Posted on 31 March 2012 with categories: Some Quick First Impressions

The Legend of Korra

Short Synopsis: Our lead character is the legendary chosen one.
Allright already! I give in; I’ll watch the first episode of this Avatar sequel. Normally I don’t cover American animation, but with this there were so many people requesting it. My impression is, that it’s indeed a pretty good series based on this first impression. The animation is really good: it is inspired by anime’s level of detail in its art, yet manages to retain the amount of fluidity that’s typical of American animation. There are some cliches in the cast of characters, like the spunky kid in the middle of a dignified Asian-inspired setting, which is quite common in these types of stories, and Korra herself definitely has her annoying moments. I am intrigued however by the politics in this series, although I have no idea what role the main character will end up playing in this. Everyone keeps talking about how she’s special as the avatar, but most of the problems that are presented in this episode don’t really seem like problems that can be solved by someone who just happens to be able to “bend” multiple elements.
ED: Very fast credits. Good music.
Potential: 80%

Ginga he Kickoff

Short Synopsis: Our lead character wants to found a football team.
Uh so yeah. Don’t ask me why, but we suddenly got treated to the fifth episode of Ginga he Kickoff. As for what happened to the first four… I have no idea. So I just watched the fifth episode of this series, and really, it’s fairly representative of the nature of this series. There were parts I enjoyed. The cast of side-characters is fairly nice. Better than Area no Kishi in any case. It just has one really, really big problem: the main character! Good lord, this kid is horrible. He keeps yelling and whining throughout the entire episode. In this episode he wants a certain person to become the coach of his football team, and do you know how he ends up doing it? By whining and whining and whining until the coach can’t take it anymore. Yes, the parents in the world will be thankful to this series.
OP: Very cheesy J-Pop
ED: Another dull song.
Potential: 10%

Natsuiro Kiseki

Short Synopsis: Our lead characters are a bunch of middle school girls.
Okay. I am intrigues. I’m definitely going to keep watching this series. I’m not going to say why; you just need to watch this episode for yourself. Instead I’m going to talk a bit about this episode in general. Natsuiro Kiseki was a series that I really feared would just become another copy and paste moeblob clone. However, the execution is different from your average series. There is actual tension between the characters, and not in the usual clown-straight man pairing, but it feels much more natural than usual. It still has its problems of being way too angsty. There is in particular a blond girl in this show who needs to lay off the angst, because she kept causing drama that could have been solved by proper communication. Despite that though, this series doesn’t feel random, but the characters are actually talking about something. Some characters are a tad cliched (the deadpan girl in particular), but others are actually pretty inspired (the green-haired girl in this show is actually an interesting variation on the “ditzy girl”-archetype).
OP: Dull J-rock.
ED: Dull J-pop (for those who are new to this blog: yes, I kindof dislike these genres)
Potential: 80%

Posted on with categories: Mouretsu Pirates

Okay, so the princesses are now recurring characters. Yeah, Gruier found it so much fun as a regular student that she decided to stay a while longer on Marika’s school, taking her little sister along with her. It’s a bit forced, but I get what the creators were gong for: they’re princesses, so they should be allowed to be children for a while.

The rest of this episode was a quiet aftermath, mostly dedicated to the everyone passing a year. The captain of the yacht club is gone now, and there are a few new characters introduced. Nothing special, but it did give a good feel of its characters. The downside is that we’re probably going to have to wait a while until things get interesting again. I was hoping that this series would be more like Stellvia, having just one build-up arc at the beginning, but it seems that this is much more arc-based.

My favorite part of this was probably Ririka. She’s a really interesting mother for an anime: she stays in the background, as it’s obviously not her story, but she is not a mother who is there for the sake of having a mother here. In this episode she actually thought to change jobs, in order to find something to do that she really enjoyed. It’s also interesting how Marika addresses her by her first name, rather than the usual “okaa-san” or “mama”.Rating: * (Good)

Posted on with categories: Monthly Summaries

Okay, so during the summer season of 2011, I remember how I kept saying that modern anime are too short, and how more series should try to be longer. Well, the past half year showed the other side of that extreme when a large amount of the big flops were… series that went on for longer than 13 episodes: Bakuman dragged, Persona was terribly paced, Guilty Crown was terribly written, Last Exile had a bit of a bad main character syndrome and Squid Girl II was a pointless sequel.

And at the same time, the three best endings of this season… all were from series based on manga that are still on-going. Hmm…

#23 (new) – Hiiro no Kakera – (4,5/10) – Yet again Studio Deen keeps making the same bloody show that is as lazily executed as ever. Yet again we have a really dull bishie show with cardboard cut-outs. And what I really don’t get is why this show has the character designer of Ergo Proxy. I mean, the characters in this series look utterly terrible. What was the need to bring a guy like him around if you’re not going to use him?
#22 (new) – Gakkatsu – (6/10) – A random flash show, thankfully better executed than usual. It still was very dull and gimmicky, though.
#21 (20) – Guilty Crown – (7/10) – I… guess that this month wasn’t the worst month in terms of plot, but it was the month that convinced me what a huge waste of time it was to keep up with this series. I really got nothing out of it, other than bragging rights that I managed to finish such a dull and badly written series. And heck, even the ending was full of the most stupid plot twists. I am not looking forward to Accel World, considering how it shares the same scriptwriter.
#20 (new) – Ozuma – (7,6/10) – Considering Ryousuke Takahashi’s involvement, this was a bit of a disappointment in how sloppy it was, and how annoying the main character is. I like the idea of a sand submarine though, and with that the creators played a nice homage to the likes of Das Boot and other submarine flicks. There is way too much techno-babble, though. You can really see that this is a story from the early 1980s that got adapted almost page to page, without any attempt to give it a modern edge aside from the graphics.
#19 (18) – Black Rock Shooter – (7,75/10) – Thankfully Black Rock Shooter redeemed itself in its second half. Finally there was a bit of a link between the two worlds beyond both having similar characters. Having Mari Okada as the scriptwriter really helped in making everything come together, even though it also lead to perhaps a bit too much sappiness at times. Still, the action was awesome as well and while it’s definitely among the least interesting Noitamina series, it wasn’t the disaster that Guilty Crown turned out to be.
#18 (17) – Papa no Iukoto ni Kikinasai – (7,9/10) – I disliked the open ended nature of this series, because there still is some stuff that really needs to be tackled for the main characters. Still, I can’t deny that it was a very heart-warming month for this series, that really put emphasis the situation that they’re in. This also was the least annoying month for Papa and I’m glad that I kept watching it, despite the very obvious flaws it has.
#17 (19) – Smile Precure – (8/10) – Heartcatch Precure was immediately awesome: right from the start you knew that you were watching something special, so you didn’t have to sit through a string of really boring episodes, just to know whether it was worth it or not. With Smile Precure, this was not the case: the introduction episodes were really boring. I kept watching because of how it wasn’t entirely stupid, unlike Fresh Precure and Suite Precure. The patience was rewarded when this show actually immediately after the introductions got significantly better. The main character is still really annoying, but the characters are actually getting some very good development already.
#16 (15) – Last Exile – Ginyoku no Fam – (8/10) – Thankfully this series didn’t fall apart with its ending. Everyone thankfully stayed true to his or her character, and that’s what made this ending work. The plan of the final villain still was a bit flimsy, and he definitely should have been better fleshed out, but at least he did close off the series well. The final action scenes were again beautifully rendered, but this wasn’t the amazing comeback that Gonzo hoped for. For that, they needed to put more creativity in the plot and characters, beyond the world building.
#15 (16) – Ano Natsu de Matteru – (8/10) – That final twist with Lemon… urgh. The final episode overall was interesting in how it was completely different from the rest of the series. It worked, but the ending was nowhere near the best of the season, nor the highlights of the series itself. Still, it’s a solid ending.
#14 (11) – Nisemonogatari – (8/10) – The strongest point of this series for me was probably last month. The final arc of this series still was pretty good though, and the time that this show was side-tracked was thankfully rather short compared to Shaft’s other series. The pointless incest wasn’t necessary in the slightest, but the creators got a good story out of the characters when it actually tried to be on topic. The gorgeous animation also helped.
#13 (14) – Danshi Koukousei ni Nichijou – (8,25/10)

