Posted by psgels on 11 November 2011 with categories: Mawaru Penguin Drum




Yeah, this episode was another one of those “batman having tea with superman”-episodes. This episode was just amazing, as it combined the talents of two wildly different directors, Kunihiko Ikura and Shigeyasu Yamauchi, into one. The result was an episode with a ton of weird twists, strong character development and a ton of symbolism, combined with a style that is masterful at getting genuine emotions out of the characters and terrific at subtle pacing.

I can’t believe how well the two blended with each other. Tabuki really got a wonderful episode through this. Ikuhara even gave Shigeyasu Yamauchi the freedom of handling the background art much different from usual, and that too resulted in a ton of eye candy. Tabuki ended up as a great villain through this. On top of that Momoka also got a lot of depth, and the main cast also got much closer to each other. Especially the aftermath of this episode felt very intimate.

Also, the eye-catch. It just revealed another turning-point, as expected. Right now we’re in the background arc, in which all of the side-characters get the chance to show their stories and backgrounds. At the moment the only ones left are Tabuki and the parents who set everything in motion. I can only imagine what the creators have planned for after that. It’s that final arc where they really have to show that they know how to use their build-up.
Rating: *** (Awesome)

32 Responses

  1. Alec says:

    This episode really got my attention. It was intense.

    There is only 1 thing that bothered me was the semi-predictable scene in the end, which the mass probably wanted (not gonna spoil)

    Also, I would’ve preferred if we actually saw the events in Tabuki’s past rather than seeings scenes about symbolism. Not that I hate it or anything

  2. ojamajo_limepie says:

    Speaking of eye candy, Umakoshi Yoshihiko, character designer of Heartcatch Precure and Casshern Sins, animated key parts of this episode.

  3. DmonHiro says:

    I’m just curious how Tabuki saved Himari at the end. What the hell did he do? Can he fly?

  4. jzar says:

    **some spoilers**

    I really like the show but I have to say this episode was the least enjoyable for me so far. The parts of it that needed to be very believable just didn’t work.

    How could Tabuki could do what he did without a whole team of experts to back him up. It was so annoying that it ended up really getting in the way of the story.

    Didn’t he just run into the girl by accident?
    …Locking the girl in an elevator?
    …How did he have all those remotes and high grade plastic explosives ready for a spur of the moment decision?
    …Grabbing a moving steel cable with your bare hand? that would not just damage your hand it would be like sticking your hand into a high speed cheese grater.

    If Tabuki had photo’s of the black hats why didn’t he follow them back to the man who really did kill his lover?
    …. I could go on and on, it really was that bad.

    I would have much rather seen the mentally unstable Tabuki hold a knife to the throat. Just something spur of the moment and simple.

    The other background stories were really good and worked so well. I suppose it made the flaws in this one stand out to me.

    Just my take and it is a realitivly small thing because the acting and the animation was really good. They have some high standards to maintain and this episode was a bit of a letdown.

  5. hurin says:

    #jzar.

    Kanba also shouldn’t have been able to walk away from getting dragged after a truck, and Shouma should have died from the car crash.

    But of course it is also not logical for dead people to be revived by penguin hats.

    I hope the mystery as to the brothers invulnerability will be explained later. Maybe penguin 1, 2 and 3 are absorbing their damage somehow.

  6. Son Gohan says:

    @jzar: This show is highly symbolical. You shouldn’t think about how Tabuki saved Himari. What’s important is that he changed his mind after seeing the sibling’s love for each other.

  7. jzar says:

    Son Gohan-
    This show is highly symbolical. You shouldn’t think about how Tabuki saved Himari. What’s important is that he changed his mind after seeing the sibling’s love for each other.

    I totally agree…..it saved the episode for me…that was a great moment.

  8. Snowolf says:

    I really enjoyed Tabuki’s backstory- while I felt that it was the most abstract out of all the ones we’ve seen in some time, I did enjoy all the symbolism (the child broiler was really intense!) and you could definitely see how he really bonded to Momoka. It’s interesting how both Tabuki and Yuri view Momoka as some kind of God who came out of the heavens to change their life imminently, instead of just a faithful friend. Their lives revolve around her. Of course, I only have this fear that Momoka, like almost all of the characters in this show, is not what she seems, and that a much more sinister motive lurks behind that innocent smile. Her way of saying “Live for me!” and “I love you” seem almost stand out amongst a sea of almost too-dramatic sayings somehow. I mean, how did these two even really meet? Tabuki, unlike Yuri did not even know Momoka existed before this; of course, this is all figuratively speaking, so Tabuki may have had some knowledge of Momoka’s existence and the POV that we saw was at the specific time when Tabuki was at his lowest point. Tabuki’s parents also reminded me a lot of the parents in this show, and the theme of high expectations passing down from one to another. The Takakura’s unconsciously passed down their sin to their children; the Oginome parents passed down the strain of their relationship onto Ringo, who tried turning into Momoka to save that relationship, Yuri’s father physically abused her (and raped? I’m still not sure and I kind of don’t want to know) and now we see Tabuki’s mother as one who forced her own ideals of perfection (just like Yuri’s father had his ideals of perfection- Yuri and Tabuki almost mirror each other in terms of their parents and how they were treated) onto him and his little brother. Which resulted in him purposely crushing his hand so he could have an excuse not to play piano.

