Posted by psgels on 29 December 2011 with categories: Yearly Summaries

This list will be all about the characters, just like I did last year. At the end, you’ll find my choices for my top 30 to 21 series of the year. Overall, I hope that I got everyone here. Compiling these includes an awful lot of management and it’s very easy to overlook something (I actually nearly accidentally overlooked Heartcatch Precure, but thankfully I realized this just in time). But yeah, these are my personal choices. Feel free to share your own character highlights, of course. ;)

Most annoying character

The World God Only Knows – Elcea

In terms of annoying characters, there were two big ones that stood out. First is Yosuke Haramura from Persona, who I keep labeling as the Pee guy (seriously, he enters a new world, and what’s the first thing he does?). Every single moment this guy is whining, yelling or just being an ass. That’s just too much. The one who really took the cake though, was Elcea from the World God Only Knows. I mean, stupidity is one thing, but this was taken way too far here. This kid has the IQ of a sheep. There is nothing fun about her. She just keeps making the most moronic and self-unaware statements. If this was meant as a parody, it completely failed because it adheres to the exact tropes of the things it tries to make fun of, without anything else.

Worst Character

Sacred Seven – Yuuji Kenmi

Like with the most annoying character category, I am not counting the characters of series that I dropped at some point. It’s just not fair to judge characters of which I just didn’t watch everything of. The choice of worst character of the year was a difficult one, because there were a lot of really, really bland characters this year. Think The world God Only Knows, Fractale, Dragon Crisis, Kore wa Zombie Desu Ka, or Guilty Crown: it makes it hard to really pick one who stands out amongst them. Because of that, I decided to hand this award this time to a character who is so bad that he becomes hilarious: the main villain of Sacred Seven. What makes this guy stand out is how most of the series, he’s trying really hard to not stand out as a villain, only to fail miserably, only to completely derail near the end of the series with some ridiculously overacted monologues and some character designs that make me really wonder who in their right mind found it a good idea to approve them.

Best Cast of Minor Characters

Tiger & Bunny

These are the side characters who collectively ended up the most memorable to me this year. Level E deserves a honorable mention for creating so many interesting characters who go beyond the usual tropes. Hourou Musuko had a huge cast for only 11 episodes, and yet put down every character really realistically and dynamic. The side cast of Tiger & Bunny takes this prize though, because all of them were just really fun to watch, and they did an excellent job as supporting characters, to the point where I’d really with that the creators devoted more time to them, in order to really show what they’re made of.

Best Voice Acting

Hyouge Mono

Hyouge Mono’s voice acting was exquisite: it knew exactly when to be subtle and when to be over the top. Sasuke’s voice actor delivered both in his delirious speeches, his over the top reactions and the more subdued drama, but every major voice actor here pretty much nailed his character. There are a ton of memorable performances in this series. Very solid second places are Hourou Musuko with its wonderfully subtle acting, and Ano Hana, where the cast knew exactly how to make their characters part of the emotional roller-coaster.

Best Character Development on a Single Character

Natsume Yuujinchou – Takashi Natsume

Before the start of the third season, Natsume already was an excellent character. And here that season comes, and ends up completely devoted to developing him even more. This show showed his coming of age as he matured and grew closer to his friends, and grew to accept who he was. This show examined his past, present and future, with amazing results.

Best Character Development on an entire Cast

Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai

The collective cast of Hana-Saku Iroha grew really nicely through the course of its series. Hourou Musuko had a ton of characters who matured wonderfully. Penguin Drum’s characters and plot twists made for a very cast who just kept changing (they indeed get very solid second place for this award) and No6’s characters never were static, and always were pushed forward. The best though, was Ano Hana, who delivered a heart-wrenching story about lost childhood friendships being rekindled. It examined how people change, and how easy it is to grow apart. It wasn’t just the main character Jinta who did this: it was the entire cast; everyone delivered to it.