The ending was pretty good. The final episode in particular had a lot of sketches that worked really well. Overall the abusive girls parts definitely got annoying and repetitive, but once again this month had a number of great jokes.

#12 (5) – Another – (8,25/10)

Another’s ending was not as good as what I hoped. It put a lot of build-up into it, but the finale was full of strange leaps in logic. Still, the revelation of the ghost was very good, the aftermath was well done, and as a gory horror series, it definitely did its job.

#11 (9) – Poyopoyo Kansatsu Nikki – (8,25/10)

Akitarou Daichi for god’s sake: stop doing these small comedy series. Don’t get me wrong, Poyopoyo is awesome and hilarious, but a guy of your caliber deserves to work on an actual ambitious full series. Go and have tea with the people from Noitamina or something, because I really do miss that brilliant serious side of yours.

#10 (10) – Mirai Nikki – (8,25/10)

It took a while to get there, and being spoiled in the process definitely wasn’t fun, but now that we’re getting near the end I have to say that the plot took quite a number of entertaining and intriguing turns. In a way, the second half of this series is everything that Guilty Crown should have been, save perhaps from the production values.

#9 (12) – Rinne no Lagrange – (8,25/10)

Overall this was a very solid midway climax. It actually closed a few things off, while giving a hook for the second season and there was a nice amount of character growth. Overall its first half was probably the weakest of the three sci-fi series of Winter 2012, but still the witty direction also was very enjoyable to watch during its final episodes.

#8 (6) – Hunter X Hunter – (8,25/10)

The most annoying thing about watching this series is my patience. I mean, with Full Metal Alchemist Brotherhood, the recap just took 15 episodes. It was a bit annoying, but it was manageable. Hunter X Hunter has been going on for 25 episodes and we’re still nowhere near any new material, and to this point while there are some minute differences. At this point, I do not feel like it’s worth it to watch this series. Sure, there are hints here and there to later on in the series and all, and when we get to them it will probably be awesome. But still: 25 episodes. Still, at the very least this series goes at a faster pace, which really helps during the building up arcs. This month also delivered the background of Killua, which also again was quite good. What I currently like most about it is how it still keeps changing with every episode. It’s not as strong as when the series first started out, but it’s still very much there. That’s exactly what a shounen jump series needs to prevent itself from dragging on horribly.

#7 (8) – Aquarion Evol – (8,25/10)

Aquarion Evol still is consistently enjoyable. It’s over the top romance action, but it combines them all so well that along with the action and the best soundtrack of the season it remains a ton of fun to watch. The past month spent a lot of time on its characters, which also really helps for the second half of this series.

#6 (7) – Mourestu Pirates – (8,4/10)

The conclusion of the Serenity arc was above all very interesting science fiction. Seriously, the promotional material for this series looked very silly, but the creators did deliver some really good ideas, and twelve episodes in they still take their audiences seriously and they don’t just spoon-feed everything on a silver plate. Overall, out of the three big sci-fi series this season, this one turned out to be the most solid.

#5 (4) – Phi Brain – (8,5/10)

The annoying thing about finales that schedule them on April 1st is that I can’t comment on them in these compilation entries. Damn you, high school basketball for delaying that finale one week! Seriously though, everything so far is heading into the direction that we’re going to get a very good midway climax. I still have no clue how on earth the second season will be able to top this, but this is Sato Junichi: he did this before. Seriously, this month has shown some really good twists that fit in perfectly with the story and characters who keep developing. The focus on solving puzzles has gone to the background now: the creators turned them into very creative action-scenes instead, while at the same time the concept of puzzle solving remains the central theme of the series.

#4 (3) – Tantei Opera Milky Holmes – (8,5/10)

Bizarre. Just completely bizarre. The finale of the first season took its ending with a lot of grains of salt, but at least it still was a bit comprehensible. The finale of this season, made no complete sense. Oh, it still followed the general conventions of what a finale should be. But the context was just.. completely weird. The intentional cheese was particularly hilarious.

#3 (13) – Inu X Boku SS – (8,6/10)

And so, out of bloody nowhere, Inu X Boku suddenly got 10 times better in its final two episodes. I did not expect that, but the finale of this show was really well written, and everything just came together wonderfully. This show really is weird. There were long strings of episodes where it felt like it could have been so much better… and here the finale comes and delivers with a great character study. It consistently put a smile on my face, and Miketsukami was the first time in a long while where a show actually did justice to a bishie, and actually portrayed one well, rather than making him a walking stereotype. This still is David Production’s worst series, but damn: this made up for a lot here.

#2 (1) – Chihayafuru – (8,75/10)

One of the most difficult parts about compiling this month’s ranking is deciding my favorite series of the season. Usually I have a clear winner: Penguin Drum, Ano Hana and Level E were obviously the best for me in 2011. Here though, I have no idea: my number 1 and 2 are both awesome. Both were by far the best of the past three months, yet lacked that extra oomph to really give them a rating of 90/100. With Chihayafuru, it’s the lost potential of not having a second season. But really,despite such an obvious disadvantage, this series still delivered an amazing ending that managed to push the characters forward. Yes, all of them. Really, the creators should not have bothered with that sequel hook at all. Without that, this really would have topped this montly list.

