Posted on 29 February 2012 with categories: Monthly Summaries

At first I thought that this would be a season that would at least be exciting. In the end, what stood out about the most is how many series make me go wtf this time. And they just keep increasing. And really: while there aren’t any absolute classics here, it does make this season really fun to watch and keep up with.

#20 (24) – Guilty Crown – (6,25/10) – In its first half, Guilty crown was offensively boring. Right now however, it’s just plain offensively bad. The plot twists it pulls just are consistently pulled out of its ass, and yet at the same time it’s not really going anywhere. It’s not fun; the characters are obnoxious and Shu is still a terrible character who randomly changes every episode, yet remains consistently obnoxious. Please Noitamina, don’t make writing of this level to be the new standard for your new shows. I know it sold well and all, but for god’s sake this should never become the norm!
#19 (new) – Smile Precure – (7/10) – Here is the thing, Smile Precure: I know you’ve got a big audience who will watch you no matter what, but that’s no excuse to just be completely boring at the start. You can be amazing halfway through, but if you don’t give us a reason to keep watching, then that’s all for naught. All I’ve seen so far are a bunch of dull introduction episodes. There are no major side-characters whatsoever other than the Precure, the standard bad guys and that mascot thing. This show is nowhere near as bad as Suite Precure’s opening, but at the same time I also see no hints that it’ll get better later on.
#18 (new) – Black Rock Shooter – (7/10) – Halfway in, and I’m not very impressed by this series. The biggest reason is because of how incredibly forced the drama and angst is. I could have lived with relatively little focus on the Black Rock Shooter world (because really: that one has even less depth), but the angst is way too forced, and just there for the sake to create drama. It’s gotten very annoying now. Mari Okada, you disappoint me.
#17 (17) – Listen Girls, I am Your Father – (7,5/10) – This show is not like Kimi to Boku. That show used it annoyance to somehow become good. Papa however, is annoying, only to become heart-warming afterwards. It’s nowhere as neatly meshed, especially when the girls take a bath for the umpth time. This show is worth it for the small moments that really are heart-warming, but the rest of the airtime tends to be rather boring.
#16 (15) – Ano Natsu de Matteru – (7,75/10) – Ano Natsu got dominated this month with that cliche-filled beach arc. Sure, the characters developed a bit, but it was all predictable and the fanservice was pointless and obnoxious, not to mention that the annoying harem subplot also didn’t really steer this show into a good direction. I will have to say though that I am at least glad that this show is heading somewhere.
#15 (11) – Last Exile – Ginyoku no Fam – (7,75/10) – I’m very iffy about Last Exile at the moment: it’s not like Fam is badly developed or anything, and I want to like her, but most of the time she just doesn’t belong in this series. Overall the “war is bad themes” of this series are starting to get a bit boring, and the world building isn’t really bringing anything new to the table at this point. I really fear whether this show would be able to deliver a solid climax.
#14 (19) – Danshi Koukousei no Nichijou – (8/10) – This show is a hit and miss comedy: it’s cringe-worthy when a joke falls flat, but it’s also hilarious and very creative when it actually works. The ration at the moment seems to hang steady around 50:50, and at the very least I admire it for this creativity here. It’s not the best comedy of the season, though.
#13 (14) – Inu X Boku SS – (8/10) – Inu X Boku is nothing special, especially for David Production’s standards. And yet, it’s consistently able to put a smile on my face. Even though the characters are simplistic, they are also heart-warming in a way. It’s a bit shallow, but very charming.
#12 (7) – Rinne no Lagrange – (8/10) – Out of the three big mecha/sci-fi shows this season, Rinne no Lagrange is the only one who dulled in a bit this month. This is mostly due to time spent on building up, but the fact remains that lately it hasn’t been as sharp as it used to, though it did offer solid character building. Now all that’s left is to use it.
#11 (18) – Nisemonogatari – (8,25/10)

I actually really liked this month for Nisemonogatari. Fially the plot was about something meaningful other than mostly fanservice, and the animation really is gorgeous as well. I also really liked the way in which the Karen arc ended. And then there was the toothbrush scene. Just… wtf.

#10 (10) – Mirai Nikki – (8,25/10)

It’s about bloody time, but the character development has finally kicked in. And indeed: this show has become a lot more entertaining compared to the first half. In particular Yukiteru has become much more interesting to watch now. It’s nothing deep and it’s still full of plotholes and bad twists and all, but it’s just so over the top entertainment that at this point, I don’t mind.

#9 (13) – Poyopoyo Kansatsu Nikki – (8,25/10)

I love this show. In only five minutes it consistently tells fun little stories about the entire cast, and really brings them alive. The creative jokes just keep coming, but on top of that: it also fleshes out who the characters are in a really fun way by showing a very good look at their everyday lives. half of the jokes don’t even involve Poyopoyo but instead are about how they live their lives.

#8 (8) – Aquarion Evol – (8,25/10)

The romantic comedy really is not a genre that I’m often into, and I find the vast majority of these series to be dull and trite. Aquarion Evol is a major exception though. It just has this energy, on top of its just bizarre context and sexual undertones. This month has continued to explore the “males versus females”-themes and it did so with some solid character-building arcs that made the collective cast very enjoyable to watch. The music still is completely awesome, and the graphics still look incredibly flashy.

