Posted by psgels on 29 December 2011 with categories: Yearly Summaries

This list will be all about the characters, just like I did last year. At the end, you’ll find my choices for my top 30 to 21 series of the year. Overall, I hope that I got everyone here. Compiling these includes an awful lot of management and it’s very easy to overlook something (I actually nearly accidentally overlooked Heartcatch Precure, but thankfully I realized this just in time). But yeah, these are my personal choices. Feel free to share your own character highlights, of course. ;)

Most annoying character

The World God Only Knows – Elcea

In terms of annoying characters, there were two big ones that stood out. First is Yosuke Haramura from Persona, who I keep labeling as the Pee guy (seriously, he enters a new world, and what’s the first thing he does?). Every single moment this guy is whining, yelling or just being an ass. That’s just too much. The one who really took the cake though, was Elcea from the World God Only Knows. I mean, stupidity is one thing, but this was taken way too far here. This kid has the IQ of a sheep. There is nothing fun about her. She just keeps making the most moronic and self-unaware statements. If this was meant as a parody, it completely failed because it adheres to the exact tropes of the things it tries to make fun of, without anything else.

Worst Character

Sacred Seven – Yuuji Kenmi

Like with the most annoying character category, I am not counting the characters of series that I dropped at some point. It’s just not fair to judge characters of which I just didn’t watch everything of. The choice of worst character of the year was a difficult one, because there were a lot of really, really bland characters this year. Think The world God Only Knows, Fractale, Dragon Crisis, Kore wa Zombie Desu Ka, or Guilty Crown: it makes it hard to really pick one who stands out amongst them. Because of that, I decided to hand this award this time to a character who is so bad that he becomes hilarious: the main villain of Sacred Seven. What makes this guy stand out is how most of the series, he’s trying really hard to not stand out as a villain, only to fail miserably, only to completely derail near the end of the series with some ridiculously overacted monologues and some character designs that make me really wonder who in their right mind found it a good idea to approve them.

Best Cast of Minor Characters

Tiger & Bunny

These are the side characters who collectively ended up the most memorable to me this year. Level E deserves a honorable mention for creating so many interesting characters who go beyond the usual tropes. Hourou Musuko had a huge cast for only 11 episodes, and yet put down every character really realistically and dynamic. The side cast of Tiger & Bunny takes this prize though, because all of them were just really fun to watch, and they did an excellent job as supporting characters, to the point where I’d really with that the creators devoted more time to them, in order to really show what they’re made of.

Best Voice Acting

Hyouge Mono

Hyouge Mono’s voice acting was exquisite: it knew exactly when to be subtle and when to be over the top. Sasuke’s voice actor delivered both in his delirious speeches, his over the top reactions and the more subdued drama, but every major voice actor here pretty much nailed his character. There are a ton of memorable performances in this series. Very solid second places are Hourou Musuko with its wonderfully subtle acting, and Ano Hana, where the cast knew exactly how to make their characters part of the emotional roller-coaster.

Best Character Development on a Single Character

Natsume Yuujinchou – Takashi Natsume

Before the start of the third season, Natsume already was an excellent character. And here that season comes, and ends up completely devoted to developing him even more. This show showed his coming of age as he matured and grew closer to his friends, and grew to accept who he was. This show examined his past, present and future, with amazing results.

Best Character Development on an entire Cast

Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai

The collective cast of Hana-Saku Iroha grew really nicely through the course of its series. Hourou Musuko had a ton of characters who matured wonderfully. Penguin Drum’s characters and plot twists made for a very cast who just kept changing (they indeed get very solid second place for this award) and No6’s characters never were static, and always were pushed forward. The best though, was Ano Hana, who delivered a heart-wrenching story about lost childhood friendships being rekindled. It examined how people change, and how easy it is to grow apart. It wasn’t just the main character Jinta who did this: it was the entire cast; everyone delivered to it.

Top 7 Supporting Characters

#7: Blood-C – The Big Villain

Um yeah. It will be a bit difficult to praise this character without spoiling everything. Being as vague as possible:usually villains who only reveal themselves very late in the series suffer from being dull and uninteresting. Not so much here. This character’s air is over the entire series, even though its identity is a mystery for most of its airtime. I know that this series got a ton of criticisms, but yet this ended up being one of my favorite villains of the year.

#6: Chihayafuru – Arata Wataya

Thankfully this guy is a bit easier to praise, because his biggest role in the story is right at the beginning. On top of being fantastically animated as a Karuta genius, he sparked this passion that convinced me: yes, this is the guy who inspired the titular Chihaya to start playing the game as well. When his biggest part is over, he still remains really present in the series to serve as Chihaya’s inspiration, on top of being very well developed himself.

#5: Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai – Chiriko Tsurumi

Of course, the entire cast of Ano Hana is amazing, everyone stands out. Chiriko however took that extra step due to her level headedness compared to the rest of the cast. She’s surrounded by characters who have mental problems, and still manages to act level headed throughout most of the series, with some notable exceptions that only get better because of this. She was the voice of reason needed for the rest of the cast, and yet she ended up stealing the show herself quite a few times anyway.

#4: Level E – Kraft

Kraft is just adorable. Usually the straight men in a comedy are dull and formulaic, but this guy breathes new life into this trope with his ramblings that know exactly to stay outside of the borders of melodrama, but on the other hand being such a charismatic guard person with a huge sense of responsibility.

#3: Fate/Zero – Rider

When I first started watching Fate/Zero, I did not expect a side character to steal the show like this. I mean, Rider is by far the best character of the entire series. His monologues are fast and witty, and even though he looks like this huge fighter, he’s very intelligent and witty. He’s got his own ideals that he keeps shoving down on everyone, but he does it with so much force and charisma that it becomes almost impossible to retaliate.

