Posted on 31 October 2011 with categories: Ben-To



Okay. So this episode had fanservice. Heck, there was more fanservice than compared to most moe shows.

Thank god this show knows what it’s doing, though. The fanservice in this episode thankfully 1) was creative and 2) didn’t reduce its female characters to morons. There were times when it went a bit too far like with the incest jokes, but this episode made me laugh quite a few times thanks to the great characterization of this show.

There are also these weird characters like that girl whose eyes we never see, and who looks like an important character, yet has nothing to do with the story. Or take Ume Shiraume, who has absolutely nothing to do with fighting over lunches, but makes the rest of this show hilarious with her antics. With the way that Shaga was introduced in this episode I expected this stereotypical love interest who walks over everyone, and yet she was actually no match for both Shiraume and Yarizui. Combined with good acting around this parts lead to a well fleshed out character within the episode she was introduced in, even though she started as a big stereotype. It really is the big difference between this show and just about all other moe shows for me: the acting nearly always seems either too bland or too forced to me. Here, the characters have their over the top concepts, like obsessive stalker, deadpan and tomboy, and yet manage to give enough sides to them to have them move away from these stereotypes.

And on top of that I have to praise David Production for animating great fight scenes over and over. It’s not like they have a lot of budget, but the sense of timing in these battles is just impeccable. The rituals before and after each battle (quietly waiting for the discounts to be handed out, and collecting the spoils of war) also work really well with it.

I have been criticized of treating some of the moe shows like Mayo Chiki, Utapri, Sofuteni and Idolmaster too harsh, when they’re supposed to be light entertainment. but the thing is, for entertainment, I sure as heck wasn’t getting entertained by these series that all just look like each other and feel half-hearted in their execution. These criteria are of course different for everyone, and if you enjoy them: good for you. But when I watch a show that focuses on entertainment, I really want to watch something that actively tries to be as entertaining as possible (not just in the way of Majikoi of having one entertaining episode… only to be followed by a ton of boring stuff where you feel like hardly any effort was spent on it). I found these series earlier this year with shows as Level E and Dororon Enma-kun, and now I’ve found another with Ben-To. It’s only got 12 episodes, so let’s see if it can keep this pacing up all the way.
Rating: ** (Excellent)

Posted on with categories: Fate/Zero



Um, people. If an entry of my is delayed, It just means that I’m busy with this thing called life. I really try to update fast, but there are times when I’ll be busy with either work or friends. It doesn’t mean that I’ve dropped something, just because I’m late with it.

Now that that’s out of the way, this was a definite improvement over the previous episode due to all of the characters involved. Aside from the Caster-Duo, all of the major master-servant pairs were involved here in this episode, which fits this series much more compared to the previous episode’s duel with lots of talking. There was a lot of stuff that everyone had to take into account, and everyone arrived at the battlefield with a different agenda, and a completely different battle plan. If the rest of the battles are like this the we’re really in for an awesome show.

I’m probably not the only one in this, but the one who really stood out for me was Rider. His chivalry along with his air of just not caring to be careful really stood out. Apart from that I also like Kirei and Kiritsugu, as they seem to know what they’re doing the most. There are a few characters who are still a bit too one-sided at the moment, like Caster’s master and Lancer’s master also needs a bit more attention. I also find it a bit of a pity that Saber is being pushed in the underdog category. That just doesn’t fit this series where the themes as chivalry are huge.

I also have to praise Ufo-Table for their great work on the CG. I mean, it has the bad luck that it airs in a season with both Last Exile and Guilty Crown, but if those two weren’t there it would without a doubt had the best visuals of the season.
Rating: ** (Excellent)

Posted on with categories: Monthly Summaries

The ratings I have given may seem lower than usual, but I’m actually quite positive about this season. The big reason why is that for once, there are plenty of series that are planned to go beyond 13 episodes. And that’s a massive improvement over the seasons of the past year. Because of this, series can take a bit longer to get going, but for now I’m happy, because there are a lot of potential gems here.

The biggest plus of this season is its creativity. There are a ton of series with very imaginative settings, that try to do something different, or that just put a lot of thoughts into their execution beyond just the basics. Again, this needs time to really pay off. In a way, this is better than the past summer season, which started off incredibly strong, but many series didn’t have the room to fully grow and take off.

