Posted on 31 October 2011 with categories: Ben-To



Okay. So this episode had fanservice. Heck, there was more fanservice than compared to most moe shows.

Thank god this show knows what it’s doing, though. The fanservice in this episode thankfully 1) was creative and 2) didn’t reduce its female characters to morons. There were times when it went a bit too far like with the incest jokes, but this episode made me laugh quite a few times thanks to the great characterization of this show.

There are also these weird characters like that girl whose eyes we never see, and who looks like an important character, yet has nothing to do with the story. Or take Ume Shiraume, who has absolutely nothing to do with fighting over lunches, but makes the rest of this show hilarious with her antics. With the way that Shaga was introduced in this episode I expected this stereotypical love interest who walks over everyone, and yet she was actually no match for both Shiraume and Yarizui. Combined with good acting around this parts lead to a well fleshed out character within the episode she was introduced in, even though she started as a big stereotype. It really is the big difference between this show and just about all other moe shows for me: the acting nearly always seems either too bland or too forced to me. Here, the characters have their over the top concepts, like obsessive stalker, deadpan and tomboy, and yet manage to give enough sides to them to have them move away from these stereotypes.

And on top of that I have to praise David Production for animating great fight scenes over and over. It’s not like they have a lot of budget, but the sense of timing in these battles is just impeccable. The rituals before and after each battle (quietly waiting for the discounts to be handed out, and collecting the spoils of war) also work really well with it.

I have been criticized of treating some of the moe shows like Mayo Chiki, Utapri, Sofuteni and Idolmaster too harsh, when they’re supposed to be light entertainment. but the thing is, for entertainment, I sure as heck wasn’t getting entertained by these series that all just look like each other and feel half-hearted in their execution. These criteria are of course different for everyone, and if you enjoy them: good for you. But when I watch a show that focuses on entertainment, I really want to watch something that actively tries to be as entertaining as possible (not just in the way of Majikoi of having one entertaining episode… only to be followed by a ton of boring stuff where you feel like hardly any effort was spent on it). I found these series earlier this year with shows as Level E and Dororon Enma-kun, and now I’ve found another with Ben-To. It’s only got 12 episodes, so let’s see if it can keep this pacing up all the way.
Rating: ** (Excellent)

Posted on with categories: Fate/Zero



Um, people. If an entry of my is delayed, It just means that I’m busy with this thing called life. I really try to update fast, but there are times when I’ll be busy with either work or friends. It doesn’t mean that I’ve dropped something, just because I’m late with it.

Now that that’s out of the way, this was a definite improvement over the previous episode due to all of the characters involved. Aside from the Caster-Duo, all of the major master-servant pairs were involved here in this episode, which fits this series much more compared to the previous episode’s duel with lots of talking. There was a lot of stuff that everyone had to take into account, and everyone arrived at the battlefield with a different agenda, and a completely different battle plan. If the rest of the battles are like this the we’re really in for an awesome show.

I’m probably not the only one in this, but the one who really stood out for me was Rider. His chivalry along with his air of just not caring to be careful really stood out. Apart from that I also like Kirei and Kiritsugu, as they seem to know what they’re doing the most. There are a few characters who are still a bit too one-sided at the moment, like Caster’s master and Lancer’s master also needs a bit more attention. I also find it a bit of a pity that Saber is being pushed in the underdog category. That just doesn’t fit this series where the themes as chivalry are huge.

I also have to praise Ufo-Table for their great work on the CG. I mean, it has the bad luck that it airs in a season with both Last Exile and Guilty Crown, but if those two weren’t there it would without a doubt had the best visuals of the season.
Rating: ** (Excellent)

Posted on with categories: Monthly Summaries

The ratings I have given may seem lower than usual, but I’m actually quite positive about this season. The big reason why is that for once, there are plenty of series that are planned to go beyond 13 episodes. And that’s a massive improvement over the seasons of the past year. Because of this, series can take a bit longer to get going, but for now I’m happy, because there are a lot of potential gems here.

The biggest plus of this season is its creativity. There are a ton of series with very imaginative settings, that try to do something different, or that just put a lot of thoughts into their execution beyond just the basics. Again, this needs time to really pay off. In a way, this is better than the past summer season, which started off incredibly strong, but many series didn’t have the room to fully grow and take off.

