Posted on 31 October 2011 with categories: Ben-To



Okay. So this episode had fanservice. Heck, there was more fanservice than compared to most moe shows.

Thank god this show knows what it’s doing, though. The fanservice in this episode thankfully 1) was creative and 2) didn’t reduce its female characters to morons. There were times when it went a bit too far like with the incest jokes, but this episode made me laugh quite a few times thanks to the great characterization of this show.

There are also these weird characters like that girl whose eyes we never see, and who looks like an important character, yet has nothing to do with the story. Or take Ume Shiraume, who has absolutely nothing to do with fighting over lunches, but makes the rest of this show hilarious with her antics. With the way that Shaga was introduced in this episode I expected this stereotypical love interest who walks over everyone, and yet she was actually no match for both Shiraume and Yarizui. Combined with good acting around this parts lead to a well fleshed out character within the episode she was introduced in, even though she started as a big stereotype. It really is the big difference between this show and just about all other moe shows for me: the acting nearly always seems either too bland or too forced to me. Here, the characters have their over the top concepts, like obsessive stalker, deadpan and tomboy, and yet manage to give enough sides to them to have them move away from these stereotypes.

And on top of that I have to praise David Production for animating great fight scenes over and over. It’s not like they have a lot of budget, but the sense of timing in these battles is just impeccable. The rituals before and after each battle (quietly waiting for the discounts to be handed out, and collecting the spoils of war) also work really well with it.

I have been criticized of treating some of the moe shows like Mayo Chiki, Utapri, Sofuteni and Idolmaster too harsh, when they’re supposed to be light entertainment. but the thing is, for entertainment, I sure as heck wasn’t getting entertained by these series that all just look like each other and feel half-hearted in their execution. These criteria are of course different for everyone, and if you enjoy them: good for you. But when I watch a show that focuses on entertainment, I really want to watch something that actively tries to be as entertaining as possible (not just in the way of Majikoi of having one entertaining episode… only to be followed by a ton of boring stuff where you feel like hardly any effort was spent on it). I found these series earlier this year with shows as Level E and Dororon Enma-kun, and now I’ve found another with Ben-To. It’s only got 12 episodes, so let’s see if it can keep this pacing up all the way.
Rating: ** (Excellent)

Posted on with categories: Fate/Zero



Um, people. If an entry of my is delayed, It just means that I’m busy with this thing called life. I really try to update fast, but there are times when I’ll be busy with either work or friends. It doesn’t mean that I’ve dropped something, just because I’m late with it.

Now that that’s out of the way, this was a definite improvement over the previous episode due to all of the characters involved. Aside from the Caster-Duo, all of the major master-servant pairs were involved here in this episode, which fits this series much more compared to the previous episode’s duel with lots of talking. There was a lot of stuff that everyone had to take into account, and everyone arrived at the battlefield with a different agenda, and a completely different battle plan. If the rest of the battles are like this the we’re really in for an awesome show.

I’m probably not the only one in this, but the one who really stood out for me was Rider. His chivalry along with his air of just not caring to be careful really stood out. Apart from that I also like Kirei and Kiritsugu, as they seem to know what they’re doing the most. There are a few characters who are still a bit too one-sided at the moment, like Caster’s master and Lancer’s master also needs a bit more attention. I also find it a bit of a pity that Saber is being pushed in the underdog category. That just doesn’t fit this series where the themes as chivalry are huge.

I also have to praise Ufo-Table for their great work on the CG. I mean, it has the bad luck that it airs in a season with both Last Exile and Guilty Crown, but if those two weren’t there it would without a doubt had the best visuals of the season.
Rating: ** (Excellent)

Posted on with categories: Monthly Summaries

The ratings I have given may seem lower than usual, but I’m actually quite positive about this season. The big reason why is that for once, there are plenty of series that are planned to go beyond 13 episodes. And that’s a massive improvement over the seasons of the past year. Because of this, series can take a bit longer to get going, but for now I’m happy, because there are a lot of potential gems here.

The biggest plus of this season is its creativity. There are a ton of series with very imaginative settings, that try to do something different, or that just put a lot of thoughts into their execution beyond just the basics. Again, this needs time to really pay off. In a way, this is better than the past summer season, which started off incredibly strong, but many series didn’t have the room to fully grow and take off.

#29 (new) – Chibi Devi – (2,25/10) – For me, this was the worst show of the season. Ridiculously cheaply made, really bad jokes, really bad acting and based on a very flimsy premise. Dropped.
#28 (new) – Maken-Ki – (3,75/10) – Maken-Ki is stupid fanservice with a lot of boobs, panties and fighting. Dropped.
#27 (new) – Mashiro Iro Symphony – (4,25/10) – With this series, Manglobe has exited my top 10 of favorite studios. Blacksmith and TWGOK were one thing, but this was just bad in every way aside from perhaps good inbetween animation. The drama is cheesy, the characters are one sided and stereotypes, and there’s nothing interesting about it whatsoever.
#26 (36) – Shakugan no Shana – (5/10) – After watching the first episode of the third season, I am glad that I didn’t continue with it. It’s good to see that this series is evolving, but the direction in which it evolved was rather questionable. The twist around Yuuji in particular is such a cheese ball of a twist, especially considering the cast of this series. Dropped
#25 (24) – Digimon Xros Wars – (5,25/10) – What surprised me the most about this installment of the Xros Wars saga is how incredibly hyperactive the new male lead is. Overall, Digimon Xros Wars is a show who downplays itself because it probably thinks that kids are idiots. It’s a huge change with the original Digimon series, but change alone isn’t always good.
#24 (new) – Maji de Watashi ni Koi ni Shinasai – (5,75/10) – Now this was fun! Or at least, that’s what I thought after the first episode. The first episode made no sense, but it was over the top and every character was having fun in his or her role. And then the second episode came and things got really dull. and then the third and fourth episode came and this show degenerated into nothing but fanservice and dull repeated harem antics. This is what you get when you want to open with a bang, but have no intentions of putting in any other effort at entertaining your audience beyond it.
#23 (new) – Sengoku Paradise: Kiwami – (6/10) – This one is good…. for about one laugh. If you’re really bored you might want to give it a chance, but in the end it’s not really worth it compared to the other comedies this season.
#22 (new) – C3 – (6/10) – I like diverse shows. However, that doesn’t mean that I automatically consider any show that has it good. A very nasty example of this is C3: this set up would have been nice, if only the acting wasn’t so abysmally bad, it didn’t feel like the Shaft of three years ago, it didn’t force its drama and plot twists, and it wasn’t so damn cliched. These characters are in no way fun to watch. They’re incredibly stupid stereotypes with superpowers.
#21 (new) – Mobile Suit Gundam AGE – (6,5/10) – At this point, I’ve gotten tired of Gundam shows, so I have very little patience for them. At this point I see too much potential for this show to become a boring repetition of random battles. The first episode just had too many things that made me tired of this genre. Wake me up if it does turn out to be different. Dropped
#20 (new) – Guilty Crown – (7/10) – This one turned out to be the big disappointment of this season. It has an excellent pedigree, and yet it hardly takes any chances or risks. It’s full of cliches and characters who don’t know what they want to be. The female lead in particular is bad for doing absolutely nothing within the span of the first three episodes. The animation looks gorgeous, but even that turned out half-assed with the third episode.
#19 (new) – Boku wa Tomodachi ga Sukunai – (7,25/10) – In the end, I decided to drop this show. I just don’t get what’s so good about it. The only thing that I liked about the first three episode was that it has very solid dialogue. Beyond that though, it’s just another harem with too many cliches, forced characters and uninteresting drama.
#18 (new) – Sekai-Ichi Hatsukoi – (7,5/10) – I dropped this show. The biggest reason for this is lack of time though, but at the same time I also have to say that while the comedy in this show is nice and the characterization is good, I’d rather watch a show about actual gay people, rather than angsty bishies who keep raping each other.
#17 (15) – Nurarihyon no Mago – (7,75/10) – Agh, this is my problem with most shounen series: how long did it take again for this story to take off? It’s been forty episodes, and Rikuo is put into yet another training arc that bogs down the story. Also, the entire set-up of this arc bugs me: it’s well directed, but when Rikuo created his Parade of 100 demons, I expected him to do this for the sake of creating a small army. What the past episodes have been doing is take random characters away from the others, and throwing them in predictable one-on-one or two-on-one battles. The big problem is that they tended to end with a very predictable save at the last possible moment that could have been seen from miles away. How much more of this build-up and random battles against waves of uninteresting enemies until things get interesting here?
#16 (new) – Kimi to Boku – (7,75/10) – This one has potential. It has this boring atmosphere that at first sight seems like an instant failure, but then it comes and turns that atmosphere around again. The characters all have their moments that get on my nerves, thoug, but none are as bad as the blond kid. Will he ever shut up?
#15 (new) – Persona 4 The Animation – (7,75/10)