#29 (new) – Chibi Devi – (2,25/10) – For me, this was the worst show of the season. Ridiculously cheaply made, really bad jokes, really bad acting and based on a very flimsy premise. Dropped.
#28 (new) – Maken-Ki – (3,75/10) – Maken-Ki is stupid fanservice with a lot of boobs, panties and fighting. Dropped.
#27 (new) – Mashiro Iro Symphony – (4,25/10) – With this series, Manglobe has exited my top 10 of favorite studios. Blacksmith and TWGOK were one thing, but this was just bad in every way aside from perhaps good inbetween animation. The drama is cheesy, the characters are one sided and stereotypes, and there’s nothing interesting about it whatsoever.
#26 (36) – Shakugan no Shana – (5/10) – After watching the first episode of the third season, I am glad that I didn’t continue with it. It’s good to see that this series is evolving, but the direction in which it evolved was rather questionable. The twist around Yuuji in particular is such a cheese ball of a twist, especially considering the cast of this series. Dropped
#25 (24) – Digimon Xros Wars – (5,25/10) – What surprised me the most about this installment of the Xros Wars saga is how incredibly hyperactive the new male lead is. Overall, Digimon Xros Wars is a show who downplays itself because it probably thinks that kids are idiots. It’s a huge change with the original Digimon series, but change alone isn’t always good.
#24 (new) – Maji de Watashi ni Koi ni Shinasai – (5,75/10) – Now this was fun! Or at least, that’s what I thought after the first episode. The first episode made no sense, but it was over the top and every character was having fun in his or her role. And then the second episode came and things got really dull. and then the third and fourth episode came and this show degenerated into nothing but fanservice and dull repeated harem antics. This is what you get when you want to open with a bang, but have no intentions of putting in any other effort at entertaining your audience beyond it.
#23 (new) – Sengoku Paradise: Kiwami – (6/10) – This one is good…. for about one laugh. If you’re really bored you might want to give it a chance, but in the end it’s not really worth it compared to the other comedies this season.
#22 (new) – C3 – (6/10) – I like diverse shows. However, that doesn’t mean that I automatically consider any show that has it good. A very nasty example of this is C3: this set up would have been nice, if only the acting wasn’t so abysmally bad, it didn’t feel like the Shaft of three years ago, it didn’t force its drama and plot twists, and it wasn’t so damn cliched. These characters are in no way fun to watch. They’re incredibly stupid stereotypes with superpowers.
#21 (new) – Mobile Suit Gundam AGE – (6,5/10) – At this point, I’ve gotten tired of Gundam shows, so I have very little patience for them. At this point I see too much potential for this show to become a boring repetition of random battles. The first episode just had too many things that made me tired of this genre. Wake me up if it does turn out to be different. Dropped
#20 (new) – Guilty Crown – (7/10) – This one turned out to be the big disappointment of this season. It has an excellent pedigree, and yet it hardly takes any chances or risks. It’s full of cliches and characters who don’t know what they want to be. The female lead in particular is bad for doing absolutely nothing within the span of the first three episodes. The animation looks gorgeous, but even that turned out half-assed with the third episode.
#19 (new) – Boku wa Tomodachi ga Sukunai – (7,25/10) – In the end, I decided to drop this show. I just don’t get what’s so good about it. The only thing that I liked about the first three episode was that it has very solid dialogue. Beyond that though, it’s just another harem with too many cliches, forced characters and uninteresting drama.
#18 (new) – Sekai-Ichi Hatsukoi – (7,5/10) – I dropped this show. The biggest reason for this is lack of time though, but at the same time I also have to say that while the comedy in this show is nice and the characterization is good, I’d rather watch a show about actual gay people, rather than angsty bishies who keep raping each other.
#17 (15) – Nurarihyon no Mago – (7,75/10) – Agh, this is my problem with most shounen series: how long did it take again for this story to take off? It’s been forty episodes, and Rikuo is put into yet another training arc that bogs down the story. Also, the entire set-up of this arc bugs me: it’s well directed, but when Rikuo created his Parade of 100 demons, I expected him to do this for the sake of creating a small army. What the past episodes have been doing is take random characters away from the others, and throwing them in predictable one-on-one or two-on-one battles. The big problem is that they tended to end with a very predictable save at the last possible moment that could have been seen from miles away. How much more of this build-up and random battles against waves of uninteresting enemies until things get interesting here?
#16 (new) – Kimi to Boku – (7,75/10) – This one has potential. It has this boring atmosphere that at first sight seems like an instant failure, but then it comes and turns that atmosphere around again. The characters all have their moments that get on my nerves, thoug, but none are as bad as the blond kid. Will he ever shut up?
#15 (new) – Persona 4 The Animation – (7,75/10)

Persona has the potential to become great as it goes on. Its premise can get really good in terms of character development if handled well. At the moment it’s still a bit too stuck in its own formula to really take off, though. There is little time given to flesh out the characters, which is why the parts where they show their inner secrets lack the impact they could have had.

#14 (new) – Kyoukai Senjou no Horizon – (7,75/10)

This series’ biggest asset is its creativity. It’s set in an original world and the cast of characters is HUGE and very colourful. The overall plot feels a bit random and silly, but it’s definitely building up to something. The character designs themselves are abysmal, there are some definitely annoying characters and a lot of time is spent on just goofing off, but there’s some definite potential here.

#13 (new) – Phi Brain – (7,75/10)

This is a rather silly show about puzzles. In particular the antagonists make really weird decisions and have really strange motivations, but it’s worth it to see what kind of puzzles the creators come with, and the overall cast is eccentric, yet fun to watch. There is a very real chance for this show to become TOO eccentric, though. The key will be good variety in the puzzles from this point on.

#12 (17) – Shinryaku!? Ika-Musume – (8/10)

Overall Squid Girl’s second season has been a little step down compared to the frist season, but for comedy sequels’ standards it isn’t much of a step. The animation has gotten slightly worse, and some stories are too forced, but there still are a bunch of really hilarious stories. It needs to keep this up, because getting worse from this point isn’t an option.

#11 (9) – Bakuman – (8/10)

I do have to say that Bakuman is currently the best Shounen Jump series out there. Unlike Gintama and Sket Dance it isn’t throwing a bunch of random stories around in the hope that it’ll get lucky and strike gold, while unlike Nurarihyon no Mago it isn’t breaking up the flow with constant training arcs. The second season does have fixed some of its pacing issues, but on the other hand it’s not yet Hunter X Hunter material, and things have been rather monotonous.

#10 (new) – Tamayura ~ Hitotose – (8/10)

The two big slice of life series are both very, very different, but they’ve got one similarity: they depend on characters with annoying sides, and they somehow make it work. For me, Tamayura does it the best of the two at this point. It’s really well animated, and it actually uses photos really well to flesh out its cast. The drama around it isn’t random, but tells a lot about the characters. Some parts like the whistling and the shota fangirls can get annoying, though.

#9 (new) – Hunter X Hunter – (8,25/10)

Here is the thing with this new season: it’s much faster than the first season. That has advantages and disadvantages. The story flows more, it’s easier to get into and as the result a lot of very interesting stuff has already happened in just four episodes. Now, the thing remains that this show skips a lot of time to flesh out the characters because of this. Out of all adaptations that feel rushed this season, this one actually does its best to hide it so far, but the real test for this show will be the point where the characters will actually show themselves off. Will these be as great as well? Right now, the only parts that really are worse than the first season are the music, and some of the voice acting.

#8 (new) – Mirai Nikki – (8,25/10)

Mirai Nikki is over the top suspense, and it realizes that. The characters are fun and well acted together, there’s a good whiff of romance without overdoing it, and the first three episodes have been very entertaining with a pretty good atmosphere.

#7 (new) – Fate/Zero – (8,25/10)

Fate/Zero stands out as the most solid series of the season. I refuse to watch Fate/Stay Night but this was completely different and much more interesting (and heck, we’re talking about actual adults this time). My big complaint about it is that it’s a bit boring with its exposition. There are long scenes of characters just standing in one place and do nothing but talking, and characters stop in the middle of fights to explain their moves. That breaks flow.

#6 (new) – Ben-To – (8,25/10)

What makes Ben-To so addictive is its direction. It has definite harem elements, but tis delivery is fresh and interesting. The jokes all work great, the timing of this show is perfect, and even when it’s not funny, the characters are interesting and well acted, rather than most other moe shows that have just boring characters. On top of that the fights are a lot of fun to watch, and the premise of fighting over half-priced lunches just kicks ass.