#7 (9) – Mouretsu Pirates – (8,25/10)

This really is the stand-out series in terms of characters feeling real. In this series, there are hardly any stereotypes, and the acting is very believable, and this only solidified more this month. It’s clear that Tatsuo Sato is behind the helm of this series, because it really takes its time to let everything play out. Because of that it’s not the most exciting series yet, but in terms of character and world building it really is excellent. This month also put a lot of focus on politics and really took its audience seriously when it discussed everything involved in being a pirate.

#6 (6) – Hunter X Hunter – (8,5/10)

This month featured the conclusion of the Hunter Exam arc. As usual there were things that I liked and things that I liked a little less when comparing it to the 1999 series, but the things I liked are getting better and better. I am disappointed that this adaptation didn’t spend the same amount of care to Gon’s final fight (an episode that I considered in the 1999 version to be absolutely fantastic), and the cast of side characters is noticeably weaker and less interesting, but the character development on the main cast is still really, really good.

#5 (12) – Another – (8,5/10)

What really makes Another stand out as a horror series is how down to earth the characters are. The acting here is top-notch, and because of that the contrast with the brutal gore really stands out. This show has some very interesting build-up and the atmosphere is still excellent. \

#4 (5) – Phi Brain – (8,5/10)

Phi Brain has yet again just gotten better and better this month. I’m really surprised at how engaging this show has gotten, but the character development just continues to push the characters forward. I just have to wonder: how on earth are the creator planning to top this for the second season?

#3 (4) – Tantei Opera Milky Holmes – (8,5/10)

This month had both the most and least entertaining episode of the second season, so it’s a bit hard to judge. When at its stride though, it was absolutely hilarious and without a doubt the biggest WTF of the entire season (and with this season, that has to say something). In particular the train episode was just glorious.

#2 (2) – Natsume Yuujin-Chou – (8,75/10)

Not as strong as the previous month, but this series still stands on top of the season with its well thought out stories about youkai. The fourth season is really dedicated to develop everyone around Natsume, and it’s doing a great job at that. My one complaint is that some parts (like Nyanko-sensei) are getting a bit repetitive.

#1 (3) – Chihayafuru – (8,75/10)

This series has been as solid as ever. Where it lacks in varietyk it more than makes up in character development, giving every major character enough time to play out, and it always finds something meaningful for every character in every episode. Now that’s good writing, especially considering how it’s been doing that throughout the entire series now.

Posted on 28 February 2012 with categories: Chihayafuru

With this, Chihaya finally learned the lesson that she needed to learn: there’s more to Karuta than just timing. The thing is to also feel the flow of the cards. Humans are only human, and therefore they only have a fixed amount of time it takes them to react. The challenge for Chihaya was to 1) time her movements better and 2) use her trademark speed with that. After all the previous episodes, it was very interesting for her to run into a player who played the same way she did, with a focus on speed.

Also, these people here are harsh: talking down to this nine-year-old girl for not being as good as the second-best karuta-player in the country when she loses one match. It’s interesting how you usually see these child stars being pushed too much by their parents, but this is a nice subversion of that, in the way that her mother is putting so much effort into letting her daughter play Karuta to get her to cope with bullies.

Overall, I must praise this series for piquing my interest in Karuta. It’s not like when I watched Hikaru no Go and Shion no Ou, which made me immediately want to play the game, but that’s probably also because of how incredibly steep the learning curve is at the start: you can play Shougi and Go as a complete beginner and still do something with it; it’s as you start to think about it more you realize how incredibly complex these games are. It’s impossible for a beginner at Karuta to even play: for that you first need to spend a lot of time memorizing cards. After that, it’s not going to be a matter of depth, but rather combining strategy, speed, memorization and timing together. It’s much more a physical sport.
Rating: ** (Excellent)

Posted on 27 February 2012 with categories: Another

Thank god this wasn’t just another copy-paste beach episode. This episode felt unique, which just shows that beach episodes are usually terrible in how often they just boil down to the same thing. This episode didn’t bother with suggestive camera angles, and didn’t make a whole spectacle of “what will they be wearing?”, but rather showed the characters as they were. My only complaint here is that twintail girl suddenly turning abusive tsundere. Where did that come from?

Because of this I enjoyed this episode for its variety. With so much death around the corner it’s good to have episodes where the scenery is completely different. That’s something I miss in a lot of anime nowadays: they often feel rather monotone. Another obviously is too, but this episode definitely helped there.

I also loved the use of red herrings i this episode. There first was that truck, the cast catching a puffer fish and suggesting to actually cook it, and then there was that swimming scene. It got a bit surreal when that motor boat appeared right from out of nowhere. With this it’s clear that the ghost has some magic Deus ex Machina powers that can bend all common sense.