Top 7 Supporting Characters

#7: Blood-C – The Big Villain

Um yeah. It will be a bit difficult to praise this character without spoiling everything. Being as vague as possible:usually villains who only reveal themselves very late in the series suffer from being dull and uninteresting. Not so much here. This character’s air is over the entire series, even though its identity is a mystery for most of its airtime. I know that this series got a ton of criticisms, but yet this ended up being one of my favorite villains of the year.

#6: Chihayafuru – Arata Wataya

Thankfully this guy is a bit easier to praise, because his biggest role in the story is right at the beginning. On top of being fantastically animated as a Karuta genius, he sparked this passion that convinced me: yes, this is the guy who inspired the titular Chihaya to start playing the game as well. When his biggest part is over, he still remains really present in the series to serve as Chihaya’s inspiration, on top of being very well developed himself.

#5: Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai – Chiriko Tsurumi

Of course, the entire cast of Ano Hana is amazing, everyone stands out. Chiriko however took that extra step due to her level headedness compared to the rest of the cast. She’s surrounded by characters who have mental problems, and still manages to act level headed throughout most of the series, with some notable exceptions that only get better because of this. She was the voice of reason needed for the rest of the cast, and yet she ended up stealing the show herself quite a few times anyway.

#4: Level E – Kraft

Kraft is just adorable. Usually the straight men in a comedy are dull and formulaic, but this guy breathes new life into this trope with his ramblings that know exactly to stay outside of the borders of melodrama, but on the other hand being such a charismatic guard person with a huge sense of responsibility.

#3: Fate/Zero – Rider

When I first started watching Fate/Zero, I did not expect a side character to steal the show like this. I mean, Rider is by far the best character of the entire series. His monologues are fast and witty, and even though he looks like this huge fighter, he’s very intelligent and witty. He’s got his own ideals that he keeps shoving down on everyone, but he does it with so much force and charisma that it becomes almost impossible to retaliate.

#2: Hyouge Mono – Oda Nobunaga

If I had to mention the one highlight of Hyouge Mono, then it’d be the way they portrayed Oda Nobunaga. That was by far the best portrayal of the guy I have ever seen, and I’d go as far as saying that there will probably never come an anime that will do it better. The creators just perfectly succeeded in creating this megalomaniac ruler with a thirst for both conquest and the fine arts. And his crowning moment of awesome (the ones who reached that point know what I’m talking about) was just a beautiful display of wit and character.

#1: Supernatural the Animation – John Winchester

Numbers 2 to 4 are really larger than life characters. Heck, two of them are rulers, and I do tend to like these characters whose personalities are all over the place. As for the question of my favorite side character of the year though, my choice goes for someone completely different: a tormented father who is stuck between taking care of his sons and getting revenge on the murder of his wife. The series explores a ton of facets of his life, and tries to explain as much as possible why he did what he did. This show tries to relate to him by using different, yet similar cases and stories. And in the end, this leaves a surprisingly well developed character here that in the end is a step above the other side characters this year.

: Top 7 Female Characters

#7: Chihayafuru – Chihaya Ayase

Overall in 2011, unlike 2010, the male characters overall tended to overshadow the female characters, so I’m doing the female characters of the year first. Still, Chihaya as a character deserves to be mentioned. This girl has passion, and part of the fun of watching Chihayafuru is to see how far that passion drives her. She single-handedly managed to inspire a ton of people around her in a believable way, and her virtually limitless energy made every episode really fun and interesting to watch.

#6: Gosick – Victorique de Blois

Victorique took a while to crawl out of her shell. It’s only as the show goes on that we learn what exactly she went through, but also as what a strong character she grew into despite all that. It’s a shame that her male lead often was a bit of an idiot, just to show how smart she was. She didn’t need that. Even without him it was apparent that she was a genius, and I especially liked how she was constantly looking for a challenge to get rid of her boredom. Gosick as a series perhaps wasn’t the best out of the three “small girl detective”-series that came out this year. But in the end, it did have the best female lead.

