Posted by psgels on 31 December 2011 with categories: Yearly Summaries

And with this, the year has nearly ended. This will be the final post of me this year, and I wish a happy new year to all of you in advance. All I’m left with now is to throw a number of genre awards, along with my favorite series of the past year (oh and of course this is all just my humble opinion; feel free to share your own top series of the year). Take care, and be careful with fireworks, everyone.

Worst First Episode

Mayo Chiki

This year featured a lot of very crappy flash shows that are all strong contenders for this award, if they weren’t just five minutes long. The pain thankfully stops quite soon. The same unfortunately could not be said for Maken-Ki, C3, Hoshizora e Kakeru Hoshi and worst of all: Mayo Chiki. This show is the kind of bad that becomes horrible. The convenient stupidity of the plot was just way too much, beyond all of the bland characters of the other bad shows these year, these were the most offensive.

Worst Series

Dragon Crisis

I’m not handing out this award to series that I dropped somewhere along the way, or the shows that haven’t finished yet. Persona would have been a good contender if it wasn’t for that rule, and alongside that are Sacred Seven, which completely failed to be even remotely entertaining beyond the unintentional, Dragon Crisis really takes the cake though. I have no idea how it did it, but this series somehow pulled it off to actually get progressively worse with every single arc of its. It started off… okay, I guess. The kind of “okay” that made me silently hope that it would get better. Instead, the creators just completely gave up and ended off with some of the most uninspired arcs out there that completely failed to be any kind of interesting and instead just went for a dull harem route.

Biggest Disappointment

Guilty Crown

This is not just about Noitamina delivering a bad series. It has been unimpressive in the past (for me it did so with Library Wars). This is about Noitamina delivering a bad series, while selling out at the same time. 2011 marked a very sharp turn in Noitamina’s usual strategy, and the timeslot started to focus itself on a teenaged audience. Fractale in this already was a disaster, but that was just a show that was really poorly balanced. With Guilty Crown, the creators are intentionally making it very generic. Shu is intentionally being a wimp, the cast is intentionally just a set of tools to make Shu look awesome. That is really the worst part about this show. The runners up for this award were the shows that had some really good promise, but in the end were botched by huge pacing problems, like Kaiji and Fractale.

Most Pleasant Surprise

Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai

Major surprises this year include Gosick turning great, Blade spending so much time on backgrounds and Enma-Kun’s sudden chance into insanity after its very mediocre opening episodes, but the biggest has to be Ano Hana. I said this before, but when I first just saw the promo art of this series, I really had my doubts whether it would work, as it just included a picture of a ditzy looking Menma. After that more and more information about it got released, and it started to look more and more solid, but I really did not expect to be such an emotional roller-coaster, right from episode 1. I literally threw my hands in the air as I saw it.

Best Animation Studio

Brains Base

Nearly every year, there is just one studio who stands above the others. This year, it was Brains Base. When in a year, you release four series at once, more than any other year so far, and the worst of them is something of the caliber of Kamisama Dolls, you’ve got something to be proud of. I mean, Kamisama Dolls just pales in comparison to the other shows they did this year, from the crazy Enma-Kun to the refined Natsume to the roller-coaster ride that was Penguin Drum.

Most Promising Studio

Jinni’s Animation Studios

Every year I give this award to a small animation studio who either just started out, or showed signfiicant improvement. This year… was rather dry on that department. There is Wao World, who finally headed into television-series, but Showa Monogari wasn’t exactly an improvement over movies like Furusato Japan and Symphony in August. There was… um… 8-Bit, which delivered the middle-finger that was Infinite Stratos, but then my eye turned to the 3D CG Studio that was Jinni’s Animation Studio. They worked on the first season of Fireball before, but the differences between Fireball and Fireball Charming definitely shows that they learned a lot during the past years. Appleseed meanwhile also showed that they are very solid at rendering, although they still need to overcome the botox faces problem. Still, I believe that these guys have potential for the future.

Best Old Series I Happened to See This Year

Gankutsuou

I wached a lot of real gems this year, ranging from Kurau Phantom Memory, Rose of Versailles, Black Jack and Infinite Ryvius to finally getting to check out the now legendary Cowboy Bebop and Legend of Galactic Heroes. But all in all, I do have to say it: Gankutsuou was pretty much the best thing I watched this entire year, bar none. What Gonzo did here with its re-imagination of the classic story by Alexander Dumas is just completely amazing. The graphics are completely stunning in every single way, the character-development is just completely amazing, the story is incredible. Everything just fits in 24 episodes of awesomeness.

Best Action

Ben-To

This was a tough one to decide. For me, great action isn’t just a lot of pretty animation, but also depends a lot on the direction, tension and use of characters, music, etcetera. This really came together with series like C and Blood-C, where the former was fast-paced and very creative with both its visuals and ideas, whereas Blood-C’s choreography was just completely amazing and a very solid second place for this award. In the end though, the food battles in Ben-To deserve this award. It’s the first time that I hand this to a comedy series, but even though the series itself had its problems at times, the food battles were just the point where everything fit. The entire concept of fighting over food was just completely unique, but every battle here stood out in the creative uses of every day items, the actual use of strategies, the camera angles wer awesome, and the music was just fantastic for these skits.

Best Comedy

Level E

This one was a no-brainer. Level E has been the best comedy to appear in years. Especially its first arc was just completely fantastic, but even beyond that, it had some of the funniest banter I had seen in a long while. There are a ton of characters here that kick ass, but the prince, Kraft and Yukitaka take the cake here. This show was wonderful in how it both trolled its characters and its audience. The runners up this year also were completely hilarious, though: Ben-To and Dororon Enma-Kun would have also made this a great year alone if Level E wasn’t there, not to mention Hyouge Mono’s unique physical comedy.

Best Horror

Blood-C

Blood-C’s horror style was not the easiest to get into, since it depended heavily on atmosphere. If this atmosphere didn’t work for you, then this series was not for you. However, if it did work, then this turned into an incredibly tense and brutal horror series with an agonizing build-up. Steins;Gate also had a great atmosphere, and Supernatural also succeeded in achieving this.

Best Slice of Life

Tamayura ~ Hitotose

I’ve always found the definition of “Slice of Life” a bit tricky. For example, Natsume Yuujinchou had some wonderful slice of life moments, but I with its focus on Youkai stories it’s not exactly a true slice of life series. Ano Hana I guess is about the lives of a group of teenagers, but it’s not about how they live their daily lives. As for the ones that do feel like focused on portraying the daily lives of the lead characters,there are five that stood out this year: Hana-Saku Iroha, Usagi Drop, Kimi to Boku, Tamayura and Ikoku Meiro no Croisee. I decided to go for Tamayura because it best encapsulated how these characters are spending their time and living their lives, while at the same time showing how they evolve over time and develop their hobbies.