Persona has the potential to become great as it goes on. Its premise can get really good in terms of character development if handled well. At the moment it’s still a bit too stuck in its own formula to really take off, though. There is little time given to flesh out the characters, which is why the parts where they show their inner secrets lack the impact they could have had.

#14 (new) – Kyoukai Senjou no Horizon – (7,75/10)

This series’ biggest asset is its creativity. It’s set in an original world and the cast of characters is HUGE and very colourful. The overall plot feels a bit random and silly, but it’s definitely building up to something. The character designs themselves are abysmal, there are some definitely annoying characters and a lot of time is spent on just goofing off, but there’s some definite potential here.

#13 (new) – Phi Brain – (7,75/10)

This is a rather silly show about puzzles. In particular the antagonists make really weird decisions and have really strange motivations, but it’s worth it to see what kind of puzzles the creators come with, and the overall cast is eccentric, yet fun to watch. There is a very real chance for this show to become TOO eccentric, though. The key will be good variety in the puzzles from this point on.

#12 (17) – Shinryaku!? Ika-Musume – (8/10)

Overall Squid Girl’s second season has been a little step down compared to the frist season, but for comedy sequels’ standards it isn’t much of a step. The animation has gotten slightly worse, and some stories are too forced, but there still are a bunch of really hilarious stories. It needs to keep this up, because getting worse from this point isn’t an option.

#11 (9) – Bakuman – (8/10)

I do have to say that Bakuman is currently the best Shounen Jump series out there. Unlike Gintama and Sket Dance it isn’t throwing a bunch of random stories around in the hope that it’ll get lucky and strike gold, while unlike Nurarihyon no Mago it isn’t breaking up the flow with constant training arcs. The second season does have fixed some of its pacing issues, but on the other hand it’s not yet Hunter X Hunter material, and things have been rather monotonous.

#10 (new) – Tamayura ~ Hitotose – (8/10)

The two big slice of life series are both very, very different, but they’ve got one similarity: they depend on characters with annoying sides, and they somehow make it work. For me, Tamayura does it the best of the two at this point. It’s really well animated, and it actually uses photos really well to flesh out its cast. The drama around it isn’t random, but tells a lot about the characters. Some parts like the whistling and the shota fangirls can get annoying, though.

#9 (new) – Hunter X Hunter – (8,25/10)

Here is the thing with this new season: it’s much faster than the first season. That has advantages and disadvantages. The story flows more, it’s easier to get into and as the result a lot of very interesting stuff has already happened in just four episodes. Now, the thing remains that this show skips a lot of time to flesh out the characters because of this. Out of all adaptations that feel rushed this season, this one actually does its best to hide it so far, but the real test for this show will be the point where the characters will actually show themselves off. Will these be as great as well? Right now, the only parts that really are worse than the first season are the music, and some of the voice acting.

#8 (new) – Mirai Nikki – (8,25/10)

Mirai Nikki is over the top suspense, and it realizes that. The characters are fun and well acted together, there’s a good whiff of romance without overdoing it, and the first three episodes have been very entertaining with a pretty good atmosphere.

#7 (new) – Fate/Zero – (8,25/10)

Fate/Zero stands out as the most solid series of the season. I refuse to watch Fate/Stay Night but this was completely different and much more interesting (and heck, we’re talking about actual adults this time). My big complaint about it is that it’s a bit boring with its exposition. There are long scenes of characters just standing in one place and do nothing but talking, and characters stop in the middle of fights to explain their moves. That breaks flow.

#6 (new) – Ben-To – (8,25/10)

What makes Ben-To so addictive is its direction. It has definite harem elements, but tis delivery is fresh and interesting. The jokes all work great, the timing of this show is perfect, and even when it’s not funny, the characters are interesting and well acted, rather than most other moe shows that have just boring characters. On top of that the fights are a lot of fun to watch, and the premise of fighting over half-priced lunches just kicks ass.

#5 (new) – Last Exile – Ginkyou no Fam – (8,5/10)

If you’re planning to watch this series, I have one message for you: watch up to the second episode. Both episodes are completely different in tone. The first episode is rather childish, where the second is very serious. It actually manages to blend the two together very well and most importantly it knows when to ditch its silliness. What really impressed me is how much the creators put into the setting. This show is full of creativity and the world it’s played in actually feels alive.

#4 (new) – Chihayafuru – (8,5/10)

This show has the best characters of the new season. They’re really well animated, very dynamic (showing both their young and old versions in full details really helps!), plus the karuta matches were really made exciting. The big challenge for this show is making the karuta matches this way. It’s a very simple game, so keeping up this pace will be a challenge.

#3 (new) – Un-Go – (8,5/10)

I really like the storytelling in this series. This show knows that it’s Noitamina and tries to stuff as much into its episodes as possible. The result is that it’s really fast paced, but not in a bad way. Episodes do require a second watch-through in order to get everything, but for me that’s not a bad thing at all. My only gripe is that the cast of characters is rather flat.

#2 (4) – Hyouge Mono – (8,75/10)

This month was all about character development. Naturally this was a great chance for the cast to shine, in a very weird arc that completely ditched the warfare in favor of esthetics. This is Bee-Train though, so I’m really looking forward to what they have planned for the ending.