#5: Hourou Musuko – Yoshino Takatsuki

I was really doubting whether to put her amongst the side characters or the list of the main characters. Technically Yoshino is a main character, but I also think that she gets the least amount of screentime out of all of the other characters on this list. In any case, I really have to praise her for putting forth such a believable portrayal of a young girl with gender issues. She’s very realistic and likable, and yet the drama around her was ridiculously well done.

#4: Mahou Shoujo Madoka Magica – Homura Akemi

This is another one of which I’m not going to say much due to the spoilers and all, but Homura made one heck of an impact on Mahou Shoujo Madoka Magica. She’s strong and well developed, even though she’s a big mystery for most of the first half of the series.

#3: Heartcatch Precure – Yuri Tsukikage

The beauty of Yuri was that she was much older than the rest of the main cast of Heartcatch Precure. Suddenly in a shows about kids, a mature high schooler suddenly stole the spotlights and was pretty much involved in all of the kickass fights, and the best part was that the creators acknowledged that she was awesome, and didn’t just put her on the sidelines just so that the younger characters could shine. Yuri was caring and confident, but her own story and background in the series are along with Tsubomi the most charming.

#2: Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai – Meiko Honma

Oh, I remember when I first saw the promo art for Ano Hana, I was like “What? Even more moe? What’s this doing in Noitamina?” And then a little more about this show was revealed and it seemed to take itself quite seriously. And then the show aired. The beauty of Menma was that she adheres to some moe tropes, but also subverts them just as hard. Yes, she’s ditzy, but she isn’t stupid. She’s innocent, but not clueless. She’s bratty, but she’s nowhere near the stereotype you’d expect her to be. She helped really well in order to make this show the tear jerker it was, as the character around which everything revolves. Many of the heart-wrenching moments of the series were because of her. I really would not have guessed that from my first impression.

#1: Mawaru Penguin Drum – Himari Takakura

Himari is important, not just for what she means to the other main characters in this series, but also because she’s so damn well developed. In a series with as much flashbacks as Penguin Drum, we get to see a ton of different points in her youth that shaped her to who she is, and why she’s so important to the other characters. She really was the glue that kept everything in this series together.

Top 7 Male Characters

#7: Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai – Jinta Yadomi

Jintan was sometimes hard to watch, because of how passive and miserable he was as a character. Part of the goal of the series was to heal him, and make him grow into a better character. And that was done so well here that made me place him on this list. While Menma was the center of the story, he was the one who carried it and with that he did a really good job.

#6: Tiger & Bunny – Kotetsu Kaburagi

The competition really is fierce for this list, and I’m surprised at how many characters I loved I had to eliminate, just to cut it back to just 7 entries. I just couldn’t not mention Kaburagi Koutetsu, though. This guy is very unlike your average hero. He’s much, much older than usual, and even has his own daughter. He’s irresponsible at first, but as the show goes on you get a much better insight in his character. It makes him both fun to watch, and a very engaging character during the dramatic parts.

#5: Supernatural the Animation – Dean Winchester

How many different parts of Dean did we see in the series anyway? Of the two brothers, Sam always struck me as a bit too angsty, but Dean struck the balance perfectly. He here had everything: he was funny, he was caring, he was mature, he was independent and as a character, his development over the years was amazing. In particular his past makes him quite a complex and interesting character.

#4: Mawaru Penguin Drum – Kanba Takakura

Kanba is a hard to follow character a times, but what really struck me about him was his determination. He really was completely devoted to Himari, and that leads to some incredible scenes at times. Overall his character development also is amazing, and especially the ending of Mawaru Penguin drum really utilizes his character to the best.

#3: Hourou Musuko – Shuuichi Nitori

Part of the brilliance of starting the adaptation somewhere in the middle in the manga, is that this gave Nitori already a terrific background. And then he used that to turn into an even better character. I mean, cross-dressing is really often just played for laughs. This guy actually treated his own problems seriously, and managed to convince us of the same. There is nothing cheesy about this guy. His character development especially in the second half turned out to be incredibly detailed and engaging.