#2: Hyouge Mono – Oda Nobunaga

If I had to mention the one highlight of Hyouge Mono, then it’d be the way they portrayed Oda Nobunaga. That was by far the best portrayal of the guy I have ever seen, and I’d go as far as saying that there will probably never come an anime that will do it better. The creators just perfectly succeeded in creating this megalomaniac ruler with a thirst for both conquest and the fine arts. And his crowning moment of awesome (the ones who reached that point know what I’m talking about) was just a beautiful display of wit and character.

#1: Supernatural the Animation – John Winchester

Numbers 2 to 4 are really larger than life characters. Heck, two of them are rulers, and I do tend to like these characters whose personalities are all over the place. As for the question of my favorite side character of the year though, my choice goes for someone completely different: a tormented father who is stuck between taking care of his sons and getting revenge on the murder of his wife. The series explores a ton of facets of his life, and tries to explain as much as possible why he did what he did. This show tries to relate to him by using different, yet similar cases and stories. And in the end, this leaves a surprisingly well developed character here that in the end is a step above the other side characters this year.

: Top 7 Female Characters

#7: Chihayafuru – Chihaya Ayase

Overall in 2011, unlike 2010, the male characters overall tended to overshadow the female characters, so I’m doing the female characters of the year first. Still, Chihaya as a character deserves to be mentioned. This girl has passion, and part of the fun of watching Chihayafuru is to see how far that passion drives her. She single-handedly managed to inspire a ton of people around her in a believable way, and her virtually limitless energy made every episode really fun and interesting to watch.

#6: Gosick – Victorique de Blois

Victorique took a while to crawl out of her shell. It’s only as the show goes on that we learn what exactly she went through, but also as what a strong character she grew into despite all that. It’s a shame that her male lead often was a bit of an idiot, just to show how smart she was. She didn’t need that. Even without him it was apparent that she was a genius, and I especially liked how she was constantly looking for a challenge to get rid of her boredom. Gosick as a series perhaps wasn’t the best out of the three “small girl detective”-series that came out this year. But in the end, it did have the best female lead.

#5: Hourou Musuko – Yoshino Takatsuki

I was really doubting whether to put her amongst the side characters or the list of the main characters. Technically Yoshino is a main character, but I also think that she gets the least amount of screentime out of all of the other characters on this list. In any case, I really have to praise her for putting forth such a believable portrayal of a young girl with gender issues. She’s very realistic and likable, and yet the drama around her was ridiculously well done.

#4: Mahou Shoujo Madoka Magica – Homura Akemi

This is another one of which I’m not going to say much due to the spoilers and all, but Homura made one heck of an impact on Mahou Shoujo Madoka Magica. She’s strong and well developed, even though she’s a big mystery for most of the first half of the series.

#3: Heartcatch Precure – Yuri Tsukikage

The beauty of Yuri was that she was much older than the rest of the main cast of Heartcatch Precure. Suddenly in a shows about kids, a mature high schooler suddenly stole the spotlights and was pretty much involved in all of the kickass fights, and the best part was that the creators acknowledged that she was awesome, and didn’t just put her on the sidelines just so that the younger characters could shine. Yuri was caring and confident, but her own story and background in the series are along with Tsubomi the most charming.

#2: Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai – Meiko Honma

Oh, I remember when I first saw the promo art for Ano Hana, I was like “What? Even more moe? What’s this doing in Noitamina?” And then a little more about this show was revealed and it seemed to take itself quite seriously. And then the show aired. The beauty of Menma was that she adheres to some moe tropes, but also subverts them just as hard. Yes, she’s ditzy, but she isn’t stupid. She’s innocent, but not clueless. She’s bratty, but she’s nowhere near the stereotype you’d expect her to be. She helped really well in order to make this show the tear jerker it was, as the character around which everything revolves. Many of the heart-wrenching moments of the series were because of her. I really would not have guessed that from my first impression.

#1: Mawaru Penguin Drum – Himari Takakura

Himari is important, not just for what she means to the other main characters in this series, but also because she’s so damn well developed. In a series with as much flashbacks as Penguin Drum, we get to see a ton of different points in her youth that shaped her to who she is, and why she’s so important to the other characters. She really was the glue that kept everything in this series together.

Top 7 Male Characters

#7: Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai – Jinta Yadomi

Jintan was sometimes hard to watch, because of how passive and miserable he was as a character. Part of the goal of the series was to heal him, and make him grow into a better character. And that was done so well here that made me place him on this list. While Menma was the center of the story, he was the one who carried it and with that he did a really good job.

#6: Tiger & Bunny – Kotetsu Kaburagi

The competition really is fierce for this list, and I’m surprised at how many characters I loved I had to eliminate, just to cut it back to just 7 entries. I just couldn’t not mention Kaburagi Koutetsu, though. This guy is very unlike your average hero. He’s much, much older than usual, and even has his own daughter. He’s irresponsible at first, but as the show goes on you get a much better insight in his character. It makes him both fun to watch, and a very engaging character during the dramatic parts.

#5: Supernatural the Animation – Dean Winchester

How many different parts of Dean did we see in the series anyway? Of the two brothers, Sam always struck me as a bit too angsty, but Dean struck the balance perfectly. He here had everything: he was funny, he was caring, he was mature, he was independent and as a character, his development over the years was amazing. In particular his past makes him quite a complex and interesting character.

#4: Mawaru Penguin Drum – Kanba Takakura

Kanba is a hard to follow character a times, but what really struck me about him was his determination. He really was completely devoted to Himari, and that leads to some incredible scenes at times. Overall his character development also is amazing, and especially the ending of Mawaru Penguin drum really utilizes his character to the best.

