranian community, which sound exactly like my kinda of film.
SuperMario
Alright, I'm here to bring you news about the selection of this coming Annecy AKA one of the best animation festival out there. 3 of anime features: A Slient Voice, In the Corner of the World and Masaaki Yuasa's Lu over the Wall will compete for the main competition.
SuperMario
I'm a fan of thought-provoking anime (see Lain, Boogiepop Phantom) but I need to care about the story and characters first before I make an effort to dig deeper to the theme. Sagrada Reset failed on that fronts.
SuperMario
It's not really about being smart/dumb here. As a creator, they already have an advantage to know how the story and plot will play out. I don't mind this advantage because otherwise the plot will become a hot mess. But don't use that advantage as a way to widen the gap between them and the audience.
AidanAK47
Ugh...Ray Gigant was pretty much mediocre up until this point but now it;s utterly asinine. Whoever decided on this endgame needs to be fired. When you are ready to end a game, no player want a ten floor dungion with a boss on each floor coupled with a goddamn boss rush halfway. Just...fuck.
Kaiser-Eoghan
It must be worse than oremo.
Kaiser-Eoghan
I saw some pages of the eromanga sensei manga and my reaction was that I was sad that it actually existed and stated "why would you even" after looking at it.
Kaiser-Eoghan
As an anime example, sekaisuru kado has lots of dialogue but it seems like it could actually be engaging.
Kaiser-Eoghan
So basically no I don't think we're dumb for not liking sagrada reset, given that myself and Mario are capable of watching genuinely smart wordy things and getting them.
Kaiser-Eoghan
@Mario: I can imagine watching Sagrada reset and thinking I'd rather be watching a Bergman film instead , something also with lots of dialogue and themes but actually engaging/clever and NOT pretentious or obnoxious about it.
Anonymous1054942
is it possible that you are all just dumb?
Anonymous1054269
@Mario: I like how you described it as giving a middle finger to the viewers. It's so true. Like, it tries to be intelligent and make the viewer feel stupid, but it just comes off as obnoxious/pretentious.
Lenlo
CGI remains the worst part of it, but we are getting more and more 2D art which I actually enjoy the style of
Lenlo
Its an improvement. The art is better, and maybe its because I prefer this arc, but the pacing is better as well. I gave last season a 3, but this one is more deserving of a 4 and if they can nail certain scenes coming up I may bump it to a 5.
SuperMario
@Lenlo: How's Berserk doing so far? Haven't picked up last week and this week's episodes.
Lenlo
Ground*. I hate it when I fat finger something.
Lenlo
Thats always the worst, when a story starts off promising and then someone runs it into the grouhnd
AidanAK47
@Mario, so it's still at it. To me it's like someone was given an interesting story and made it his mission to ruin it as much as possible.
SuperMario
@Aidan: it's still the same crap. I have a feeling that Sagrada Reset gives a middle finger to us viewers. The plot with development and characters that we have no way to figure out ourselves. The characters who change motive and even personality after each timeline. The main lead girl who act like a robot. I gave this show too many chance so I won't bother to spend more time watching it.
Anonymous1052767
Eromanga sensei
AidanAK47
@Mario, Oh ho, what was the dealbreaker? Just that it didn't change or did something really stupid happen?
SuperMario
Sagrada Reset (long sigh) (scratching my head) (eyes rolling). Dropped
AidanAK47
Hey you.
Konstantinos
Yeah, at this point, this season looks good.
SuperMario
Quite happy with ID-0 and Zero in particular. Zero charms me to no end that I'm still debating whether I should blog it. The trio Re:Creators, Kado, Atom still doing pretty well and the sequels MHA and Bahamut are enjoyable as expected. We have a wide range of anime offerings this season.
SuperMario
Sagrada Reset & SukaSuka I will give it another episode, at least until this current arcs over. They both have potential but Sagrada Reset tries so hard to sound smart, and SukaSuka still falls into its LN tropes which bugged the show down.
SuperMario
*no real urge
SuperMario
