Posted by psgels on 31 December 2011 with categories: Yearly Summaries

And with this, the year has nearly ended. This will be the final post of me this year, and I wish a happy new year to all of you in advance. All I’m left with now is to throw a number of genre awards, along with my favorite series of the past year (oh and of course this is all just my humble opinion; feel free to share your own top series of the year). Take care, and be careful with fireworks, everyone.

Worst First Episode

Mayo Chiki

This year featured a lot of very crappy flash shows that are all strong contenders for this award, if they weren’t just five minutes long. The pain thankfully stops quite soon. The same unfortunately could not be said for Maken-Ki, C3, Hoshizora e Kakeru Hoshi and worst of all: Mayo Chiki. This show is the kind of bad that becomes horrible. The convenient stupidity of the plot was just way too much, beyond all of the bland characters of the other bad shows these year, these were the most offensive.

Worst Series

Dragon Crisis

I’m not handing out this award to series that I dropped somewhere along the way, or the shows that haven’t finished yet. Persona would have been a good contender if it wasn’t for that rule, and alongside that are Sacred Seven, which completely failed to be even remotely entertaining beyond the unintentional, Dragon Crisis really takes the cake though. I have no idea how it did it, but this series somehow pulled it off to actually get progressively worse with every single arc of its. It started off… okay, I guess. The kind of “okay” that made me silently hope that it would get better. Instead, the creators just completely gave up and ended off with some of the most uninspired arcs out there that completely failed to be any kind of interesting and instead just went for a dull harem route.

Biggest Disappointment

Guilty Crown

This is not just about Noitamina delivering a bad series. It has been unimpressive in the past (for me it did so with Library Wars). This is about Noitamina delivering a bad series, while selling out at the same time. 2011 marked a very sharp turn in Noitamina’s usual strategy, and the timeslot started to focus itself on a teenaged audience. Fractale in this already was a disaster, but that was just a show that was really poorly balanced. With Guilty Crown, the creators are intentionally making it very generic. Shu is intentionally being a wimp, the cast is intentionally just a set of tools to make Shu look awesome. That is really the worst part about this show. The runners up for this award were the shows that had some really good promise, but in the end were botched by huge pacing problems, like Kaiji and Fractale.

Most Pleasant Surprise

Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai

Major surprises this year include Gosick turning great, Blade spending so much time on backgrounds and Enma-Kun’s sudden chance into insanity after its very mediocre opening episodes, but the biggest has to be Ano Hana. I said this before, but when I first just saw the promo art of this series, I really had my doubts whether it would work, as it just included a picture of a ditzy looking Menma. After that more and more information about it got released, and it started to look more and more solid, but I really did not expect to be such an emotional roller-coaster, right from episode 1. I literally threw my hands in the air as I saw it.

Best Animation Studio

Brains Base

Nearly every year, there is just one studio who stands above the others. This year, it was Brains Base. When in a year, you release four series at once, more than any other year so far, and the worst of them is something of the caliber of Kamisama Dolls, you’ve got something to be proud of. I mean, Kamisama Dolls just pales in comparison to the other shows they did this year, from the crazy Enma-Kun to the refined Natsume to the roller-coaster ride that was Penguin Drum.

Most Promising Studio

Jinni’s Animation Studios

Every year I give this award to a small animation studio who either just started out, or showed signfiicant improvement. This year… was rather dry on that department. There is Wao World, who finally headed into television-series, but Showa Monogari wasn’t exactly an improvement over movies like Furusato Japan and Symphony in August. There was… um… 8-Bit, which delivered the middle-finger that was Infinite Stratos, but then my eye turned to the 3D CG Studio that was Jinni’s Animation Studio. They worked on the first season of Fireball before, but the differences between Fireball and Fireball Charming definitely shows that they learned a lot during the past years. Appleseed meanwhile also showed that they are very solid at rendering, although they still need to overcome the botox faces problem. Still, I believe that these guys have potential for the future.

Best Old Series I Happened to See This Year


I wached a lot of real gems this year, ranging from Kurau Phantom Memory, Rose of Versailles, Black Jack and Infinite Ryvius to finally getting to check out the now legendary Cowboy Bebop and Legend of Galactic Heroes. But all in all, I do have to say it: Gankutsuou was pretty much the best thing I watched this entire year, bar none. What Gonzo did here with its re-imagination of the classic story by Alexander Dumas is just completely amazing. The graphics are completely stunning in every single way, the character-development is just completely amazing, the story is incredible. Everything just fits in 24 episodes of awesomeness.

Best Action


This was a tough one to decide. For me, great action isn’t just a lot of pretty animation, but also depends a lot on the direction, tension and use of characters, music, etcetera. This really came together with series like C and Blood-C, where the former was fast-paced and very creative with both its visuals and ideas, whereas Blood-C’s choreography was just completely amazing and a very solid second place for this award. In the end though, the food battles in Ben-To deserve this award. It’s the first time that I hand this to a comedy series, but even though the series itself had its problems at times, the food battles were just the point where everything fit. The entire concept of fighting over food was just completely unique, but every battle here stood out in the creative uses of every day items, the actual use of strategies, the camera angles wer awesome, and the music was just fantastic for these skits.

Best Comedy

Level E

This one was a no-brainer. Level E has been the best comedy to appear in years. Especially its first arc was just completely fantastic, but even beyond that, it had some of the funniest banter I had seen in a long while. There are a ton of characters here that kick ass, but the prince, Kraft and Yukitaka take the cake here. This show was wonderful in how it both trolled its characters and its audience. The runners up this year also were completely hilarious, though: Ben-To and Dororon Enma-Kun would have also made this a great year alone if Level E wasn’t there, not to mention Hyouge Mono’s unique physical comedy.

Best Horror


Blood-C’s horror style was not the easiest to get into, since it depended heavily on atmosphere. If this atmosphere didn’t work for you, then this series was not for you. However, if it did work, then this turned into an incredibly tense and brutal horror series with an agonizing build-up. Steins;Gate also had a great atmosphere, and Supernatural also succeeded in achieving this.

Best Slice of Life

Tamayura ~ Hitotose

I’ve always found the definition of “Slice of Life” a bit tricky. For example, Natsume Yuujinchou had some wonderful slice of life moments, but I with its focus on Youkai stories it’s not exactly a true slice of life series. Ano Hana I guess is about the lives of a group of teenagers, but it’s not about how they live their daily lives. As for the ones that do feel like focused on portraying the daily lives of the lead characters,there are five that stood out this year: Hana-Saku Iroha, Usagi Drop, Kimi to Boku, Tamayura and Ikoku Meiro no Croisee. I decided to go for Tamayura because it best encapsulated how these characters are spending their time and living their lives, while at the same time showing how they evolve over time and develop their hobbies.

