Posted on 31 October 2011 with categories: Ben-To



Okay. So this episode had fanservice. Heck, there was more fanservice than compared to most moe shows.

Thank god this show knows what it’s doing, though. The fanservice in this episode thankfully 1) was creative and 2) didn’t reduce its female characters to morons. There were times when it went a bit too far like with the incest jokes, but this episode made me laugh quite a few times thanks to the great characterization of this show.

There are also these weird characters like that girl whose eyes we never see, and who looks like an important character, yet has nothing to do with the story. Or take Ume Shiraume, who has absolutely nothing to do with fighting over lunches, but makes the rest of this show hilarious with her antics. With the way that Shaga was introduced in this episode I expected this stereotypical love interest who walks over everyone, and yet she was actually no match for both Shiraume and Yarizui. Combined with good acting around this parts lead to a well fleshed out character within the episode she was introduced in, even though she started as a big stereotype. It really is the big difference between this show and just about all other moe shows for me: the acting nearly always seems either too bland or too forced to me. Here, the characters have their over the top concepts, like obsessive stalker, deadpan and tomboy, and yet manage to give enough sides to them to have them move away from these stereotypes.

And on top of that I have to praise David Production for animating great fight scenes over and over. It’s not like they have a lot of budget, but the sense of timing in these battles is just impeccable. The rituals before and after each battle (quietly waiting for the discounts to be handed out, and collecting the spoils of war) also work really well with it.

I have been criticized of treating some of the moe shows like Mayo Chiki, Utapri, Sofuteni and Idolmaster too harsh, when they’re supposed to be light entertainment. but the thing is, for entertainment, I sure as heck wasn’t getting entertained by these series that all just look like each other and feel half-hearted in their execution. These criteria are of course different for everyone, and if you enjoy them: good for you. But when I watch a show that focuses on entertainment, I really want to watch something that actively tries to be as entertaining as possible (not just in the way of Majikoi of having one entertaining episode… only to be followed by a ton of boring stuff where you feel like hardly any effort was spent on it). I found these series earlier this year with shows as Level E and Dororon Enma-kun, and now I’ve found another with Ben-To. It’s only got 12 episodes, so let’s see if it can keep this pacing up all the way.
Rating: ** (Excellent)

Posted on with categories: Fate/Zero



Um, people. If an entry of my is delayed, It just means that I’m busy with this thing called life. I really try to update fast, but there are times when I’ll be busy with either work or friends. It doesn’t mean that I’ve dropped something, just because I’m late with it.

Now that that’s out of the way, this was a definite improvement over the previous episode due to all of the characters involved. Aside from the Caster-Duo, all of the major master-servant pairs were involved here in this episode, which fits this series much more compared to the previous episode’s duel with lots of talking. There was a lot of stuff that everyone had to take into account, and everyone arrived at the battlefield with a different agenda, and a completely different battle plan. If the rest of the battles are like this the we’re really in for an awesome show.

I’m probably not the only one in this, but the one who really stood out for me was Rider. His chivalry along with his air of just not caring to be careful really stood out. Apart from that I also like Kirei and Kiritsugu, as they seem to know what they’re doing the most. There are a few characters who are still a bit too one-sided at the moment, like Caster’s master and Lancer’s master also needs a bit more attention. I also find it a bit of a pity that Saber is being pushed in the underdog category. That just doesn’t fit this series where the themes as chivalry are huge.

I also have to praise Ufo-Table for their great work on the CG. I mean, it has the bad luck that it airs in a season with both Last Exile and Guilty Crown, but if those two weren’t there it would without a doubt had the best visuals of the season.
Rating: ** (Excellent)

Posted on with categories: Monthly Summaries

The ratings I have given may seem lower than usual, but I’m actually quite positive about this season. The big reason why is that for once, there are plenty of series that are planned to go beyond 13 episodes. And that’s a massive improvement over the seasons of the past year. Because of this, series can take a bit longer to get going, but for now I’m happy, because there are a lot of potential gems here.

The biggest plus of this season is its creativity. There are a ton of series with very imaginative settings, that try to do something different, or that just put a lot of thoughts into their execution beyond just the basics. Again, this needs time to really pay off. In a way, this is better than the past summer season, which started off incredibly strong, but many series didn’t have the room to fully grow and take off.