This is just a detail, but it does make me wonder: to their trip (which by the way actually had a purpose), the cast came in two cars. One of them was driven by Reiko, but the other one? We hardly see any shots of this random old man, as if the camera tries its best to ignore him. Also, when they arrive, Misaki Mei was already at the beach. Why didn’t she just come with them? It’s a bit weird to not have introduction scenes like that.
Rating: ** (Excellent)

Posted on with categories: Natsume Yuujin-Chou

And we’re into another two-part arc for this series. This one is focused on Hiiragi and Natori, with a few hints that Matoba is involved as well.

The focus on this episode was about Natori actually having to seal away a god, rather than a youkai as he gets a very strange request to do all this within one day. I think this was the first time in which we’ve seen him uncomfortable.

Natsume in the meantime is of pretending to be the opposite of said god, and with this he seems to ignore one thing that I find rather strange: his smell. In the past he has been very often sniffed out as a human when he tried to dress up. I find it weird that he still doesn’t seem to have learned after all that.

Also, someone mentioned it in the comments last week, but with this episode it again caught my attention: the creators are having trouble to separate Natsume and Nyanko. In this episode Nyanko wanders off and something happens to Natsume. After that Nyanko accidentally gets touched by one of Natori’s exorcist-thingies, and afterwards something again happens to Natsume. As much as I like this series, it is starting to get a little repetitive this way.
Rating: ** (Excellent)

Posted on 26 February 2012 with categories: Aquarion Evol

With this, Mix and Andy (Andy W. Hole; seriously?) have gotten their episode as well. Because yes, this series has decided that the two of them are going to be a couple. We already knew that Andy’s power was to create holes. Now, it turns out that Mix’s power is to fill them. Truly a match made in heavens.

In any case, this episode was as fun as the rest of the show. The romantic tensions between Mix and Andy in particular were just hilarious. All of the bizarrely epic ways which the creators found to symbolize holes were also hilarious. Yes, of course donuts are like the galaxy we live in. Makes perfect sense!And why is that headmaster still upholding the “no romance”-rule?

In any case, the series progression has been pretty solid so far. The cast here is fairly large, so it’s only natural that we get a string of episodes about the different cast. There are only a few left: that fangirl still needs one, Mikono’s brother is still left and the nun will also probably get one. It’s basic build-up, but it’s tried and true for a reason: it works and this this makes sure to create an engaging cast. The most important thing right now is that while it’s doing this build-up, it’s really fun to watch.
Rating: ** (Excellent)

Posted on with categories: Mirai Nikki

When that cop suddenly started to propose to Ninth, I was a bit baffled. I mean, can you possibly find an even worse timing for that? It was obvious that he had a crush on Ninth, but the sheer randomness of actually proposing was a bit too much here. And then the rest of this episode aired, and I understood. Of course: in fiction, proposing to someone in the middle of a story is the equivalent of signing your own death sentence. It’s not really a plot-hole this time, but more like a really bad twist.

The cheese is what sets Mirai Nikki apart from Guilty Crown though: Mirai Nikki knows full well that it’s supposed to be over the top, and to its credit: this was exactly that. This was very entertaining, whereas Guilty Crown on top of being full of bad twists and plotholes is also completely stupid, very badly written, poorly built up and has atrocious characters. Here though, I liked Ninth quite a bit, and I have to admit: Yukiteru’s appearance in this episode was excellent.

This really is the Winter of WTF. First we had Milky Holmes, then Aquarion Evol also took the bizarre train, followed by Danshi Koukousei, Nisemonogatari, and really: Mirai Nikki also caught it. I’d also include Guilty Crown, but that unfortunately is in a bad way.

This was what I’ve been hoping this show would be: straight-up entertainment. It’s nothing much more, and it’s a shame that the first half of this series didn’t really impress much, but with episodes like this I’m glad to have continued.
Rating: ** (Excellent)

Posted on with categories: Rinne no Lagrange

A building up episode, which was used to expand a bit upon the background of this series (ad it’s good to have a bit more information on what the Vox actually are), and to introduce the probably final major character of this series: the boss of the whole organization returns. So obviously she’s a a young-looking blond girl.

At the very least she’s proactive and gets things done, but we’ll see what the creators have in store for her and for that bizarre cross-dressing maid for the rest of this series. What also was a major point in this series is that Madoka isn’t going to be a pilot anymore. Now, that’s the kind of twist that really has me wonder why the creators pulled it. It’s not really going to make a point if Madoka just ends up ignoring all this, piloting her Vox anyway.

Overall, the direction that made me praise the first episodes of this shows has weakened a bit for the past few weeks. There were still some points where this episode was rather sharp, like with the maid, or the point where Madoka agreed to not pilot anymore (hence my worries for the next battle), but I don’t know… it lacks that energy that made it so addictive. Is this just a matter of building up (this is a Tatsuo Sato series, after all), or is this Xebec being lazy?
Rating: * (Good)

Posted on with categories: Phi Brain

This episode… was full of flashbacks. And with that, I mean a lot of repeated scenes of previous episodes. At first I thought that this would mean that this would just end up being another build-up episode. And here it ended up being one of the most genuine episodes of this series so far. I actually got a bit teary-eyed near the end of it. Yeah.

Nonoha. She’s at the moment doing exactly what a token female who has no talent should do. Instead of just standing there and be useless, the emotional support that she’s giving Kaitou is just getting better and better. She has no talent in solving puzzles, and even if she had, she would always just remain in Kaitou’s shadow. This way though, they turned into a very engaging couple here.

