Posted by psgels on 29 December 2011 with categories: Yearly Summaries

This list will be all about the characters, just like I did last year. At the end, you’ll find my choices for my top 30 to 21 series of the year. Overall, I hope that I got everyone here. Compiling these includes an awful lot of management and it’s very easy to overlook something (I actually nearly accidentally overlooked Heartcatch Precure, but thankfully I realized this just in time). But yeah, these are my personal choices. Feel free to share your own character highlights, of course. ;)

Most annoying character

The World God Only Knows – Elcea

In terms of annoying characters, there were two big ones that stood out. First is Yosuke Haramura from Persona, who I keep labeling as the Pee guy (seriously, he enters a new world, and what’s the first thing he does?). Every single moment this guy is whining, yelling or just being an ass. That’s just too much. The one who really took the cake though, was Elcea from the World God Only Knows. I mean, stupidity is one thing, but this was taken way too far here. This kid has the IQ of a sheep. There is nothing fun about her. She just keeps making the most moronic and self-unaware statements. If this was meant as a parody, it completely failed because it adheres to the exact tropes of the things it tries to make fun of, without anything else.

Worst Character

Sacred Seven – Yuuji Kenmi

Like with the most annoying character category, I am not counting the characters of series that I dropped at some point. It’s just not fair to judge characters of which I just didn’t watch everything of. The choice of worst character of the year was a difficult one, because there were a lot of really, really bland characters this year. Think The world God Only Knows, Fractale, Dragon Crisis, Kore wa Zombie Desu Ka, or Guilty Crown: it makes it hard to really pick one who stands out amongst them. Because of that, I decided to hand this award this time to a character who is so bad that he becomes hilarious: the main villain of Sacred Seven. What makes this guy stand out is how most of the series, he’s trying really hard to not stand out as a villain, only to fail miserably, only to completely derail near the end of the series with some ridiculously overacted monologues and some character designs that make me really wonder who in their right mind found it a good idea to approve them.

Best Cast of Minor Characters

Tiger & Bunny

These are the side characters who collectively ended up the most memorable to me this year. Level E deserves a honorable mention for creating so many interesting characters who go beyond the usual tropes. Hourou Musuko had a huge cast for only 11 episodes, and yet put down every character really realistically and dynamic. The side cast of Tiger & Bunny takes this prize though, because all of them were just really fun to watch, and they did an excellent job as supporting characters, to the point where I’d really with that the creators devoted more time to them, in order to really show what they’re made of.

Best Voice Acting

Hyouge Mono

Hyouge Mono’s voice acting was exquisite: it knew exactly when to be subtle and when to be over the top. Sasuke’s voice actor delivered both in his delirious speeches, his over the top reactions and the more subdued drama, but every major voice actor here pretty much nailed his character. There are a ton of memorable performances in this series. Very solid second places are Hourou Musuko with its wonderfully subtle acting, and Ano Hana, where the cast knew exactly how to make their characters part of the emotional roller-coaster.

Best Character Development on a Single Character

Natsume Yuujinchou – Takashi Natsume

Before the start of the third season, Natsume already was an excellent character. And here that season comes, and ends up completely devoted to developing him even more. This show showed his coming of age as he matured and grew closer to his friends, and grew to accept who he was. This show examined his past, present and future, with amazing results.

Best Character Development on an entire Cast

Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai

The collective cast of Hana-Saku Iroha grew really nicely through the course of its series. Hourou Musuko had a ton of characters who matured wonderfully. Penguin Drum’s characters and plot twists made for a very cast who just kept changing (they indeed get very solid second place for this award) and No6’s characters never were static, and always were pushed forward. The best though, was Ano Hana, who delivered a heart-wrenching story about lost childhood friendships being rekindled. It examined how people change, and how easy it is to grow apart. It wasn’t just the main character Jinta who did this: it was the entire cast; everyone delivered to it.

Top 7 Supporting Characters

#7: Blood-C – The Big Villain

Um yeah. It will be a bit difficult to praise this character without spoiling everything. Being as vague as possible:usually villains who only reveal themselves very late in the series suffer from being dull and uninteresting. Not so much here. This character’s air is over the entire series, even though its identity is a mystery for most of its airtime. I know that this series got a ton of criticisms, but yet this ended up being one of my favorite villains of the year.

#6: Chihayafuru – Arata Wataya

Thankfully this guy is a bit easier to praise, because his biggest role in the story is right at the beginning. On top of being fantastically animated as a Karuta genius, he sparked this passion that convinced me: yes, this is the guy who inspired the titular Chihaya to start playing the game as well. When his biggest part is over, he still remains really present in the series to serve as Chihaya’s inspiration, on top of being very well developed himself.

#5: Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai – Chiriko Tsurumi

Of course, the entire cast of Ano Hana is amazing, everyone stands out. Chiriko however took that extra step due to her level headedness compared to the rest of the cast. She’s surrounded by characters who have mental problems, and still manages to act level headed throughout most of the series, with some notable exceptions that only get better because of this. She was the voice of reason needed for the rest of the cast, and yet she ended up stealing the show herself quite a few times anyway.

#4: Level E – Kraft

Kraft is just adorable. Usually the straight men in a comedy are dull and formulaic, but this guy breathes new life into this trope with his ramblings that know exactly to stay outside of the borders of melodrama, but on the other hand being such a charismatic guard person with a huge sense of responsibility.

#3: Fate/Zero – Rider

When I first started watching Fate/Zero, I did not expect a side character to steal the show like this. I mean, Rider is by far the best character of the entire series. His monologues are fast and witty, and even though he looks like this huge fighter, he’s very intelligent and witty. He’s got his own ideals that he keeps shoving down on everyone, but he does it with so much force and charisma that it becomes almost impossible to retaliate.

#2: Hyouge Mono – Oda Nobunaga

If I had to mention the one highlight of Hyouge Mono, then it’d be the way they portrayed Oda Nobunaga. That was by far the best portrayal of the guy I have ever seen, and I’d go as far as saying that there will probably never come an anime that will do it better. The creators just perfectly succeeded in creating this megalomaniac ruler with a thirst for both conquest and the fine arts. And his crowning moment of awesome (the ones who reached that point know what I’m talking about) was just a beautiful display of wit and character.

#1: Supernatural the Animation – John Winchester

Numbers 2 to 4 are really larger than life characters. Heck, two of them are rulers, and I do tend to like these characters whose personalities are all over the place. As for the question of my favorite side character of the year though, my choice goes for someone completely different: a tormented father who is stuck between taking care of his sons and getting revenge on the murder of his wife. The series explores a ton of facets of his life, and tries to explain as much as possible why he did what he did. This show tries to relate to him by using different, yet similar cases and stories. And in the end, this leaves a surprisingly well developed character here that in the end is a step above the other side characters this year.

