Posted by psgels on 31 January 2012 with categories: Monthly Summaries

It’s a solid season. There are few series that really stand out as amazing, but there really are a lot of solid stories this time, and there’s actually surprisingly little crap. It’s definitely an untypical winter season with a lot of series focused either on summer, or just being completely upbeat contrary to the kinds of series you usually see released at this time of the year.

#31 (new) – Senki Zesshou Symphogear – (4,75/10) – I was very surprised to see how many people actually liked this, so with that I at least tried to give this series a few more episodes just in case I really was wrong. But after four episodes, I can’t take it anymore. The amount of stupidity and fake shock factor here is just way too much. The characters do nothing to make themselves more engaging, the entire cast is just painful to watch. This is one of those shows that feels made by people who want to make something epic, but have no idea what it really takes to actually do that beyond explosions.
#30 (19) – Amagami SS+ – (5/10) – I refuse to spend more time on this crap. Especially now that it also started to introduce completely stupid and pointless drama.
#29 (new) – High School DxD – (5/10) – Want some boobs but don’t want to watch porn? Well, then this show is for you. Otherwise, stay away at all costs!
#28 (new) – The New Prince of Tennis – (5,5/10) – This is just completely stupid. I gave this until the second episode, but that was just too much. Why would you bother to give someone a completely stupid power as having a tennis racquet with only two strings… if you don’t even use this?
#27 (18) – Persona 4 The Animation – (5,75/10) – I give up. I can’t take it anymore, I don’t want to watch this. This show moves way too fast, and yet at the end of the day it doesn’t really accomplish anything. The summer holiday arc in particular stands out: that could actually have been a good story with a good concept behind it, but things moved at such a rate that they were impossible to properly follow unless you’ve played the games. AIC was already one of my least favorite production companies out there, and seeing how they treated what could have been an interesting story doesn’t really make that better.
#26 (new) – Zero no Tsukaima – (6/10) – Thank god that this is the final one. There are just too many bad points about this show that it’s seemingly impossible for it to redeem itself to me at this point.
#25 (new) – Brave10 – (6/10) – I lasted about two and a half episodes for this one. This series is just crap: bishies fighting each other who are way too busy trying to look cool, amongst a female lead who grows exponentially more annoying with every single episode.
#24 (16) – Guilty Crown – (6,75/10) – I realized something this month: the creators are making up this story as they go along, don’t they? I mean, previously this series was just bland. This month however, something changed. What caught my attention above all is how incredibly convenient everything that Shu pulled out of his ass was. Never before were the things he did here hinted at all, and all of them turned out to be exactly what he needed at exactly the right time. I mean, this is even worse than Code Geass:at least that series realized it made no sense and just went to hell with it. This show is actually trying to take itself seriously at the same time. It’s very jarring to see the entire cast suddenly make a 180 degree leap in personality while crap like this goes on at the same time. I mean, Mirai Nikki may have plotholes, but even they aren’t as blatant as the stuff that this series pulls.
#23 (new) – Recorder to Randoseru – (7/10) – I can’t get anything out of this series. It’s just a collection of pointless skits that are all just forced. Once in a while it gets a good joke, but most of them are just badly delivered or just don’t work n the first place. It’s also just too short to just build up for anything, really.
#22 (new) – Kill me Baby – (7,25/10) – I’ve also dropped this series. It’s better than I expected, but in the end it’s just a collection of random gags that fall flat more often than not. Over the course of four episode, there is nothing that really progressed or changed, so I see no point in continuing this thing.
#21 (new) – Area no Kishi – (7,5/10) – The problem with this series is that it’s really inspired by Adachi. Sure, it’s about football techniques while Adachi’s series are more about slice of life, but this month was entirely centered around the big Adachi inspired twist. And sorry, but with that in mind, I just can’t help but compare and realize how bloody melodramatic that was.