#29 (new) – Chibi Devi – (2,25/10) – For me, this was the worst show of the season. Ridiculously cheaply made, really bad jokes, really bad acting and based on a very flimsy premise. Dropped.
#28 (new) – Maken-Ki – (3,75/10) – Maken-Ki is stupid fanservice with a lot of boobs, panties and fighting. Dropped.
#27 (new) – Mashiro Iro Symphony – (4,25/10) – With this series, Manglobe has exited my top 10 of favorite studios. Blacksmith and TWGOK were one thing, but this was just bad in every way aside from perhaps good inbetween animation. The drama is cheesy, the characters are one sided and stereotypes, and there’s nothing interesting about it whatsoever.
#26 (36) – Shakugan no Shana – (5/10) – After watching the first episode of the third season, I am glad that I didn’t continue with it. It’s good to see that this series is evolving, but the direction in which it evolved was rather questionable. The twist around Yuuji in particular is such a cheese ball of a twist, especially considering the cast of this series. Dropped
#25 (24) – Digimon Xros Wars – (5,25/10) – What surprised me the most about this installment of the Xros Wars saga is how incredibly hyperactive the new male lead is. Overall, Digimon Xros Wars is a show who downplays itself because it probably thinks that kids are idiots. It’s a huge change with the original Digimon series, but change alone isn’t always good.
#24 (new) – Maji de Watashi ni Koi ni Shinasai – (5,75/10) – Now this was fun! Or at least, that’s what I thought after the first episode. The first episode made no sense, but it was over the top and every character was having fun in his or her role. And then the second episode came and things got really dull. and then the third and fourth episode came and this show degenerated into nothing but fanservice and dull repeated harem antics. This is what you get when you want to open with a bang, but have no intentions of putting in any other effort at entertaining your audience beyond it.
#23 (new) – Sengoku Paradise: Kiwami – (6/10) – This one is good…. for about one laugh. If you’re really bored you might want to give it a chance, but in the end it’s not really worth it compared to the other comedies this season.
#22 (new) – C3 – (6/10) – I like diverse shows. However, that doesn’t mean that I automatically consider any show that has it good. A very nasty example of this is C3: this set up would have been nice, if only the acting wasn’t so abysmally bad, it didn’t feel like the Shaft of three years ago, it didn’t force its drama and plot twists, and it wasn’t so damn cliched. These characters are in no way fun to watch. They’re incredibly stupid stereotypes with superpowers.
#21 (new) – Mobile Suit Gundam AGE – (6,5/10) – At this point, I’ve gotten tired of Gundam shows, so I have very little patience for them. At this point I see too much potential for this show to become a boring repetition of random battles. The first episode just had too many things that made me tired of this genre. Wake me up if it does turn out to be different. Dropped
#20 (new) – Guilty Crown – (7/10) – This one turned out to be the big disappointment of this season. It has an excellent pedigree, and yet it hardly takes any chances or risks. It’s full of cliches and characters who don’t know what they want to be. The female lead in particular is bad for doing absolutely nothing within the span of the first three episodes. The animation looks gorgeous, but even that turned out half-assed with the third episode.
#19 (new) – Boku wa Tomodachi ga Sukunai – (7,25/10) – In the end, I decided to drop this show. I just don’t get what’s so good about it. The only thing that I liked about the first three episode was that it has very solid dialogue. Beyond that though, it’s just another harem with too many cliches, forced characters and uninteresting drama.
#18 (new) – Sekai-Ichi Hatsukoi – (7,5/10) – I dropped this show. The biggest reason for this is lack of time though, but at the same time I also have to say that while the comedy in this show is nice and the characterization is good, I’d rather watch a show about actual gay people, rather than angsty bishies who keep raping each other.
#17 (15) – Nurarihyon no Mago – (7,75/10) – Agh, this is my problem with most shounen series: how long did it take again for this story to take off? It’s been forty episodes, and Rikuo is put into yet another training arc that bogs down the story. Also, the entire set-up of this arc bugs me: it’s well directed, but when Rikuo created his Parade of 100 demons, I expected him to do this for the sake of creating a small army. What the past episodes have been doing is take random characters away from the others, and throwing them in predictable one-on-one or two-on-one battles. The big problem is that they tended to end with a very predictable save at the last possible moment that could have been seen from miles away. How much more of this build-up and random battles against waves of uninteresting enemies until things get interesting here?
#16 (new) – Kimi to Boku – (7,75/10) – This one has potential. It has this boring atmosphere that at first sight seems like an instant failure, but then it comes and turns that atmosphere around again. The characters all have their moments that get on my nerves, thoug, but none are as bad as the blond kid. Will he ever shut up?
#15 (new) – Persona 4 The Animation – (7,75/10)

Persona has the potential to become great as it goes on. Its premise can get really good in terms of character development if handled well. At the moment it’s still a bit too stuck in its own formula to really take off, though. There is little time given to flesh out the characters, which is why the parts where they show their inner secrets lack the impact they could have had.

#14 (new) – Kyoukai Senjou no Horizon – (7,75/10)

This series’ biggest asset is its creativity. It’s set in an original world and the cast of characters is HUGE and very colourful. The overall plot feels a bit random and silly, but it’s definitely building up to something. The character designs themselves are abysmal, there are some definitely annoying characters and a lot of time is spent on just goofing off, but there’s some definite potential here.

#13 (new) – Phi Brain – (7,75/10)

This is a rather silly show about puzzles. In particular the antagonists make really weird decisions and have really strange motivations, but it’s worth it to see what kind of puzzles the creators come with, and the overall cast is eccentric, yet fun to watch. There is a very real chance for this show to become TOO eccentric, though. The key will be good variety in the puzzles from this point on.

#12 (17) – Shinryaku!? Ika-Musume – (8/10)

Overall Squid Girl’s second season has been a little step down compared to the frist season, but for comedy sequels’ standards it isn’t much of a step. The animation has gotten slightly worse, and some stories are too forced, but there still are a bunch of really hilarious stories. It needs to keep this up, because getting worse from this point isn’t an option.