#29 (new) – Chibi Devi – (2,25/10) – For me, this was the worst show of the season. Ridiculously cheaply made, really bad jokes, really bad acting and based on a very flimsy premise. Dropped.
#28 (new) – Maken-Ki – (3,75/10) – Maken-Ki is stupid fanservice with a lot of boobs, panties and fighting. Dropped.
#27 (new) – Mashiro Iro Symphony – (4,25/10) – With this series, Manglobe has exited my top 10 of favorite studios. Blacksmith and TWGOK were one thing, but this was just bad in every way aside from perhaps good inbetween animation. The drama is cheesy, the characters are one sided and stereotypes, and there’s nothing interesting about it whatsoever.
#26 (36) – Shakugan no Shana – (5/10) – After watching the first episode of the third season, I am glad that I didn’t continue with it. It’s good to see that this series is evolving, but the direction in which it evolved was rather questionable. The twist around Yuuji in particular is such a cheese ball of a twist, especially considering the cast of this series. Dropped
#25 (24) – Digimon Xros Wars – (5,25/10) – What surprised me the most about this installment of the Xros Wars saga is how incredibly hyperactive the new male lead is. Overall, Digimon Xros Wars is a show who downplays itself because it probably thinks that kids are idiots. It’s a huge change with the original Digimon series, but change alone isn’t always good.
#24 (new) – Maji de Watashi ni Koi ni Shinasai – (5,75/10) – Now this was fun! Or at least, that’s what I thought after the first episode. The first episode made no sense, but it was over the top and every character was having fun in his or her role. And then the second episode came and things got really dull. and then the third and fourth episode came and this show degenerated into nothing but fanservice and dull repeated harem antics. This is what you get when you want to open with a bang, but have no intentions of putting in any other effort at entertaining your audience beyond it.
#23 (new) – Sengoku Paradise: Kiwami – (6/10) – This one is good…. for about one laugh. If you’re really bored you might want to give it a chance, but in the end it’s not really worth it compared to the other comedies this season.
#22 (new) – C3 – (6/10) – I like diverse shows. However, that doesn’t mean that I automatically consider any show that has it good. A very nasty example of this is C3: this set up would have been nice, if only the acting wasn’t so abysmally bad, it didn’t feel like the Shaft of three years ago, it didn’t force its drama and plot twists, and it wasn’t so damn cliched. These characters are in no way fun to watch. They’re incredibly stupid stereotypes with superpowers.
#21 (new) – Mobile Suit Gundam AGE – (6,5/10) – At this point, I’ve gotten tired of Gundam shows, so I have very little patience for them. At this point I see too much potential for this show to become a boring repetition of random battles. The first episode just had too many things that made me tired of this genre. Wake me up if it does turn out to be different. Dropped
#20 (new) – Guilty Crown – (7/10) – This one turned out to be the big disappointment of this season. It has an excellent pedigree, and yet it hardly takes any chances or risks. It’s full of cliches and characters who don’t know what they want to be. The female lead in particular is bad for doing absolutely nothing within the span of the first three episodes. The animation looks gorgeous, but even that turned out half-assed with the third episode.
#19 (new) – Boku wa Tomodachi ga Sukunai – (7,25/10) – In the end, I decided to drop this show. I just don’t get what’s so good about it. The only thing that I liked about the first three episode was that it has very solid dialogue. Beyond that though, it’s just another harem with too many cliches, forced characters and uninteresting drama.
#18 (new) – Sekai-Ichi Hatsukoi – (7,5/10) – I dropped this show. The biggest reason for this is lack of time though, but at the same time I also have to say that while the comedy in this show is nice and the characterization is good, I’d rather watch a show about actual gay people, rather than angsty bishies who keep raping each other.
#17 (15) – Nurarihyon no Mago – (7,75/10) – Agh, this is my problem with most shounen series: how long did it take again for this story to take off? It’s been forty episodes, and Rikuo is put into yet another training arc that bogs down the story. Also, the entire set-up of this arc bugs me: it’s well directed, but when Rikuo created his Parade of 100 demons, I expected him to do this for the sake of creating a small army. What the past episodes have been doing is take random characters away from the others, and throwing them in predictable one-on-one or two-on-one battles. The big problem is that they tended to end with a very predictable save at the last possible moment that could have been seen from miles away. How much more of this build-up and random battles against waves of uninteresting enemies until things get interesting here?
#16 (new) – Kimi to Boku – (7,75/10) – This one has potential. It has this boring atmosphere that at first sight seems like an instant failure, but then it comes and turns that atmosphere around again. The characters all have their moments that get on my nerves, thoug, but none are as bad as the blond kid. Will he ever shut up?
#15 (new) – Persona 4 The Animation – (7,75/10)

Persona has the potential to become great as it goes on. Its premise can get really good in terms of character development if handled well. At the moment it’s still a bit too stuck in its own formula to really take off, though. There is little time given to flesh out the characters, which is why the parts where they show their inner secrets lack the impact they could have had.

#14 (new) – Kyoukai Senjou no Horizon – (7,75/10)

This series’ biggest asset is its creativity. It’s set in an original world and the cast of characters is HUGE and very colourful. The overall plot feels a bit random and silly, but it’s definitely building up to something. The character designs themselves are abysmal, there are some definitely annoying characters and a lot of time is spent on just goofing off, but there’s some definite potential here.

#13 (new) – Phi Brain – (7,75/10)

This is a rather silly show about puzzles. In particular the antagonists make really weird decisions and have really strange motivations, but it’s worth it to see what kind of puzzles the creators come with, and the overall cast is eccentric, yet fun to watch. There is a very real chance for this show to become TOO eccentric, though. The key will be good variety in the puzzles from this point on.

#12 (17) – Shinryaku!? Ika-Musume – (8/10)

Overall Squid Girl’s second season has been a little step down compared to the frist season, but for comedy sequels’ standards it isn’t much of a step. The animation has gotten slightly worse, and some stories are too forced, but there still are a bunch of really hilarious stories. It needs to keep this up, because getting worse from this point isn’t an option.

#11 (9) – Bakuman – (8/10)

I do have to say that Bakuman is currently the best Shounen Jump series out there. Unlike Gintama and Sket Dance it isn’t throwing a bunch of random stories around in the hope that it’ll get lucky and strike gold, while unlike Nurarihyon no Mago it isn’t breaking up the flow with constant training arcs. The second season does have fixed some of its pacing issues, but on the other hand it’s not yet Hunter X Hunter material, and things have been rather monotonous.

#10 (new) – Tamayura ~ Hitotose – (8/10)

The two big slice of life series are both very, very different, but they’ve got one similarity: they depend on characters with annoying sides, and they somehow make it work. For me, Tamayura does it the best of the two at this point. It’s really well animated, and it actually uses photos really well to flesh out its cast. The drama around it isn’t random, but tells a lot about the characters. Some parts like the whistling and the shota fangirls can get annoying, though.

#9 (new) – Hunter X Hunter – (8,25/10)

Here is the thing with this new season: it’s much faster than the first season. That has advantages and disadvantages. The story flows more, it’s easier to get into and as the result a lot of very interesting stuff has already happened in just four episodes. Now, the thing remains that this show skips a lot of time to flesh out the characters because of this. Out of all adaptations that feel rushed this season, this one actually does its best to hide it so far, but the real test for this show will be the point where the characters will actually show themselves off. Will these be as great as well? Right now, the only parts that really are worse than the first season are the music, and some of the voice acting.

#8 (new) – Mirai Nikki – (8,25/10)

Mirai Nikki is over the top suspense, and it realizes that. The characters are fun and well acted together, there’s a good whiff of romance without overdoing it, and the first three episodes have been very entertaining with a pretty good atmosphere.

#7 (new) – Fate/Zero – (8,25/10)

Fate/Zero stands out as the most solid series of the season. I refuse to watch Fate/Stay Night but this was completely different and much more interesting (and heck, we’re talking about actual adults this time). My big complaint about it is that it’s a bit boring with its exposition. There are long scenes of characters just standing in one place and do nothing but talking, and characters stop in the middle of fights to explain their moves. That breaks flow.

#6 (new) – Ben-To – (8,25/10)

What makes Ben-To so addictive is its direction. It has definite harem elements, but tis delivery is fresh and interesting. The jokes all work great, the timing of this show is perfect, and even when it’s not funny, the characters are interesting and well acted, rather than most other moe shows that have just boring characters. On top of that the fights are a lot of fun to watch, and the premise of fighting over half-priced lunches just kicks ass.

#5 (new) – Last Exile – Ginkyou no Fam – (8,5/10)

If you’re planning to watch this series, I have one message for you: watch up to the second episode. Both episodes are completely different in tone. The first episode is rather childish, where the second is very serious. It actually manages to blend the two together very well and most importantly it knows when to ditch its silliness. What really impressed me is how much the creators put into the setting. This show is full of creativity and the world it’s played in actually feels alive.