#3: Hourou Musuko – Shuuichi Nitori

Part of the brilliance of starting the adaptation somewhere in the middle in the manga, is that this gave Nitori already a terrific background. And then he used that to turn into an even better character. I mean, cross-dressing is really often just played for laughs. This guy actually treated his own problems seriously, and managed to convince us of the same. There is nothing cheesy about this guy. His character development especially in the second half turned out to be incredibly detailed and engaging.

#2: Hyouge Mono – Sasuke Furuta

Sasuke… sure is a character. I mean, his ramblings are unique. There is no other character out there like him. Sure, there are plenty of over the top characters out there, but none of them really comes close to what this guy does. On one hand he marvels over some ridiculous aesthetics, on the other he tries to play a serious part in a period drama. The faces he makes are just completely ridiculous, but the comedy around him is always just hilarious. This guy is an eccentric through and through, and by far the most unique main character of the past years.

#1: Natsume Yuujin-Chou – Takashi Natsume

I already said it above: Natsume already was a very well developed character when the third season started. And here this show came and developed him even better. And to think that we’re still not done yet with him after a fourth season got announced. This third season showed some more tidbits around Natsume’s past, but also how he changed as a character. The different characters he runs into illustrate that perfectly: he’d would have treated them quite different when he would have met them in the first series. And yet, everything remains so incredibly subtle. All of the details in his development fit, and the acting for this guy turned him into a really believable character.

: My top series of 2011: #30-21

#30: Fireball Charming

This year didn’t have one comedy sequel that was better than the original. It had two of them. In Fireball’s case, you can really see that the creators wanted to surpass the first season of Fireball; it was much more ambitious. The CG graphics looked much better, the dialogue was faster and even more nonsensical. And it actually worked here. The combination between random yet strangely interesting banter and the random yet strangely interesting poses that the characters kept making really worked.

#29: Last Exile ~ Ginkyou no Fam

After two years of absence, Gonzo returned with a bunch of very poorly produced series, and one heck of an ambitious comeback of Ginyoku no Fam. It left some things to be desired overall, and the quality of each episode varies greatly, but where it delivered, it really delivered. It successfully expanded upon the Last Exile setting, expanding it even further, the graphics and backgrounds looked amazing and Fam and Giselda, despite first appearances, are likable leads. When compared to the first half of the first Last Exile though, it loses out.

#28: Gosick

Gosick had its problems. The arcs that it used to build up its story had some serious issues, including a very annoying male lead and a female lead who looked more like she had access to the script, rather than she was a genius at solving crimes. And then, good episodes showed up. To a point where in the final third, the bad episodes were completely gone. This show suddenly turned into a very engaging adventure series, and the lead characters who had once been flat, stupid and annoying grew into very relatable characters. This definitely was a welcome surprise.

#27: Usagi Drop

Overall I probably wasn’t the biggest fan of Usagi Drop. Of course it was adorable, and I love it as a look upon what it means to be a father, but I dunno, it could have gone a bit further than what it did. It’s still very gentle slice of life though, and pretty much the most realistically acted show of the year. It definitely gets points for that. Daikichi in particular was a very interesting character to watch.

#26: Ikoku Meiro no Croisée

Beyong being completely adorable, Ikoku Meiro no Croisee also was a very interesting look at cultural differences. Every episode featured interesting little tidbits about the differences in every day life between Japan and France of about 100 years ago. There was some really good chemistry between the different characters, and even the seemingly annoying rich girl had something to offer here. As a pure slice of life series though, it was a bit too forcedly dramatic, so if you want more heart-warming slice of life you should probably go to some of the other shows that this year had to offer. The different cultures however were enough of an addition to make up for this.

#25: Tamayura ~ Hitotose

Now, if there was any director on fire this year, it was Sato Junichi. He was behind three series this year (twie as the director, once as the main writer), all of which made it into my top 40 at some place. My favorite production of his was Tamayura, due to how incredibly solid it was as a slice of life show. It’s a genre that is usually very hit or miss for me, but this show really nailed it for me. It had a well developed cast, a heart-warming atmosphere, very nice animation and really succeeded as an Iyashi-kei series as well.

#24: Dantalian no Shoka

Dantalian often baffled me when I watched it, but looking back I can definitely claim that I don’t regret watching it. It’s a show that took the episodic series structure, and completely nailed one part of what makes the genre great, only to completely ignore the other part that’s required for the genre to really work. The individual stories were excellent. They all were diverse and examined some great characters with fascinating stories. And yet the main storyline or cast never really was important here. They were just tools to show these stories. Even overall themes were not really existent. All this show was was 12 standalone episodes. But granted: those episodes were very interesting.

#23: Blade

This year had more shows that went under the radar than 2010. The king of those shows though, is Blade. I was utterly surprised when I found out that in AniDB, it ranked overall even below a rating of 6/10. What this means is that it ranks amongst the 20 worst TV-anime ever made that had more than 100 votes on that site. I know that ratings like that should be taking with a salt shaker and all, but even then this is something it does not deserve at all. After watching Iron Man, Wolverine and the X-Men, it really surprised me how much this series delved into Blade’s past and how it focused to develop him as a character. Out of all of the marvel series, it also had the best female sidekick, and how one episode delivered one of Wolverine’s characters better than what Wolverine did. Plus, the entire series was pretty much a tour through South-East Asia. This show visited so many locations that go completely against the convention. Speaking of conventions, it’s great to finally see another black main character again.

#22: Star Driver

I only realized this after compiling these places 30 to 21, but this show illustrates something interesting about this year, compared to 2010. You see, Star Driver as a series stayed pretty much consistently interesting. It never really got better than what it was, but it also didn’t dip in. Last year when I compiled my top list of the year, I ranked Star Driver at the nineteenth place of the year (because yes, I do include incomplete series just like any finished series here). And still: the shows that I ranked below Star Driver then are still shows that I’d rank below it, and the same goes vice versa and for 2011 as well, meaning that 2011 had actually slightly more great series compared to 2010. Anime is dying? Hah! In any case, Star Driver was pretty much the younger brother of Mawaru Penguin Drum. It featured much more action, but also had a lot of parallels, like the use of tons of symbolism. And I have to give credit for this show that when everything finally unraveled and was explained, it took some neat risks and chances. It’s definitely not the most balanced show though.