    While it’s kind of sad, I still in no way have any sympathy for Tabuki’s actions, which seemed to be more out of self-loathing and self-pity than actual revenge. Tabuki laments the fact that he wasn’t able to do anything about Momoka’s death, and immaturely puts that blame (in quite a gruesome and heart stopping fashion) onto Kanba and Himari. In the end, he finally grows weary (or gains sympathy, realizes his actions?) and saves Himari, but nevertheless, we were really able to see how desperate he had become. Which leads me to wonder- while both Tabuki and Yuri met Momoka for the better, they have only turned out to be vicious monsters of their own grim fate. As Ringo rightfully (ugh, I love this girl!) says at the end- she won’t grow up hating the family when it was her own sister who died at the hands of the Takakura parents, not just because she loves Shouma, but also because she realizes that grief, loss, and happiness all play a part in one’s life, and it’s up to us whether to accept that or not. But Tabuki and Yuri have grown haunted, almost into corpses reeking of self hatred, shared by their bond with Momoka. Of course, it seems that Yuri is a little more mature than Tabuki, slapping him in the face (damn straight!) after seeing what he did and his patheticness at doing it.

    I’m still annoyed that this show isn’t making full use of Shouma’s character- he’s my favorite, despite his inherent uselessness and lack of tack and coming on time, but that’s not his fault- I blame the show. Shouma is the only character in this show who isn’t fucked up somehow/has shady intentions and thus I really want him to play a major part in the end, if he can. I have a feeling he’s connected to the Penguindrum, considering that the show’s focus on Kanba and his countless sacrifices (as Himari said rightly- enough already!) might just be a little red herring so that we don’t think about Shouma. If that’s true, that would be excellent; I’m just dying for Shouma to actually accomplish something, though I feel like his relationship with Ringo is really going to amount to something important in the end, rather than him actually doing something.

    Going back to the Himari/Kanba scenes- damn, that was intense. I was literally clutching the end of my seat. Damn you Ikuhara! But oh boy, the use of music during that scene was fantastic. A major problem I have with this show is its lack of good BGM- which is actually a bigger factor in creating/evoking emotions than people think (think horror, folks, and all those violins) but this episode did a nice job of using the BGM well.

    Also, Shigeyasu Yamauchi directing this episode was a dream come true. I could totally spot his signature styles of shooting things in different ways and adding a lot of gorgeous visual feasts to the action scenes as well as the flashback scenes. HEARTS IN MY EYES, I’m telling you.

    I’m still a little concerned about how this show is going to wrap up in only eight more episodes, but that’s still enough time. It feels like this is more of a 50-episode show, but now that we have formally introduced everyone (except for Sanetoshi, whose random 2 minute scene was just…weird- what’s up with that rabbit fetish, I would like to know) hopefully we’ll start moving toward a good climax. It’s been a fun train ride, and now it’s finally time to wrap up all of these loose strings and tie them into a grand finale!

  9. nodbgp says:

    I think we will still get a lot of background on the family, I still don’t believe any of the three are bound by blood, we still have to get what the parents and consequently the organization reasons and goals are. The episode in itself was awesome in what it turned Tabuki into. Looking forward to the answers and to the ending, hoping they are able to wrap it up the best way possible, which I have no idea how should be.

  10. AidanAK47 says:

    And the Tabuki flashback as predicted. Thankfully shorter than I expected. Alright, I did enjoy some of it but that this point I sighed at yet another back story which included a parent forcing unreasonable conditions on a child. There are issues one can gain that don’t involve terrible parenting! On top of that we have the highly nonsense plan of Tabuki which I really don’t see the point of. Tabuki previously stated that he didn’t want revenge and now he suddenly does and portrays himself as a dark individual despite being shown as a pretty ordinary and reasonable guy beforehand. So yep, this whole thing stank of an act. I didn’t believe he was going to kill any of these kids for a second. That sort of killed the tension.
    And for the love of god. Himari, pulling the fake death card again? I can’t give a crap any more. I know you are not going to die. Nobody ever dies. Drama = completely pointless.
    “On top of that Momoka also got a lot of depth”
    Yes, she changed from a character who saved a disturbed child to…she changed from a character who saved two disturbed children. Wow. That’s deep.

    “This show is highly symbolical. You shouldn’t think about how Tabuki saved Himari. What’s important is that he changed his mind after seeing the sibling’s love for each other.”

    Just because a show is symbolic does not mean it has the right not to make sense. Besides that a pretty poor overused plot twist.

    Ahh…why oh why can’t I just shut of my brain and ignore this nonsense crap. I can do it fine for Mirai Nikki but maybe that’s because I know what I am getting.

  11. wendeego says:

    Interesting thing about Shouma…from the end of the corresponding chapter in the novel:

    “I have to be stronger too. No matter how unfair it might seem, if this is our fate, then I have to accept it and become stronger. I dried my tears on my sleeve and stopped lying to myself. I’m never going to run away again, not from fate and not from Oginome.”

    So I’m guessing that by the next episode he will be playing an active role in the plot. We will see!

    As for parenting issues and the sense of disbelief…well, Ikuhara loves illusions. The crux of Utena was a fairy tale that turned out to be a cage, and I’d guess that Penguindrum is structurally similar–an inescapable train en route to Death, for example. The conflict of the show comes from breaking out of the restrictions of society and finding a path towards happiness and understanding. That can only come about through sacrifice and enormous love, and I’m guessing that’s closely associated with the Penguindrum.

    AidanAK47, I’d agree with you that it’s a little strange that everybody’s issues appear to come from terrible parenting, if it wasn’t for the fact that carrying the sins of the fathers/mothers is so obviously key to the themes of the show. Just about every main character in the show except for Momoka and Sanetoshi are hanging above the child broiler by their fingernails: Himari on the brink of death, Kanba and Shouma abandoned by their parents, Yuri and Tabuki the product of an abusive mother and father respectively, and even Ringo in a situation where nothing she can do will ever bring her family back together.