Best Romance

Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai

There were two romance series that stood miles above the others this year. Like, there’s no contest beyond them. The first is Hourou Musuko, who broke many traditions, and featured what was by far the most realistic romance I’ve seen in a while. The best however, was Ano Hana, which managed to make me bawl my eyes out surprisingly often through its romance.

Best Mystery


Un-Go was great at writing short mystery stories with a ton of twists. Mawaru Penguin Drum used its own symbols very neatly to create a very mysterious series. Blood-C used its mystery in a very daring way by only waiting for the last possible moment to explain everything. The best mystery of the year though, belongs to Steins;Gate. The story for one is incredibly well constructed, and it makes terrific use of the fact that it’s about time travel throughout its plot, though through subtle clues that are never overstated.

My top series of 2011: #10-1

#10: Mahou Shoujo Madoka Magica

Mahou Shoujo Madoka Magica really tried to redefine the mahou shoujo genre for the older audience, and as a deconstruction of the whole genre, it really succeeded in this. With a story that flows like water, it started off with a seemingly innocent mahou shoujo setting, and in the end completely subverted everything about it. It’s pretty much the best thing Shaft had made in years, and the visual direction was consistently stunning throughout the entire series.

#9: Hourou Musuko

Hourou Musuko really surprised me in how it started off already very good, and it just kept getting better with every single episode. The acting was just amazingly down to earth and realistic characters. Its decision to start in the middle of the manga, rather than at the start really worked in the way that it already gave the characters a very complex background, and it continued to develop them into better and better characters. The drama it got out of them int he end was amazing because of that.

#8: Steins;Gate

The plot of Steins;Gate was just completely stunning, as I’ve said quite a few times in this summary before. It’s multi-layered beyond belief, and in ways that at first you wouldn’t even hold imaginable. Especially the second half just keeps changing. Now granted, it does have a very unusual concept of time travel, which at times I found a bit hard to buy, Okabe’s rants also tended to get a bit monotone after a while, plus the otaku references all flew a bit above my head. But what this show did well, it did incredibly well.

#7: Tiger & Bunny

Tiger & Bunny just was that show that immediately caught my attention with its unique concept of having sponsored superheroes fight crime. It’s both meant to be a criticism to the modern media, but also an homage to the superhero genre. It’s chock full of likable characters, who work especially well as a team, but in particular the lead character Wild Tiger stands out as memorable, where his characters is really well balanced between his strengths and flaws. The only shame about this series is that it suddenly dips in during the finale. This show is the most fun when it shows the different stories about its characters, whereas the main storyline unfortunately paled a bit in comparison.

#6: Heartcatch Precure

Okay, this show aired for only one month in 2011, but I still really want to include it in this rankings, because of what a great job it did in redefining the mahou shoujo genre. Everything just fit with it, the action was amazing, the characters were all really well developed, with Tsubomi and Yuri being the best, and the finale of the series really was the epic finale we’ve hoped for. Everything about this series just looks so much more professional than usual and even though it’s fifty episodes long,I enjoyed every episode of it.

#5: Natsume Yuujin-Chou

With this third season, Natsume Yuujinchou actually slightly surpassed itself, which is really an impressive feat considering how good the first season was. The individual stories of this season in particular stood out as really heart-warming and down to earth, but the real gem is how much attention it devotes to Natsume’s development. Every episode adds something to his character, and he already was very well developed to start with. I love how this show looked into his past and also his future, and how it stressed how much he has grown as a character, and yet despite all that happened, this show just remains consistently subtle, and about a boy who just felt very isolated for a long part of his life due to his ability to see something that most people can’t.

#4: Hyouge Mono

Now, this was without a doubt the most unique series of the entire year. I still cannot fathom how the heck Bee-Train actually got the funding to go with a project as crazy as this. I still cannot imagine who in their right mind green-lighted the production of this show. Whoever it was though, I really want to thank him or her for opening up the road to long series that are miles away from the mainstream, and allowed a show that is about a bunch of old guys talking to be produced. The amount of attention that this show put on aesthetics and the so-called “Wabi-Sabi” is just amazing, and it did so for three entire seasons, and it’s still not finished. And as if that wasn’t enough: the facial expressions. The acting in this series is just completely priceless, where characters on one hand are able to deliver some really solid acting, and on the other make some of the silliest faces imaginable. You wanted Bee-Train to branch out and do something other than gunfights? Hah! You got it!

#3: Level E

Now, Level E was just completely delightful as a comedy. It was masterful at trolling, it contained the most hilarious episodes I’ve seen this entire year, and the way it consisted out of a number of unrelated stories made it a very varied series that was different for every single arc of its. The characters were all just awesome to watch, the banter between them was just wonderfully hilarious, but also its backdrop of aliens on earth had some very neat ideas and was a very interesting setting to play with. In this year Studio Pierrot and in particular David Production really showed how awesome a comedy can be when you add in a little bit extra and really try to make it stand out as unique.

#2: Mawaru Penguin Drum

Oooh, deciding my top 2 of this year was really hard. I love both series, and both series completely dominated my monthly rankings in the seasons they were shown in. Penguin Drum was the long-awaited comeback by Kunihiko Ikura, of Utena-fame, and it delivered an incredible character-study. It had a plot full of symbolism that seemed random at first, but fit in the context really well. It’s a show that’s open to quite a bit of interpretation, and it really requires you to read inbetween the lines. There were parts at which it perhaps got a bit too surreal, and I guess that there were a few twists that it just pulled for the heck of it, but it was a consistently entertaining ride that kept throwing interesting twists around the characters. I’m definitely looking forward to Kunihiko Ikuhara’s next work, although I hope that it won’t take 12 more years for that to happen… In any case, I loved this show and its ambition, but in the end I have to give the best show of the year title to another show….

#1: Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai

Ano Hana is a show that made me cry more often than probably all other series combined this year. It was the single most emotional series for me, and in the end, it even hit me more than Penguin Drum. Every episode of this series developed the characters of this series immensely, and it turned into one of my favorite Noitamina-series ever made. In just eleven episodes, this show didn’t just nail its main character, it nailed all of the side characters as well. This series really aimed to become an emotional roller-coaster, and therefore it perhaps got a bit too dramatic at times, but it never delved into cheese, and just kept getting to me, closing off with a really emotional finale. It’s a close call, but Ano hana in the end stands as my favorite series of 2011.

40 Responses

  1. CJay says:

    Surprised about AnoHana beating out Penguin Drum! I forgot you watched Gankutsuou this year too, which is indeed a masterpiece. Here’s my top 10 for the year, but I’m only going to include finished series

    10. Hana Saku Iroha
    9. Star Driver [Idk why but i liked this show so much more than i should have]
    8. Ben-to
    7. Level E
    6. Tiger & Bunny
    5. Un-Go
    4. Ano Hana
    3. Mahou Shoujo Madoka Magica
    2. Mawaru Penguin Drum
    1. Steins;Gate

    Happy New Years!