#21: Ben-To

After so many dull and uninspired fanservice comedies, this show finally delivered with an awesome premise. A show entirely dedicated to food battles. You just have to come up with it. This show proved that even though there may be fanserivce and moe, it can still be incredibly entertaining. The storytelling was very solid: the jokes were hilarious, the action scenes were really well directed, the music was awesome, the characters were well acted. It was one heck of an entertaining ride. The only shame is that at times it indulges in pointless fanservice a little too much, and it was probably about two episodes too long.

16 Responses

  1. lol says:

    I commend you for ranking Kanba and Himari so high. The obsession with Shouma and Ringo is something I will never understand. I thought Kanba and Himari were MILES more interesting, and by far the better couple too.
    Really can’t agree with Menma, though. She might be my pick for most annoying of the entire year. She ruined the show for me tbh

  2. CJay says:

    Out of all of the things you review Characters is always the one I actually disagree with the most [cept for Hamyuts meseta last year] I guess characters are more of a personal preference compared to plot and stuff like that

    Some characters that you didn’t include:
    Anjou- I feel like she was pretty much the best character out of Anohana
    Sky High- I just absolutely loved his character. He’s so different then all of strongest people in other shows and the episodes about him were probably my favorite in the show.
    Ohana’s Mom- She was an extremely interesting side-character who though she didn’t appear much was still influential to ohana, her brother and her mother. And whenever she did appear she was just hilarious. She takes the bad mother trope to a very interesting level
    Momoka- I just loved the way that she was developed through other people’s opinions of her. (SPOILERS!!) and if you include the hats as her personality too then shes clearly really hilarious.

    And i know you had problems with the Steins;Gate characters but to me Okabe was just an outstanding character who grew greatly, while still maintained his charms throughout the whole series. He’d probably be one of my top picks for the year.

  3. AidanAK47 says:

    Ho boy…I keep trying to not say something because I know this thing is just a matter of opinion and as the bloger you can decide whatever you want…BUT COME ON!
    Psgels, Himari was a Mary Sue. She was downright prefect in every way. She had no flaws. The penguin Hat personality was her only saving grace and that wasn’t even her. As a character she was nether original nor complex. She was just the Key bait to torture and kill off so you could feel some pity.
    Another thing is while I wouldn’t say Elise is not annoying(I wasn’t fond of her even in the manga) I think Shu takes the cake for most annoying character.
    If you could give me a short concise summery of what the “Big villains” personality was like that would be great. Na…that’s impossible because he didn’t have one!

    PS: You have pictures of Dean Winchester but you name Sam as you favourite. You may have got their names mixed up.

    • hikari says:

      Agreed with Aidan on Himari, although she’s being well developed by the end of the series, but for most of the time she’s just too Mary Sue-esque for my taste(although she’s not THAT bad of Mary Sue). Ringo, Momoka and even Yuri are more interesting to me. I guess i’ve already had enough of Mary Sue’s type of chara from lots of shojo/josei manga/novel female lead that i read so far. Well, most of them had that kind of type so i think i already tired enough of that tropes in anime.

  4. Renn says:

    Good choices. I preferred Ringo/Shoma to Himari/Kanba, but Victorique, Yoshino, Homura, Kotetsu, and Natsume are some of my favorites. Can’t wait to see which shows make your top 20!

  5. Kim says:

    Like Renn I personally preferred the Ringo/Shouma pair to Himari/Kanba. Although I do think Himari became a well developed character at the end it’s not for the reasons you state but because she took an active role in the end in helping Shouma & Kanba.

    However I actually feel Ringo is the best developed character of the series (perhaps even of 2011). She went from a character who was selfish in wanting love for herself (not thinking about others) to a character who truly loved others above herself, even willing to sacrifice herself to save Himari. This was remarkable growth and I am glad she & Himari got a happy ending in the end.

  6. Kim says:

    @Psgels

    Sorry i think my comment might be somewhat spoilerish for Peguindrum, I wasn’t thinking. I would understand if you erase it. My apologies.

  7. c160 says:

    YES YURI’S IN!!! One of the most awesome character in the magical girl genre, she definitely deserves it(even though she cheats a bit for having like only 2 episodes this year ^_~). There’s also a few other blogs who put her in high regards so I’m glad it was not just us few who comments on your blog who watch that show.

    Also I’d think Saorin from Hourou Musuko would definitely make it too if the series went further than they did. Of course it’s a loooong way from where the anime cut-off so yeah Takatsuki would do for now.

    Ringo is my favorite though this year, that crazy awesome stalker girl ^^

    • c160 says:

      As for the favorite series,yeah Ben-To made it to your favorites. It was really likeable through and through, despite having so much fanservice. I think Sega should definitely have put more money in the series so there’s a whole lot more fight scenes cause the fight scenes in this series were really good.

      My only complaint for Star Driver was that since they went through the fabulous route, they should have pushed it a bit more.In other words,I think Star Driver wasn’t camp enough, so yeah, that’s my biggest problem with it.

  8. Lillian says:

    I have to disagree that Himari is the top female character. She was such a boring character. I mean her hat personality doesn’t really count! Himari didn’t have that much development. Her role in the series was very lacking compared to the rest of the female characters in the series. Himari’s purpose was not fully explored or was very lacking. She wasn’t interesting especially compared to the other characters. I didn’t feel anything special from her. She was just there.