#20 (15) – Bakuman – (7,5/10) – It’s getting harder and harder to watch this series. I thought that things were missing, and that the first season could be more exciting. I did not expect the creators to turn this into a bloody soap opera. The drama between the characters is just completely annoying and uninteresting. And the bad twists just keep coming. It’s still interesting to see these characters evolve, but I don’t want to watch 40 more episodes of this thing. Because it’s going to be so goddamn long, this one’s on the verge of being dropped.
#19 (new) – Danshi Koukousei no Nichijou – (7,75/10) – Danshi Koukousei is a hit and miss comedy. When it misses, it’s very awkward. When it hits, it’s awesome. There are times when the characters aren’t really sure what personality they’re supposed to have, but the skits that work totally make up for it.
#18 (26) – Nisemonogatari – (7,75/10) – Don’t get me wrong: I really want to like this series. This series has a really good artistic direction. Heck, it’s actually more toned down than Bakemonogatari, and actually focuses on the characters instead of random scenery, eyeballs or blank screens. The story for once isn’t formulaic (or at least so far) and it actually devotes a lot of time to flesh out the characters. But seriously. This show has the most fanserivce of the entire season, and with High School DxD that’s really saying something here! It’s all incredibly pointless and grating. I mean, I understand that there’s functional nude: if nudity fits in this storyline, go ahead and show it. This show though is just showing episodes where characters randomly walk around naked for no particular reason, for the largest amount of their airtime! I mean, why bother giving the characters clothes at all if you’re going this route anyway?
#17 (new) – Listen Girls, I am your Father – (7,75/10) – I think that this one is the surprise of the season. It started off incredibly bad and generic, but there was a surprising amount of heart in the later episodes. Now please don’t turn this into another Astarotte no Omocha, because I like how down to earth this show has been so far. And drop the obvious fanservice, please.
#16 (new) – Thermae Romae – (7,75/10) – The best episode was episode 4. Episode3s 5 and 6 were a bit less interesting,but still it’s a very solid comedy overall. Also, I’m not asking for terrific animation. Heck, I’m just asking for animation on the level of Poyopoyo Kansatsu Nikki, where things actually do not feel like a bunch of cardboard cutouts sliding across the screen.
#15 (new) – Ano Natsu de Matteru – (7,75/10) – Look, I fully understand why this series gets its praises. The characters are well acted. It’s full of cliches, but everything about this series is well written and delivered. I still consider it a very good series. But the main cast just gets on my nerves too much. The lead character still is too much like the same annoying harem lead, and the romantic cliches in the scenario are just things of which I’ve seen too many to really enjoy at this point.
#14 (new) – Inu X Boku SS – (7,75/10) – This show has the potential to go into really interesting directions. With 3 episodes its themes are already quite engaging, but its big problem is that it’s too one-sided at the moment. This both goes for the drama, and the characters. The rest of the series will need more variety.
#13 (new) – Poyopoyo Kansatsu Nikki – (8/10) – This turned out to be a very charming series with only five-minute episodes. It makes great use of its time (all skits re about 30 seconds long; compare that to Recorder to Randoseru which drags on its scenes beyond belief)and every skit has a lot of energy and well done punchlines to remain funny.
#12 (new) – Another – (8/10) – Another doesn’t seem to offer anything new, nor will it end up as one of the better horror series out there. Still, it is one thing: very solid. The dialogue is natural and detailed, outside of a few points here and there where it’s trying a bit too hard, and it already delivered a pretty solid atmosphere so far with some good build-up.
#11 (9) – Last Exile – Ginyoku no Fam – (8/10) – The big problem with Ginyoku no Fam is, well, Fam. Fifteen episodes in, and it still doesn’t really feel like she belongs in this series. Apart from that though, I still am really drawn into this series. The setting is still rock-solid and the series continues to expand upon it, the action is just amazing and the side characters are also growing more on me.
#10 (13) – Mirai Nikki – (8,25/10)