#1 (2) – Natsume Yuujin-Chou – (8,9/10)

This month however, I really have to give the edge to Natsume Yuujin-Chou. Here is the thing with the fourth season: when compared to the other seasons, its middle arc isn’t as good in comparison. The beginning and end however, are the best so far. The arc with which the creators decided to end was just wonderful. It was an arc that we’ve been waiting for ages now, and really: if it turns out that no more sequels of Natsume Yuujinchou will be made, then I’ll be happy with this as an end. The third season already developed Natsume incredibly well. With this, he got even better.

Posted on 30 March 2012 with categories: Anime Reviews

The past winter was a pretty interesting one for comedies; we were treated to no less than three good ones: Milky Holmes, Poyopoyo and Danshi Koukousei no Nichijou. Out of those three, I’d say that I found Danshi Koukousei to be the least funny. But heck, it’s still great to see a comedy that manages to bring so much creativity in something as overused as following the lives of a bunch of high school kids.

Every episode pretty much consists out of a collection of pretty short sketches, ranging from one to five minutes in length. In terms of humour, it uses the shotgun shell approach: deliver as many and as different jokes as possible in the hopes that some hit. Because of that, it’s always a bit of a question whether a sketch will work or not, and the ones who don’t work indeed fall flat pretty badly. I’ve got a lot of praise for the ones who do work, though.

As said before, my favorite thing about this series is how creative it can get when it wants to. It loves subverting generic high school cliches, but it also isn’t shy for random slapstick and it also loves to poke fun at Japanese cultural values. The direction and delivery for the jokes is also pretty well done, and in particular Tomokaze Sugita (who also played Gintoki in Gintama) really is on fire as the voice actor of one of the characters. This series also has the same director as the first 100 episodes of Gintama, so it’s no wonder that this guy’s acting talents are used to their full potential. The cast does have a few problems though, most of it has to do that half of the cast can’t decide what kind of character they want to play, and the other half that did decide on this ended up with a cardboard cut-out. Yeah, characterization is not this show’s strongest point.

Probably the weakest sketches are when this series tries to swap gender roles. I’ll leave it in the dark for the sake of spoilers how it exactly does it, but these sketches are too overused: they drag on for too long, they repeat each other too often and they appear too often. The best sketches can’t really be labeled like that. It’s completely random whenever the creators got a brilliant idea, and part of the fun of this series is waiting for those ideas to come. I’d say the ratio between the good and dull sketches is about 50/50. It’s not consistent enough to be a great comedy, but it’ll definitely give you a few good laughs.

Storytelling: 9/10 – Very funny and creative when it works.
Characters: 7.5/10 – A few too many cardboard cut-outs. The characters are funny, but have their moments of annoyance.
Production-Values: 8/10 – Solid sunrise production values.
Setting: 8/10 – Doesn’t get in the way for a comedy.

Suggestions:
Gintama
Hyakko
Mitsudomoe Zouryouchuu

Posted on with categories: Anime Reviews

I remember Astarotte no Omocha last year. It was a show that looked like pedo-bait, yet seemed to have something deeper and charming, only to reveal after a few episodes that it turned out to be even worse pedo-bait than what it had originally seemed. I still regret giving that show a second chance, and at the start of this season I really was not keen on doing the same to Papa no Iukoto o Kikinasai, a show about a guy who suddenly finds that he’s the father of three cute girls.

Yet, this turned out to be the surprise of the season. I thankfully picked it back up after a lot of people started to recommend it again. And thankfully, this series avoided the Astarotte route and instead it actually tried to tell a very genuine story. It’s not perfect (believe me, it still has a lot of problems), but this series actually delivers quite an interesting look of what it takes to take care of teenaged girls and a toddler, especially when you yourself are only of college age with a measly paying job. It’s quite a heartfelt series, and I definitely did not expect this when I first learned about it.

Even when you ignroe the first impressions though it’s really easy to look past this series. Because it also tries to appeal to the otaku crowd. The result makes this seris a whole lot more annoying than what it should have been. There is a ton of pointless fanservice in this show, and I mean of the worst kind (characters randomly walking into each other changing or bathing. Over and over again…). There also is one particular character: the fat guy. This guy somehow managed to pull it off by being consistently annoying in every single scene he appears in. No exceptions. You’ll get what I mean when you see him.

So yeah, Papa no Iu Koto ni Kikinasai is a slice of life series that at first sight seems really bad annoying, but is very warm and charming on the inside. I wouldn’t recomment it immediately, because there is a lot of fluff in this show, but it’s not a bad watch either if you want to watch something that’s light, yet with substance. My one complaint about the substance is that the ending is a bit flimsy and doesn’t really solve anything. The final episode like, focuses on a problem that pretends to be the climax, yet leaves a bunch of stuff unresolved that really should have been addressed.

Storytelling: 7/10 – Why on earth did this show try to be as annoying as possible?
Characters: 8/10 – Bad moe cliches at first sight, but the development is actually pretty good and heartfelt./td>
Production-Values: 8/10 – Nothing special, nothign that stands out, doesn’t get in the way, although the character designs are pretty bad here…
Setting: 8/10 – An intersting look at parenting. Perhaps not as detailed as with Usagi Drop, but still good in its own way.

Suggestions:
Usagi Drop
Hanamaru Youchien
Kimi to Boku

Posted on with categories: Anime Reviews

The most difficult review to write thsi season is Inu X Boku. Most shows were fairly straight-forward to evaluate: the likes of Chihayafuru and Natsume were really, really good, Guilty Crown was pretty bad, Black Rock Shooter was pretty decent. Inu X Boku however, is slightly more difficult.

Those who follow this blog probably know already that I’m a big fan of the producers behind this series: David Production. They really spend time into making shows work best, they don’t bind themselves to genre conventions and their stories are always very creative. It’s because of this that Inu X Boku is the worst TV-series they have done so far, because for a large majority of its airtime, it didn’t really seem to be doing that. Instead we got a fairly mellow series about a girl and her bodyguard with a bit of a combination of shounen and shoujo elements, paired with a large and mis-managed cast of side-characters. The plot and characters never seemed to be really trying to do anything, and while it certainly wasn’t bad, if you compare it to the standard that David Production has set before, then it just ends up a bit borign.

And yet, this show has flashes of brilliance. For some inexplicable reason, this series, despite its boring moments, was able to put a smile on my face with nearly every single episode. This show spends a lot of time on the insecurities of its main character, and the way they play out is actually surprisingly heart-warming. Despite having obvious trouble to keep finding enough things for the characters to do in only 12 episodes, there are quite a few really heart-warming characters in this series.