    If you think about it, this entire show has been haunted by those recycled children in the child broiler. Remember the OP, with shards of glass flying by as Himari falls? After this episode we know that those are the remains of children who have been abandoned by the world. Think about it that way, and the great majority of the cast of Penguindrum are perversions of fate, somehow maintaining their existence in the world when they shouldn’t even be alive in the first place. Yuri and Tabuki were saved by Momoka, but Ringo and the Takakuras have been getting by through willpower alone (if only barely.) Is it any wonder that they are to be punished?

    So yeah–I think the emphasis on parent issues is more of a thematic choice than evidence of a lack of imagination. As for the strangeness of the plot, think of it more like a Haruki Murakami novel–where momentous things are happening under the surface but are never fully explained–and it becomes a bit more understandable. If you just aren’t digging it than I guess there’s not much anyone can do, though. I think it’s obvious by this point that Penguindrum is definitely not for everybody!

  12. Minnako says:

    @ Snowolf: Exactly!

    Momoka isn’t (at least I think not) a deity – she couldn’t possibly save everyone, even within the realms of plausibility of her powers it would just be too much for her to bear. Yet, instead of taking what she did for them and living on, the people she saved were never really saved – they never got over the darkness in their past, and the minute she’s not there to provide validation for them they turn into warped people intent on revenge. As if saintly Momoka would want that. Which makes me feel that in some way Momoka didn’t really ‘save’ them at all – instead of being turned into powdered glass or whatever, they just became something worse because they never learned how to live for themselves. I don’t know what that’s trying to say about what it means to try to ‘save’ those you love – should you do it? Maybe that they need more support? No, I can’t really condone his actions, either – losing one person, even if it is the first person who gave you validation, doesn’t mean that 16 years later you get to enact revenge.

    I’m not sure that Yuri slapped him because he did something pathetic (she did try to rape Momoka’s kid sister, after all), maybe for having the audacity to lie to her, to take her prey? Maybe for having the guts to realise what a broken individual he currently is, and for not taking it to the conclusion he planned?

    Interestingly, even though Himari could be Momoka’s reincarnation, I think in some ways it’s Ringo now playing her role – trying to validate people who feel they just aren’t good enough through no fault of their own. She’s not saintlike, but at least she doesn’t pronounce undying love for everyone in some selfless obsession for saving them all. I’d be very interested to see what the psychological effects of her power are, though. People in the position to save others (rescue workers, healthcare professionals, etc) can suffer from really bad burnout from getting too involved and literally feeling like they need to save everyone because they can. I’d like to see what the deal is behind her facade, because right now she’s just too perfect.

    It’s not Shouma’s fault he’s late and never the one to save Himari – it’s not like Kanba gives anyone that chance. Kanba’s always been the morally ambiguous one willing to do things normal teenagers just wouldn’t think of, and keeping it all secret from Shouma. So I feel it’s unfair when people think this implies Shouma cares less about saving his sister. He just doesn’t know what to do, and we know he has normal scruples, that he’s had to put aside plenty of times. I’d argue that he’s had it harder than Kanba, because Kan feels that he NEEDS to go to ridiculous lengths, he’s almost masochistic, and he’d be worse off if he didn’t – bearing the brunt of the cost is less of a punishment for Kanba than doing nothing.

    Sanetoshi evidently took the pictures of Kanba at his leisure and then told Tabuki at this particular time – why? Does that mean Himari wasn’t fibbing when she said she had her doctor’s approval? After all, we only saw the rabbit boys talking to her brothers. What is this dude scheming, I wonder?

  13. Kim says:

    @Snowolf,

    I expect Shouma to start playing a more active part in the final 6 episodes…which will also cover the final novel of the story.

    I think the novel does a better job than the anime of defining what Shouma’s role will be. He’s been inactive on purpose because of his own self doubt & feeling of worthlessness. That is definitely going to change.

    @Weendeego

    Completely agreed! And I can’t believe people are actually complaining that everyone had messed up parents…it’s called tying things together by singular theme? Didn’t Sanetoshi say it in a previous episode: children are supposed to love their parents no matter what? The entire theme of the series has been putting the sins of the parents onto the children.

    And I always wanted to say that people who complain about Penguindrum better never read a Murakami novel so I am glad you brought him up. Not that I think Ikuhara is on the same level as Murakami (who is one of my favorite authors) but the way they tell a story is definitely similar. Of course Ikuhara references Murakami in Penguindrum so it’s obvious he’s a fan & I highly approve.

  14. Snowolf says:

    @Minnako, Kim: You’ve captured my thoughts exactly! I mean, the way everyone portrays Momoka, it sounds as if she’s some kind of magical, divine goddess, combined with her ability to change fate (I am still not sure about this ability, but I have a feeling it will be brought to light soon enough). And yet, everyone who has met Momoka has never actually gotten over their dark past. Yuri ironically becomes an actress to prove her self-worth, and to show that she is beautiful. Tabuki becomes a teacher in the hopes that he will actually be able to contribute something toward other people’s lives. And yet they are fundamentally, two broken individuals who are only married due to their shared connection with Momoka and their shared belief that her Diary will somehow bring her back. In that way, Momoka really hasn’t saved anyone, and I have this terrible feeling that this is the way she wanted it to happen- that she’s the mastermind behind some of this, somehow. Instead of becoming independent, they have grown shallow and lost, more desperate than ever.