    But overall, I agree with you on most of the rankings.

  9. Pafiume says:

    Kind of frustrated with the Hourou Musuko characters, just because the point of them is that they don’t like being their birth sex and that’s how you seem to classify them… But I guess it’s whatever. I would feel weird if you called Shuu a girl and Takatsuki a boy as well.

    Also agreeing on Himari. I’m just surprised you gave her the top spot, but considering how much you loved Penguindrum I’m not surprised. I agree with Kim about Ringo, her character really did a 180, whereas Himari… I don’t know, after so many “I’m dying, JUST KIDDING”s she got tired, to me. Opinions, opinions.

    • Enna says:

      I was about to comment about Shuu and Takatsuki being a bit reversed, considering their circumstances, but you seem to beat me to the punch. Thought I was the only one who was bothered by it. :/ I feel it kind of defeats the message of the show, but after all it is his call.

  10. someloser says:

    ahh blood-c pissed me off. truthfully, the villain was a joke. if anything, i was expecting a twist. however, the twist that came was a complete joke. rather it was like “hey here’s a twist” but the twist was a complete ass-pull, there was not even a single spec throughout the entire show except the last episode on “you’re the star of a movie saya!” it was pretty much like a deus ex machina, where shit randomly happened to make the story more interesting. all of a sudden, necklaces that are able to save people from having their head chomped off… excuses appearing everywhere. i mean, the villain wasn’t a magnificent bastard… more like a magnificent ass-pull.

  11. nodbgp says:

    I’m too lazy to even think about a summary, but looking at your’s there’s only two things I fell I need to say, at least as far as characters go.

    1) Shuu from Guilty Crown, should at least be mentioned as worst char.

    2) The prince (from Level-E) should have won at least a mention, common he’s awesome, even if he is a son of a bitch kind of awesome.

  12. jreding says:

    Taktsuki-san is an interesting choice as a best female character. She indeed does not get much screentime. Imo this correponds to the fact that everyone in H.M. assumes she just gets along well w/ her situation since it’s much more easier than Nitorin’s. Takaktsuki is more alone w/ her problems than the others. In any case, I’d go futher than c160 above and definitely give Saorin the top spot.

    I second re Sasuke being a top male character. Maybe I’m too uneducated but I didn’t the aesthetics ridiculous; in fact, I had the feeling that this show widened my horizon to appreciate the art of that age.

    Finally, I’m happy that you included Tamayura into your top 30! Star Driver, I guess, is the interesting show I missed in 2011.

  13. Kirro says:

    Awesome ranking! A bit bothered by the fact that you called Shuuichi “he” and Yoshino “she” though, since the point of the show is that they are a trans girl and boy who wish desperately to be considered the gender they identify as.

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@Mario: I'm rarely about morals or understanding as an importance when it comes to film, I care most about how it hits me on a visceral/emotional level, how daring it is in its imagination, visuals, madness , creativity.
SuperMario
@Kaiser: thanks, received it. God, Von Triers new film is entirely something else. Full-on provocation. And I already think his Nymphomaniac was too much
Kaiser-Eoghan
@Mario: Also I'm dying to see Von Trier and Chang-dongs new films, especially the priors.
Kaiser-Eoghan
@Mario: I sent you a private message.
Lenlo
That said, the key drama scenes were still great. Okabe's VA continues to make me happy. Im just not sure how much of this is nostalgia.
Lenlo
Steins;Gate is at its best in moments of character drama and character interaction. All of its value lies in its characters. Any action, with this muted style, is going to come off stiff and dull. A con of the art-style decision.
Kaiser-Eoghan
@Lenlo: I'm glad you said that, because I felt visually it looked stiff this week and that brief scene in the beginning wasn't much to look at. But Okabes meeting with Baldyguy-san and the cliffhanger and after credits bit were good scenes.
Lenlo
So yeah, this was probably the weakest week of Steins;Gate so far. Its pretty clear its not an action series and that its style doesnt suit itself well to combat scenes
SuperMario
... watching and reading many shounen titles (Dragon Ball, Dragon Quest, Bleach and the likes), shounen isn't my cup of tea at all
SuperMario
While I grow up
Lenlo
@Anon, I love Shounen. BnHA is one of my favorites every season its on. Doesnt mean I like Black Clover though
Kaiser-Eoghan
Thank you for that anon, when I watched the episode earlier I wasn't aware there was a post credits scene.
Anonymous2141254
oh well, we still are early on in S;G 0 too. Plus, there seems to be a huge development at the end of the episode
Anonymous2141254
idk, i can't help but feel that besides the amadeus plotline, everything else feels "fillery"
Anonymous2141254
I must say though that I'm still waiting for it to get good, idk maybe my expectations are too high because the original was great after the first few episodes
Anonymous2141254
Don't forget to watch end credits fo Steins Gate 0
KTravlos
I like some shonen. I just think that they are popular enough as not to be worth reviewing ihmo.
Vonter
@Anon2140150 - I do. Though Shounen do have the issue of being derivative in certain aspects like power scales and several doing the FMA Brotherhood climax (of what I've watched). Also they're made to be endless. It can be intimidating jumping to one that has several seasons.
Anonymous2140150
Does everyone here don't like shonen anime?
Amagi
Really, if there is one piece of information (aside from otome maybe) that makes me ignore a series forever it's a LN about a LN author or illustrator. The selfinert wish fulfillment couldn't be more obvious.
Amagi
Another LN greenlit for an anime production and the synopsis starts with "* is a light novel illustrator and..".
Amagi
@KTravlos: I don't know why modern anime hate curly- and/or wild hair so much. The old hair style gave Reinhard a more royal look, whereas he looks like a normal highschool boy now. Not that I am complaining about the anime as a whole. Also, I like some of the new designs.
KTravlos
and a part of me things it is indeed the hair. It comes to low, giving Reinhard a slovenly, lazy feel. When Yang feels more energetic you know there was a mistake.
KTravlos
and yes, this Reinhard fares poorly in comparison to the OVA one. He is dull. I need more Yang :p
KTravlos
ai vay vay. The Castrop Rebellion remains waste of time. And this time it was worse. The older depiction was tacky but at least it showed Kircheis ability in a logical manner. This time I had no idea what the hell happened. It felt cheap.