Best Romance

Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai

There were two romance series that stood miles above the others this year. Like, there’s no contest beyond them. The first is Hourou Musuko, who broke many traditions, and featured what was by far the most realistic romance I’ve seen in a while. The best however, was Ano Hana, which managed to make me bawl my eyes out surprisingly often through its romance.

Best Mystery

Steins;Gate

Un-Go was great at writing short mystery stories with a ton of twists. Mawaru Penguin Drum used its own symbols very neatly to create a very mysterious series. Blood-C used its mystery in a very daring way by only waiting for the last possible moment to explain everything. The best mystery of the year though, belongs to Steins;Gate. The story for one is incredibly well constructed, and it makes terrific use of the fact that it’s about time travel throughout its plot, though through subtle clues that are never overstated.

My top series of 2011: #10-1

#10: Mahou Shoujo Madoka Magica

Mahou Shoujo Madoka Magica really tried to redefine the mahou shoujo genre for the older audience, and as a deconstruction of the whole genre, it really succeeded in this. With a story that flows like water, it started off with a seemingly innocent mahou shoujo setting, and in the end completely subverted everything about it. It’s pretty much the best thing Shaft had made in years, and the visual direction was consistently stunning throughout the entire series.

#9: Hourou Musuko

Hourou Musuko really surprised me in how it started off already very good, and it just kept getting better with every single episode. The acting was just amazingly down to earth and realistic characters. Its decision to start in the middle of the manga, rather than at the start really worked in the way that it already gave the characters a very complex background, and it continued to develop them into better and better characters. The drama it got out of them int he end was amazing because of that.

#8: Steins;Gate

The plot of Steins;Gate was just completely stunning, as I’ve said quite a few times in this summary before. It’s multi-layered beyond belief, and in ways that at first you wouldn’t even hold imaginable. Especially the second half just keeps changing. Now granted, it does have a very unusual concept of time travel, which at times I found a bit hard to buy, Okabe’s rants also tended to get a bit monotone after a while, plus the otaku references all flew a bit above my head. But what this show did well, it did incredibly well.

#7: Tiger & Bunny

Tiger & Bunny just was that show that immediately caught my attention with its unique concept of having sponsored superheroes fight crime. It’s both meant to be a criticism to the modern media, but also an homage to the superhero genre. It’s chock full of likable characters, who work especially well as a team, but in particular the lead character Wild Tiger stands out as memorable, where his characters is really well balanced between his strengths and flaws. The only shame about this series is that it suddenly dips in during the finale. This show is the most fun when it shows the different stories about its characters, whereas the main storyline unfortunately paled a bit in comparison.

#6: Heartcatch Precure

Okay, this show aired for only one month in 2011, but I still really want to include it in this rankings, because of what a great job it did in redefining the mahou shoujo genre. Everything just fit with it, the action was amazing, the characters were all really well developed, with Tsubomi and Yuri being the best, and the finale of the series really was the epic finale we’ve hoped for. Everything about this series just looks so much more professional than usual and even though it’s fifty episodes long,I enjoyed every episode of it.

#5: Natsume Yuujin-Chou

With this third season, Natsume Yuujinchou actually slightly surpassed itself, which is really an impressive feat considering how good the first season was. The individual stories of this season in particular stood out as really heart-warming and down to earth, but the real gem is how much attention it devotes to Natsume’s development. Every episode adds something to his character, and he already was very well developed to start with. I love how this show looked into his past and also his future, and how it stressed how much he has grown as a character, and yet despite all that happened, this show just remains consistently subtle, and about a boy who just felt very isolated for a long part of his life due to his ability to see something that most people can’t.

#4: Hyouge Mono

Now, this was without a doubt the most unique series of the entire year. I still cannot fathom how the heck Bee-Train actually got the funding to go with a project as crazy as this. I still cannot imagine who in their right mind green-lighted the production of this show. Whoever it was though, I really want to thank him or her for opening up the road to long series that are miles away from the mainstream, and allowed a show that is about a bunch of old guys talking to be produced. The amount of attention that this show put on aesthetics and the so-called “Wabi-Sabi” is just amazing, and it did so for three entire seasons, and it’s still not finished. And as if that wasn’t enough: the facial expressions. The acting in this series is just completely priceless, where characters on one hand are able to deliver some really solid acting, and on the other make some of the silliest faces imaginable. You wanted Bee-Train to branch out and do something other than gunfights? Hah! You got it!

#3: Level E

Now, Level E was just completely delightful as a comedy. It was masterful at trolling, it contained the most hilarious episodes I’ve seen this entire year, and the way it consisted out of a number of unrelated stories made it a very varied series that was different for every single arc of its. The characters were all just awesome to watch, the banter between them was just wonderfully hilarious, but also its backdrop of aliens on earth had some very neat ideas and was a very interesting setting to play with. In this year Studio Pierrot and in particular David Production really showed how awesome a comedy can be when you add in a little bit extra and really try to make it stand out as unique.

#2: Mawaru Penguin Drum

Oooh, deciding my top 2 of this year was really hard. I love both series, and both series completely dominated my monthly rankings in the seasons they were shown in. Penguin Drum was the long-awaited comeback by Kunihiko Ikura, of Utena-fame, and it delivered an incredible character-study. It had a plot full of symbolism that seemed random at first, but fit in the context really well. It’s a show that’s open to quite a bit of interpretation, and it really requires you to read inbetween the lines. There were parts at which it perhaps got a bit too surreal, and I guess that there were a few twists that it just pulled for the heck of it, but it was a consistently entertaining ride that kept throwing interesting twists around the characters. I’m definitely looking forward to Kunihiko Ikuhara’s next work, although I hope that it won’t take 12 more years for that to happen… In any case, I loved this show and its ambition, but in the end I have to give the best show of the year title to another show….

#1: Ano Hi Mita Hana no Namae wo Boku-Tachi wa Mada Shiranai

Ano Hana is a show that made me cry more often than probably all other series combined this year. It was the single most emotional series for me, and in the end, it even hit me more than Penguin Drum. Every episode of this series developed the characters of this series immensely, and it turned into one of my favorite Noitamina-series ever made. In just eleven episodes, this show didn’t just nail its main character, it nailed all of the side characters as well. This series really aimed to become an emotional roller-coaster, and therefore it perhaps got a bit too dramatic at times, but it never delved into cheese, and just kept getting to me, closing off with a really emotional finale. It’s a close call, but Ano hana in the end stands as my favorite series of 2011.

40 Responses

  1. CJay says:

    Surprised about AnoHana beating out Penguin Drum! I forgot you watched Gankutsuou this year too, which is indeed a masterpiece. Here’s my top 10 for the year, but I’m only going to include finished series

    10. Hana Saku Iroha
    9. Star Driver [Idk why but i liked this show so much more than i should have]
    8. Ben-to
    7. Level E
    6. Tiger & Bunny
    5. Un-Go
    4. Ano Hana
    3. Mahou Shoujo Madoka Magica
    2. Mawaru Penguin Drum
    1. Steins;Gate

    Happy New Years!