#5 (new) – Last Exile – Ginkyou no Fam – (8,5/10)

If you’re planning to watch this series, I have one message for you: watch up to the second episode. Both episodes are completely different in tone. The first episode is rather childish, where the second is very serious. It actually manages to blend the two together very well and most importantly it knows when to ditch its silliness. What really impressed me is how much the creators put into the setting. This show is full of creativity and the world it’s played in actually feels alive.

#4 (new) – Chihayafuru – (8,5/10)

This show has the best characters of the new season. They’re really well animated, very dynamic (showing both their young and old versions in full details really helps!), plus the karuta matches were really made exciting. The big challenge for this show is making the karuta matches this way. It’s a very simple game, so keeping up this pace will be a challenge.

#3 (new) – Un-Go – (8,5/10)

I really like the storytelling in this series. This show knows that it’s Noitamina and tries to stuff as much into its episodes as possible. The result is that it’s really fast paced, but not in a bad way. Episodes do require a second watch-through in order to get everything, but for me that’s not a bad thing at all. My only gripe is that the cast of characters is rather flat.

#2 (4) – Hyouge Mono – (8,75/10)

This month was all about character development. Naturally this was a great chance for the cast to shine, in a very weird arc that completely ditched the warfare in favor of esthetics. This is Bee-Train though, so I’m really looking forward to what they have planned for the ending.

#1 (1) – Mawaru Penguin Drum – (9,25/10)

Penguin Drum has definitely changed this month. I think that it’s for the better. It’s both become hilarious and the character development is really kicking in. It keeps finding new ways of showing symbolism and toying with its storyline. And yet, amidst the chaos, nothing is just thrown in at random. It would be awesome if the final third will be able to live up to the potential that has been built up so far.

Posted on 30 October 2011 with categories: Hunter X Hunter



Something bugged me about this episode, but I really couldn’t put my finger on what it was, so I actually ended up rewatching parts of the original series to find out (this took place on episode 8, by the way, to get a frame of reference). This episode actually made this part play out LONGER than the original TV-series did. In any case, after watching it, I really knew what bugged me: the acting.

With this, I’m mostly referring to the parts about Hisoka. The general scenario was the same, but how the characters acted just made this episode in the first season better. The problem lies with both Leorio and Hisoka hamming it up a bit too much, plus some really weird rearrangements in the battles (Hisoka’s teleportation powers, for example). The overall result of this is that in the first season, Hisoka really had this air around him of being a menace. Here he looks a bit too when he speaks every single line of his with extreme passion. It makes him much more of a generic villain at this point. I mean, heck, he looked like he was about to get an orgasm when he grabbed Gon.

Strangely enough this is not the product of this show going too fast like what I first feared. It really is just the acting. There were also these strange points like how Gon didn’t find it strange that Hisoka just grabbed Leorio and walked off, but that’s just inconsequential nit-picking. I do have to say that I still liked this episode, and especially the first half, along with the use of the Frog and the laxative (which was something that the first season couldn’t use).

Also, in terms of the big picture: every single episode here has been significantly different. We go from the sea to moral questions to quiet build-up to running to fighting monsters, in just five episodes. I can really not remember any other shounen that was as diverse as this one within just 5 episodes.

What I also love about this show: everyone is equal. There isn’t the usual crap of “you need to fight guy X before you can fight his boss before you can fight his boss before you can fight his boss before you can fight his boss, ad infinitum”. Everyone here is on the same ground, trying to pass the Hunter exam, and there is none of the usual hierarchical business that shounens usually use to pad out their lengths beyond all forms of patience.
Rating: * (Good)

Posted on 29 October 2011 with categories: Last Exile - Ginyoku no Fam




Now that every show has put out three episodes, I think I’ve found my three favorites of the season so far: Un-Go, Chihayafuru and Last Exile. Un-Go for its storytelling, Chihayafuru for its characters, and this series for its setting.

Because seriously man, is there any limit to the creativity here? Compared to this show, Un-Go seems like a collection of cliches. The background art isn’t just gorgeous here, it’s full of all kinds of original ideas and the architecture in this series is some of the best I’ve seen in years. What’s most important though: the setting here feels alive.

This episode really convinced me that the creators know what they’re doing. On top of showing the main characters mourn about what happened, they also show how the people who live in the same city deal with the recent attacks. The ritual of letting balloons fly upward with candles underneath it was also a really nice touch, but also the way in which the debris of last episode was salvaged was a great addition.

I also have to say kudos to the characters for bringing this all out. This episode showed that the creators know when to be serious and when to be light-hearted. There was not a hint of the creators wanting to downplay the loss of Turan’s family, while at the same time they also didn’t try to make it melodramatic or way too angsty for its own sake.

Good Gonzo, it’s great to see you back again!
Rating: ** (Excellent)

Posted on 28 October 2011 with categories: Anime Reviews, Macross Frontier




Um… yeah. This movie…. I think I’ve just been trolled.

The first Macross Frontier Movie stayed very close to the TV-series, only in a much more streamlined version. It cut all of the unnecessary stuff that dragged out, and instead focused on the core of the series, which worked really well and I ended up really liking it (and this is coming from someone who was really annoyed by parts of the TV-series). The second movie is… different…

One of my problems with Macross Frontier was that some subplots took forever to get anywhere, and a lot of them were resorted rather half-heartedly, if at all. This movie isn’t like that. This movie wants to be exciting. This movie wants plot twists, and it delivers them no matter what.

It’s difficult to do this review without spoilers, but let’s just say that this movie wants to deliver plot twists a little too badly. Especially the second half shows this. The result is a story that has lots of twists and turns… that just don’t make any sense whatsoever. You are going to have to turn off your common sense if you want to be able to enjoy this. I did not, and was raging throughout half of them. This was in no way good storytelling! The creators just pulled whatever twist looked the coolest out of their ass, and completely disregarded narrative logic. And I’m not the strictest when it comes to not making sense, but what the creators pulled here was just deus ex machina after deus ex machina that only add to the style of this series, not the substance. Oh, and Shoji Kawamori shows his environmentalist side again. You know, the kind where the environmentalist messages are just shoved down your throat without any sense of subtlety.

*Ahem* when you do turn off logic, you’ll be rewarded by an utterly gorgeous movie. In particular the musical segments shine as ever. This is one part at which Macross Frontier has never disappointed, and this is o exception. The use of colours and camera angles shows how much budget and animation talent went into this. Both for the 2d animation as the CG as the backgrounds.

