Posted by psgels on 18 November 2011 with categories: Mawaru Penguin Drum



@#$*!@#&!@!^&!!! I should have known! I should have bloody known! I’m not going to say why I should have known, but this episode just delivered a truckload of major plot twists.

The first big one was revealed, right at the start of the episode: Kanba has been in contact with his parents all along. They’re the ones who gave him the money to cure Himari’s illness. I also love the way this was revealed, taking a place in the episode where you really wouldn’t expect it, with\out any obvious build-up whatsoever.

The second big plot twist: they’re not real siblings. Holy crap. I mean, this is a twist that has been pulled many times before, but this show just got it right by not making this as shallow as the others, which nearly always boil down to “we’re doing this for the incest”. Save for perhaps the first episode, the three siblings in Penguin Drum really felt like siblings, who were especially close to each other due to what happened with their parents.

And just when I thought that this would turn into this strange love triangle around Kanba… it is revealed that the one who originally introduced Himari to the family was Shouma.
Rating: *** (Awesome)

42 Responses

  1. kurini says:

    this is like the biggest revelation! I’m still thinkin about it after 12 hours… Mawaru penguindrum is definitely the series that I can’t never anticipate!

  2. jzar says:

    You can always count on this show to surprise you. Can’t wait to see where it goes.

    The scene with the rolling balls!! holy c@# that was just too fantastic. She didn’t get hit yet still it triggers her memory— simply delicious.

  3. micaharu says:

    i did not see that coming.o_O last episode,kanba told tabuki he has no clue where his father is even when himari was in such a predicament then bam! this episode revealed that he was secretly meeting with them.i don’t feel like i can trust him anymore.

    what?shouma is himari’s fated one?not mario?after all the events and developement that took place your’e saying that the always useless shouma might as well be the most important key into all of these?

  4. Snowolf says:

    So the great thing was that I called the first two out- those were hardly a revelation for me (the Himari one was a bit off though- I had originally predicted that Kanba was the one who wasn’t related, not Himari)

    But SHOUMA? NOOOOOOOOOOOOOOO. Everything has just been completely flip flopped. What is my brain thinking anymore.

  5. Minnako says:

    I sat through this episode with my mouth hanging open. Seriously, twist after twist, and now we feel like we’re finally getting enough background to start trying to understand things. Just…wow.

    I love the way the parents were re-introduced, had to do a double-take. Kanba made talking to wanted fugitives look like the most normal thing in the world. I see major trouble in the different way the ‘twins’ see their parents, though.

    Shouma!I wonder if HE remembers? Perhaps he’s only useless because he knows a whole lot less than most people here. I’d love to see if he gets hit with one of those blue balls (no pun intended :P). Guess that explains why Himari felt off as Shouma and Ringo got closer together. Though this still doesn’t explain why Kanba got involved (I’m guessing he’s not related, either… their dad did have a son, not twins, after all)… Shouma the only child? Can’t believe it.

    And after all that, it turns out Sanetoshi wants the diary destroyed… seems he and Momoka really are playing some game.

  6. AidanAK47 says:

    Wow, three out of nowhere ass pulls.
    Alright it was a good episode but still this sudden twist thing is getting old. The best twists are the ones that have things that hint at it a number of times but it never really clicked until the revelation where you suddenly think back to all these hints and think “HOLY CRAP! Now that makes complete sense. How the hell didn’t I notice that!” But this is the equal to a twist of “GASP! Shouma is a girl! Himari is the descendant of Jesus christ! Kanba is Hitler!” It’s cheap shock value.
    And again, 18 episodes of symbolism and nothing hinted at this. I mean come on.

  7. Aline says:

    I do agree this episode was absolutely top-notch when it comes to twists, but come on, you can’t just ignore how much the quality in art has dropped… this episode especially was full of distorted faces and cheap proportions

  8. ljf says:

    @AidanAK47:

    It actually was hinted but it was very subtle and you probably didn’t really notice since, of course, why would you assume such an insane plot twist in the first place lol

  9. ljf says:

    also, if you watched Utena, you should have seen this coming from a mile away

  10. dm says:

    I’m now at the point where I want this series to be over simply so I can start watching from the beginning and appreciating the way it’s all put together.