  2. Engix says:

    Just a quick question to everyone out there. Dont get me wrong, i loved Ano Hana its my 3rd best series of the year, but does anyone else think it was a little overdramatic?

    • Engix says:

      And yes, i know Psgels said it may have gotten a little over dramatic, but besides him i havent seen anyone agree, or even give the notion of it so im curious

      • Rosenritter says:

        You’re not alone. I, too, thought it was way over-the-top melodramatic… buuut unlike you, AnoHana didn’t make my top anything. I started off vaguely interested in it, but I completely soured on it by three-quarters through and finished it with a very bitter taste in my mouth.

        Any series that relies 100% on the audience caring for their characters is playing a dangerous game, especially when there’s one character whom all the others rotate around like a sun. If that pivotal character is annoying from start to finish, then it’s pretty damned hard to derive any enjoyment from that type of show. And therein lies what ruined AnoHana for me: I thought Menma was an unbearable, cloying, and suffocating avatar of the Otaku Ideal Girl. I started out just mildly irritated with her, but by the end, I could practically see where each and every one of her personality and physical traits were coldly calculated by committee and stitched together into Frankenstein’s Moenster. It was like the creators were bludgeoning me over the head with her while screaming, “LOOK HOW ADORABLE SHE IS, LOVE HER AND FEEL SAD FOR HER GODDAMMIT!!”

        There are other symptoms of poor scriptwriting beyond the all-consuming black hole that is Menma, like having characters be complete idiots in order to keep what passes for the “plot” chugging along. That doesn’t help. But that’s straying into spoiler territory, so I’ll only expand on that if pressed.

        Obviously, I’m in the minority on AnoHana. Most people love it and think it’s wonderfully written, clearly psgels included. Good for them. I’m not being sarcastic; I’m definitely not trying to knock anybody who did like it. I 100% mean it. I’m glad that there’s something they like, even though I think it’s completely unbearable. That’s just, like, my opinion, man.

        • Gjerk says:

          Wasn’t a fan of the show either for much of the same reasons I hadn’t thought of Menma in that way but I can actually see what you mean. Don’t think she was as calculated as you make it out to be but what bugged me was the fact that these people were basically obsessed with Menma to almost a cultish level, it really put me off to her character and the series as a whole. Couldn’t stand that ending either, I cringed throughout the majority of that second half.

        • LifeCarrier says:

          Thank You,

          I was just at a loss for words on expressing my dissatisfaction from seeing ano hana being #1…

          Had to warp reality pretty badly to be able to believe the story and how characters acted. While I admit I enjoyed a few moments in the show, I rolled my eyes quite often seeing how Menma acted, and with that I mean that it was hard to relate to her or the group caring for her when she was so unrealistic a character.

          In some situations she displayed the innocence and behaviour of a 4 year old while in others she displayed the maturity and understanding of a much older person. That incoherent personality made it obvious she was crafted just to elicit an emotional response from the audience…

          Actually the whole story is like that, it was overcomplicated from the start just so it could fill 12 episodes…

          LOL…I just went back and read all your post, you clearly do a better job at explaining what is wrong with the show, so I’ll leave it at that…

          However I’d like to say that I only came here to express it because I checked Ano Hana after reading the great impressions from psgels, and to think this is the best anime can deliver in this day and age is sorely dissapointing.

  3. Maniak says:

    I am not gonna comment on the top 10. Lets just say I am extremely disappointed with the outcome.

  4. Mira says:

    FFF YES. I really wanted someone to have Level E in their Top 10. An incredibly underrated series!

  5. Ren3d says:

    Are you serious? Blood C gets Best Horror? What about Shiki?

    • CJay says:

      Shiki was last year.

      • Cholisose says:

        Shiki specials were this year though, and just one minute of that was more terrifying than Blood-C. =P Blood-C was certainly violent, but I never found it scary.
        Looking forward to Another next season–we could use another good horror anime.

        • Juno says:

          I think it’s all personal preference. Shiki had lots of well-developed characters being thrown aloop. But for me, I’ll never be able to watch Blood-C’s class genocide scene again. To have tons of young students getting brutally bloodied one-by-one ON SCREEN… and watching each other getting killed by that creepy thing… knowing full well that it’s not letting any of them escape…

          That, to me, is what makes the horror stand out on top. On the other hand, my less-squeamish girlfriend laughed at the town genocide at the end. I guess some of the ways people were killed was… somewhat hilarious for some people. I, on the other hand, found the “playfulness” of the bloody deaths to be even more horrific.

          Hence, personal preference.

  6. MAQ says:

    WOW !
    I’m really surprised Penguindrum isn NOT your #1.
    Anyway, my TOP 15 with Completed series :

    1- Usagi Drop
    2- Mawaru Penguin Drum
    3- Steins;Gate
    4- Mahou Shoujou Madoka Magica
    5- Fate/Zero
    6- Hourou Musuko
    7- Natsume Yuujinchou San
    8- Tiger & Bunny
    9- Ano Hana
    10- Level E
    11- Letter Bee Reverse
    12- Gosick
    13- Hanasaku Iroha
    14- Bakuman
    15- UN-GO

    Now, I’m going to try out shows like Heartcatch Precure which i never watched.

  7. jreding says:

    Psgels, thank you so much for your work this year – w/o your blog I wouldn’t have discovered Hyouge Mono and many other excellent shows!

    I fully agree w/ GC being a big disappointment; you could also count it under wasted visuals. For me, personally, SnS III was the biggest disappointment since I love Shana but the 3rd season was just dragging along too much for my taste.

    On the other hand, I’d like to mention two shows which I’d call most underrated this year: Sengoku Otome and Nekogami Yaoyorozu, both of which I found hilarious and well-made.

  8. Sapphire says:

    I’m not the kind of anime fan who watches a bunch of shows every season, I only pick the ones that really interest me (an average 2 per season), so I’m glad to see that I’ve watched your top 3.

    I have to say though, I wasn’t able to rate any 2011 series above 8,5/10. Maybe I haven’t watched enough series, but none had a great impact on me. My hopes were very high with Star Driver and it was the most exciting anime of the year for me, but the ending killed it.

    Anyway, I guess my favorite series of 2011 was Mawaru Penguin Drum, closely followed by Level E.

