Posted on 30 November 2011 with categories: Anime Reviews




Most studios tend to favor a particular type of series. Sunrise loves mecha, JC Staff often goes with young moe girls, Bee-Train is crazy about series that involve partnerships, Studio Deen has its bishies, Madhouse is there for the dark avant-garde type shows and Hal Film Maker is often into slice of life. Bones though… their shows all are completely different from each other. The only common thread that I can find is that their shows often have action, but that can be said about 50% of all the other studios as well. It’s really one of their strengths, on top of how much effort they nearly always put in their execution. And with this, I bring you Kurau Phantom Memories, a show that is among their top 5 best attempts.

Kurau Phantom Memories follows people with superpowers, but instead of trying to be the epic of the year, it is very much character oriented. It’s as much about the use of superpowers in a corporate society as it is about womanhood. Perhaps the latter is an even bigger theme. And as a result, the creators absolutely nailed the characterization of the lead female character. She’s incredibly well developed, and even though this show can get pretty dark at times, she’s portrayed with an incredible amount of warmth. This show is especially brilliant at balancing its heart-warming and cold-hearted nature with each other, with some magnificent results.

The rest of the cast is also very well written. Characters all act naturally and the main side characters all are significantly developed into interesting characters throughout the series. The side characters that only appear on one or two episodes before leaving meanwhile do a very good job on fleshing out the world of the series, and even they are multi-dimensional as soon as their airtime ends.

The production values play an interesting role here. The animation is perticularly well directed, and even though this show doesn’t have the budget to keep its art consistent, it does know when and where to put effort into its fluidity, leading to some truly excellent and dynamic scenes, on places where it counts. The soundtrack is also just fantastic. It’s not large, but nearly every track that’s there is a feast for the ears and does a brilliant job at enhancing the atmosphere.

The acting does border cheese at times though. The dialogue often is very inspired, but at other times the characters don’t get further beyond uttering each other’s names a number of times. Despite these issues though, ti’s got a strong plot with some real moral dilemmas and situations that really aim to get the best out of the characters.

Storytelling: 9/10 – Really well paced, combines animation, characters and setting seamlessly.
Characters: 9/10 – Kurau is a fantastic main character. In fact, if it wasn’t for the sometimes cheesy acting, this rating would have gotten a 10.
Production-Values: 9/10 – The animation isn’t complicated, but it is very detailed and fluid when it needs to The soundtrack is also brilliant.
Setting: 9/10 – Great concepts behind this world, even though it might not appear so at first. Multiple timeskips also work really well here.

Suggestions:
Witch Hunter Robin
Ultraviolet: Code 044
The Third

Posted on with categories: Monthly Summaries

This season rocks for having so many long series. Finally, after whining for seasons after each other, this season actually completely lacks the biggest problem that anime has had over the recent years: not having enough time. Finally the barrier of “going for a long series immediately is too risky” is beginning to break down. Now all that’s left is to make use of it.

Again, since this season is long, there is a lot more time to build up for things. But still there are some longer series that are just too long, take their time too much, or forget to be entertaining while building up. That’s the flip-side of having long series, unfortunately. Still, I’m really glad that at least this development is coming. Now all that’s left is to improve, and continue to find the right balance between length, pacing and build-up. There are a few series already in this season that are getting really close to it.

#18 (15) – Persona 4 The Animation – (6,5/10) – This show is annoying to watch. As it turns out, instead of being action and mystery, this is just a show about school antics. While that on itself isn’t bad, although I’m not happy that it picked such an overcrowded genre, but the school life scenarios are really dull, badly acted, and most of the time just not funny. Especially the pee guy (whose name I still can’t remember) is bad here.
#17 (12) – Shinryaku! Ika-Musume – (7/10) – Agh, what a shame. This show hit its shelf life. At the moment this show has completely run out of inspiration and is running on dull hijinks stories that are way too forced and just aren’t funny and don’t add anything to the series. What’s more: this show is becoming a chore to watch through.
#16 (20) – Guilty Crown – (7,25/10) – Oh good lord. Who found it a good idea to make the male lead this bland? In fact, there is a problem with the entire cast of this series: none of the characters really seems to know what they want to be, and therefore keep switching personalities. What this show does is not getting to know the characters, it’s just changing their personalities, based on what is handy for the plot.
#15 (11) – Bakuman – (7,5/10)

I’m really not sure what happened to Bakuman, but it has turned into a complete soap opera, always turning from worst case scenario to other worst case scenario. I especially dislike how immature Moritaka handled when he came down with his injury. The balance in this show seemed lost: the first season moved too slow, but this season delivers its plot twists too fast.