#2: Hyouge Mono – Sasuke Furuta

Sasuke… sure is a character. I mean, his ramblings are unique. There is no other character out there like him. Sure, there are plenty of over the top characters out there, but none of them really comes close to what this guy does. On one hand he marvels over some ridiculous aesthetics, on the other he tries to play a serious part in a period drama. The faces he makes are just completely ridiculous, but the comedy around him is always just hilarious. This guy is an eccentric through and through, and by far the most unique main character of the past years.

#1: Natsume Yuujin-Chou – Takashi Natsume

I already said it above: Natsume already was a very well developed character when the third season started. And here this show came and developed him even better. And to think that we’re still not done yet with him after a fourth season got announced. This third season showed some more tidbits around Natsume’s past, but also how he changed as a character. The different characters he runs into illustrate that perfectly: he’d would have treated them quite different when he would have met them in the first series. And yet, everything remains so incredibly subtle. All of the details in his development fit, and the acting for this guy turned him into a really believable character.

: My top series of 2011: #30-21

#30: Fireball Charming

This year didn’t have one comedy sequel that was better than the original. It had two of them. In Fireball’s case, you can really see that the creators wanted to surpass the first season of Fireball; it was much more ambitious. The CG graphics looked much better, the dialogue was faster and even more nonsensical. And it actually worked here. The combination between random yet strangely interesting banter and the random yet strangely interesting poses that the characters kept making really worked.

#29: Last Exile ~ Ginkyou no Fam

After two years of absence, Gonzo returned with a bunch of very poorly produced series, and one heck of an ambitious comeback of Ginyoku no Fam. It left some things to be desired overall, and the quality of each episode varies greatly, but where it delivered, it really delivered. It successfully expanded upon the Last Exile setting, expanding it even further, the graphics and backgrounds looked amazing and Fam and Giselda, despite first appearances, are likable leads. When compared to the first half of the first Last Exile though, it loses out.

#28: Gosick

Gosick had its problems. The arcs that it used to build up its story had some serious issues, including a very annoying male lead and a female lead who looked more like she had access to the script, rather than she was a genius at solving crimes. And then, good episodes showed up. To a point where in the final third, the bad episodes were completely gone. This show suddenly turned into a very engaging adventure series, and the lead characters who had once been flat, stupid and annoying grew into very relatable characters. This definitely was a welcome surprise.

#27: Usagi Drop

Overall I probably wasn’t the biggest fan of Usagi Drop. Of course it was adorable, and I love it as a look upon what it means to be a father, but I dunno, it could have gone a bit further than what it did. It’s still very gentle slice of life though, and pretty much the most realistically acted show of the year. It definitely gets points for that. Daikichi in particular was a very interesting character to watch.

#26: Ikoku Meiro no Croisée

Beyong being completely adorable, Ikoku Meiro no Croisee also was a very interesting look at cultural differences. Every episode featured interesting little tidbits about the differences in every day life between Japan and France of about 100 years ago. There was some really good chemistry between the different characters, and even the seemingly annoying rich girl had something to offer here. As a pure slice of life series though, it was a bit too forcedly dramatic, so if you want more heart-warming slice of life you should probably go to some of the other shows that this year had to offer. The different cultures however were enough of an addition to make up for this.

#25: Tamayura ~ Hitotose

Now, if there was any director on fire this year, it was Sato Junichi. He was behind three series this year (twie as the director, once as the main writer), all of which made it into my top 40 at some place. My favorite production of his was Tamayura, due to how incredibly solid it was as a slice of life show. It’s a genre that is usually very hit or miss for me, but this show really nailed it for me. It had a well developed cast, a heart-warming atmosphere, very nice animation and really succeeded as an Iyashi-kei series as well.