    I suspect there have been signs that these twists were coming all along.

  11. Oroboros says:

    I suspected something was brewing due to the frequent hints at incest and the obvious fact that the Takakaras only had a boy 16(?) years ago, but I still ended thrown for a loss.

  12. AidanAK47 says:

    @Aline, I noticed that too. Which is something I don’t understand. Peguindrum had bare minimum animation. They had repeating scenes, very little movement and don’t even have to animate people. So how is it that the animation budget seems to be running out?

    @ljf, are you talking about that one scene in this episode which slightly…slightly hinted it? Sorry that doesn’t count. It still doesn’t prove that it wasn’t an ass pull if it’s in the same episode. Twists one and two could be considered to be vaguely hinted or assumed but twist number three is completely out of nowhere.

  13. jzar says:

    I do agree this episode was absolutely top-notch when it comes to twists, but come on, you can’t just ignore how much the quality in art has dropped… this episode especially was full of distorted faces and cheap proportions

    I was so busy tracking the story that the art just passed me by…. I’d have to agree this was not the best art but you’d also have to admit that up to now it has been very good. So I’ll cut’em some slack…..this time :).

  14. LordVernon says:

    There are very interesting hints here and there actually. My favourite was the conversation between Kanba and Sanetoshi in ep 15:

    “Don’t you think families are a sort of fantasy, like a curse of sort? Think about it. Just how many children suffer because of their family? Parents who treats their children as objects in the name of love, abusing them. They only love themselves, yet kids must love their parents solely because they are family, and love their siblings.”

    That was definitely a cute way of going into it. Now that I think about it, the Takakura really only did have one son, as oppose to two additional children they had to keep in the dark about their activities. That certainly does explain why all three…ahem…”siblings” differ so immensely.

    Something might also be relevant regarding how Kanba’s father’s shirt now has a KIGA logo instead of a Penguinforce one. I’ll look forward to that.

  15. wendeego says:

    AidanAK47: Not sure exactly what twists you’re referring to, though I’m guessing you’re talking about Shouma being Himari’s fated one and having rescued her from the Child Broiler? Because there were a couple of hints seeded throughout:

    -the statue of the boy offering the girl the apple in Himari’s dream in episode 9 (this was the big one)
    -The child broiler making an appearance in the same dream–maybe a repressed memory?
    -the fact that Kenzan only said over the phone in episode 13 that he had one son. If this son was Shouma, that means that Kanba was probably adopted and Himari brought into the family by Shouma switching fat tracks.
    -The fact that in most of the family pictures of the Takakuras, Shouma and Himari are facing the camera/looking happy together while Kanba is somewhere in the back of the frame.
    -Now that we know that Himari was rescued from the child broiler, the glass falling around her in the second OP makes a lot more sense.

    We’ve known pretty much this whole time that either Himari or Momoka had a fated one; the question was which member of the cast it was. Ultimately it came down to either Shouma or his faceless friend, so is it really any surprise that Shouma turned out to be the one? Considering that we know the least about him of anyone in the cast, it makes sense that he has the most to hide!

    So yeah, agree that the twist was sudden and maybe could have been built up better, but the hints were there (and have been pointed out earlier by the fanbase.) The only question was putting them together.

  16. LordVernon says:

    Huh, I’m actually convinced the only son was Kanba, where as Shouma and Himari changed their own fate and transferred themselves into the Takakura family.

  17. Stuff says:

    Well, one must consider that the man responsible for this episode also did episode 10.

    About the siblings not being siblings, that idea started circulating by episode 12. What I find shocking is that Himari is the outsider.

    Also, people think Kanba and Masako may be related, but thats sort of weird, because she kissed him in episode 10. Why would he suddenly be brought up as a takakura if he’s a natsume?