    Which really brings me to the main interest behind Penguindrum- the fact that so far, the adults are the ones with childish, immature dreams, while the children are the ones acting mature and trying to realize the reality of their situation. Neither Kanba, Shouma, Ringo or Himari at this point are hopelessly lost or idealistic; even Natsume is working hard to achieve her dreams rather than be dragged back into her past, hopelessly wandering. Tabuki and Yuri however, are ghosts of their own haunted pasts, and are lingering in some kind of limbo where they can’t progress forward because they’re afraid of change, and they are afraid of progress in the first place. Their lives were validated by Momoka, and without her they are empty souls. It’s similar to Utena’s genderswap, but it’s more of an…ageswap in Penguindrum.

    I’m really loving Ringo- she’s my favorite character (and has always been) because out of all the characters in thsi show, she’s the one who has recieved the most development. While I don’t think she’s becoming a saintlike figure, I do agree that she’s definitely gathered up the courage to move on and fight destiny, despite saying that she accepts and loves fate. I don’t think she’s become too perfect- I mean, heck she was a creepy stalker only 10 episodes ago, but I think by meeting Shouma she’s become self-aware and has understood the consequences of her actions. However, the two openings of the show display Ringo being wrapped up in flames- does this mean that she will become the next Momoka and end up saving the Takakura family (how ironic would that be?) and end up sacrificing herself? This kind of ties back to my idea that rather than being an active participator, Shouma’s relationship with Ringo will bear fruit to something more powerful than Kanba’s countless sacrifices. I definitely agree with you on Shouma- just because he’s not there on time doesn’t mean he doesn’t love Himari any less (well he might, considering that Kanba is actually in love with Himari) Shouma has definitely gone through a huge personal identity crisis in this show for the most part, but with the novel/this episode, this suggests that his time of strife has finally come to an end, so hopefully we’ll see something good happen! Kanba irritates me slightly with his lack of self-worth; in a way I feel Himari is HIS Momoka, as she is the person who gives HIM validation to live (as he said when he was saving her life- his life means nothing without her). Which brings me back to thinking- will he end up like Tabuki, if Himari is to truly die?

    I…honestly don’t know what to think of Sanetoshi. Part of me is terrified that he’ll become the next Akio, and then another part of me thinks that this guy is just some sort of hidden plot device. But the fact that a.) he TOLD Himari (or rather, he approved) to go out knowing quite well that she needed the medicine before midnight and b.) took pictures of Kanba and then gave them to Tabuki is definitely devious to me. I don’t know what he’s up to and that scares me.

    Also, some food for thought; The whole “invisible entity” idea? Think back to Sakakibara Seito, the then-juvenile perpetrator of two vicious child murders in Tokyo back in 1997.

    On June 6, a letter was sent to the newspaper Kobe Shinbun, in which Sakakibara claimed responsibility for the slaying and decapitation of Jun Hase, and threatened that more killings would follow. This second letter, delivered in a brown envelope postmarked June 3, had no return address or name. Enclosed was a three-page, 1400-word letter, also written in red ink, which included a six-character name that can be pronounced as “Sakakibara Seito.” The same characters, which mean alcohol, devil, rose, saint and fight, were used in the first message that was inserted into the boy’s mouth.

    Beginning with the phrase “Now, it’s the beginning of a game,” the letter stated that “I am putting my life at stake for the sake of this game… If I’m caught, I’ll probably be hanged… police should be angrier and more tenacious in pursuing me…. It’s only when I kill that I am liberated from the constant hatred that I suffer and that I am able to attain peace. It is only when I give pain to people that I can ease my own pain.” The letter also lashed out against the Japanese educational system, calling it “compulsory education that formed me, an invisible person.”
    (http://en.wikipedia.org/wiki/Seito_Sakakibara#cite_note-1)
    Wikipedia translated the phrase “透明な存在” (toumei na sonzai) as “invisible person”, but the translation “invisible entity” is also suffice.

    This might be a long shot, but it was one of the first things that came to my mind after I watched the show. But considering that Ikuhara has stuffed this show with a lot of allusions back to the many dark secrets of Japan, I wouldn’t be surprised.

  15. kero says:

    Interesting to read the comment on the possible link to the child killings. Hard to say if it is intentional or not, as I think the idea of feeling invisible as a child isn’t unique.
    ___

    My reaction to this episode was that I like it more last weeks episode, and now at least I know about Tabuki’s hand.

    I think the connection being made to Murakami is probably quite apt in various ways, considering how you could flip it and not be saying that it is as awesome as Murakami, but that it is as overhyped/overrated as Murakami.

    [I sit in between, I have a bit of a difficult relationship with Murakami, he has some great turns of phrases and there is a interesting something about the settings he creates, but there’s also a bit a weird creepiness to the recurrent theme of disappearing/broken women, and more than a hint of misogyny in the way he writes women]

    I was able to watch the flashback and accept it for the symbolism, especially with the whole child broiler thing, I loved the sound of the fan going in the bg.

    As for Momoka, she’s just coming across as a bit creepy? Not sure what her deal, and I’m inclined to agree with others that she’s not what she seems.

    I realise I don’t particularly like the girl with the black penguin, she just repeats over and over again the same phrase, like she’s got some OCD, which I wouldn’t be surprised if she did. They’re all psychos on this show XD.

    Agree with others that it’d be great to see Shouma finally step up and be an active agent.