  2. Engix says:

    Just a quick question to everyone out there. Dont get me wrong, i loved Ano Hana its my 3rd best series of the year, but does anyone else think it was a little overdramatic?

    • Engix says:

      And yes, i know Psgels said it may have gotten a little over dramatic, but besides him i havent seen anyone agree, or even give the notion of it so im curious

      • Rosenritter says:

        You’re not alone. I, too, thought it was way over-the-top melodramatic… buuut unlike you, AnoHana didn’t make my top anything. I started off vaguely interested in it, but I completely soured on it by three-quarters through and finished it with a very bitter taste in my mouth.

        Any series that relies 100% on the audience caring for their characters is playing a dangerous game, especially when there’s one character whom all the others rotate around like a sun. If that pivotal character is annoying from start to finish, then it’s pretty damned hard to derive any enjoyment from that type of show. And therein lies what ruined AnoHana for me: I thought Menma was an unbearable, cloying, and suffocating avatar of the Otaku Ideal Girl. I started out just mildly irritated with her, but by the end, I could practically see where each and every one of her personality and physical traits were coldly calculated by committee and stitched together into Frankenstein’s Moenster. It was like the creators were bludgeoning me over the head with her while screaming, “LOOK HOW ADORABLE SHE IS, LOVE HER AND FEEL SAD FOR HER GODDAMMIT!!”

        There are other symptoms of poor scriptwriting beyond the all-consuming black hole that is Menma, like having characters be complete idiots in order to keep what passes for the “plot” chugging along. That doesn’t help. But that’s straying into spoiler territory, so I’ll only expand on that if pressed.

        Obviously, I’m in the minority on AnoHana. Most people love it and think it’s wonderfully written, clearly psgels included. Good for them. I’m not being sarcastic; I’m definitely not trying to knock anybody who did like it. I 100% mean it. I’m glad that there’s something they like, even though I think it’s completely unbearable. That’s just, like, my opinion, man.

        • Gjerk says:

          Wasn’t a fan of the show either for much of the same reasons I hadn’t thought of Menma in that way but I can actually see what you mean. Don’t think she was as calculated as you make it out to be but what bugged me was the fact that these people were basically obsessed with Menma to almost a cultish level, it really put me off to her character and the series as a whole. Couldn’t stand that ending either, I cringed throughout the majority of that second half.

        • LifeCarrier says:

          Thank You,

          I was just at a loss for words on expressing my dissatisfaction from seeing ano hana being #1…

          Had to warp reality pretty badly to be able to believe the story and how characters acted. While I admit I enjoyed a few moments in the show, I rolled my eyes quite often seeing how Menma acted, and with that I mean that it was hard to relate to her or the group caring for her when she was so unrealistic a character.

          In some situations she displayed the innocence and behaviour of a 4 year old while in others she displayed the maturity and understanding of a much older person. That incoherent personality made it obvious she was crafted just to elicit an emotional response from the audience…

          Actually the whole story is like that, it was overcomplicated from the start just so it could fill 12 episodes…

          LOL…I just went back and read all your post, you clearly do a better job at explaining what is wrong with the show, so I’ll leave it at that…

          However I’d like to say that I only came here to express it because I checked Ano Hana after reading the great impressions from psgels, and to think this is the best anime can deliver in this day and age is sorely dissapointing.

  3. Maniak says:

    I am not gonna comment on the top 10. Lets just say I am extremely disappointed with the outcome.

  4. Mira says:

    FFF YES. I really wanted someone to have Level E in their Top 10. An incredibly underrated series!

  5. Ren3d says:

    Are you serious? Blood C gets Best Horror? What about Shiki?

    • CJay says:

      Shiki was last year.

      • Cholisose says:

        Shiki specials were this year though, and just one minute of that was more terrifying than Blood-C. =P Blood-C was certainly violent, but I never found it scary.
        Looking forward to Another next season–we could use another good horror anime.

        • Juno says:

          I think it’s all personal preference. Shiki had lots of well-developed characters being thrown aloop. But for me, I’ll never be able to watch Blood-C’s class genocide scene again. To have tons of young students getting brutally bloodied one-by-one ON SCREEN… and watching each other getting killed by that creepy thing… knowing full well that it’s not letting any of them escape…

          That, to me, is what makes the horror stand out on top. On the other hand, my less-squeamish girlfriend laughed at the town genocide at the end. I guess some of the ways people were killed was… somewhat hilarious for some people. I, on the other hand, found the “playfulness” of the bloody deaths to be even more horrific.

          Hence, personal preference.

  6. MAQ says:

    WOW !
    I’m really surprised Penguindrum isn NOT your #1.
    Anyway, my TOP 15 with Completed series :

    1- Usagi Drop
    2- Mawaru Penguin Drum
    3- Steins;Gate
    4- Mahou Shoujou Madoka Magica
    5- Fate/Zero
    6- Hourou Musuko
    7- Natsume Yuujinchou San
    8- Tiger & Bunny
    9- Ano Hana
    10- Level E
    11- Letter Bee Reverse
    12- Gosick
    13- Hanasaku Iroha
    14- Bakuman
    15- UN-GO

    Now, I’m going to try out shows like Heartcatch Precure which i never watched.

  7. jreding says:

    Psgels, thank you so much for your work this year – w/o your blog I wouldn’t have discovered Hyouge Mono and many other excellent shows!

    I fully agree w/ GC being a big disappointment; you could also count it under wasted visuals. For me, personally, SnS III was the biggest disappointment since I love Shana but the 3rd season was just dragging along too much for my taste.

    On the other hand, I’d like to mention two shows which I’d call most underrated this year: Sengoku Otome and Nekogami Yaoyorozu, both of which I found hilarious and well-made.

  8. Sapphire says:

    I’m not the kind of anime fan who watches a bunch of shows every season, I only pick the ones that really interest me (an average 2 per season), so I’m glad to see that I’ve watched your top 3.

    I have to say though, I wasn’t able to rate any 2011 series above 8,5/10. Maybe I haven’t watched enough series, but none had a great impact on me. My hopes were very high with Star Driver and it was the most exciting anime of the year for me, but the ending killed it.

    Anyway, I guess my favorite series of 2011 was Mawaru Penguin Drum, closely followed by Level E.

  9. rever5e says:

    Shame kaiji didn’t make on your list

    mine
    1.Level E
    2.Ano Hana
    3.Mawaru Penguin Drum
    etc..