: Top 7 Female Characters

#7: Chihayafuru – Chihaya Ayase

Overall in 2011, unlike 2010, the male characters overall tended to overshadow the female characters, so I’m doing the female characters of the year first. Still, Chihaya as a character deserves to be mentioned. This girl has passion, and part of the fun of watching Chihayafuru is to see how far that passion drives her. She single-handedly managed to inspire a ton of people around her in a believable way, and her virtually limitless energy made every episode really fun and interesting to watch.

#6: Gosick – Victorique de Blois

Victorique took a while to crawl out of her shell. It’s only as the show goes on that we learn what exactly she went through, but also as what a strong character she grew into despite all that. It’s a shame that her male lead often was a bit of an idiot, just to show how smart she was. She didn’t need that. Even without him it was apparent that she was a genius, and I especially liked how she was constantly looking for a challenge to get rid of her boredom. Gosick as a series perhaps wasn’t the best out of the three “small girl detective”-series that came out this year. But in the end, it did have the best female lead.

#5: Hourou Musuko – Yoshino Takatsuki

I was really doubting whether to put her amongst the side characters or the list of the main characters. Technically Yoshino is a main character, but I also think that she gets the least amount of screentime out of all of the other characters on this list. In any case, I really have to praise her for putting forth such a believable portrayal of a young girl with gender issues. She’s very realistic and likable, and yet the drama around her was ridiculously well done.

#4: Mahou Shoujo Madoka Magica – Homura Akemi

This is another one of which I’m not going to say much due to the spoilers and all, but Homura made one heck of an impact on Mahou Shoujo Madoka Magica. She’s strong and well developed, even though she’s a big mystery for most of the first half of the series.

#3: Heartcatch Precure – Yuri Tsukikage

The beauty of Yuri was that she was much older than the rest of the main cast of Heartcatch Precure. Suddenly in a shows about kids, a mature high schooler suddenly stole the spotlights and was pretty much involved in all of the kickass fights, and the best part was that the creators acknowledged that she was awesome, and didn’t just put her on the sidelines just so that the younger characters could shine. Yuri was caring and confident, but her own story and background in the series are along with Tsubomi the most charming.

#2: Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai – Meiko Honma

Oh, I remember when I first saw the promo art for Ano Hana, I was like “What? Even more moe? What’s this doing in Noitamina?” And then a little more about this show was revealed and it seemed to take itself quite seriously. And then the show aired. The beauty of Menma was that she adheres to some moe tropes, but also subverts them just as hard. Yes, she’s ditzy, but she isn’t stupid. She’s innocent, but not clueless. She’s bratty, but she’s nowhere near the stereotype you’d expect her to be. She helped really well in order to make this show the tear jerker it was, as the character around which everything revolves. Many of the heart-wrenching moments of the series were because of her. I really would not have guessed that from my first impression.

#1: Mawaru Penguin Drum – Himari Takakura

Himari is important, not just for what she means to the other main characters in this series, but also because she’s so damn well developed. In a series with as much flashbacks as Penguin Drum, we get to see a ton of different points in her youth that shaped her to who she is, and why she’s so important to the other characters. She really was the glue that kept everything in this series together.

Top 7 Male Characters

#7: Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai – Jinta Yadomi

Jintan was sometimes hard to watch, because of how passive and miserable he was as a character. Part of the goal of the series was to heal him, and make him grow into a better character. And that was done so well here that made me place him on this list. While Menma was the center of the story, he was the one who carried it and with that he did a really good job.

#6: Tiger & Bunny – Kotetsu Kaburagi

The competition really is fierce for this list, and I’m surprised at how many characters I loved I had to eliminate, just to cut it back to just 7 entries. I just couldn’t not mention Kaburagi Koutetsu, though. This guy is very unlike your average hero. He’s much, much older than usual, and even has his own daughter. He’s irresponsible at first, but as the show goes on you get a much better insight in his character. It makes him both fun to watch, and a very engaging character during the dramatic parts.

#5: Supernatural the Animation – Dean Winchester

How many different parts of Dean did we see in the series anyway? Of the two brothers, Sam always struck me as a bit too angsty, but Dean struck the balance perfectly. He here had everything: he was funny, he was caring, he was mature, he was independent and as a character, his development over the years was amazing. In particular his past makes him quite a complex and interesting character.

#4: Mawaru Penguin Drum – Kanba Takakura

Kanba is a hard to follow character a times, but what really struck me about him was his determination. He really was completely devoted to Himari, and that leads to some incredible scenes at times. Overall his character development also is amazing, and especially the ending of Mawaru Penguin drum really utilizes his character to the best.

#3: Hourou Musuko – Shuuichi Nitori

Part of the brilliance of starting the adaptation somewhere in the middle in the manga, is that this gave Nitori already a terrific background. And then he used that to turn into an even better character. I mean, cross-dressing is really often just played for laughs. This guy actually treated his own problems seriously, and managed to convince us of the same. There is nothing cheesy about this guy. His character development especially in the second half turned out to be incredibly detailed and engaging.

#2: Hyouge Mono – Sasuke Furuta

Sasuke… sure is a character. I mean, his ramblings are unique. There is no other character out there like him. Sure, there are plenty of over the top characters out there, but none of them really comes close to what this guy does. On one hand he marvels over some ridiculous aesthetics, on the other he tries to play a serious part in a period drama. The faces he makes are just completely ridiculous, but the comedy around him is always just hilarious. This guy is an eccentric through and through, and by far the most unique main character of the past years.

#1: Natsume Yuujin-Chou – Takashi Natsume

I already said it above: Natsume already was a very well developed character when the third season started. And here this show came and developed him even better. And to think that we’re still not done yet with him after a fourth season got announced. This third season showed some more tidbits around Natsume’s past, but also how he changed as a character. The different characters he runs into illustrate that perfectly: he’d would have treated them quite different when he would have met them in the first series. And yet, everything remains so incredibly subtle. All of the details in his development fit, and the acting for this guy turned him into a really believable character.

: My top series of 2011: #30-21

#30: Fireball Charming

This year didn’t have one comedy sequel that was better than the original. It had two of them. In Fireball’s case, you can really see that the creators wanted to surpass the first season of Fireball; it was much more ambitious. The CG graphics looked much better, the dialogue was faster and even more nonsensical. And it actually worked here. The combination between random yet strangely interesting banter and the random yet strangely interesting poses that the characters kept making really worked.