#1 (1) – Mawaru Penguin Drum – (9,25/10)

Penguin Drum has definitely changed this month. I think that it’s for the better. It’s both become hilarious and the character development is really kicking in. It keeps finding new ways of showing symbolism and toying with its storyline. And yet, amidst the chaos, nothing is just thrown in at random. It would be awesome if the final third will be able to live up to the potential that has been built up so far.

Posted on 30 October 2011 with categories: Hunter X Hunter



Something bugged me about this episode, but I really couldn’t put my finger on what it was, so I actually ended up rewatching parts of the original series to find out (this took place on episode 8, by the way, to get a frame of reference). This episode actually made this part play out LONGER than the original TV-series did. In any case, after watching it, I really knew what bugged me: the acting.

With this, I’m mostly referring to the parts about Hisoka. The general scenario was the same, but how the characters acted just made this episode in the first season better. The problem lies with both Leorio and Hisoka hamming it up a bit too much, plus some really weird rearrangements in the battles (Hisoka’s teleportation powers, for example). The overall result of this is that in the first season, Hisoka really had this air around him of being a menace. Here he looks a bit too when he speaks every single line of his with extreme passion. It makes him much more of a generic villain at this point. I mean, heck, he looked like he was about to get an orgasm when he grabbed Gon.

Strangely enough this is not the product of this show going too fast like what I first feared. It really is just the acting. There were also these strange points like how Gon didn’t find it strange that Hisoka just grabbed Leorio and walked off, but that’s just inconsequential nit-picking. I do have to say that I still liked this episode, and especially the first half, along with the use of the Frog and the laxative (which was something that the first season couldn’t use).

Also, in terms of the big picture: every single episode here has been significantly different. We go from the sea to moral questions to quiet build-up to running to fighting monsters, in just five episodes. I can really not remember any other shounen that was as diverse as this one within just 5 episodes.

What I also love about this show: everyone is equal. There isn’t the usual crap of “you need to fight guy X before you can fight his boss before you can fight his boss before you can fight his boss before you can fight his boss, ad infinitum”. Everyone here is on the same ground, trying to pass the Hunter exam, and there is none of the usual hierarchical business that shounens usually use to pad out their lengths beyond all forms of patience.
Rating: * (Good)

Posted on 29 October 2011 with categories: Last Exile - Ginyoku no Fam




Now that every show has put out three episodes, I think I’ve found my three favorites of the season so far: Un-Go, Chihayafuru and Last Exile. Un-Go for its storytelling, Chihayafuru for its characters, and this series for its setting.

Because seriously man, is there any limit to the creativity here? Compared to this show, Un-Go seems like a collection of cliches. The background art isn’t just gorgeous here, it’s full of all kinds of original ideas and the architecture in this series is some of the best I’ve seen in years. What’s most important though: the setting here feels alive.

This episode really convinced me that the creators know what they’re doing. On top of showing the main characters mourn about what happened, they also show how the people who live in the same city deal with the recent attacks. The ritual of letting balloons fly upward with candles underneath it was also a really nice touch, but also the way in which the debris of last episode was salvaged was a great addition.

I also have to say kudos to the characters for bringing this all out. This episode showed that the creators know when to be serious and when to be light-hearted. There was not a hint of the creators wanting to downplay the loss of Turan’s family, while at the same time they also didn’t try to make it melodramatic or way too angsty for its own sake.

Good Gonzo, it’s great to see you back again!
Rating: ** (Excellent)

Posted on 28 October 2011 with categories: Anime Reviews, Macross Frontier




Um… yeah. This movie…. I think I’ve just been trolled.

The first Macross Frontier Movie stayed very close to the TV-series, only in a much more streamlined version. It cut all of the unnecessary stuff that dragged out, and instead focused on the core of the series, which worked really well and I ended up really liking it (and this is coming from someone who was really annoyed by parts of the TV-series). The second movie is… different…

One of my problems with Macross Frontier was that some subplots took forever to get anywhere, and a lot of them were resorted rather half-heartedly, if at all. This movie isn’t like that. This movie wants to be exciting. This movie wants plot twists, and it delivers them no matter what.

It’s difficult to do this review without spoilers, but let’s just say that this movie wants to deliver plot twists a little too badly. Especially the second half shows this. The result is a story that has lots of twists and turns… that just don’t make any sense whatsoever. You are going to have to turn off your common sense if you want to be able to enjoy this. I did not, and was raging throughout half of them. This was in no way good storytelling! The creators just pulled whatever twist looked the coolest out of their ass, and completely disregarded narrative logic. And I’m not the strictest when it comes to not making sense, but what the creators pulled here was just deus ex machina after deus ex machina that only add to the style of this series, not the substance. Oh, and Shoji Kawamori shows his environmentalist side again. You know, the kind where the environmentalist messages are just shoved down your throat without any sense of subtlety.

*Ahem* when you do turn off logic, you’ll be rewarded by an utterly gorgeous movie. In particular the musical segments shine as ever. This is one part at which Macross Frontier has never disappointed, and this is o exception. The use of colours and camera angles shows how much budget and animation talent went into this. Both for the 2d animation as the CG as the backgrounds.

It IS a fun movie. Just don’t go into it expecting good drama, because the drama here is of soap opera quality.

Storytelling: 8/10 – Well, it’s fun and engaging. It’s at least a great action movie.
Characters: 7/10 – This movie does add things here and there to the characters, but I’m not sure whether they were good ones. The three leads do have extra charms compared to the TV-series… but there still are enough annoyances about them.
Production-Values: 9/10 – Not among THE best animated movies, but it has stunning visuals nonetheless. Gorgeous for movie standards, but loses points for reuse of soundtrack.
Setting: 7/10 – Makey no sensey. Also Kawamori’s environmentalist traits got old years ago.

Suggestions:
Redline
Rebuild of Evangelion 2.22: You Can Not Advance
Tailenders

Posted on with categories: Hyouge Mono



What is it with this show and suddenly changing characters’ haircuts for one episode?! I mean, seriously: first we had Hashiba Hideyoshi and Sasuke who both went bald for just one episode, and now that bald monk suddenly grew hair… only to shave it off again. I have been watching anime for too long. Hair isn’t supposed to change! *har har*

In any case, the sudden debut of new soundtracks, along with the introduction of armors again after god knows how many episodes are really telling me that the creators have interesting things planned for the final parts of this series. Heck, it was quite interesting to just ignore the warfare aspect of this series, just to focus on character development and esthetics, only to switch back again to the warfare that made the first 15 episodes so addictive. And unlike shounen series who try this, it had plenty of interesting stuff to replace it with.