Mirai Nikki has improved a lot over the past month. It’s gotten more fun to watch, the characters have become more interesting and especially the dynamics between Yukiteru and Yuno improved here. The show still is full of plotholes, but something tells me that the author wasn’t particular on avoiding these things.

#9 (new) – Mouretsu Pirates – (8,25/10)

The great thing about the three big sci-fi shows this season is that they’re all completely different, and yet none is inferior to the other. Mouretsu Pirates stands out with its slow execution, really allowing the characters to play themselves out. In the meantime it mixes this with hard sci-fi and interesting theories behind this setting. This series is laid-back, yet very interesting to watch. It’s definitely not what you’d expect based on the title and promo material.

#8 (new) – Aquarion Evol – (8,25/10)

This is another surprisingly fun series to watch. On paper a show that explores males versus females seems very dull, but this show actually made it a very fun series to watch. It also has the biggest production values of the season, and it really leads to a series with gorgeous visuals and music. The direction also is very good here and it’s a very engaging series so far.

#7 (new) – Rinne no Lagrange – (8,25/10)

Rinne no Lagrange has very sharp direction. The chemistry between the characters is quite witty, and it’s also taking care to subtly flesh out the setting it takes place in. It’s got characters who at first sight are annoying cliches, and yet turns out to be completely different. Like the other two big sci-fi shows, it’s consistently fun to watch.

#6 (8) – Hunter X Hunter – (8,25/10)

As the series goes on more and more, ti also gets better and better. This was pretty much as expected though, because at this time this series still is very nearly the equivalent of just rewatching the first season. There are a few differences here and there, but I still don’t feel like they’re big enough to warrant this complete remake. The big difference between this series and Full Metal Alchemist – Brotherhood is that Brotherhood just took 15 episodes to get to the new content. At what point can we start to expect this series to reach new material? Episode 40 or something? The good news however is that the series has been a huge success, and Hunter X Hunter has actually managed to conquer a place in the top 10 of TV-ratings. So when we’ll finally get to the point where we’ll get new content, it’s pretty certain that they’ll extend this past the original 45 episodes that were promised. Of course, that brings along other problems of long running shounen, but let’s not worry about that one for now.

#5 (11) – Phi Brain – (8,25/10)

Phi Brain really surprised me in how good it became. Ever since Rook appeared, there hasn’t been a wasted moment, and it delivered some really good character development here, both on the side cast and the main cast. These people actually succeeded in making a show about solving puzzles.

#4 (10) – Tantei Opera Milki Holmes – (8,5/10)

This show is madness! Seriously, this is even crazier than the first season. Every episode so far has been completely hilarious and delivered some of the wtf-like scenarios. The acting and performances are also completely hyperactive and full of energy, and the animation is also really well done. If you’re looking for something with a ton of energy, then look no further. This show thrives on being completely stupid and crazy, and I really like how it’s being delivered so far.

#3 (4) – Chihayafuru – (8,75/10)

Chihayafuru has surpassed itself this month. There was so much emotion put into just this one tournament, and the creators perfectly went into the heads of the lead characters. It was everything that a mid-climax should be. The big question now is: how the heck are they going to finish it?

#2 (2) – Natsume Yuujin-Chou – (9/10)

This season started with a rock-solid set of episodes. In fact, it’s had the best opening episodes of any season of Natsume so far. Where the third season was all about Natsume’s development, this is more varied, and has a bit of everything here. And somehow, all of them work really well. This show is both heart-warming as tense, and this series is still happily adding all kinds of details to Natsume’s character, as if it’s far from done yet.

#1 (3) – Hyouge Mono – (9/10)

Well, it took a while, but in this month we finally got to see the finale of Hyouge Mono. And it really was worth the wait. The way in which this series decided to close off was really well chosen, and it set a really high standard for the other endings for the rest of the year. We can only hope that they’ll make more series like this.

51 Responses

  1. Skoopman says:

    While I agree with most of the scores I have to say that Mirai Nikki, despite being one of my favorite Mangas, has a terrible production value. The animation quality seems to be dropping every freakin’ episode.

  2. gan says:

    If you’re planning on dropping Bakuman,you’re going to miss the better parts which come later on.I agree with you that they have this cheesy drama here,but hey,it’s not so horrible either.You must have gotten used to the high standards from what the other series are offering,but romance/drama was never Bakuman’s strong point to begin with.
    It’s a very different series out there than your regular shonen with power-ups/fights etc. The creativity of the authors is praiseworthy

  3. CJay says:

    Completely agree with you on Symphogear. That show is just completely atrocious.

    On the other hand, I feel that the rating for Danshi Koukousei no Nichijou is really low. That is actually one of my favorites this season. I agree that its not very consistent but overall I find it hilarious.

    Guilty Crown’s half way climax was one of the worst episodes of anything I have ever seen. I’m also really glad to see Phi Brain up so high because it really deserves that after the last episode

  4. F says:

    I hate to “that guy”, but I find you are way too critical of Nisemonogatari. It’s certainly not the best show this season but to rank it below Mirai Nikki, Papa no Iu Koto o Kikinasai!, and Ano Natsu de Matteru is just ridiculous.

    That said, I’m glad you gave Hyouge Mono and Natsume Yuujin-Chou the praise they deserve. Both are excellent, well-executed series that I would recommend to anyone.

    • Puran says:

      Why? So far it has been nothing else than semi-humorous banter and fanservice. The production values and aesthetics are nice, but that is all it has going for it right now.

      If it goes ahead and makes the plot interesting (which might start next episode??) I might forgive it for its first few episodes. Psgels might too since he “wants to like it”. There just isn’t much reason to (yet?).