#29: Last Exile ~ Ginkyou no Fam

After two years of absence, Gonzo returned with a bunch of very poorly produced series, and one heck of an ambitious comeback of Ginyoku no Fam. It left some things to be desired overall, and the quality of each episode varies greatly, but where it delivered, it really delivered. It successfully expanded upon the Last Exile setting, expanding it even further, the graphics and backgrounds looked amazing and Fam and Giselda, despite first appearances, are likable leads. When compared to the first half of the first Last Exile though, it loses out.

#28: Gosick

Gosick had its problems. The arcs that it used to build up its story had some serious issues, including a very annoying male lead and a female lead who looked more like she had access to the script, rather than she was a genius at solving crimes. And then, good episodes showed up. To a point where in the final third, the bad episodes were completely gone. This show suddenly turned into a very engaging adventure series, and the lead characters who had once been flat, stupid and annoying grew into very relatable characters. This definitely was a welcome surprise.

#27: Usagi Drop

Overall I probably wasn’t the biggest fan of Usagi Drop. Of course it was adorable, and I love it as a look upon what it means to be a father, but I dunno, it could have gone a bit further than what it did. It’s still very gentle slice of life though, and pretty much the most realistically acted show of the year. It definitely gets points for that. Daikichi in particular was a very interesting character to watch.

#26: Ikoku Meiro no Croisée

Beyong being completely adorable, Ikoku Meiro no Croisee also was a very interesting look at cultural differences. Every episode featured interesting little tidbits about the differences in every day life between Japan and France of about 100 years ago. There was some really good chemistry between the different characters, and even the seemingly annoying rich girl had something to offer here. As a pure slice of life series though, it was a bit too forcedly dramatic, so if you want more heart-warming slice of life you should probably go to some of the other shows that this year had to offer. The different cultures however were enough of an addition to make up for this.

#25: Tamayura ~ Hitotose

Now, if there was any director on fire this year, it was Sato Junichi. He was behind three series this year (twie as the director, once as the main writer), all of which made it into my top 40 at some place. My favorite production of his was Tamayura, due to how incredibly solid it was as a slice of life show. It’s a genre that is usually very hit or miss for me, but this show really nailed it for me. It had a well developed cast, a heart-warming atmosphere, very nice animation and really succeeded as an Iyashi-kei series as well.

#24: Dantalian no Shoka

Dantalian often baffled me when I watched it, but looking back I can definitely claim that I don’t regret watching it. It’s a show that took the episodic series structure, and completely nailed one part of what makes the genre great, only to completely ignore the other part that’s required for the genre to really work. The individual stories were excellent. They all were diverse and examined some great characters with fascinating stories. And yet the main storyline or cast never really was important here. They were just tools to show these stories. Even overall themes were not really existent. All this show was was 12 standalone episodes. But granted: those episodes were very interesting.

#23: Blade

This year had more shows that went under the radar than 2010. The king of those shows though, is Blade. I was utterly surprised when I found out that in AniDB, it ranked overall even below a rating of 6/10. What this means is that it ranks amongst the 20 worst TV-anime ever made that had more than 100 votes on that site. I know that ratings like that should be taking with a salt shaker and all, but even then this is something it does not deserve at all. After watching Iron Man, Wolverine and the X-Men, it really surprised me how much this series delved into Blade’s past and how it focused to develop him as a character. Out of all of the marvel series, it also had the best female sidekick, and how one episode delivered one of Wolverine’s characters better than what Wolverine did. Plus, the entire series was pretty much a tour through South-East Asia. This show visited so many locations that go completely against the convention. Speaking of conventions, it’s great to finally see another black main character again.

#22: Star Driver

I only realized this after compiling these places 30 to 21, but this show illustrates something interesting about this year, compared to 2010. You see, Star Driver as a series stayed pretty much consistently interesting. It never really got better than what it was, but it also didn’t dip in. Last year when I compiled my top list of the year, I ranked Star Driver at the nineteenth place of the year (because yes, I do include incomplete series just like any finished series here). And still: the shows that I ranked below Star Driver then are still shows that I’d rank below it, and the same goes vice versa and for 2011 as well, meaning that 2011 had actually slightly more great series compared to 2010. Anime is dying? Hah! In any case, Star Driver was pretty much the younger brother of Mawaru Penguin Drum. It featured much more action, but also had a lot of parallels, like the use of tons of symbolism. And I have to give credit for this show that when everything finally unraveled and was explained, it took some neat risks and chances. It’s definitely not the most balanced show though.

#21: Ben-To

After so many dull and uninspired fanservice comedies, this show finally delivered with an awesome premise. A show entirely dedicated to food battles. You just have to come up with it. This show proved that even though there may be fanserivce and moe, it can still be incredibly entertaining. The storytelling was very solid: the jokes were hilarious, the action scenes were really well directed, the music was awesome, the characters were well acted. It was one heck of an entertaining ride. The only shame is that at times it indulges in pointless fanservice a little too much, and it was probably about two episodes too long.

16 Responses

  1. lol says:

    I commend you for ranking Kanba and Himari so high. The obsession with Shouma and Ringo is something I will never understand. I thought Kanba and Himari were MILES more interesting, and by far the better couple too.
    Really can’t agree with Menma, though. She might be my pick for most annoying of the entire year. She ruined the show for me tbh

  2. CJay says:

    Out of all of the things you review Characters is always the one I actually disagree with the most [cept for Hamyuts meseta last year] I guess characters are more of a personal preference compared to plot and stuff like that

    Some characters that you didn’t include:
    Anjou- I feel like she was pretty much the best character out of Anohana
    Sky High- I just absolutely loved his character. He’s so different then all of strongest people in other shows and the episodes about him were probably my favorite in the show.
    Ohana’s Mom- She was an extremely interesting side-character who though she didn’t appear much was still influential to ohana, her brother and her mother. And whenever she did appear she was just hilarious. She takes the bad mother trope to a very interesting level
    Momoka- I just loved the way that she was developed through other people’s opinions of her. (SPOILERS!!) and if you include the hats as her personality too then shes clearly really hilarious.

    And i know you had problems with the Steins;Gate characters but to me Okabe was just an outstanding character who grew greatly, while still maintained his charms throughout the whole series. He’d probably be one of my top picks for the year.