#11 (9) – Bakuman – (8/10)

I do have to say that Bakuman is currently the best Shounen Jump series out there. Unlike Gintama and Sket Dance it isn’t throwing a bunch of random stories around in the hope that it’ll get lucky and strike gold, while unlike Nurarihyon no Mago it isn’t breaking up the flow with constant training arcs. The second season does have fixed some of its pacing issues, but on the other hand it’s not yet Hunter X Hunter material, and things have been rather monotonous.

#10 (new) – Tamayura ~ Hitotose – (8/10)

The two big slice of life series are both very, very different, but they’ve got one similarity: they depend on characters with annoying sides, and they somehow make it work. For me, Tamayura does it the best of the two at this point. It’s really well animated, and it actually uses photos really well to flesh out its cast. The drama around it isn’t random, but tells a lot about the characters. Some parts like the whistling and the shota fangirls can get annoying, though.

#9 (new) – Hunter X Hunter – (8,25/10)

Here is the thing with this new season: it’s much faster than the first season. That has advantages and disadvantages. The story flows more, it’s easier to get into and as the result a lot of very interesting stuff has already happened in just four episodes. Now, the thing remains that this show skips a lot of time to flesh out the characters because of this. Out of all adaptations that feel rushed this season, this one actually does its best to hide it so far, but the real test for this show will be the point where the characters will actually show themselves off. Will these be as great as well? Right now, the only parts that really are worse than the first season are the music, and some of the voice acting.

#8 (new) – Mirai Nikki – (8,25/10)

Mirai Nikki is over the top suspense, and it realizes that. The characters are fun and well acted together, there’s a good whiff of romance without overdoing it, and the first three episodes have been very entertaining with a pretty good atmosphere.

#7 (new) – Fate/Zero – (8,25/10)

Fate/Zero stands out as the most solid series of the season. I refuse to watch Fate/Stay Night but this was completely different and much more interesting (and heck, we’re talking about actual adults this time). My big complaint about it is that it’s a bit boring with its exposition. There are long scenes of characters just standing in one place and do nothing but talking, and characters stop in the middle of fights to explain their moves. That breaks flow.

#6 (new) – Ben-To – (8,25/10)

What makes Ben-To so addictive is its direction. It has definite harem elements, but tis delivery is fresh and interesting. The jokes all work great, the timing of this show is perfect, and even when it’s not funny, the characters are interesting and well acted, rather than most other moe shows that have just boring characters. On top of that the fights are a lot of fun to watch, and the premise of fighting over half-priced lunches just kicks ass.

#5 (new) – Last Exile – Ginkyou no Fam – (8,5/10)

If you’re planning to watch this series, I have one message for you: watch up to the second episode. Both episodes are completely different in tone. The first episode is rather childish, where the second is very serious. It actually manages to blend the two together very well and most importantly it knows when to ditch its silliness. What really impressed me is how much the creators put into the setting. This show is full of creativity and the world it’s played in actually feels alive.

#4 (new) – Chihayafuru – (8,5/10)

This show has the best characters of the new season. They’re really well animated, very dynamic (showing both their young and old versions in full details really helps!), plus the karuta matches were really made exciting. The big challenge for this show is making the karuta matches this way. It’s a very simple game, so keeping up this pace will be a challenge.

#3 (new) – Un-Go – (8,5/10)

I really like the storytelling in this series. This show knows that it’s Noitamina and tries to stuff as much into its episodes as possible. The result is that it’s really fast paced, but not in a bad way. Episodes do require a second watch-through in order to get everything, but for me that’s not a bad thing at all. My only gripe is that the cast of characters is rather flat.

#2 (4) – Hyouge Mono – (8,75/10)

This month was all about character development. Naturally this was a great chance for the cast to shine, in a very weird arc that completely ditched the warfare in favor of esthetics. This is Bee-Train though, so I’m really looking forward to what they have planned for the ending.

#1 (1) – Mawaru Penguin Drum – (9,25/10)

Penguin Drum has definitely changed this month. I think that it’s for the better. It’s both become hilarious and the character development is really kicking in. It keeps finding new ways of showing symbolism and toying with its storyline. And yet, amidst the chaos, nothing is just thrown in at random. It would be awesome if the final third will be able to live up to the potential that has been built up so far.

Posted on 30 October 2011 with categories: Hunter X Hunter



Something bugged me about this episode, but I really couldn’t put my finger on what it was, so I actually ended up rewatching parts of the original series to find out (this took place on episode 8, by the way, to get a frame of reference). This episode actually made this part play out LONGER than the original TV-series did. In any case, after watching it, I really knew what bugged me: the acting.

With this, I’m mostly referring to the parts about Hisoka. The general scenario was the same, but how the characters acted just made this episode in the first season better. The problem lies with both Leorio and Hisoka hamming it up a bit too much, plus some really weird rearrangements in the battles (Hisoka’s teleportation powers, for example). The overall result of this is that in the first season, Hisoka really had this air around him of being a menace. Here he looks a bit too when he speaks every single line of his with extreme passion. It makes him much more of a generic villain at this point. I mean, heck, he looked like he was about to get an orgasm when he grabbed Gon.

Strangely enough this is not the product of this show going too fast like what I first feared. It really is just the acting. There were also these strange points like how Gon didn’t find it strange that Hisoka just grabbed Leorio and walked off, but that’s just inconsequential nit-picking. I do have to say that I still liked this episode, and especially the first half, along with the use of the Frog and the laxative (which was something that the first season couldn’t use).