    I loved the end shot where, he is cradling both his brother and sister. I would love it if he ends up being the one to save everybody!

  16. Kim says:

    @Kero,

    I know this is not a post about Murakami but I found your comment interesting so I had to reply.

    I never really thought of Murakami as misogynist although from what I’ve read so far (and I certainly have not read everything) he does mainly look at things solely through a male perspective. Of course he is a male writer so I am not sure if I can fully fault him for this.

    Ikuhara on the other hand I feel does have a more compelling approach to gender roles than Murakami. This can be easily seen in Utena but I think even in Penguindrum the females are all well written & unique characters.

    However my comparison between the two wasn’t really in terms of content (although I will say both Murakami & Ikuhara can take us to dark places) but more in terms of storytelling style.

  17. Minnako says:

    @Snowolf: Mastermind Momoka is a terrifying thought! Definitely more behind the scenes there, especially when she made THAT face…

    I really hope Ringo doesn’t end up sacrificing herself, she’s spent long enough playing second fiddle to a sister she could never compare to in anyone’s eyes, and now that she’s finally the emotionally stable one in the series, she goes and falls in love with a guy who refuses to believe he’s worth loving (his Momoka indeed).

    I’m not sure what the deal is with Kanba and Himari – both as to how far his feelings go, which entity exactly he is in love with, and of course if they’re even siblings (Kanba being a Natsume looks like sense), but I’d argue that doesn’t mean he loves her more, only differently.

    Taking the ‘transparent person’ references in mind, could the child broiler be symbolic of those who’ve given up, who see no worth in existing, and who feel and are treated as being completely isolated from society? That seems fitting as we don’t see how Momoka got Tabuki out of that colourless place – perhaps because he had to wish himself out to be free? And when Momoka is injured, perhaps that reflects his defensiveness and lack of desire to see any worth in himself at first (not that it’s much better to live for someone else – that’s still obviously depressed.), his defenses against letting himself out of that prison. Momoka may be doing nothing more special than trying to let people out of the emotional cages they’ve put themselves in.

    @ Kero – It would be interesting to see exactly what Masoka (the girl with the black penguin) means – evidently she has a very important part to play, and I’m really wondering why Sanetoshi lets her get away with defying him…

    Shouma saving everybody FTW, now THAT would be a turnup for the books!

  18. c160 says:

    @AidanAK7 In the novels, there’s an excerpt (I think it was either right before or right after the elevator scene, and it was not included in this episode, so I suppose its no longer a spoiler) where Tabuki had an inner monologue where he said that he tried his best to keep his desire for revenge to himself, and not even telling his partner Yuri but he is also reaching his breaking point. Or something like that.

    Himari also had some inner monologue while she was dangling in the air in the novels, which was also not in this episode. The novels is a little bit better in explaining the characters I guess, but I think Ikuhara is holding back some things to make a big bang latter on, especially with Himari and Shouma’s character.

    @Kim I too agree with how there’s similarities in Murakami’s and Ikuhara’s story telling style.While I haven’t seen all their works,I think the surreal but yet not overtly supernatural or magical feel of their stories is definitely similar.Or how they just refuse to explain everything. Or how they like to throw in some really out there hilarious but yet still somewhat dark scenarios(think Nanami cow incidents for Ikuhara and the short story about the fast-food robbing couple from Murakami) ^^;

  19. kero says:

    @kim

    Sidetracking into a Murakami discussion.

    I’ve not read everything by Murakami either, top of my head Norwegian Wood, South of the Border, Windup Bird Chronicle, Wild Sheep Chase, and Hardboiled Wonderland (but only one part of the story and not the more fantasy part).

    The misogyny is not out and out, but most of the women are either broken or not there, and maybe I never got how all the MC’s could be so cold/distant, but never have any problems finding enough women who want to sleep with them.. it borderlines some sort of fantasy/ wish fulfillment on Murakami’s part. I can’t really think of one main female character who didn’t end up sleeping with the MC or wasn’t mentally ill of sorts(Norwegian Wood spring to mind because it’s the one I read most recently). I couldn’t really read those parts without pulling out from the story and going ‘come on now!’

    On him being a man, and ergo, not his fault if he can’t write women properly. I don’t think gender should play into it, because there are plenty of men who write great female characters, and plenty of women who write great male characters. So I can’t agree with cutting him some slack because of this. I do want to say again I don’t dislike his works completely.. I enjoyed Wild Sheep Chase, and there is still something compelling about them.

    Anyways, back on track. I was mainly trying to say that MPD seems to get the same kind of reaction that Murakami does, aka. “he’s awesome!” or “why does everyone love him? He ain’t all that!”
    Pretty divisive!

    But like you and C160 say, MPD and Murakami give off similar feelings, with their surreal/normality setting although MPD goes a lot lot heavier into symbolism (but if I recall correctly, Wind Up Bird Chronicle was full of it too, read this years ago so can’t say for sure).
    It is a different medium after all, so as a visual form MPD can play with disjointing or synchronizing the dialogue with the imagery, which many people have pointed out.

    @C160
    I didn’t know that it was originally based on a novel! After MPD ends I’d like to hear more about the where they are the same and where it deviates.

    Out of curiosity, does the anime follow the novel closely, with the things that happen (what is it that happens to Yuri in the novel with her dad? Does Ringo still put a frog on her face? How are the penguins portrayed? Are there penguins???!!!