  3. AidanAK47 says:

    Ho boy…I keep trying to not say something because I know this thing is just a matter of opinion and as the bloger you can decide whatever you want…BUT COME ON!
    Psgels, Himari was a Mary Sue. She was downright prefect in every way. She had no flaws. The penguin Hat personality was her only saving grace and that wasn’t even her. As a character she was nether original nor complex. She was just the Key bait to torture and kill off so you could feel some pity.
    Another thing is while I wouldn’t say Elise is not annoying(I wasn’t fond of her even in the manga) I think Shu takes the cake for most annoying character.
    If you could give me a short concise summery of what the “Big villains” personality was like that would be great. Na…that’s impossible because he didn’t have one!

    PS: You have pictures of Dean Winchester but you name Sam as you favourite. You may have got their names mixed up.

    • hikari says:

      Agreed with Aidan on Himari, although she’s being well developed by the end of the series, but for most of the time she’s just too Mary Sue-esque for my taste(although she’s not THAT bad of Mary Sue). Ringo, Momoka and even Yuri are more interesting to me. I guess i’ve already had enough of Mary Sue’s type of chara from lots of shojo/josei manga/novel female lead that i read so far. Well, most of them had that kind of type so i think i already tired enough of that tropes in anime.

  4. Renn says:

    Good choices. I preferred Ringo/Shoma to Himari/Kanba, but Victorique, Yoshino, Homura, Kotetsu, and Natsume are some of my favorites. Can’t wait to see which shows make your top 20!

  5. Kim says:

    Like Renn I personally preferred the Ringo/Shouma pair to Himari/Kanba. Although I do think Himari became a well developed character at the end it’s not for the reasons you state but because she took an active role in the end in helping Shouma & Kanba.

    However I actually feel Ringo is the best developed character of the series (perhaps even of 2011). She went from a character who was selfish in wanting love for herself (not thinking about others) to a character who truly loved others above herself, even willing to sacrifice herself to save Himari. This was remarkable growth and I am glad she & Himari got a happy ending in the end.

  6. Kim says:

    @Psgels

    Sorry i think my comment might be somewhat spoilerish for Peguindrum, I wasn’t thinking. I would understand if you erase it. My apologies.

  7. c160 says:

    YES YURI’S IN!!! One of the most awesome character in the magical girl genre, she definitely deserves it(even though she cheats a bit for having like only 2 episodes this year ^_~). There’s also a few other blogs who put her in high regards so I’m glad it was not just us few who comments on your blog who watch that show.

    Also I’d think Saorin from Hourou Musuko would definitely make it too if the series went further than they did. Of course it’s a loooong way from where the anime cut-off so yeah Takatsuki would do for now.

    Ringo is my favorite though this year, that crazy awesome stalker girl ^^

    • c160 says:

      As for the favorite series,yeah Ben-To made it to your favorites. It was really likeable through and through, despite having so much fanservice. I think Sega should definitely have put more money in the series so there’s a whole lot more fight scenes cause the fight scenes in this series were really good.

      My only complaint for Star Driver was that since they went through the fabulous route, they should have pushed it a bit more.In other words,I think Star Driver wasn’t camp enough, so yeah, that’s my biggest problem with it.

  8. Lillian says:

    I have to disagree that Himari is the top female character. She was such a boring character. I mean her hat personality doesn’t really count! Himari didn’t have that much development. Her role in the series was very lacking compared to the rest of the female characters in the series. Himari’s purpose was not fully explored or was very lacking. She wasn’t interesting especially compared to the other characters. I didn’t feel anything special from her. She was just there.

    But overall, I agree with you on most of the rankings.

  9. Pafiume says:

    Kind of frustrated with the Hourou Musuko characters, just because the point of them is that they don’t like being their birth sex and that’s how you seem to classify them… But I guess it’s whatever. I would feel weird if you called Shuu a girl and Takatsuki a boy as well.

    Also agreeing on Himari. I’m just surprised you gave her the top spot, but considering how much you loved Penguindrum I’m not surprised. I agree with Kim about Ringo, her character really did a 180, whereas Himari… I don’t know, after so many “I’m dying, JUST KIDDING”s she got tired, to me. Opinions, opinions.

    • Enna says:

      I was about to comment about Shuu and Takatsuki being a bit reversed, considering their circumstances, but you seem to beat me to the punch. Thought I was the only one who was bothered by it. :/ I feel it kind of defeats the message of the show, but after all it is his call.

  10. someloser says:

    ahh blood-c pissed me off. truthfully, the villain was a joke. if anything, i was expecting a twist. however, the twist that came was a complete joke. rather it was like “hey here’s a twist” but the twist was a complete ass-pull, there was not even a single spec throughout the entire show except the last episode on “you’re the star of a movie saya!” it was pretty much like a deus ex machina, where shit randomly happened to make the story more interesting. all of a sudden, necklaces that are able to save people from having their head chomped off… excuses appearing everywhere. i mean, the villain wasn’t a magnificent bastard… more like a magnificent ass-pull.

  11. nodbgp says:

    I’m too lazy to even think about a summary, but looking at your’s there’s only two things I fell I need to say, at least as far as characters go.

    1) Shuu from Guilty Crown, should at least be mentioned as worst char.

    2) The prince (from Level-E) should have won at least a mention, common he’s awesome, even if he is a son of a bitch kind of awesome.

  12. jreding says:

    Taktsuki-san is an interesting choice as a best female character. She indeed does not get much screentime. Imo this correponds to the fact that everyone in H.M. assumes she just gets along well w/ her situation since it’s much more easier than Nitorin’s. Takaktsuki is more alone w/ her problems than the others. In any case, I’d go futher than c160 above and definitely give Saorin the top spot.

    I second re Sasuke being a top male character. Maybe I’m too uneducated but I didn’t the aesthetics ridiculous; in fact, I had the feeling that this show widened my horizon to appreciate the art of that age.

    Finally, I’m happy that you included Tamayura into your top 30! Star Driver, I guess, is the interesting show I missed in 2011.

  13. Kirro says:

    Awesome ranking! A bit bothered by the fact that you called Shuuichi “he” and Yoshino “she” though, since the point of the show is that they are a trans girl and boy who wish desperately to be considered the gender they identify as.