#24: Dantalian no Shoka

Dantalian often baffled me when I watched it, but looking back I can definitely claim that I don’t regret watching it. It’s a show that took the episodic series structure, and completely nailed one part of what makes the genre great, only to completely ignore the other part that’s required for the genre to really work. The individual stories were excellent. They all were diverse and examined some great characters with fascinating stories. And yet the main storyline or cast never really was important here. They were just tools to show these stories. Even overall themes were not really existent. All this show was was 12 standalone episodes. But granted: those episodes were very interesting.

#23: Blade

This year had more shows that went under the radar than 2010. The king of those shows though, is Blade. I was utterly surprised when I found out that in AniDB, it ranked overall even below a rating of 6/10. What this means is that it ranks amongst the 20 worst TV-anime ever made that had more than 100 votes on that site. I know that ratings like that should be taking with a salt shaker and all, but even then this is something it does not deserve at all. After watching Iron Man, Wolverine and the X-Men, it really surprised me how much this series delved into Blade’s past and how it focused to develop him as a character. Out of all of the marvel series, it also had the best female sidekick, and how one episode delivered one of Wolverine’s characters better than what Wolverine did. Plus, the entire series was pretty much a tour through South-East Asia. This show visited so many locations that go completely against the convention. Speaking of conventions, it’s great to finally see another black main character again.

#22: Star Driver

I only realized this after compiling these places 30 to 21, but this show illustrates something interesting about this year, compared to 2010. You see, Star Driver as a series stayed pretty much consistently interesting. It never really got better than what it was, but it also didn’t dip in. Last year when I compiled my top list of the year, I ranked Star Driver at the nineteenth place of the year (because yes, I do include incomplete series just like any finished series here). And still: the shows that I ranked below Star Driver then are still shows that I’d rank below it, and the same goes vice versa and for 2011 as well, meaning that 2011 had actually slightly more great series compared to 2010. Anime is dying? Hah! In any case, Star Driver was pretty much the younger brother of Mawaru Penguin Drum. It featured much more action, but also had a lot of parallels, like the use of tons of symbolism. And I have to give credit for this show that when everything finally unraveled and was explained, it took some neat risks and chances. It’s definitely not the most balanced show though.

#21: Ben-To

After so many dull and uninspired fanservice comedies, this show finally delivered with an awesome premise. A show entirely dedicated to food battles. You just have to come up with it. This show proved that even though there may be fanserivce and moe, it can still be incredibly entertaining. The storytelling was very solid: the jokes were hilarious, the action scenes were really well directed, the music was awesome, the characters were well acted. It was one heck of an entertaining ride. The only shame is that at times it indulges in pointless fanservice a little too much, and it was probably about two episodes too long.

16 Responses

  1. lol says:

    I commend you for ranking Kanba and Himari so high. The obsession with Shouma and Ringo is something I will never understand. I thought Kanba and Himari were MILES more interesting, and by far the better couple too.
    Really can’t agree with Menma, though. She might be my pick for most annoying of the entire year. She ruined the show for me tbh

  2. CJay says:

    Out of all of the things you review Characters is always the one I actually disagree with the most [cept for Hamyuts meseta last year] I guess characters are more of a personal preference compared to plot and stuff like that

    Some characters that you didn’t include:
    Anjou- I feel like she was pretty much the best character out of Anohana
    Sky High- I just absolutely loved his character. He’s so different then all of strongest people in other shows and the episodes about him were probably my favorite in the show.
    Ohana’s Mom- She was an extremely interesting side-character who though she didn’t appear much was still influential to ohana, her brother and her mother. And whenever she did appear she was just hilarious. She takes the bad mother trope to a very interesting level
    Momoka- I just loved the way that she was developed through other people’s opinions of her. (SPOILERS!!) and if you include the hats as her personality too then shes clearly really hilarious.

    And i know you had problems with the Steins;Gate characters but to me Okabe was just an outstanding character who grew greatly, while still maintained his charms throughout the whole series. He’d probably be one of my top picks for the year.