And then the final two episodes arrive and deliver one of the best finales of the entire season out of bloody nowhere. It’s only here where the writing suddenly gets 10 times better, the build-up all comes together, the characters develop brilliantly, and for the first time in years I can say that I found a show that does the bishie genre justice. Seriously, this show closes off amazingly.

These flashes of brilliance can be found throughout the series, but the big problem with the first 10 episodes is that they don’t use this often enough. The cast of side-characters in particular didn’t work out for this series, as there are a bunch of characters who have a lot of potential, yet hardly get any screentime, while there are also a few characters who just have one gimmick and keep using that over and over. The fangirl lady is by far the worst offender of this.

But you know what? Because of these flashes of brilliance, I’m going to give this show a relatively high rating, because it at least HAS them. Seriously, there are not a lot of shows I can say that of. It’s not like this show falls apart in the middle and I really have to say that I enjoyed watching it a lot. If you want to know why I’m a fan of David production though, this is not the series that best shows their talents. Instead, go pick up Level E or the Armed Librarians or something.

Storytelling: 9/10 – Surprisingly heart-warming, it knos when to get creative. Amazing finale.
Characters: 8,5/10 – Loses points on its side characters: some are fun, others are badyl written, others are underutilized. The main cast is surprisingly well developed.
Production-Values: 8/10 – Crisp animation, though nothing special.
Setting: 8/10 – The seetting is far from the main focus of this series. It’s got some nice dieas, and it’s solid, thtough.

Suggestions:
Tactics
Meitantei Loki Ragnarok

Posted on 29 March 2012 with categories: Winter 2012 Kaleidoscope

And so, I’ll end this Winter 2012 Kaleidoscope the same way I started it: with Inu X Boku SS. This really was a series that got on my nerves a lot. Not because it was bad or anything, but because it’s David Production. These are the guys who always try to do something extra. They take their series, and add stuff, try to do something new and really put thought into how to make their series work best. Inu X Boku did not have that. There were flashes in which it was really good. That’s the reason I originally picked it up to blog. And yet it got side-tracked so often. It’s not like it was full of filler, but instead all of the episodes didn’t even seem to be trying to be engaging, and the underdeveloped cast of side-characters also didn’t help either. It really was just this series that was fun and watchable, but really not much more.

And then the final two episodes aired. And what do you know? They were actually quite brilliant. In fact, save from perhaps Natsume and Chihayafuru, they were the best final two episodes out of the entire season. I did not expect that. At all.

I’m not sure what happened. Suddenly the writing got like 10 times better. In two episodes this series actually succeeded in breathing a tiny bit of life into the bishie genre, which has been so overly polluted during the past few years by the likes of Studio Deen, A-1, Production IG, etc. For the first time since… Kuroshitsuji II I think we’ve gotten another romance involving bishies that is actually really good. The main couple totally redeemed themselves for me here. Like it’s nothing, this series suddenly took all of the build-up of the first 10 episodes, and brought it together, and did it creatively. In fact, this creativity is what set this series above Ano Natsu de Matteru for me. They both are flawed, but where Ano Natsu depended on well executed cliches, this series actually delivered some creative twists that I absolutely loved.

The previous episode was already wonderful in outlining Miketsukami’s background and how everything fits together, I expected this episode to be a boring aftermath again, and it sure started out this way, save for some well written very last minute character development on random side-characters that suddenly made them a lot better. The bartender and his kid in particular. The time capsule was fairly standard for an inconclusive ending… and then Ririchou from out of nowhere realized that she got two letters mixed up. This is a common trope, but I can’t think of another anime in a long time that did this as well as this episode.

It came out of nowhere that this happened, since everyone was treating this as a very sentimental moment, and afterwards the creators went really deep into the characters’ minds. Both Ririchou and Miketsukami were forced to deal with their own insecurities, after the entire series has built them up as being so distant and afraid to show their own feelings. It was an amazing conclusion.

So yeah, reviewing this series will be a bit of a problem: I loved these past two episodes. The majority of the rest of the series though… not so much. I need to get my thoughts sorted out on this a bit.

Overall though: I’ll be keeping my eye out on this new director, because he has shown to be able to get good stuff across in his adaptations. He has flashes of brilliance, but at the same time you can see that he lacks experience, due to all of the wasted potential of this series. If I had to give him one advice, it’s this: keep a leash on your side characters. There are a few who really ruined the fun a bit. The worst offender is the fangirl: she only did one thing over and over. Balance that character out more. You also had this great and colourful cast of characters in the staff of the hotel everyone is staying in, but you hardly ever used them. Such a waste of potential! I know this is an adaptation, but it’s still the job of the anime staff to choose what to focus on, what to cut, and what to spend extra attention on. You may have excellent source material, but if that results in an adaptation like Persona 4’s, then it doesn’t really matter.
Rating: *** (Awesome)

Posted on with categories: Anime Reviews

Amongst the studios that focus too much on moe, I find JC Staff among the better ones. Sure, they have their bad shows, but you can see that they put more effort into their series, compared to the likes of AIC, Xebec or ARMS and their lazy recycled premises. Ano Natsu de Matteru is a great example of this. Yes, it unfortunately has all the cliches: the main character living together with a hot girl, a childhood crush who is in love with him, him being the bland likable guy, spiced up with the deadpan snarker and the ladies’ man. It’s a very bland romance, but ultimately surprisingly well executed.

The best praise that I can give this series: the romance actually goes somewhere. Yes, in a genre that thrives on indecisive characters and pointless and annoying drama, here for once we have a romance that actually develops naturally. The main characters actually realizes what he wants, and rather than waiting for the final episode to get to some sort of confession, this show deals with that stuff slightly earlier than usual in order to actually give everyone the opportunity to sort out their feelings. The result is a surprisingly good drama.

In the character department this series also demonstrates that you can go an end with cliches when they’re well developed. It unfortunately doesn’t apply to every single character, but half of the cast here is actually pretty interestingly developed. To contrast with unfortunately, there are a number of uninteresting characters that drag this show down a bit. The main character ultimately is too bland to really carry this series. The childhood friend also completely gets caught up in her role as childhood friend, without having much else to offer, and the deadpan snarker also has just one gimmick that gets old fast. There also is this horrid beach arc in the middle that shoehorns two very annoying side-characters into the picture who end up doing nothing other than turn this show into a harem.

With the director of Ano Hana behind this series, Ano Natsu is definitely a step down in comparison. Yeah, it’s probably a bit more realistic due to its slower pacing, but I dislike how this show uses half of its cast as walking plot devices, rather than actual characters, when it on the other hand tries to deliver a somewhat realistic romance. More than anything, this feels like watching a mellow version of the first season of Birdy the Mighty Decode with a lot less emphasis on action and its setting.