    Honestly though, Kanba or Mario being Himari’s fated one wouldve been the obvious choice, so knowing Ikuhara, why would he make it them? We were all shocked, and that’s what he intended. It’s not like he chose a completely irrelevant character the Yamashita though.

  18. Snowolf says:

    Theory Time!
    time for some theories yo
    After the mindshock that was 19 yesterday, with the entire plot being flipped around and such, I have plenty of new theories to enlighten you all with! Consider some other shows (namely, Doctor Who) to be an inspiration of sorts. This is kind of a huge long rant, so prepare yourselves! Spoilers Ahead.
    So things we learned from yesterday’s episode:

    The parents are not dead (called it)

    Kanba does indeed, know where his parents are, and not only that, but is in close contact with them (called it)

    The people his parents are working with are giving him the money to survive the regular expenses of his house/living (called it)

    Sanetoshi cannot touch the diary, and most interestingly, does not like the Diary; he wants to get rid of it in order to his achieve his plans, which is “to make the Takakura children accomplish what their parents could not”

    Himari is the girl who was adopted into the Takakura family, not Kanba (which I had suspected, damn)

    Natsume has now obtained a new set of Penguinbullets which can restore memories instead of taking them away

    Yuri and Tabuki had originally planned to become a team to revive Momoka together, but slowly develop into a real family

    And of course, the major!shock revelation that Shouma was Himari’s soulmate, and that he had given the Apple of Fate to her, not Mario

    So with a lot of turns and twists, I’ll get straight to the point. Here’s what I think, personally:

    We are set in a timeline where Momoka has reversed the fates- or rather, has ‘boarded’ another train of fate in which Yuri nor Tabuki has died. Thus, this has skewed the fate of everyone who is connected to that train of fate (pun intended)- both the Takakuras and Ringo. Call it the Butterfly Effect; in sacrificing herself for both Tabuki and Yuri, Momoka has literally created a paradox in which everyone’s fatelines (this is now a word) have been altered in one way or another. This includes Himari’s soulmate being Shouma instead of Mario.
    Now in the future of this timeline- we’ll call it the current!timeline for the sake of not creating confusion- something has gone drastically wrong, to the point where Momoka, in the future, has to come back into the past- now the present timeline- in the form of the Princess of the Crystal, to change things back to the way they were supposed to originally be. That is, for Mario (or whoever) being the original soulmate of Himari, and for Yuri and Tabuki to die, Momoka to live, or in other words- for fate not to have been transferred. Momoka speaks of fate in two specific ways- one, which is similar to boarding a train (hence the whole train motif) and the other, which is in the idea of ‘transaction’- not changing fate, but replacing it (see: how Momoka replaced Yuri’s father’s David Statue with the Tokyo Tower, how she replaced herself in Tabuki’s place so that he would not die in the train accident). We can also talk about transfer as to how each character’s parents have in a way, transferred their hopes, dreams, expectations (and fate) onto them. In reference to the boarding the train idea, this leads me to the idea that a train can have many many paths- and if the train is fate, well, why can’t we have parallel universes and timelines? The Princess of the Crystal states she comes from teh destination of fate; that is, where this train stops (or crashes). I believe that’s the end of the line for the current timeline. POC is trying to prevent that from happening- namely, for the train to ‘set on another track’.