  9. rever5e says:

    Shame kaiji didn’t make on your list

    1.Level E
    2.Ano Hana
    3.Mawaru Penguin Drum

  10. Hogart says:

    Say what you will about psgels, he can still surprise even his regular readers. I had no idea that AnoHana really hit you that hard, or that Hourou Musuko hit you that little by comparison. Nor that you found Tiger and Bunny more engaging than Steins;Gate.. even if slightly. Nor that Heartcatch would honestly even end up in your top 10 – it never really struck me that you found it *that* special, especially enough to rank it above Madoka (I wonder how many eyes will roll over that?)

    I’m sure people will wonder at your statement there wasn’t much cheese in AnoHana. I loved it as well, but I think it’s well earned it’s reputation for cheese, especially with the finale. I do marvel at people’s criticisms of the show, since it was painfully honest about it’s cheesy motivations right from the get-go. Even the ending should have been a foregone conclusion, imho. But I guess people just wanted it to prove their expectations wrong somehow.

    Also, I completely agree with you about Jinni’s.. I hope these guys get more chances to perfect their work with CG. They and Fireball Charming barely got any mention this year.

  11. Jambo says:

    My Top 10:

    1. Madoka
    2. Ano Hana
    3. Penguindrum
    4. Freezing
    5. Gosick
    6. Un-Go
    7. Fate/Zero
    8. Blood-C
    9. C3
    10. Level E

    Didn’t watch Steins Gate but plan to! Chiyafuru would be in there at 4 but it hasn’t finished yet. I dropped Tiger and Bunny, I just didn’t find it interesting. Hourou Musoku looked a bit dull so I didn’t watch. Happy new year!

  12. mullign says:

    And here I was expecting a tie for the top spot! :D

    I think the best part of your (already) very amazing roundup is the separate section dedicated to the production studios behind the season. Really good to see!

  13. Mormegil says:

    God, Dragon Crisis really was awful, wasn’t it?

    Yay for Brains Base. It’s certainly not a stretch to call them the best animation studio of the year. Not only were they able to juggle so many different shows at a time, they were able to do so without suffering any loss of quality. That takes talent. These guys continue to impress.

    Anyway, great list psgels. I guess we’ll just have to agree to disagree on Blood-C, though. =P
    And a Happy New Year to everyone.

  14. redbeanbun says:

    Level E was funny but Nichijou was funnier. You should watch it if you have time psgels

  15. Knuckle says:

    I’d give Madoka my number 1 slot, but that’s just because many aspects of the show just fit my tastes perfectly. Steins;Gate as well. Best thing about seeing your list though is it gives me a good opportunity to see what quality series I missed and may want to watch like Heartcatch Precure.

  16. headachebaby says:

    Hooray for AnoHana for being your #1 because I absolutely LOVE IT!!! When it aired, I was eagerly waiting for each episode. Towards the end of the series, I couldn’t help but wonder what the creators will do with the ending. I kept making up the possible endings and when episode 11 aired, it was totally AWESOME…I was struck with so much tears. I still get teary when I re-watch it.

    I guess others found there was cheese but no, I don’t think so. This anime and its emotional roller coaster truly struck a core with me.

  17. Houlgrave says:

    Well, unlike some of the others here, I’m not going to bash psgels’ choices or reasoning. I personally think it’s a pretty good list! :)

    As for my top 10-

    1. Star Driver
    2. Kami-Sama no Memo-Chou
    3. Un-Go
    4. Steins;Gate
    5. Level E
    6. Kamisama Dolls
    7. Mawaru Penguindrum
    8. Oretachi ni Tsubasa wa Nai
    9. [C]: The Money of Soul and Possibility Control
    10. Gosick

  18. someloser says:

    ahh, i thought penguindrum would be your top pick, but i can see why people would choose ano hana. though i kinda feel as if they dragged it out a bit too much at the end…

  19. J says:

    Disappointed Penguindrum didn’t take out first place. Ano Hana had too much melodrama for my taste with the added bad taste of an young, male Otaku lead in a noitaminA slot – the beginning of the end…

    • Anonymous says:

      ^”The beginning of the end”

      You’re an idiot.

      • J says:

        I’m so hurt.

        Face it, Ano Hana was for a youthful male audience – something noitaminA strove to differ from.

        noitaminA has destroyed its credibility with Guilty Crown and now BRS. 2011 is when noitaminA demonstrated a decline & I’m afraid it will only go downhill from here. I’ve heard rumors that it won’t be returning in Spring 2012 although I’d hate for that to be true.

        An aside: really enjoyed reading your blog in 2011 psgels, looking forward to 2012!

        • J says:

          Update: Thankfully noitaminA’s official demise was only a nasty rumor as Sakamichi no Apollon has been listed for Spring 2012.

          While it’s josei, it looks to be highschool focused…bleh.

          • hikari says:

            But, the settings is in the 1960’s and i’ve already read until v3/4 of the manga, and so far it’s quite ok. The settings, the unique dialect and a bit focus on jazz music at the time in japan is quite interesting, despite all the cliches&highschooll settings.

        • Anonymous says:

          So, what you’re saying is Noitamina isn’t immune to messing up and picking up some bad titles every now and then? Ever hear of a little title called Jyu-oh-sei? It aired years ago, and was easily Noitamina’s worst anime. Fractale was a masterpiece compared to that awful dreck. Bad writing ridden with plot holes, a douchebag main character with plot armor. Bad series, and even if you can get past all that, it did nothing to distinguish itself as a Noitamina show, just like Guilty Crown. Say what you will about AnoHana, it clearly fits in with the likes of Honey and Clover, and does what Noitamina does best: aims for the heart.

          Also, I guess you’ve forgotten about Usagi Drop?

          Point is, Winter season looks pretty bad(at least we’re getting Thermae Romae) for Noitamina, but having a few bad/generic titles every now and then doesn’t spell the end for them. Everyone’s gotta make money somehow, even Noitamina.

  20. Zenstrive says:

    What? no Ben-To?

  21. Juno says:

    When it comes to ranking anime, everyone has their personal preferences. Not a single series will please everyone, and that usually has to do with the fact that one thing will affect different people in different ways.

    Madoka (my #1 series this year) started off by giving its characters somewhat generic traits and then averted those traits (though I’d argue that even with those traits, the characters were still quite realistic and easy to connect to). In the end, though, I found there to be significance in having given those characters their traits. They turned out to be effective for what they were meant to do. On the other hand, I see lots of people who complain about the series because its characters were far too generic for them.
    And then we have AnoHana, which I found to be extremely meaningful in its portrayal of character interactions and relationships, which led to some really well-done tearjerking moments. But I’ve seen tons of people who think its heartstring-tugging is too artificial, thus turning them off from it.

  22. Messier says:

    Kind-a wierd, i mean Blood-C? it was a pretty bad but i was happy to see that ending throaugh. I suppose everyone has different taste when it comes to anime, anyway keep going strong!