      • F says:

        If you’re not watching it for the “semi-humorous banter”, then why watch it at all? It’s a series whose plot is driven primarily by dialogue and character development, not action. I happen to find the plot pretty interesting, especially the subtle foreshadowing of future events and throwbacks to past events to give a circular notion to the story as a whole. The fanservice is really just the icing on this stylistic and interesting cake.

        • Puran says:

          Because so far, the banter is not really advancing the plot. It’s just banter for the sake of banter (ok there is *some* char development).

          I liked the plot in Bakemonagatari. Nisemonagatari (SO FAR) is just semi-humorous banter and fanservice. The plot only somewhat started in the last episode. The first 3 episodes could be missing and I would still be able to follow the plot.

          As I said in shoutbox, I like Nissio Issin’s plots, but not necessarily the way he writes dialogue.

          With all that said, if the plot starts becoming more involved in the next couple of episode, I can easily see myself liking this.

  5. zo says:

    I’m surprised you didn’t give Hyouge Mono a 90 seeing as how you seemed to like it so much :/

    • Hogart says:

      Yeah, maybe now all those people who kept telling him he underrated Madoka will finally start to understand his ratings a bit better. Oh, who am I kidding :)

      • kero says:

        It really should have been rated higher though!

        Haha

        I think it’s just one of those things though. When your views align with someone else’s 90% of the time, the 10% of the time when it doesn’t feels really jarring.

  6. Wiles says:

    I agree with F. I have some disagreements with the rest of the list too, but Nisemonogatari is where I find your logic most flawed. Not so much about how good the show is, but how you found the fanservice to be lacking and random.

    The fanservice we’ve seen so far has all been pretty beneficial to the series’ characters and their dynamics. Kanbaru has already been established as a perverted freak and Sengoku as a girl transitioning from childish innocence to adulthood. The nude moments with Shinobu and Araragi seemed more like an indication of how close and similar they were instead of just being random. Fanservice has happened to pretty much every character in Araragi’s harem, and normally, this would be distasteful in the sense of excessive sexualization of women. But Araragi is officially hooked up with Senjougahara, which means the fanservice layers on their relationship and character instead of taking away from it. Araragi, who’s been depicted plenty of times as a pervert, always strays away from the action when it counts, showing that he’s a character who values relationships more than sex. The fact that Senjougahara is jealous, but also noticeably affected by the fanservice shows her closeness with Araragi’s harem and her own values as a person. I mean, here we have actual subtle characterization happening because of the fanservice, but you seemed to have completely missed out on it.

    • Oroboros says:

      Well, we must accept the fact that Psgels is not a critic. Never was. He’s an otaku with plenty of time. The opinions of an otaku are based on taste, which is incompatible with the criteria of the true critic. While there is no disputing taste, a true critic has serenity of mind, a delicate taste, are well-practiced and well-versed in comparison between animes, independent of prejudice and have functional senses. Having two or three of those isn’t enough.

      • Wiles says:

        sure, but he’s also a blogger that evaluates these shows, which means part of his function is to try and act the role of a critic.

        • Oroboros says:

          Indeed. A blogger who takes his impressions for granted and pretends they’re objective is not a critic. That u could see past the obvious “titillation” factor automatically makes u a much better candidate of a true critic.

          Psgels reminds me of those knee-jerk readers who couldn’t see past the surface violence of American Psycho to grasp the innate meaning of satire and existentialism.

          That he cannot see past the titillation of Nisemonogatari classifies his reviews as opinion, not criticism.

      • psgels psgels says:

        I already had a lot of problems with the fanservice in Bakemonogatari, so seeing this being done even more in the sequel has obviously ticked me off. I get that it’s supposed to flesh out the characters and all, but there is just so much of it and it’s there so often that it’s become very shameless in my opinion.

        Also, Ouroboros: I’m not really an otaku, or at least I don’t consider myself one. Really. I’m just a guy who likes anime a lot and who likes writing about it.