  20. Kim says:

    @Kero,

    I kind of agree with you that some of what Murakami writes might be a little wish fulfillment since the main protagonists always seem to have these “wild nights” lol

    I also don’t disagree with you that there are men who write good female characters but I just think Murakami in general writes from a singular male perspective, perhaps that he is most familiar with. I also don’t know if I necessarily agree that all the female characters are “broken” per say either, but maybe there is one too many like this.

    However that being said I am not sure if I would say “characters” male or female are Murakami’s strong point. I think it’s more the “way” he tells a story & the themes that run across his stories that are so engaging.

    As for the Penguindrum books I haven’t been able to read every chapter (just what is translated) but yes the Penguins are definitely there.

    I feel the anime does a better job at the surreal/symbolic part of the story. However the novels do a much better job at characterization. It’s almost like the best way to experience Penguindrum is to watch the anime & read the novel. So that is actually one fault I do have with the series.

  21. c160 says:

    @kero
    MPD is not based on a novel, its more of a simultaneous release, the first novel released after the first few episodes were aired. MPD is still an anime first :) The latest novel only reached till the point where Ringo called Shouma in this episode I think. The final novel will be released after the final episode airs. So far, the novels follow the anime almost exactly, only omitting certain monologues which I think doesn’t really change much at all.Maybe except for Tabuki’s apparently sudden change of heart in this episode is better explained in the novel.

  22. imredjimmy says:

    I love you all for comparing this to Murakami’s novel! XD I just love his novels! I do agree that they have some similar elements especially in the atmosphere and the universe they create. Awesome episode! I hope they’ll be able to answer the majority of the big questions, I don’t mind if they leave some little details out as long as they manage to wrap it up well in 6 episodes! You can do it Mawaru Penguindrum!!!

  23. marktheknife says:

    This Murakami talk is quite relevant to my post from last week(and thanks @wendeego for replying, I hope I’ll get to respond to that more at some point). I think one of the big reasons I prefer MPD to Utena is this Murakami connection…the plot’s more off the rails, but at the same time there’s a definite real world with a highly symbolic (but in many ways real) magical system running under the surface. It’s really a great system for combining the symbolic depth of abstract/non-literal storytelling with the grounded-ness and satisfaction of a more traditional narrative.
    ——
    As for something more relevant to MPD, here goes:

    I think this week took the Momoka as Christ idea (“the savior of the world”) into an interesting new place. Momoka’s actions, like Christ, were truly selfless and well-intentioned. Both wanted to save people from their current miserable fates (in the Bible, from eternal death), by dissuading them from following their innately bad human nature/fate.

    But in their absence, the followers of both Saviors quickly fell astray, into hypocrisy, using the name of their savior to commit terrible acts. Perhaps, one might say that neither savior was successful in their mission – those they “saved” ended up in just as much pain, and behaving just as wrongly (but perhaps in a different way). The attempts of saviors to change fate for the better did not, and could not, work.

    This idea adds another facet to Sanetoshi-Momoka connection as well. Sanetoshi noted that they both wanted to change fate, but that Momoka did not agree with his methods or perhaps goal. I was thinking that perhaps Sanetoshi represents science/secular thought as an attempt of salvation/overcoming fate. (After all, he is playing the role of a doctor, he is a librarian, and he is constantly involved with technology and strange devices.)

    This might even point out a difference in their methods – Momoka worked to change fate with miracles, self-sacrifice, and faith things would work. Sanetoshi on the other hand seems to be playing the role of a controlling scientist, setting up an experiment to determine how he can alter fate, or if he can at all.

    I might be projecting, but I think Sanetoshi may have realized an issue with the idea of “changing fate” that I have – what if your succesful “changing of fate” was itself fated? He may have also realized the way I noted Momoka failed (not truly changing fate for the better for anyone).

    This series of thoughts has turned me in another direction – why does MPD contain the themes/motifs it does? Family, religion, secular thought, penguins…What I’m currently thinking is, at its most general sense, MPD’s about a person’s identity and its clash fitting in with the world/fate. The series discusses
    (1) the challenge that creates (penguins – flightless birds awkward on land, graceful and “itself” only in one situation. The child broiler), and
    (2) the ways you can attempt to “fix” the clash (many of which – religion and secular thought – do not work).

    Anyhow, I’m exhausted and done ranting. Night!

  24. Suumire says:

    I think Shouma has to be the one up next for this coming episode. He’s left in the pit of this episode where absolutely everyone was involved in some way but him.

    I’m sorry, but while I agree with comments that he’s the most normal character since he isnt as extreme, I think always being left out of the action has to have given him a SERIOUS complex. Kanba always seems to just tell him to smile and be good while he takes all the damage, but he was never that character really. He acts goofy here and there but he’s also always the one worrying. And like Himari it’s got to hurt to do his best to do something as well but always get there late or be left out.

    I’m expecting him to emotionally lash out or break down, and soon. Especially in the wake of almost losing his siblings. Even the doctor preluded about how he missed out again on something important.

  25. wendeego says:

    @marktheknife: So much stuff there I don’t think I can respond to all of it. But, what you said about Sanetoshi got me thinking.

    For all he says that he and Momoka are connected, they really are very different, aren’t they? Momoka reaches in and literally sacrifices herself in order to save those she loves, at great personal cost. On the other hand, I don’t think that Sanetoshi is giving any of himself at all. He manipulates things from the sidelines, and gives people cures that can delay, but not change, fate. But to me it appears that rather than change fate for others himself (and burn away by doing so) he tricks others into changing fate for him. That’s probably why he needs people like Kanba, who perhaps does contain seeds of sacrifice in himself. Shouma might not be powerless either, since he saves Ringo from drowning in episode 4 at the risk of his own life.