  23. Doggie says:

    Penguindrum an excellent character study?

    psgels, I can now say with complete certainty that you are an absolute tool.

  24. Nat says:

    Gankutsuou is incredible. I remember re-watching it back in 2007/8 and noticing all the things that were lame about it, like for instance it’s SO emotionally orgiastic, lol, but on a couple of rewatches in the past year I’ve really fallen for it all over again. The storytelling is so well-paced and honest somehow, the character arcs are pretty masterful, and most of not all the characters behave in subjectively rational ways that are in line with their interests.

    For instance in the scene where we find out that Beauchamp is publishing the scoop on Albert’s dad, where Albert accuses B of being a two-faced slanderer and B v simply says something like, “Do you have any idea how hard this was for me to write?” It’s like, we don’t see much of Beauchamp’s story, because it’s not important, but we get a sense of Beauchamp as a person from just these very strategic instants. Lol and then Albert punches him anyway

Leave a Reply

Well, tbh up to where I've seen there's not much explicit yaoi in yuri on ice, only a lot of fujoshi fuel.
@Kaiser. thanks for the torrent. Gonna blaze through this today.
@Topgavin, as someone who watches a metric ton of anime I am rather surprised at that estimate that 90% of it contains Yuri.
My god those gay scenes in Yuri on Ice are hard to watch for me. Wonder if this is how it feels to be a girl watching 90% of normal anime nowadays.
okay, Flip Flappers episodic review was up. This is my lengthiest weekly review so far and I still feel I missed a lot of points. Damn you Flip Flappers
Kaiser Eoghan
You have seen the light, not needing to know everything thats happening to enjoy something ^_^
Kaiser Eoghan
I've given some consideration to reviewing that oujia film followup.
Whether you see one or the other is entirely up to your preferences, so it makes no difference to me which is worse. I have gotten very tired of generic character types, but again that's just because of the things I decide to regularly follow.
I will say if it must come down to either unnatural dialogue or unnatural character types, at leas the character type is speaking their own words and not the words of the script writer.
Or was that a black and white fallacy? Maybe it was a little of both.
@Realjustified, K-Off wasn't agreeing with me. That's a Moving the Goal Posts logical Fallacy but well I will answer regardless. Honestly it's preferable to have neither. The big mistake you are making here is that you are putting down a condiction that a show must have one or the other. But both cartoons and anime can have both. I just think it's a lot more prominent in cartoons than anime.
Like, having read hundreds of harem manga over the years, a majority of the ultimate love interest always happens to be the first girl the protagonist meets.
Wait wait wait wait. Aidan and K-Off. I get that dialogue in cartoon can seem like it was written by a script writer, but at the same time, lots of anime have characters whose sole purpose is entirely scripted. The whole spectrum of "deres" and everything. What do you think is worse? Unnatural dialogue, or unnatural character types?
You guys should really go fuck yourself, it's a solution and it's nothing short of great!
You guys should really watch the first 4 episodes of Bungo, it's a prequel and it was nothing short of great!
omg!! I just realized To be Hero was one of the show that I reviewed its 1st episode back in Chinese Animation post. I watched raw then though
forgive me if I'm a bit too overwhelmed by Flip Flappers... For this episode alone I took like 25 screenshots...trying to write a review now...
I have absolutely no idea what is going on in Flip Flappers plot. And yet for some reason I am OK with that.
Anyone out there that's a fan of crude humor should go watch ep.3 of To Be Hero. Certinately stepped it up a notch from the last two humor-wise.
One downside I can think of already is that I'm bound to lose or break one of the detachable controllers. The cost for those pieces is what I'm most interested in.
Nintendo Switch hmm? Honestly it looks too good to be true. I expect some major downsides to this thing.
I like cartoons, don't get me wrong. Certainly good for a change of pace. But there is something about the way they are written that I find rather distracting.
I don't know, maybe if I said it's like the difference from how characters talk in movie vs how characters talk in a sitcom?
@K-Off, I said one liner's or jokes. Not one liner jokes. It's hard to explain. Basically when I hear a conversation in anime even if it is based in stereotypes, it at least feels like a conversation that's being had in the moment. In cartoons however there is a layer of artificiality and it feels like characters know what a person is going to say and has a response prepared.
That's probably why some of my favorite anime in recent years haven't been very heavy on character archetypes, or were either parodies of it.
Comedic dialogue with anime in recent years have leaned too much on the idea of playing off character archetypes. The collected character vs the energetic character, for one. I'd like to see more variety. Some more word play, hyperbolic humor, body humor, etc etc.
@Aidan Not quite sure what you mean by that, because it's certainly not even a majority of cartoons that rely on cheap one liner jokes. I suppose it's entirely up to taste, but I can appreciate the energy in cartoons like Steven Universe or Regular Show when compared to the increasingly repetitive dialogue found in some recent anime.
@Topgavin: I just read that review and his main reason being Shelter is pretentious. oh well! Can't never please anyone.
Thought I'd check out the reviews for Shelter on MAl and the top review is a 1/10. Apparently because it's a cute girl we sympathise with her more, which is bad because reasons. I mean.. what? MAL never ceases to amaze me
@Mario, no. It's more that the dialogue keeps trying to push out one liners or jokes regardless of whose talking.
@Aidan: maybe because they spoke in your native language do you can feel that it's artificial, ya know? I know I have the same problem with Vietnamese drama/ cartoon and maybe Japanese people have that same issues with anime?
By which I mean, the way characters talk in cartoons is very...artificial. Like you can tell that the dialgoue was clearly written beforehand and it never really sounds natural. At least to me.
@Anon, I wouldn't. The writing and structure are too cartoon. What with the episodic nature and dialogue that generally pushes for a comedic tone.
Kaiser Eoghan
Flanagan also directed absentia which I haven't seen yet but I think someone I came across of 4chan linked it to being lovecraftian?
Kaiser Eoghan
Oculus was a film of two halves for me. Hush was a pretty standard home invasion thriller, making the victim deaf was an interesting twist but not as unique as you might think, still suspenseful though.
Kaiser Eoghan
I never saw the first oujia film. Though Mike Flanagan who did the sequel, he's never made a bad movie but he's never really made a great one either.
Kaiser Eoghan
I stick to the firm belief that cartoons and anime, visually should do and be their own thing. I'll prefer a western artstyle for cartoons rather than one pretending to look like anime style.
But this is a good topic and I'm sure everyone has their own opinions so I'm looking to hear some more arguments
@anon352392: no they aren't. For me not because of where their production based, nor their intended audience, but rather their styles, both visually and storytelling-ly, are different
Anime,” they assert, is not a “style” of illustration or animation.
That's where I differ to those guys. For me, anime is a style. In that sense, I consider RWBY, and Canadian-produced short Flutter as an anime. Thunderbolt Fantasy is not and anime-influence shows/movies that are intented for Western audience like AniMatrix or Afro Samurai are anime
@Anon nah they wouldn't be because they aren't made by a japanese producer for the japanese market. Quality isn't the question, production is
NX and Red Dead Redemption 2 trailers tomorrow.
They are good series and i honestly like them alot more than most anime series, would their quality make them anime?