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CHANGE USERNAME
AidanAK47
To sum that up, don't bully my waifu or I will end you.
AidanAK47
@Mario, She only killed him once and tortured him for information once. Both times because he had something which showed he had a connection to the witch. Besides, the anime mainly showed off her good points but she still has a crushing inferiority complex and a rather delicate mindset.
SuperMario
Oh I have one. How about Lovepon? lol
SuperMario
@Topgavin: it was sarcasm actually, if we do it again next year we might cut down some categories. But I totally agree that we're lacking of good villains. Biba and that teacher are the worst as they actually dragged their shows down.
Topgavin
Honestly though there's been a real lacking of good villains last year. I hear some guy from Jojo was pretty good, but other than that they've either been okay or lackluster. Makes you wonder how FMA:B managed to get so many villians right in so many ways when shows usually fail to get even 1 half as good.
Topgavin
@Supermario Biba or Teacher-dude from Erased surely...
SuperMario
Maybe we should include the best villain next time, haha. I honestly don't know who to pick...
SuperMario
oh Rem, that demon girl who tried to kill Subaru many times over. Why is she the best girl again?
SuperMario
@Kaiser: I watched Moonlight last night in cinema and it was great. I had high expectation for that and it pretty much delivered. Also Janelle Monae was so freaking hot.
SuperMario
OMG, that 3rd episode of Rakugo was so greattttt. @Lenlo: don't need to understand the meaning of the rant thou, Yotaro doesn't understand either
Kaiser Eoghan
Think of the fine children/breeding stock Aidan and rem would offspring =P
Kaiser Eoghan
Dye their hair, make things confusing ;)
AidanAK47
@Anon, hahahaha, cool joke bro.....
...............................Don't make me destroy you.
Lenlo
The one with red hair of course
Anonymous765953
rem? who's that?
Lenlo
Having read the books, theres afew inconsistencies and I dont like some of the choices for actors.
Kaiser Eoghan
*couldn't
Kaiser Eoghan
Buh buh but Aiiiidan you still have the koe no katachi movie and thaaats kyoani =P But lol phantom world was so poor I couldn't get past the second episode. A shame that they could go with the darker spin the author ended up apparently going for in later volumes.
AidanAK47
@Lenlo, I am currently eh on it as well. Only at the second episode so far. I find it interesting but it has a lot of things that turn me off.
Lenlo
7 YEARS I SAT ON THAT BOAT!

Still havnt finished Flip Flappers. I like it, its pretty, each episode is different, but I can barely tell what the over-arching narrative is and thats a big deal to me
Lenlo
ITS REAL
Lenlo
BOAT TIER
Lenlo
@Aidan, Series of Unfortunate Events was eh. I wasnt a big fan of the TV adaptation, though I did like Neil Patrick Harris
Kaiser Eoghan
@Lenlo: BOAT TIER lmao.
Kaiser Eoghan
Thats why I LOVED flippflappers so much, where else can I get THAT anywhere, totally its own thing/beast.
Lenlo
My big ones for the year were easily Rakugo and Re:Zero. Disappointments, biggest one is Berserk. Ive been following it for years, have the entire series on my shelf, and I watched it like a captain going down with his ship
Kaiser Eoghan
At the same time well, yes its still good to see a non-highschool story in ANYTHING.
Kaiser Eoghan
Ah, you see I don't really award points to an anime doing something unique to anime, I judge by all mediums as a group/whole. 91 days may be a mafia drama, kabaneri may be a zombie show but theres already plenty of those in the world elsewhere.
Kaiser Eoghan
I could see myself getting some oldskool charm out of alderman if I watched it. I was waiting for yuri on ice to be dubbed. Drifters for all its problems was some of the most fun I've had in ages.
Kaiser Eoghan
The only thing I saw that I truly abhorred though was the new shinkai film.
Kaiser Eoghan
Most of the other stuff I didn't really bother watching. Its pointless for me to shit on about 91 days and re:zero because I was guaranteed to dislike both before seeing either.
Kaiser Eoghan
Biggest disappointments for me were erased , berserk and joker game. Whereas my surprise was lost passage. My favourites of the year were flippflappers and Rakugo. I wanted Kabaneri and dimesion w to save anime and bring back some oldskool charm but that didn't happen.
AidanAK47
Alright I spent over an hour formatting this thing and now I am knackered. Readers, this summery is over 23 pages long so be prepared as this thing is pretty huge. Don't say you were not warned.
AidanAK47
@Kaiser, Watch it. I bet it will be up your alley.
Kaiser Eoghan
Thats a problem with adaptations, put a voice on certain characters and it can become irritating.
Kaiser Eoghan
And to be fair on scums wish, that it deals with the sex bit in a teen story, well that makes it more daring and thats points for it.
Kaiser Eoghan
@Aidan: Largely stayed away from that series as I assumed it was for young children.
Kaiser Eoghan
@Aidan: Additionally the relationships in that manga got too convoluted, the comedy stands out worse in the anime too. Still though I DO dig the idea behind the show of two kids who are in a fake relationship.
AidanAK47
@Kaiser, you think that's hard to watch try watching Netflix's A series of unfortunate events. Because boy do I want to brutally murder the banker and his family. That may sound severe to you but trust me, you will feel likewise.
Kaiser Eoghan
@Aidan: You were right about it being harder to watch scums wish than read it. I want to hit the twin tails girl with a hatchet.
Kaiser Eoghan
I'm laughing now remembering an old ANN review where they stated golgo 13 was a stress reliever for 30 something Japanese office workers, I get that so much more now lol
Kaiser Eoghan
But seriously violence in fiction, anime/manga included is so damn therapeutic.
Kaiser Eoghan
As such I genuinely was able to enjoy the new M night shaylman flick lol
Kaiser Eoghan
Venting here largely because I can, I now imagine the teenage/twenty something audience members at horror/thriller films as the victims in the films, makes it more tolerable to deal with their existence in the cinema.
Lenlo
I cant help but feel theres some cultural aspect I am missing to the Rakugo rant scene. Makes me sad.
Lenlo
Rakugo, continues to be great and gets another time skip. Im always surprised by how engrossing it is just listening to these people talk.
Lenlo
Makes me sad, just like Berserk. Got an entire shelf dedicated to it but its just so slow. stupid boat.
Lenlo
Vagabond was phenomenal, but its been on hiatus for years now hasnt it
Kaiser Eoghan
....well without spoiling towards the middle of that rakugo episode and all throughout during that middle part, my opinion on Yotaro's character went far up.
Kaiser Eoghan
Struggling to remember the name of that josei samurai manga from the 90s (or earlier 2000s), had a gender bending theme.
Kaiser Eoghan
I've already read kenshin and vagabond, I loved shigurui death frenzy and sword of the stranger but found samurai champloo uneven. Theres a kagemusha manga but I haven't read it and I've yet to see/read blade of the immortal.
Kaiser Eoghan
At a glance I'll go against the grain and say I think demi-chan is funnier than konosuba, going on one episode of each.
I've been watching a fare share of samurai films in the last two years and lately so I'm open to wathing more anime/reading manga dealing with samurai.
SuperMario
Hand Shakers, how I love to watch it jumping off the cliff. This show contains lines like "I don't understand... even if I did understand... but I don't understand." It isn't a dialogue that we encounter too often I'm sure.
AidanAK47
@Mario, Sounds good to me. With me covering Little Witch Academia, Saga of Tanya the evil and Rakugo this season is well covered.
SuperMario
so I've decided to blog 3-gatsu, Scum's Wish and ACCA this season. A bit worry about the latter as I still don't have much to talk about that. Let's try it and see what happens; I say
SuperMario
Okay, I'm not hot on Onihei this week, as if the main theme about these two episodes were "people can be corrupted" then I'm not buying it. ACCA, on the other hand, was still very solid of building up the world and its big events to come.
AidanAK47
I have played all the big roguelikes and found they have the same problem. I argee on procedural generation. Even if the map is different every time you are essentailly going through the same rooms and doing the same things.
Masky
Though to be honest, I don't like procedural(or designed room and then game connects them randomly) games much. I much enjoy hand designed dungeons since I rarely play games through more than once anyway so roguelike's appeal of "Every time you play it through its different!" doesn't appeal to me much and hand designed dungeons are much more memorable
Masky
Can't really comment further on that since I don't know which roguelikes you have played, and neither I have played gungeon so I don't know if its badly designed to the point you can't do anything if rng says so. Though I guess there is nothing wrong about liking luck based games, if roguelike in question is truly unbeatable if rng says so, well, its really badly designed one if you ask me.
AidanAK47
Take my last run. Made it up to the fourth floor. Got plenty of guns but none were really useful. Even then ran out of ammo for all of them and the game was cheap about giving out ammo. Plenty of money but shops with nothing worth buying. Over 5 heart containers but no goddamn health. Died on the boss because I rolled out of a bullet into another bullet. Pretty much unavoidable.
AidanAK47
@Masky, that's the theory but in pretty much every roguelike I played its not the case. If the RNG decides you are going to have a bad time then you are going to have a bad time. Skill can only bring you so far. I have played this game for 7 hours and I know I could have finished it in 2. Only thing stopping me is a dice roll.
Masky
Like, the thing with roguelikes is that they can get easier/harder depending on luck, but well done one should be completable even without any upgrades at all if you are skilled enough.
Masky
Thats not the really case with roguelikes though, unless game design is bad and includes insta kill traps and such that are unavoidable if you are unlucky
AidanAK47
I hate roguelikes. Been playing enter the Gungeon and I just lost all patience with it. Getting real tired of my victory being decided by a RNG. It never feels satisfying to finish a roguelike because I know my victory was determined by pure luck.
AidanAK47
So we got to rely on fansubs for it when it's airing.
AidanAK47
@Mario, Nope. I think because netflix only puts up full seasons they are only planning to put it up when it's finished airing. Or when it's dubbed.
SuperMario
But how does the Netflix thing work? So of I have a Netflix account I can watch the show weekly?
SuperMario
@Aidan: that's a dumb way to do things really because unless you watch the show weekly, everyone gonna forget that it even exist. Just look at Re-Life last year
Lenlo
thought*. Words are hard.