Also, in terms of the big picture: every single episode here has been significantly different. We go from the sea to moral questions to quiet build-up to running to fighting monsters, in just five episodes. I can really not remember any other shounen that was as diverse as this one within just 5 episodes.

What I also love about this show: everyone is equal. There isn’t the usual crap of “you need to fight guy X before you can fight his boss before you can fight his boss before you can fight his boss before you can fight his boss, ad infinitum”. Everyone here is on the same ground, trying to pass the Hunter exam, and there is none of the usual hierarchical business that shounens usually use to pad out their lengths beyond all forms of patience.
Rating: * (Good)

Posted on 29 October 2011 with categories: Last Exile - Ginyoku no Fam




Now that every show has put out three episodes, I think I’ve found my three favorites of the season so far: Un-Go, Chihayafuru and Last Exile. Un-Go for its storytelling, Chihayafuru for its characters, and this series for its setting.

Because seriously man, is there any limit to the creativity here? Compared to this show, Un-Go seems like a collection of cliches. The background art isn’t just gorgeous here, it’s full of all kinds of original ideas and the architecture in this series is some of the best I’ve seen in years. What’s most important though: the setting here feels alive.

This episode really convinced me that the creators know what they’re doing. On top of showing the main characters mourn about what happened, they also show how the people who live in the same city deal with the recent attacks. The ritual of letting balloons fly upward with candles underneath it was also a really nice touch, but also the way in which the debris of last episode was salvaged was a great addition.

I also have to say kudos to the characters for bringing this all out. This episode showed that the creators know when to be serious and when to be light-hearted. There was not a hint of the creators wanting to downplay the loss of Turan’s family, while at the same time they also didn’t try to make it melodramatic or way too angsty for its own sake.

Good Gonzo, it’s great to see you back again!
Rating: ** (Excellent)

Posted on 28 October 2011 with categories: Anime Reviews, Macross Frontier




Um… yeah. This movie…. I think I’ve just been trolled.

The first Macross Frontier Movie stayed very close to the TV-series, only in a much more streamlined version. It cut all of the unnecessary stuff that dragged out, and instead focused on the core of the series, which worked really well and I ended up really liking it (and this is coming from someone who was really annoyed by parts of the TV-series). The second movie is… different…

One of my problems with Macross Frontier was that some subplots took forever to get anywhere, and a lot of them were resorted rather half-heartedly, if at all. This movie isn’t like that. This movie wants to be exciting. This movie wants plot twists, and it delivers them no matter what.

It’s difficult to do this review without spoilers, but let’s just say that this movie wants to deliver plot twists a little too badly. Especially the second half shows this. The result is a story that has lots of twists and turns… that just don’t make any sense whatsoever. You are going to have to turn off your common sense if you want to be able to enjoy this. I did not, and was raging throughout half of them. This was in no way good storytelling! The creators just pulled whatever twist looked the coolest out of their ass, and completely disregarded narrative logic. And I’m not the strictest when it comes to not making sense, but what the creators pulled here was just deus ex machina after deus ex machina that only add to the style of this series, not the substance. Oh, and Shoji Kawamori shows his environmentalist side again. You know, the kind where the environmentalist messages are just shoved down your throat without any sense of subtlety.

*Ahem* when you do turn off logic, you’ll be rewarded by an utterly gorgeous movie. In particular the musical segments shine as ever. This is one part at which Macross Frontier has never disappointed, and this is o exception. The use of colours and camera angles shows how much budget and animation talent went into this. Both for the 2d animation as the CG as the backgrounds.

It IS a fun movie. Just don’t go into it expecting good drama, because the drama here is of soap opera quality.

Storytelling: 8/10 – Well, it’s fun and engaging. It’s at least a great action movie.
Characters: 7/10 – This movie does add things here and there to the characters, but I’m not sure whether they were good ones. The three leads do have extra charms compared to the TV-series… but there still are enough annoyances about them.
Production-Values: 9/10 – Not among THE best animated movies, but it has stunning visuals nonetheless. Gorgeous for movie standards, but loses points for reuse of soundtrack.
Setting: 7/10 – Makey no sensey. Also Kawamori’s environmentalist traits got old years ago.

Suggestions:
Redline
Rebuild of Evangelion 2.22: You Can Not Advance
Tailenders

Posted on with categories: Hyouge Mono



What is it with this show and suddenly changing characters’ haircuts for one episode?! I mean, seriously: first we had Hashiba Hideyoshi and Sasuke who both went bald for just one episode, and now that bald monk suddenly grew hair… only to shave it off again. I have been watching anime for too long. Hair isn’t supposed to change! *har har*

In any case, the sudden debut of new soundtracks, along with the introduction of armors again after god knows how many episodes are really telling me that the creators have interesting things planned for the final parts of this series. Heck, it was quite interesting to just ignore the warfare aspect of this series, just to focus on character development and esthetics, only to switch back again to the warfare that made the first 15 episodes so addictive. And unlike shounen series who try this, it had plenty of interesting stuff to replace it with.