The side characters too are also just getting better here. I really didn’t expect this series to head this way, but Kaitou losing himself to that bracelet of his turned out to be a wonderful central conflict of this series. Cubic and Ana also finally returned here, and I also the twist that Jin has been reduced to some vegetable state also has a lot of potential, especially for the headmaster.

There were a few weird things going on in this episode, though. First of all there were those weird spy cameras. I do admit: I kept wondering how POG kept getting such accurate footage of Kaitou, but to think that both POG and Cubic came up with these is a bit… random. Also, I do have to wonder why that headmaster was allowed to roam the POG island freely. I mean, I get that he can’t exactly leave, but with Jin on that island as well, it’s like Rook wanted the two of them to meet or something.

Oh, and POG must be very confident if their sole security is based around on solving puzzles. Heck, it’s like asking Kaitou to break in when he finds out about it…
Rating: *** (Awesome)

Posted on with categories: Black Jack Final, OVA Impressions

In case you haven’t noticed: the final Black Jack OVAs have finally been subbed. Yes, two episodes of 50 minutes, which were the final things that Osamu Dezaki worked on before his death. I’ve been waiting more than a month for these to come out, because even though I sometimes watch raws, there is no way in which I’m going to try that with a series that’s so chock full of medical terms as this one.

And holy crap, this first episode was worth the wait! I was a bit weary at first when the episode immediately started by promising that it would center around Pinoko, but seriously: her background is amazing. This episode seriously gave me a totally different perspective of her. This is much, much more than just another nostalgia remake.

The whole concept of having her be a Zyst who for more than 20 years lived inside this actress’ body, which was afterwards taken out and reassembled by Black Jack. Holy crap, now that’s something else. At this point I thought that I couldn’t be surprised by Osamu Tezuka anymore, but this episode did it.

And yes, this episode was 50 minutes long, and told in the same style as the other OVAs. Because of this we got a long and detailed look at the actress in question and who she is, and what the impact of her illness was on her life. This lead to an amazing ending and I loved the bond between her and Pinoko.

And yes! This really still has Osamu Dezaki’s influence all over it. The graphics and especially the multiple drawing son one screen are really typical of his, and I’m really glad that we can see them for one last time. He was by far one of the directors with one of the most unique styles out there. It’s something that I’m missing with a lot of debuting directors nowadays: they seem too afraid to put a bit of their own style in. This really shows that you can very faithfully adapt a story, while putting plenty of your own style in it as well.
OVA Episode Rating: 9/10

Posted on with categories: Anime Reviews

As the final movie of the Towa no Quon series, it indeed closes off with a nice action-packed finale. The action s very solid, and the animation also is overall the best out of all the six movies so far. Overall I like it much more than the Break Blade movies, which was just a collection of uninspired movies. This movie has personality and the themes to back it up with. On the downside however: it was just too much run of the mill.

And with that I mean that this finale did succeed in creating a satisfying climax, but not really much more. It really is the standard finale against an overpowered bad guy that every other series ends with. In the meantime it did wrap up its storylines, but that too was done in the most obvious way. This series of movies is well laid out because of this, and there is nothing rushed or dragged out. That’s good, but I would have wished that the creators took a bit more risk. But then again: this was made to commemorate the death of Umanosuke Ida, so the creators probably focused more on delivering a solid portrayal of his vision.

With the last episode I noted that the villain had become a lot more menacing. And yeah, this was done with this typical ending in mind: he needed more power to actually be a threat, and that was the purpose of Movie 05. In the end though, he’s your typical villain with hardly anything original to him. The big cliff-hanger he ended the fifth movie with? In the end he never really did anything with it and the whole point of that scene was probably the most underdeveloped part of this movie. For the sake of the epic finale, it did focus much less on the themes of the other movies. On the other hand though, the bad guy’s subordinates suddenly got characters and started thinking on their own. That was a surprise.
\