Oh, and it seems that the characters haven’t stopped changing at all. Sasuke completely freaked out in this episode (being a daimyou probably made him a bit more wary about warfare than what hhe used to be). Oh, and Sennou Soueki’s new mansion. love how much creativity was put in the structures.
Rating: ** (Excellent)

Posted on with categories: Persona 4 The Animation



I must say that Persona chose to go with a premise that is very easy to go wrong: its antagonists feed on angst. The most annoying part of the past episode, apart from that bear perhaps, are the speeches of “I am you! I’m actually not as perfect as you thought me to be!”, following by lots of denial. Again, it has to do with a rather annoying formula that isn’t just used by this series (if that were the case I could easily forgive it), but it’s the same kind of set-up that loads of other shows use.

I get what this series is trying to do: we all have our different sides. The lead characters all refuse to accept some of those sides, and those persona thingies will help them accept these sides. It’s a solid base, but I’m still missing something. That will be up for the rest of the series to fill in. Do some interesting stuff with this formula. These internal conflicts are great to give the characters background, but they don’t help in fleshing them out. The other selves are just too different from their usual personalities to the point where they nearly feel as different people.

The part in this episode that I liked was when the conflict was about to be resolved. For once the characters actually talk to each other to resolve their conflicts. These parts were quite charming. My big issue with this show is just that it depends on people’s ability to not think straight in order to create its antagonists.
Rating: (Enjoyable)

Posted on with categories: Mawaru Penguin Drum



Right after episode 14 is a popular time for characters to come with their backgrounds. I just love the way in which this episode did it, though. Natsume’s background was awesome in its presentation. It was completely over the top, but it fits this series really well. It was a really hilarious episode, and especially Natsume’s dreams were hysterical.

What’s more is that there still is order within the chaos: you could really see traits that give no mistake that she and her grandfather were related. This episode did a great job of explaining her background, her role in the story (although please: couldn’t they have gotten a younger voice actor for the young Kanba?). Also, the penguin hat isn’t dead!?

Overall, in a way I can understand where the people are coming from when they say that this show throws random stuff at the viewer. I have this same problem with most Shaft series, like the later series of Sayonara Zetsubou-Sensei and Bakemonogatari: the creators there really seemed to throw in just whatever the hell they’d like based on shallow wordplay that eventually got way too predictable in its unpredictability. Penguin Drum however has for me achieved the perfect balance between chaos and order: everything is related, but the things it throws at the viewer are all very creative and imaginative, and yet all of it is meant to flesh out the characters. And the thing is that this show is continuously changing: it still has the same style and mood, but it keeps finding new ways to play with its scenarios in lots of different ways.

And granted, Utena WAS better at this. It was completely un-rivaled in how well it used its own repetition to create excellent drama. However, we have yet to reach the ending of this series. Overall it’s a bit hard to compare two series of different lengths at this point, but what I can say at this point is that Utena’s brilliance lied in how much it did with so little. At this point it too still hadn’t shown its trumps yet, but instead of trying to be the roller-coaster ride that Penguin Drum is trying to be, it really tried to go for an as elegant series as possible. And with that it ended up being un-rivaled.
Rating: *** (Awesome)

Posted on with categories: Tamayura



Ah, screw it. Guilty Crown is hereby dropped from blogging. I’m still going to watch it, but I don’t want to blog about it anymore. Here’s the thing with it: it’s perhaps not as bad as say Majikoi or Maken-Ki, but it’s Noitamina. Not only that, but it has been given the rare privilege of 22 episodes. It should be more ambitious with that. My standards for this timeslot are very high, and I unfortunately have to say: these past three episodes were the most generic opening episodes of any Noitamina series I have seen.

As for a replacement: I’m not going to do Bakuman because of how it’s shounen jump, and I have some rather bad experiences with Jump adaptations after Gintama, Sket Dance, Toriko and Nurarihyon no Mago… and in any case there is the rare slice of life series that’s not based on any kind of manga or original material, and has Sato Junichi behind it. It’s also a good opportunity for me to find out why I have such a bipolar taste when it comes to the “group of girls living their daily lives”-genre. Seriously, I like shows as Tamayura, Aria and Soredemo Machi wa Mawatteiru a lot, but shows as A-Channel, Nichijou and Working never caught my attention.

In any case, what really helps is how much time this show focuses on fleshing out its characters. It doesn’t just have its cast do random stuff, but always tries to put meaning to what they do, fleshing them out in the process. The animation on top of that is really good, bringing the characters surprisingly to life. This episode was the same, and it was dedicated to Mao. She got a lot of depth here, which is great to see.

What I really hope to see in the second half of this series is that this series will make use of its format of being anime original, to really play with some of the conventions of its genre. It has the staff to do it; Sato Junichi will be able to pull it off, so I really hope that the creators will try this. It’s already doing a great job here to bring its characters alive.
Rating: ** (Excellent)

CHANGE USERNAME
Lenlo
Oh your right, it was Deen. I got them mixed up. JC staff has Food Wars. Thats what I get for peeking at a list of anime during work.
Anonymous1422679
That being said, no reason why you can't watch the OVAs before the TV series as well.
Anonymous1422679
@SuperMario Not at all, the Maho Yome OVAs are technically anime original (made with plot and design contributions by the original author though). The majority of the 3 episodes are a prologue but it probably makes more sense to have read/watched a bit of the original series to have context of the world setting and present day characters who also appeared.
Kaiser-Eoghan
Rakugo was deen I thought? Not JC staff?
Lenlo
@Aidan, yeah its a dark day. Animation will go down because the new director cant call in a bunch of freelance friends and im not to excited about the directing.