I've finally catch up with all other series I wanna follow this season. Alice & Zorouku will be off my list for now, Zorouko is a great character but everything else falls flat so far. I have real urge to continue Attack on Titan and Berserk so I'll wait until they're finished.
Vonter
I watched some episodes of KonoSuba yesterday, reminds me of Those Who Hunt Elves. And I suppose it might be an easy recommendation because it mainly comes down to; do you find it funny? or fun? If not, skip.
Kaiser-Eoghan
While yes its true of watching those slice of life shows week by week is better, I felt that when reading the manga for Aria it was easier to marathon by reading it rather than watching.
SuperMario
Flying witch have the same atmosphere, but it's a purely slice of life anime. I love Aria too and I agree that watching it 1 episode a time is the best way to enjoy it. Can't think of other serious anime that have those calming elements for now
Anonymous1042537
Yeah, I noticed they all have pretty different structures from one another (ACCA's political, Mushishi's naturalistic, Monster is a thriller, Rakugo's about a specific art form, 3-gatsu is ostensibly about Shogi, etc.) but I found that I found some similar calming elements in them (to different degrees of course).
Anonymous1042537
Thanks, I'll definitely check Aria out!
AidanAK47
One of the hardest shows to marathon besides Bakemonogatari. Though Bakomono gave me a headache after a few episodes whereas Aria just had me so mellow that I could drift into sleep at any second.
AidanAK47
Don't know if you could call it a sub genre as the examples you listed are all really different from each other.
Though in the vein of calming shows I think you can add the Aria series to the list. That show is so relaxing that you find yourself nodding off to it. Not out of boredom but it just has that effect on you.
Anonymous1042537
Do you guys know if there's a specific subgenre like this, or am I making it up? And are there other anime with that kind of feel. Not exactly slice of life, but in the general vicinity of it.
Anonymous1042537
The Great Passage was another great example. It delved into the seemingly boring subject matter of dictionary-making, but it was a surprisingly charming show. 3-Gatsu no Lion also looks promising, I enjoyed a lot of the first season (but wasn't a fan of the forced comedy sometimes).
Anonymous1042537
Like the episode where Tenma first meets Grimmer on the train to Prague and they have a picnic on the mountain was so dang good. I really need to rewatch that.
Anonymous1042537
There are some elements of that style in other shows too, but to a lesser extent. Like some parts of Rakguo (mainly season 1) was very soothing. Naoki Urasawa's Monster had some fantastic, almost melancholic episodes like this.
Anonymous1042537
It seems that most anime w/ that kind of style usually also have another genre mixed in. Mushishi was also very naturalistic, ACCA had a political underpinning.
Anonymous1042537
It's sort of in the vein of a "Mushishi" style show. I suspect it's an emerging subgenre of slice of life that's meant to be very calming, relaxing, atmospheric which I really am digging.
Anonymous1042537
I really hope there are more shows like it; not that it was perfect, but it was certainly unique and hit a lot more than it missed. I really like those cool, quiet shows you can enjoy with a nice cup of tea before you go to sleep.
Anonymous1042537
Ironically though, I would say that the first half of ACCA (up until the big flashback) is better enjoyed week by week, or at least that's what I found.
Kaiser-Eoghan
@Mario: It felt good marathoning a show again rather than waiting week by week and next weekend I'll probably marathon house of five leaves.
Kaiser-Eoghan
@Mario: Forgot to mention...there were certainly a share of moments in Acca that feel fanservish to the female audience =P
SuperMario
@Aidan: haven't noticed that. Will fix it soon.
AidanAK47
@Mario, Only problem I can see is that the posts have no spaces in between paragraphs.
SuperMario
... to be near my laptop for an entire week. First time that I had to blog entirely through my phone. Seemed to work out fine but I had to borrow screenshots from other source (I thank you that other source) ^^
SuperMario
*unless* rather than *as long as*. This has been a crazy week for me as I didn't have a chance