Storytelling: 8/10 – Solid climactic ending. No rush.
Characters: 8/10 – Enjoyable characters throughout the movie, though they remain not very deep.
Production-Values: 8/10 – Best animation overall of the six movies.
Setting: 8/10 – Solid for what the movie is trying to do, however could have tried more in the end.
CHANGE USERNAME
Vonter
Or are the 50s the new late 30s or early 40s?
Vonter
Are japanese people vampires? https://ultra.fandom.com/wiki/Toru_Furuya
Kaiser-Eoghan
@Vonter: If you look at the voice list, that Japanese voice actor for Mario in that anime movie is the same voice actor for Amuro Ray from the original Gundam.
Vonter
Also considering Baby Bowser was raised by Kamek. I suppose those beings could be made by magic.
Vonter
@Kaiser-Eoghan - My head canon is that Bowser made them himself. Kinda Lord Zedd or Rita from Power Rangers.
Kaiser-Eoghan
I still subscribe to the headcanon that Peach is the mother of Bowsers children.
Kaiser-Eoghan
I remember growing up with the relatively poor American cartoons, none of them featured Wario.
Kaiser-Eoghan
I have committed videogame genocide apparently.
Kaiser-Eoghan
Everytime I broke or hit a brick in the Mario games I was probably murdering a toad.
Vonter
The ending it's "interesting" considering the relationship Mario and Peach have isn't something as close, as Link and Zelda.
Vonter
@Kaiser-Eoghan - It's weird but at the same time it does use elements from the game. Like the music, and story bits from the manual from the original Super Mario Bros. (Where it mentioned Bowser uses magic to turn Toads into the bricks, clouds and other objects of the game).
Kaiser-Eoghan
I never did end up watching the Mario anime movie that came out in the 80s.
Vonter
Also someone is putting the effort of making a Bowsette adventure doujin. This is the type of stuff that could be it's own original thing since it strays far from what's Mario. Despite the occasional mild nudity it's quite fun so far, despite also how weird it is.
Vonter
@Kaiser-Eoghan - At the very least it'll be interesting to see where it goes. It happens also every time something comes back. Times change and so the way we make stories. Also the original run had a curtain call chapter, so this is more a new story.
Kaiser-Eoghan
Which is often what happens with episodic stuff for me.
Kaiser-Eoghan
I essentially read Fraken Fran until I got my fill of it.
AidanAK47
@Vonter, I feel that Franken Fran pretty much ran it's course though. Not sure what a new series could bring.
Vonter
Latest news: Franken Fran will get a new manga series. After it was cut short, it seems this little horror manga will get another chance: https://imgur.com/a/ypjtI4c
Vonter
I also read a bit ahead on Shield Hero. And I like it is character driven, but the cast isn't as big as other Isekai, like in Overlord where there are too many characters to easily keep track of what's happening (ever since it started Overlord feels like the most attached to its light novel origins).
Vonter
The monster town growing and expanding into it's own country reminded me of Digimon World. A game which you allied with Digimon to expand your town, add shops and other services. I've heard Xenoblade X was also like that.
Vonter
I watched during the weekend, the Slime Isekai. It's fine, though it lacked more conflict, the MC feels like its too powerful. Maybe this would have been great as a videogame since the concept of how this Slime evolves reminds me of the SNES game: E.V.O. The Search of Eden. It was about your character evolving through the ages and the player choosing how it adapts to it's environment.
Animosh
Also nice to see some love for LOGH in your personal lists (especially Aidan's). I guess it's too much of a niche series (a political epic in space) to score highly in the overall list, but I loved it. It retained much of what made the OVA so great while providing a much-needed update to its visuals and arguably better pacing.
Animosh
I also hadn't heard of the Kase-san OVA. Not sure whether enough can really happen in a one-hour OVA to make it worthwhile (it gives the impression of being promotional material more than a full-fledged adaptation), but I've been looking for another good yuri series after Bloom into You, so it can't hurt to give it a try.
Animosh
Nice to see Kaze ga made it on the list, even with just one cour out. I've seen most of the stuff that's won positive awards, but I've always avoided Pop Team Epic because of how silly it seemed to me. But given all the positive reviews (here and elsewhere) maybe I should give it a chance after all.
Kaiser-Eoghan
Yu-no can go fuck itself.
Kaiser-Eoghan
There's also Yuasa's new thing.
Kaiser-Eoghan
Maybe the thriller shows will be worthwhile but I'm not really as interested.
Kaiser-Eoghan
Yeah spring looks packed for me, there's also that throwback ova to riding Bean and some creature horror ova.
Kaiser-Eoghan
I notice that Index gets an annoying amount of episodes/adaptations, one of those shows that keeps going away for a while then keeps coming back.
Kaiser-Eoghan
We might get dororohedero and Vinliand saga at years end. I would like for pluto to air this year.
Kaiser-Eoghan
Definately looking forward to the josei and shoujo stuff in Spring 2019, nothing of interest for me thats on the summer 2019 list yet.
Vonter
Like you wrote, seems like it's the start for new ways to stream anime. With Crunchyroll making simulcasts and Netflix putting some anime in the spotlight considering the audience it has (and it also helps it has better dubs, at least in spanish). Finally I felt last year the criticism of fanservice got more loud, also summed with how tumblr and facebook politics are putting restrain on sex conten
SuperWooper
@Anon, Netflix is getting Watanabe's new series, Carole & Tuesday, next season. It might not have the mass appeal of Crybaby (violence and sex) or Aggretsuko (cute animals), but it ought to do well for them if they slap "FROM THE DIRECTOR OF COWBOY BEBOP" all over the Internet.
Vonter
Last year I also didn't watched a lot of drama or slice of life, which is a shame since a lot of what's listed reads like it fits those genres.
Vonter
Kind of a lukewarm year 2018 was in terms of anime series. Although I admit I watched a lot of trash as well. Most of the good stuff I watched last year was on Netflix. In terms of bad I already an issue on the list because disappointing, bad and trash are different degrees of badness.
Kaiser-Eoghan
Sorry for being so long and overdramatic, I'd normally stay quiet but I had to get my feelings out.
Kaiser-Eoghan
I don't want to say anymore about this show anymore, I know those who did watch it generally emotionally connected with it or thought it was some kind of epic, if anything I felt it was an epic ruined by being chopped down. I hated it.
Kaiser-Eoghan
Nothing seems settled on long enough and nothing registers.
Kaiser-Eoghan
As Hateable as Jomy is in the beginning, I would at least liked to have seen proper flow of plot structure allowing for some natural progression of character.
Kaiser-Eoghan
As an idea and I think if explored with more episodes/more it could be something, this also includes Keith.
Kaiser-Eoghan