The rest of the episode was ok. Not completely sold on all the renditions of imp. admirals though I still love the uniforms.
Kaiser-Eoghan
*those
Kaiser-Eoghan
Hearing these , I find myself much more tolerant of anime voice acting even if the dub might only be okay.
Kaiser-Eoghan
Its actually less of a sync issue, as I'm talking about 60s dubs , alot of people think the voices in old anime English dubs from the 90s are dated, but the old sixties kungfu and western dubs are shocking, far worse.
Kaiser-Eoghan
I don't mind sometimes satirical dubbing like on tiger lily , dialectics break bricks and kung pow however.
Kaiser-Eoghan
And those can be difficult to acquire sometimes in Italian or Chinese.
Kaiser-Eoghan
@Anon: Live action films, this is especially annoying sometimes because I love Spaghetti westerns and Chinese martial arts films and old Italian cop thrillers.
Anonymous2137430
@Kaiser-Eoghan Are you referring to foreign animated films of foreign live action films because dubbing live action is a different beast as I'm sure you're aware. The idiosyncratic nature of watching moves and facial expressions not properly match voices really pulls the viewer out of the experience
SuperWooper
LoGH is airing a special next week because of scheduling delays, so that's one less thing to do.
AidanAK47
Well to those whom it might concern, expect my posts to be later than usual this week. Work is hell at the moment.
Kaiser-Eoghan
I have to say, this is probably a bit hypocritical, but while I enjoy dubs of anime I really really can't stand dubs of foreign films.
Lenlo
Simo Hayha would make a pretty crazy Archer.
Kaiser-Eoghan
I imagine a fate strange fake adaptation will materialize eventually.
Kaiser-Eoghan
But everyone seems to want that Finnish sniper as a Fate servant .
Kaiser-Eoghan
Still no Mao, still mad.
Kaiser-Eoghan
....I have lost track of the historical characters in the fate lineup.
AidanAK47
@Lenlo, to expand on that point the following historical figures are now female: Nero Claudius, Leonardo da Vinci, Frankenstein's Monster, Xuanzang, Jing Ke, Quetzalcoatl, Minamoto no Yoshitsune, Miyamoto Musashi, Okita Souji and many more to come.
AidanAK47
@Anon, I find it's an enjoyable watch though flawed. If you can get past some odd fanservice around the first ten episodes then I say it's worth watching.
Anonymous2133468
So i was thinking if i start watching, darling in the franxx, is worth it? or is just another 6/10 anime?
Lenlo
God damnit. Why Nasu. Just why.
AidanAK47
@Kaiser, that ain't even Lewd.
Kaiser-Eoghan
In all seriousness its ridiculous, the Japanese will make a cute/moe girl out of anything.
AidanAK47
....Should I also mention that Francis Drake is a big boobed pirate queen?
Kaiser-Eoghan
@Aidan: Posting lewd images on a respectable chatbox.
AidanAK47
@Lenlo, But none of these characters are in the anime adaptions. Well besides Jack and Saber.
Lenlo
Aidan, all this conversation did was prove that my decision to only ever watch the Ufotable adaptions was the correct decision.
AidanAK47
@Lenlo, you can blame Extella for the Attlia the Hun thing. I wasn't too fond of it myself. Also should mention Attila is female as well.
https://pm1.narvii.com/6414/528599445b739909c02993cfdbfc9f277d088cf2_hq.jpg
AidanAK47
Also Masky I will be the first to admit to the ridiculous aspects of the Fate Franchise but do take note that you are commenting on something you know literally nothing about. Which is the very definition of ignorance and is quite annoying. Fate/Zero nails the themes it's going for. So go watch Fate/Zero, come back and apologize.
AidanAK47
@Masky, Give it time. Genghis is getting in there eventually with Grand Order. We just had Anastasia and Salieri introduced after all. And it's not as if this story introduces Servants willy nilly, they need actual story purpose. Genghis Khan wouldn't have fit the Narrative that Fate/Zero was going for.
Lenlo
Wait Attila is an Alien and Edison is a Lion? God damnit Fate. Why are you doing this to me. I was already annoyed at your treatment of Musashi
Masky
(aliens existing in the show is good example of that missing on themes part xP)
Masky
*most successful conqueror
Masky
Honestly was just amused most conqueror of all time not being featured in the show :D But wait, whats this about aliens?
AidanAK47
Anyway the important thing to take into account is that in the Fate universe, King Arthur is a woman, Attila the Hun is an Alien, Thomas Edison is a lion and Jack the Ripper is a little girl in a dominatrix outfit. Any questions?
AidanAK47
And while you don't need to watch something to be given divine right to comment on ideas or themes, it does leave you ignorant of how that show handles those ideas and themes.
AidanAK47
As for the Historical Alexander, he wasn't given the title of King of Couquerors. Fate/Zeros interpretation of him was. As generally accurate Fates interpretation of Servents history can be, they can make changes to suit the narrative.
AidanAK47
In that Regard Alexander was doing the conquest thing before Ghengus did. Ghengus likely has some other title. Hell he may only have the title because public consciousness was is more familiar with Alexander than Ghengus.
AidanAK47
Yeah, looking it up seems the King Title lost quite a lot of meaning in the Nasuverse. Though the King Title is rather flimsy. I mean Arthur is the King of Knights cause of the Knights of the round table. Gil is king of heroes because his tale was the first Heroic myth.
Lenlo
I think Alexander was just the first one they thought of, and they couldnt retroactively give it to someone else.

