Omg plot twists!
I mean, where to start? I thought that the house was just a colorful whim of the designers. In this episode, the creators suddenly explained how the house looked so unique. We’ve now seen Himari’s childhood in about five different stages (the time with her biological parents, the point where Shouma saved her, the point where Kanba’s father died, the point where she was getting into fights with Shouma’s mother, and the point after which shouma’s parents left). All of them showed a different stage of how she changed as a kid, and that isn’t even with the regular character development added. She is by far the most developed character of the entire series.
Then, Natsume. Finally her actions make perfect sense. by going after Kanba’s former girlfriends, she was reminding him of his responsibility towards Mario. By getting him away from Himari she was trying to save her brother from getting further involved in the shady business of Shouma’s parents. (Who died in this episode?! What the hell?). Also, I can’t believe that it only took me until last week to realize that the creators are trying to turn “Oh no, I must crush them soon” into a catch phrase.
Ringo turned into an excellent support character, now that her main arc is over. She’s still great to watch, and yet she knows how to remain in the shadows. The pink haired guy? Excellent villain now that it’s been revealed that he was the mastermind behind the gas attacks. He’s like this omnipotent being in this series and makes great use of it. That also gives yet another meaning to the diary: it’s the thing that he has no influence over. The question now is: is that diary’s power really as vague as the past episodes have been hinting? Or was there a more concrete reason for its effect?
And christ, there are just three episodes left now. I can only hope that this was the incentive to get the shoujo genre out of its rut that it’s been in for the past years. I don’t include the Josei genre in this; that has been fine, with series like No.6 and Chihayafuru. But how many good shoujo that didn’t rely on just random bishies (like Hakuouki for example) have debuted since the start of 2009? I’d say around five, over three whole years (Penguin Drum, Heartcatch Precure, Uragiri, Kimi ni Todoke and Yumeiro Patissiere), and only two of them were really ground breaking (Heartcatch and Penguin Drum). And this used to be one of my favorite genres that had so many gems in it. To come with a frame of reference, that’s about the same amount of series that debuted in those days that had no way of making any profit whatsoever, like Hyouge Mono, Sarai-ya Goyou, Aoi Bungaku, Showa Monogatari. Yes, for some bizarre reason producers nowadays are less inclined in investing in an ambitious shoujo series than on shows that are bound to not make them any money. There is a market for this, people. The first Blu-Ray version of Penguin Drum has actually sold nearly 6000 copies. That’s about 1000 volumes above the break even point for your average series.
Rating: *** (Awesome)