  10. Hogart says:

    Say what you will about psgels, he can still surprise even his regular readers. I had no idea that AnoHana really hit you that hard, or that Hourou Musuko hit you that little by comparison. Nor that you found Tiger and Bunny more engaging than Steins;Gate.. even if slightly. Nor that Heartcatch would honestly even end up in your top 10 – it never really struck me that you found it *that* special, especially enough to rank it above Madoka (I wonder how many eyes will roll over that?)

    I’m sure people will wonder at your statement there wasn’t much cheese in AnoHana. I loved it as well, but I think it’s well earned it’s reputation for cheese, especially with the finale. I do marvel at people’s criticisms of the show, since it was painfully honest about it’s cheesy motivations right from the get-go. Even the ending should have been a foregone conclusion, imho. But I guess people just wanted it to prove their expectations wrong somehow.

    Also, I completely agree with you about Jinni’s.. I hope these guys get more chances to perfect their work with CG. They and Fireball Charming barely got any mention this year.

  11. Jambo says:

    My Top 10:

    1. Madoka
    2. Ano Hana
    3. Penguindrum
    4. Freezing
    5. Gosick
    6. Un-Go
    7. Fate/Zero
    8. Blood-C
    9. C3
    10. Level E

    Didn’t watch Steins Gate but plan to! Chiyafuru would be in there at 4 but it hasn’t finished yet. I dropped Tiger and Bunny, I just didn’t find it interesting. Hourou Musoku looked a bit dull so I didn’t watch. Happy new year!

  12. mullign says:

    And here I was expecting a tie for the top spot! :D

    I think the best part of your (already) very amazing roundup is the separate section dedicated to the production studios behind the season. Really good to see!

  13. Mormegil says:

    God, Dragon Crisis really was awful, wasn’t it?

    Yay for Brains Base. It’s certainly not a stretch to call them the best animation studio of the year. Not only were they able to juggle so many different shows at a time, they were able to do so without suffering any loss of quality. That takes talent. These guys continue to impress.

    Anyway, great list psgels. I guess we’ll just have to agree to disagree on Blood-C, though. =P
    And a Happy New Year to everyone.

  14. redbeanbun says:

    Level E was funny but Nichijou was funnier. You should watch it if you have time psgels

  15. Knuckle says:

    I’d give Madoka my number 1 slot, but that’s just because many aspects of the show just fit my tastes perfectly. Steins;Gate as well. Best thing about seeing your list though is it gives me a good opportunity to see what quality series I missed and may want to watch like Heartcatch Precure.

  16. headachebaby says:

    Hooray for AnoHana for being your #1 because I absolutely LOVE IT!!! When it aired, I was eagerly waiting for each episode. Towards the end of the series, I couldn’t help but wonder what the creators will do with the ending. I kept making up the possible endings and when episode 11 aired, it was totally AWESOME…I was struck with so much tears. I still get teary when I re-watch it.

    I guess others found there was cheese but no, I don’t think so. This anime and its emotional roller coaster truly struck a core with me.

  17. Houlgrave says:

    Well, unlike some of the others here, I’m not going to bash psgels’ choices or reasoning. I personally think it’s a pretty good list! :)

    As for my top 10-

    1. Star Driver
    2. Kami-Sama no Memo-Chou
    3. Un-Go
    4. Steins;Gate
    5. Level E
    6. Kamisama Dolls
    7. Mawaru Penguindrum
    8. Oretachi ni Tsubasa wa Nai
    9. [C]: The Money of Soul and Possibility Control
    10. Gosick

  18. someloser says:

    ahh, i thought penguindrum would be your top pick, but i can see why people would choose ano hana. though i kinda feel as if they dragged it out a bit too much at the end…

  19. J says:

    Disappointed Penguindrum didn’t take out first place. Ano Hana had too much melodrama for my taste with the added bad taste of an young, male Otaku lead in a noitaminA slot – the beginning of the end…

    • Anonymous says:

      ^”The beginning of the end”

      You’re an idiot.

      • J says:

        I’m so hurt.

        Face it, Ano Hana was for a youthful male audience – something noitaminA strove to differ from.

        noitaminA has destroyed its credibility with Guilty Crown and now BRS. 2011 is when noitaminA demonstrated a decline & I’m afraid it will only go downhill from here. I’ve heard rumors that it won’t be returning in Spring 2012 although I’d hate for that to be true.

        An aside: really enjoyed reading your blog in 2011 psgels, looking forward to 2012!

        • J says:

          Update: Thankfully noitaminA’s official demise was only a nasty rumor as Sakamichi no Apollon has been listed for Spring 2012.

          While it’s josei, it looks to be highschool focused…bleh.

          • hikari says:

            But, the settings is in the 1960’s and i’ve already read until v3/4 of the manga, and so far it’s quite ok. The settings, the unique dialect and a bit focus on jazz music at the time in japan is quite interesting, despite all the cliches&highschooll settings.

        • Anonymous says:

          So, what you’re saying is Noitamina isn’t immune to messing up and picking up some bad titles every now and then? Ever hear of a little title called Jyu-oh-sei? It aired years ago, and was easily Noitamina’s worst anime. Fractale was a masterpiece compared to that awful dreck. Bad writing ridden with plot holes, a douchebag main character with plot armor. Bad series, and even if you can get past all that, it did nothing to distinguish itself as a Noitamina show, just like Guilty Crown. Say what you will about AnoHana, it clearly fits in with the likes of Honey and Clover, and does what Noitamina does best: aims for the heart.

          Also, I guess you’ve forgotten about Usagi Drop?

          Point is, Winter season looks pretty bad(at least we’re getting Thermae Romae) for Noitamina, but having a few bad/generic titles every now and then doesn’t spell the end for them. Everyone’s gotta make money somehow, even Noitamina.

  20. Zenstrive says:

    What? no Ben-To?

  21. Juno says:

    When it comes to ranking anime, everyone has their personal preferences. Not a single series will please everyone, and that usually has to do with the fact that one thing will affect different people in different ways.

    Madoka (my #1 series this year) started off by giving its characters somewhat generic traits and then averted those traits (though I’d argue that even with those traits, the characters were still quite realistic and easy to connect to). In the end, though, I found there to be significance in having given those characters their traits. They turned out to be effective for what they were meant to do. On the other hand, I see lots of people who complain about the series because its characters were far too generic for them.
    And then we have AnoHana, which I found to be extremely meaningful in its portrayal of character interactions and relationships, which led to some really well-done tearjerking moments. But I’ve seen tons of people who think its heartstring-tugging is too artificial, thus turning them off from it.

  22. Messier says:

    Kind-a wierd, i mean Blood-C? it was a pretty bad but i was happy to see that ending throaugh. I suppose everyone has different taste when it comes to anime, anyway keep going strong!

  23. Doggie says:

    Penguindrum an excellent character study?

    psgels, I can now say with complete certainty that you are an absolute tool.