Still, they made quality pieces like Rakugo. I can hope.
Kaiser-Eoghan
But I'm at least thankful to be getting a non 12s/pg action film.
Kaiser-Eoghan
I remember the church scene in the first one.
Kaiser-Eoghan
Still wish the action scenes didn't have that modern editting though.
Kaiser-Eoghan
I took too long to get Colin Firth back into the story too.
Though the idea of Colin Firth of all actors being in a film like this is amusing in itself.
Kaiser-Eoghan
I also saw the new kingsman recently, when it focuses on the action its almost up there with the first film, I liked Julianne Moore's villain better than Sam Jacksons and wanted her to have more screentime, the Elton John running joke kind of grew on me. It was overall funny without being hilarious. but theres a whole chunk in the middle of the film I'd have cut
AidanAK47
Seen Kingsman 2. I think the critics are being too harsh with this one as the movies fine. Difinitely not as good as the first flim and far too long a running time but it has its fun points.
AidanAK47
@Lenlo, Oh you must be jokin...oh god it's real. No Shingo Natsume either. Yep looks like the second season is going to be a major visual downgrade.
Lenlo
Hmm, so One Punch Man is getting a 2nd Season, but its being made by JC Staff instead of Madhouse.
SuperMario
A question: Do we need to watch Mahoutsukai no Yome OVAs before watching its first episode?
SuperMario
@Amagi: they better have a second season. The way it ends now I don't even have any motivation to write a full review. I'm not really optimistic over it having a second cour because if the producers were confident about its chance, they would've greenlit it already.
Amagi
@SuperMario: Seems like the official radio confirmed PriPri might get a second season if the BD and/or game sales are good enough. - BD sales seem to be around 7k at the moment, but it looks like many only ordered them now, after the last episode, so it might be more.
KTravlos
@Aidan. Oh I did. Thank you for reminding me. I will write the review.
AidanAK47
@Travlos, Just in case you missed it, there is a reply to you earlier in the chatbox.
KTravlos
Kakeguiri also ended. In the end the anime original ending was not really an ending, but just a fan pleasing excursion. The integrity of the manga story remains. It was a good adaption, and I liked it as it brought to life the parts of the manga that make it interesting to me. Also a great Opening and Ending. Good show.
KTravlos
And to sum it up. I think this was a great series. All its episodes were good.
KTravlos
I actually am ok with the PP ending. The 12 episode series is self contained. Sure there are many future potential stories to pursue, but I felt there was enough closure to make the series a good series. This is because the next step of the narrative is really so long term as being more LOGH material than PP (the story of the ascension of Princesss to the throne, and then the story of her reforms)
Lenlo
Alright, I found the read more tag. Now my tendency to write more than I should will be contained.
AidanAK47
@Mario, Got to play catch-up but I am guessing it was very much a non ending?
SuperMario
Gosh, is that how Princess Principal end?
SuperMario
@KAiser: I really have a mixed feeling watching Assayas's films. I always find his works toe touch into pretentious area. Still have much more films from him I want to watch though so that opinion might change
SuperMario
@Kaiser: As Tears go By surprised me a little considering how straightforward it is. It's Wong's most by the book HK romance but it was one of his most commercial success. After this, the studio allowed him to do things he like and that was when he gone banana with his styles
SuperMario
not a fan. Can't even tell the difference between turtle and tortoise
Anonymous1420257
i like turtles
Kaiser-Eoghan
@Mario: I hadn't expected some of the dry/dark humour in sils Maria, I liked the themes/aging angst and its comments on hollywood in parts even if it needed to go a bit deeper. Stewart is a revelation in it. That X-men parody scene was fucking funny lol
Kaiser-Eoghan
@Mario: I actually kind of liked As tears go by. Mostly because of my experiences with hong-kong action flicks, much as I like John Woos films, the melodrama he tries to sell between the action never worked for me and left me just waiting around for the action to come round again. Wong was able to put genuine emotion into the hong-kong action film with this one.
Amagi
@Aidan: Somehow. The problem is rather Haruki anyway and it's canonically part of her character. Kei becomes more likeable IMO and the events get much more complicated and/or serious plus there are a bunch of characters getting added to the protag team which makes the whole thing more dynamic. The best comes when some other character joins around the middle though.
Anonymous1416115
Personally, I can digest the emotionless dialogue in the first place since I watch the series with the mindset that the main characters are innately "broken" in some ways.
Anonymous1416115
@Aidan Hmm...one might consider the emotion level increases in main characters' dialogues for Sakurada Reset as baby steps depending on how dramatic one expects a character to act in other animes. (The emotions increase do exist though) There are certainly emotional scenes and characters do develop in ways where one can't just say they're 100% robots.
AidanAK47
@Travlos, If you so wish then you can write a review for Bahamut virgin soul. Just let me know if you are up for it. If so I recommend writing it up on google docs, then when you have it done I can give your account contributer status and you can paste it into a post for us to look over and publish on the site. For screenshots our standard size is H240 X W138.
AidanAK47
Did they ever fix that emotionless dialgoue issue they had going on?
Anonymous1415748
You are not alone. The second half of Sakurada Reset made me so glad that I stuck with the series.
Amagi
Oh and I totally forogt Reset ended now too. Not sure if I am the only fan of that but the whole second half was one of the better things I've seen this year.
Amagi
Okay now thinking three others came into my mind, but that's still not much. A lot of series started interesting and turned out mediocre or cheap after a while.
Amagi
Considering that I love Made in Abyss, PrinPrin, Fate/Apo (so far) and 18if too guess this season was better than I've expected. 2016 was kind of a let down imo, animewise. Off the top of my head I only remember Rakugo, Fune wo Amu and Bokudake I think.
Amagi
I didn't expect to like Virgin Soul as much as I do. Especially the last ~5 episodes got me. The weird thing is that I was disappointed by S1 actually.
SuperMario
@Travlos: I don't mind if you do a guess review on Virgin Soul, but let's me check with other admins first.

On Virgin Soul, I'm not sure if I like the bew development. It suddenly does a 180 degree turn on King Charriot, which I don't feel rewarding.
KTravlos
Kakegurui will have an anime original ending. It might be better than the ongoing manga. We shall see. An enjoyable foray.