It IS a fun movie. Just don’t go into it expecting good drama, because the drama here is of soap opera quality.

Storytelling: 8/10 – Well, it’s fun and engaging. It’s at least a great action movie.
Characters: 7/10 – This movie does add things here and there to the characters, but I’m not sure whether they were good ones. The three leads do have extra charms compared to the TV-series… but there still are enough annoyances about them.
Production-Values: 9/10 – Not among THE best animated movies, but it has stunning visuals nonetheless. Gorgeous for movie standards, but loses points for reuse of soundtrack.
Setting: 7/10 – Makey no sensey. Also Kawamori’s environmentalist traits got old years ago.

Suggestions:
Redline
Rebuild of Evangelion 2.22: You Can Not Advance
Tailenders

Posted on with categories: Hyouge Mono



What is it with this show and suddenly changing characters’ haircuts for one episode?! I mean, seriously: first we had Hashiba Hideyoshi and Sasuke who both went bald for just one episode, and now that bald monk suddenly grew hair… only to shave it off again. I have been watching anime for too long. Hair isn’t supposed to change! *har har*

In any case, the sudden debut of new soundtracks, along with the introduction of armors again after god knows how many episodes are really telling me that the creators have interesting things planned for the final parts of this series. Heck, it was quite interesting to just ignore the warfare aspect of this series, just to focus on character development and esthetics, only to switch back again to the warfare that made the first 15 episodes so addictive. And unlike shounen series who try this, it had plenty of interesting stuff to replace it with.

Oh, and it seems that the characters haven’t stopped changing at all. Sasuke completely freaked out in this episode (being a daimyou probably made him a bit more wary about warfare than what hhe used to be). Oh, and Sennou Soueki’s new mansion. love how much creativity was put in the structures.
Rating: ** (Excellent)

Posted on with categories: Persona 4 The Animation



I must say that Persona chose to go with a premise that is very easy to go wrong: its antagonists feed on angst. The most annoying part of the past episode, apart from that bear perhaps, are the speeches of “I am you! I’m actually not as perfect as you thought me to be!”, following by lots of denial. Again, it has to do with a rather annoying formula that isn’t just used by this series (if that were the case I could easily forgive it), but it’s the same kind of set-up that loads of other shows use.

I get what this series is trying to do: we all have our different sides. The lead characters all refuse to accept some of those sides, and those persona thingies will help them accept these sides. It’s a solid base, but I’m still missing something. That will be up for the rest of the series to fill in. Do some interesting stuff with this formula. These internal conflicts are great to give the characters background, but they don’t help in fleshing them out. The other selves are just too different from their usual personalities to the point where they nearly feel as different people.

The part in this episode that I liked was when the conflict was about to be resolved. For once the characters actually talk to each other to resolve their conflicts. These parts were quite charming. My big issue with this show is just that it depends on people’s ability to not think straight in order to create its antagonists.
Rating: (Enjoyable)

Posted on with categories: Mawaru Penguin Drum



Right after episode 14 is a popular time for characters to come with their backgrounds. I just love the way in which this episode did it, though. Natsume’s background was awesome in its presentation. It was completely over the top, but it fits this series really well. It was a really hilarious episode, and especially Natsume’s dreams were hysterical.

What’s more is that there still is order within the chaos: you could really see traits that give no mistake that she and her grandfather were related. This episode did a great job of explaining her background, her role in the story (although please: couldn’t they have gotten a younger voice actor for the young Kanba?). Also, the penguin hat isn’t dead!?

Overall, in a way I can understand where the people are coming from when they say that this show throws random stuff at the viewer. I have this same problem with most Shaft series, like the later series of Sayonara Zetsubou-Sensei and Bakemonogatari: the creators there really seemed to throw in just whatever the hell they’d like based on shallow wordplay that eventually got way too predictable in its unpredictability. Penguin Drum however has for me achieved the perfect balance between chaos and order: everything is related, but the things it throws at the viewer are all very creative and imaginative, and yet all of it is meant to flesh out the characters. And the thing is that this show is continuously changing: it still has the same style and mood, but it keeps finding new ways to play with its scenarios in lots of different ways.

And granted, Utena WAS better at this. It was completely un-rivaled in how well it used its own repetition to create excellent drama. However, we have yet to reach the ending of this series. Overall it’s a bit hard to compare two series of different lengths at this point, but what I can say at this point is that Utena’s brilliance lied in how much it did with so little. At this point it too still hadn’t shown its trumps yet, but instead of trying to be the roller-coaster ride that Penguin Drum is trying to be, it really tried to go for an as elegant series as possible. And with that it ended up being un-rivaled.
Rating: *** (Awesome)

Posted on with categories: Tamayura



Ah, screw it. Guilty Crown is hereby dropped from blogging. I’m still going to watch it, but I don’t want to blog about it anymore. Here’s the thing with it: it’s perhaps not as bad as say Majikoi or Maken-Ki, but it’s Noitamina. Not only that, but it has been given the rare privilege of 22 episodes. It should be more ambitious with that. My standards for this timeslot are very high, and I unfortunately have to say: these past three episodes were the most generic opening episodes of any Noitamina series I have seen.

As for a replacement: I’m not going to do Bakuman because of how it’s shounen jump, and I have some rather bad experiences with Jump adaptations after Gintama, Sket Dance, Toriko and Nurarihyon no Mago… and in any case there is the rare slice of life series that’s not based on any kind of manga or original material, and has Sato Junichi behind it. It’s also a good opportunity for me to find out why I have such a bipolar taste when it comes to the “group of girls living their daily lives”-genre. Seriously, I like shows as Tamayura, Aria and Soredemo Machi wa Mawatteiru a lot, but shows as A-Channel, Nichijou and Working never caught my attention.

In any case, what really helps is how much time this show focuses on fleshing out its characters. It doesn’t just have its cast do random stuff, but always tries to put meaning to what they do, fleshing them out in the process. The animation on top of that is really good, bringing the characters surprisingly to life. This episode was the same, and it was dedicated to Mao. She got a lot of depth here, which is great to see.