  24. Nat says:

    Gankutsuou is incredible. I remember re-watching it back in 2007/8 and noticing all the things that were lame about it, like for instance it’s SO emotionally orgiastic, lol, but on a couple of rewatches in the past year I’ve really fallen for it all over again. The storytelling is so well-paced and honest somehow, the character arcs are pretty masterful, and most of not all the characters behave in subjectively rational ways that are in line with their interests.

    For instance in the scene where we find out that Beauchamp is publishing the scoop on Albert’s dad, where Albert accuses B of being a two-faced slanderer and B v simply says something like, “Do you have any idea how hard this was for me to write?” It’s like, we don’t see much of Beauchamp’s story, because it’s not important, but we get a sense of Beauchamp as a person from just these very strategic instants. Lol and then Albert punches him anyway

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Kaiser-Eoghan
But I'm at least thankful to be getting a non 12s/pg action film.
Kaiser-Eoghan
I remember the church scene in the first one.
Kaiser-Eoghan
Still wish the action scenes didn't have that modern editting though.
Kaiser-Eoghan
I took too long to get Colin Firth back into the story too.
Though the idea of Colin Firth of all actors being in a film like this is amusing in itself.
Kaiser-Eoghan
I also saw the new kingsman recently, when it focuses on the action its almost up there with the first film, I liked Julianne Moore's villain better than Sam Jacksons and wanted her to have more screentime, the Elton John running joke kind of grew on me. It was overall funny without being hilarious. but theres a whole chunk in the middle of the film I'd have cut
AidanAK47
Seen Kingsman 2. I think the critics are being too harsh with this one as the movies fine. Difinitely not as good as the first flim and far too long a running time but it has its fun points.
AidanAK47
@Lenlo, Oh you must be jokin...oh god it's real. No Shingo Natsume either. Yep looks like the second season is going to be a major visual downgrade.
Lenlo
Hmm, so One Punch Man is getting a 2nd Season, but its being made by JC Staff instead of Madhouse.
SuperMario
A question: Do we need to watch Mahoutsukai no Yome OVAs before watching its first episode?
SuperMario
@Amagi: they better have a second season. The way it ends now I don't even have any motivation to write a full review. I'm not really optimistic over it having a second cour because if the producers were confident about its chance, they would've greenlit it already.
Amagi
@SuperMario: Seems like the official radio confirmed PriPri might get a second season if the BD and/or game sales are good enough. - BD sales seem to be around 7k at the moment, but it looks like many only ordered them now, after the last episode, so it might be more.
KTravlos
@Aidan. Oh I did. Thank you for reminding me. I will write the review.
AidanAK47
@Travlos, Just in case you missed it, there is a reply to you earlier in the chatbox.
KTravlos
Kakeguiri also ended. In the end the anime original ending was not really an ending, but just a fan pleasing excursion. The integrity of the manga story remains. It was a good adaption, and I liked it as it brought to life the parts of the manga that make it interesting to me. Also a great Opening and Ending. Good show.
KTravlos
And to sum it up. I think this was a great series. All its episodes were good.
KTravlos
I actually am ok with the PP ending. The 12 episode series is self contained. Sure there are many future potential stories to pursue, but I felt there was enough closure to make the series a good series. This is because the next step of the narrative is really so long term as being more LOGH material than PP (the story of the ascension of Princesss to the throne, and then the story of her reforms)
Lenlo
Alright, I found the read more tag. Now my tendency to write more than I should will be contained.
AidanAK47
@Mario, Got to play catch-up but I am guessing it was very much a non ending?
SuperMario
Gosh, is that how Princess Principal end?
SuperMario
@KAiser: I really have a mixed feeling watching Assayas's films. I always find his works toe touch into pretentious area. Still have much more films from him I want to watch though so that opinion might change
SuperMario
@Kaiser: As Tears go By surprised me a little considering how straightforward it is. It's Wong's most by the book HK romance but it was one of his most commercial success. After this, the studio allowed him to do things he like and that was when he gone banana with his styles
SuperMario
not a fan. Can't even tell the difference between turtle and tortoise
Anonymous1420257
i like turtles
Kaiser-Eoghan
@Mario: I hadn't expected some of the dry/dark humour in sils Maria, I liked the themes/aging angst and its comments on hollywood in parts even if it needed to go a bit deeper. Stewart is a revelation in it. That X-men parody scene was fucking funny lol
Kaiser-Eoghan
@Mario: I actually kind of liked As tears go by. Mostly because of my experiences with hong-kong action flicks, much as I like John Woos films, the melodrama he tries to sell between the action never worked for me and left me just waiting around for the action to come round again. Wong was able to put genuine emotion into the hong-kong action film with this one.
Amagi
@Aidan: Somehow. The problem is rather Haruki anyway and it's canonically part of her character. Kei becomes more likeable IMO and the events get much more complicated and/or serious plus there are a bunch of characters getting added to the protag team which makes the whole thing more dynamic. The best comes when some other character joins around the middle though.
Anonymous1416115
Personally, I can digest the emotionless dialogue in the first place since I watch the series with the mindset that the main characters are innately "broken" in some ways.
Anonymous1416115
@Aidan Hmm...one might consider the emotion level increases in main characters' dialogues for Sakurada Reset as baby steps depending on how dramatic one expects a character to act in other animes. (The emotions increase do exist though) There are certainly emotional scenes and characters do develop in ways where one can't just say they're 100% robots.
AidanAK47
@Travlos, If you so wish then you can write a review for Bahamut virgin soul. Just let me know if you are up for it. If so I recommend writing it up on google docs, then when you have it done I can give your account contributer status and you can paste it into a post for us to look over and publish on the site. For screenshots our standard size is H240 X W138.
AidanAK47
Did they ever fix that emotionless dialgoue issue they had going on?
Anonymous1415748
You are not alone. The second half of Sakurada Reset made me so glad that I stuck with the series.
Amagi
Oh and I totally forogt Reset ended now too. Not sure if I am the only fan of that but the whole second half was one of the better things I've seen this year.
Amagi
Okay now thinking three others came into my mind, but that's still not much. A lot of series started interesting and turned out mediocre or cheap after a while.
Amagi
Considering that I love Made in Abyss, PrinPrin, Fate/Apo (so far) and 18if too guess this season was better than I've expected. 2016 was kind of a let down imo, animewise. Off the top of my head I only remember Rakugo, Fune wo Amu and Bokudake I think.
Amagi
I didn't expect to like Virgin Soul as much as I do. Especially the last ~5 episodes got me. The weird thing is that I was disappointed by S1 actually.
SuperMario
@Travlos: I don't mind if you do a guess review on Virgin Soul, but let's me check with other admins first.

On Virgin Soul, I'm not sure if I like the bew development. It suddenly does a 180 degree turn on King Charriot, which I don't feel rewarding.
KTravlos
Kakegurui will have an anime original ending. It might be better than the ongoing manga. We shall see. An enjoyable foray.