That said, Broskander deserves it <3
Masky
(And no, you don't need to watch something to be given divine right to comment on ideas or themes of it.)
Masky
(just to note in case I need to note, I do tend to do at least cursory research when I make comments on stuff I don't watch)
Masky
That first part is semantics as Fate gives title "King" to historical figures who weren't kings already :D Also, you can make that argument about historical Alexander the Great? Since that seriously sounds like kind of weak reason.
AidanAK47
Also sees Rider as deserving of title of "King of Conquerors" because that which he strives to conquer most is not lands or material wealth, but the hearts of people, the toughest conquest that can be undertaken by anyone.
AidanAK47
@Masky, Ghengis Khan wasn't a king. He was a Khan.
Lenlo
Ghengis is always a Rider in my mind.
Kaiser-Eoghan
But in all seriousness, Ghengis would be an appropriate beserker servant.
Kaiser-Eoghan
@Masky: I know, it feels so wrong I'm still mad I can't summon Karl Marx or Stalin.
Masky
So wait, Fate series is about historical figures with super powers, but "King of Conquerors" title isn't given to Ghengis Khan? :D Seriously? Thats just so wrong
Kaiser-Eoghan
I don't feel any point in finishing it, it feels like something that I'd just randomly drop , not because its a bad show, but because I got my fill of it.
AidanAK47
I am actually going to drop blogging it.
AidanAK47
@Sash, indeed. I have been watching it but not blogging it for the last few episodes because it just hasn't givne me anything to say. I don't think it's a bad show but I have pointed out the flaws and strengths of it already so there is truly nothing more to say on it.
Sash
I think wotakoi is starting to feel repetitive..
Kaiser-Eoghan
You are now aware Shana and Batman Ninja Harelequinn are both voiced by Rie kugimiya.
Lenlo
I did. It was... It was a thing.
Kaiser-Eoghan
@Lenlo: Did you end up watching Batman ninja by the way?
Lenlo
Music is great, yeah. When the music is on point, everything goes up. Everytime the sync the fight/punches to the music I just get hyped. Like the rotating shot with Aragaki or the first fight in episode 1.
Lenlo
Ill do my best to be clearer in the future on that front. Yeah, I dont mind twists like this. Makes the inevitable Mikio fight, narratively, even better.
Kaiser-Eoghan
I feel the music does alot of the lifting.
Kaiser-Eoghan
Oh, so that was it.
Lenlo
Sorry if I never made that clear.
Lenlo
I would rather have fewer, amazing, fights than a lot of low-quality fights. This is a one cour show, the more meaning/impact they can give each fight the better.