        • Wiles says:

          I understand that you’re entitled to your opinion, so I’ll just put this as an alternative perspective on the fanservice. With so much fanservice, putting them into context with one another as a whole is sort of obligatory. And once that’s done, you see depending on who’s the subject of the fanservice, Araragi treats them quite differently. In the case of Sengoku, Shinobu, and Hachikuji, he’s quite oblivious to the “shamelessness” because of how he sees them as people. Just like how you wouldn’t have much of a reaction seeing your younger sister nude, Araragi doesn’t care too much about their fanservice, or, in Hachikuji’s case, is comfortable enough with his brotherly role to initiate fanservice. This establishes the clear sibling dynamic that Araragi places on these characters and his own sort of childishness. In the case of Hanekawa, Senjougahara, and Kanbaru, Araragi is quite aware of them as women and the effects show. But he makes it clear that he’s not willing to step over certain boundaries, which just develops his character even further as a person with a high sense of integrity and morals.

          Bringing in my own opinion, if fanservice disgusts you or something, that’s one matter. But showing contempt for fanservice that’s so closely tied to the characters and their relationships just because it’s fanservice…well, that’s not really a matter of taste. It’s more like blind hatred and it does keep you from fully enjoying a series, especially if, like you said, it’s being used so much and so often.

          • Puran says:

            You’re overcomplicating it. The problem is, there isn’t much else than fanservice in the series yet. As I said above, right now it’s semi-humorous banter and fanservice. That’s all. It might prove to be significant later, or the plot might get more… involved, but right now I’m kinda getting bored with it. (I mean the only time I was amused, was with the courage series in the first episode).

        • Oroboros says:

          Alright. I won’t call u that term (is it a perjorative?) and please do keep up the good work. :)

    • Hogart says:

      I’m going to be an ass here, but only because you’re expecting way too much of psgels. It’s not logic.. it’s opinions. Holding psgels to a higher standard because he blogs is.. just odd. Unless you go around telling every blogger the same thing?

      I mean, it’s only fair that if you’re going to hold psgels feet to the fire, that you go onto Nise fansites and tell them that their opinions are a bit too lofty, and they should simmer down because they’re being illogical, isn’t it?

      • Wiles says:

        I hold psgels to a higher standard because he does make some really insightful comments and I enjoy his blog. I’m using Nise more as an example for the benefits of fanservice because I’d like to see what insights he’d have from them instead of just casually lopping it off to the side as trash. But, ok, perhaps I am a little out of line for having expectations from a casual blogger.

        • Hogart says:

          Bearing in mind that (as I mentioned to Ouroboros) I screwed up my post (sorry), I don’t think you are “out of line”.. but I do think you may be going a bit overboard.

          You seem to think psgels can’t see past the fanservice, and that his opinion about the fanservice means he’s written off everything else about the show. I didn’t get that impression at all.

          The fact is, Nise doesn’t NEED all that fanservice to tell it’s story. And for some of us, it’s an impedence to our enjoyment. To others it is not. But we’re still watching the show, because we DO see the good bits.

          • Wiles says:

            Based off my impressions (which may or may not be correct), I saw that he was enjoying the series more than Bakemonogatari because a lot of annoying aspects got fixed. But the fanservice stood out for him as the main negative issue, so that was the issue I concentrated on. Perhaps my wording choice wasn’t very good, but rather than not needing fanservice to tell its story, I wanted to point out examples of how the fanservice enhances the story. Whether or not psgel accepts fanservice as being useful is up to him. But because psgel enjoys subtle characterization based off a lot of his blog posts, I wanted to point out a different perspective that showcased that about Nisemonogatari while putting fanservice in a different light that might be of interest to him.

            aside from that, I can understand why you think we might be “attacking” psgels because of our comments, but this is ultimately us rationalizing our own opinion as you said it. rationalizing an opinion creates logic, because you’re connecting specific aspects with your opinion. an opinion is trivial in the manner that it doesn’t have much argumentative weight to it. it’s completely subjective and a matter of preference. rationalizing it steps up your opinion.

      • Oroboros says:

        Incorrect. Psgels is an anime blogger who sets up his opinions as criticism because he is not keeping his thoughts about anime to himself. He is sharing them with the world as judgment of aesthetic merit.

        When I or u say that some show is awesome we are not just saying something purely subjective, random and inconstant. We are also making a statement that this show is awesome and I think you will agree too.

        Psgels saying Nisemonogatari is inferior due to fan-service is telling us something definite about the aesthetic merit of the show.

        Now I don’t think your analogy holds– this isn’t some anti-Nisemonogatari hater site.
        Also how do u know I’m not debunking some fanboy somewhere? ;)

        • Wiles says:

          More specifically, I think simply saying a show is awesome and then giving one-sided comments is an opinion, but then attempting to give objective reasoning that people can connect to is when it starts to become logic and/or criticism.