Virgin Soul is going for a nice explosive ending. If no one writes a review, I would be willing to write one.
Kaiser-Eoghan
*kind of
Kaiser-Eoghan
While its very much in the shadow of the first and the protaganist started out kind annoying, I kind of got caught up in the spectacle and sentimentality of gunbuster 2.
KTravlos
Urasawa is preparing a new manga
KTravlos
yes the episode where Julian watched the documentary was fun. The Caligula like character comes from one of the lesser episodes of the series, when Kircheis beats up some rebelling third rate noble in the Empire.
Kaiser-Eoghan
Goddammit, fail, it just changed the colour of the login name...
Kaiser-Eoghan
I declare in the red truth that the next anime I shall watch is Diebuster.
Kaiser-Eoghan
From what little I saw, I remember a Caligula like character in one episode.
Anonymous1409409
I remember there's an episode where Julian just goes on Space Netflix and just watches a documentary. I actually liked that lol
KTravlos
yup, a LOGH that run like the Altair anime would be bad. It needs to show the sweep of history
AidanAK47
@Anon, I actually liked that aspect. It made the history of the world feel real.
Anonymous1409027
It's compressible, as there are many episodes of buildup, but that's where so many of the interesting details and depth of planning become evident. Some of those episodes read like a history textbook though, so we'll see how the new adaptation handles them,
Anonymous1409027
*pleasantly
KTravlos
Tytania was ok.
Kaiser-Eoghan
On the Amakusa Shiro reference in the fate review, I've seen a film about him from the 50s , theres also an old josei manga where the protagonist ends up becoming essentially regarded as him.
KTravlos
Hi Kaiser. Supposedly this is a re-imagining of the original story. Thus independent of the OVAs (old serieis). What exactly re-imagining means is something I and you do not know. We shall see. But it does mean that you do not need to watch the old series to enjoy this one. The OVA was definetly more expansive than the novels. So my guess is they will stick to the novels.
Kaiser-Eoghan
There's another anime, called Tytania based on his novels but I haven't seen that series.
Kaiser-Eoghan
As in condensable in the way nothing much is lost? I assume there are fillers in the original?
Kaiser-Eoghan
I'm indifferent to the aesthetics of the new version. What I'm hoping for is that it will be accessible to newcomers and that I'll be able to jump on to the old series where the new one leaves off. I've seen very little of the original and it was a long time ago, is there any way the story is condensable?
KTravlos
The fact that they stayed away from the disgusting new manga is great. I am not too keen on the CGI ships, but they also did not rankle. It looks like it will honor the spirit of the old series, and I cannot ask for more. I am a massive LOGH fan. And the new video out gives me hope of revisiting one of the greatest sci-fi/historical settings out there. I am happy.
AidanAK47
I hope they are using the old anime as a base and not the new Manga adaption. As that Manga adaption is seriously lacking.
AidanAK47
@Anon, I like that they blinged up the space battles which is good because those things could get tiresome. But I really hate the design of Yang Wenli. They made him look so much younger and bishi. I don't think i could take this guy seriously if he started one of Wenli's signature hypothesis.
Anonymous1408919
Thoughts on that new LOGH PV? My expectations were low, so I'm presently surprised. Obviously they made everybody pretty boys, and Mamoro Miyano is voicing Reinhard I believe. But art and animation actually looks pretty decent overall. It's a PV, and LOGH's best quality is it's story and characters, so we'll have to see if they remain faithful or not. But it's nice to see it get a visual overhaul.
AidanAK47
By the way this site has the first chapters but check the other versions to find them.
http://mangapark.me/manga/tsurezure-children-wakabayashi-toshiya
AidanAK47
@Mario, Indeed. It's also a pity that over half the couples in the manga were not featured. We only got a small taste of Patricia.
SuperMario
Or maybe I'll try to read the manga. The last time I checked it online, the site doesn't have its first few chapters
SuperMario
@Aidan: man, Tsurezure Children sure is sweet. Really sad to see it ends
AidanAK47
So that's the end of Tsurezure Children.
....I'm gonna need a second season. Now.
....NOW GODDAMNIT! NOW!
KTravlos
As I said I understand the criticisms to RE:Creator, but ultimately I enjoyed most of the show. It could had been better, and it is a missed chance. But I have seen worse.
Kaiser-Eoghan
I gave up halfway through, there weren't even enough action scenes and those that were didn't justify waiting around for.
AidanAK47
Could have at least delivered on the action but that was rendered pointless due to the majority of the cast turning good and Altair being a complete cheat character.
AidanAK47
It would have been really fun to see characters discuss their stories with their creators or indulge in what our world has to offer but they really glossed over that part.
AidanAK47
It really should have gone deeper into the whole meta aspect introducing anime characters to the real world. Like they did with Mamika's powers being ridiculously destructive when outside a kid friendly setting.
AidanAK47
@Puran, I at least like the message of the final episode. But as for the show itself it was just missed potential on a lot of levels. I wanted Anime Genre battle royale and instead got a secondhand Shirobako with a crap shounen anime attached.
Kaiser-Eoghan
I have been forgiving of Anno as I've gotten older.
Kaiser-Eoghan
I also just re-watched gunbuster, I'd previously dismissed the ova after a few episodes when I was a teenager, I'd found it too slow, didn't have that issue with the 90 minute version I just finished. I've never see the sequels.
Lenlo
Ill have to finish Creators... at some point
Kaiser-Eoghan
I've been dipping back into the Lupin franchise, Gold of babylon was particularly screwball, kind of ridiculous comedy caper/adventure thing you just have to run with....turns out it was directed by a live action filmaker I especially like who made bizzare noir films in the 60s.
Puran
So that explains why Meteora had so much air time in Re:Creators. It's her story....