What I really hope to see in the second half of this series is that this series will make use of its format of being anime original, to really play with some of the conventions of its genre. It has the staff to do it; Sato Junichi will be able to pull it off, so I really hope that the creators will try this. It’s already doing a great job here to bring its characters alive.
Rating: ** (Excellent)

CHANGE USERNAME
Anonymous3119182
Getting into arguments with Haiji who actually lashed back at him, and taking his frustrations out on the rest of the team. It looks like his past is catching up to him and he'll need to confront it soon.
Anonymous3119182
Surprisingly from this episode of Kaze ga, I'm now convinced that Kakeru will gets his comeuppance soon because man that reality check from the last episode really hurt his ego that badly for him.
Animosh
It consistently looks good, and unlike so many other adaptations, the staff is taking their time instead of rushing through the source material. In the latest episode they even added stuff to flesh out a certain character, and most source readers seem to consider it an improvement!
Animosh
@Amagi: I'm actually pretty impressed with the slime anime. Sure, the story is nothing special, but I didn't expect it to be. As an adaptation, though, it has far exceeded my expectations: I expected a cheap ad for the LN/manga, but the staff is clearly putting a lot of love into this.
panda
Weirdly enough, I liked the character additions to Bleach even though I know that besides the initial two arcs and the Hueco Mundo arc they weren't as interesting.
>weren't as interesting
Okay it was a disaster but still.
panda
I kind of feel the same way about series adding shit tons of characters to the series. Especially when we know that they're not even going to show up as much later in the series. I had this problem with Fairy tail and a lot of other shounen manga.
Amagi
The only exceptions are series that had a bigger cast to begin with and exactly know what to do with them and give every single character specific, human traits. Kaze ga Tsuyoku or Bokura no are examples for that.
Amagi
Sad but not surprising that the Slime isekai is turning into another generic shitfest after a rather strong start. It should have been about Slime and the Dragon alone and those other isekaied humans later as well as world building I honestly can't care about the additions to the team at all. But it only proofs to me that series will always get worse the more characters are joining the team.
Kaiser-Eoghan
It does prompt me to read the manga.
Kaiser-Eoghan
Furryguy story got too many episodes. I surprisingly enjoyed the time travel one.
Kaiser-Eoghan
Hmmm, Phoneix, the 2004 series is the definition of a mixed bag, the first story gets gritty and bleak in a way that I liked but its the scifi stories I connect with best, the first one for its premise/set up and the second because the last part kind of hit me and seeing Rock, another Tezuka character cameoing in it was kinda cool.
Kaiser-Eoghan
Pluto will be something that'll definately hold up for me and i can see myself actually appreciating it more when I watch the eventual adaptation.
Kaiser-Eoghan
I guess I'm reading Adolf then after watching the phoenix anime.
Kaiser-Eoghan
I'm thinking more along the lines of wanting a full kare kano adaptation.
Kaiser-Eoghan
@Anon: And I'm not sure if my tastes would be the same now.
Anonymous3115199
Hope it gets a decent episode count that does it justice. Can't imagine it being another rushed 1 episode per volume adaptation.
Kaiser-Eoghan
@Anon: But I'm not sure if I'll catch the remake.I've already read the manga twice years ago and seen the original anime twice aswell.
Anonymous3115199
Fruits Basket. Now that's a name I've not heard in a long time. And it's a getting a remake next year that covers the whole manga.
Kaiser-Eoghan
I am old enough to remember watching 2 episodes of mysterious cities of Gold and one of battle of the planets aswell as the 90s gigantor.
Kaiser-Eoghan
I happy to see studios finally going back to adapt stuff that deserves adapting.
Kaiser-Eoghan
I have also read angel no oka. Still haven't read Adolf or dororo.
Amagi
I can't wait for the Pluto anime (that was announced like a year ago?).
Kaiser-Eoghan
I won't spoil it, but MW had one cheeky ending that I loved.
Amagi
Well it pretty much is a ripoff of Kimba, I once thought people were joking until acrually googled it. Simba was even meant to be called Kimba at first IIRC.
Kaiser-Eoghan
A manga adaptation of mein kampf exists.
Kaiser-Eoghan
I used to joking argue with people when I was younger online about Disney ripping off Kimba.
Kaiser-Eoghan
I've seen all the black Jack stuff, metropolis, I also read Book of human insects, Ayako, apollos song, MW, princess knight and some of ode to kirihito .
Amagi
I wish someone would animate Adolf one day. Or a proper adaption of Buddha.
Kaiser-Eoghan
I bring this up because somebody mentioned Phoenix when talking about Spirit circle.
Kaiser-Eoghan
I must confess to my eternal shame I have never seen Osamu Tezuka's phoenix apart from that one episode with the guy hallucinating that the robot girl was human.
Kaiser-Eoghan
@Lenlo: Ah, to be more specific I meant in general.
Lenlo
Im with ya. If your talking about my comment on Ash's breakdown, im not saying I would have prefered to see it. I just think it did its job of disturbing the viewer well.
Kaiser-Eoghan
@Lenlo: I would rather the characters speak explicitly of certain things in banana fish, sometimes seeing everything isn't neccesary.
Kaiser-Eoghan
Perhaps we should race Yagate and Irozuku, see who's faster.
Kaiser-Eoghan
@Niello: I've had it on hold for about 3 episodes , I'm waiting to see if it does anything before continuing, pretty show tho'.
Niello
It already passed the half way point but nothing happens in irozuku...nothing.
Amagi
Yeah I jsut read it in the thread. I love grandpa.
Kaiser-Eoghan
Seems like a big moment in Chi no Wadachi.
Kaiser-Eoghan
Someone is uploading translated pages of the new beastars chapter on 4chan.
Kaiser-Eoghan
I am behind on some shows, I'm not uptodate with Irozuku or Yagate.
Kaiser-Eoghan
More specifically, I would like a whole side story about old dude and lizard dude before they met Goblin slayer. Also later part of this episode was stressful, such as Priestess bit. I also like that this show isn't afraid to have its MC get their ass kicked.
Kaiser-Eoghan
There was an anime called ristorante paradiso where all the dudes were old.
Amagi
That reminds me that there actually exists an otome'ish pub VN in which every guy is older than 40. Well I have to admit it's at least setting itself apart from the dozens of male j-rock/pop bishounen harem guys VNs out there. Same with that Pigeon otome VN (yes it's actual pigeons).
Kaiser-Eoghan
Goodness, we could have a reverse harem anime called Amagi-san and the 7 battling ojisans =P
Kaiser-Eoghan
@Amagi: I wish the geezer in Goblin slayer would have more to do.
Kaiser-Eoghan
Interesting how I hate certain genres, but when they're put through an exploitation lens I end up liking the genre, probably because it shits all over said genres while cutting out the boring parts.
Amagi
Yeah, same here. I also like it when stories are more mixed regarding age, general look, gender and such which is especially a problem in anime where you usually get 10 characters of the same gender, age and body type. Bonus if it's an idol show and they even have samefaces.
Kaiser-Eoghan
Of course these adult characters can exist outside of a fantasy and also be more relatable to me now, which is also a good thing, in a more serious story.
Kaiser-Eoghan
Alot of this has to do with getting older and being aware of that fact, knowing theres a 30/40 something able to do stuff I can't.
Kaiser-Eoghan
I would welcome an age of pensioner-ploitation films.
Amagi
I always enjoyed movies with old guys for example. Not only that, but I usually like it. For various reasons like the stories they have to tell, the nearing death (for very old ones) or a midlife crisis but welp, these movies were common 40 years ago, now it's teens and young adults since these are the demographies that are most likely willing to pay for the cinema or to buy merch.
Amagi
Yeah same here. Modern hollywood movies are way more mainstream than old ones and try to be the lowest common denominator with the most common tropes and stereotypical characters so unless you have more or less the most common taste and way of thinking for whatever reason you won't enjoy it and only get even more bored with every new movie that just feels like the 1000 movies before that.