    Please note that this is pretty specific at the moment; my main general idea is that this is an alternate timeline where the critical point has or has not happened yet and that Future!Momoka, or rather, POC, is trying to rectify things before they happen the way they have happened in an alternate timeline causing everything to go out of proportion.
    Now, Sanetoshi is either trying to do the same thing his own way- by making the children finish ‘the mission’- Project M, which I think, is different for everyone (Ringo- Maternity, Natsume-Martyrdom/Marriage or something, and for Sanetoshi- Mission) or he is against the POC’s wishes and is trying to keep the timeline the same as it is. Somehow, the Penguindrum- which we still don’t know what it is yet, but it is something (either substantial or a mere concept) related to Kanba- and the Diary factor into this. The Diary is not the Penguindrum (still not sure about this). But the Penguindrum has the ability to basically create a mass deus ex machina, which will change everything back to the way it should be- basically, re-alter the current!timeline so it becomes the proper timeline. Now, if the Penguindrum is the Diary, then we’ll have to reconsider Ringo paying the price of it as a result- hence both Openings showing her enveloped in flames (I find it intriguing that Ringo was born right after Momoka’s death- while the first half of the series focuses on her trying to become Momoka, and then not become Momoka, wouldn’t it be interesting if she was the current!timeline reincarnation of Momoka?). However, if the Diary is NOT the Penguindrum, we’ll have to consider it as just another thing entirely. The thing is that anyone who touches the Diary has to pay a price; everyone in this series except Tabuki and Sanetoshi have touched the Diary. (I’m not clear if this is just by touching the Diary, or touching it when it’s in the process of a Transfer). Secondly, POC states that if the Takakura brothers do not obtain the Penguindrum, they will lose something precious to them- more precious than their sister’s life, apparently. Also, we still don’t know what caused Himari’s illness, or why she got it, something Shouma hinted at in this week’s episode, was related to their parents.

    Now going back to the Transfer Fate theme in this story:

    Shouma is revealed to be the Soulmate of Himari, but knowing Ikuhara (and Utena) along with what actually happened, I’m a bit confused about what ‘Soulmate” really means. We’ve seen different forms of love in this show- for Kanba, he truly is in love with Himari; Shouma likes Ringo as a friend, Ringo is in love with Shouma, Yuri and Tabuki share their ‘love’ through their ‘love’- aka idolization, of Momoka, whom they view as God more than just a friend. Now, going back to the parallel that Momoka brought Tabuki out of the Child Broiler, and Shouma doing the same for Himari: Soulmate doesn’t have to necessarily mean love (I might just be in denial, tbh). For one thing, Shouma wishes Himari to join his family, not get married. This might have to do with the idea that Shouma’s innocence and naivety at that time might have taken the form/concept of giving Himari love through platonic action- placing her into his family. However, this brings two main questions: How did Shouma obtain the Apple of Fate, and why did he choose Himari? I don’t think Soulmate means Love as it means ‘Savior’. Shouma saved Himari from being wiped of her identity, of her loneliness and sin. The second question however, is that why doesn’t either Shouma or Himari remember this? Does Shouma have a sort of Momoka-ness to him? The show has really put him into the background for the majority, which has always led me to suspect that he would play a fundamental role in the end, but I didn’t expect this.

    So obviously there’s some loose ends which I still can’t figure out, and we have five episodes left for them to explain all of this (which sort of worries me)…but I guess…we’ll have to find out?

  19. Snowolf says:

    @Aidan: I do agree with the others here- a lot of the revelations were totally hinted at in previous episodes, especially the fact that one of the siblings was not related by blood, and that Kanba was in association with the same people his parent’s were/are associated with. I’m not so sure about the Shouma revelation- I totally didn’t see it coming, but I do remember chatting with some folks early on about how it could have been a possibility (knowing Ikuhara, just like ljf said)

    There were certain moments where I could see the drop in animation for sure, but like already said, I was so invested into the story and the twists that I didn’t really notice? But I mean, we’ve only had three episodes (including this one) which have had a major quality drop, and considering how strong the other parts of this show are, it’s not that big of a deal (this is from someone who takes animation quality quite seriously too). :)

  20. Oroboros says:

    @LordVernon

    How could Himari & Shouma change their fate, after Momoka died? Did they have access to her Fate Diary or some other means?

  21. ljf says:

    The diary itself does not change fate it’s the spell within the diary that does. So technically one does not need the diary to do the Transfer

  22. AidanAK47 says:

    @Wendeego,
    The child boiler was shown briefly in himari’s library episode. Though only for about a second. But the issue I have with this twist is that it’s Shouma that is the fated one of Himari. So a lot of those hints you give aren’t really relevant.

    “We’ve known pretty much this whole time that either Himari or Momoka had a fated one; the question was which member of the cast it was. Ultimately it came down to either Shouma or his faceless friend, so is it really any surprise that Shouma turned out to be the one? Considering that we know the least about him of anyone in the cast, it makes sense that he has the most to hide!”