I hated the ending and I disliked the anime overall.
Kaiser-Eoghan
@Mario: It was a genuine surprise to see that Assayas decided to make a film framed around hentai =P
Kaiser-Eoghan
@Mario: I loved how incoherent demonlover was.
Kaiser-Eoghan
@Mario: The criticisms I'll give wind river, is a slight inconsistent performance from Renner and that very awkwardly inserted flashback scene.
SuperMario
@Kaiser: on Wind River, I agree it's a well-executed case of the week drama, although there are some plot pregressions that I don't get (how did they find out about the man's corspe again?). About Demonlover, man, the film gives me a chill down my spine. Heartless. And a bit misogynist.
SuperMario
@Kaiser: as much as I loved Wong (yeah I too prefer him over Malick), sometimes I do think Western cinema give him too much praise that sadly overshadow other Asian directors.
Kaiser-Eoghan
@Mario: Wong is important to me as a hong-kong filmaker, he offers something entirely different from the whole Woo/Lam Hong komg movies.
Kaiser-Eoghan
@Mario: On a more positive note Maggie Cheung did mention that she felt her early work with Wong was when she first truly became a proper actress.
Kaiser-Eoghan
@Mario: ....I had no idea he had such a sad background.
Kaiser-Eoghan
*investigation drama
SuperMario
@Kaiser: that film also marked/ signified a rather sad period of Hongkong showbiz. Leslie Cheung badically lived the live of the protagonist and commited suicide in 1997. His girlfriend on screen, during the filming, was kidnaped, raped and taken topless picture. The damnest thing is that everyone knowed the culprit but did nothing, and in the press it was just deemed as "kipnapped and assaulted"
Kaiser-Eoghan
@Mario: Wind river was a big surprise for me, just goes to show that with the right execution an ordinary police drama movie can be elevated higher.
Kaiser-Eoghan
@Mario: Thats the interesting thing, tracking a directors career.
Kaiser-Eoghan
Just binge watched the new dominion tank police ovas , admittedly these are kind of reptitive and extremely silly but its hard to hate on something so shamelessly fun that made me feel like a child again.
SuperMario
@Kaiser: you said it there. DoBW is rather raw and unpolished but that's one of the reason why I am drawn to it more compare to his other works.
AidanAK47
In all honesty, it would be nice to finally see a continuation after fusion as all games after that have just been adding chapters in-between.
Vonter
Finally I wonder, if Metroid Prime 4 will definitely branch out of the main Metroid's continuity. It's curious how an interquel subseries is still going to add things in between the first and the second entries in the main franchise.
Vonter
AidanAK47 - I think is nice we can see both takes. Especially since neither one despite a few qualms are still very solid entries for this franchise. I just hope Metroid moves forward, as IMO this is the only game that really needed a facelift do to the heavy limitations of the gameboy. And I hope the secret gallery at the end is teasing how the producer plans to move the plot forward.
AidanAK47
I thought it might be like that but it's good to know they are at least on a close level. I didn't really want Samus Returns to replace AM2R as the "Definitive" version of Metroid 2. Mostly because a lot of love was put into AM2R andit came at a point when it felt Nintendo didn't give a crap about Metroid.
Vonter
Like Zero Mission there's something added to Samus Returns but I'll just leave it at that.
Vonter
I think both have strong points. Samus Returns have better boss battles, gameplay mechanics and more intense action pieces. AM2R IMO has more atmosphere, takes advantage of elements Nintendo don't even try like the Federation subplot, and the ending portion narratively has more heart in AM2R, while in Samus Returns it feels mostly like "the final level".
Vonter
I also did got lost a couple of times in Samus Returns and aside from the big water section in AM2R, the latter is more linear game.
Vonter
I think the controls in Samus Returns bring more to the table though. The 360 aiming makes for better ways to shoot enemies and some of the bosses take advantage of that. If it weren't for the 3DS giving hand cramps because you're holding L and R at several points it'll be completely the most ideal way to play.
Vonter
AidanAK47 - AM2R is very good, I think it has the advantage that because it uses sprites IMO backgrounds and enemies are more vibrant and easier to appreciate. The Federation soldiers are better executed in AM2R and that secret section with the ship is very eery.
AidanAK47
@Vonter, How does it stack up to AM2R? I bought it and am still waiting on it to be delivered but I have the feeling that AM2R would be the better game when comparing.
Vonter
I took me 12 hours to 100% and I've heard the best ending is beating it in less than 4 hours. I think unlike Zero Mission item percentage don't matter, it's mainly to unlock an art gallery.
Vonter
My main criticism is this being a 3DS game. Small enemies can be hard to see or appreciate. And I think the 3DS wasn't made for heavy action packed games like this or Smash Bros. I got the rubber from the circle pad come off in two occasions. Also unless there was something big in the background, several areas felt lacking in detail. Still Samus and the bosses look good.
Vonter
In terms of difficulty, the game has the enemies packing more damage than in other 2D Metroids. Is difficult in the sense than you can't tank damage as in other iterations, you have to be aware of enemy behavior and bosses mainly get easier do to familiarizing with their patterns, since I did die a lot each time I faced a new boss. And got used to kill them faster as I went along.
Vonter
Ok, so I beat Samus Returns. It's quite good. Unlike Fusion that had dialogue at midst the gameplay. Samus Returns only has a prologue of exposition and any cutscenes mainly accentuate the reactions of Samus confronting a new enemy. The level design is dense, despite having isolated areas like in Fusion and the original Samus Returns, each area is very mazelike.
Kaiser-Eoghan
@Mario: =< Awww I kind of like demonlover actually despite all its flaws, it had great sound design and had this cold, clinical, un-nerving mood to it.
Kaiser-Eoghan
@Mario: Days of being wild does feel a bit un-realized/un-polished/rough compared to his other work definitely but its probably the rawest I've seen from him and that has its appeal.
Kaiser-Eoghan
@Mario: Haven't seen farewell my concubine come to think of it. Regarding the scifi element I felt I embraced it more further into the film when it started to intermingle more.
While I am more forgiving toward Malick's recent films than most, that decline in quality means I have to pick Wong.
KTravlos
by the way in RE:Creators we probably will be getting a future series focusing on the hunt for Magane :p Meteora probably playing the role of detective. I also bet her novel will be wordy and heavy in exposition :p
KTravlos
i.e his end game might had been a cross-species revolution against him anyway. We will see
KTravlos
In Bahamut Chris proves to not be totally evil, but he is totally crazy. That said I am seeing one of my hunches getting supported, the hunch was that his cruelty towards daemons was with the purpose of bringing them down enough that they would be willing to work with humans as euals (As they are in Jean's army) and thus via that create a more unified world. I
KTravlos
RE: Creators has come to its end. I know the problems everyone has with it, and while it failed to raise to the level of exceptional show, I loved it. As I said, it had been years since a show kept me so excited episode after episode. They blew it at some point, but ultimately for me this is an en-joyful show, and one I would happily binge watch in the future again.
SuperMario
@Kaiser: question for you though, between these two directors, which one do you prefer: Wong Kar-Wai or Terrance Malick?
SuperMario
@Kaiser: if you enjoyed both 2046 and In the Mood for Love, by all mean check out Days of Being Wild. The trio forms a loose trilogy and Days of Being Wild was the first film that Wong began his unique unconventional style. It's one of my personal favorite of Wong and it's a chance for you to watch the late Leslie Cheung acted (you might watch him already in Farewell My Concubine)
SuperMario
@Kaiser: 2046 is indeed a passionate film, and one of his best looking film. He tried something different in 2046 too, experimented with scifi (one of the best part in the film for me)
SuperMario
@Kaiser: it's stritcly Wong Kar Wai's romance we're talking about, since I don't find the rest of Chinese take on romance that interesting. Romance or melodrama is one of his main theme throughout his career
Kaiser-Eoghan
@Mario: It was slightly overly long however.
I've also seen chungking express, in the mood for love and fallen angels. I think this Chinese take on romance is really clicking with me.
Kaiser-Eoghan
@Mario: I also thought it was a very passionette film and I love how Kar-wong-wai uses the music in it. I also think its one of his best looking films.
Kaiser-Eoghan
@Mario: I had a look at that Chinese film 2046, very effectively melancholic take on fleeting relationships while also successfully being quite sensual while staying classy and without ever showing too much. Tony Leung and Maggie Cheung are two beautiful people =P
SuperMario
for those who still want to catch up with 18if, episode 11 has a huge recap, while wrapping up the show with a new overarching plot. Hopefully they don't pull another Matrix here
SuperWooper
It's shounen-y for sure. The competitions have been my least favorite parts of the show so far. If you're still watching, you might appreciate it more once the Tenpei Cup is over.
Anonymous1399692
Damn Ballroom looks so good. But I really can't enjoy it despite that I want to. It has too many of these typical shounen moments and plot points I can't stand.
Anonymous1399684
Omae wa mou shindeiru
Lenlo
Mononoke is actually what made me find Ayakashi. Also a good show.
SuperMario
Regarding Ayakashi, I only watched the Mononoke segment
SuperMario
"It was a long, long trip, and we're coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO" - Sandal-san.
Lenlo
Ayakashi was great for me Kaiser. I enjoyed my time with it
Vonter212
@AidanAK47 - The hard aspect has been commented in several reviews with bosses being able to easily kill you. (Although in my experience it might be just getting a pattern). In terms of length most 2D games can be beaten under 3 hours. This one seems to clock at at least 6 to 15 if you want to collect everything. Then again, we'll see in subsequent playthroughs.
AidanAK47
`@Vonter. It's out now but I don't remember seeing anyone claim it's the longest hardest entry 2D wise.
Kaiser-Eoghan
Going to watch new dominion tank police next and read violence action and Oddman 11.
Kaiser-Eoghan
It took me years to get round to it, but I finally watched Ayakashi and as expected like most anthologies, again its mixed, the first is a solid ghost story that improves after a weak start, but that third one with the cat spirit was great, really liked how experimental that looked.
Vonter
Soo a new Metroid comes out this week. It is said, it's the longest, hardest entry in regards to the 2D iterations. Still not as great as Super, and depending on your fanaticism it might or not be as good as Zero Mission.
SuperMario
But they didn't pull that scene off too well. It's just... unmemorable. In fact the whole show is very unremarkable. Now only 1 episode left I might as well finish it but I won't give it a full review
SuperMario
Koi to Uso has been disappointing so far. Episode 10 featured the sequence that i was looking forward the most in the manga: the former classmate tells the one sided crush of the main girl from her POV. For a romance that contrived and manipulated like this one, hearing this from the third person's perspective prove to be more powerful
Vonter
@HelghastKillzone - Good luck with that. I almost had my car's engine damaged since it has been raining heavily where I live. Had to ask for help the next day to pull it out of mud. Still not as bad as the other three cars that did get stuck in the water.
HelghastKillzone
Dealing with work and the total loss of my car really sucks at the moment so I'm quite tied up for this week.
KTravlos
I do agree to a point, but to be frank all the episodes of Princess Principal to date have been so solid I have a hard time deciding. Episode 5 though was still the best from a holistic point (action, direction, music etc) was the one introducing Chise
SuperMario
Agree. Dorothy has the biggest heart out of all the spy girls. Also "help" that her episodes are all melodramatic.
Amagi
This episode of PrinPrin showed again that Dorothy is the best character by far. Not just herself but her episodes as well are better written than the rest if you ask me.
KTravlos
It just hit me. The characters in Princess Principal may be very well working for IngSoc :p
AidanAK47
@Kaiser, in the seven chapters it's only really two of them that contain dark shocking content. Chapter three being the biggest one in that regard.
Kaiser-Eoghan
@Aidan: I read a comment where someone said subahibi shocked them more than saya no uta. While I haven't played it yet, I have seen some of a letsplay...it lleft me thinking....how many hours until this actually gets good/truly unhinged .
AidanAK47
After Reading SubaHibi, Made in Abyss's dark turn didn't shock me too much. Maybe I just got desensitised. I will have a review of SubaHibi hopefully up in a week though to clarify my feelings on it after just finishing it, It was interesting but disappointing.
KTravlos
well, well. Both Made in the Abyss and Virgin Soul do not hold back. Grim! RE:Creators is warping up. Comparing with these other shows I can fully appreciate the problems people have with it. But still I am glad I am sticking to the end. Altair's voice actor by the way did great.
AidanAK47
@Helghast, And Kings Field was the Demon Souls before Demon Souls came out.
KTravlos
having binge watched several of this season's shows I would say Princess Principal is the most rounded. Made in Abyss is good. Kakegurui and The Reflection as SuperMario said will depend on your tastes. There is also Shouko no Altair. You will like it if you liked Tanya Saga of Evil, or Legend of Galactic Heroes, or Arslan Senki or manga like Vinland Saga, Gunka no Baltzar, and especially Historie
Anonymous1385641
Jesus...me watching this weeks Made in Abyss https://www.youtube.com/watch?v=0ogzsWhZcmM
HelghastKillzone
So... Demon Souls was the Dark Souls before Dark Souls came out.
Total users: 19