Kaiser-Eoghan
Wheras I'd delight in anything left field or out of the box, because I love being constantly buzzed or surprised or seeing something do something uncompromising or weird.
Kaiser-Eoghan
*sense of
Kaiser-Eoghan
But I understand that people feel belittled when they watch something they can't make traditional sense or or morally work out .
Kaiser-Eoghan
But I've accepted that the stuff I really really like is going to be alien to a majority. I'd watch a lurid ova or b movie over any popular shounen or most post 80s hollywood films.
Kaiser-Eoghan
There would have been a time where I'd thought I was doing it wrong or that people would just think me some kind of hipster or contrarian for not liking popular/mainstream stuff/what everyone in the same room/site likes.
Amagi
Same with movies. I guess in the end it's always about being able to relate. If there is a strange character only certain people can relate to they'll enjoy it while everyone else falls asleep and vice versa with more typical characters. Hell I have seen a ton of non-stop action movies that literally put me to sleep because there was nothing for me to root for nor any great twists to expect.
Amagi
It's strange but whenever people hate a series for being too boring it turns out to be a series I like which is weird because I consider 80% of all existing series boring, including many series most people actually consider exciting and/or enjoyable as hell.
Kaiser-Eoghan
I remember there was a devil may cry anime, the guy subbing it didn't do a very good job but it was an okay extended advert for the game.
Lenlo
The man has also said that if someone would get him the rights to Berserk, he would do that to.
Animosh
Well, you still deserve credit for suggesting the series, because otherwise I wouldn't have even known it existed. :) But yeah, I like that people here are so open-minded. Anime is great and all, but there's plenty to discover outside of it (though to be fair, I'm lagging behind with many of them: following anime seasonally is great for discussion, but it can eat up a lot of time).
SuperMario
@Animosh: don't mention it. I'm glad you enjoy it. I don't take credits in this case since I myself haven't watched it yet. I love it how this community is willing to try other medium and not exclusively anime
Animosh
Really surprised this isn't more well known. Not that there's been much competition, but it's easily the best (western) cartoon I've seen this year.
Animosh
@SuperMario: thanks again for recommending Lastman! I just finished it, and it was a lot of fun. It doesn't have much depth, but it was incredibly entertaining: it just keeps throwing these bizarrely over the top action set-pieces at you without pausing, it oozes style, and its soundtrack is killer (it reminded me a bit of Hotline Miami). And it can be pretty damn funny too. It even ends strongly.
SuperMario
"I swear if I see some nonsense like her not being able to stay “Professional” due to having a boyfriend then I will have to strangle something" --> is that why you had screenshot of kitties up there?
SuperMario
@Kaiser: little sister has a strong chance to be a protag in the last arc. I'm genuinely surprised that Futaba is the main girl in this arc thou
Kaiser-Eoghan
I want to see the little sister looking scared in bunnygirl agrain.
Kaiser-Eoghan
Yay! Sing and eiji are doing something and Ash's freakout while melodramtic and ridiculous was still bleak, learn a bit more about Blanca which is good. Didn't like the goofy bit with yut-lung.
Kaiser-Eoghan
@Mario: Not intellectually non-intellectual enough for me.
Kaiser-Eoghan
Bunny-girl has redeemed itself. Also my favourite part of this weeks episode was 7 or 8 minutes before the end .
SuperMario
I mean, just reading that title alone I might check out what this movie is about. lol
SuperMario
Well, I come across an unusual film title today. A Japanese film called "When I Get Home, My Wife Always Pretends to be Dead"
Kaiser-Eoghan
The Lafalle arc (as thematically I probably engaged the most here)and the final arc both elevated this series for me, even though I did enjoy the bit with Vann early on.
I’ve heard people don’t like the ending it hit with me.
Really solid.
Kaiser-Eoghan
Dramatically this even kind of clicked for me and the antagonist surprised me as did twintails girl and bestghosts eventual roles, comedy isn’t exactly funny but I did laugh at points.
Kaiser-Eoghan
Apparently I got third time lucky with Mizukami, because I found this a very fresh take on the re-incarnation genre while actually DOING something worthwhile with it, his pacing/story telling style definitely feels a better fit to me in a short manga like this.
Kaiser-Eoghan
After a degree of indifference to planet with and only liking Biscuit hammers last arc, I ended up approaching Spirit circle expecting to not really have any opinion on it.
Kaiser-Eoghan
@Mario: Just my kind of weird.
Anonymous3093267
sword eyes
SuperMario
Here's another experimental animated short for you, Kaiser, Tango (1981) https://www.youtube.com/watch?v=lo8O8lYDzIU
SuperMario
@Animosh: yeah the second part was released in VOD earlier this year and I watched it. Prefer the 1st one much better
Vonter
I don't know why, but I thought you were talking about Tomorrowland. That Disney movie that bombed and everyone seemed very lukewarm about. I suppose because I don't know exactly what was the problem with it, didn't see much discussion about it.
Animosh
@SuperMario: I think I've seen World of Tomorrow, but not 100% sure. There's apparently a second part out though, and I definitely haven't seen that!
Animosh
And Umfeld (https://vimeo.com/umfeld) is also worth mentioning. It kind of consists of shorts, it's technically animated (at least in part: it mixes real footage and CGI I think?), and it's definitely weird. It's a very polarizing work though. I love it, but it wouldn't surprise me if most people here hate it.
Animosh
Some other things that came to mind: Tim Burton's "Vincent" (it's stop-motion, but whatever), Loom (https://vimeo.com/24069938) and E-Baby (https://vimeo.com/25435555). And the stop-motion shorts by Lee Hardcastle are pretty fun, if you're in the mood for some needlessly disgusting horror.
Kaiser-Eoghan
@Mario: I enjoyed embrace of the serpent which has the same director as Birds of passage so I'll keep an eye out for it.
SuperMario
@Kaiser: I'm going to see Roma and Birds of Passage this weekend. Really excited for both
Kaiser-Eoghan
As for the she-ra thing well, as I've gotten older I probably have avoided kids stuff more.
Kaiser-Eoghan
I don't want to see tokenism being seen as acceptance when it isn't, it feels that people are putting forth the idea that something is only being/can be accepted because its being portrayed in a tokenistic way.
Kaiser-Eoghan
Its fine, obviously to have strong female characters, Ripley in Alien, Sarah Conner in Terminator, awesome....Rey in star wars....no.
Kaiser-Eoghan
I think too often shows and films, American ones today, are tokenistic or clicheed with inserting issues, merely just throwing them in or tacking them on for the sake of ticking boxes rather than any earnesty or doing anything.
Anonymous3086853
@SuperMario - I do. Yet at the same time it was a bit outside of my comfort zone, watching something like this considering that (let's be honest) msot shows are men oriented. Even the ones with great female characters. This one despite having tomboyish girls is mainly about these girls with male characters having supporting roles. I suppose that's were the uneasiness lies in my case.
Kaiser-Eoghan
@Mario: Just got done watching both earlier, his dark humour jives well with me and I liked the concept.
SuperMario
@Kaiser @Animosh: if you haven't seen World of Tomorrow plsssss check it out. I can't recommend it highly enough
SuperMario
@Vonter: Maybe it's a good things that shows for general audiences like this have queer context. Don't you think?
Anonymous3086853
Also because I'm a bit immature, this show is kinda gay. There's a lot of ship baiting moments, one same sex couple in the last episode and rainbows, pastel colors, emasculated male characters and some female crossdressing.
Anonymous3086853