SuperMario
@anon1039488: I find the idea of limiting excess to exclusively stream an aime is a dumb idea; because as long as people have a chance to expose to the anime they won't really care to check it out. So I detest owning the legal streaming account, but I always pay back by buying DVDs/Blurays that I liked
SuperMario
I watched House of Five Leaves by the same mangaka and I really enjoyed it. Nataume Ono is a pretty excelent storyteller (a bit mixed on her art-style thou)
SuperMario
@Kaiser: I agree that the first dew episodes of ACCA were not that engaging but the endingg neatly tied up all loose ends. I still feel Grossular's act is kind of messy (why was he under such control from Lilium? He's not that kind to be in such passive role to be honest) but other than those I don't have any real complaints.
Anonymous1039488
Competition is good, but it makes it cost so much to legally watch everything. That's why a lot of people pirate I feel.
Anonymous1039488
You have Crunchryoll and Funi, fine. Then there's Daisuki which is kinda random. Then Amazon, Netflix, and Hulu all have some random anime, though it seems that mainly Amazon has current series
Anonymous1039488
I don't have Amazon Strike, which is like their new venture into anime I guess. There's too many streaming services to keep up with tbh
Kaiser-Eoghan
To be honest I'm pretty crap when it comes to supporting things, I don't pay for almost all the things I watch/read/play, I don't have a crunchy or amazon account, I still pirate legal streams.
Kaiser-Eoghan
@Anon: Is it a case that your country is blocked? Maybe go for a vpn? If you absolutely have to you could pirate the show...
Anonymous1039488
I wanna watch Re:Creators but don't have Amazon... :( alas
Kaiser-Eoghan
I feel like I need to wait and see approach with sekaisuru Kado...this prologue phase is...long...
Kaiser-Eoghan
I wish it had been 24 episodes long though to better organize itself.
Kaiser-Eoghan
Favourite characters were Jean, Groslur and Nino.
Can’t say I cared for the goofy interactions between Jean’s workfriends though.
Kaiser-Eoghan
Yet for whatever I could say about the pacing, when the twists happen they creep up on you and the show mostly lands every one of them, even if I’m not exactly pleased that sometimes the series does the “I pulled it out of the hat/ass” approach.
I’m relatively indifferent on the art/animation.
Kaiser-Eoghan
I did feel it picks up, improves by the mid-mark and to an extent the wait is worth it and things do come together even if I wasn’t always totally confidant with how it was getting there.
Kaiser-Eoghan
Having the protagonist go from district to district to flesh out the settings a decent enough idea and the main characters a fairly chill, cool guy.
Though the dialogue does create suspicion, intrigue, it does also plod/pad in equal measure at times.
Kaiser-Eoghan
Finally decided to sit down and watch Acca.
This show had its lovers/haters I’m sure, having watched it my feelings are mixed.
It is a slight breath of fresh air I’ll give it that and makes me want to maybe re-assess of adaptations of the author’s work.
Kaiser-Eoghan
@Mario: The only assayas film I've encountered so far that I disliked was Irma Vep, even though the lead actress was great, the surrounding performances, especially by Jean-Pierre-Lenaud were awful. Sils Maria I was initially evasive of because I'd heard that the relationship between Binoche and Stewarts characters was under-unexplored.
SuperMario
@Kaiser: Weersathakul's films are something else entirely...Otherworldly yet still cinematic. I feel a bit underwhelmed after watching the Unknown girl. The identity of the culprit, for example, feel forced for me that take me out our their naturalistic style. I'mmin between Clouds of sils maria too, know it's a good movie but it feels pretentous at times, like the movie Youth
Kaiser-Eoghan
@Mario: I also got round to watching Unknown girl by Dardenne, it carries enough moments of their brilliance but I felt they didn’t have as much mastery over their usual pacing style this time round, for the first time it felt like a thriller that played out like a drama, rather than a drama that has a pseudo thriller feel to it.
Going to watch Clouds of sils Maria next.
Kaiser-Eoghan