  3. AidanAK47 says:

    Ho boy…I keep trying to not say something because I know this thing is just a matter of opinion and as the bloger you can decide whatever you want…BUT COME ON!
    Psgels, Himari was a Mary Sue. She was downright prefect in every way. She had no flaws. The penguin Hat personality was her only saving grace and that wasn’t even her. As a character she was nether original nor complex. She was just the Key bait to torture and kill off so you could feel some pity.
    Another thing is while I wouldn’t say Elise is not annoying(I wasn’t fond of her even in the manga) I think Shu takes the cake for most annoying character.
    If you could give me a short concise summery of what the “Big villains” personality was like that would be great. Na…that’s impossible because he didn’t have one!

    PS: You have pictures of Dean Winchester but you name Sam as you favourite. You may have got their names mixed up.

    • hikari says:

      Agreed with Aidan on Himari, although she’s being well developed by the end of the series, but for most of the time she’s just too Mary Sue-esque for my taste(although she’s not THAT bad of Mary Sue). Ringo, Momoka and even Yuri are more interesting to me. I guess i’ve already had enough of Mary Sue’s type of chara from lots of shojo/josei manga/novel female lead that i read so far. Well, most of them had that kind of type so i think i already tired enough of that tropes in anime.

  4. Renn says:

    Good choices. I preferred Ringo/Shoma to Himari/Kanba, but Victorique, Yoshino, Homura, Kotetsu, and Natsume are some of my favorites. Can’t wait to see which shows make your top 20!

  5. Kim says:

    Like Renn I personally preferred the Ringo/Shouma pair to Himari/Kanba. Although I do think Himari became a well developed character at the end it’s not for the reasons you state but because she took an active role in the end in helping Shouma & Kanba.

    However I actually feel Ringo is the best developed character of the series (perhaps even of 2011). She went from a character who was selfish in wanting love for herself (not thinking about others) to a character who truly loved others above herself, even willing to sacrifice herself to save Himari. This was remarkable growth and I am glad she & Himari got a happy ending in the end.

  6. Kim says:

    @Psgels

    Sorry i think my comment might be somewhat spoilerish for Peguindrum, I wasn’t thinking. I would understand if you erase it. My apologies.

  7. c160 says:

    YES YURI’S IN!!! One of the most awesome character in the magical girl genre, she definitely deserves it(even though she cheats a bit for having like only 2 episodes this year ^_~). There’s also a few other blogs who put her in high regards so I’m glad it was not just us few who comments on your blog who watch that show.

    Also I’d think Saorin from Hourou Musuko would definitely make it too if the series went further than they did. Of course it’s a loooong way from where the anime cut-off so yeah Takatsuki would do for now.

    Ringo is my favorite though this year, that crazy awesome stalker girl ^^

    • c160 says:

      As for the favorite series,yeah Ben-To made it to your favorites. It was really likeable through and through, despite having so much fanservice. I think Sega should definitely have put more money in the series so there’s a whole lot more fight scenes cause the fight scenes in this series were really good.

      My only complaint for Star Driver was that since they went through the fabulous route, they should have pushed it a bit more.In other words,I think Star Driver wasn’t camp enough, so yeah, that’s my biggest problem with it.

  8. Lillian says:

    I have to disagree that Himari is the top female character. She was such a boring character. I mean her hat personality doesn’t really count! Himari didn’t have that much development. Her role in the series was very lacking compared to the rest of the female characters in the series. Himari’s purpose was not fully explored or was very lacking. She wasn’t interesting especially compared to the other characters. I didn’t feel anything special from her. She was just there.

    But overall, I agree with you on most of the rankings.

  9. Pafiume says:

    Kind of frustrated with the Hourou Musuko characters, just because the point of them is that they don’t like being their birth sex and that’s how you seem to classify them… But I guess it’s whatever. I would feel weird if you called Shuu a girl and Takatsuki a boy as well.