Virgin Soul is going for a nice explosive ending. If no one writes a review, I would be willing to write one.
Kaiser-Eoghan
*kind of
Kaiser-Eoghan
While its very much in the shadow of the first and the protaganist started out kind annoying, I kind of got caught up in the spectacle and sentimentality of gunbuster 2.
KTravlos
Urasawa is preparing a new manga
KTravlos
yes the episode where Julian watched the documentary was fun. The Caligula like character comes from one of the lesser episodes of the series, when Kircheis beats up some rebelling third rate noble in the Empire.
Kaiser-Eoghan
Goddammit, fail, it just changed the colour of the login name...
Kaiser-Eoghan
I declare in the red truth that the next anime I shall watch is Diebuster.
Kaiser-Eoghan
From what little I saw, I remember a Caligula like character in one episode.
Anonymous1409409
I remember there's an episode where Julian just goes on Space Netflix and just watches a documentary. I actually liked that lol
KTravlos
yup, a LOGH that run like the Altair anime would be bad. It needs to show the sweep of history
AidanAK47
@Anon, I actually liked that aspect. It made the history of the world feel real.
Anonymous1409027
It's compressible, as there are many episodes of buildup, but that's where so many of the interesting details and depth of planning become evident. Some of those episodes read like a history textbook though, so we'll see how the new adaptation handles them,
Anonymous1409027
*pleasantly
KTravlos
Tytania was ok.
Kaiser-Eoghan
On the Amakusa Shiro reference in the fate review, I've seen a film about him from the 50s , theres also an old josei manga where the protagonist ends up becoming essentially regarded as him.
KTravlos
Hi Kaiser. Supposedly this is a re-imagining of the original story. Thus independent of the OVAs (old serieis). What exactly re-imagining means is something I and you do not know. We shall see. But it does mean that you do not need to watch the old series to enjoy this one. The OVA was definetly more expansive than the novels. So my guess is they will stick to the novels.
Kaiser-Eoghan
There's another anime, called Tytania based on his novels but I haven't seen that series.
Kaiser-Eoghan
As in condensable in the way nothing much is lost? I assume there are fillers in the original?
Kaiser-Eoghan
I'm indifferent to the aesthetics of the new version. What I'm hoping for is that it will be accessible to newcomers and that I'll be able to jump on to the old series where the new one leaves off. I've seen very little of the original and it was a long time ago, is there any way the story is condensable?
KTravlos
The fact that they stayed away from the disgusting new manga is great. I am not too keen on the CGI ships, but they also did not rankle. It looks like it will honor the spirit of the old series, and I cannot ask for more. I am a massive LOGH fan. And the new video out gives me hope of revisiting one of the greatest sci-fi/historical settings out there. I am happy.
AidanAK47
I hope they are using the old anime as a base and not the new Manga adaption. As that Manga adaption is seriously lacking.
AidanAK47
@Anon, I like that they blinged up the space battles which is good because those things could get tiresome. But I really hate the design of Yang Wenli. They made him look so much younger and bishi. I don't think i could take this guy seriously if he started one of Wenli's signature hypothesis.
Anonymous1408919
Thoughts on that new LOGH PV? My expectations were low, so I'm presently surprised. Obviously they made everybody pretty boys, and Mamoro Miyano is voicing Reinhard I believe. But art and animation actually looks pretty decent overall. It's a PV, and LOGH's best quality is it's story and characters, so we'll have to see if they remain faithful or not. But it's nice to see it get a visual overhaul.
AidanAK47
By the way this site has the first chapters but check the other versions to find them.
http://mangapark.me/manga/tsurezure-children-wakabayashi-toshiya
AidanAK47
@Mario, Indeed. It's also a pity that over half the couples in the manga were not featured. We only got a small taste of Patricia.
SuperMario
Or maybe I'll try to read the manga. The last time I checked it online, the site doesn't have its first few chapters
SuperMario
@Aidan: man, Tsurezure Children sure is sweet. Really sad to see it ends
AidanAK47
So that's the end of Tsurezure Children.
....I'm gonna need a second season. Now.
....NOW GODDAMNIT! NOW!
KTravlos
As I said I understand the criticisms to RE:Creator, but ultimately I enjoyed most of the show. It could had been better, and it is a missed chance. But I have seen worse.
Kaiser-Eoghan
I gave up halfway through, there weren't even enough action scenes and those that were didn't justify waiting around for.
AidanAK47
Could have at least delivered on the action but that was rendered pointless due to the majority of the cast turning good and Altair being a complete cheat character.
AidanAK47
It would have been really fun to see characters discuss their stories with their creators or indulge in what our world has to offer but they really glossed over that part.
AidanAK47
It really should have gone deeper into the whole meta aspect introducing anime characters to the real world. Like they did with Mamika's powers being ridiculously destructive when outside a kid friendly setting.
AidanAK47
@Puran, I at least like the message of the final episode. But as for the show itself it was just missed potential on a lot of levels. I wanted Anime Genre battle royale and instead got a secondhand Shirobako with a crap shounen anime attached.
Kaiser-Eoghan
I have been forgiving of Anno as I've gotten older.
Kaiser-Eoghan
I also just re-watched gunbuster, I'd previously dismissed the ova after a few episodes when I was a teenager, I'd found it too slow, didn't have that issue with the 90 minute version I just finished. I've never see the sequels.
Lenlo
Ill have to finish Creators... at some point
Kaiser-Eoghan
I've been dipping back into the Lupin franchise, Gold of babylon was particularly screwball, kind of ridiculous comedy caper/adventure thing you just have to run with....turns out it was directed by a live action filmaker I especially like who made bizzare noir films in the 60s.
Puran
So that explains why Meteora had so much air time in Re:Creators. It's her story....