@Mario: The entire second half, which I’d have watched an entire film about is very atmospheric and dreamy/esoteric nearing just exactly the kind of thing I like.
The way he uses/shoots Thailands geography along with his cinematography is impressive, particularly in that second half.
Kaiser-Eoghan
@Mario: He shoots something simple like a chopping scene in a strangely engaging way, the scene with the old woman going into the cave is also very impressively shot and that one driving scenes with that pop song in the background has an airy feel to it.
In some ways I agree that there’s a bit of sensuality to it.
Kaiser-Eoghan
@Mario: It’s the kind of film that feeling tired/relaxed when watching it isn’t a condemnation of it(although a share of moments in the first half could be patience testing), it’s the sort of film where you aren’t really aware of anything outside of watching the film when you watch it.
Kaiser-Eoghan
@Mario: I finally looked into a Weersathakul film, Tropical Malady. I don’t even know how to give a star rating for this film.
SuperMario
I'm still on the fence with Alice & Zouroku. Like the title suggests, the warm chemistry between those two are its strongest point, but those moments are far and few in between as the story progresses and I don't care one bit about the Red Queen storyline. I might drop this one if the story doesn't improve
SuperMario
@Lenlo: 3 episodes anf Berserk still hasn't grabbed me as much. Yep facial expressions are really off-putting
Lenlo
Man... the facial expression in Berserk for the 3D models are, ever so slowly, killing me.
AidanAK47
Alright. Tommarrow I will get out all those posts I am late on seeing as the impressions are all finished.
AidanAK47
SukaSuka still has me mixed. On one hand there really are some great ideas and some well executed moments. But some of the dialogue is a bit typical of a light novel and the fanservice is really shameless. The massage at the end of the episode was something the show could really do without.
Konstantinos Travlos
I am in love with RE:Creators. I have no idea if they will keep it as good, but these two first episodes did all the right things.
AidanAK47
Alright, Easter made me lazy so it's time to play catch up.
Kaiser-Eoghan
@Puran: Or even Georgiou Nikolaidis while I'm at it, morning patrol is a great mood piece. Not familiar with the other guy.
Puran
@Kaiser: No Grammatikos recommendation? :)
SuperMario
I still enjoy Zero pretty much. I like the contrast between the beastfallen and Zero. The hilarious lines sound more like accidental to me, not the best product but I enjoy the ride so far
SuperMario
@Kaiser: agree with everything you said. Apparently Haneke put Flashmob on hold because the main actress was conflicting in her schedule, so he decided to do Happy End instead
Kaiser-Eoghan
@Aidan: Does the old man represent gritty anime of old? I don't know honestly I'm just throwing it out there.
Kaiser-Eoghan
@Mario: In case you hadn't heard, Haneke dropped the Flashmob movie and is now doing one about the refugee crisis.
Kaiser-Eoghan
@Mario: To whoever will be playing Godard in that biopic, I'd wonder if they could capture how incredibly douchey he sounds irl lol
Kaiser-Eoghan
@Mario: There is such a big divide between 50s/60s Bresson and 70s/80s Bresson.
Kaiser-Eoghan
@Mario: Lathimos and Avaranas remind me in an odd way of Tarr in that they're the only Greek filmakers people seem to talk about , Check out Koundorous and Theodorous Angelopolous' works if you can.
Kaiser-Eoghan
@Mario: Meh, I don't like that sort of overly on the nose social commentary some American films and tv shows do in recent years.
Kaiser-Eoghan
@Mario: Godards extremely hit or miss with me. Hazanavicius did the artist I think, but I'd sooner recommend Biancnieves as a stronger example of a modern take on silent cinema or maybe a Guy Maddin film.
Kaiser-Eoghan
@Mario: Lotznitza directed a gentle creature not Zvyagintsev, though the latter is a fantastic director, Leviathan's ending hit me very very hard, its gut punching and I appreciated that the return never went into too much detail regarding the father.
SuperMario
@Kaiser: off topic, I didn't realize Get Out having such buzz reception. It's coming here next week so I will get to watch it
SuperMario