    Also agreeing on Himari. I’m just surprised you gave her the top spot, but considering how much you loved Penguindrum I’m not surprised. I agree with Kim about Ringo, her character really did a 180, whereas Himari… I don’t know, after so many “I’m dying, JUST KIDDING”s she got tired, to me. Opinions, opinions.

    • Enna says:

      I was about to comment about Shuu and Takatsuki being a bit reversed, considering their circumstances, but you seem to beat me to the punch. Thought I was the only one who was bothered by it. :/ I feel it kind of defeats the message of the show, but after all it is his call.

  10. someloser says:

    ahh blood-c pissed me off. truthfully, the villain was a joke. if anything, i was expecting a twist. however, the twist that came was a complete joke. rather it was like “hey here’s a twist” but the twist was a complete ass-pull, there was not even a single spec throughout the entire show except the last episode on “you’re the star of a movie saya!” it was pretty much like a deus ex machina, where shit randomly happened to make the story more interesting. all of a sudden, necklaces that are able to save people from having their head chomped off… excuses appearing everywhere. i mean, the villain wasn’t a magnificent bastard… more like a magnificent ass-pull.

  11. nodbgp says:

    I’m too lazy to even think about a summary, but looking at your’s there’s only two things I fell I need to say, at least as far as characters go.

    1) Shuu from Guilty Crown, should at least be mentioned as worst char.

    2) The prince (from Level-E) should have won at least a mention, common he’s awesome, even if he is a son of a bitch kind of awesome.

  12. jreding says:

    Taktsuki-san is an interesting choice as a best female character. She indeed does not get much screentime. Imo this correponds to the fact that everyone in H.M. assumes she just gets along well w/ her situation since it’s much more easier than Nitorin’s. Takaktsuki is more alone w/ her problems than the others. In any case, I’d go futher than c160 above and definitely give Saorin the top spot.

    I second re Sasuke being a top male character. Maybe I’m too uneducated but I didn’t the aesthetics ridiculous; in fact, I had the feeling that this show widened my horizon to appreciate the art of that age.

    Finally, I’m happy that you included Tamayura into your top 30! Star Driver, I guess, is the interesting show I missed in 2011.

  13. Kirro says:

    Awesome ranking! A bit bothered by the fact that you called Shuuichi “he” and Yoshino “she” though, since the point of the show is that they are a trans girl and boy who wish desperately to be considered the gender they identify as.

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  • WyattX
    (Wednesday, Nov 26. 2014 09:27 AM)
    What is it with light comedies trying to turn melodramatic as the series gets stretched out? What if we did the reverse? Let’s say theoretically that it happened to Tsubasa Chronicle. It would start out melodramatic as usual, then devolve into a simple, light slapstick comedy and forget about the story. People would lose their minds.
  • Emma
    (Wednesday, Nov 26. 2014 07:44 AM)
    Here I take a second look at time of eve/eve no jiken: http://emma-hime.deviantart.com/art/Review-Time-of-eve-496663893
  • Emma
    (Wednesday, Nov 26. 2014 03:06 AM)
    I’m not sure whether to watch the sequel or not.
  • Emma
    (Wednesday, Nov 26. 2014 03:04 AM)
    @Aidan: I try to avoid watching films where I can.
    Although you’ve got me to look back on my own review of guardians of the galaxy, the words I use in it don’t reflect the 4 out of 5 I gave it .
  • AidanAK47
    (Wednesday, Nov 26. 2014 03:04 AM)
    Started to notice pretty big plot holes too. like Gamora went to open the door to baddys chamber. But after opening it she shoots a hole in the roof and jumps straight into the bad guys chamber. So if you can get in that way then why did you send the others in a roundabout route instead of just blowing up the roof and getting there that way?
  • AidanAK47
    (Wednesday, Nov 26. 2014 02:49 AM)
    The comedy tends to only work once and it’s pretty weak. Like the “You are making me kick grass!” line. It’s not particularly funny, only random. The villain is just bland as hell. The characters are charming but not particularly deep.
    It’s a decent popcorn flick. But I am actually having second thoughts on getting it on DVD.
  • AidanAK47
    (Wednesday, Nov 26. 2014 02:46 AM)
    Hmm…Guardians of the galaxy wasn’t quite as good on a re-watch. First time it was pretty good. Now though it’s just…good. The film is just too damn long and like most marvel films…just mindless fun. That isn’t really bad, I mean there’s nothing wrong with fun. But when people are claiming this was one of the best superhero movies ever..yeah not so much.
  • Emma
    (Wednesday, Nov 26. 2014 12:52 AM)
    And on law in general, the age of responsibility thing feels far too simple when people mature at different rates, others are more mature at different ages/know what they are doing, while others are just born bad people.
  • Emma
    (Wednesday, Nov 26. 2014 12:49 AM)
    @K-off: That will not stop me supporting armed police force though and feeling the Irish mainstream police force should be also armed with guns.
  • Emma
    (Wednesday, Nov 26. 2014 12:46 AM)
    @K-off: There was a case where a 12 year old with a toy gun got shot I hear and another where a samurai champloo cosplayer got shot. Unfortunately difficult to prosecute the police for this kind of thing. Too many trigger finger cops, too many with a racist agenda.