        • Hogart says:

          Damn, when I wrote my post I didn’t realize I was actually responding to two people; my fault for posting while at work. My analogy can go right to hell.

          I agree with you that he’s not a critic, so there’s no argument there. I’d like to suggest, however, that you’re being a bit presumptuous to think psgels doesn’t see the good parts of Nise.. he flat-out mentions that he does. His blurb was just dominated by his opinion about the fanservice (much like Nise is dominated by fanservice to begin with).

          Also, I can’t be sure, but you seem to be saying that it would be better to limit an opinion to something trivial, rather than trying to rationalize it? I don’t want to put words in your mouth, though if that is what you were saying, I disagree wholeheartedly. One’s opinions will never change if they don’t learn why others disagree, and sharing your opinions is a great way to discover those disagreements.

  7. Wiles says:

    “but also noticeably affected by the fanservice shows her closeness with Araragi’s harem and her own values as a person.”

    sorry, meant *unaffected here.

  8. Gavrilo says:

    I really don’t get why can’t bloggers and reviewers just admit that a certain comedy series wasn’t appealing to them. Instead, they have to go blaming the script, jokes, characters, when there’s nothing wrong with them. Indeed, it’s a quite subjective matter, that’s why it feels arrogant to try imposing your opinion like it was a fact. I put Gintama on hold a loooong time ago and don’t feel like returning to it anytime soon, but you don’t see me going around saying Gintama is awful, do you?

    As for Symphogear… Yeah, I feel kinda silly for having defended it earlier – but the first episode was definitely the best. It still has potential, though.

    • Hogart says:

      I think it’s fair for someone to say WHY they didn’t like something. I believe people just read posts like psgels with some snooty, condescending tone of voice like he’s armchair quarterbacking (and he might be sometimes). It’s only the same arrogance we all apply to our own opinions, but it’s easy to forget that he’s probably not swirling fine wine and passing judgements like a film critic on high.

  9. Noob says:

    For Symphogear, i’ve heard it was orginally programmed for 24 episodes but was cut to 13 episodes, the problem being that they warned the writers very late, that’s why it’s such a mess (I guess they also randomly cut budget as well). If I was the writer and the producers pulled such a thing on me, I would lose all motivation so I don’t see Symphogear ever picking up.

  10. Hogart says:

    Hunter x Hunter got a fair bit better in my eyes this month, and I’m happy Chihayafuru has kept up it’s entertainment somehow. I’m looking forward to catching up on Phi Brain, too.

    But it sounds weird to hear you say that there’s surprisingly little crap and then go on to describe 10 or 11 of the 31 shows in a way that sounds like they’re.. well, crap. I guess that’s the problem with empty words like “crap”.

    • Wiles says:

      ^I agree with the last statement, although I guess it could just be because some of the series are ongoing from fall season.

  11. rufe says:

    I think you should be looking forward to the next arc of Natsume. It was one of my favorite recent arcs…except maybe the end of the newest volume.

  12. Cholisose says:

    I always like these month summaries, though I do have to wonder about the rating system at times. For example, Kill Me Baby is given a 7.25, which sounds like a rather good score (especially for a silly gag comedy), but there’s apparently “no point in continuing it.” Similarly, people are upset with Psgels’s viewpoint of Nisemonogatari (which he is 100% entitled to), and yet it IS being rated a 7.75. Which is a very high score! It’s only one point less than Chihayafuru, which has been given nothing but constant praise on this blog.
    More so, the shows at the very bottom of the list are in the five range, which seems rather generous when considering how much they’re being derided. Are these being rated based on how much the shows are actually enjoyed?

    Anyways, I’m certainly glad to see Natsume Yuujinchou so high up the list. It’s a rather unique series in general, and I quite like all the characters. Always looking forward to seeing more of them.

    My main disagreement though will be in regards to Another, which I feel in many ways is a breath of fresh air for the anime horror genre. Another just has this atmosphere that’s being taken much more seriously than the average anime set in school. The characters seem more realistic, and the mysteries are being handled really well. Every episode has left me theorizing more and more about what’s going on with class 3, Mei, Kouichi, and the events of 26 years ago. The only series that’s gripped me this much with its mystery is probably Higurashi, though even then the general tone and plot style is quite different. I’m really anxious to see how Another will play out.

    • psgels psgels says:

      As for Kill me Baby: it got a relatively high rating because some of the jokes are quite good. The “getting nothing out of it” mostly means that I have no reason to continue watching it because there is no progression in the episodes. Because of that I’m not going to contnue in the hopes of it getting better.