Eventually found the actual first ep though and enjoyed it.
Lenlo
Was funny. I tried to find the first Ep for Little Witch, found original short made afew years ago, watched it and though "This is very similar to the original... Whats new".
AidanAK47
Little witch is one of the best shows this season and yet I can't get subtitles because Netflix doesn't release shows weekly. Motherf*cker.
Lenlo
Ore Monogatari I enjoyed. It was a nice romance that actually explored what happens after the confession. Also the 2 leads are just precious.
Lenlo
Alright but unmemorable seems like a good summation.
SuperMario
@Lenlo: one good thing about Seiren is if you don't like this romance, the whole thing gonna reset after episode 4 so there's a chance that you might end up like it. Agreed that the comedy wasn't very good. Alright but unmemorable
SuperMario
@Topgavin: I watched like first 3 episodes and stopped because I didn't have much time there, but I enjoyed what I saw. A well-written and endearing show in my book
Topgavin
Has anyone here watched Ore Monogatari before? Because in the 4 years I've watched anime, I've never heard of it (I guess it did come out 2 years ago) and yet it's turning out to be one of my favorite shows. Always great going into a show expecting nothing and getting pleasantly surprised.
AidanAK47
Only one more impression to go. Should have it up tomorrow.
Lenlo
Im really not feeling Seiren. Its "comedy" isnt for me and I just dont find it very enjoyable to watch so far. Im curious if it gets any better but 2 episodes in it just isnt that good.
HelghastKillzone
That ending scene is an entire side-story compressed into that. Don't expect anymore of it from here on out as the it sticks to ruthless military/fantasy pretty well.
LookingForKeys
@Topgavin I think it was good, making it the second episode. That way the first set up the world the story will be in, and showed how much of a monster the "little girl" really is right at the end, and then made ep.2 the explanation. Nothing against Tanya trying to rip "God" a new one.
That after-credits scene, though...
SuperMario
Hmm, as much as I like Seiren's omnibus format, it doesn't turn out really hot this second episode. Demi-chan, on the other hand, still maintains its endearing tone. Might blogging Demi-chan instead
Topgavin
Yeah, that second episode was much better than the first. Dunno why they didn't start with that to be honest, waste of an opportunity for a good hook episode. The voice for the main girl still sounds weird to me though; I get it's supposed to sound weird because it symbolizes 'her' being out of place and her personality and body being a mismatch, but it'll certainly take some getting used to.
AidanAK47
Youjo Senki, now we are talking. Like Helghast said, Did the god scene way better than the LN and manga. Made it less comedic and more intimidating.
Lenlo
Oh man that Rakugo intro. Not sure what to think, but first time seeing it I liked it
Kaiser Eoghan
I sort of like good will hunting because I kind of saw a bit of myself in Damon's character when I watched it ages ago.
Kaiser Eoghan
@Mario: Remaking psycho and ruining the shower scene, for shame van sant, for shame.
Kaiser Eoghan
Its easy to ripoff some obscure thing though and get away with it. The dogtooth director essentially stole an old Mexican film to make that.
SuperMario
@Kaiser: yeah, that following some guys from behind like they were on a RPG games, which I think actually fit with the tones of Elephant. I have such mixed feeling with Gus van Sant too. Don't really think he's a great director.
Kaiser Eoghan
@Mario: Although Istvan Szabo is probably a little more well known for that Mephisto film that updates the Faust story. Zoltan Fabri's the fifth seal is a very thought provoking war movie.
Kaiser Eoghan
@Mario: I remember seeing a film documentary that featured Gus van sant in one section, they showed clips of tarrs films, Sant ripped of the cinematography and stole the style from some British short film to make Elephant.
SuperMario
@Kaiser: agree on the other Hungarian filmmakers, I don't know much about them either.
Kaiser Eoghan
@Mario: Scorsese's Silence was a big comeback. I really really emotionally connect with spiritual crisis stories.
SuperMario
@kaiser: yep, definitely check wreckmeister down. Althought I admit that watching his 2-hour plus films will feel like 5-hour anyways
Kaiser Eoghan
@Mario: I'm more tolerant of darker teenage/coming of age films/stories. Les Demons was a big surprise.
Kaiser Eoghan
@Mario: Though its kind of frustrating, I do think Tarr probably takes attention away from other hungarian filmakers because no-body knows who the hell the others are.
Kaiser Eoghan
@Mario: Man, wreckmeister was so visually arresting I started getting dreams from it.
Kaiser Eoghan
@Mario: I would consider Tarr to be kind of a poor mans Janco, Angelopolus and Tarkvosky rolled into one. I don't entirely "get" wreckmeister and man from London but they are great atmospheric mood piece experiences.
SuperMario
@Kaiser: I had been wanting to watch Belar Tarr's Turin Horse and Werckmeister Harmonies for so long now. Well, Fat Girl is shocking haha, but I'm normally drawn into those kind of films anyway.
SuperMario
@Kaiser: Margaret took like 5,6 years to release because he couldn't cut it down in the way he wanted. The final cut if I remembered correctly was edited by Martin Scorsese
Kaiser Eoghan
@Mario: Only a HDcam for moonlight now.
Kaiser Eoghan
I looks like my lineup is witch academia, rakugo and youjo senki, well the most latter one until I get bored.
Kaiser Eoghan
@Mario: I sense a directors cut for manchester, it feels like it need another 30 minutes.
SuperMario
@Kaiser: right up my valley. Watch Kenneth Lonergan's previous works Magaret and You Can Count on Me. Magaret is very messy but have a raw dialogue and interactions as well
SuperMario
Now the first episodes are over, I will keep on covering 3-gatsu, as for the other twos atm I have 3 options: 1) full romance/anti-romance high school Seiren/Scum's Wish. 2) slice-of-life moe monster girls Demi-chan/Maid Dragon and 3) Mature,dark Onihen/Acca (which although I like them I don't have much to talk about).If you guys have any preference on which shows you like covered then let me know
Kaiser Eoghan
@Helghast: At this point I'm watching youjo senki as an entertaining guilty pleasure.
Kaiser Eoghan
@Mario: Too many reboots upcoming, will wait for the dvds instead. I want to explore more of manchester by the sea's director's work. I also want to finally get more into Bela Tarr's stuff.
Kaiser Eoghan
@Mario: I was rather shocked by A Ma souer/fat girls final act. Scenes with the Italian in the bedroom were initially creepy.
SuperMario
@Kaiser: it's a nice review Kaiser, a bit jealous with you that you've seen those 3 films which are touted as the best films of 2016. Also Fat Girl, haha, I love that movie.
Kaiser Eoghan
Poor yotaro =< you have so much stuff going down on you =<
HelghastKillzone
Youjo Senki episode was so good today. That revamped scene with God just fitted so right.
AidanAK47
A official release of that game in the west is apparently coming but it's been a few years and not much news about it.
Kaiser Eoghan
@Aidan: Ah yes that was the one.
AidanAK47
@Kaiser, Had to think for a moment on that one but I think I was talking about this. https://vndb.org/v3144
Kaiser Eoghan
Now I'd hardly consider myself a studio trigger fan, but I watched the first witch academia episode there, it was actually kind of fun, got the same reaction from me as flipflappers did, that magical, special feeling.
Kaiser Eoghan
@Mario: I also, of interest reviewed Kenneth Lonegrans new film: http://letterboxd.com/shao_liu_ringon/film/manchester-by-the-sea/
Kaiser Eoghan
@Mario: Moonlight got some feels out of me though it could of been more, it ends abruptly and with 20 extra minutes they could have spent a bit more time on each section of his life.
Kaiser Eoghan
@Mario: I checked out lala land, ending was very well executed, one of three scenes in the film that were impressive visually. The whole thing looked pretty and Gosling and Stone had some decent chemistry. Although it didn't resonate emotionally as strongly as the musicals of Jacques Demi did.
Kaiser Eoghan
MOM I want aiyoku no eustia and I want it now.
Kaiser Eoghan