Yet, I liked this show, and you can definitely see that a lot of attention went into making it work. The romance that works really works here, and it’s got a healthy amount of character development. The animation is also consistently vibrant, successfully bringing these characters to life.

Storytelling: 8/10 – A romance that actually goes somewhere and that doesn’t drag on. Finally!
Characters: 8,5/10 – Half the cast is bland, but the other half is great and well developed. Does that make them worth watching? Yes, actually.
Production-Values: 8,5/10 – Not the best of this season, but that animation still remains very expressive.
Setting: 7,5/10 – The backstory of this show is nice, but it does have its very flimsy sides that are hard to buy at times.

Suggestions:
Introducing the rating of 81/100 back again (rounded down from 81,25, which would be way too specific). When I scraped this rating I did this because I couldn’t really explain the difference between 81/100 and 80/100. Now I can, though: these are very good series, who have a few highlights here and there that make them enjoyable and worth watching.
Birdy the Mighty Decode
Aoi Hana
Ano Hana

Posted on 28 March 2012 with categories: Anime Reviews, Chihayafuru




Most people here will be unfamiliar with the game of Karuta. Its rules are fairly simple: two people sit around a bunch of cards that each contain a half of a poem. Someone on the sidelines starts reading cards that contain the other halves of these poems, and it’s up to the player to get each corresponding card as quickly as possible. At first sight it doesn’t seem like your interesting game that you can make a full series off, unlike games as Go, Shougi or Mahjong. But after 25 episodes of Chihayafuru, I had to change my mind about this. This series really managed to show what makes Karuta a great game.

The execution of this series is simply stunning. When you take a look at the animation, for example, movement is incredibly fluid. Scenes are directed with a lot of force and energy behind them. Every single time a character claims a card, it feels like a ton of energy is devoted to just show how difficult this is. The acting also is really excellent, with just about every character and actor giving off a memorable performance.

What really sets this series apart is the way it handles its characters. Seriously, this episode has a cast of about five main characters. Every single episode manages to add something to these characters. Seriously, from the moment they’re introduced, this series very actively tries to flesh out these characters as much as possible, and every episode feels like we get to know more and more about them. The consistency with which this series does this is almost scary, and even the minor characters are colourful and surprisingly well developed.

What this show also does brilliantly is making the skills in Karuta of each of the characters grow. I mean, most training arcs in anime consist of “character trains for a while, character is stronger”. Chihayafuru goes in-depth to this much more than I at first thought it would. It examines what it takes to get good at Karuta, how the best players out there are playing, and it shows the full train of thought of the characters as they try to get better, and try to find out their weaknesses. I mean, this series closes off with an open-ended cliff-hanger (ongoing manga…), but even here the creators managed to actually make all this focus on training come together wonderfully at the end.

If I had to mention a flaw, then it’s this: the series takes place at a high school and is focused on a club whose members enter a bunch of tournaments. The detail on karuta is amazing, but beyond that this series uses a set-up that has been done so often already. This series is just karuta match after karuta match after karuta match, with very little variety along the way. It really solely relies on the karuta and the characters to spice up its story, and it does so brilliantly, however, it also is a bit of a monotone series because of this.

Storytelling: 8/10 – Amazing direction, wonderful pacing. Needs perhaps a tad more variety in its story, but really brings its story to life. The unfinished ending will leave you wanting more, though.
Characters: 9/10 – Amazing characters who keep getting developed and fleshed out. Every epsode adds something new and interesting about them.
Production-Values: 9/10 – Lots of eye candy, very fluid animation.
Setting: 9/10 – When this series started, I thought Karuta was a bit of a boring game. Right now however, I don’t think that anymore. This show really showed a ton of the different sides of the game.

Suggestions:
Hikaru no Go
Ookiku Furikabutte
Shion no Ou

Posted on 27 March 2012 with categories: Chihayafuru

So it was pretty obvious from the start that Chihayafuru and Natsume Yuujinchou would have the best final episodes of this season. But what about the ending? Ironically the best shows this season are both based on manga that are still on-going. Natsume Yuujin-Chou solved it wonderfully. Chihayafuru’s ending did some things really well, but at the same time, it unfortunately also did what I feared for ever since this show was announced: it made me hungry for more. There is so much potential with that ending… that we’re never going to see animated.

But don’t get me wrong though, I loved this episode. Perhaps it wasn’t as intense as the previous episode, but it really brought this series to a great closure, while pushing the charcters even more forward. And yet again it does that for every single member of the main cast. The King match taught the characters a lot about themselves that flowed so naturally from the rest of the series. This episode emphasized even more how different the playstyles of these people.The creators also brilliantly used Arata at the end. Finally he is thinking in-depth about karuta again, and ironically it was Taichi of all people who he needed to remind to do this as well. Everything fitted together amazingly.

And yet, then the second half came, and that teacher suddenly made the deal that the club will lose their position if they can’t recruit five new members. Five new characters will be joining the Karuta club to add to the current main cast!? Talk about potential here! I mean, fleshing out such a large cast is difficult and all, but this is Chihayafuru: if anyone can do it, it’s these guys. This is by far the series that is in most need of a sequel, out of the entire season.

Overall though, I absolutely love sports series. And yet, I have no interest in sports series whatsoever. In fact, I find myself not looking forward to most sports series, because of their premises. And yet, for some really weird reason, the majority of them is incredibly well executed. And this standard just keeps on going. Sure, we have a Knight in the Area once in a while, and I wasn’t really charmed by Major either, but for those series in return we have such beauties as Chihayafuru, Cross Game, Ookiku Furikabutte, Giant Killing, Touch, Shion no Ou, Hikaru no Go, and that list just goes on and on. Net season will have two new sports series: one shounen jump adaptation and a NHK show about a kid and his football team. These two series are really going to challenge this trend, but heck. I have been pleasantly surprised by so many sports shows already. It’s entirely possible.
Rating: *** (Awesome)