@Kaiser: Michel Hazanavicius makes a biopic about Jean-Luc Godard and Anne Wiazemsky (the actress in Au Hasard Balthazard), which I think will be interesting. I considered The Lobster one of the best film out of that year so I anticipate his next movie a hell lot. Yep, I watched few movies from Andrey Zvyagintsev and he certainly is in my radar. Bleak, social commentary, technical impressive
AidanAK47
Oh, it's confirmed that was what was actually said in Japanese. Well...that's rather cringe worthy.
AidanAK47
@Anon, Can't say I am too fond of it myself. Though that arrow to the knee reference definitely sounds like something the translator added in.
Anonymous1026829
Holy shit Zero is hilarious. "I used to be a mercenary like you once. But then I took an arrow to the knee." "My magic is super weak so I need a powerful offering. Can you loan me your head please?" The comedy is so pointed and understated.
Vonter
I do like how contrasting Zelda is to Nier in the sense that. Zelda cares more about how the game plays and making the player have fun constantly but doesn't care about telling something. Nier Automata doesn't care what it throws to the player but cares a lot about it tells the things that happen to player.
Vonter
I think this is a hard game to score. Mainly because IMO the combat has wear out a bit do to the repetition and the sidequests have been a mixed bag with some being relevant to the plot or themes and some being just fodder to level up. On the other hand the game has a lot of implications, subtext and symbolism that so far has been enriching to reflect upon.
AidanAK47
@Vonter, Actually wrote up 4/5s of a review on Nier Automata but with the new season I haven't had time to finish writing the review. Though my thoughts on it are similar to yours.
Vonter
Nier Automata has a 10+ hour prologue. So far the game feels like it's more interested in delivering strong emotions than a compelling narrative, not that script is poor but seems disjointed in a way, circling around the themes of existentialism, purpose and truth without overexpositing about these things. It also some moments remind me of Fragile Dreams. Like the despair.
AidanAK47
The old man is the one I can't pin down. Been thinking he might represent the kind of anime that's critically lauded but sadly unpopular. Makes sense as he's one of the few on the opening that doesn't stand near ads for his anime. Or else he's a live action drama representative.
AidanAK47
Been wondering about the Re:Creators characters. We got the obvious representatives from Magical girl, Mecha, Light novel and video game. The knight girl looks like clear homage to Saber from Fate so a Visual novel representive? The psycho girl looks to be a chunni anime representative. And the guy who appeared at the end of ep 2 is clearly Shounen.
Kaiser-Eoghan
@Mario: The Ramsay one sticks out as the most interesting to me as does the lathimos one. I'm curious about that Russian one about the woman looking for her imprisoned husband as I'd like to watch more contempory Russian films.
Kaiser-Eoghan
@Mario: If you can get passed the accents Ramsay did a strong piece of social realism in the 90s called Ratcatcher.
Kaiser-Eoghan
@Mario: I think the only Baumbach film I've seen is Frances Ha and I liked the new wavey feel it had. With The lobster and re-watching dogtooth I was able to get into Lathimos' pitch black humour alot more. I've never actually seen a hong-sang so film.
AidanAK47
@Amagi, I still really enjoy it but I do get what you mean. Looking at the series overall so far it does feel like there was lost potential.
Amagi
I honestly still don't know what to think of LWA. I wasn't a fan of the formularic first half but the second half doesn't really catch me either. I loved the first OVA though.
AidanAK47
Well I will be damned. That G Koh commenter managed to predict the inclusion of Yggdrasil in Little Witch Academia. Nicely done.
SuperMario
@Kaiser: sadly i won't make it this year. I wanna try the Toronto International Film Fest next time whenever I have a chance
SuperMario
@Kaiser:you heard about this year's Cannes selection?Overall it's solid, not many that scream "masterpiece" for me.Overall I'm exciting for Hong Sang Soo's new movies (he has 2 movies screening at Cannes and 1 already aired at Berlin.What the hell),and The Killing of the Scared Deer(Yorgos Lnthimos), You were never really here (Lynne Ramsay),Okja(Bong Joon Ho) and Meyerowitz Stories(Noah Baubach)