What about cartoons like Steven Universe, Gravity Falls, Wander Over Yonder, Star Vs The Forces Of Evil?
In other news a sequel to an absolutely terrible horror movie called Ouija is out and it's...actually pretty good? Wondering if critics were paid off or it is legit good. Well it did have the guy who was behind Oculus and that was a pretty good movie.
Simplify the term down enough and anime is literally anything animated but the whole point of the term is to distinguish it. For to call Spongebob an anime makes me want to projectile vomit. Point is this, you say you watched a cartoon, people think Tom and jerry, Scooby doo etc. You say you watched an anime, people think Cowboy bebop, Attack on titan, etc. Whole point of the term.
For example, I don't consider Avatar or RWBY to be anime for while they use anime style, the writing is fundamentally structured like an American cartoon. Through I would consider Bloodivores an anime even though it was made by a Chinese animation company, making it technically a Chinese cartoon.
As far as what is and isn't anime I honestly think of the term as a means of distinguishing it from cartoon which gives the impression of being for children. It's like Graphic novel is to comic book. Though techically graphic novels are issues of comics bound in book form, the term Graphic novel is often used to distinguish works that go above superhero comics and whatnot.
Basically I think it was due to Porter Robinsons involvement that they didn't consider it anime.
@Aidan: Did the mods give any concrete reasons why they didn't consider it an anime?
@Mario, It wasn't the community that had the problem. It was the mods. The community made it pretty clear that they considered it anime.
So despite the art style is obviously anime, the character speaks in Japanese, and the production was animated by A1 Studios, it's not an anime? Sometimes I feel sad that the anime community keeps limiting themselves with such fixed minds.
I saw it yesterday and yes it was good. For a 5-minute story, they don't make it too overwhelme with details, and still pack an emotional punch. Moreover it elevates the song. Good stuffs.
Shelter was quite good though. It works well and the animation was beautiful. Song is not bad either. It's got a nice emotional punch to it though it's a bit simple a story.
Well anyway I only saw all this because I checked out the video for the first time and wanted to see how others thought of it with a quick scan through reddit. And I get this shitshow instead.
Playing the victim is the one really pisses off the internet. For refusing to admit you f*cked up only encourages people to shove how you f*cked up into your face. That's what really grinds peoples gears.
Yep, seen that too. The mods even put up another tread about the video and tried to guilt trip people by saying they got death threats. Look, internet rules 101. If you said or did something stupid admit to it and just walk away. Do not try to deflect blame or play the victim, that only adds fuel to the fire.
@Aidan oh yeah saw that live lol. Porter himself even commented on twitter about it, gotta love internet drama
So did anyone happen to catch the big old shitstorm of that Shelter music music when a mod of the Anime subreddit decided it wasn't "Anime" enough and removed the discussion post about it? Oh internet drama...what silly nonsense.
Finally caught up with JoJo. Diamond is Unbreakable has turned out to be much better than Stardust Crusaders. Should have waited for the season to finish through as I really loved marathoning it.
I had a feeling that might be the case considering the source materail for luger.
@Mario Oh I watched that, certinately worth it. Packed more story that some 12-episode shows do nowadays and gorgeous animation.
and I will check out "Shelter" music video to see what all the fuss is about
*this weekend to be exact.
Sounds like Luger Code 1951 is an OVA that will air next week, the same air date with "my" Zaregoto OVA.
@Mario: doesn't sound real at all to me lol
@Mario, I might be able to manage. If all else fails I can talk about the past of these historical figures.
While I don't mind watchinng Drifters, I swaer if I had to cover that show, I couldn't come up with anything to say.
Do you guys know what language the fairies speak in Drifters? It does sound like a genuine language
@topgavin: humanity has declined is a great show. It has good writing and dark, witty sense of humor. I could talk about it in length but psgels pretty much covered it all. He was really impressed by that show however.
That should be me covered till the weekend. Why do all my shows air on the weekend...
@Mario nah I've watched the whole thing but I'd heard about it at the start of this year and put it off. The dialogue between her and the fairies was great stuff, probably gonna rewatch it this weekend now that you mention it
Alright, I got three posts written up and will be throwing them out in about two hours or do.
I thought you've finished it. Yeah I love her character a lot, so cynical but witty. My favorite moment was when she read about fairy's plan to invent religions. She was like "so religions are invented?" (beat) "I've learn something new today". Priceless
@Mario Oh nice, it was one that I had heard about but never got round to. To put it in simple anime terms, Watashi is best girl
@topgavin: I just finished the series yo mentioned the other day: humanity is declined. Man, I love it. I know now I have a thing for dark twisted absurdist anime
@Ano340004: the name is Watashi ga Motete Dousunda, or to put it short Motete. I have fun with it but i'm not that enthuastic
@anon the english name is Kiss him, not me. Search through the first impressions if you need the jap name.
then that girl really loves BL (boy love)
what is the name of the anime that the girl is fat and then she got depressed because her favorite boy anime died then she got thin?
Season 7 is awesome so far too. It feels like the tone of the show is finally back to normal and it feels like Adventure Time again.
Whew, I binged all seasons of Adventure Time this weekend. The show hit a low spot in Season 6 but I think it needed to happen...Poor Finn needed the serious character development after what he did to FP.
You guys are too hard on it
Motete is very funny
Kaiser Eoghan
When it comes to gag manga and four-koma, I just eventually reach a stopping point with a comedy series in that format. Even with hidamari sketch.
I think it was typical light novel trash based on what was in the PV. I laughed that despite it being horrible that the crowd still cheered anyway, likely because it had a bath clip in it.
The PV was hilarious. I had no idea what the anime was about.
@Aidan I'm good, I'll stick with Working.
@K-Off, you could switch to something like Gi(a)rlish Number if you like. I for one am really digging the satire of the show. Plus I like that it's basically showing how an utter train-wreck of an anime can be made. That PV in the last episode was truly painful.
Feeling pretty disappointed with Working. I haven't gotten any more cynical with comedies, at least I don't think, and its flaws are so irritating.
@Adam Le, I find that with Comic book dialogue. Which is one of the reasons I have gone off marvel movies. Cartoons have it to a degree as well.
I love the instagram shots in Yuri
Maybe I can have a watch through those live action films and do a compare/contrast to see which version works better. After all movie and tv series are 2 different medium, and live-action vs animation is the topic that we never get tired of
speaking of which, the overlap between anime and live-action adaptation from manga is overwhelming. For this year alone, there were Erased, 3-gatsu no Lion, Fune o Amu, orange, and Chihayafuru (part 1&2). Those were just the ones I know.
@Adam: Don't know which genre you're into but you can try Fune o Amu (The Great Passage)
Adam Le
I can't seem to get into any of these new shows. I don't know, the dialogue always seems off to me and the forced comedy is a big turn off.
Reminds me of a thought I had when I was last at the Getty art museum. People walking past works of art hundreds of years old, but only taking a second-long glance before moving on to the next one. Not their fault really, it's only the professional critics who can understand what they see with depth.