CHANGE USERNAME
Niello
@KTravlos My experience with Terror too.
KTravlos
The Terror ended weak for me. A great show up to episode 7 and parts of 8, 9 and 10 just went down the path of gore fest. It will work for many, but it soured for me the excellent first 8 ones.
Niello
And that's it for Franxx, an entire episode dedicated to lame world building. Expecting it to be mediocre was correct.
Lenlo
Well, Mikio's gear was upgrading to V5 we saw, so it may not be as easy as we think. That said, I just want Gear to be relevant. It really feels like just a gimmick to me so far and Mikio could maybe change that, since his is so important
AidanAK47
Oh and I got two card drops, both of which were Shanas.
AidanAK47
@Amagi, I still need to grind up the damage points. I am close and planning to get it before Rider day ends. But Banana Oni is the hardest challege this game has ever given. And fighting her is always a gamble.
Amagi
Yeah it was a good move. Really want to see how Mikio will fight without the advantage he had till now.
Kaiser-Eoghan
This weeks episode of megalobox gave an added importance to him being gearless .
Amagi
Now that I got the 300mio damage in FGO I finally get card drops that I don't need anymore
AidanAK47
@Masky, I believe I told you to watch Fate/Zero and apologize.
Masky
@AidanAK47 three days ago: Harsh words :D
Kaiser-Eoghan
I do echo the frustration though with shows you like not getting enough episodes. And then there are of course shows where I wonder, did they really need so many episodes/seasons.
Anonymous2142344
You an always watch the old 160 episode ova of Legend of Galactic Heroes. Differences to date are minor
Kaiser-Eoghan
@Anon: Follow up films coming though.
Anonymous2142275
Galactic Heroes, is starting to grow on me, is a shame, that's only 12 episodes so much potential being wasted. What happened to those times when long animes, could have at least 50 episodes ( Gundam Seed, Code Geass) and still be viable. feeling hopeless
Kaiser-Eoghan
@Mario: A female director you could also look into is Moufida Tlatli , especially silences of the palace.
Kaiser-Eoghan
@Mario: On golden kamuy, from reading on in the manga, there will be a big reveal regarding Asirpa soon. Also I feel the prisoner guys are becoming monster of the week.
Kaiser-Eoghan
@Mario: I'm glad to be reviewing stuff again on letterboxd.
Kaiser-Eoghan
@Mario: ....I...actually momentarily forgot about the PM system.
Kaiser-Eoghan
@Mario: Watch Bombshell, secrets of a hollywood star or calling hedy lamarr, Bombshell is a recent documentary about Lamarr.
Kaiser-Eoghan
@Mario: Von Triers new film looks darkly funny though to a degree and I love the self-indulgent first per3son narration.
Kaiser-Eoghan
@Mario: I have no idea how Stellan Skarsgard (who works alot with Von trier) produced Alexander Skarsgard, the latter is far too attractive to come from that. I feel the same about Asia Argento, I refuse to believe Dario could have produced such a fine creature.
Kaiser-Eoghan
@Mario: I'm rarely about morals or understanding as an importance when it comes to film, I care most about how it hits me on a visceral/emotional level, how daring it is in its imagination, visuals, madness , creativity.
SuperMario
@Kaiser: thanks, received it. God, Von Triers new film is entirely something else. Full-on provocation. And I already think his Nymphomaniac was too much
Kaiser-Eoghan
@Mario: Also I'm dying to see Von Trier and Chang-dongs new films, especially the priors.
Kaiser-Eoghan
@Mario: I sent you a private message.
Lenlo
That said, the key drama scenes were still great. Okabe's VA continues to make me happy. Im just not sure how much of this is nostalgia.
Lenlo
Steins;Gate is at its best in moments of character drama and character interaction. All of its value lies in its characters. Any action, with this muted style, is going to come off stiff and dull. A con of the art-style decision.
Kaiser-Eoghan
@Lenlo: I'm glad you said that, because I felt visually it looked stiff this week and that brief scene in the beginning wasn't much to look at. But Okabes meeting with Baldyguy-san and the cliffhanger and after credits bit were good scenes.
Lenlo
So yeah, this was probably the weakest week of Steins;Gate so far. Its pretty clear its not an action series and that its style doesnt suit itself well to combat scenes
SuperMario
... watching and reading many shounen titles (Dragon Ball, Dragon Quest, Bleach and the likes), shounen isn't my cup of tea at all
SuperMario
While I grow up
Lenlo
@Anon, I love Shounen. BnHA is one of my favorites every season its on. Doesnt mean I like Black Clover though
Kaiser-Eoghan
Thank you for that anon, when I watched the episode earlier I wasn't aware there was a post credits scene.
Anonymous2141254
oh well, we still are early on in S;G 0 too. Plus, there seems to be a huge development at the end of the episode
Anonymous2141254
idk, i can't help but feel that besides the amadeus plotline, everything else feels "fillery"
Anonymous2141254
I must say though that I'm still waiting for it to get good, idk maybe my expectations are too high because the original was great after the first few episodes
Anonymous2141254
Don't forget to watch end credits fo Steins Gate 0
KTravlos
I like some shonen. I just think that they are popular enough as not to be worth reviewing ihmo.
Vonter
@Anon2140150 - I do. Though Shounen do have the issue of being derivative in certain aspects like power scales and several doing the FMA Brotherhood climax (of what I've watched). Also they're made to be endless. It can be intimidating jumping to one that has several seasons.
Anonymous2140150
Does everyone here don't like shonen anime?
Amagi
Really, if there is one piece of information (aside from otome maybe) that makes me ignore a series forever it's a LN about a LN author or illustrator. The selfinert wish fulfillment couldn't be more obvious.
Amagi
Another LN greenlit for an anime production and the synopsis starts with "* is a light novel illustrator and..".
Amagi
@KTravlos: I don't know why modern anime hate curly- and/or wild hair so much. The old hair style gave Reinhard a more royal look, whereas he looks like a normal highschool boy now. Not that I am complaining about the anime as a whole. Also, I like some of the new designs.
KTravlos
and a part of me things it is indeed the hair. It comes to low, giving Reinhard a slovenly, lazy feel. When Yang feels more energetic you know there was a mistake.
KTravlos
and yes, this Reinhard fares poorly in comparison to the OVA one. He is dull. I need more Yang :p
KTravlos
ai vay vay. The Castrop Rebellion remains waste of time. And this time it was worse. The older depiction was tacky but at least it showed Kircheis ability in a logical manner. This time I had no idea what the hell happened. It felt cheap.