Oh, and it seems that the characters haven’t stopped changing at all. Sasuke completely freaked out in this episode (being a daimyou probably made him a bit more wary about warfare than what hhe used to be). Oh, and Sennou Soueki’s new mansion. love how much creativity was put in the structures.
Rating: ** (Excellent)

Posted on with categories: Persona 4 The Animation



I must say that Persona chose to go with a premise that is very easy to go wrong: its antagonists feed on angst. The most annoying part of the past episode, apart from that bear perhaps, are the speeches of “I am you! I’m actually not as perfect as you thought me to be!”, following by lots of denial. Again, it has to do with a rather annoying formula that isn’t just used by this series (if that were the case I could easily forgive it), but it’s the same kind of set-up that loads of other shows use.

I get what this series is trying to do: we all have our different sides. The lead characters all refuse to accept some of those sides, and those persona thingies will help them accept these sides. It’s a solid base, but I’m still missing something. That will be up for the rest of the series to fill in. Do some interesting stuff with this formula. These internal conflicts are great to give the characters background, but they don’t help in fleshing them out. The other selves are just too different from their usual personalities to the point where they nearly feel as different people.

The part in this episode that I liked was when the conflict was about to be resolved. For once the characters actually talk to each other to resolve their conflicts. These parts were quite charming. My big issue with this show is just that it depends on people’s ability to not think straight in order to create its antagonists.
Rating: (Enjoyable)

Posted on with categories: Mawaru Penguin Drum



Right after episode 14 is a popular time for characters to come with their backgrounds. I just love the way in which this episode did it, though. Natsume’s background was awesome in its presentation. It was completely over the top, but it fits this series really well. It was a really hilarious episode, and especially Natsume’s dreams were hysterical.

What’s more is that there still is order within the chaos: you could really see traits that give no mistake that she and her grandfather were related. This episode did a great job of explaining her background, her role in the story (although please: couldn’t they have gotten a younger voice actor for the young Kanba?). Also, the penguin hat isn’t dead!?

Overall, in a way I can understand where the people are coming from when they say that this show throws random stuff at the viewer. I have this same problem with most Shaft series, like the later series of Sayonara Zetsubou-Sensei and Bakemonogatari: the creators there really seemed to throw in just whatever the hell they’d like based on shallow wordplay that eventually got way too predictable in its unpredictability. Penguin Drum however has for me achieved the perfect balance between chaos and order: everything is related, but the things it throws at the viewer are all very creative and imaginative, and yet all of it is meant to flesh out the characters. And the thing is that this show is continuously changing: it still has the same style and mood, but it keeps finding new ways to play with its scenarios in lots of different ways.

And granted, Utena WAS better at this. It was completely un-rivaled in how well it used its own repetition to create excellent drama. However, we have yet to reach the ending of this series. Overall it’s a bit hard to compare two series of different lengths at this point, but what I can say at this point is that Utena’s brilliance lied in how much it did with so little. At this point it too still hadn’t shown its trumps yet, but instead of trying to be the roller-coaster ride that Penguin Drum is trying to be, it really tried to go for an as elegant series as possible. And with that it ended up being un-rivaled.
Rating: *** (Awesome)

Posted on with categories: Tamayura



Ah, screw it. Guilty Crown is hereby dropped from blogging. I’m still going to watch it, but I don’t want to blog about it anymore. Here’s the thing with it: it’s perhaps not as bad as say Majikoi or Maken-Ki, but it’s Noitamina. Not only that, but it has been given the rare privilege of 22 episodes. It should be more ambitious with that. My standards for this timeslot are very high, and I unfortunately have to say: these past three episodes were the most generic opening episodes of any Noitamina series I have seen.

As for a replacement: I’m not going to do Bakuman because of how it’s shounen jump, and I have some rather bad experiences with Jump adaptations after Gintama, Sket Dance, Toriko and Nurarihyon no Mago… and in any case there is the rare slice of life series that’s not based on any kind of manga or original material, and has Sato Junichi behind it. It’s also a good opportunity for me to find out why I have such a bipolar taste when it comes to the “group of girls living their daily lives”-genre. Seriously, I like shows as Tamayura, Aria and Soredemo Machi wa Mawatteiru a lot, but shows as A-Channel, Nichijou and Working never caught my attention.

In any case, what really helps is how much time this show focuses on fleshing out its characters. It doesn’t just have its cast do random stuff, but always tries to put meaning to what they do, fleshing them out in the process. The animation on top of that is really good, bringing the characters surprisingly to life. This episode was the same, and it was dedicated to Mao. She got a lot of depth here, which is great to see.