#14 (16) – Kimi to Boku – (7,75/10)

Kimi to Boku’s big problem is the yellow-haired kid. In every single episode, this squirt finds new ways to annoy me. It’s a good thing that most episodes manage to deliver some good drama around some other character, otherwise I would have dropped this long ago, but this remains a test of patience.

#13 (8) – Mirai Nikki – (7,75/10)

Mirai Nikki at this point is still missing something in its characterization. It’s definitely fun, but at the moment its complete lack of subtlety is taking away a bit of the tension. I know that it aims to be like that, but for that it’s just not crazy enough to make up for that. I’m still missing something with this series.

#12 (13) – Phi Brain – (7,75/10)

This show is weird. It makes no sense whatsoever and every episode features some sort of weird thing that just defies all kinds of logic. But it’s fun. The puzzles in this show are always entertaining, and the drama around it also is surprisingly good.

#11 (6) – Ben-To – (8/10)

I’m a bit torn about this show at the moment. On one hand, this show is just hilarious and without a doubt the best comedy of the season. On the other hand however, it had one particular episode that was really bad, and went against a lot of what this show avoided so well up to that point. In particular the penis jokes have been too abused t this point. So that’s why I’m going to give it a safe rating at the moment, and if it can pull itself back up, then that’s only a good result.

#10 (14) – Kyoukai Senjou no Horzion – (8,25/10)

Thee is a ton of magic-babble in this series, but that’s also what makes it interesting. The premise and culture behind this series are very creative and while hard to follow, it’s definitely consistently interesting. And then there is the fact that everyone’s boobs are enormous and the male main character seems to think that groping them is a form of bonding. What the hell?

#9 (17) – Nurarihyon no Mago – (8,25/10)

Well, finally we’re getting somewhere! It took a bloody long while, but now that Nurarihyon is finally delivering it has finally gotten interesting to watch. Finally there is a lot of stuff going on at the same time, instead of just dull and straightforward build-up.

#8 (9) – Hunter X Hunter – (8,25/10)

Hunter X Hunter so far has been better than the first series in terms of pacing (scenes flow much smoothly into each other), and worse in terms of acting (most of the voice actors lack subtlety). It’s shown that it can deliver on the heavy scenes though, so everything is still possible at this moment.

#7 (10) – Tamayura ~ Hitotose – (8,25/10)

This series turned out to be excellent slice of life. It’s not dull enough for nothing to happen, and every episode feels inspired. The voice acting is excellent, the animation really brings the characters alive, and on top of that the setting also feels vibrant.

#6 (7) – Fate/Zero – (8,25/10)

This show has been steadily building up its story, and it’s gradually getting better and better to make up for its rather slow pacing. The themes of chivalry get slowly more and more meaning, and more and more characters start to get interesting. There still are some characters that need some work, like the Caster duo and Saber herself, but there is still plenty of time left with such a steady pacing.

#5 (5) – Last Exile ~ Ginkyou no Fam – (8,25/10)

In this month, Last Exile wasn’t exactly the most consistent series. There were time where it was a little too childish and panderish. The points where it delivered however, it REALLY DELIVERED, with absolutely gorgeous artwork, a fantastic atmosphere, and characters that are very easy to relate to. Especially Giselda stole the show in the latest episode.

#4 (3) – Chihayafuru – (8,5/10)

It’s a simple concept, but this series has really nailed its execution. This month introduced all of the side characters, and they’re all important to the main characters, rather than just being some token characters. The acting still is wonderful, and the Karuta matches are actually starting to get more interesting with each episode, thanks to the passion that the characters put in it.

#3 (2) – Hyouge Mono – (8,75/10)

Overall this has been a very consistent series: consistently interesting, consistently silly, and consistently developing its plot. Things still are moving at a steady, albeit slow pace, and it still is a joy to watch this show even after 30 episodes.

#2 (4) – Un-Go – (8,75/10)

Out of all the new shows this Autumn Season, this is definitely the one that stood out. It has fantastic storytelling, combining terrific episodic stories perfectly together with a continuous storyline, and it makes sure to deliver every single week. The pacing is very addictive, the stories are really interesting, the mystery is excellent, and it doesn’t waste a single minute. I complained about the characters before, but even they turned out to be really interesting to watch.