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18if – 12 [The Witch Wars]

Let me just say, I’m all in favor for 18if having a proper closure, but I’m wholly disappointed with what happening right now. This episode is just all over the place. For instance, I’m just as glad as the next person to see all the Witches gathering back in real life to help Haruto, but […]

Classroom of the Elite – 11 [What People Commonly call Fate is Mostly their Own Stupidity]

So suddenly, without mentioned at any point before, Horikita can suddenly kicks ass? Or that Horikita has been sick ALL THIS TIME? Or that Horikita still can kick some ass while being sick all this time? Since when the Class-D boys shrink into only Ayanokouji, Hirata and the 3 idiots? On that note, where is […]

Ballroom e Youkoso – 11 [Evaluation]

And so the Tenpei Cup comes to a close at last. It took five episodes to get from the first round to the awards ceremony, and not all parts of the competition were created equal, but I’m happy that my girl Mako managed to claim the Ballroom Queen award. After she received the trophy, there […]

Kakegurui – 11[The woman who bets her life]

So…what am i supposed to say here? Yumeko wins, the treasurer loses and now the show looks to be teasing a matchup between the Student council President and Yumeko. I would say it’s a good thing this shows end looms near as my interest in it has just about petered out. I love seeing smug […]

Made in Abyss – 11[Nanachi]

It’s been an issue I have wanted to bring up before but the previous episode recaps of this series are rather long. Today’s was the biggest offender as the first three and a half minutes was just footage from the previous episode. While these kinds of recaps are handy for those watching weekly to catch […]

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