Like Aragaki, narratively, was great. Loved it. Its just in animation/choreography that it falls flat.
Lenlo
Im disappointed with the animation of the fights. Narratively, I think they are quite good.
Kaiser-Eoghan
*disappointed with the fights in past episodes
Kaiser-Eoghan
@Lenlo: Pretty much what I said I thought of the episode. Although I was surprised how took the episodes ending, I expected you to see it as a slap in the face after being disappointed with the fights.
Lenlo
Also, @Kaiser, I thought Megalo Box did something unique this episode. I wasn't expecting Joe to *not* fight. And the Mikio/Yukiko proxy war is an interesting character motivation. Im betting Yukiko will get Joe a full citizenship, effectively getting her on his side.
Lenlo
I wish I was physically capable of watching Megalo Box without thinking of Hajime no Ippo. I really do. But everytime I watch it, it makes me want to watch Ippo again to.
Anonymous2120908
I watched some more of the Chimera family chinese anime. (Wasn't aware it was monthly released). And geez, I like the concept, the background art is very pretty and contrasts with settings that have become tired in other anime. Yet sadly the animation and script are WEAK. I haven't grasped the quality of what's expected of these types of production but I want to believe, they're trying.
Kaiser-Eoghan
Not much in the way of action in megalobox this week, but I did like the focus on Yukkiko getting a small character moment and then the big moment at episodes end .
AidanAK47
@Anon, That's some lazy ass trolling buddy. Should have stopped before the hashtags.
Kaiser-Eoghan
I'm even sort of looking forward to supposedly less respectable stuff like Goblin slayer and happy sugar life.
Vonter
Also E3 is almost here. And I can't wait. I think Nintendo will have a good show considering they're revealing the new Smash with a tournament. There's rumors of the new game by Retro Studios (Metroid Prime and Donkey Kong) and maybe they'll reveal something about how Pokemon will be on the Switch.
Vonter
Also there's always the chance of something new being discovered. Not everything needs expectations behind. Sometimes great things come out of nowhere.
Kaiser-Eoghan
So yes, there are some at least decent shows coming out.
Kaiser-Eoghan
@Anon: Muh Baki, Muh Bananna fish, muh made in abyss season 2, muh Vinland.
Anonymous2119906
The rest of this year looks like shit for anime and 2019 doesn't look great either #fuckmoe #makeanimegreatagain
Anonymous2119214
@Kaiser yeah it happened in half the amount of eps this time around for steins gate 0; which i expected considering there's a lot of ground to cover
Anonymous2119106
@Supermario Something like Fate or the LOTR films are a different case. I get where you're coming from about your preference, but I'm arguing that if a large story is going to be split into 3 films, it helps that the 3 films feel cleanly cut. Infinity war, even though we know there's a second part to the story, feels like it has that cohesive narrative structure with a beginning, middle, and end
Anonymous2119106
@Super Mario yea but the marvel movies are a different situation so i don't think the comparison is as appropriate. Marvel movies are "episodic" in nature rather than a continuous narrative. The films are largely isolated stories that are happening in a similar universe that only happen to "congeal" narratively because of a few overarching details shared between films.
Kaiser-Eoghan
@Lenlo: I remember when the original series suddenly shifted and got going and it was a really depressing episode.
Lenlo
Oh baby. The storm has finally come in Steins;Gate. Let the true suffering commence
SuperMario
@anon2118276: that's why I don't like LoTR trilogy. It's still a whole body chopped up in 3 parts, despite how clean the cut is. Whereas for me it works better if it was like a branch in a tree. The Marvel movies (despite my disinterest on those) are a good example of this.
Kaiser-Eoghan
While I did feel some of this weeks steins gate felt fillery, I do like see these characters interact and given the episodes conclusion, this episode acted as a calm before the storm.
Lenlo
Ill agree with you on King Kong. As for the Ralph Bakshi LotR, I have. I am still to this day impressed by the overlay of 2D art onto real/overexposed footage. It makes for shockingly fluid animation in places and has its own distinct style
Anonymous2118208
@Lenlo - Have you watched the old Ralph Bakshi adaptation of the first two books? It's uneven, but it's interesting comparing and contrasting certain decisions. As good as Peter Jackson is, I feel he makes very longwinded films, I like his version of King Kong a lot, but it is too long.
Anonymous2118276
@supermario i disagree; the point is that even though the LOTH films have cliffhanger endings, they still feel like fils. they have a defined first second and third act with well paced tension and release throughout them. They follow a storytelling macrostructure necessary for films to feel like cohesive narratives even if they are to end on a cliffhanger
Lenlo
I quite liked the individual LOTR movie just fyi
Vonter
Marvel surprisingly has kept their movies simple enough, that while you might miss details nowadays, you can tell what's happening.
Vonter
Another bad case is like with Assassin's Creed, which like Lost, just tried to tease a lot of things, then it grew tired of trying to piece them together and let the last games work more standalone, with little hints of a larger lore.
Vonter
Metroid does both, it has a standalone story and a hint to what a sequel might bring. Though that hint rarely matters by the time the new game is released.
Vonter
@SuperMario - Some videogames trilogies also do that. Gears of War and God of War had good standalone beginnings but by the second game they put cliffhanging endings. Kingdom Hearts does that and I expect 3 to also do it. Megaman Legends and Half Life had incomplete stories, which might be the worse case in regards to trying to make a continuous story.
SuperMario
It ruins the appetite
SuperMario
I actually think Lord of the Rings' trilogy is a bad example to follow. These films are meant to be viewed as a whole, so each film doesn't hold much as an individual story. I just can't digest films that have "to be continued" sign at the end. Imagine having a first course meal and then have to wait for few days for second course
Kaiser-Eoghan
On the current topic, I would be well for the production of a long running, ambitious ova series.
Anonymous2116425
then again, i don't take too much issue with these films feeling like movie-sized eps...the wait just sucks is all
Anonymous2116425
clearly the films need each other to tell the whole story, yet they can be taken for what they are in isolation as well
Anonymous2116425
I don't mind the trilogy trend at all; like Aidan said, when everything is said and done, all the films will be available to watch. I just think a stronger attempt should be made to make them feel like complete films. Something like the lord of the rings trilogy is a great example of how to do this
Kaiser-Eoghan
I am in full confidence that neither I nor Miura will survive to the end of berserk.
Kaiser-Eoghan
Of course maybe they won't have a future , think about it that way, then they'd never see it, life has that weird way of being unpredictable like that =P
Kaiser-Eoghan
You can always rewatch them just before watching the one after.
AidanAK47
Of course not. But that's the thing. The wait is only a temporary problem. Anyone in the future will have all movies ready to view.
SuperMario
So it's best to wait for another 2 years to watch Heaven's Feel? Hell NOT
AidanAK47
When all the movies come out though you can basically barrel through it like a TV series.
SuperMario
Dangit, it's me Mario
Anonymous2115918
I still don't know if I like this trilogy trend. We've had a fair bun h of those in recent years (Berserk Golden Age, Madoka, even Kizumonogatari). I guess doing it that way, they'd make much more profits, and we have higher production values, but the wait is way too long and I don't think it works as movie-format
Kaiser-Eoghan
One of the very rare times where self-awareness works.
Kaiser-Eoghan
I can be nice and say of course Ryan Reynolds+ violence, comic was funnier.
Kaiser-Eoghan
@Aidan: But I'm sure if you think it over, the first deadpool was trapped in origin story mode, as an advantage, the sequel, is probably free of that.
Kaiser-Eoghan
@Aidan: Deadpool 2 had John Wicks director, which at the least means something in terms of action direction.
Kaiser-Eoghan
@Aidan: There was a whole run of deadpool issues called Cable and deadpool, which I suppose that pairing together gets the best out of the character.
AidanAK47
Seen Deadpool 2 tonight and I have difficultly deciding if it's better or worse than Deadpool 1. Still it's quite fun and I enjoyed it.
AidanAK47
@Anon, I feel somewhat similar in regards to Franxx. When this series finishes I won't be singing high praises for it. Yet I do feel that it's worth watching.
AidanAK47
@Lenlo, Now I get ya. Yeah I understand that. I might even feel the same if I didn't already know the story from the VN.
AidanAK47
@Amagi, The second film seems to be in cinema this year but we won't get it until it hits blu-ray.
Kaiser-Eoghan
@Travlos: As I expected, I am disappointed that they have held back . And you might just be right about Castrollop/Caligula/Nero, when I originally attempted to watch the show years ago, that was the episode I stopped on.
KTravlos
Yang really is stealing the show this time. But I wanted the "Alcohol is mankind's oldest friend" rant. I need it.
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Hisone to Masotan – 06 [I’ll Shout Your Name]

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