#1 (1) – Mawaru Penguion Drum – (9/10)

Penguin Drum at the moment is really building towards its home stretch. This month was full of plot twists and character development. The direction still is really excellent, which makes every episode a joy to watch.

Posted on 29 November 2011 with categories: Chihayafuru



If you want to be good, you have to suffer. Chihayafuru really nailed that in this episode without going overboard like most “hard work and guts”-series. This show has really convinced me that these kids are really good because of how they grew up, and not just because the plot demands it *coughSakicough*. I loved Chihaya’s mindset in this episode: it’s of course safer to just gradually introduce them to Karuta. But Karuta is a game about the mind. Being able to play against someone very talented is a much better way to get that mindset that is needed for this game. If you continue to play against amateurs, it’s much harder to.

My only complaint about this episode was that the creators have now completely forgotten that Taichi was supposed to have a girlfriend. In particular, no effort whatsoever has been spent into why he fell for her. At the moment it’s much like he figured what the heck and just picked a random girl to hang out with.

But still, there are two shows that really stand above the others this season: Un-Go and this one. Chihaya doesn’t just drag every character along with her, she also does so with the viewer. The final part of this episode in which Arata showed signs of life again only reaffirmed this. With this kind of reaction, he has the potential to become a really good rival, miles away from the usual rival.
Rating: ** (Excellent)

Posted on 28 November 2011 with categories: Tamayura



Sato Junichi. Do yourself a favor. Get a cat.

Remember the episode from Aria? The one which was entirely devoted to President Aria? Well, for a moment, it actually looked like this episode would in its entirety follow around the big white blob that is Momoneko-sama. It got surreal at times, turning into this bizarre parody of the silent movie to narrate what he was saying.

THANK GOD though, the second half of this episode was about something completely different. And it was wonderful. It’s been a while since I watched such a down to earth portrayal of love sickness. The character it centred around only appeared in one scene before, but her characterization was already terrific.

With three or four episodes left, I do hope that the creators will use this time to do something special. I mean, this episode was a step into the right direction, but I want more. This show already has excellent characterization for just about every of its characters. Now use that.

Also, I’m not sure if I’m the only one in this, but I always really feel sorry for the voice actors who are tasked with voicing simple animals. This episode thankfully wasn’t as bad (seriously at least these cats had some really good voice acting, even though there was absolutely nothing feline about these… things), but it’s especially bad when a voice actor is called in to voice a cow in the background… doing exactly one “mooo”. Do these people feel any pride in their work?
Rating: ** (Excellent)

Posted on with categories: Mirai Nikki



I like this show, but I do have a bit of trouble changing my expectations from what I expected it to be, to what it actually turned out to be. I expected this series to be a set of mind games with a ton of mystery and suspense. Instead, it doesn’t focus on building up mystery at all, instead of suspenseful it’s more over the top, and the mind games aspect of the show is rather held back by Yukiteru being a gullible idiot.

But ah well, I guess that that was the intent of this show: it needed someone who can both walk into just about every trap laid in front of him, be wimpy enough to be dragged around so that Yuno can shine, and still at the times where it matters find his balls and act like a skilled action hero. It’s forced, but it does carry the rest of this series, and I do have to say that the new villains here are pretty interesting, with a possibility to be the most interesting villains so far. Yuno in particular was great here.

Though was the underwear scene really necessary? I mean, this is no fanservice show. It’s almost if it’s a prerequisite for a guy to bump into a girl and expose her panties like that. And at the very least: if you’re going to do fanservice: make it creative. Pulling a scene like that only shows that you’re not really putting much thought into this.
Rating: * (Good)

Posted on with categories: Nurarihyon no Mago



What a difference compared to the climax of the first season this is. Back then, this was the point at which everything collapsed in a slew of dull fights after dull fights. This however is much more dynamic. There are a lot of things happening at the same time, and there is a lot of meaning put into all of the fights beyond just “bad guy evil, kill him”.

In particular the resurrection of Nue, or Abe no Seimei was well pulled off here, as a giant fetus floating in the sky. On top of that, there is the irony of Hagoromo Gitsune probably not being the one who killed Nura’s father, but it was some sort of doing from her human part. Beyond that there are a lot of different parties involved that all have some sort of agenda. That’s what makes this finale work. In the first season everyone pretty much melted together. Nobody stood apart.