I'm the opposite really, they're getting paid for what they said so they better know their shits
Kaiser Eoghan
I suppose I'm slightly envious of professional critics somewhat.
Sometimes you're just meant to experience the ride you know. I don't watch those explained video anymore because after all it's just one guy's opinions.
Kaiser Eoghan
Kaiser Eoghan
And I mean people who art professionals or students.
Kaiser Eoghan
I guess I'm just unsure of something, how many people watching "arty" stuff are able to pick it up on their own. By looking up an "explained video" or "explained essay" to get it, am I copping out?
Kaiser Eoghan
I feel like I've begun getting on board with the european art stuff but am really only scratching the surface with the Chinese and that stuff.
Kaiser Eoghan
And find myself missing whats going on sometimes.
Kaiser Eoghan
I'll admit I do find it frustrating, that even though I can like art films, emotionally connect at times, appreciate the visual techniques and admire them for being so different without looking up analysis by people far smarter than myself I honestly feel lost sometimes as to the meaning.
@Kaiser: Apichatphong Weerseethakul's films are so otherworldly and spiritual that I wouldn't dare to call them "dreams" anymore. Check out his "Uncle Boonmie", "Syndromes and a Century", "Cemetery of Splendors". he has such singular vision that just watch and experience his films are rewarding enough
@afgm: well, if we really go over-analyze it, bunnies can represent desire for example ^^
like eating sweet snow is so randomness for me
@Badesh: the things you said might be something I might do in the future. After all I love dissecting symbolism. But for Flip Flappers I need to know more what are intentional and what are randomness first
So Papika is corrupting Cocona? That would make some sense I guess
I mean I guess bunnies represent purity? Maybe?
@Kaiser: I mean yeah I get that things can be beautiful just because they're beautiful. But the effort comes in trying to connect that beauty and symbolism to the story as a whole, which is something I honestly struggle to do with Flip Flappers. It just seems pretty gratuitous at this point.
I don't know I think flip flappers is probably deeper than people might give it credit for. I just don't have the time or energy to piece together the abstraction. Doesn't mean that the meaning doesn't exist, it's just hard (and possibly misguided) to uncover it on the first run through.
but i don't want to get into a "who is right" argument. it was just a wish of mine to get to know the persons view of the world and not just be part of his daily mood
yeah, but i could happen that you grow intelectual but not personal ;)
Kaiser Eoghan
But theres no shame in watching a heavily thematic arthouse thing, liking it then going "didn't quite get/catch that" then looking up what it means.
Kaiser Eoghan
But for going into things, analyzing them, I wasn't saying thats wrong, when I meant overanaylsis I meant people making shit up that isn't actually there.
Kaiser Eoghan
And going too deep into thinking about that image shows the person is failing to understand that they were supposed to interact with it on an emotionally or spiritually intellectual level.
Kaiser Eoghan
Rather than de-mystifying that image or losing its enigma.
Kaiser Eoghan
I just think sometimes people forget that things can be entirely impressionistic or expressionist, people sometimes forget that images don't necessarily need a giant essay behind them or meaning or analysis. What I mean is you can have a 15 minute stretch of gorgeous looking images but the point is that you feel that or see the imagination and creativity because its beautiful.
It requires an understanding and a concept of life of the reviewer that highlights the right things, the things that widens the readers perspective, based on the narrow popculture consicousness that we have, sorry to be that dramatic...
Yeah, i don't mean that kind of overanalyzing :) so i.e. that beautiful picture of flip flappers to the left is so much more than the "character floating through an imaginary world" if you start to go into that, what it does with the viewers heart, you can write an essay weather it was the creators intention or not. that's the kind of thing i dream about and care to read
Of course afterwards they will certainly claim that they planned everything from the colour of toothpaste used but I take that with a grain of salt.
Plus the basic idea that the creator of a materiel is a complete mastermind who has internally planned out a massive series of symbolic comparisons and intricate threads which the vast majority of viewers would completely fail to see. And quite frankly, people just ain't that smart and have no reason to put in such massive effort.
The problem with overanalyzling however is that it's usually down to a series of simplifed concepts held together by a flimsy logical foundation. Like the ring theory of star wars.
...which is only achieved through what you call overanalyzing - at least in the internet world where only words count.
I wish people would "overanalyze" more. For me it get's pretty boring pretty fast to read something along the lines of "this wasn't good/perfect because i have seen better" - that's interesting as long as i need anothers opinion to get a feel for the materia. once you are somewhat experienced in life you only care for this sort of things if you know that persons view of the world...
Kaiser Eoghan
@Mario: Would you say the Apichatphong Weerseethakul's films are worth looking into as "dream" films, always wanted to get into his work but it seems....daunting.
Kaiser Eoghan
I'd imagine if you went looking you could probably find people who overanalyzed Eden of the east (as with anything) to where they saw something none of us could (or that they wanted to see). Something about young peopl in society was one look at it. But for me eden of the east was an undercooked thriller merged with a bad chick flick and the films ruined whatever good will I had for it.
I'm almost giddy with the possibility of this being the closest thing I get to Utena this decade (besides actual ikuhara works of course haha)
@ano327926: Boy, how true. agreed 100% with you here
"liberate pure illusion" is the new "revolutionize the world"
@mnei, that's hardly the only thing in Eden of the east that didn't make any sense. It was a great idea but boy...did the writing fail hard.
Anyone here watched Eden of East and got fucking confused as I do about why Akira had to wipe off his memories and ship NEETS to Dubai? He wasn't really deceived (in my opinion). He didn't have to send the NEETS anywhere either.
@Mario and from what I've heard, they skipped out a whoooole bunch of fanservicey training sessions that happened before the 1st episode. Dunno whether I'm happy or dissapointed with that
I swear Keijo's everyday training is much more intense than Saitama's
I goddamn love Drifters opening.
@Anon, the story improved in volume 3 but I don't think your issues with the show have really disappeared. So yes, it did get better but it still has it's issues.
Did RWBY get better in vol 3? I watched the first two and hated them but the designs of the girls are nice and the characters are even good, I just can't stand these graphics and that shitty plot or the comedy scenes in which it tries to copy anime humor. The "western" comedy is nice.
So RWBY volume 4 airs next week. Nice. I was actually going to write a review on RWBY and just never got around to it. Seeing as it's somewhat anime I say it's suitable for the site though honestly while it is anime styled, the writing is pure cartoon.
So that's Raising project, Drifters and Occult Nine for me.
@Topgavin, seeing as it was pretty much Top of the Preview poll(Besides Natsume but I am not the man to do Natsume.) I will do Occult Nine. I can at least have fun ripping it apart and comparing it to its contemporaries.
@Mario, for starters you can stop calling her a bitch. Flip Flappers is a classy lady so put you fapping aside and treat her good. So yep, it fine by me.
@Topgavin: He'll be fine.... I hope
Guess it'd be Raising project, Drifters and Keijo/Occult Nine..?
Total users: 44