    One of the crazy theories I’ve heard recently is that Momoka’s potential “attack” on the subway bombings split Kenzan’s son into two, creating the Takakura brothers. What if both of them once had Momoka’s ability, but by being split into two they lost the ability to use it properly? Kanba might be able to wield a semblance of it in keeping Himari alive, but Shouma might hold the rest without knowing it. Unless I’m barking up the wrong tree altogether?!?

    Finally, regarding Penguindrum, Utena and realism–I think you’re right in that the setting of Penguindrum is more grounded in the real world. Personally, though, I found Utena a bit more “grounded” than Penguindrum. Utena was very heavily entrenched in the shoujo genre, and so engendered a whole bunch of impressions and archetypes right off the bat. When the show later broke those archetypes to pieces, it had already given time for the viewer to be firmly established in the show’s world (even though most of it was, as Akio said, an illusion.)

    Penguindrum, on the other hand, doesn’t really fit into a genre. It vaguely fits into the kind of shoujo well that Utena exists in, but otherwise it borrows from all kinds of other places, and innovates a lot of its own stuff as well. I think that’s one of the reasons why so many people find it a little unapproachable–it’s so out there that it requires real dedication to bridge the gap and see the wonders on the other side. I think this might have to do with the fact that Utena came right after Sailor Moon, meaning that Ikuhara and Yojo Enokido and everyone else were still using mahou shoujo lenses. Penguindrum, on the other hand, came ten years afterwards, and is all the stranger for it.

    Actually, I wonder what difference not having Yoji Enokido on staff makes? Is that why Penguindrum’s a relatively colder show than Utena? How would Himari or Shouma have been handled if Enokido involved? Ikuhara picked up a lot of the slack (I think it’s pretty obvious by now that he played a huge role in the formation of Utena, since so many of its themes resurface in Penguindrum) but by how much?

  26. Cryptic says:

    I would read the comments but the giant wall of text are kind of intimidating ._.

  27. Guest says:

    I just want to drop in and throw out that you really should read the fantasy half of Hardboiled Wonderland if you’re going to read it at all. It is boring at first but is the thread that ties everything together by the end, and a lot of the fun is seeing how the two stories parallel each other.

    Murakami’s women are almost uniformly plot devices and hollow, though. I don’t think he’s a misogynist so much as he doesn’t use women as real people in his stories.

  28. kero says:

    @guest

    I think the msg is directed at me?

    “Murakami’s women are almost uniformly plot devices and hollow, though. I don’t think he’s a misogynist so much as he doesn’t use women as real people in his stories. ”

    In my opinion, the way you are describing how he uses women is what I would term as being misogynistic: the inability to see them as ‘real’ or being anything other that plot devices. Again I want to reiterate that I don’t think it’s full blown hate of women, but to consistently write women as non-entities does disconcert me.

    I’m not sure I’d go back to read hard-boiled. But I might read a few more of his books, I do want to check out the one about the underground attacks.

  29. marktheknife says:

    @wendeego: Yeah I wrote a shit-ton there, so no worries! Just went off on my excitement on thinking of a new theme.

    I agree that there is a huge moral difference between Momoka and Sanetoshi (barring some horrific plot twist). Furthemore, Sanetoshi’s exact role in the show and his exact plans are still a bit of a mystery. From where it stands though, it does seem like he planned the train bombings to “derail” fate, while Momoka sacrifices herself to mostly undo this damage (and thus push things back onto track). What this means thematically is kind of hard to say at this point.

    And re: Utena v. MPD’s genre “grounding,” this is actually really interesting to me as to its affect on anime watchers’ viewing habits.

    My basic question is, why do anime viewers even feel a need to squeeze MPD into a shoujo? For one thing, shoujo is a demographic label, and there’s something bizarre in how it has pretty wide applicability as a genre label (complete with its own tropes). Another is, why aren’t anime viewers more willing to view MPD as the genre mish-mash it is? Fight Club for instance was a decently-received comedy/drama/psychological thriller with extremely unusual plotting (non unlike MPD).

    This in turn has also made me think about a much broader question: how different communities use different methods to “form” genres, and how that affects the resulting art output (as, after all, genres create the base vocabulary most people use in understanding art). This would also be related to how certain genres are particularly gifted at exploring certain themes. Maybe once I finish getting this together in a grand essay I’ll post it.

  30. wendeego says:

    @marktheknife: One quibble–I think that Sanetoshi stated in episode 16 that what he (and KIBA by association?) is trying to do is put fate back on the right track. Right now my theory is that on the day of the 95 attacks, Momoka performed a track switch and drastically changed the world for better or for worse. Whether returning fate to its proper path is for better or for worse, though, is hard to say (although Sanetoshi’s resemblance to Akio, coupled with his actions so far, makes me think that he isn’t trustworthy.)

    I think that Mawaru Penguindrum is as polarizing as it is simply because it’s just so out there. Anything can happen, characters suffer grievous physical pain and continue to function, and so much is left obscure or hidden in background details for the viewer to parse. We’ve compared Penguindrum to Murakami’s works, but it strikes me that Murakami’s protagonists are generally a lot simpler/more sympathetic. The cast of Penguindrum, on the other hand, is almost uniformly emotionally fractured, and are often hiding their true feelings, to boot! It’s possible to find people to latch onto (though the novels might be more likable in how they give more insight into the characters) but the whole process is very difficult.