And on top of that the execution also was a lot less solid back then. Again Studio Deen aren’t the best animators, and one of the hardest things to animate is a battle between small armies. With clever camera work and arc though, a lot of movement was created here. Thumbs up.
Rating: ** (Excellent)

Posted on 27 November 2011 with categories: Hunter X Hunter



The first half of this episode, I think it actually worked better than in the first series. It was simple and more to the point, just like Gon really. It had a nice build-up of “oh, this is going to take forever”, only to solve things in minutes afterwards. Although, Gon’s voice actress was trying a bit too hard again in this episode. It’s mostly her range. She’s very easy in just yelling all of her lines.

The second half however… it was a bit of a mess. And it’s not the pacing really. When you just look at pacing, then the new series is actually better than the first. It’s just that the voice acting is so much, much worse. The voice actors are trying too hard and especially the blue guy (why is he suddenly bright blue?) was hamming it up. Compare that to the first season, which had fantastic voice acting and which had voice actors who knew exactly when they should be subtle, and when to raise their voices.

What’s even worse is that we suddenly got to see entire inner monologues of that blue guy, which killed off all of the tension that was there already. It added some nonsensical stuff, while it cut out the stuff that made him quite charming (like the way in which he broke his fist, for example). Also, I’m surprised here: the way in which he refused to wake up, was actually a filler of the first season? I really would not have guessed. That really was something good they added back there.

And then there was Kurapika, who really managed to save this half when he saw the spider. It again suffers a bit too much from acting too hard when compared to the first series, but the moment where Kurapika got his red eyes: that was just wonderful. It wasn’t just a great scene. It also showed that the creators here know how to deliver the darker scenes.

Overall I’m quite positive of this series so far. The creators might actually nail it. However, there is one character who I’m positive that they’re going to ruin if they keep going on like this: Senritsu. I won’t say why, for the sake of the people who aren’t familiar with Hunter X Hunter, but I really cannot imagine her with the current focus on overacting from this series.
Rating: * (Good)

Posted on with categories: Anime Reviews




Here’s a movie, animated by Madhouse, but voiced fully in Chinese, about the highlands of Tibet. With this it already gets a plus for its interesting setting. It’s also a coming of age movie about a young boy, which is a bit unfortunate, but this mvie has more than enough to make up for it.

It’s an excellent look on the culture of Tibetan sheep herders and in particular a doctor in those areas (the lead character’s father is a local doctor). On top of that, it also has a number of very interesting action scnees involving dogs. Those things set it apart quite a bit from the mould of coming of age movies. It’s a movie that is grounded in realism, yet also packs some nice climaxes, and in terms of pacing it’s pretty well paced: the quiet scenes build up well for the climaxes and they remain interesting for the entire movie.

There are two main problems with this movie. The first is the very unfortunate name that was chosen for the golden dog that the movie is all about: Doogie. I’m not sure whether this sounds any less cheesy in Chinese or not, but the mood of the climaxes did get broken a bit when the characters kept going “Doogie! Doogie! Doogie!” over and over. My second issue is that a lot of the characters could have been more interesting. The dogs are awesome, but the lead character does little to set himself apart from other young leads. The bad guys of the movie are also pretty bland. Some of the side characters, like the old medicine seller and the male lead’s father were interesting to watch, though, but unfortunately the dull characters outnumber the interesting ones.

Tibetan Dog is a very good movie, especially considering its settings, but the director, Masayuki Kojima did work on more interesting stuff. The characters in Piano no Mori were just better developed, Hanada Shounen Shi was the example of a young boy lead done right, A Spirit of the Sun had better suspense. Oh, and not to mention Master Keaton and Monster, of course.

Storytelling: 8/10 – Good build-up. Good use of dogs in the movie.
Characters: 7/10 – Unfortunately a few too many bland characters at key positions.
Production-Values: 8/10 – Well animated, but nothing special for movie standards.
Setting: 9/10 – A movie about Tibet. Excellent, and it makes great use of it.

Suggestions:
Piano no Mori
The Star of Cottonland
Kappa to Coo to Natsuyasumi

Posted on with categories: Phi Brain



What mind created this? And what was he on while creating this?

So… this was the dreaded school festival episode. Usually it’s part of the pool of episode templates for creators who don’t know how to fill their episodes. In this case, it’s an excuse of the creators to dress up the entire male cast as women. Heck, just look at the screenshots above: Daimon Kaito had to solve a puzzle in a dress, in the middle of a burning circus tent, surrounded by very creepy melting dolls while Nonoha was turned into Snow White. A tent by the way, which was secretly constructed next to the school, making use of how everyone was too busy preparing for the school festival. How do they come up with these things?