Kaiser-Eoghan
Hmmm...just found out That Blame! 2017 is being done by a the Ajin director, not sure how I felt about that.
AidanAK47
Think this is the best time to end the series too as the difficultly was getting to be a bit too cheap.
AidanAK47
Lore wise it's pretty disappointing. Ending the game with an enemy that doesn't really have that much relevance. But Gameplay wise it was excellent. The final area was just beautiful.
Lenlo
Ringed City was a great piece of DLC and a good way to end the series imo.
AidanAK47
Dark souls sure can give you workout. Finally got around to finishing the ringed city DLC. Funny thing is that people were raving about how hard Midir was when I didn't have that much trouble with him. Gaol gave me some trouble but I managed it. Hardest was the demon prince and god I hate multi stage boss fights. Such a goddamn pain.
SuperMario
Atom still waiting for suitable subs. I swear to God, for a completist like myself the wait is unbearable, especially it should've been available already
HelghastKillzone
Yes it is.
Anonymous1020539
I mean...
Anonymous1020539
Re:producers is really great
Kaiser-Eoghan
@Aidan: I can see myself chancing more of it, I kind of caught into its rhythm a bit.
AidanAK47
Novels are actually really short. About 90 pages long per volume. They really could cover this in a single cour.
AidanAK47
@Kaiser, SukaSuka? From what I could tell it covered the first two chapters of the light novel. Each novel has 5 chapters. Though the first and last chapter are more of a prologue and epilogue respectively.
Kaiser-Eoghan
Actually if shuumatsu's first episode is going faster than the novel, roughly how much so? Its still obviously a slow burn in animated format but how much was covered in episode 1?
AidanAK47
Could have done without the huge infodump but otherwise still loving Re:Creators. Seeing a magical girl shocked over her own level of destructive power was great.
Kaiser-Eoghan
Eh, I liked the use of music early on in shuumatsu and theres a good mood set up early on along with a good opening scene but the later parts of the episode except maybe for the after credits bit get a shrug from me.
Kaiser-Eoghan
@Mario: Kado has made its hook, now it needs not to keep holding its cards and get going.
SuperMario
hmmm, don't know what to think about Kado ep2. Still good but I expected more
SuperMario
But really my mentality is that this site comes first. Getting more traffic and improve the site are my top priorities, then "what I wanna do for myself" comes later
SuperMario
@Travlos: guess you won't have to read me this season :). Haven't checked out the last episode of Kado yet but based from the first 2 episodes I think you'd enjoy that show.
Don’t worry. It’s something Aidan and me both agree on. We pretty much write for ourselves, otherwise we couldn’t have stayed this long. I get a chance to go off track once in a while to write something I wanna write.
Konstantinos Travlos
@SuperMario. I am definitely watching Shingeki no Koyjin 2, Shingeki no Bahamut 2, Re:Creators, Little Witch Academia, and probably Kado and Zero Kara. I may also do Zipang this season.
On the reaction reaction. What you say is ok. But remember, a hobby is something you do for yourself. There is a limit to how much you should care about the views of others. :)
Kaiser-Eoghan
@Lenlo: Or if I can use a quote from Chang from Black lagoon : "A fragranced shit will forever still retain the smell of shit"
Lenlo
As most likely the biggest Berserk fan in this chatbox, its better but that doesnt make it good. Spraying fabreeze on crap doesnt make it any more appealing. Yet I will watch it anyways.
Anonymous1018231
You don't even know
Anonymous1018231
Lies Aidan it is soooo much better
Anonymous1017807
Tbh I'm enjoying Alice to Zouroku so much simply because I identify with the old guy's no-nonsense attitude. It's fun to see the annoying loli get put in her place. X.D
AidanAK47
Anyway Bam is supposed to be covering it. Seeing as he covered the first season.
AidanAK47
@Anon, I watched the first episode of the second season. Better? Yes, but only slightly.. It has all the same problems as the first season.
Total users: 22