The timeskip and general pacing annihilate anything that could be anything approaching reaching close to working with this series, resulting in an un-compelling cast I feel nothing for that ruins and undersells any drama which is far too overdone when it occurs.
Kaiser-Eoghan
I can't complete this, don't care if I've watched the first half.
Kaiser-Eoghan
I didn't like the couple of episodes of Terra e I watched a some years ago, unfortunately this second attempt, over halfway through the show only illustrates further just how much I utterly despise this show.
Kaiser-Eoghan
As I've said before, I do think re-watches are important, especially years later after watching a show you disliked, if only to see if you'll enjoy it on the second run, lately thats been mostly successful for me, however....
Anonymous3325300
Meanwhile, I do expect that this year will be much stronger in terms of quality. Of course, I had the same assumptions last year based on the winter shows, but I do feel like this could be a stronger year full of great shows, instead of a lot of merely "good" ones.
Anonymous3325300
I predict that Netflix this year probably won't have a Devilman/Aggretsuko-level hit in terms of new anime. Evangelion is probably all they need, even though it's an old series.
Lenlo
If anyone thought that wasn't getting on this list, they either didnt watch it or have really low standards
Kaiser-Eoghan
@Lenlo: Its so catharctic that you listed steins;gate 0 I remember how we essentially lived and watched it together.
Lenlo
I think thats what the most pleasant surprise category is supposed to be. Didnt wanna double up on to many cats
Kaiser-Eoghan
No biggest surprise category?
Kaiser-Eoghan
I can understand including bunny-senpai as a runner up, I'd have trouble picking between it and sorayori.
Lenlo
Episode 7 is so damn good, I don't care that its American.
Kaiser-Eoghan
@Aidan: How do you think I feel, I'm not far off 35.
Kaiser-Eoghan
Glad you actually made room for a movie category aswell.
Kaiser-Eoghan
Based Lenlo, cheating with American anime cartoon.
Lenlo
Im just happy I got Castlevania on this list at all
Kaiser-Eoghan
Dropped planet with, hinamatsuri and violent evergarden though, didn't see Hisone.
Kaiser-Eoghan
I probably would have replaced planet with with happy sugar life or banana fish though or yagate ga kimi.
Kaiser-Eoghan
In any case, I am glad my wife Kanna Hanazawa won an award on your list and that Devilman got featured more than once.
Kaiser-Eoghan
Ah, I though you would be splitting the voice actor category into voice actor and voice actress, though I suppose that's probably cheating a bit.
SuperWooper
You're not alone - of the four of us, I was the only one who watched it.
Kaiser-Eoghan
I must have missed ASAGAO TO KASE-SAN. Hadn't heard of it until now, I should have paid more attention.
Anonymous3324478
Oh and the music was pretty good too I guess. Another episode is airing in March.
Anonymous3324478
Masa also recovered from his car accident from a few episodes ago. It was totally unneeded in my opinion.
Anonymous3324478
The last episode of Tsurune was a decent ending to an otherwise formulaic sports show with some great animation on par for the course with KyoAni. Minato overcame his target panic and won it for the team. Twins got owned big time.
Animosh
There's a new episode out of the Gridman voice drama: https://barnnn.blogspot.com/2019/01/ssssgridman-voice-drama-episode-6n.html. It's a pretty good one too.
Animosh
My only worry is if the series will be able to get to its logical stopping point (the end of the Claw arc) in 12 episodes. But I suppose I should trust Bones over my vague memories of how much content there is left to cover.
Animosh
Yeah, I agree a split cour could be good. It would allow the series to maintain its high levels of animation, and given how stacked next season looks to be (anime aside, there's also American Gods and the Game of Thrones madness to keep up with), and with another ONE show airing, a break wouldn't be so bad.
SuperMario
Split cour of Mob Psycho would be awesome. I don't want to watch 2 ONE's adaptation in one season
Lenlo
Not for bloggin
Lenlo
While I love Mob, I am a bit happy its only 1 cour. I couldnt do 3 2 cour series
Animosh
Assuming we do get 12 episodes, a split cour would still make sense ... but I guess we'll just have to wait for the official confirmations
Animosh
As far as I can tell the only source is some guy in Twitter, so not sure how reliable it is
Vonter
@Kaiser-Eoghan - Devilman Lady is what comes to mind on how to do this type of show better. That one had also a special agency for supernatural incidents, has a simple but compelling main character, uses it's time to build atmosphere and mood and even the action while a bit stilted had better monster design and the violence it's graphic but entertaining like Robocop.
Vonter
@Kaiser-Eoghan - Ok I will check. I'm also curious where it goes in terms of tone. Because it's all over the place.
Vonter
Ok. Last time I tried the login in feature didn't respond. This time it worked.
Kaiser-Eoghan
@Anon: Keep me posted of magical girl spec ops in case it does turn into the kind of guilty pleasure shlock it should.
Kaiser-Eoghan
@Anon: Is this vonter? If you register an account you can keep the name.
Anonymous3321080
But I think what gets me the most its how it beats the dead horse of the 80s action hero arc. Van Damme, Arnold and Stallone had more or less these type of lines. Its kind of funny this anime pretends these aren't tropes we don't use anymore because of how corny they come off. It'll definitely work better as an abridged series since it can be very boring when it tries to add the school life moment
Anonymous3321080
Also Mahou Spec Ops... Is interestingly bad. It tries to be exploitative and shocking but feels very sloppy, kinda like that meme of *slow heavy metal music plays* It also wants to play it like a dark shoujo anime, but the cute monsters are just distracting.
Anonymous3321080
Reading your conversations about idols, despite being mediocre Gokudolls and Ore Mahou Shoujo made jabs at that culture. At least painting some aspects that may be true of how exploitative it is. I suppose because those are subpar, over the top and cheap is what they can do that. Can't remember one aside from Perfect Blue which criticizes that industry.
Kaiser-Eoghan
But only if there was more anime noirs.
Amagi
Reminds me of that stalin vs hitler comic. Think it was russian. They're attacking each other with magical super powers there. And yeah, I love noir now that you mention it.
Kaiser-Eoghan
@Amagi: That'd make for a great noir story.
Kaiser-Eoghan
@Amagi: Imagine Stalin and Hitler trolling each other on twitter.
Amagi
It's easy to construct superiority when you never have to show your private face and never participate in mundane chat talks or so.
Amagi
I bet a lot of people who had some aura of authority back then due to only ever appearing in books or for very rare (scripted) speeches would probably laughing stocks now if we'd see them commenting on daily stuff and news on twitter or reddit.
Amagi
I personally have given up upon having heroes. I still find a lot of historical people interesting but let's be real the few of them that weren't blatanly bad in some way were different then we imagine them to be (even if they're good). Just look how different people feel now that you see them tweeting on twitter VS policians etc decades ago.