    Sorry, I don’t understand this. Himari and Shouma have had little screen time together. Most of the time Kanba and Himari were shown together as a giant red herring. I don’t know what you mean by knowing Himari or Momoka had a fated one. And why did it come down to Shouma and the faceless guy? Sorry but either my memory of the past episodes is a little fuzzy or your logic makes no sense at all.

    @Snowolf, I accepted that the parent twist and non blood related twist was vaguely hinted. Even if in episode 13 Kenzan said that he had one son that only suggests that one of the boys is adopted but says nothing about Himari being adopted.Its the Shouma twist I find comes straight out of nowhere. And the animation drop has been going on for longer than just three episodes.

  23. wendeego says:

    @AidanAK47: Well, it’s process of elimination, really. We know that in episode 9, we saw two statues: a girl, and a boy giving the girl an apple. So assuming the girl was Momoka, Tabuki would probably be a good candidate. Or if the girl was Himari, then Shouma or Kanba would be a good candidate (or Yamashita if you were going for conspiracy theories)

    Tabuki has already played his role, so he can’t be a candidate–also, notice that Momoka saved HIM, so if anything Momoka gave him an apple. That leaves Himari as the girl, with Kanba, Shouma and Yamashita as candidates. Of those three, we already know a lot about Kanba. On the other hand, we know almost nothing about Shouma and Yamashita, so it stands to reason that since all the other characters have been filled in, one of them would be her soulmate.

    Then again, the above is pretty convoluted and probably not logically sound, SO: think about it for a second. Remember Shouma’s speech in episode 12 about Mary and the Lamb? Remember how Mary had to pay a price in order to take the torch?

    All this time, a lot of people have assumed that the price was Himari. But if Shouma is the true son of the Takakuras, then what if he was the price? Remember the OP, where the silhouette of one of the brothers fell and dissolved as penguin symbols switched from KIGA to Penguin Force? I think that Shouma (whatever he is) might have been the catalyst that Kenzan used in order to execute Survival Strategy. That would mean that hints were there from the very first episode (in the OP, anyway)

    Leaves a lot of questions, though. How much of the Takakura family life is a fabrication? How much does Shouma know? Why is he so useless now? The Takakura parents have taken punishment for Himari and for Kanba, but why is Shouma left out in the cold?

  24. rufe says:

    I actually saw the Shouma is her “person of destiny” thing coming. I mean…come on with the whole Ringo arc and all.

    Though I do have to admit, I though that Kanba was the one who was adopted into the family, not Himari. That surprised me…

  25. Hara says:

    I’m not over with the KanbaxHimari : remember the strange relationship between Kanba and the Princess of the Crystal ? There’s definitely something behind it. She told him “You can do it (save Himari-chan) because the Penguindrum is your…”
    Until now, Kanba’s been the only character giving his life/heart/blood/whatever countless times to the Princess of the Crystal in order to save Himari. And each time, the Princess is completely naked, hahaha… remember the project M as Maternity ? Moreover, Sanetoshi is referring to the hat as “the veil of the bride”. If the Princess is the bride, she seems to have chosen Kanba over Shouma, and I can’t believe this has no connection with all that “soulmates” matter.

    And what about a connection between Sanetoshi and Shouma ? After all, we know Sanetoshi is a strange guy with magic powers close to Momoka’s. We assume he’s been talking about her when he’s saying there’s another being like him in the world.
    That means we only have two “fate gamers” : Sanetoshi and Momoka/Princess. Shouma doesn’t seem to remember anything about magic or fate : could have been “something” else sharing his body when he saved Himari ? Moreover, Sanetoshi seems quite interested by Himari/the princess, trying to kiss her in the library. He failed beacause of the Princess, suddenly taking over Himari’s body, putting her finger on his mouth : “Don’t”. Maybe because she actually chose Kanba as her fated one !