I hated the ending and I disliked the anime overall.
Kaiser-Eoghan
@Mario: It was a genuine surprise to see that Assayas decided to make a film framed around hentai =P
Kaiser-Eoghan
@Mario: I loved how incoherent demonlover was.
Kaiser-Eoghan
@Mario: The criticisms I'll give wind river, is a slight inconsistent performance from Renner and that very awkwardly inserted flashback scene.
SuperMario
@Kaiser: on Wind River, I agree it's a well-executed case of the week drama, although there are some plot pregressions that I don't get (how did they find out about the man's corspe again?). About Demonlover, man, the film gives me a chill down my spine. Heartless. And a bit misogynist.
SuperMario
@Kaiser: as much as I loved Wong (yeah I too prefer him over Malick), sometimes I do think Western cinema give him too much praise that sadly overshadow other Asian directors.
Kaiser-Eoghan
@Mario: Wong is important to me as a hong-kong filmaker, he offers something entirely different from the whole Woo/Lam Hong komg movies.
Kaiser-Eoghan
@Mario: On a more positive note Maggie Cheung did mention that she felt her early work with Wong was when she first truly became a proper actress.
Kaiser-Eoghan
@Mario: ....I had no idea he had such a sad background.
Kaiser-Eoghan
*investigation drama
SuperMario
@Kaiser: that film also marked/ signified a rather sad period of Hongkong showbiz. Leslie Cheung badically lived the live of the protagonist and commited suicide in 1997. His girlfriend on screen, during the filming, was kidnaped, raped and taken topless picture. The damnest thing is that everyone knowed the culprit but did nothing, and in the press it was just deemed as "kipnapped and assaulted"
Kaiser-Eoghan
@Mario: Wind river was a big surprise for me, just goes to show that with the right execution an ordinary police drama movie can be elevated higher.
Kaiser-Eoghan
@Mario: Thats the interesting thing, tracking a directors career.
Kaiser-Eoghan
Just binge watched the new dominion tank police ovas , admittedly these are kind of reptitive and extremely silly but its hard to hate on something so shamelessly fun that made me feel like a child again.
SuperMario
@Kaiser: you said it there. DoBW is rather raw and unpolished but that's one of the reason why I am drawn to it more compare to his other works.
AidanAK47
In all honesty, it would be nice to finally see a continuation after fusion as all games after that have just been adding chapters in-between.
Vonter
Finally I wonder, if Metroid Prime 4 will definitely branch out of the main Metroid's continuity. It's curious how an interquel subseries is still going to add things in between the first and the second entries in the main franchise.
Vonter
AidanAK47 - I think is nice we can see both takes. Especially since neither one despite a few qualms are still very solid entries for this franchise. I just hope Metroid moves forward, as IMO this is the only game that really needed a facelift do to the heavy limitations of the gameboy. And I hope the secret gallery at the end is teasing how the producer plans to move the plot forward.
AidanAK47
I thought it might be like that but it's good to know they are at least on a close level. I didn't really want Samus Returns to replace AM2R as the "Definitive" version of Metroid 2. Mostly because a lot of love was put into AM2R andit came at a point when it felt Nintendo didn't give a crap about Metroid.
Vonter
Like Zero Mission there's something added to Samus Returns but I'll just leave it at that.
Vonter
I think both have strong points. Samus Returns have better boss battles, gameplay mechanics and more intense action pieces. AM2R IMO has more atmosphere, takes advantage of elements Nintendo don't even try like the Federation subplot, and the ending portion narratively has more heart in AM2R, while in Samus Returns it feels mostly like "the final level".
Vonter
I also did got lost a couple of times in Samus Returns and aside from the big water section in AM2R, the latter is more linear game.
Vonter
I think the controls in Samus Returns bring more to the table though. The 360 aiming makes for better ways to shoot enemies and some of the bosses take advantage of that. If it weren't for the 3DS giving hand cramps because you're holding L and R at several points it'll be completely the most ideal way to play.
Vonter
AidanAK47 - AM2R is very good, I think it has the advantage that because it uses sprites IMO backgrounds and enemies are more vibrant and easier to appreciate. The Federation soldiers are better executed in AM2R and that secret section with the ship is very eery.
AidanAK47
@Vonter, How does it stack up to AM2R? I bought it and am still waiting on it to be delivered but I have the feeling that AM2R would be the better game when comparing.
Vonter
I took me 12 hours to 100% and I've heard the best ending is beating it in less than 4 hours. I think unlike Zero Mission item percentage don't matter, it's mainly to unlock an art gallery.
Vonter
My main criticism is this being a 3DS game. Small enemies can be hard to see or appreciate. And I think the 3DS wasn't made for heavy action packed games like this or Smash Bros. I got the rubber from the circle pad come off in two occasions. Also unless there was something big in the background, several areas felt lacking in detail. Still Samus and the bosses look good.
Vonter
In terms of difficulty, the game has the enemies packing more damage than in other 2D Metroids. Is difficult in the sense than you can't tank damage as in other iterations, you have to be aware of enemy behavior and bosses mainly get easier do to familiarizing with their patterns, since I did die a lot each time I faced a new boss. And got used to kill them faster as I went along.
Vonter
Ok, so I beat Samus Returns. It's quite good. Unlike Fusion that had dialogue at midst the gameplay. Samus Returns only has a prologue of exposition and any cutscenes mainly accentuate the reactions of Samus confronting a new enemy. The level design is dense, despite having isolated areas like in Fusion and the original Samus Returns, each area is very mazelike.
Kaiser-Eoghan
@Mario: =< Awww I kind of like demonlover actually despite all its flaws, it had great sound design and had this cold, clinical, un-nerving mood to it.
Kaiser-Eoghan
@Mario: Days of being wild does feel a bit un-realized/un-polished/rough compared to his other work definitely but its probably the rawest I've seen from him and that has its appeal.
Kaiser-Eoghan
@Mario: Haven't seen farewell my concubine come to think of it. Regarding the scifi element I felt I embraced it more further into the film when it started to intermingle more.
While I am more forgiving toward Malick's recent films than most, that decline in quality means I have to pick Wong.
KTravlos
by the way in RE:Creators we probably will be getting a future series focusing on the hunt for Magane :p Meteora probably playing the role of detective. I also bet her novel will be wordy and heavy in exposition :p
KTravlos
i.e his end game might had been a cross-species revolution against him anyway. We will see
KTravlos
In Bahamut Chris proves to not be totally evil, but he is totally crazy. That said I am seeing one of my hunches getting supported, the hunch was that his cruelty towards daemons was with the purpose of bringing them down enough that they would be willing to work with humans as euals (As they are in Jean's army) and thus via that create a more unified world. I
KTravlos
RE: Creators has come to its end. I know the problems everyone has with it, and while it failed to raise to the level of exceptional show, I loved it. As I said, it had been years since a show kept me so excited episode after episode. They blew it at some point, but ultimately for me this is an en-joyful show, and one I would happily binge watch in the future again.
SuperMario
@Kaiser: question for you though, between these two directors, which one do you prefer: Wong Kar-Wai or Terrance Malick?
SuperMario
@Kaiser: if you enjoyed both 2046 and In the Mood for Love, by all mean check out Days of Being Wild. The trio forms a loose trilogy and Days of Being Wild was the first film that Wong began his unique unconventional style. It's one of my personal favorite of Wong and it's a chance for you to watch the late Leslie Cheung acted (you might watch him already in Farewell My Concubine)
SuperMario
@Kaiser: 2046 is indeed a passionate film, and one of his best looking film. He tried something different in 2046 too, experimented with scifi (one of the best part in the film for me)
SuperMario
@Kaiser: it's stritcly Wong Kar Wai's romance we're talking about, since I don't find the rest of Chinese take on romance that interesting. Romance or melodrama is one of his main theme throughout his career
Kaiser-Eoghan
@Mario: It was slightly overly long however.
I've also seen chungking express, in the mood for love and fallen angels. I think this Chinese take on romance is really clicking with me.
Kaiser-Eoghan
@Mario: I also thought it was a very passionette film and I love how Kar-wong-wai uses the music in it. I also think its one of his best looking films.
Kaiser-Eoghan
@Mario: I had a look at that Chinese film 2046, very effectively melancholic take on fleeting relationships while also successfully being quite sensual while staying classy and without ever showing too much. Tony Leung and Maggie Cheung are two beautiful people =P
SuperMario
for those who still want to catch up with 18if, episode 11 has a huge recap, while wrapping up the show with a new overarching plot. Hopefully they don't pull another Matrix here
SuperWooper
It's shounen-y for sure. The competitions have been my least favorite parts of the show so far. If you're still watching, you might appreciate it more once the Tenpei Cup is over.
Anonymous1399692
Damn Ballroom looks so good. But I really can't enjoy it despite that I want to. It has too many of these typical shounen moments and plot points I can't stand.
Anonymous1399684
Omae wa mou shindeiru
Lenlo
Mononoke is actually what made me find Ayakashi. Also a good show.
SuperMario
Regarding Ayakashi, I only watched the Mononoke segment
SuperMario
"It was a long, long trip, and we're coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO" - Sandal-san.
Lenlo
Ayakashi was great for me Kaiser. I enjoyed my time with it
Vonter212
@AidanAK47 - The hard aspect has been commented in several reviews with bosses being able to easily kill you. (Although in my experience it might be just getting a pattern). In terms of length most 2D games can be beaten under 3 hours. This one seems to clock at at least 6 to 15 if you want to collect everything. Then again, we'll see in subsequent playthroughs.
AidanAK47
`@Vonter. It's out now but I don't remember seeing anyone claim it's the longest hardest entry 2D wise.
Kaiser-Eoghan
Going to watch new dominion tank police next and read violence action and Oddman 11.
Kaiser-Eoghan
It took me years to get round to it, but I finally watched Ayakashi and as expected like most anthologies, again its mixed, the first is a solid ghost story that improves after a weak start, but that third one with the cat spirit was great, really liked how experimental that looked.
Vonter
Soo a new Metroid comes out this week. It is said, it's the longest, hardest entry in regards to the 2D iterations. Still not as great as Super, and depending on your fanaticism it might or not be as good as Zero Mission.
SuperMario
But they didn't pull that scene off too well. It's just... unmemorable. In fact the whole show is very unremarkable. Now only 1 episode left I might as well finish it but I won't give it a full review
SuperMario
Koi to Uso has been disappointing so far. Episode 10 featured the sequence that i was looking forward the most in the manga: the former classmate tells the one sided crush of the main girl from her POV. For a romance that contrived and manipulated like this one, hearing this from the third person's perspective prove to be more powerful
Vonter
@HelghastKillzone - Good luck with that. I almost had my car's engine damaged since it has been raining heavily where I live. Had to ask for help the next day to pull it out of mud. Still not as bad as the other three cars that did get stuck in the water.
HelghastKillzone
Dealing with work and the total loss of my car really sucks at the moment so I'm quite tied up for this week.
KTravlos
I do agree to a point, but to be frank all the episodes of Princess Principal to date have been so solid I have a hard time deciding. Episode 5 though was still the best from a holistic point (action, direction, music etc) was the one introducing Chise
SuperMario
Agree. Dorothy has the biggest heart out of all the spy girls. Also "help" that her episodes are all melodramatic.
Amagi
This episode of PrinPrin showed again that Dorothy is the best character by far. Not just herself but her episodes as well are better written than the rest if you ask me.
KTravlos
It just hit me. The characters in Princess Principal may be very well working for IngSoc :p
AidanAK47
@Kaiser, in the seven chapters it's only really two of them that contain dark shocking content. Chapter three being the biggest one in that regard.
Kaiser-Eoghan
@Aidan: I read a comment where someone said subahibi shocked them more than saya no uta. While I haven't played it yet, I have seen some of a letsplay...it lleft me thinking....how many hours until this actually gets good/truly unhinged .
AidanAK47
After Reading SubaHibi, Made in Abyss's dark turn didn't shock me too much. Maybe I just got desensitised. I will have a review of SubaHibi hopefully up in a week though to clarify my feelings on it after just finishing it, It was interesting but disappointing.
Total users: 28