The rest of the episode was ok. Not completely sold on all the renditions of imp. admirals though I still love the uniforms.
Kaiser-Eoghan
*those
Kaiser-Eoghan
Hearing these , I find myself much more tolerant of anime voice acting even if the dub might only be okay.
Kaiser-Eoghan
Its actually less of a sync issue, as I'm talking about 60s dubs , alot of people think the voices in old anime English dubs from the 90s are dated, but the old sixties kungfu and western dubs are shocking, far worse.
Kaiser-Eoghan
I don't mind sometimes satirical dubbing like on tiger lily , dialectics break bricks and kung pow however.
Kaiser-Eoghan
And those can be difficult to acquire sometimes in Italian or Chinese.
Kaiser-Eoghan
@Anon: Live action films, this is especially annoying sometimes because I love Spaghetti westerns and Chinese martial arts films and old Italian cop thrillers.
Anonymous2137430
@Kaiser-Eoghan Are you referring to foreign animated films of foreign live action films because dubbing live action is a different beast as I'm sure you're aware. The idiosyncratic nature of watching moves and facial expressions not properly match voices really pulls the viewer out of the experience
SuperWooper
LoGH is airing a special next week because of scheduling delays, so that's one less thing to do.
AidanAK47
Well to those whom it might concern, expect my posts to be later than usual this week. Work is hell at the moment.
Kaiser-Eoghan
I have to say, this is probably a bit hypocritical, but while I enjoy dubs of anime I really really can't stand dubs of foreign films.
Lenlo
Simo Hayha would make a pretty crazy Archer.
Kaiser-Eoghan
I imagine a fate strange fake adaptation will materialize eventually.
Kaiser-Eoghan
But everyone seems to want that Finnish sniper as a Fate servant .
Kaiser-Eoghan
Still no Mao, still mad.
Kaiser-Eoghan
....I have lost track of the historical characters in the fate lineup.
AidanAK47
@Lenlo, to expand on that point the following historical figures are now female: Nero Claudius, Leonardo da Vinci, Frankenstein's Monster, Xuanzang, Jing Ke, Quetzalcoatl, Minamoto no Yoshitsune, Miyamoto Musashi, Okita Souji and many more to come.
AidanAK47
@Anon, I find it's an enjoyable watch though flawed. If you can get past some odd fanservice around the first ten episodes then I say it's worth watching.
Anonymous2133468
So i was thinking if i start watching, darling in the franxx, is worth it? or is just another 6/10 anime?
Lenlo
God damnit. Why Nasu. Just why.
AidanAK47
@Kaiser, that ain't even Lewd.
Kaiser-Eoghan
In all seriousness its ridiculous, the Japanese will make a cute/moe girl out of anything.
AidanAK47
....Should I also mention that Francis Drake is a big boobed pirate queen?
Kaiser-Eoghan
@Aidan: Posting lewd images on a respectable chatbox.
AidanAK47
@Lenlo, But none of these characters are in the anime adaptions. Well besides Jack and Saber.
Lenlo
Aidan, all this conversation did was prove that my decision to only ever watch the Ufotable adaptions was the correct decision.
AidanAK47
@Lenlo, you can blame Extella for the Attlia the Hun thing. I wasn't too fond of it myself. Also should mention Attila is female as well.
https://pm1.narvii.com/6414/528599445b739909c02993cfdbfc9f277d088cf2_hq.jpg
AidanAK47
Also Masky I will be the first to admit to the ridiculous aspects of the Fate Franchise but do take note that you are commenting on something you know literally nothing about. Which is the very definition of ignorance and is quite annoying. Fate/Zero nails the themes it's going for. So go watch Fate/Zero, come back and apologize.
AidanAK47
@Masky, Give it time. Genghis is getting in there eventually with Grand Order. We just had Anastasia and Salieri introduced after all. And it's not as if this story introduces Servants willy nilly, they need actual story purpose. Genghis Khan wouldn't have fit the Narrative that Fate/Zero was going for.
Lenlo
Wait Attila is an Alien and Edison is a Lion? God damnit Fate. Why are you doing this to me. I was already annoyed at your treatment of Musashi
Masky
(aliens existing in the show is good example of that missing on themes part xP)
Masky
*most successful conqueror
Masky
Honestly was just amused most conqueror of all time not being featured in the show :D But wait, whats this about aliens?
AidanAK47
Anyway the important thing to take into account is that in the Fate universe, King Arthur is a woman, Attila the Hun is an Alien, Thomas Edison is a lion and Jack the Ripper is a little girl in a dominatrix outfit. Any questions?
AidanAK47
And while you don't need to watch something to be given divine right to comment on ideas or themes, it does leave you ignorant of how that show handles those ideas and themes.
AidanAK47
As for the Historical Alexander, he wasn't given the title of King of Couquerors. Fate/Zeros interpretation of him was. As generally accurate Fates interpretation of Servents history can be, they can make changes to suit the narrative.
AidanAK47
In that Regard Alexander was doing the conquest thing before Ghengus did. Ghengus likely has some other title. Hell he may only have the title because public consciousness was is more familiar with Alexander than Ghengus.
AidanAK47
Yeah, looking it up seems the King Title lost quite a lot of meaning in the Nasuverse. Though the King Title is rather flimsy. I mean Arthur is the King of Knights cause of the Knights of the round table. Gil is king of heroes because his tale was the first Heroic myth.
Lenlo
I think Alexander was just the first one they thought of, and they couldnt retroactively give it to someone else.

That said, Broskander deserves it <3
Masky
(And no, you don't need to watch something to be given divine right to comment on ideas or themes of it.)
Masky
(just to note in case I need to note, I do tend to do at least cursory research when I make comments on stuff I don't watch)
Masky
That first part is semantics as Fate gives title "King" to historical figures who weren't kings already :D Also, you can make that argument about historical Alexander the Great? Since that seriously sounds like kind of weak reason.
AidanAK47
Also sees Rider as deserving of title of "King of Conquerors" because that which he strives to conquer most is not lands or material wealth, but the hearts of people, the toughest conquest that can be undertaken by anyone.
AidanAK47
@Masky, Ghengis Khan wasn't a king. He was a Khan.
Lenlo
Ghengis is always a Rider in my mind.
Kaiser-Eoghan
But in all seriousness, Ghengis would be an appropriate beserker servant.
Kaiser-Eoghan
@Masky: I know, it feels so wrong I'm still mad I can't summon Karl Marx or Stalin.
Masky
So wait, Fate series is about historical figures with super powers, but "King of Conquerors" title isn't given to Ghengis Khan? :D Seriously? Thats just so wrong
Kaiser-Eoghan
I don't feel any point in finishing it, it feels like something that I'd just randomly drop , not because its a bad show, but because I got my fill of it.
AidanAK47
I am actually going to drop blogging it.
AidanAK47
@Sash, indeed. I have been watching it but not blogging it for the last few episodes because it just hasn't givne me anything to say. I don't think it's a bad show but I have pointed out the flaws and strengths of it already so there is truly nothing more to say on it.
Sash
I think wotakoi is starting to feel repetitive..
Kaiser-Eoghan
You are now aware Shana and Batman Ninja Harelequinn are both voiced by Rie kugimiya.
Lenlo
I did. It was... It was a thing.
Kaiser-Eoghan
@Lenlo: Did you end up watching Batman ninja by the way?
Lenlo
Music is great, yeah. When the music is on point, everything goes up. Everytime the sync the fight/punches to the music I just get hyped. Like the rotating shot with Aragaki or the first fight in episode 1.
Lenlo
Ill do my best to be clearer in the future on that front. Yeah, I dont mind twists like this. Makes the inevitable Mikio fight, narratively, even better.
Kaiser-Eoghan
I feel the music does alot of the lifting.
Kaiser-Eoghan
Oh, so that was it.
Lenlo
Sorry if I never made that clear.
Lenlo
I would rather have fewer, amazing, fights than a lot of low-quality fights. This is a one cour show, the more meaning/impact they can give each fight the better.