#4 (new) – Chihayafuru – (8,5/10)

This show has the best characters of the new season. They’re really well animated, very dynamic (showing both their young and old versions in full details really helps!), plus the karuta matches were really made exciting. The big challenge for this show is making the karuta matches this way. It’s a very simple game, so keeping up this pace will be a challenge.

#3 (new) – Un-Go – (8,5/10)

I really like the storytelling in this series. This show knows that it’s Noitamina and tries to stuff as much into its episodes as possible. The result is that it’s really fast paced, but not in a bad way. Episodes do require a second watch-through in order to get everything, but for me that’s not a bad thing at all. My only gripe is that the cast of characters is rather flat.

#2 (4) – Hyouge Mono – (8,75/10)

This month was all about character development. Naturally this was a great chance for the cast to shine, in a very weird arc that completely ditched the warfare in favor of esthetics. This is Bee-Train though, so I’m really looking forward to what they have planned for the ending.

#1 (1) – Mawaru Penguin Drum – (9,25/10)

Penguin Drum has definitely changed this month. I think that it’s for the better. It’s both become hilarious and the character development is really kicking in. It keeps finding new ways of showing symbolism and toying with its storyline. And yet, amidst the chaos, nothing is just thrown in at random. It would be awesome if the final third will be able to live up to the potential that has been built up so far.

Posted on 30 October 2011 with categories: Hunter X Hunter



Something bugged me about this episode, but I really couldn’t put my finger on what it was, so I actually ended up rewatching parts of the original series to find out (this took place on episode 8, by the way, to get a frame of reference). This episode actually made this part play out LONGER than the original TV-series did. In any case, after watching it, I really knew what bugged me: the acting.

With this, I’m mostly referring to the parts about Hisoka. The general scenario was the same, but how the characters acted just made this episode in the first season better. The problem lies with both Leorio and Hisoka hamming it up a bit too much, plus some really weird rearrangements in the battles (Hisoka’s teleportation powers, for example). The overall result of this is that in the first season, Hisoka really had this air around him of being a menace. Here he looks a bit too when he speaks every single line of his with extreme passion. It makes him much more of a generic villain at this point. I mean, heck, he looked like he was about to get an orgasm when he grabbed Gon.

Strangely enough this is not the product of this show going too fast like what I first feared. It really is just the acting. There were also these strange points like how Gon didn’t find it strange that Hisoka just grabbed Leorio and walked off, but that’s just inconsequential nit-picking. I do have to say that I still liked this episode, and especially the first half, along with the use of the Frog and the laxative (which was something that the first season couldn’t use).

Also, in terms of the big picture: every single episode here has been significantly different. We go from the sea to moral questions to quiet build-up to running to fighting monsters, in just five episodes. I can really not remember any other shounen that was as diverse as this one within just 5 episodes.

What I also love about this show: everyone is equal. There isn’t the usual crap of “you need to fight guy X before you can fight his boss before you can fight his boss before you can fight his boss before you can fight his boss, ad infinitum”. Everyone here is on the same ground, trying to pass the Hunter exam, and there is none of the usual hierarchical business that shounens usually use to pad out their lengths beyond all forms of patience.
Rating: * (Good)

Posted on 29 October 2011 with categories: Last Exile - Ginyoku no Fam




Now that every show has put out three episodes, I think I’ve found my three favorites of the season so far: Un-Go, Chihayafuru and Last Exile. Un-Go for its storytelling, Chihayafuru for its characters, and this series for its setting.

Because seriously man, is there any limit to the creativity here? Compared to this show, Un-Go seems like a collection of cliches. The background art isn’t just gorgeous here, it’s full of all kinds of original ideas and the architecture in this series is some of the best I’ve seen in years. What’s most important though: the setting here feels alive.

This episode really convinced me that the creators know what they’re doing. On top of showing the main characters mourn about what happened, they also show how the people who live in the same city deal with the recent attacks. The ritual of letting balloons fly upward with candles underneath it was also a really nice touch, but also the way in which the debris of last episode was salvaged was a great addition.

I also have to say kudos to the characters for bringing this all out. This episode showed that the creators know when to be serious and when to be light-hearted. There was not a hint of the creators wanting to downplay the loss of Turan’s family, while at the same time they also didn’t try to make it melodramatic or way too angsty for its own sake.

Good Gonzo, it’s great to see you back again!
Rating: ** (Excellent)

Posted on 28 October 2011 with categories: Anime Reviews, Macross Frontier




Um… yeah. This movie…. I think I’ve just been trolled.

The first Macross Frontier Movie stayed very close to the TV-series, only in a much more streamlined version. It cut all of the unnecessary stuff that dragged out, and instead focused on the core of the series, which worked really well and I ended up really liking it (and this is coming from someone who was really annoyed by parts of the TV-series). The second movie is… different…

One of my problems with Macross Frontier was that some subplots took forever to get anywhere, and a lot of them were resorted rather half-heartedly, if at all. This movie isn’t like that. This movie wants to be exciting. This movie wants plot twists, and it delivers them no matter what.

It’s difficult to do this review without spoilers, but let’s just say that this movie wants to deliver plot twists a little too badly. Especially the second half shows this. The result is a story that has lots of twists and turns… that just don’t make any sense whatsoever. You are going to have to turn off your common sense if you want to be able to enjoy this. I did not, and was raging throughout half of them. This was in no way good storytelling! The creators just pulled whatever twist looked the coolest out of their ass, and completely disregarded narrative logic. And I’m not the strictest when it comes to not making sense, but what the creators pulled here was just deus ex machina after deus ex machina that only add to the style of this series, not the substance. Oh, and Shoji Kawamori shows his environmentalist side again. You know, the kind where the environmentalist messages are just shoved down your throat without any sense of subtlety.

*Ahem* when you do turn off logic, you’ll be rewarded by an utterly gorgeous movie. In particular the musical segments shine as ever. This is one part at which Macross Frontier has never disappointed, and this is o exception. The use of colours and camera angles shows how much budget and animation talent went into this. Both for the 2d animation as the CG as the backgrounds.

It IS a fun movie. Just don’t go into it expecting good drama, because the drama here is of soap opera quality.