The weakest aspect is that several secondary characters get lost in the shuffle. Kinda like Big Hero 6 in which the team had personalities but just didn't had the time to develop in any meaningful way. Still both the main cast and villains were good and like I say the protagonist and antagonist had strong arcs for a first season.
Anonymous3086853
So I now finished watching She Ra, and it got even better as it was building towards the season's end. Thes strongest aspect is the rivalry between Adora and Catra, the chemistry is very strong, kinda like Optimus and Megatron or Xavier and Magneto. In which both parts seem equally capable and to have mind games with the other.
Kaiser-Eoghan
Oh hey cool, rain town is done by the Penguin hhighway anime movie guy.
Kaiser-Eoghan
It looks like I haven't seen Don Hertzfedlts World of tomorrow films.
Kaiser-Eoghan
Also Prince Achmed and How Wang-Fo Was Saved.
Kaiser-Eoghan
Ah. yes, thanks animosh, I had a look at Rain town there, I like the style it was done in, it achieves the emotions its trying to convey well without needing dialogue, piano score actually helps rather than hinders.
Kaiser-Eoghan
Glassy ocean, that was another short I watched lately.
Kaiser-Eoghan
Oh inka isha is country doctor.
Kaiser-Eoghan
I know Mario has seen this style on animation, but anyone else see any oil on glass animation?
Kaiser-Eoghan
I actually prefer robot carnival to genius party but liked both.
Kaiser-Eoghan
Zepo, The Pride of Strathmoor were recent animated shorts I watched.
Kaiser-Eoghan
Recently I watched two shorts, death and the mother and pleasures of war.
Kaiser-Eoghan
I'd say any eastern european short films would be worth anyones time.
Kaiser-Eoghan
I'm not familiar with rain town or Inaka Isha .
Amagi
Kaiser: Have you seen Inaka Isha from Kafka?
Animosh
In the meanwhile, though, I'd also be very interested in recommendations! The shorts I mentioned are among my favorite animated works, so if you know anything similar, please let me know. :)
Animosh
For western animation I really like the Don Hertzfeldt shorts. And there was this short called "Rain Town" that was really impressively animated. I'm sure there were others, but my long-term memory is pretty lousy. If something else comes to mind I'll let you know.
Animosh
I'm pretty sure you're already going to be familiar with all of my favorites, but here you go: Morimoto's shorts are all fantastic (Dimension Bomb, Beyond, Noiseman Sound Insect, etc), and two others that come to mind are Cat Soup and Kigeki (or Comedy) by Nakazawa. There are also some great collections out there (like the Genius Party ones), but again, you've probably seen those already.
Kaiser-Eoghan
If anyone has any suggestions for weird short animations, I'm looking for excuses to watch some more and I'm in the mood for them.
Kaiser-Eoghan
@Masky: Mario's youtube link had cgi models of rem and ram in the video.
Masky
I'm confused when was Rem even mentioned
Kaiser-Eoghan
I only ever watched he-man and stuff related to it in passing when I was younger, Conan was more my thing back then.
Kaiser-Eoghan
For so long I'd always referred to she-ra as she-man.
AidanAK47
@Mario, What is this heresy!
....
....Rems always cute.
Anonymous3084910
Hilda is fine, though is very laidback kinda like a young reader's novel. It has its moments but its fantasy with slice-of-life coming of age.
Anonymous3084910
@SuperMario Yeah I know, She Ra is the twin sister of He Man. But strangely it seems Dreamworks may not have the right to those characters. It was a marketing idea trying to bring more girls to that universe but like most girls show from the time it had a very flat depiction of what little girls want to see.
SuperMario
Sorry Aidan, I know it's blasphemy but I have to post here. Enjoy the OP song with the twins https://www.youtube.com/watch?v=v9MUjISNm0U&index=4&list=PLU56jBSlcHw8-ol9Hi4lJ0GR0tU6EOf2a
SuperMario
I'll probably check out Hilda. Heard a lot of hypes about that show
SuperMario
@Vonter: I've heard of She-Ra, she's the female counterpart (well, sister) of He-Man (the most powerful man in the universe and the secret identity of Prince Adam). Sounds silly but I'm not even kidding
Vonter
All in all, despite not being a big thing, I think is an enjoyable recommendation. My only nitpick is that it maybe too light hearted for some kinda like above My Little Pony but below something Voltron. Also despite being less childish than the original is still kinda of girly with lots of pastel colors although it balances it a bit having girls being more tomboyish in different degrees.
Vonter
Like with Voltron it amuses me seeing anime tropes being played through western lens. Since I'm a bit hesitant to say that could this count as a harem series despite not being male gaze moments? Also having the most sensible hotspring episode I've seen.
Vonter
In this one this She Ra has pathos. A bit like Korra there's doubt in her role and also a complicated relationship with her rival. I do like the role reversal in the knight's tale this clearly is, in that most roles that would be played by men are played by women in this story. Matriarchy, displacement of both femminine beauty but also empowerment.
Vonter
So I've watched some of the new She Ra from Netflix. So far I'm in, it's not deep but it's quite charismatic. I do like there's more pathos in regards to these characters which pretty much were confined to their archetype to an extreme like the original Power Rangers.
Kaiser-Eoghan
It manages to make watching something like running engaging, when I'd otherwise probably not watch the sport. Also, last week the show ended up popping into my head when I was sitting around doing pretty much nothing and made me think "Ok fuck it, not sitting around doing nothing, going to go out for a run around the block"
Lenlo
I also agree, characters losing in sports is important. They can't start at the top, it makes the series lose meaning
Lenlo
I quite enjoyed Kaze Fui this week. I think your correct that the one who got the reality check was Kurahara, who thought he was the only one able to actually make it. I also thing that he has a competitive streak a mile wide, and might be a little afraid of failure. Doesnt think the team can make it, so why bother
Kaiser-Eoghan
Think I wasn't i the mood for honda-san this week even though I laughed.
Kaiser-Eoghan
Y'know I like it when sports series actually show the characters you know...actually lose.
Anonymous3083989
Huh, interesting in this episode of Kaze ga that it's Kakeru who got a reality check during the track meet since he was beaten by two other runners. I think we're due for an episode soon where he has to confront his past demons instead of fleeing from them.
Anonymous3083626
@Kaiser-Eoghan - Aging in fiction, I think has more to do with the story than the characters. I mean the jokes about Ash Ketchum, Detective Conan, Archie. The Flinstones tried to make different stories by aging Pebbles and Bam Bam. Or Batman having two Robins graduating into their own heroes. But in the end dynamics change, hence why most cartoons don't age the characters.
Kaiser-Eoghan
Which is why when aging does occur in anime/manga, such as in vinland saga or nanoha for example, its appreciated.
Kaiser-Eoghan
And of course, animated characters often don't age much.
Kaiser-Eoghan
I can remember enjoying the simpsons movie back when I watched it, but thinking about it it really was just an extended episode. Really the show peaked with the who shot Mr Burns episode. Catching bits of recent episodes and seeing them use modern stuff while they never age seems weird too.
Amagi
I do think series are allowed to move forward though, I am kinda interested in the Pkmn movie for example. But certain shows should just end, Simpsons for example was a parody of the 90s, it just can't work in a more modern setting IMO.
Amagi
I stopped with the Simpsons when Maude was killed/died, it was just a step in the wrong direction they should have never done and it killed the series for me. I disliked it before already though, I think I noticed the series getting worse since season..9? Or 10, not sure anymore.
Amagi
Anime for Dorohedoro announced.
Kaiser-Eoghan
Therefore ruining the fanservice fun for everybody.
Kaiser-Eoghan
My favourite beach episodes are ones where it rains and they end up not being able to go.
Kaiser-Eoghan
After that it was just the film for me.
Kaiser-Eoghan
Actually, regarding the simpsons, the episode I stopped on was sometime in the early 2000s, Homer was stuck on some island resort or something.
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Featured Posts