Featured Posts

The Reflection – 10 [Eleanor]

This week The Reflection finally gives us some quality time with our main villain, as Wraiths plan hits its final stages. Lets jump in. Reflection opens on Elen arriving at the mansion we saw at the end of last week, meeting evil!Stan Lee. Deciding that her decision to give herself up for the sake of […]

Kakegurui – 12[Gambling Woman]

It’s been awhile since I seen an anime original ending and honestly I was rather dreading it when I started this episode. Anime original endings don’t have a good track record as of course attempting to tack on an abrupt conclusion to an ongoing story is not going to turn out swimmingly. Even if I […]

Made in Abyss – 12[The True Nature of the Curse]

Today’s topic is the curse of the abyss alongside much needed revenge against the creature that put Riko in a bad spot. We get a rare glimpse of the topside village where one of the orphan kids we saw previously is deathly sick on his birthday. This caught me off guard as I believe I […]

Katsugeki Touken Ranbu – 13 [Katsugeki]

Welcome to the final week of Katsugeki/Touken Ranbu, where the plot is rushed and the art is at its best. Lets jump in. Ranbu opens this week with the title card, skipping the OP. Looks like they want all the time they can get. Picking up where they left off, Ranbu has Horikawa go and […]

Princess Principal – 12 [Case 24 Fall of the Wall]

Is that seriously how they end Princess Principal? Nothing is resolved at all except Ange breaks down the wall around her heart to welcome her team to the Casablanca’s paradise. Everything screams “second season” and with the sales aren’t that impressive from what I gathered, will they ever get one? It comes hard for me […]

18if – 12 [The Witch Wars]

Let me just say, I’m all in favor for 18if having a proper closure, but I’m wholly disappointed with what happening right now. This episode is just all over the place. For instance, I’m just as glad as the next person to see all the Witches gathering back in real life to help Haruto, but […]

Classroom of the Elite – 11 [What People Commonly call Fate is Mostly their Own Stupidity]

So suddenly, without mentioned at any point before, Horikita can suddenly kicks ass? Or that Horikita has been sick ALL THIS TIME? Or that Horikita still can kick some ass while being sick all this time? Since when the Class-D boys shrink into only Ayanokouji, Hirata and the 3 idiots? On that note, where is […]

Ballroom e Youkoso – 11 [Evaluation]

And so the Tenpei Cup comes to a close at last. It took five episodes to get from the first round to the awards ceremony, and not all parts of the competition were created equal, but I’m happy that my girl Mako managed to claim the Ballroom Queen award. After she received the trophy, there […]

Kakegurui – 11[The woman who bets her life]

So…what am i supposed to say here? Yumeko wins, the treasurer loses and now the show looks to be teasing a matchup between the Student council President and Yumeko. I would say it’s a good thing this shows end looms near as my interest in it has just about petered out. I love seeing smug […]

Latest Reviews

Sakura Quest (Summer 2017) Review – 79/100

Conceived as a third installment in a loose P.A Works trilogy about young adult girls in working environment, Sakura Quest both knows its target audience well, and has some big shoes to fill. After all, many have considered Shirobako an install classic for good reasons. As it turns out, Sakura Quest is more on the […]

Castlevania Season 1 Review – 70/100

Upon hearing that Castlevania would be getting an animated TV series my first reaction was that of unpleasant surprise. Part of the reason was because of the video games infamous history with adapting their stories to other mediums but my main reason was that being familiar with the Castlevania games, I knew the story was […]

Tsuki ga Kirei (Spring 2017) Review – 88/100

It’s hard for me not to go overboard on Tsuki ga Kirei: out of all the show I’ve followed this season, I resonated the most to this one; but even when I’m judging this show objectively, Tsuki ga Kirei is one of the most perfect one, in a way that it achieved exactly what it […]

Seikaisuru Kado Review 51/100

Seikaisuru Kado was a title which caught my attention for a number of reasons. For one it’s visuals showed not a single teenager in sight and a cast mainly consisting of working adults. Another is that it deals with a premise not often tackled in anime, Philosophical Science Fiction. The story features an alien being […]

ID-0 (Spring 2017) Review – 81/100

Here comes one of the most under-appreciated anime of this Spring season. ID-0 has many hassles that keeps viewers away from watching it: Netflix exclusive, full CG animation and a plot that just plain weird and a bit incomprehensive at first view. I originally took it as nothing more than fun spooky little-seen show until […]

Grimoire of Zero (Spring 2017) Review – 77/100

I remember, back in our first impression of this series, Aidan remarked that Grimoire of Zero isn’t your typical LN-adaptations, but he didn’t know what to make of it. To be honest, after watching an entire cour, I’m still unsure what to make of it myself. This show has some serious flaws, yet despite all […]

Uchoten Kazoku Review – 94/100

(Note: Since psgels didn’t give his final review to the first season, this review is for the entirety of Eccentric Family. If I had to grade the second season alone, it’s 90/100). Doesn’t matter how you look at it, the Eccentric Family is a unique show, in a way it feels and tastes like no […]

Little Witch Academia TV Review – 80/100

The Little Witch Academia series has been something that’s a long time coming. Ever since Studio Trigger made the original Anime OVA back in 2013 I have been hotly anticipating the time when it would be fleshed out into it’s own anime series. I love both the original OVA and the enchanted Parade so this […]

Window Horses (2016) Movie Review – 87/100

In Window Horses, or its full name Window Horses – The Poetic Persian Epiphany of Rosie Ming, many characters keep asking the main protagonist, a Stick Girl in an otherwise fully formed character designs, why is she wearing a chador, in which she’s unable to reply. It’s her first trip to go overseas, so she […]