Featured Posts

Tsuki ga Kirei – 04 [Passing Shower]

I’m totally impressed with Tsuki ga Kirei thus far. This show has its own voice and after this episode I’m confident that we will have the constant quality in display for the rest of its run. Nothing can beat consistency, I assure you. This week, the kids go to another city for a school trip […]

Sakura Quest – 04 [The Lone Alchemist]

Hmm, I don’t really like the direction Sakura Quest is going for. To be more precise, this episode brings up some questionable variables that I don’t think blended well with the show. The actual story for this week though, is still enjoyable and grounded enough to overcome those concerns. At least for now. This week the […]

Little Witch Academia – 16[The Trial of Pohjola]

One of the weaker episodes of the show but still enjoyable. This week sees us visiting Lottes parents and Akko unlocking another of the words of Arcturus after sloving a disease outbreak. Thus getting closer to the grand triskelion and now learned the meaning of pathence. Except she didn’t learn the meaning of pathence. This […]

Re:Creators Episode 3 – “Don’t worry about what others said. Just be yourself.”

This week wasn’t a particular exciting episode as it went further into how the mechanics between the Creator and Created might or might not work. As speculated last week, Yuuya Mirokuji is a pretty fun character that takes his teleportation into the modern world in stride. His own fictional universe of the Tokyo underground isn’t […]

Uchoten Kazoku 2 – 03 [The Scent of Europe]

Dear, how this show spoils me with its magnificent and whimsical magical realism Kyoto world. Last season, we were treated with many Eureka moments like Benten pulling a whale’s tail; tanuki drinking in a floating house to enjoy Gozan Fire Festival, or a fake train running around the shopping mall. Whatever the case, the way […]

Seikaisuru Kado – 03[Wam]

I admit this show moves at a pace that is rather slow but he concept it sets up is truly brilliant. Normally in alien invasion stories the threat is clear as the aliens blow up the white house and attack humanity. Other versions usually paint humans as the antagonist force attacking something they don’t understand. […]

Shingeki no Kyojin(Attack on Titan) – 29[Soldier]

Before I started this episode, I had it in mind to write in this post that the titan designs of this season were far less intimidating and more comical. After this episode however you can consider that though solely retracted. Personal favorite is the titan that appears when Reiner opened the stairway door. If I […]

Tsuki ga Kirei – 03 [Howling at the Moon]

Tsuki ga Kirei sure understands about the life of 14-year-old kids would be like. I’m sure we all have different experience about that pre-teen stage of our life, but the life portrayed here is so vivid and true to life that it brings out our fond memories as well. Personally, while not much really happen […]

Sakura Quest – 03 [The Cry of the Mandrake]

“The one who can change the town is the young fool outsider” Which kind of makes sense, since the outsider’s perspective will give a fresh take to improve the town. That makes our Queen Yoshino the perfect candidate, but as the interview goes on, she learns the truth: she hardly knows anything about the town, […]

Latest Reviews

Kobayashi-san chi no Maid Dragon (Winter 2017) Review – 74/100

I remember back in the first impression of last Winter season, I regarded Demi-chan as a better Monster Girls slice of life subgenre over this one. But as the season progressed, while Demi-chan run out of its steam quickly, this one picked up its pace after an underwhelming first episode to become a much more […]

Scum’s Wish (Winter 2017) Review – 80/100

I remember after watched a movie called “Requiem for a Dream” a few years back, I felt devastated for an entire week. The ending hit me so hard that after finished that movie I had to walk around my area for 2 hours in the middle of night to settle my feeling and I thought […]

Shouwa Genroku Rakugo Shinjuu Review – 90/100

When you have watched a large amount of anime you can come to assume that you have learned a lot about Japanese culture. Though I think it’s testament to how limited it is to view Japan through anime when you come to realize that despite watching so much, you have never heard of Rakugo. Rakugo […]

Youjo Senki Saga of Tanya the Evil Review – 80/100

Isekai stories have become somewhat of a tiresome genre as of late. There have been many stories of people being transported/reincarnated into other worlds where they shed their once pitiful exterior and become some legendary figure in another world. In most cases it’s trit, balant childish wish fulfilment and the stories often become tiresome when […]

ACCA: 13-Territory Inspection Dept. (Winter 2017) Review – 83/100

Imagine my utmost amazement when a show that I wasn’t that confident on taking in the beginning turned out to be one of the most solid offering this season had to offer. ACCA is the most recent anime adaptation from mangaka Natsume Omo, which despite isn’t a household name, many of her works (6 titles […]

Demi-chan wa Kataritai (Winter 2017) Review – 62/100

Demi-chan is one of the newest addition to the monster girl subgenre, which usually feature a human helpless male lead get stuck in a harem of mythical creatures, in form of oversized boob girls of course (why usually those monsters are in female forms anyways? Aren’t they sexless?). In this case, we have monster girls […]

Seiren (Winter 2017) Review – 51/100

Let me say this out front, Seiren is NOT a good show, it’s a highly uneven one. Throughout its run, I can see some solid moments and fresh ideas that could potentially raise it above the bar, but ultimately, view it as a whole, Seiren is a show that isn’t worth recommending. At first, I’m […]

Flip Flappers (Fall 2016) Review – 93/100

What makes Flip Flappers stand out from the rest of the anime field? I found a lot of people asking that question along the way. Well, first off, Flip Flappers isn’t your ordinary anime offering, that’s for sure. Its visual styles are too much and too incoherent for one thing, the narrative never really reveal […]

Sound! Euphonium 2 (Fall 2016) Review – 86/100

I must admit that out of all the series I was blogging last year, Sound Eupho 2 was the one I’m saddest to see it ends; not because it was my absolute favorite anime last year, but because the sheer amount of their attention to details and their ridiculously quest for perfection are something that […]