What I really hope to see in the second half of this series is that this series will make use of its format of being anime original, to really play with some of the conventions of its genre. It has the staff to do it; Sato Junichi will be able to pull it off, so I really hope that the creators will try this. It’s already doing a great job here to bring its characters alive.
Rating: ** (Excellent)

CHANGE USERNAME
Vonter
The Jim Carrey movies.
Vonter
Dorei-ku seems like a Kakegurui. You see one episode you've seen all. It'll be better if it was crazier like Mirai Nikki. Mind control IMO could be a very creepy setup if it's watched through the perspective of the victim rather than the perpetrator. Losing notion or reality and control. Could liar liar and Yes man be considered mind controlled stories?
Vonter
Ore Mahou Shoujo, baffles me, since I had to skip another long musical off key number, which makes me wonder where the budget cut starts and where the trolling begins. Also makes me sad, there aren't a lot of female to male transformations since it'll be interesting watching that perspective. Maybe a love triangle from both genders could apply since females are more accepted to be bi, in media.
Vonter
Megalobox could be something really special, but I hope like with Ashita no Joe, the anime isn't solely boxing. Joe, had social commentary, had a personal struggle do to the protagonist origin, attitude and view of life, since he started very immature and rebellious.
Amagi
Megalo Box, Tiramisu (I find this genuinely funny), S;0, GGO which is so much better than SAO, Wotaku, Hinamatsuri, Cutie Honey, LotGH, Hisone to Masotan and so on
Amagi
I really love this season as well.
Lenlo
Also personally I am enjoying this current season a alot. But I also know/like a good bit of the reboots/sequels
Lenlo
Oh man... 2015 winter was good. Forgot thats when those came out
Anonymous2028818
@SuperMario: Wasn't that Natsume season 5?, pretty sure season 4 was several years earlier.
SuperMario
Another strong anime season for me was 2015 Winter, where we had YuriKuma Arashi, Maria the Virgin Witch, Death Parade, Durarara whatever season, second cour of Shirobako, Parasyte and Your Lie in April
SuperMario
Even so, with this season I'm still willing to give some shows another chance, like Caligula or Cutie Honey Universe(!)
SuperMario
For me, the best season in recent years was Fall 2016 when we had Flip Flappers, Sound Eupho 2, Yuri on Ice, Natsume 4, Fune wo Amu, Drifters and 3-gatsu no Lion. But I know that Aidan would disagree with me on this
SuperMario
@anon2028201: it's me who said this season is a mixed bag. It's like you said, this season is too heavily on sequels/ reboots and only some new anime stand out, the rest of the pack is just meh.
Anonymous2028201
To me this seems like a pretty good seasons, but judging some of the impressions, it's a bit more of a mixed bag for most. Just curious, what were the best seasons for recent anime? This one seems good to me, but to early to tell right now
Anonymous2028201
Lovin this season so far: a lot of reboots/reimaginings and sequels, but I'm enjoying them all. MHA S3, LOGH DNT, S;G 0, Megalobox, Golden Kamuy are what I'm watching right now. I hear Full Metal Panic is good as well, but I haven't gotten around to watching the original series.
Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
Kaiser-Eoghan
Despite not being monarchist , because the characters were human moreso than cartoon characters I couldn't hate on Reinhard.
Kaiser-Eoghan
@Travlos: I suppose by the time it got to Julian's arc, I was surprised they were still bothering to fight but the fact that they were essentially the last bastion of their beliefs made it special.
Kaiser-Eoghan
@Travlos: Sometimes when I just finish a show, its a case where I HAVE to jump online immediately after and excitedly ramble out an essay on it.
niello
ugh democracy
KTravlos
@Kaiser ultimately LOGH for me was a decisive point in my political life, as I think it made the best defense of democracy in any form I have seen. And it worked partly because the opponent was presented in the best possible incarnation (Rienhard). Yang's continued adherence to democracy, despite recongising its flaws, helped me avoid a personal descent into authoritarian politics.
KTravlos
@Kaiser. I am happy you had a good experience. I watched the prequels a while after the main show and I was happy because it was great getting back to those characters. The prequels were also great in fleshing the setting and the characters. So yes, take your time and a break. That way the prequels will be like visiting a place you liked again after a while.
Kaiser-Eoghan
@KTtravlos: I have some other stuff to get through before watching the galactic heroes prequel though =<
Kaiser-Eoghan
YES according to discord poster I'm not a millenial!
Kaiser-Eoghan
Sorry for overposting. I have always always being an incredibly verbose person.
Kaiser-Eoghan
@Vonter; Not that I oppose captilistically made for a buck cinema, it can be entertaining yes, but I set a standard.
Kaiser-Eoghan
@Vonter: As open as I am to trash cinema, I consider the resident evil films, like the superhero ones, anti-art.
Kaiser-Eoghan
I can understand why people don't like Villier, but he did I think work as a device to add extra tension.
Kaiser-Eoghan
I feel some release at finishing but at the same time sadness at saying goodbye to the show and its characters.
Kaiser-Eoghan
, showing its age.
But for something of this length, it kept itself up far better than most long shows and I feel the length its somewhat justified.