    My theory : Momoka is back as the princess of the Crystal. She has chosen Kanba for her survival strategy (aka a baby aka her own reincarnation in the real world ?). Sanetoshi is like her, he wants her but she doesn’t. At the same time, he seems to be playing a game with/against her, related to fate. Maybe him winning the game means he can do whatever he wants with her ?? Maybe for him, putting the train back on tracks means Momoka is going back to him ?
    After all, Momoka’s been messing with the fate of many people and is obviously rejecting Sanetoshi.
    What I don’t understand is Shouma’s role. I’d like to think Sanetoshi has been controlling him so that he could create all this crap about Himari (who’s destined to revive Momoka) being Shou’s soulmate. It’s the perfect way to prevent Kanba and Himari/Momoka from getting any closer.

  26. C160 says:

    You know, Himari being save by Shouma from the child broiler doesn’t really mean that she have to be adopted. She could be very well the Takakura’s real daughter. She may have felt that she is unwanted when their parents went missing, and in effort to persuade her to come back from the child broiler, Shouma offered himself/his apple(what is that apple anyway? does it really signify “soulmate”?since there are three of those apples in their house). Of course there’s the whole Masako’s “you are still pretending to be their little sister” thing in this episode though. Something might have happened and she “stopped” being their sister.

    Someone made a connection between Himari and the shards(symbolizing the children who went through the “broiling” process in the child broiler.Yeah I know, without context everything is wtf) around her in the OP and that got me thinking, is the Princess of Crystals really on the good side? She could be very well on the side of the child broiler people. Or maybe she is on the good side, the crystal symbolizing the non broiled non-shard children..

    Another thing is that I don’t think Momoka and the Princess is the same person. My theory is that the princess is the hat entity and she can only possess “special” souls like Momoka, Himari, and Mario. Remember episode 13 when Sanetoshi talked to the camera thing? There are only two things there at that time,Momoka and the Penguin Hat.So yes,I’m going crazy because of this show.

  27. Kim says:

    I think some people are missing the point about this whole “fated one” business. Just because Shouma is Himari’s fated one does not mean they will be the “end couple” of the series. What you feel and what fate tells you to do are two very different things. In the same way Tabuki actually might have been Ringo’s fated one but she just happened to fall in love with Shouma.

    I am actually thinking that the Penguin Queen (who is most likely Momoka) is trying to keep certain characters apart so the world will not get back the way Sanetoshi wants it to: hence the reason Shouma is always knocked out of the survival strategy. Perhaps the POC could see that Kanba had the feelings for Himari and was pushing that relationship that goes against fate. You can also say that in a way the POC brought Ringo & Shouma together another relationship that defies fate.

    Was Shouma being Himari’s fated one heavily hinted, no? But there is absolutely nothing in the series that contradicts it either. We always knew it had to be one of the characters in the series and there were limited choices. In fact if my theory is correct the very fact that the POC always removed Shouma from those survival strategy sessions might have been the biggest hint of all.

    it is revealed that the one who originally introduced Himari to the family was Shouma.

    I am not sure if this is what happened at all. Right now I don’t know who is related to who but I doubt anyone is adopted. I think it’s more that “fate” has been changed creating families that might not have existed in another timeline.

    Since Shouma can enter the child broiler like Momoka I also think he has the power to change fate, but he seems to have lost his memory of this ability.

  28. kero says:

    To be honest, most of “the hints were there” comments mentioned seem to be a load of BS.

    I think MPD throws so much stuff at people, that you can go back and read a lot into things, similar to people who think the Nostradamus predicted the future.

    This is a show that encourages people to read into everything, and you can read too much into it.

    I haven’t read through everything because too many walls of text are being erected, but uh Mario is Himawari’s real intended one? What?

    MPD isn’t playing by any rules, and by establishing that anything goes with memory loss/ magic/ changed fates, it means people can be lying when they think they’re telling truths, people can be telling truths that have been turned into lies because of the changes to fate.

    I have no idea if I will be satisfied by the final outcome. It’s literally unpredictable.

  29. kero says:

    Oh yeah..

    After last episode I said:

    “I would love it if he [Shouma] ends up being the one to save everybody!”