Thunderbolt Fantasy 2 – 08 [The Song That Dooms Evil]

Thunderbolt mixes things up nicely this week. This week, the overpowered Princess has a fair shot of killing off our Shang Bu Huan, but predictably leaves him so that he can suffer. As often the case, when you’re too powerful you tend to act arrogantly, and… stupid. Thunderbolt is one good set piece piling up […]

SSSS.GRIDMAN – 07 [Scheme]

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Irozuku Sekai no Ashita kara – 07 [The Burden of Venus]

And with this episode, my patience for Irozuku has started to run dry. It’s that, I learn very little about about them this week. The plot is on the standstill and it’s a whiplash that the cliffhanger for last week, namely Hitomi can see in colors, reverses back to the status quo. Which begs me […]

Banana Fish – 19 [Ice Palace]

Another week, another episode of Banana Fish, this time with 100% more depression! This week Ash starts to break, Yut gets what he wants and Eiji steps up to the plate. Lets jump in! So in general, this week was weird for me pacing wise. Certain sections felt slow while others passed at a blistering […]

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So we are on to the next arc and the next girl with adolence syndrome and while I give this series credit for breaking LN cliches, I feel like we could have the cast not be predominantly female. Well at least they are not all in love with the main character so I can give […]

Planetes – 9 & 10 [Regrets/A Sky of Stardust] – Throwback Thursday

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Thunderbolt Fantasy 2 – 06-07 [A Poisoner’s Pride/ Bewitching Whispers]

My apologies that I missed a post last week, it’s not due to the lack of interest of Thunderbolt given the show is as exciting as ever, but more about my hectic life. These past two episodes have many game-changing events, and many Gui Niao’s wittiest lines and expressions to boost. The moment the Vapewiz […]

Kaze ga Tsuyoku Fuiteiru – 7 [Bear Your Fangs at the Summit]

Welcome one and all! This week in Kaze Fui we meet the final boss, Kurahara gets a reality check and our team runs their first track meet! Lets jump in! To start off, I have to say I loved the feel of Kaze Fui this week. Vague, I know, but hear me out. Kaze Fui […]

Gaikotsu Shotenin Honda-San – 6 [The Man with a Secret Power/Our Fair-Day War]

Welcome fellow book lovers, to another dip into Honda-San! This week was a bit dull as we learn about the difficulties of stocking, but the second half manages to pick it back up. Lets jump in! So overall this week of Honda-San was pretty disappointing for me. Like usual it had some good gags in […]

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