Posted by psgels on 5 December 2011 with categories: Nurarihyon no Mago




Seriously, this is the best I’ve seen Studio Deen in since Giant Killing ended. For the first time in one year and two months (which is a really long time for a studio that releases so many series), I’ve been impressed by these guys again on a series. It is about bloody time.

Obviously Hunter X Hunter is the best shounen at the moment, but still: after being disappointed by Ao no Exorcist, the first Nurarihyon no Mago series, Sket Dance, Toriko, Bakuman’s first season, Sacred Seven and Tegami Bachi Reverse, it feels very good to see a shounen actually end well. This conclusion was what a conclusion should be. Not just “let’s just kick the bad guy’s ass and get things over with”. Have things happen at the same time. Put things at stake. Nue’s resurrection worked really well for that. It’s just such a damn shame that we had to wait forty bloody five episodes for that to happen.

I can see the intentions of Nurarihyon no Mago: a shounen series about leading an army. Most shounen leads really are a hundred years too early to be leading an actual army, so it definitely has potential. But then make it about actually leading an army. This show dabbled way too often in things that just did not batter in the long run. The anime is at fault, but the story of the manga also did not help: the introduction still was way too long. Because of that, there is no way that I’m going to recommend this series. But now that I’ve gotten so far, it’s at least very gratifying that my patience is finally being rewarded.

Nue’s resurrection in particular was a great way to spice this arc up. As the red thread connecting everything for the villains: there are a lot of different parties, but it’s this desire for Nue (or Abe no Seimei that connects all of them together, with his mother, Hagoromo Gitsune at the center). Her end here was pretty good with the revelation of how the body that she used to inhabit was pretty much used. The constant flashbacks to the part where Rikuo’s father was killed also paid off here, with the revelation of how things really went. A surprisingly good example of the use of repetition.

Also, the animation at the part where the Skull died. Good stuff there.
Rating: ** (Excellent)

9 Responses

  1. Alec says:

    I doubt this anime is gonna get more anime adaptations, for the arcs after this are all crap and are even more flawed than this arc

  2. Nayrael says:

    ArcS after this? The HM arc that started immediately after the Kyoto Arc has still not ended ^_^; (tough it is nearing the end… interestingly again just when the Anime is ending…)

  3. Alec says:

    It’s not nearing its end yet imo.

  4. nura_rihan says:

    @Alec, if you hate this, why do you keep watching it? I don’t even get how you hare it for being “unrealistic” This is a shonen jump battle manga and you expect it to be realistic? Wrong manga to read, dude.

  5. Alec says:

    But I’m not. I dropped it after the he-she episode that included a child. I read the manga, but I’m just speed reading it. While I’m mostly doing it for the sake of completeion, part of me is waiting to get blown away just like what happend to the flashback episode of this arc. Also, just because it’s a shounen manga/anime does not mean, an anime/manga can never be realistic — Ever heard of FMA?.

    I’m gonna refrain on saying the specifics to avoid spoiling.

  6. Alec says:

    typos -_-

    as for the realism part… One of the biggest reason wht I start to not like the series has something to do with the mass (people). You’d know what I’m talking about if you read the manga.

  7. Nayrael says:

    On that part in Manga: If it wasn’t already obvious enough the moment when it happened, it was later more clearly confirmed that it happened primarily due to a technique the villain used… or more exactly, due to what the villain was.

  8. nura_rihan says:

    Oh yeah, I read the manga of both Mago and FMA. But FMA is in shonen gangan, well known for their more “adult” and darker shonen title. Mago is in SHONEN JUMP, well known for their unrealistic fantasy battle manga. Both manga are good in their own merit, IMO. But hey, everybody got their own milage, even in realism or whatever bullshit it is people call it. I like realism, but I don’t expect it when I read a shonen jump manga, that’s one thing for sure.

  9. Taka says:

    Toriko owns how can you not like THE KING OF ALL FOOD ANIME!

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  • K-Off
    (Sunday, Jun 26. 2016 09:11 PM)
    But I agree with Bam in that the show has lots of moments where it shines, namely in the action and the entertaining character interactions. If I was interested more so in a character story rather than an overall plot, I’m sure I’d like Eva a lot more. Certain shows work really well purely off that principle like Phantasia, but by the time I got to Eva I’d gotten relatively desensitized to those character tropes. Shinji didn’t help much either.
  • K-Off
    (Sunday, Jun 26. 2016 09:07 PM)
    There’s no narrative thrusts throughout the show, it’s just scenes happening to get from one action set piece to the next all the while shoving blatant symbolism in your face. The little plot there is feels incredibly weak, aside from the world building there’s no clear objective besides a vague idea of defeating angels and something about Gendo that’s almost background noise with how little it affects the story.
  • K-Off
    (Sunday, Jun 26. 2016 09:03 PM)
    Having started watching anime only in the mid 2000s despite occasionally seeing them on TV during the 90s, I come from a school of thought that emphasizes coherence more than anything else, basically I want the story to have focus. And while Eva’s influence on character archetypes and animation cannot be argued, I still think the story in Eva is pretty bad.
  • AidanAK47
    (Sunday, Jun 26. 2016 07:56 PM)
    Judging purely visually I agree some leeway must be given due to the technical limitations of the time but all of my issues with the series is not visual related but story.
    I have admitted that I don’t hate Eva and I do like aspects of it. But do you really need me to give it praise? There is plenty giving it praise. I see no reason to join the choir.
  • AidanAK47
    (Sunday, Jun 26. 2016 07:51 PM)
    Now you are just flying off the hook.
    I understand Eva’s cultural significance, and it’s effect on the medium. I just deem it irrelevant when judging the anime itself. For you see dear boy, if you are going to place EVA above modern anime then you must judge it by modern standards. If it falls short you can’t just bring up historic significance to wave away it’s problems.
  • Bam
    (Sunday, Jun 26. 2016 05:46 PM)
    I praised Fate/Zero for its story, pacing and charismatic protagonist. UBW I agreed to its superb battle animation and overall quality of first cour. Now when someone watches EoE or Eva Rebuild 2.2 and comments on nothing of quality, then who is the biased one here really?
  • Bam
    (Sunday, Jun 26. 2016 05:34 PM)
    If anything at least call Shinji a shitty annoying character- cuz even I won’t deny that.
  • Bam
    (Sunday, Jun 26. 2016 05:25 PM)
    When I mean discussion I don’t mean a series of personal likes and dislikes- but judging objective elements: plot consistency, animation quality, restrain in fan-service and pandering, over reliance on tropes and cliches, etc. Otherwise we all have our different preferences.
  • Bam
    (Sunday, Jun 26. 2016 05:20 PM)
    I agree with the cons of Eva, as well as its strengths. Same with Fate. Being pessimistic is a stance, not inherently a flaw. The setting of Eva predicates that tone. If anything I have a bias towards Berserk, and that’s mostly all out of nostalgia.
  • Bam
    (Sunday, Jun 26. 2016 05:16 PM)
    Also what ladies? Even the “gentlemen” part is stretching it. It’s very easy for someone who didn’t follow anime 20 years ago to criticize one of its most historic moments. At least this Tenka Seiha fella doesn’t talk smack about what he doesn’t really understand.

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