    I may have been closer to the truth than I thought, and I might get what I want, which is to see Shouma stepping up and playing a bigger part in the series.

    one of the next few episodes HAS to focus on him. COME ON!

  30. Kim says:

    I did forget to mention that I did think this episode looked bad animation wise. Apparently it was done by the same guy who did episode 10, so it’s not surprising. Maybe this was also a cost savings episode. Ah well!

  31. ljf says:

    also, for people saying there was no foreshadowing to this plot twist:

    http://www.youtube.com/watch?v=p6NvvZ7XjnM&feature=grec_index

  32. Frelia says:

    Greetings. I’m here to say that Kanba may be the TRUE child of the Takakuras. But when Momoka used her diary to change fate, I’m sort of thinking Shouma was created when the tracks shifted and Momoka disappeared.
    But the scarf Himari was wearing is important to her, and Shouma’s still a mystery…

  33. rufe says:

    The hints were there are more like…if Shouma didn’t end up in this role it would have been some pretty shoddy writing. Of course nobody’s sure of anything in this series….

    Also, I fall into the Shouma is repressing memories like Himari camp. He seems pretty ansty but we don’t know why yet. Finally, I think Momoka and Himari are liked somehow, but of course have no idea how.

    Of the many questions I have remaining, Himari’s illness is starting to get pretty pressing…

  34. kevin says:

    Asspull after asspull. I want to drop this… But after watching this long I may as well stick around to see it all fall apart at the end.

  35. wendeego says:

    Also, by the way:

    According to the eyecatch subway track, we’re just about to turn the corner (just like the real-life subway line it is based on.) The next five episodes are the final stretch. The aquarium is in sight.

    LET THE CLUSTER*#$& BEGIN

  36. wendeego says:

    Also, regarding reading too much into Penguindrum:

    For all its inconsistent budget and ridiculous plot twists, I’m of the opinion that Mawaru Penguindrum is one of the most deliberately constructed shows in recent memory. Just look at how the backgrounds are arranged, or the set composition, or how characters or plot elements are often foreshadowed several episodes before they appear.

    Did we know that Yuri was a lesbian? No. Did we know that Tabuki’s hands were crushed by a piano? Probably not. We only had a fragmentary glance at the Child Broiler, as well. But we did see Yuri clad in princess garb in the OP (pretty ironic, considering her past) and got a pretty good glimpse at the Tragedy of M, which was pretty much her past and tragedy verbatim. We did see Tabuki juxtaposed with the bird cage a number of times, and the scars on his hands had to have come from somewhere.

    And the child broiler? Look back through the episodes for rotating blades–fans, helicopters, whatever. The places that they appear (in the Child Broiler, above Himari’s death bed, part of the helicopter hovering above Yuri as her father abuses her) make way too much sense to be coincidental.

    Could Penguindrum have been paced better? Probably. Could we have given us more insight into the characters? Definitely. There are so many balls in the air at the moment that the show very well could self-destruct at the end. But the sheer amount of effort that’s evident in this project makes me think that the creators are giving it their all.

    And you know what? I’m totally fine with that. I’ll let Ikuhara carry this crazy experiment to its end. I think that the crew of Penguindrum have the chutzpah to pull it off, but even if they slip up at the end I think the show’s memorable enough that it would be an achievement by any measure.

  37. Lemi says:

    Man, should have known that chemistry between Kanba and Himari was just a red herring.

  38. ren says:

    Just a random thought, i’m curious if there’s any potential symbolism (and foreshadowing) between the memory balls (blue = recollection, red = forgetting) and the color of Kanba and Shouma’s hair =\

  39. betawatcher says:

    I don’t bother to read all these theories about Mawaru Penguindrum. I’m just glad Shouma’s more than just a side character now. (cos I really liked him when he was all joyful and now he’s so emo :-T)

    I’d be so sad if Shouma being all magical is just a side effect from Momoka’s powers…

  40. Jack says:

    Dayumn. This is one of those sereis I wish I had started watching only AFTER it had ended.