Amagi
I like the idea of a main character longing for a dead friend and role model he had and still idolizes. Then at some point he starts reconstructing his friend's past to cherish his memories about him even more but finds out that the friends wasn't the hero he believed him to be and maybe even the own memories of him were idealized a lot over the years after his death without him even noticing.
Amagi
Yeah we are always searching for some sort of über-ich or perfect being that symbolizes the goal of some personality growth we're trying to achieve.
Kaiser-Eoghan
Or the reason why some people need to have so many things or idols they probably don't need.
Kaiser-Eoghan
I think there is a genetic/mental inadequacy in humanity that makes us susceptible to following "higher people who we forget are actually human" because of our own desire for an avatar or general inadequacy as human beings.
Amagi
Yeah this. It's probably also why they defend them so eagerly. Because it's actually true that "their" version of that person would never do that.
Kaiser-Eoghan
@Amagi: And that probably creates a much stronger blow to them when the actor is found guilty of a crime.
Kaiser-Eoghan
@Amagi: Very good response.
Amagi
It's kinda weird how almost everything we know about others is actually just interpretation to some degree.
Amagi
The weird thing is that I think that many fans of acrots/celebrities rather create their own versions of them they fall in love with rather than loving the actual person, whom they barely even know. It's fun because the concept of a waifu sounds extremely weird to normal people, but many normal people kinda do this too but with real persons (but imaginary personality).
Kaiser-Eoghan
I think thats where it starts getting obsessive or where it gets too close to the next level, such as what the anon mentioned.
Kaiser-Eoghan
I also can't bring myself to get too attached to a celebrity or to a character. I do look at hentai doujins yes but, I've probably had thoughts about certain actors or what not, but I never actually want to sleep with them, again I think that's taking fantasy too far.
Amagi
I never know if these are serious celebrations or rather some fun memes they do to post, I always assumed the latter. Kinda.
Kaiser-Eoghan
I think the fans celebrating the idol's birthday thing is taking it to far too, especially if its an anime character.
Amagi
Yeah I was never an idol fan either, and I don't just mean the idol genre in anime but anything similar to idol stuff in general, like being a fanboy/girl of some celebrity or something. Was never able to get into that.
Kaiser-Eoghan
Its all too superficial.
Kaiser-Eoghan
Don't like the ideas it gives teenage girls either .
Kaiser-Eoghan
Certain topics just set me off =<
Amagi
The third episode of Wake Up girls was pretty good in that regard. I think it was the third one.
Kaiser-Eoghan
But yes, thats a pretty bad story what happened to the woman you mentioned.
Kaiser-Eoghan
@Anon: Might be a good idea to catch some documentaries on that topic .
Kaiser-Eoghan
But that was just a sentence from some guy on a podcast though.
Kaiser-Eoghan
Now though I didn't see it, I do recall someone saying some of that Wake up girls idol anime slightly brought up seedier parts of the industry if not much.
Kaiser-Eoghan
The hallow shallowness of the idol industry I mean.
Kaiser-Eoghan
I also dislike the shallowness of it.
Kaiser-Eoghan
I love how Perfect blue takes influences from those gialli/giallo style films from the 60s/70s to an extent, while also spitting on the industry.
Kaiser-Eoghan
But you know what sucks? A part of me, both in regards to those women (and probably some of the male idols) whether it be in reality or animation, I can't actually deny finding some of these men/women actually physically attractive.
Kaiser-Eoghan
Music industry has its seediness just about everywhere and of course victim blaming going to appear everywhere, not just Japan.
Kaiser-Eoghan
*commodification-consumerist
Kaiser-Eoghan
@Anon: I hate capitalism, I hate the idol communication-commercialist industry and the willing self-aware slaves and their masters who perpetuate it, the music is largely awful aswell. I don't watch most of the idol anime, I think the idea of 30 something men throwing cash it is awful.
Anonymous3319279
Wonder if there will be some modern equivalent of Perfect Blue? That was a scathing critique of the idol industry back in the late 90s. Although given how shows that are flat out glorifying the industry are the best-selling shows on BD every year, I doubt it.
Anonymous3319279
In short, she was assaulted by two men at her home who were then arrested. Then she was pressured by her managers into claiming that she was to blame for this, not the men and apologizing to an audience.
Anonymous3319279
Hearing about what happened to some idol named Mahohon seriously makes me wonder if idol culture in Japan seriously needs an overhaul and if media needs to stop glorifying the industry so much.
Anonymous3319260
Ok. No pressure, just asking.
AidanAK47
@Anon, we are working on it. It's nearing completion and should be posted soon.
Anonymous3318799
I don't know if I missed it. But have you put the overview of 2018? Of best show, best character, etc. Did 2018 had a good anime villain?
Masky
Anyhoo, surprisingly Lovecraft's books have some really faithful manga adaptions
Masky
A story set in world post "Cthulhu"(or whatever is setting equivalent) awakening and transcending humans into "savage" inhuman world that he is supposed to bring forth
Masky
Ya know, speaking of lovecraft here is what I really want to see:
Kaiser-Eoghan
Well I guess Die Farbe and whisperer in the darkness count and the cthulu one, the latter two were done by the Lovecraft society.
Kaiser-Eoghan
The closest we got with an actual adaptation was Dreams of the witchhouse , but they left out Nyarlathotep.
Kaiser-Eoghan
Those films were fun, but none of them dated well either.
Kaiser-Eoghan
I have to seperate my knowledge of the books from Stuart Gordon and Brian yuznas films that borrow elements and titles from Lovecrafts works, once I accept their takes on him are just body horror a black comedies I can kind of accept it more.
Lenlo
I think Junji Ito's manga works have come the closest to Lovecrafts brand of horror, and we all saw how that adaptation went.
Lenlo
Yeah, Lovecraft is a hard one. Even his own books are hit or miss, because it is a very fine line for his brand of psychological horror. Would make for an interesting and unique anime if done well though
Kaiser-Eoghan
A lovecraft themed world would find some difficulty in getting the atmosphere right as he has proved difficult to adapt.
Lenlo
Ah. Yeah, a non-traditional setting like that would be good. I think Isekai, to really change it up, should start going for non-traditional settings. Sci-Fi, Lovecraft, etc. I think this was mentioned before yeah?
Kaiser-Eoghan
@Lenlo: I believe the anon was saying it in relation to making a good setting for an isekai show.
Lenlo
Its why I standby Sakaki in this that, even if he was a dick about it, he is right to be angry at how it all placed out. Just not at Kurahara.