      Also, I need to have a better place where I explain what the ratings mean. At the m oment they can be found at the bottom of the review index pages, but I admit that those are very hard to find. I’ll just quote them here; just divide them by 10 and you’ll have the ratings that I use for these monthly summaries.

      100/100: The perfect anime. I’ve yet to encounter one, though.
      97,5/100: The best of the best of the best, my all-time favourite(s).
      95/100: Truly amazing and outstanding series, the best of their genres. These series made a huge impact on me.
      92,5/100: Simply fantastic anime. These series have many areas in which they stand out like no other.
      90/100: Anime that achieved exactly what they set out to do. Incredibly solid productions with so many things to like about them.
      87,5/100: Awesome series. These stand out in many different areas and provide a very solid experience.
      85/100: Excellent series. They may have a few flaws here and there, but overall they remain wonderful series with quite a few memorable moments.
      82,5/100: Series with this score are destined for greatness, although they may have a few flaws here and there.
      80/100: Very good series, worth the watch. They may lack highlights, but remain really enjoyable nonetheless.
      77,5/100: Enjoyable series. While not the best of the best, they’ve got quite a few good points and are nice to watch, save for a few flaws.
      75/100: Series that are either nothing special, or shows that could have been awesome, yet were plagued by too many flaws.
      72,5/100: These series did quite a few things wrong here. They’ve got some nice parts, but overall they’re not worth it.
      70/100: Very flawed series that are only enjoyable if you’re really bored.
      65-69/100: The epitome of mediocrity. These have one or two good points, but mostly they’re just bad and boring.
      60-64/100: The bad stuff. Some redeeming qualities, mixed with a whole lot of garbage.
      50-59/100: Garbage, stay away.
      40-49/100: Utter crap.
      <39: Downright Terrible

    • F says:

      My problem wasn’t the score – in fact I more or less agree with the score. Rather, my problem was how he could rank such cliché shows (Papa no Iu Koto o Kikinasai!, and Ano Natsu de Matteru, etc) that are also riddled with “fanservice” above Nisemonogatari.

      And I know it he didn’t see the show exclusively as fanservice, it was just the focal point of his criticism.

      If you find nothing in Nisemono’s plot and don’t care for the fanservice (which is atleast creative compared to the other shows I mentioned), at least it has witty dialogue and stylistic design going for it. What can you say about the other shows?

      Of course, these are my biased opinions.

  13. Rednights says:

    Ouch on the New Prince of Tennis, though I’m having a stupid amount of fun watching it. I think I set my logic reasoning aside during the first episodes of the original series anyway. I’ll give it to you though that 2 strings was downright insulting to my brain.

    Checking out Mouretsu Pirates, the art doesn’t seem to match the description

  14. Dalx says:

    Well Persona 4 is just destroying his own ranking in psgels blog. I tought it was getting good at ep 12 then we got trolled with the summer arc.

    Still to see it below Guilty Crown is very very sad. I may call bias by the previous episodes because the pacing of the main plot is getting better (Rise, Teddie and Mitsuo were pretty good). Still it is not a work or art or anything like that so don’t bother trying to debunk me.

  15. JR says:

    It’s hilarious reading all these people defending Niso as if it was Tolstoy.

    Listen up: it’s a pretentious, talky show designed to make you feel witty while you watch girls in various states of undress — and as of the last episode, if screenshots are anything to go by, small underage girls to boot. If that’s your thing then fine, enjoy it. But don’t expect the rest of us to.

    • F says:

      Ahhh- I really don’t want to flood the response section with pointless debate, so I’ll just say you are entitled to your opinion. It’s fair to call it pretentious, but the dialogue is legitimately witty. No one’s forcing you to like it, anyway.

  16. Suzushina Yuriko says:

    Like many others have said, I legitimately cannot understand how you rate your anime. It’s not the system I have a problem with, it’s kind of your entire line of thinking.

    I don’t understand how Persona 4 got a lower score than Guilty Crown when you stopped blogging it at episode 8 and you couldn’t stand blogging Guilty Crown for more than three episodes. Persona 4 at least has some likeable and consistent characters with back stories and a straightforward goal in mind (although going from investigating murders to comedy is jarring, yes). Guilty Crown’s characters are flat and boring, and it pulls its entire story out of its ass. You even agreed with me and said that “It’s very jarring to see the entire cast suddenly make a 180 degree leap in personality while crap like this goes on at the same time.”

