Posted by psgels on 2 October 2011 with categories: Ao no Exorcist



Well, there you have it. The only way for this episode to not have been bland is if the creators ignored Satan’s existence all together. They didn’t, and went for a predictable and very run off the mills ending. The only good part of this episode was the ending, which thankfully went back to Rin and Yukio’s parents. Although the runaway truck that followed after that… what was that supposed to be? That part was rather brought down by the random banter inbetween.

In any case, this episode portrayed Satan as a wimp, just as expected. He’s the most feared demon in the world, he’s killed thousands of people, and in the end he’s beaten by a bunch of kids who happen to be able to fly and lodge a sword at the right place. If they were able to fly, then most adults in this series would have been able to do it if it was that easy. This was a problem that was apparent with the series from the beginning, and I have no idea how the manga planned to even handle it. By making Satan too powerful in the first two episodes, they already wrote themselves into a corner. There was no way he could be a good villain.

Overall, this series suffered from modern anime’s fear of fillers that has been very apparent for the past years. I know that the final third of this series was entirely filler, but that’s exactly what I meant: the writers of the fillers seemed scared of what they had to write, and were too afraid to really think outside the box. You could see that their intentions were there with the episodes that were dedicated to just the main cast. In the end though, they just kept going back to the epic action and Satan, which just didn’t work. Compare that to Hunter X Hunter, whose fillers were an excellent and mature addition to the story and characters. This unbalance is something that I noticed with a lot of other series of the Prime Time slot.

There is a very nasty legacy from the Prime Time slot, that everything needs to be epic and action. I had hoped that it would have been broken with Sengoku Basara II, but unfortunately both this series and Star Driver would have been way better if they just took some more risks. Unfortunately the legacy of Tenpou Ibun Ayakashi Ayashi still shows. For those who haven’t seen it: it was attempt to open up the prime time slot of anime to an older audience, with mature storylines, complex characters, and imaginative concepts that thought outside the box, and that for 52 episodes. Only for it to get canceled and cut to half its length. Before that series, all shows on the prime time slot were 50 episodes long. After, everything aside from FMA was split up in seasons of 26 episodes. Ao no Exorcist and Star Driver were the ones who could have done something bold and daring, especially considering that Gundam Age next season is only going to lower the target audience even more. Unfortunately, A-1, you let me down.
Rating: – (Disappointing)

3 Responses

  1. rufe says:

    It’s Jump, clearly they’ll defeat Satan with the human factor (友情+努力 = 勝利). Satan’s children who inherited his power and their mother’s humanity (in various ratios) will defeat Satan through hard work and teamwork.

    It actually makes sense that they should eventually win, four of Satan’s children are basically working against him + two organizations which have held back the demons for centuries already. While each may be nowhere near his level it’s logical for all four together to be at least comparable…

  2. AKI says:

    Did I just see Celty in this episode?

  3. Mushyrulez says:

    I’m pretty sure the runaway truck was to set a second season, and to serve as a ‘lol, everything’s back to normal; what was that part about Satan and Rin’s grandfather? Oh, lol, it was all A DREAM just forget about it’.

    But that’s the point – a show like this is definitely going to get a second season. Why take the risk when you can continue making profits? If anything, the only time they will take a risk (and I definitely expect them to take this risk) is at the very end, after AoEx has finished manga serialization – then, they can take a risk and do some real shit.

    Still, action /works/. Action gets money. People like action. I was at the edge of my seat for the entire final arc, watching them all back-to-back, eyes glued to the screen the entire time. Though it may not have been /logical/ that Rin and Yukio just suddenly started flying (I’ll bet they’ll chalk it up as ‘they’re the sons of Satan, of COURSE they can fly’), it certainly was very intense.

    A somewhat Occult Academy ending – it tied up all the loose strings created by the filler arc (quite literally throwing them in a giant demonic portal), and concluded with a giant bang.

    Hmm, Occult Academy was made by A-1 Pictures too. Coincidence?

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  • Emma
    (Saturday, Jan 31. 2015 04:15 PM)
    And I’d go as far to say this beats out birdman for me by miles.
  • Emma
    (Saturday, Jan 31. 2015 04:14 PM)
    The film is a solid mood piece thanks to the in tone cinematography, a great performance from Hoffman that along with his characters drama makes for an emotionally investing film. And before it gets TOO sad theres all those bits of dark humour fitted in there that work out pretty well. This is probably my favourite work by Kaufman currently.
  • Emma
    (Saturday, Jan 31. 2015 04:14 PM)
    Well Bam, I had a go of synecdoche there. A bit of a slow burner, near the end slightly drawn out, however that last stretch was forgiven by that bonkers ending.
  • Emma
    (Saturday, Jan 31. 2015 01:23 PM)
    The voice of the main character got kind of annoying though, the dub wasn’t all that good either.
  • Emma
    (Saturday, Jan 31. 2015 01:22 PM)
    This was based on/was a homage to a series by the Gigantor creator and having grown up with gigantors 90s reboot this felt like a nice throwback, plot is fairly simple but used effectively. It’s a shame that it feels like there was more to tell but at seven episodes I suppose it avoids outstaying its welcome.
  • Emma
    (Saturday, Jan 31. 2015 01:20 PM)
    Decided to marathon Giant Robo, I think this was mentioned by someone on here before. I guess it was fairly entertaining, great action direction, looked good for its time, you don’t notice the hour long episodes go by, adequate characters, nice retro artstyle also, not sure if I got excited over this as big O and Mazinger however but still fun enough nonetheless.
  • Emma
    (Saturday, Jan 31. 2015 07:10 AM)
    Seeing Hoffman in before the devil knows your dead and his character being dependent on drugs, that was another thing that hit me a bit knowing the circumstances of his death. Watching most wanted man I could also see that he was wearing out physically.
  • Bam
    (Saturday, Jan 31. 2015 07:00 AM)
    This is not Anno bitching about otakus jacking off to his characters and turning around and selling Rei panties, this isn’t the idiots at Shaft throwing around meaningless camera angles and the oh-so-symbolic teeth brushing scenes, this is a human being looking you in the eye with fear and telling you that he’s dying; morbid, honest, moving and remarkable.
  • Bam
    (Saturday, Jan 31. 2015 06:55 AM)
    Given my rants regarding Birdman it should be clear that I’m a sucker for these rare instances where the line between movie and reality get blurred- when an actor looks at a camera and just bares their heart out. This is the realism that reality tv tried but could never capture. this is art in one of its most sincere forms.
  • Bam
    (Saturday, Jan 31. 2015 06:50 AM)
    Oh yeah Hoffman was a massive talent and a beloved actor, so I don’t take it lightly when I call Synecdoche his greatest role ever. Given his death and knowing the circumstances of his life at the time imbues this performance with a chilling sincerity that just breaks your heart and leaves you in awe.

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