On another note….as corny as the third ending theme is, I got the feels listening to it.
Kaiser-Eoghan
But while the first 50 odd episodes were an easy job for me aswell as all of the 4th season and some of the late 3rd season made it difficult for me to pull myself away from it, the dialogue even though often well observed did become difficult to follow at times and somewhere in the middle theres a stretch of episodes, bar some moments that feel a bit of an endurance test and the animation is at
Kaiser-Eoghan
Its attention to detail I felt was at its strongest in the documentary and the series dedication to filling the view in on its world building/fictional history.
Kaiser-Eoghan
I admired the scope, ambition of this series and the battles eventually grew on me and I was surprised by just how visceral the melee combat got which suited me perfectly. At the same time for all the strategy and action, I found myself more in it for the story, characters and intrigue/politicking. Those battles, due in part to their music choices, had an epic feel to them
Kaiser-Eoghan
In the end the characters stood out for me the best were Reinhard, Oberstein (for being essentially the amazing man with the plan), Reuntal, Kircheis and Rubinsky, I warmed up to Julian, Yang and Schenkop. When important deaths occurred, they felt highly dramatic, in four cases emotionally effecting for me .
Kaiser-Eoghan
Also, KTtravlos, thank you for pushing me toward watching the original legend of the galactic heroes, my opinion on the series is largely a mixed one, but by the end I felt I’d watched something rewarding and I’m happy its crossed off my list and I should have gotten round to it sooner.
Kaiser-Eoghan
I'm probably the oldest here, being 32. Which apparently makes me around Yang-wenli's age, which according to someone means I'm middle aged .
Kaiser-Eoghan
To the discord guy who brought it up, its difficult not for me to be political, my father was an activist and is a Marxist , I ended up becoming a contradiction a semi-agnostic, but spiritually inclined/tolerant socialist with internationalist ideology.
Kaiser-Eoghan
@Aidan: Ends in very cliffhanger/abrupt indy way though and the things weakness/how to kill thems too easy.
Kaiser-Eoghan
@Aidan: I liked how it explains nothing also and the creature design and how it visual communicates to the audience.
Kaiser-Eoghan
@Aidan: While I won't say anything, a character death is handled in what I considered a schmaltzy manner. There is a particularly headscratching decision the characters make that you'll either rationalize or hate, but it leads to one of the tenser set pieces later on.
Kaiser-Eoghan
@Aidan: Quiet place has a good idea at its backbone, that they use sign language in the film to communicate and occassional whispers adds to it, it and the silence allows for a mood to be effectively communicated. It does have jump scares, I wasn't annoyed by them, but I never felt the film required them.
Kaiser-Eoghan
@Aidan: I read the discord, if you ever need to ask a question relating to film, come to me about it, I will without fail be able to answer 9 times out of 10.
Kaiser-Eoghan
I was adequately amused by the first episode of wotaku, but found the male lead funnier, which I'm attributing to him be more deadpan.
Lenlo
We found a convient weekend for everyone
Kaiser-Eoghan
*watching
Kaiser-Eoghan
I would also float the idea of recommendation podcasts every now and then.
Kaiser-Eoghan
I will listen to the podcast more in full later. But I was surprised after asking/suggesting it on the discord, that it came so soon.
Kaiser-Eoghan
I am thinking of re-watching gasaraki and ai yori aoshi.
Kaiser-Eoghan
@Niello: Perhaps after a while of watch the anime I will simply jump on to the manga.
Vonter
I watched Resident Evil: Vendetta yesterday. It's incredible dumb but kind of fun. I do wonder if in terms of entertainment are like the best videogame based movies. Since it plays like a videogame, it's based on a videogame and is more or less in line with the tone the series has had for a while.
niello
It's such a shame that Golden Kamuy art direction is such a train wreck.
KTravlos
and for the sake of Clausewitz there is clinical term for what Reinhard did. It is called "defeat in detail". Napoleon was a master of it. Proper way to defeat it , is to order the threatened force to retreat to a point where other allied forces are converging. The enemy will either have to retreat, or fight at a disadvantage. The 1813 and 1814 campaigns against Napoleon are examples of that.
KTravlos
Episode 2 of LOGGH: Der Neue Thesis was much better than the first. The music is still an issue, but Yang was well portrayed. I do think there is lack of the directors in showing the cruelty of war, like the first one did. We will see.
Kaiser-Eoghan
@Mario: Still need to see his short films and black Peter.
Amagi
@Anon: I already know the manga and enjoy it, think the anime is a good adaption so far. Feels good to see a series about video games that are actually just games and romance without tsunderes, tons of blushing or unworldly naive harem girls.
Anonymous2016456
the anime
Anonymous2016456
how do you guys think of wotakoi?
SuperMario
@Kaiser: Hereditary sounds pretty promising here
Kaiser-Eoghan
Forman's an interesting case, when you look at the huge disconnect from his early films from the 60s and then what he went on to make.
Kaiser-Eoghan
Ah, unfortunately I am not a fan of country music so Nashville didn't appeal to me =<
Kaiser-Eoghan
@Mario: And before Jack kept playing the same role over and over.
Kaiser-Eoghan
@Mario: Aside from Courtney Love's presence, Larry Flynt is an excellent film. I love the custom camera tricks Kubrick used in Lyndon , dog day afternoon suceeded for me because it did so much more than being just a bank rob film. I wish Spielberg would return to his pre-90s films .
SuperMario
Cuckoo's Nest reminds me of the great 1975 Oscar Best Picture, which for me was Oscar's greatest line-up. The line-ups for that year were: Cuckoo Nest (winner), Nashville, Barry Landon, Dog Day Afternoon and Jaws
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Featured Posts

Steins;Gate 0 – 2 [Epigraph of the Closed Curve -Closed Epigraph-]

9 years. It has been almost 9 years since the original season of Steins;Gate. Since Okabe overcame received a mysterious video message, which prompted him to finally save the day. Back then it was a rather clever, if thin, plot device to get a happy ending. Steins;Gate 0 is the story of this video message. […]