Storytelling: 8/10 – Well, it’s fun and engaging. It’s at least a great action movie.
Characters: 7/10 – This movie does add things here and there to the characters, but I’m not sure whether they were good ones. The three leads do have extra charms compared to the TV-series… but there still are enough annoyances about them.
Production-Values: 9/10 – Not among THE best animated movies, but it has stunning visuals nonetheless. Gorgeous for movie standards, but loses points for reuse of soundtrack.
Setting: 7/10 – Makey no sensey. Also Kawamori’s environmentalist traits got old years ago.

Suggestions:
Redline
Rebuild of Evangelion 2.22: You Can Not Advance
Tailenders

Posted on with categories: Hyouge Mono



What is it with this show and suddenly changing characters’ haircuts for one episode?! I mean, seriously: first we had Hashiba Hideyoshi and Sasuke who both went bald for just one episode, and now that bald monk suddenly grew hair… only to shave it off again. I have been watching anime for too long. Hair isn’t supposed to change! *har har*

In any case, the sudden debut of new soundtracks, along with the introduction of armors again after god knows how many episodes are really telling me that the creators have interesting things planned for the final parts of this series. Heck, it was quite interesting to just ignore the warfare aspect of this series, just to focus on character development and esthetics, only to switch back again to the warfare that made the first 15 episodes so addictive. And unlike shounen series who try this, it had plenty of interesting stuff to replace it with.

Oh, and it seems that the characters haven’t stopped changing at all. Sasuke completely freaked out in this episode (being a daimyou probably made him a bit more wary about warfare than what hhe used to be). Oh, and Sennou Soueki’s new mansion. love how much creativity was put in the structures.
Rating: ** (Excellent)

Posted on with categories: Persona 4 The Animation



I must say that Persona chose to go with a premise that is very easy to go wrong: its antagonists feed on angst. The most annoying part of the past episode, apart from that bear perhaps, are the speeches of “I am you! I’m actually not as perfect as you thought me to be!”, following by lots of denial. Again, it has to do with a rather annoying formula that isn’t just used by this series (if that were the case I could easily forgive it), but it’s the same kind of set-up that loads of other shows use.

I get what this series is trying to do: we all have our different sides. The lead characters all refuse to accept some of those sides, and those persona thingies will help them accept these sides. It’s a solid base, but I’m still missing something. That will be up for the rest of the series to fill in. Do some interesting stuff with this formula. These internal conflicts are great to give the characters background, but they don’t help in fleshing them out. The other selves are just too different from their usual personalities to the point where they nearly feel as different people.

The part in this episode that I liked was when the conflict was about to be resolved. For once the characters actually talk to each other to resolve their conflicts. These parts were quite charming. My big issue with this show is just that it depends on people’s ability to not think straight in order to create its antagonists.
Rating: (Enjoyable)

Posted on with categories: Mawaru Penguin Drum



Right after episode 14 is a popular time for characters to come with their backgrounds. I just love the way in which this episode did it, though. Natsume’s background was awesome in its presentation. It was completely over the top, but it fits this series really well. It was a really hilarious episode, and especially Natsume’s dreams were hysterical.

What’s more is that there still is order within the chaos: you could really see traits that give no mistake that she and her grandfather were related. This episode did a great job of explaining her background, her role in the story (although please: couldn’t they have gotten a younger voice actor for the young Kanba?). Also, the penguin hat isn’t dead!?

Overall, in a way I can understand where the people are coming from when they say that this show throws random stuff at the viewer. I have this same problem with most Shaft series, like the later series of Sayonara Zetsubou-Sensei and Bakemonogatari: the creators there really seemed to throw in just whatever the hell they’d like based on shallow wordplay that eventually got way too predictable in its unpredictability. Penguin Drum however has for me achieved the perfect balance between chaos and order: everything is related, but the things it throws at the viewer are all very creative and imaginative, and yet all of it is meant to flesh out the characters. And the thing is that this show is continuously changing: it still has the same style and mood, but it keeps finding new ways to play with its scenarios in lots of different ways.

And granted, Utena WAS better at this. It was completely un-rivaled in how well it used its own repetition to create excellent drama. However, we have yet to reach the ending of this series. Overall it’s a bit hard to compare two series of different lengths at this point, but what I can say at this point is that Utena’s brilliance lied in how much it did with so little. At this point it too still hadn’t shown its trumps yet, but instead of trying to be the roller-coaster ride that Penguin Drum is trying to be, it really tried to go for an as elegant series as possible. And with that it ended up being un-rivaled.
Rating: *** (Awesome)

Posted on with categories: Tamayura



Ah, screw it. Guilty Crown is hereby dropped from blogging. I’m still going to watch it, but I don’t want to blog about it anymore. Here’s the thing with it: it’s perhaps not as bad as say Majikoi or Maken-Ki, but it’s Noitamina. Not only that, but it has been given the rare privilege of 22 episodes. It should be more ambitious with that. My standards for this timeslot are very high, and I unfortunately have to say: these past three episodes were the most generic opening episodes of any Noitamina series I have seen.

As for a replacement: I’m not going to do Bakuman because of how it’s shounen jump, and I have some rather bad experiences with Jump adaptations after Gintama, Sket Dance, Toriko and Nurarihyon no Mago… and in any case there is the rare slice of life series that’s not based on any kind of manga or original material, and has Sato Junichi behind it. It’s also a good opportunity for me to find out why I have such a bipolar taste when it comes to the “group of girls living their daily lives”-genre. Seriously, I like shows as Tamayura, Aria and Soredemo Machi wa Mawatteiru a lot, but shows as A-Channel, Nichijou and Working never caught my attention.

In any case, what really helps is how much time this show focuses on fleshing out its characters. It doesn’t just have its cast do random stuff, but always tries to put meaning to what they do, fleshing them out in the process. The animation on top of that is really good, bringing the characters surprisingly to life. This episode was the same, and it was dedicated to Mao. She got a lot of depth here, which is great to see.

What I really hope to see in the second half of this series is that this series will make use of its format of being anime original, to really play with some of the conventions of its genre. It has the staff to do it; Sato Junichi will be able to pull it off, so I really hope that the creators will try this. It’s already doing a great job here to bring its characters alive.
Rating: ** (Excellent)

CHANGE USERNAME
AidanAK47
So we got to rely on fansubs for it when it's airing.
AidanAK47
@Mario, Nope. I think because netflix only puts up full seasons they are only planning to put it up when it's finished airing. Or when it's dubbed.
SuperMario
But how does the Netflix thing work? So of I have a Netflix account I can watch the show weekly?
SuperMario
@Aidan: that's a dumb way to do things really because unless you watch the show weekly, everyone gonna forget that it even exist. Just look at Re-Life last year
Lenlo
thought*. Words are hard.