Also @Anon, I loved Bloodborne! No idea what the convo is about, but saw it mentioned
Lenlo
They should Kaiser, I agree. Just look at American college football right now. ITs coming out all over the place, and people wonder why teams dont speak out against it. Its because they are kids, they think "This is how its SUPPOSED to be. Only the best make it. Its not the coaches fault, he makes us win". etc etc.
Kaiser-Eoghan
There is a spinoff anthology for bloom into you's manga.
Kaiser-Eoghan
Or other big issues relating to sports such as performance enhancing drugs.
Kaiser-Eoghan
Lenlo, a thought popped into my head there, more sports shows should focus on abuse.
Kaiser-Eoghan
I think flipflappers is one of my favourites in years, but it was definately at its best when it wasn't really about wrapping up its story.
Amagi
Space Dandy and Kaiba had this to some degree too. Liked both series.
Amagi
@Kaiser: Kinda sad that the latter half of Flip Flappers was rather weak because it started with this different worlds idea.
Amagi
I think Matsumoto stuff might actually be the very first anime I have seen in my life, not regularly though and usually when I was in Italy.
Kaiser-Eoghan
The noir world could be in black and white.
Kaiser-Eoghan
How about another world that has different sections that follow different genres?
Kaiser-Eoghan
@Anon: Helped greatly by his use of artistic cinematography and use of dramatic stills.
Anonymous3316528
Old anime has very bitter stories. Despite the old drawings, several had harsh live lessons. Osamu Dezaki had such a talent to direct drama.
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Winter 2019 Summary – Week 2

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Kouya no Kotobuki Hikoutai – 02 [The Wandering Six]

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