Legend of the Galactic Heroes Die Neue These – 2/3[The Battle of Astarte/An Indomitable Prodigy]

If I was to judge this adaption based solely on the first three episodes I would declare it a resounding success. For while I do really like the old series, it does have a rather slow start. I say i only truly got invested in it around episode 3 or 4 when the more political […]

Golden Kamuy – 02 [Nopperabo]

Leave it to Japanese cartoon that done the Western genre better than the Westerners, at least from what we have seen so far (note: despite my pun, Western the genre doesn’t refer to the Western culture, but to the American Old West). Granted, Japanese cinema and literature has a strong tradition of samurai genre, which […]

Hinamatsuri – 02 [This Is How You Have a ESP Battle!]

Welcome to THE comedy gold of the season. Before I get into anything specific, let’s me discuss about what make this little show about a psychic girl and a yakuza hilarious in the first place. The main source of humor in Hinamatsuri largely comes from situation-based weirdness. Putting these characters out of their comfort zones […]

Darling in the Franxx – 14[Punishment and Confession]

Last time Darling and the Franxx had it’s best episode yet which raised my opinion of the series and gave me hopes for greater things moving forward. So it’s sad that they follow this up with the worst episode of the series to date. This episode was pure frustration to watch because you knew exactly […]

Megalo Box – 2 [The Man Only Dies Once]

Welcome to the Spring 2018 anime season! I am proud to present to you the Ashita no Joe 50th Anniversary project, Megalo Box. Easily the most stylish anime of the season. Lets jump in! With just 2 episodes, Megalo Box has become my favorite for the season. Everything about it feels like it comes from […]

Darling in the Franxx – 13[The Beast and the Prince]

That was the best episode of Darling in the Franxx to date. Truly I am impressed with this though it may be perhaps because the fanservice aspects of the show were not present at all during this episode. Todays episode was spent entirely on the past of Hiro and Zero Two. When this episode is […]

Fate/Extra Last Encore – 08-10[No Second Strike ― Dead End ― /Golden Theater of the Deranged ― Aestus Domus Aurea ― /Unlimited――― ― Unlimited/ Raise・Dead ―]

It hard to have an opinion on the last three episodes of Fate/Extra when the content has been quite similar to the previous episodes of the cour. For now the series has ended with the remaining episodes coming as a special later. Still unknown if that was the actual special broadcast that was originally considered […]

Darling in the Franxx – 10-12[The City of Eternity/Partner Shuffle/The Garden Where It All Began]

Three episode coverage this week as many things got in the way of my casual blogging, the much late preview being one of them. I must say that the last few episodes of Franxx have been quite strong as we have had a string of character development episodes which have really fleshed out the cast. […]

Latest Reviews

Kokkoku – 42.5/100

There are lots of bad anime out there, for one reason or another. Whether it be stilted animation, terrible writing or bad direction, a good portion of each season is simply not worth it. Kokkoku is not a bad anime. It is something much worse. Kokkoku is a mediocre anime. Bad ones get talked about, […]

Junji Ito Collection Anime Review – 40/100

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Yuru Camp (Winter 2018) Review – 74/100

I admit that I underestimated Yuru Camp back in its first few episodes. I took it as a standard, run-on-the-mill slice of life show and I fully expected to give it 3 episodes at max before throwing it into the deep sea of forgotten anime. But as time pass, I can certainly see many good […]

Neo Yokio – 96/100

This may be half a year overdue but I simply can’t accept that none of the writing staff of Star Crossed Anime have cover the the biggest development in anime where Netflix took a hand in producing anime in the form of Neo Yokio. Taking place in the metropolis of Neo Yokio, a mashup between […]

Devilman Crybaby – 83/100

It’s an exciting time to be an anime fan where new business models and players are making big waves within the animation industry. After debuting with the original and excellently-produced Neo Yokio, the juggernaut streaming service of Netflix has decided to revive the classic series of Devilman and gives it the full adaption treatment. By […]

Mahoutsukai no Yome – 69/100

Fantasy is a rather prolific genre in anime, with a vast majority of Isekai and Shounen fitting snugly into it. Most take place in their own unique setting, either Amestris of Full Metal Alchemist or the made of world of the latest Isekai trash. Few however try to set themselves in our world. To peel […]

Mary and the Witch’s Flower – 73/100 (Joint Review)

Wooper: Mary and the Witch’s Flower is the first feature film from Studio Ponoc, which spun off from Studio Ghibli in early 2015. Given Ghibli’s towering reputation, the bar was high for this inaugural flick, which recently made its way to U.S. theaters, giving Lenlo and I a chance to see it on the big […]

In This Corner of the World (2016) Movie Review – 90/100

In this Corner of the World (for the purpose of this review, I’ll refer it as “Corner”), is the truest slice of life drama if you ever encounter one, in that it’s a slice into an ordinary life of an ordinary girl during the War period. That speaks into the very first strength of Corner, […]

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Make no mistake, Houseki no Kuni is the most ambitious anime project of the year. Not only because it’s an entirely CG project (and make a damn good use of it, mind you), or because of its narrative scope that at once strange, grand and beauty, but also in its very conception in their production […]