Eventually found the actual first ep though and enjoyed it.
Lenlo
Was funny. I tried to find the first Ep for Little Witch, found original short made afew years ago, watched it and though "This is very similar to the original... Whats new".
AidanAK47
Little witch is one of the best shows this season and yet I can't get subtitles because Netflix doesn't release shows weekly. Motherf*cker.
Lenlo
Ore Monogatari I enjoyed. It was a nice romance that actually explored what happens after the confession. Also the 2 leads are just precious.
Lenlo
Alright but unmemorable seems like a good summation.
SuperMario
@Lenlo: one good thing about Seiren is if you don't like this romance, the whole thing gonna reset after episode 4 so there's a chance that you might end up like it. Agreed that the comedy wasn't very good. Alright but unmemorable
SuperMario
@Topgavin: I watched like first 3 episodes and stopped because I didn't have much time there, but I enjoyed what I saw. A well-written and endearing show in my book
Topgavin
Has anyone here watched Ore Monogatari before? Because in the 4 years I've watched anime, I've never heard of it (I guess it did come out 2 years ago) and yet it's turning out to be one of my favorite shows. Always great going into a show expecting nothing and getting pleasantly surprised.
AidanAK47
Only one more impression to go. Should have it up tomorrow.
Lenlo
Im really not feeling Seiren. Its "comedy" isnt for me and I just dont find it very enjoyable to watch so far. Im curious if it gets any better but 2 episodes in it just isnt that good.
HelghastKillzone
That ending scene is an entire side-story compressed into that. Don't expect anymore of it from here on out as the it sticks to ruthless military/fantasy pretty well.
LookingForKeys
@Topgavin I think it was good, making it the second episode. That way the first set up the world the story will be in, and showed how much of a monster the "little girl" really is right at the end, and then made ep.2 the explanation. Nothing against Tanya trying to rip "God" a new one.
That after-credits scene, though...
SuperMario
Hmm, as much as I like Seiren's omnibus format, it doesn't turn out really hot this second episode. Demi-chan, on the other hand, still maintains its endearing tone. Might blogging Demi-chan instead
Topgavin
Yeah, that second episode was much better than the first. Dunno why they didn't start with that to be honest, waste of an opportunity for a good hook episode. The voice for the main girl still sounds weird to me though; I get it's supposed to sound weird because it symbolizes 'her' being out of place and her personality and body being a mismatch, but it'll certainly take some getting used to.
AidanAK47
Youjo Senki, now we are talking. Like Helghast said, Did the god scene way better than the LN and manga. Made it less comedic and more intimidating.
Lenlo
Oh man that Rakugo intro. Not sure what to think, but first time seeing it I liked it
Kaiser Eoghan
I sort of like good will hunting because I kind of saw a bit of myself in Damon's character when I watched it ages ago.
Kaiser Eoghan
@Mario: Remaking psycho and ruining the shower scene, for shame van sant, for shame.
Kaiser Eoghan
Its easy to ripoff some obscure thing though and get away with it. The dogtooth director essentially stole an old Mexican film to make that.
SuperMario
@Kaiser: yeah, that following some guys from behind like they were on a RPG games, which I think actually fit with the tones of Elephant. I have such mixed feeling with Gus van Sant too. Don't really think he's a great director.
Kaiser Eoghan
@Mario: Although Istvan Szabo is probably a little more well known for that Mephisto film that updates the Faust story. Zoltan Fabri's the fifth seal is a very thought provoking war movie.
Kaiser Eoghan
@Mario: I remember seeing a film documentary that featured Gus van sant in one section, they showed clips of tarrs films, Sant ripped of the cinematography and stole the style from some British short film to make Elephant.
SuperMario
@Kaiser: agree on the other Hungarian filmmakers, I don't know much about them either.
Kaiser Eoghan
@Mario: Scorsese's Silence was a big comeback. I really really emotionally connect with spiritual crisis stories.
SuperMario
@kaiser: yep, definitely check wreckmeister down. Althought I admit that watching his 2-hour plus films will feel like 5-hour anyways
Kaiser Eoghan
@Mario: I'm more tolerant of darker teenage/coming of age films/stories. Les Demons was a big surprise.
Kaiser Eoghan
@Mario: Though its kind of frustrating, I do think Tarr probably takes attention away from other hungarian filmakers because no-body knows who the hell the others are.
Kaiser Eoghan
@Mario: Man, wreckmeister was so visually arresting I started getting dreams from it.
Kaiser Eoghan
@Mario: I would consider Tarr to be kind of a poor mans Janco, Angelopolus and Tarkvosky rolled into one. I don't entirely "get" wreckmeister and man from London but they are great atmospheric mood piece experiences.
SuperMario
@Kaiser: I had been wanting to watch Belar Tarr's Turin Horse and Werckmeister Harmonies for so long now. Well, Fat Girl is shocking haha, but I'm normally drawn into those kind of films anyway.
SuperMario
@Kaiser: Margaret took like 5,6 years to release because he couldn't cut it down in the way he wanted. The final cut if I remembered correctly was edited by Martin Scorsese
Kaiser Eoghan
@Mario: Only a HDcam for moonlight now.
Kaiser Eoghan
I looks like my lineup is witch academia, rakugo and youjo senki, well the most latter one until I get bored.
Kaiser Eoghan
@Mario: I sense a directors cut for manchester, it feels like it need another 30 minutes.
SuperMario
@Kaiser: right up my valley. Watch Kenneth Lonergan's previous works Magaret and You Can Count on Me. Magaret is very messy but have a raw dialogue and interactions as well
SuperMario
Now the first episodes are over, I will keep on covering 3-gatsu, as for the other twos atm I have 3 options: 1) full romance/anti-romance high school Seiren/Scum's Wish. 2) slice-of-life moe monster girls Demi-chan/Maid Dragon and 3) Mature,dark Onihen/Acca (which although I like them I don't have much to talk about).If you guys have any preference on which shows you like covered then let me know
Kaiser Eoghan
@Helghast: At this point I'm watching youjo senki as an entertaining guilty pleasure.
Kaiser Eoghan
@Mario: Too many reboots upcoming, will wait for the dvds instead. I want to explore more of manchester by the sea's director's work. I also want to finally get more into Bela Tarr's stuff.
Kaiser Eoghan
@Mario: I was rather shocked by A Ma souer/fat girls final act. Scenes with the Italian in the bedroom were initially creepy.
SuperMario
@Kaiser: it's a nice review Kaiser, a bit jealous with you that you've seen those 3 films which are touted as the best films of 2016. Also Fat Girl, haha, I love that movie.
Kaiser Eoghan
Poor yotaro =< you have so much stuff going down on you =<
HelghastKillzone
Youjo Senki episode was so good today. That revamped scene with God just fitted so right.
AidanAK47
A official release of that game in the west is apparently coming but it's been a few years and not much news about it.
Kaiser Eoghan
@Aidan: Ah yes that was the one.
AidanAK47
@Kaiser, Had to think for a moment on that one but I think I was talking about this. https://vndb.org/v3144
Kaiser Eoghan
Now I'd hardly consider myself a studio trigger fan, but I watched the first witch academia episode there, it was actually kind of fun, got the same reaction from me as flipflappers did, that magical, special feeling.
Kaiser Eoghan
@Mario: I also, of interest reviewed Kenneth Lonegrans new film: http://letterboxd.com/shao_liu_ringon/film/manchester-by-the-sea/
Kaiser Eoghan
@Mario: Moonlight got some feels out of me though it could of been more, it ends abruptly and with 20 extra minutes they could have spent a bit more time on each section of his life.
Kaiser Eoghan
@Mario: I checked out lala land, ending was very well executed, one of three scenes in the film that were impressive visually. The whole thing looked pretty and Gosling and Stone had some decent chemistry. Although it didn't resonate emotionally as strongly as the musicals of Jacques Demi did.
Kaiser Eoghan
MOM I want aiyoku no eustia and I want it now.
Kaiser Eoghan
I've never heard of himawari or tokyo babel. The hellsing comparison at least interests me in dies irae. What was the name of that visual novel again that was coming out soon, Aidan you described it as "And Kaiser would love it because its supposed to be really fucked up".
Kaiser Eoghan
I vaguely remember the anime for 11 eyes, it was very forgettable, even the voice acting was poor, hated the childhood friends and the pacing was poor, those black knight things were kind of interesting though.
Kaiser Eoghan
@Aidan: You'll have to add me onto the list of those unsatisfied with the ever 17 writer, I read one of those games and felt it was a bunch of interesting bait that never paid off.
AidanAK47