Also, don’t get me wrong here: I am currently enjoying this series a lot here. It’s completely ridiculous when you think about it, and I’m not going to stop ranting about that. But that’s the fun part about it. The thing is, that I find being generic a much worse crime than making no sense. It’s anime. It should be crazy.

What’s even more important however, is the execution. And despite all my ranting… this show is doing that well. This episode was all about the student council president, and it actually worked. It’s bizarre, but the characterization in this show is simple, but effective. There are times at which I’d wish that this show would combine its characters more, like involve more characters with its puzzles at the same time, but ah well. This works as well.
Rating: ** (Excellent)

Posted on with categories: Ben-To



The golden rule of comedy: if you’re going to make sex jokes, then make sure that they are good ones.

I’m not sure what happened here, but this was without a doubt the worst episode of Ben-To so far. I’m not sure what happened. Did the light novels have this exact same chapter? Did the animators not have enough budget to animate any more fights? Did they pull in a bad episode director? In either way, this episode was the typical bad episode that bad harem shows use to fill their time.

This episode was meant to introduce the two major characters of the final arc. And they’re incredibly stupid. That’s what I really dislike about most moe fanservice shows: they reduce their characters to idiots, just for the sake of fanservice. This is something I thought Ben-To avoided, but this episode made this show a whole lot more generic.

It’s a good thing that the creators still know how to tell jokes, because things like Saito’s dive were absolutely hilarious. At the same time though: this also was the point where the Saito Pervert joke passed their shelf date. For one they were repeated way too much in this episode, and for two this episode tried way too hard. The jokes were fun when they were subtle, like for example in episode one. This was once again “let’s strip Saito and laugh, and have him generate inspiration for Hana. I knw that there are people in this world who no matter what automatically laugh whenever a penis is involved, but at least try to also cater to the ones who don’t…
Rating: – (Disappointing)

CHANGE USERNAME
SuperWooper
I'm with you, Bokusen. I don't even think it was particularly good-looking.
Bokusen
Maybe it gets better though, or it just wasn't my thing...
Bokusen
Garo was way too campy/trashy for me and I dropped it like a rock after ep 1. The whimpy female character annoyed me too.
KTravlos
yeah that is m plan. Altair is about to finish. I think at this point that I ca say that on balance it is a better political-military epic than Arslan despite the issues. You will read more about it in my review.
Kaiser-Eoghan
@Travlos: I am waiting to marathon it, the first season worked better when marathoned.
Amagi
Maybe I will pick it up again now that I dropped something else.
Amagi
Damn I totally fogot about it. Watched the first two episodes and it was enjoyable + good animation. It was still missing an actual plot but I guess it starts later
KTravlos
also, it looks like Garo: The Vanishing line is a good show to watch. Is anybody following it?
KTravlos
That said the last two AMB episodes were quite fun.
Amagi
I would have prefered it if the magical beings were weird looking instead of all of them being beautiful sameface humans. Also the special role of Chise and how everyone gets alured by her give me strong otome vibes and I am really not a fan of this gerne
Amagi
@Lenlo/KT same here. It's just that AMB can't come even close to Inu, Shuumatsu or Houseki. I am no a fan of the pacing and the rest is basically just fantasy.
Kaiser-Eoghan
Was worried there for a moment thinking sangatsu no lion was ending next week, turns out season 2 is 22 episodes afterall.
Lenlo
Yeah KT, watching the two together has not come out favorably for AMB for me.
Kaiser-Eoghan
I believe it works better in hellsing and drifters moreso to both being goofball action shows.
KTravlos
A point on the chibi in AMB. I was thinking about shows were the chibi did not bother me, and Hellsing Ultimate and Drifters (newest episodes coming out), both had deformed/chibi segments. For some reason they did not bother me. I think ABM directors have bad timing with them.
KTravlos
I have to say Ichirou Inuyashiki is very cool. Like he is really a cool character. Also I am saddened to say it but watching AMB together with Inuyashuki does not work well for AMB
Kaiser-Eoghan
@Silver: There are sad moments certainly but plenty of humour.
Anonymous1639132
Man, I sure hope Ichirou Inuyashiki and Hiro Shishigami make out, everything is just building up to that
silver
I actually have only watched one or two episodes of this season of 3-gatsu, but its rising scores and rave reviews are making me really excited! I've only put it off because it's somewhat emotionally tiring for me
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
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Fate/Apocrypha – 23[Going Beyond]

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