    I think it’s also worth saying that Fight Club is a lot tighter than Penguindrum, simply because it’s only two hours long while Penguindrum is about twelve. Penguindrum covers a lot more ground, true! But that amount of sustained, genre-busting weirdness is probably enough to turn people away who aren’t willing to do a lot of the work themselves. I mean, I like Penguindrum a lot, and think that it’s probably the best anime to air this year. But in terms of metaphor, cliffhangers, references to art and literature and willingness to spend time on seemingly inconsequential things (that turn out to be TOTALLY CONSEQUENTIAL) the show is borderline abusive to people who just want to know what the hell is going on.

    It’s a lot of fun too, though! I can just see why it might not be as much fun to everybody. Then on the other hand you have excellent shows that comment on tropes and genres like Madoka Magica, that half the fanbase reviles as overrated, explotative pap. So I guess you can’t win!

  31. Kim says:

    @Weendeego

    But a lot of people DO like Penguindrum. Of course not everyone likes it but that’s true for a lot of things. I don’t think the series is all that polarizing. No more than anything else that gains some popularity really. I do admit a surreal type of series like this is not going to be for everyone but well I can say that about a lot of things.

    As for Murakami’s characters VS Penguindrum’s. I would say the difference for me is I care more about the Penguindrium characters but I relate more to Murakami’s characters. Or to put it another way I feel more invested in Ikuhara’s characters but when I read Murakami I identify with that POV. Then again there is also a different medium at work here so it’s hard to do a direct comparison.

  32. Kim says:

    Oops sorry spelled your name wrong. I hate that you can’t edit on blogs. :(

Leave a Reply

CHANGE USERNAME
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
Kaiser-Eoghan
@Niello: Yes that edgy villain kid in COTWs was annoying though.
Kaiser-Eoghan
@Amagi: I don't care much for the male character that leads some of the episodes in this new adaptation.
@Niello: Its a non-mainstream shoujo that isn't set in a school, moves at a quick enough pace and has some nice background art/chara design, I grew up on shoujo fantasy manga also so theres that.
Amagi
I mean there are parts I like. I enjoyed the first episode, and the part about the country of liars. But many other things annoy me and the last episode was the worst. I also feel like the edgy bomb loli and slapstick Kino don't fit to the rest of the show somehow. Maybe I forgot everything, but the "old" Kino felt like a better character to me somehow, this one is more faithful to the LNs though
Amagi
@Kaiser: I honestly gave up on Kino and I think it's only partly the fault of the new series. I am just so tired of how stupid most of the episodic-characters are unless their are friends of Kino, how everyone gets bent being irredeemable evil for plot's sake and how everything Kino and her friends do gets justified. Maybe I am just too old or boring for this fairy tail like moral bending.
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Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

To the surprise of no one, Rat wins the race by breaking in the right place at the right time with the right weapon. This is by no mean a coincidence, because later on we learn about Rat’s real power: “Hundred Paths of Nezumi-chan”, in which he can see 100 various outcomes and thus picking […]

Mahoutsukai no Yome – 10 [We Live and Learn]

Welcome to week 10 of Mahoutsukai! Finally, oh so finally, we have are given some backstory on Elias! Our mysterious male(?) lead gets some explanation. We also get the start of a Chise only arc and finally some more information on Lindel. Lets jump in! As the main focus of this weeks episode, naturally I […]

Dies Irae – 09[A Mother’s Sins]

DIes Irae isn’t making this easy for the anime only watcher, as we get confused montages of Lisa’s backstory and oddly of a character whose relevance doesn’t come till a much later date. I would say it’s rather spoiler-ish if the info wasn’t presented in such a haphazard way that no one could really decode […]

Girls’ Last Tour – 10 [Train – Wavelength – Capture]

Girls’ Last Tour examines the concept of time and space this week, as the girls riding on a lonely moving train. The train design fits right in with this world: a long metal box that functions all by itself and contains many now-dysfunctional robots – corpses of the machines. Since last week we learnt that […]

Kino’s Journey -The Beautiful World- – 10[Kind Country]

Another remake of a story from the old series and while this one is adapted quite well, maybe even arguably better than the old version, it unfortunately lacks the same impact. The main problem comes back to the thing which ultimately holds back this season as a whole, story choice. For you see in the […]

Houseki no Kuni – 10 [Shiro]

This week proves to be the most action-packed episode Houseki has been offering so far and unconventionally, it’s Dia who takes the central stage at facing the most ridiculously overpowered Lunarian Titan to date. Well, I said “unconventionally”, but when the narration and the execution (the camera work, in particular) come together in such neat […]

Fate/Apocrypha – 22[Reunion and Farewell]

Breaking my usual routine today just to give an opinion on this episode but this episode made me feel compelled to get out my opinion. We have another action packed episode with three contestants out of the war and boy did they go out with a bang. Many will notice that the animation for this […]

Inuyashiki – 9 [Shihjuku People]

Welcome to another week of Inuyashiki! This week we have incredible sequences of terror, fearless Directors and death flags! Lets jump in. Obviously, the first thing we need to talk about this week is Hiro. A lot has happened in the few hours since Hiro attacked the Station. Interestingly, yet weirdly, Hiro has garnered a […]

Fate/Apocrypha – 21[Antares Snipe]

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for […]

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The Reflection Review – 45/100

The superhero genre has been undergoing a surge in popularity in recent years. From the Marvel movies in the West to anime series like My Hero Academia in the East, super heroes are everywhere.  As such, for good or ill, it was inevitable that we would get a merging of the two. The Reflection is […]

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Classroom of the Elite (Summer 2017) Review – 54/100

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Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

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