Anyway I plan on doing a review of 11eyes here when I finish it.
AidanAK47
Can't say I was a fan of Ever17. That was a really good twist but when it came to explaining it their was a lot of contrived development. Generally not a fan of the writer. Looseboy, Ryukishi, Gen and Nasu are more my kinda thing
AidanAK47
@Anon, it is nice that so many VNs are on steam but I wish they wouldn't be stupid with the whole no adult content thing. Not so much for myself but to prevent idiots from writing negitives reviews because the game doesn't have sex. VNs can grip you in a way anime simply can't and while they require pathence and time those can be some pretty powerful stories.
Anonymous678956
@Aidan, I am so happy steam's so VN-friendly now. I think it's a very good type of media. Like anime, it has nice visuals, music and some movement but also the inner monologue and text amount of books. It's the perfect combination. Plus, the routes, which are often puzzle pieces and PoVs you have to go through to understand the whole story. True routes like the one of Ever17 blew my mind.
AidanAK47
Hopefully the two VNs I bought of steam turn out better. Tokyo Babel is supposed to be alright and I heard really good things about Himawari.
AidanAK47
I am about a third of the way through the game and really not much of worth has happened. The concept is interesting but the execution is sorely lacking.
AidanAK47
I went in expecting it to be a mixed bag and it's pretty below my expectations. It's just not really well written and the protagonist is a moron. THere isn't really routes and instead you are pretty much stuck with his childhood friend as the main love interest. Problem with that is her character begins and ends with loving the main.
Anonymous675376
@Aidan, damn. 11Eyes is on my reading list as well. Although I almost expected it to not be as good as I thought it'd be (back then). Guess I would have enjoyed it if I was able to read it while the (shitty) adaption aired, maybe I have seen/read too many series by now. Guess I'll still give it a try some day though.
AidanAK47
@Anon, I haven't heard the OST or watched the intro video. I only know it be reputation and have decided to walk into it as blind as I can. Still slightly worried as I was somewhat looking forward to reading 11Eyes for a couple of years and now that I am reading it it's well...not good.
Anonymous675376
@Aidan, same here. I was waiting years for this, since I saw the intro video for the first time. Also, that OST!
HelghastKillzone
Youjo Senki is already leagues better than Izetta. It's going to be top anime of forever and ever. (maybe not)
AidanAK47
And finally Dies Irae is funded. May actually be able to play and finish the game before the anime airs. If the hype is real behind this baby it could be a new personal favorite Visual Novel of mine. Already looking promising with it being like a cross between Hellsing and Fate/Stay Night. Two things I most certainly like.
Lenlo
@Masky, in regards to style over substance thats where im at with Gurrne Lagann.
Topgavin
Yeah, I'll probably watch the next episode to see whether it can redeem itself. Hopefully it can but considering 1st episodes usually get a lot of budget, there's some severe doubt in there.
AidanAK47
I actually argee with character designs and voices are bad in regards to female characters. Still the next episode might change your mind if we get more into the main characters head.
Anonymous671470
It's boring
Topgavin
Also, it seems I disagree with a lot of people in thinking Youjo Senki will be a massive trainwreck. The character designs are awful, the voice acting is mismatched but most of all the premise just seems so very dumb. If I wanted to watch a badass kill people I'd go watch Hellsing or Drifters, because at least those don't have some op, disproportionate loli as the mc.
AidanAK47
Gets even more complicated when you account for Satire and Parody. You could equally argue all examples listed as being as such.
AidanAK47
Little Witch Academia is a decontruction of Harry Potter....I don't believe that but honestly if I tried I could put some reasoning behind that statement.
Topgavin
In the end, it always comes down to opinion (as with every discussion about anime, for some reason). You could spin any and every series as a "deconstruction", which is why people shy away from using the word. You could argue NGE, Madoka and Re:Zero are all deconstructions yet also argue Gundam, Precure and SAO are depending on what points you weigh more importantly.
Masky
Like, if deconstruction is supposed to be just "break the elements and then play story how it would realistically go down" well I haven't watched NGE, but as far as I know it does have stuff that isn't typical to mecha genre besides the "It would fuck up kids" thing plus "realistically how it would play out" is pretty subjective thing. I mean, its mainly about how cynical bastard the writer is :P
Masky
Like I said, I don't fully agree with it because I find video's speaker's attitude annoying, but I found it semi convincing. Main thing I don't find convincing about it is that I don't think its hard to turn video's own arguments agaisnt it and say that by its own logic NGE isn't deconstruction either, like Aidan just said earlier
Masky
And I don't really have energy for checking out the "correct" one. If there even is one. Anyway, the hipster video I was talking about was titled "What Actually Is A Deconstruction?" if you want to check it out.
Masky
Hmm, well, it does depend on definition you use. Like if you use "realistic" thing, well, Magical Girl shows don't usually have "You turn into monsters" thing going on and reason why NGE's pilots go crazy is from dangerous situations rather than evas making them do so. But honestly, I don't really have strong opinion on matter since word seems to be one of those with several different meaning
SuperMario
for me Madoka IS a deconstruction of Magical girl, and yeah like what Aidan said
SuperMario
I think part of Utena is a deconstruction of "prince riding horse and save the girl" because that notion is just a foundation for Utena to become a prince herself and save other girl. That's breaking it apart and resemble it again in its own way. Don't have to be dark/ don't have to be real either
AidanAK47
@Masky, That's just debating semantics. Besides that difinition would pretty much mean that Neon Genesis Evangelion isn't a decontruction either. Madoka isn't a decontruction because it's dark. It's more in its aspects of criticising why a girl should throw her ordinary life away for something as dangerous as being a magical girl. It does take plenty of the typical tropes and turn them on its head
SuperMario
@Masky: Genre deconstruction is such a tricky word that I normally try to avoid using because there's really no set characteristic about the term and different people have different opinions about what constitute "deconstruction". For me, I disagree that deconstruction have to be dark and real, hmm can't say it well but I will give you an example:
Masky
But yeah, I guess I could try to find the video if you guys are interested, though like I said, I got hipsterish feel from the video and felt rather annoyed through it even though I did get what the point was and found it sort of convincing besides my annoyance
Masky
(not that liking NGE is hipsterish, its just that I find NGE to be more style than substance sort of series <_< Anyway, guy didn't dislike madoka or anything, he just seemed to dislike people using word deconstruction wrong in his opinion)
Masky
(especially with how much they seemed to praise Neon Genesis Evangelion)
Masky
I mean, I think the guy was being somewhat hipsterish, but its true the being darker take on genre isn't same as deconstructing the genre
Masky
@AidanAK47: Some other guy on youtube did video that had actually pretty good point about how Madoka isn't really deconstruction, if you go by definition of "Break it down to parts and then play them straight to show how horrifying it would be in real life"
Anonymous670441
Gente - Ristorante no Hitobito
Kaiser Eoghan
If anything its the hate I have for certain characters that makes it more effective.
Kaiser Eoghan
The obsessional level of attachment is just uncomfortable to me, I don't want to get THAT attached to a non-real character.
Kaiser Eoghan
Its literally just a case of "Okay lets look at this picture of this character, she looks interesting, no feelings or expression from me, apply this fetish, fap, get release, go home. "
Kaiser Eoghan
Or drooling/dribbling/heavy breathing/grinning over the characters. I abhor alot of the anime girls I find attractive or am indifferent, even when looking at ecchi/hentai drawings I'm straight and clinical with it.
Kaiser Eoghan
I mean to each their own. But I really hate the level of emotion/devotion to moe/finding the characters attractive. Such as celebrating their birthdays, going on about how cute/hot they are, how important it is that they're virgins. Or not being being self-aware of how irritating the characters are.
Lenlo