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Featured Posts

Fate/Stay Night Unlimited Bladeworks – 07

As expected, this week we have another action filled episode. Queue the pretty explosions and fast paced fighting. It felt too short despite the episode length being just the same as the others. I often find that with a good episode of anime it makes you lose the concept of time as you watch. Making […]

Nanatsu no Taizai – 07

  I will admit it, I laughed at the beginning. The episode started with a pretty funny joke related to Meliodas and Elizabeth sleeping in the same bed. Maybe because this one didn’t have a second agenda of providing fanservice at the same time. Actually I enjoyed this episode a lot more than the previous. […]

Fate/Stay Night Unlimited Bladeworks – 06

I was mistaken in the previous review. The action scene I thought we would be getting today has been postponed till next week. This week we have a calm before the storm episode as things seem to be setting up for the fight scene to come. I am a little disappointed with this weeks fare […]

Nanatsu no Taizai – 06

There was quite number of still frames this episode so I hope that the animation budget isn’t starting to hurt. So our heroes triumph over the villains with a little help from Elizabeth. She showed some actual enginuity for once. As I was about to sigh as the villain was preparing to blab on about […]

Shingeki no Bahamut:Genesis- 05

Ah, the story progression that I was looking for. I finally find myself having a reason to get attached to Leone and Kaisar, because this episode devotes an entire episode to their rivalry and is just all around an improvement from last episode. I’ve talked about how the slow pacing hurts this show, and this […]

Parasyte-the Maxim- 03-05

Let me put up a disclaimer: When I first started to review this series, I didn’t foresee the obvious outcome that this show would end up so mediocre. I debated whether or not I should write reviews in groups of 2-3 episodes versus reviews that would drone on about the same issues every single episode, […]

Your Lie in April – 04 & 05

Episodes 4 and 5 of Your Lie in April were crucial ones in terms of how the series would develop. Episode 4 was a very important episode in the series as we see Kousei reintroduce himself to the music world after his mother’s death left him unable to play the piano. How the writers would […]

Fate/Stay Night Unlimited Bladeworks – 05

Always elegant. That is the motto of the Tohsaka household and the mask of Tohsaka Rin. The meaning clearly that no matter what you do, do it with style and grace. It is the creed which Rin upholds by playing the honor student. Though as you can see, at times cracks can appear in the […]

Nanatsu no Taizai – 05

One of the problems facing this series is the presentation of threats. In many other shounen you can just bring out some powerful villain and have him force the protagonist to get stronger. In seven deadly sins however our main characters are already veteran legendary warriors with tremendous power. So just adding in a strong […]

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Yondemasuyo, Azazel-San Z Review – 82,5/100

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Gargantia on the Verdurous Planet Review – 81/100

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