    Perhaps I am biased because I know the entirety of Persona 4’s story and how its characters developed in the game, in contrast to me dropping GC at episode 11. But just felt that this was a tad too unfair. It felt like you gave GC a higher score because it looked prettier or something when that abomination of a series should only have gotten a 3 or 4 at most.

    And I’m not going to join the Nisemonogatari debate because you have tons of people hounding on you for that already.

    • Starry says:

      fyi he only blogged about P4 for eight episodes because it won the guarantee to blog fall season contest. At this point though, its clear that the anime is meant to be a love letter to an already existing fanbase for the game rather then trying to pull in new viewers.

    • psgels psgels says:

      The circumstances were indeed different: I blogged Persona for a longer time because if won a contest of what show I should blog. Plus, my expectations for Guilty Crown were much higher (Noitamina and all).

      At this point Guilty Crown is very flawed, but at least it has a few good elements, the pacing is still fairly decent and the acting isn’t entirely terrible. Persona however has become downright unwatchable in the way that it rushes through its scenarioos without actually accomplishing much. I’m not someone who played the games, so I see no reason to continue watching it if it solely caters to that audience.

      • Flawfinder says:

        As a game player, I don’t think it’s really good either. I’m one of the few people who liked Persona Trinity because it tried to be its own creation (away from Persona 3) and despite some anti-climaxes and a slow pace, it still had decent atmosphere. Persona 4? The pacing is rushed, the atmosphere is nonexistent, and the editing is terrible. It’s trying to cram so much into 26 episodes instead of being its own creation. You know those rumors about how Persona 4 is having behind-the-scenes trouble? Yeah, it shows. Big time.

        My advice? Play the fucking game. It’s pretty cheap, it’s one of the best PS2 games ever, and it has better pacing and atmosphere.

  17. moochi2000 says:

    although i know that no one is personally attacking psgel’s taste, it seems like everyone is trying to rationalize why nise is awesome. i think we get the point and seeing the same kind of arguments over and over again is excessive.

    anyways, i’m disappointed that hunter x hunter is ranked so low. i’ve also watched the original series but this is one of the few anime that i consistently seek right after it is released in japan. i know the surprise element is taken away but the story is just so interesting! i think it’s tough to be a blogger, so ganbatte! it’s difficult to justify why you like or not like an anime when others don’t agree.

  18. jreding says:

    For some reason I really like Brave-10 – it is a really fast-paced action show with decent animation and you have to take the characters with humor. Oh, and the OP and ED for me are maybe the best of the new shows. Usually, I’m not into bishies but in this show they are at least not annoying. I think it’s underrated.

  19. burnout says:

    LOLed at the harsh treatment of so many anime but I imagine it’s not undeserved. Either that, or you’re close to getting burned out like it happened to me some years ago. Haven’t been able to watch more than 1-2 shows per season since then, and even then not necessarily to completion. I’m not sure if I should tell you to hang in there or speed towards the cliff :)

  20. Al Pacino says:

    ”I was very surprised to see how many people actually liked this”
    I am very surprised too how many people like this blog when they have few pic and few text. People like Symphogeah because is funny and can explain they mistake. Like the first episode the attack of Noise happend simultane with the attack of the girls,who is a very valid interpretation so they don’t stay watching the Destruction. And this serie know how big epic, just you can’t argument against.

Leave a Reply

CHANGE USERNAME
Lenlo
Yeah KT, watching the two together has not come out favorably for AMB for me.
Kaiser-Eoghan
I believe it works better in hellsing and drifters moreso to both being goofball action shows.
KTravlos
A point on the chibi in AMB. I was thinking about shows were the chibi did not bother me, and Hellsing Ultimate and Drifters (newest episodes coming out), both had deformed/chibi segments. For some reason they did not bother me. I think ABM directors have bad timing with them.
KTravlos
I have to say Ichirou Inuyashiki is very cool. Like he is really a cool character. Also I am saddened to say it but watching AMB together with Inuyashuki does not work well for AMB
Kaiser-Eoghan
@Silver: There are sad moments certainly but plenty of humour.
Anonymous1639132
Man, I sure hope Ichirou Inuyashiki and Hiro Shishigami make out, everything is just building up to that
silver
I actually have only watched one or two episodes of this season of 3-gatsu, but its rising scores and rave reviews are making me really excited! I've only put it off because it's somewhat emotionally tiring for me
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
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