Anime hipster is pretty accurate. His general treatment of the current state of anime is annoying, as is his obsession with moe. Maybe its cause I cant stand moe most of the time, but it bugs me.
Kaiser Eoghan
@Lenlo: Essentially my brothers view on digibro.
Kaiser Eoghan
@Aidan: I don't usually feel the need to correct errors in your reviews as the errors are generally un-important, but I think you meant to say apprentices rather than appearences in the Rakugo review, just bringing that up as it felt like kind of a throw off.
AidanAK47
Which is kinda like saying Madoka wasn't a magical girl deconstruction because Sailor Moon and Nanoha had dark elements too.
AidanAK47
Went and read the reddit comments on it and seems I was right on the money.
AidanAK47
@Lenlo, He's basically a anime hipster. For example, I saw a thumbnail of his which had Saitama on it and below it "Is There Meaning In "Subverting" Shounen Tropes?" and I thought "Okay, he's going to go on about how OPM isn't subversive and then list a bunch of arbitrary examples in an attempt to redefine what is actually subversive"
Lenlo
I have lots of issues with Digibro. Dude has some good points, but other very horrible ones. Some issues he feels strongly about and gets kinda biased on imo.
Anonymous669202
acca looks visually interesting, and I personally really dig this kind of show, but it seems that it's definitely not for everyone
AidanAK47
Time to live up to my word. Four posts incoming.
AidanAK47
Man, Little witch Academia was so good. I disagree with the whole Digibro thing about being able to recognise a great show in it's first episode but watching this makes me think that this really is going to be something special.
AidanAK47
Alright, gonna put in effort today and have 3 or 4 first impressions posts done. That should knock out near half the season.
Kaiser Eoghan
Had a flip through handshakers. Garish is the word I'd use to describe it visually, it takes you out of the show.
Topgavin
ASuperMario From the first minute I can already tell it's by the same people that made K. Those colour filters and the extremely jarring/obvious city CGI is unmistakable.
SuperMario
Hand Shakers, literally makes my hands shaking. It's an abosolute mess. Highly recommended to check it out because it's so terrible it's great to watch
Vonter212
Yeah, and it's also a literal woman in refrigerator plot device, since that the thing that pushes the story forward.
Masky
I'd say that having to hide your sister's body in fridge would count as daaaaaaark and edgy, but when the body is wearing only underwear, and for some reason main character put metal things in fridge to keep body standing(I guess to not knock fridge open from inside?) I think it goes to "exploitation" you are talking about
Vonter212
@Masky - Did someone said doing dark things for drama? That's the bread and butter to get despair. Unless it's for the sake of perversion. Then it's just exploitation.
Kaiser Eoghan
@Masky: His other works dead tube and scumbag go further in the unhinged regard.
Masky
*relies on easy "let's do [x dark thing] for drama!" thing
Masky
Geez, Mayonaka no X Giten is fricking disturbing/disgusting ._. I'm pretty sure that writing relies on e, but I can't help but think mangaka is trying to make corpses sexy.
SuperMario
I found Onihei to be quite good, actually one of the most solid new episode I watched this new season. Guys, check them out
Vonter
I just hope it doesn't fall into the same misstep Kabaneri or Inuyasha or Bleach fall by making a villain so over the top that it crossed the line of not having a satisfying downfall.
Anonymous657941
@Vonter I think they just moved on. I lost interest rather quickly and I guess even the fans did that at some point, like with some other long-running series. There is much more new and more direct "fujo" stuff out there, many of them probably switched. Don't know what happens in the manga but maybe the story got worse or contained things some people didn't like.
Vonter
January will be loli dictator month (for me) :p. World Conquest Zvezda Plot, Youjo Senki: Saga of Tanya the Evil (new), Seraph of the End. For some reason I stumble into three curious series with little power hungry girls. If I can ask, why did Owari Seraph's hype died, I remember back it was mentioned more often. It still has the fujoshi fanart but still, I don't see people bringing it up.
SuperMario
@CATski: well, if you didn't like its first 3 episodes I dont think the rest gonna change your mind. Have you finished Erased then? How did you like it?
SuperMario
But I understand it's difficult to speak in front of camera, get some time to get used to it
SuperMario
@kaiser: I won't commend on poem as I'm terrible at it myself but younneed to work more on presentation Kaiser. Small little things like looking directly at the camera or say "thanks for listening" in the end can connect you to the audience better
Anonymous657071
Ok. I'll give the thing another chance. *clicks torrent* XD. CATski.
Kaiser Eoghan
@Topgavin: You might like centaur no nanami if you like demi-chan.
Kaiser Eoghan
Damn...repeated myself =<
Kaiser Eoghan
There are these things called slam sessions done in bars where people get up and read out stuff in front of a crowd and read stuff out. Actually watching rakugo made me think about practicing for that kind of thing.
Kaiser Eoghan
@Mario: the video I did was of me reading out a short piece of writing I did, a poem. lol I uploaded it to the wrong youtube account too I just realized =P
[link src="https://www.youtube.com/watch?v=ypBZ2hBDBYs&t=11s
I"] was recording this from my mothers laptops inbuilt cam while reading off my desktop.
SuperMario
@Kaiser: I think it's a good idea for you to try out reviewing movies/stuffs in youtube channel. I'll be very interesting to listen to them
SuperMario
@Topgavin: Agree. Demi-chan was so charming. Definately one of my favorite so far this new season
Topgavin
Demi-chan's first episode was good. Like, really really good. That blonde-haired girl was hilarious, the teacher-student relationship between the MC and the girls is really interesting and the social/practical problems the demi's face make it look like my favorite show so far.
CATski
Ah... ok. Is it really that good or it's just one of those "artsy" animes that tend to get overrated by their ardent fans? I didnt find the rakugo bit interesting.... probably the weakest aspect of the show for me.
Kaiser Eoghan
@Aidan: Why did I read that chapter. Why did I do that to myself.
Kaiser Eoghan
Admittedly yes the premise is not for everyone, but if you stick with it, the flashback arc had some good character work in there.
CATski
Rakugo has a season 2? I watched ep 1 - 3 of season 1 then promptly deleted it. The loud "yankee" dude was annoying. And the anime was boring.
Kaiser Eoghan
Oh man, I've been thinking lately of trying to start some kind of youtube channel. I did a few trial run videos. Its much much harder than it looks, didn't realize how nervy being in front of a video camera was.
Kaiser Eoghan
*a declining art and rakygo halls are closing down
Kaiser Eoghan
As the show continues to mention how "its declining art", that got me thinking of the modern day, how while things like tv and cinemas probably hurt attendances for rakugo performances, the internet has replaced theaters .
Kaiser Eoghan
Ah, now I've watched it. It'll be interesting to see Yotaro's relation to sukeroku's daughter develop. By all intents he should be an irritating character and not as interesting a yakumo based on his personality, but I can't help but like him, example of a goofball character done right.
Anonymous654016
ElDlive is looking good
Kaiser Eoghan
I haven't gotten around to rakugo's second seasons first episode yet =<
Kaiser Eoghan
Just looking at masamunes female protaganist I want to punch her.
Kaiser Eoghan
Vapid would be how I'd describe it, I didn't care about Masamune no revenge but at least there was some life to it.
Kaiser Eoghan
Ah, suzuka I remember a friend telling me when I got halfway through the anime to literally run from it and not continue. I flicked through fuukas first two episodes and played count the cliches.
Kaiser Eoghan
While I definitely got something out of Yojo senki's manga, I found the first episode easier to get through than the manga, in terms of pace and exposition.
AidanAK47
@Masky, Fuuka chapter 135. Read and be amazed.
Masky
Ah sorry ._.; And wait, there is another twist later on? What
AidanAK47
@Masky, Even if it's a crap show don't go posting spoilers on the chatbox.
Oh and that's just the begining, a really dumbass twist happened recently in the manga.
SuperMario
@Aidan: I'm away a whole day again so I'll be a bit late on my impressions.
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As of this writing, Kimi no Na wa, or Your name. has enjoyed a phenomenal commercial and critical success. It becomes the highest grossing film of the year in Japan, and broke many records elsewhere in Thailand, China, America… you name it. Even in the local theatre where I went to, we got a full […]