    Now homeboy Shoma gonna’s show who’s da bawsss, just wait and see! All coming just as keikaku*.

    Seriously, Penguim DRAMA feels like a weird cross between David Lynch, Harukami and mental retardation. I love it!

    * keikaku means plan.

  41. reverse says:

    i like it, wasn’t really happy by how thing were going in episode 6 – 15(somewhere in there). but this episode do intrigue me

Leave a Reply

CHANGE USERNAME
Lenlo
Yeah KT, watching the two together has not come out favorably for AMB for me.
Kaiser-Eoghan
I believe it works better in hellsing and drifters moreso to both being goofball action shows.
KTravlos
A point on the chibi in AMB. I was thinking about shows were the chibi did not bother me, and Hellsing Ultimate and Drifters (newest episodes coming out), both had deformed/chibi segments. For some reason they did not bother me. I think ABM directors have bad timing with them.
KTravlos
I have to say Ichirou Inuyashiki is very cool. Like he is really a cool character. Also I am saddened to say it but watching AMB together with Inuyashuki does not work well for AMB
Kaiser-Eoghan
@Silver: There are sad moments certainly but plenty of humour.
Anonymous1639132
Man, I sure hope Ichirou Inuyashiki and Hiro Shishigami make out, everything is just building up to that
silver
I actually have only watched one or two episodes of this season of 3-gatsu, but its rising scores and rave reviews are making me really excited! I've only put it off because it's somewhat emotionally tiring for me
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
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Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

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Mahoutsukai no Yome – 10 [We Live and Learn]

Welcome to week 10 of Mahoutsukai! Finally, oh so finally, we have are given some backstory on Elias! Our mysterious male(?) lead gets some explanation. We also get the start of a Chise only arc and finally some more information on Lindel. Lets jump in! As the main focus of this weeks episode, naturally I […]

Dies Irae – 09[A Mother’s Sins]

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Girls’ Last Tour – 10 [Train – Wavelength – Capture]

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Houseki no Kuni – 10 [Shiro]

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Fate/Apocrypha – 22[Reunion and Farewell]

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Inuyashiki – 9 [Shihjuku People]

Welcome to another week of Inuyashiki! This week we have incredible sequences of terror, fearless Directors and death flags! Lets jump in. Obviously, the first thing we need to talk about this week is Hiro. A lot has happened in the few hours since Hiro attacked the Station. Interestingly, yet weirdly, Hiro has garnered a […]

Fate/Apocrypha – 21[Antares Snipe]

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for […]

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Allow me to skip over the last episode coverage for this full review of 18if, since I was too underwhelmed by the finale to have anything concrete except pointing out how messy the ending was. The first thing you need to know about 18if is that it’s a multimedia project (along with a mobile game […]

Princess Principal (Summer 2017) Review – 82/100

Princess Principal has emerged as a true sleeper hit for this admittedly sloppy Summer Season. A joint project from indie studios that bring us my favorite anime of last year Flip Flappers (3Hz) and “better than it has any right to be” Girls und Panzer (Actas), Princess Principal records the missions of five cute spy […]

Shingeki no Bahamut: Virgin Soul Review 80/100

“Dance!” I have been a  reader of this blog for a long time. Indeed it would not be wrong to say that psgels and the current crop of writers have helped maintain my interest in anime for the last decade. So now here is my chance to give something back to this excellent blog. Shingeki […]

Katsugeki Touken Ranbu Review – 63/100

Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

Kakegurui Review – 61/100

This show is one that makes conventional reviewing difficult as your enjoyment of your series will likely determine on highly subjective factors. For if I was to put this under scrutiny on matters of f-plot, setting and characters then it will end up lacking in all categories. The plot is just watching Yumeko face members […]

Re:Creators – 22 [Re:CREATORS] – 75/100

There was never going to be a epic fight with every creation squaring off against the overpowered and invincible Altair. That possibility died when the creators threw the copycat of Blank at her only to have that plan backfire horribly. Besides, it wouldn’t have been a satisfying conclusion to Altair’s story to have her be […]