I've never heard of himawari or tokyo babel. The hellsing comparison at least interests me in dies irae. What was the name of that visual novel again that was coming out soon, Aidan you described it as "And Kaiser would love it because its supposed to be really fucked up".
Kaiser Eoghan
I vaguely remember the anime for 11 eyes, it was very forgettable, even the voice acting was poor, hated the childhood friends and the pacing was poor, those black knight things were kind of interesting though.
Kaiser Eoghan
@Aidan: You'll have to add me onto the list of those unsatisfied with the ever 17 writer, I read one of those games and felt it was a bunch of interesting bait that never paid off.
AidanAK47
Anyway I plan on doing a review of 11eyes here when I finish it.
AidanAK47
Can't say I was a fan of Ever17. That was a really good twist but when it came to explaining it their was a lot of contrived development. Generally not a fan of the writer. Looseboy, Ryukishi, Gen and Nasu are more my kinda thing
AidanAK47
@Anon, it is nice that so many VNs are on steam but I wish they wouldn't be stupid with the whole no adult content thing. Not so much for myself but to prevent idiots from writing negitives reviews because the game doesn't have sex. VNs can grip you in a way anime simply can't and while they require pathence and time those can be some pretty powerful stories.
Anonymous678956
@Aidan, I am so happy steam's so VN-friendly now. I think it's a very good type of media. Like anime, it has nice visuals, music and some movement but also the inner monologue and text amount of books. It's the perfect combination. Plus, the routes, which are often puzzle pieces and PoVs you have to go through to understand the whole story. True routes like the one of Ever17 blew my mind.
AidanAK47
Hopefully the two VNs I bought of steam turn out better. Tokyo Babel is supposed to be alright and I heard really good things about Himawari.
AidanAK47
I am about a third of the way through the game and really not much of worth has happened. The concept is interesting but the execution is sorely lacking.
AidanAK47
I went in expecting it to be a mixed bag and it's pretty below my expectations. It's just not really well written and the protagonist is a moron. THere isn't really routes and instead you are pretty much stuck with his childhood friend as the main love interest. Problem with that is her character begins and ends with loving the main.
Anonymous675376
@Aidan, damn. 11Eyes is on my reading list as well. Although I almost expected it to not be as good as I thought it'd be (back then). Guess I would have enjoyed it if I was able to read it while the (shitty) adaption aired, maybe I have seen/read too many series by now. Guess I'll still give it a try some day though.
AidanAK47
@Anon, I haven't heard the OST or watched the intro video. I only know it be reputation and have decided to walk into it as blind as I can. Still slightly worried as I was somewhat looking forward to reading 11Eyes for a couple of years and now that I am reading it it's well...not good.
Anonymous675376
@Aidan, same here. I was waiting years for this, since I saw the intro video for the first time. Also, that OST!
HelghastKillzone
Youjo Senki is already leagues better than Izetta. It's going to be top anime of forever and ever. (maybe not)
AidanAK47
And finally Dies Irae is funded. May actually be able to play and finish the game before the anime airs. If the hype is real behind this baby it could be a new personal favorite Visual Novel of mine. Already looking promising with it being like a cross between Hellsing and Fate/Stay Night. Two things I most certainly like.
Lenlo
@Masky, in regards to style over substance thats where im at with Gurrne Lagann.
Topgavin
Yeah, I'll probably watch the next episode to see whether it can redeem itself. Hopefully it can but considering 1st episodes usually get a lot of budget, there's some severe doubt in there.
AidanAK47
I actually argee with character designs and voices are bad in regards to female characters. Still the next episode might change your mind if we get more into the main characters head.
Anonymous671470
It's boring
Topgavin
Also, it seems I disagree with a lot of people in thinking Youjo Senki will be a massive trainwreck. The character designs are awful, the voice acting is mismatched but most of all the premise just seems so very dumb. If I wanted to watch a badass kill people I'd go watch Hellsing or Drifters, because at least those don't have some op, disproportionate loli as the mc.
AidanAK47
Gets even more complicated when you account for Satire and Parody. You could equally argue all examples listed as being as such.
AidanAK47
Little Witch Academia is a decontruction of Harry Potter....I don't believe that but honestly if I tried I could put some reasoning behind that statement.
Topgavin
In the end, it always comes down to opinion (as with every discussion about anime, for some reason). You could spin any and every series as a "deconstruction", which is why people shy away from using the word. You could argue NGE, Madoka and Re:Zero are all deconstructions yet also argue Gundam, Precure and SAO are depending on what points you weigh more importantly.
Masky
Like, if deconstruction is supposed to be just "break the elements and then play story how it would realistically go down" well I haven't watched NGE, but as far as I know it does have stuff that isn't typical to mecha genre besides the "It would fuck up kids" thing plus "realistically how it would play out" is pretty subjective thing. I mean, its mainly about how cynical bastard the writer is :P
Masky
Like I said, I don't fully agree with it because I find video's speaker's attitude annoying, but I found it semi convincing. Main thing I don't find convincing about it is that I don't think its hard to turn video's own arguments agaisnt it and say that by its own logic NGE isn't deconstruction either, like Aidan just said earlier
Masky
And I don't really have energy for checking out the "correct" one. If there even is one. Anyway, the hipster video I was talking about was titled "What Actually Is A Deconstruction?" if you want to check it out.
Masky
Hmm, well, it does depend on definition you use. Like if you use "realistic" thing, well, Magical Girl shows don't usually have "You turn into monsters" thing going on and reason why NGE's pilots go crazy is from dangerous situations rather than evas making them do so. But honestly, I don't really have strong opinion on matter since word seems to be one of those with several different meaning
SuperMario
for me Madoka IS a deconstruction of Magical girl, and yeah like what Aidan said
SuperMario
I think part of Utena is a deconstruction of "prince riding horse and save the girl" because that notion is just a foundation for Utena to become a prince herself and save other girl. That's breaking it apart and resemble it again in its own way. Don't have to be dark/ don't have to be real either
AidanAK47
@Masky, That's just debating semantics. Besides that difinition would pretty much mean that Neon Genesis Evangelion isn't a decontruction either. Madoka isn't a decontruction because it's dark. It's more in its aspects of criticising why a girl should throw her ordinary life away for something as dangerous as being a magical girl. It does take plenty of the typical tropes and turn them on its head
SuperMario
@Masky: Genre deconstruction is such a tricky word that I normally try to avoid using because there's really no set characteristic about the term and different people have different opinions about what constitute "deconstruction". For me, I disagree that deconstruction have to be dark and real, hmm can't say it well but I will give you an example:
Masky
But yeah, I guess I could try to find the video if you guys are interested, though like I said, I got hipsterish feel from the video and felt rather annoyed through it even though I did get what the point was and found it sort of convincing besides my annoyance
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As of this writing, Kimi no Na wa, or Your name. has enjoyed a phenomenal commercial and critical success. It becomes the highest grossing film of the year in Japan, and broke many records elsewhere in Thailand, China, America… you name it. Even in the local theatre where I went to, we got a full […]

