Posted by psgels on 19 September 2011 with categories: Ikoku Meiro no Croisée



What an absolutely adorable final episode. This was just perfect to close off this series with a heart-warming feeling. At first the episode started off a bit uninspired, with Claude getting angry yet again, and Yune getting lost yet again, but as soon as Yune got on the roof of the Galerie, this episode never lost its charms.

It really forced Claude and Yune to talk to each other, and Claude to finally talk about his father, and the way the creators did it was incredibly charming. Throughout most of the series, my main issue with it that Claude might have been a tad too angsty was also pretty decently explained.

Overall, the big difference between this series and Usagi Drop: Usagi Drop was more realistic, while this series was better at creating its atmosphere. Because of that I believe that I like this series a bit better, and its charms hit me more.

Next season, it’ll be time for Tamayura. From the OVAs, we already know that it’s going to be a charming slice of life series, but it’ll be interesting to see whether it can surpass this series. The key will be the fact that it’s anime original: with that, you can make it do things that just won’t be possible in an adaptation, and I really hope that Sato Junichi will make use of that.
Rating: ** (Excellent)

2 Responses

  1. Anonymous Anime Addict says:

    This episode is actually chapter 5 of the manga. They expanded it to add some of the details of Jean’s death which is revealed later on (in chapter 8 of the manga). Initially, I wondered why they had skipped it in the anime adaptation, but then I guess they were saving it for the finale. As it was an earlier chapter, I too felt that it did not do justice to the understanding and gentleness that had been so carefully developed between Claude and Yune through out the anime series (which is why Claude’s behaviour at the beginning of the episode seemed a bit out of place). I really do think that chapter 8 of the manga (a visit to the Grand Magasin) that sequentially followed the second to the last episode (Chapter 7: The Park) would have made a more fitting ending, as it really develops Claude and Yune’s relationship in pace. That said, overall it really was an endearing anime.

  2. Hogart says:

    This one was largely driven by the cute, but it’s charm was undeniable. Claude and Alice dragged it down, Yune and Oscar dragged it up. I liked the ideas, but it felt too repetitive, and a bit bipolar. Usagi Drop was about as good, but it had a more solid feeling of sincerity and growth that made me prefer it slightly. Having both series run in the same season was a crying shame.

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  • AidanAK47
    (Monday, May 25. 2015 04:48 PM)
    You know when Shinji was talking to Rin. You could have said something Lancer.
  • AidanAK47
    (Monday, May 25. 2015 04:47 PM)
    @Bam, Ouch. Come on I think comparing him to Kirito is a bit much. You think that Kirito would every be shown getting this much of a beating?
    I do argee that lancer should have jumped in sooner…but he did get a spear though the chest and likely did need some time to rest after attacking Kirei. But a “HEY FECK OFF YOU LITTLE SHIT” would have been appreciated.
  • Bam
    (Monday, May 25. 2015 05:54 AM)
    The episode was alright and felt dense as I watched it, but in hindsight only really moved the plot forward incrementally. Lancer not untying Tohsaka as soon as he killed Kirei and then not killing Shinji when he clearly had the chance left a bad taste in my mouth. That and Shirou’s heavy plot armor at this point is becoming reminiscent of another famous anime dual-wielder. Not a compliment.
  • Bam
    (Monday, May 25. 2015 05:46 AM)
    UBW 20 felt like another rendition of Eva 26 (Take care of yourself), complete with character analysis, battle with one’s Jungian Shadow, and loosely Buddhist ideas of self-actualization. It even featured the repetitive monologue shots that fade to black (with “I saw Hell” instead of Rei’s “Sky. Red, red sky”). It never went as far as Eva with “which way is up?” type of Soliloquy, but that’s probably a good thing.
  • Emma
    (Sunday, May 24. 2015 05:48 AM)
    Ashura was an excellent example of how to through anime illicit and emotional response in an honest, non-melodramatic way.
  • Emma
    (Sunday, May 24. 2015 05:46 AM)
    @Bam: I’d be more than happy to take a look at some of those shorts anytime.
  • Bam
    (Sunday, May 24. 2015 05:44 AM)
    @Emma: there’s a lot of European animators that got active in the last 10 years or so that are really reinvigorating their animation scene, and every now and then I get introduced to some fabulous shorts.
  • Bam
    (Sunday, May 24. 2015 05:40 AM)
    @Emma: no I don’t really mind gory ‘for the fuck of it’ violence, I even like it in some grindhouse type of works, but I just don’t think it’s always effective as a shock factor. Live-action is the most sympathetic for obvious reasons, but there are animated works that do elicit a deep response. Probably because of circumstances but also the details of the in-between animation, which can induce certain feelings of disgust.
  • Emma
    (Sunday, May 24. 2015 05:39 AM)
    *here and there
  • Emma
    (Sunday, May 24. 2015 05:35 AM)
    @Bam: I really wish there was more arthouse anime now to give some kind of a balance to everything thats out these days.

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