Posted by psgels on 2 October 2011 with categories: Ao no Exorcist



Well, there you have it. The only way for this episode to not have been bland is if the creators ignored Satan’s existence all together. They didn’t, and went for a predictable and very run off the mills ending. The only good part of this episode was the ending, which thankfully went back to Rin and Yukio’s parents. Although the runaway truck that followed after that… what was that supposed to be? That part was rather brought down by the random banter inbetween.

In any case, this episode portrayed Satan as a wimp, just as expected. He’s the most feared demon in the world, he’s killed thousands of people, and in the end he’s beaten by a bunch of kids who happen to be able to fly and lodge a sword at the right place. If they were able to fly, then most adults in this series would have been able to do it if it was that easy. This was a problem that was apparent with the series from the beginning, and I have no idea how the manga planned to even handle it. By making Satan too powerful in the first two episodes, they already wrote themselves into a corner. There was no way he could be a good villain.

Overall, this series suffered from modern anime’s fear of fillers that has been very apparent for the past years. I know that the final third of this series was entirely filler, but that’s exactly what I meant: the writers of the fillers seemed scared of what they had to write, and were too afraid to really think outside the box. You could see that their intentions were there with the episodes that were dedicated to just the main cast. In the end though, they just kept going back to the epic action and Satan, which just didn’t work. Compare that to Hunter X Hunter, whose fillers were an excellent and mature addition to the story and characters. This unbalance is something that I noticed with a lot of other series of the Prime Time slot.

There is a very nasty legacy from the Prime Time slot, that everything needs to be epic and action. I had hoped that it would have been broken with Sengoku Basara II, but unfortunately both this series and Star Driver would have been way better if they just took some more risks. Unfortunately the legacy of Tenpou Ibun Ayakashi Ayashi still shows. For those who haven’t seen it: it was attempt to open up the prime time slot of anime to an older audience, with mature storylines, complex characters, and imaginative concepts that thought outside the box, and that for 52 episodes. Only for it to get canceled and cut to half its length. Before that series, all shows on the prime time slot were 50 episodes long. After, everything aside from FMA was split up in seasons of 26 episodes. Ao no Exorcist and Star Driver were the ones who could have done something bold and daring, especially considering that Gundam Age next season is only going to lower the target audience even more. Unfortunately, A-1, you let me down.
Rating: – (Disappointing)

3 Responses

  1. rufe says:

    It’s Jump, clearly they’ll defeat Satan with the human factor (友情+努力 = 勝利). Satan’s children who inherited his power and their mother’s humanity (in various ratios) will defeat Satan through hard work and teamwork.

    It actually makes sense that they should eventually win, four of Satan’s children are basically working against him + two organizations which have held back the demons for centuries already. While each may be nowhere near his level it’s logical for all four together to be at least comparable…

  2. AKI says:

    Did I just see Celty in this episode?

  3. Mushyrulez says:

    I’m pretty sure the runaway truck was to set a second season, and to serve as a ‘lol, everything’s back to normal; what was that part about Satan and Rin’s grandfather? Oh, lol, it was all A DREAM just forget about it’.

    But that’s the point – a show like this is definitely going to get a second season. Why take the risk when you can continue making profits? If anything, the only time they will take a risk (and I definitely expect them to take this risk) is at the very end, after AoEx has finished manga serialization – then, they can take a risk and do some real shit.

    Still, action /works/. Action gets money. People like action. I was at the edge of my seat for the entire final arc, watching them all back-to-back, eyes glued to the screen the entire time. Though it may not have been /logical/ that Rin and Yukio just suddenly started flying (I’ll bet they’ll chalk it up as ‘they’re the sons of Satan, of COURSE they can fly’), it certainly was very intense.

    A somewhat Occult Academy ending – it tied up all the loose strings created by the filler arc (quite literally throwing them in a giant demonic portal), and concluded with a giant bang.

    Hmm, Occult Academy was made by A-1 Pictures too. Coincidence?

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  • Emma
    (Sunday, May 24. 2015 05:48 AM)
    Ashura was an excellent example of how to through anime illicit and emotional response in an honest, non-melodramatic way.
  • Emma
    (Sunday, May 24. 2015 05:46 AM)
    @Bam: I’d be more than happy to take a look at some of those shorts anytime.
  • Bam
    (Sunday, May 24. 2015 05:44 AM)
    @Emma: there’s a lot of European animators that got active in the last 10 years or so that are really reinvigorating their animation scene, and every now and then I get introduced to some fabulous shorts.
  • Bam
    (Sunday, May 24. 2015 05:40 AM)
    @Emma: no I don’t really mind gory ‘for the fuck of it’ violence, I even like it in some grindhouse type of works, but I just don’t think it’s always effective as a shock factor. Live-action is the most sympathetic for obvious reasons, but there are animated works that do elicit a deep response. Probably because of circumstances but also the details of the in-between animation, which can induce certain feelings of disgust.
  • Emma
    (Sunday, May 24. 2015 05:39 AM)
    *here and there
  • Emma
    (Sunday, May 24. 2015 05:35 AM)
    @Bam: I really wish there was more arthouse anime now to give some kind of a balance to everything thats out these days.
  • Emma
    (Sunday, May 24. 2015 05:33 AM)
    Now I like my exploitation every so often, but yes Bam I really do wish that adult and mature storytelling could be better associated with truly, more pure mature themes.
  • Emma
    (Sunday, May 24. 2015 05:25 AM)
    I get choked up over Bergmans cries and whisper and Autumn sonata, I look back on a work by Key and Jun Maeda and wonder, think of how silly it looks to me now.
  • Emma
    (Sunday, May 24. 2015 05:24 AM)
    I also find it easier to get an emotional response from a honest drama, live action film, largely due to the real people doing the acting. Sometimes you get an actor whose just that good too…
  • Emma
    (Sunday, May 24. 2015 05:22 AM)
    I’ve gotten my odd emotional reaction here from anime and manga but a lot of the time it feels like the jump scare in a generic horror movie, I got shocked but I felt minipulated afterwards it wasn’t genuine, the same goes for some anime/manga drama when it takes a melodramatic turn instead of a bleak, honest one.

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