Occultic;Nine Review – 0/100

I am certain this may seem like an extreme rating for some but the number scale always has been something I only carried over as part of psgels format. But this rating exemplifies my feelings about this show in its entirety. This show is awful, terrible, rage inducing, illogical, nonsensical garbage. Watching this show was […]

Magical Girl Raising Project Review – 65/100

In the success of Madoka there have been plenty who have tried to capitalize on turning the Magical girl genre dark. Few have actually succeeded and while Magical Girl Raising Project doesn’t quite succeed, it is still a much more competent attempt than many others. The story is about a phone app which promises to […]

Yuri!!! on Ice (Fall 2016) Review – 83/100

“Can you hear my heartbeat? Tired of feeling never enough. I close my eyes and tell myself that my dreams will come true” That’s exactly what Yuri on Ice offers, a heart-pumping ride to the sport of figure skating. Yuri on Ice’s current success and mainstream breakout is something that no one could have guessed before it aired; but here […]

Strange Frame – Love & Sax (2012) Movie Review – 76/100

Hooray, I’m finally back to this section after a while. I originally plan to review a more in-focus groups of animated films, like Korean movies, anthology movies, female-directed films, etc but now I have a different plan. The days that I cover all these will come, I promise. Instead, this time I want to highlight […]

Thunderbolt Fantasy Review – 84/100

Sometimes you dread for the current state of anime: high school settings, cute girls, fan-service jokes, idol madness… that you wish for once to see something different, and out of nowhere an oddball like this just pop up: a wuxia puppetry show influenced by Taiwanese glove puppetry written by Gen Urobuchi. The sheer fact that […]