Occultic;Nine Review – 0/100

I am certain this may seem like an extreme rating for some but the number scale always has been something I only carried over as part of psgels format. But this rating exemplifies my feelings about this show in its entirety. This show is awful, terrible, rage inducing, illogical, nonsensical garbage. Watching this show was […]

Magical Girl Raising Project Review – 65/100

In the success of Madoka there have been plenty who have tried to capitalize on turning the Magical girl genre dark. Few have actually succeeded and while Magical Girl Raising Project doesn’t quite succeed, it is still a much more competent attempt than many others. The story is about a phone app which promises to […]

Yuri!!! on Ice (Fall 2016) Review – 83/100

“Can you hear my heartbeat? Tired of feeling never enough. I close my eyes and tell myself that my dreams will come true” That’s exactly what Yuri on Ice offers, a heart-pumping ride to the sport of figure skating. Yuri on Ice’s current success and mainstream breakout is something that no one could have guessed before it aired; but here […]

Strange Frame – Love & Sax (2012) Movie Review – 76/100

Hooray, I’m finally back to this section after a while. I originally plan to review a more in-focus groups of animated films, like Korean movies, anthology movies, female-directed films, etc but now I have a different plan. The days that I cover all these will come, I promise. Instead, this time I want to highlight […]

Thunderbolt Fantasy Review – 84/100

Sometimes you dread for the current state of anime: high school settings, cute girls, fan-service jokes, idol madness… that you wish for once to see something different, and out of nowhere an oddball like this just pop up: a wuxia puppetry show influenced by Taiwanese glove puppetry written by Gen Urobuchi. The sheer fact that […]