Featured Posts

Flip Flappers 03b

Flip Flappers – 03 [Pure XLR]

Flip Flappers again raises the bar of what is expected of them, as this week the show goes even much trippier than the previous two weeks, and much darker too. They break out even their own formula, starting this episode right in the middle of desert wasteland. While this episode certainly reminds you a lot […]

Sound Eupho 2 03a

Sound! Euphonium 2 – 03 [Troubled Nocturnes]

This week, we follow an almost 24 hours of Kumiko practicing music, Kumiko interacting with other members, Kumiko having a sleepless night in a band camp, and that’s basically it. In a very Sound Eupho’s way of storytelling, there seems to be not much going on, but this episode actually lays a lot of groundworks […]


Occultic;Nine – 02 [My Cold Dimension]

After a disastrous first episode that has likely pushed away a number of viewers, Occultic;Nine decides to slow down it’s pacing to a more acceptable degree which is a good move. This does make the show much more watchable as the dialogue isn’t running off like a machine gun and we can actually take a […]


Magical Girl Raising Project – 03 [Update Notice!]

Mahou Keikaku continues steady ahead though it’s writing still leaves something to be desired. In particular I was surprised as to just how lackluster the reveal was that whoever drops out is killed. The previous episode made it seem as though Fav was intentionally keeping that aspect in the dark with how he removed the […]


Drifters – 02 [Footsteps]

I originally wasn’t all that impressed with the Drifters manga but when looking at it in motion it truly shows its worth. i guess that is because of the very nature of this series being what it is. Looking at drawing of a man being cut in half and seeing a man be cut in […]


3-gatsu no Lion – 02 [Akari – Beyond the Bridge]

I’ve read some wonderful articles about Akiyuki Shinbo’s role at Shaft and let me lay this out for you. Anime fans seem to love/hate him for all the wrong reasons. Because his name always pop up in almost Shaft’s shows, together with Shaft’s very distinctive styles (to put it very mildly), anime viewers have often […]


WWW.Working!! – Episode 3

A-1 Pictures is a studio that created a lot of my favorite comedies, which have always been hit or misses. Yet they seem to have fallen off the deep-end on comedies recently, as they haven’t put out anything worthwhile (excluding sequels) since Silver Spoon in 2013. Maybe Zveda if I’m feeling generous…Either way, this one doesn’t seem to […]

Flip Flappers 02b

Flip Flappers – 02 [Pure Converter]

While I admit that I was impressed with the first episode of Flip Flappers, I had my worries as well. With a show that relies heavily on wild visuals, on their own brand of logic and very loose sense on plot, it walks a really tightrope to hold everything together for a full core season, […]

First Impressions: Mobile Suit Gundam: Iron-Blooded Orphans Season 2

It been awhile since I wrote anything for this site as I have been quite busy over the last few months and the summer season of anime didn’t interested me all that much. Having previously covered the first season of Iron-Blooded Orphans (on another site), I’m compelled to cover the second half in its entirety. […]

Latest Reviews

Orange - 01 2

orange Review – 73/100

What would you do if you receive letters from your future-self saying that you can change your future? That’s exactly what Naho experienced as she obtains ones from herself 10 years later that urge her to look after her new friend and prevent him from committing suicide. The premise, I agree, is hardly anything groundbreaking, […]

91 Days - 07 4

91 Days Review – 68/100

When taking up the job of checking out every anime season you really can starve for something different. Variety is the spice of life and yet the entertainment industry seems determined to give us more of the same. So in the sea of average high school students gaining superpowers and harems I see an anime […]

Mob Psycho 100 - 03 3

Mob Psycho 100 Review – 80/100

After the explosive popularity of One Punch Man it really was a high bar that another work of the author ONE had to reach. While it didn’t quite manage that it still differentiated itself enough to allow it to be a worthy anime of it’s own right. But admittedly that will depend on whether this […]

[HorribleSubs] Re Zero kara Hajimeru Isekai Seikatsu - 18 [480p].mkv_002253.373

Re:Zero -Starting Life in Another World Review – 91/100

I will be the first to admit that this is very much a biased review as I have come to love this series very dearly and will now proceed to devour every piece of entertainment related to it that I can find until the day a second season is confirmed. The story involves a boy […]


The House in Fata Morgana Video Game Review – 83/100

Well I promised I would do a review of this visual novel quite a while ago and believe it or not I only just got around to finishing it. If the fellow who requested it is still here then here you go, I kept my word. Anyway it has been a while since my last […]


Tokyo Mirage Sessions ♯FE Review – 65/100

The title of this game rather says everything you need to know about my initial reaction, and I’m still all around puzzled at the mixed bag that this turned out to be – it IS just a standard mashup while having a bit of fun with some experimentation, but the game itself is actually a […]

vlcsKizumonogatary 01b

Kizumonogatari Part 1: Tekketsu-hen (2016) Movie Review – 85/100

Just a quick note that I originally intended this week’s review to be about Miss Hokusai. But because of the DVD release of this Kizumonogatari (with good subtitle to boost), I decided to bump this up and review it instead. Monogatari series has been among one of my favorite series, and certainly the one that […]

The Murder Case of Hana & Alice a

The Murder Case of Hana & Alice (2015) Movie Review – 85/100

Welcome to the third installment of World Animation section, but this time we head back to Japan for my favorite anime movie out of last year. If anything, I have always wanted those reviews to be a recommendation if you want to look for something different. So if there is anyone who would check out […]


Legend of Legacy Review – 80/100

Oh Square Enix, this is the kind of avant-garde work you need to do. Developed by Furyu with the people behind SaGa, and written by Masato Kato of Chrono Trigger, I knew I was in for a unique game right from the start. But its gameplay is certainly divisive and for good reason, as this […]