Like Aragaki, narratively, was great. Loved it. Its just in animation/choreography that it falls flat.
Lenlo
Im disappointed with the animation of the fights. Narratively, I think they are quite good.
Kaiser-Eoghan
*disappointed with the fights in past episodes
Kaiser-Eoghan
@Lenlo: Pretty much what I said I thought of the episode. Although I was surprised how took the episodes ending, I expected you to see it as a slap in the face after being disappointed with the fights.
Lenlo
Also, @Kaiser, I thought Megalo Box did something unique this episode. I wasn't expecting Joe to *not* fight. And the Mikio/Yukiko proxy war is an interesting character motivation. Im betting Yukiko will get Joe a full citizenship, effectively getting her on his side.
Lenlo
I wish I was physically capable of watching Megalo Box without thinking of Hajime no Ippo. I really do. But everytime I watch it, it makes me want to watch Ippo again to.
Anonymous2120908
I watched some more of the Chimera family chinese anime. (Wasn't aware it was monthly released). And geez, I like the concept, the background art is very pretty and contrasts with settings that have become tired in other anime. Yet sadly the animation and script are WEAK. I haven't grasped the quality of what's expected of these types of production but I want to believe, they're trying.
Kaiser-Eoghan
Not much in the way of action in megalobox this week, but I did like the focus on Yukkiko getting a small character moment and then the big moment at episodes end .
AidanAK47
@Anon, That's some lazy ass trolling buddy. Should have stopped before the hashtags.
Kaiser-Eoghan
I'm even sort of looking forward to supposedly less respectable stuff like Goblin slayer and happy sugar life.
Vonter
Also E3 is almost here. And I can't wait. I think Nintendo will have a good show considering they're revealing the new Smash with a tournament. There's rumors of the new game by Retro Studios (Metroid Prime and Donkey Kong) and maybe they'll reveal something about how Pokemon will be on the Switch.
Vonter
Also there's always the chance of something new being discovered. Not everything needs expectations behind. Sometimes great things come out of nowhere.
Kaiser-Eoghan
So yes, there are some at least decent shows coming out.
Kaiser-Eoghan
@Anon: Muh Baki, Muh Bananna fish, muh made in abyss season 2, muh Vinland.
Anonymous2119906
The rest of this year looks like shit for anime and 2019 doesn't look great either #fuckmoe #makeanimegreatagain
Anonymous2119214
@Kaiser yeah it happened in half the amount of eps this time around for steins gate 0; which i expected considering there's a lot of ground to cover
Anonymous2119106
@Supermario Something like Fate or the LOTR films are a different case. I get where you're coming from about your preference, but I'm arguing that if a large story is going to be split into 3 films, it helps that the 3 films feel cleanly cut. Infinity war, even though we know there's a second part to the story, feels like it has that cohesive narrative structure with a beginning, middle, and end
Anonymous2119106
@Super Mario yea but the marvel movies are a different situation so i don't think the comparison is as appropriate. Marvel movies are "episodic" in nature rather than a continuous narrative. The films are largely isolated stories that are happening in a similar universe that only happen to "congeal" narratively because of a few overarching details shared between films.
Kaiser-Eoghan
@Lenlo: I remember when the original series suddenly shifted and got going and it was a really depressing episode.
Lenlo
Oh baby. The storm has finally come in Steins;Gate. Let the true suffering commence
SuperMario
@anon2118276: that's why I don't like LoTR trilogy. It's still a whole body chopped up in 3 parts, despite how clean the cut is. Whereas for me it works better if it was like a branch in a tree. The Marvel movies (despite my disinterest on those) are a good example of this.
Kaiser-Eoghan
While I did feel some of this weeks steins gate felt fillery, I do like see these characters interact and given the episodes conclusion, this episode acted as a calm before the storm.
Lenlo
Ill agree with you on King Kong. As for the Ralph Bakshi LotR, I have. I am still to this day impressed by the overlay of 2D art onto real/overexposed footage. It makes for shockingly fluid animation in places and has its own distinct style
Anonymous2118208
@Lenlo - Have you watched the old Ralph Bakshi adaptation of the first two books? It's uneven, but it's interesting comparing and contrasting certain decisions. As good as Peter Jackson is, I feel he makes very longwinded films, I like his version of King Kong a lot, but it is too long.
Anonymous2118276
@supermario i disagree; the point is that even though the LOTH films have cliffhanger endings, they still feel like fils. they have a defined first second and third act with well paced tension and release throughout them. They follow a storytelling macrostructure necessary for films to feel like cohesive narratives even if they are to end on a cliffhanger
Lenlo
I quite liked the individual LOTR movie just fyi
Vonter
Marvel surprisingly has kept their movies simple enough, that while you might miss details nowadays, you can tell what's happening.
Vonter
Another bad case is like with Assassin's Creed, which like Lost, just tried to tease a lot of things, then it grew tired of trying to piece them together and let the last games work more standalone, with little hints of a larger lore.
Vonter
Metroid does both, it has a standalone story and a hint to what a sequel might bring. Though that hint rarely matters by the time the new game is released.
Vonter
@SuperMario - Some videogames trilogies also do that. Gears of War and God of War had good standalone beginnings but by the second game they put cliffhanging endings. Kingdom Hearts does that and I expect 3 to also do it. Megaman Legends and Half Life had incomplete stories, which might be the worse case in regards to trying to make a continuous story.
SuperMario
It ruins the appetite
SuperMario
I actually think Lord of the Rings' trilogy is a bad example to follow. These films are meant to be viewed as a whole, so each film doesn't hold much as an individual story. I just can't digest films that have "to be continued" sign at the end. Imagine having a first course meal and then have to wait for few days for second course
Kaiser-Eoghan
On the current topic, I would be well for the production of a long running, ambitious ova series.
Anonymous2116425
then again, i don't take too much issue with these films feeling like movie-sized eps...the wait just sucks is all
Anonymous2116425
clearly the films need each other to tell the whole story, yet they can be taken for what they are in isolation as well
Anonymous2116425
I don't mind the trilogy trend at all; like Aidan said, when everything is said and done, all the films will be available to watch. I just think a stronger attempt should be made to make them feel like complete films. Something like the lord of the rings trilogy is a great example of how to do this
Kaiser-Eoghan
I am in full confidence that neither I nor Miura will survive to the end of berserk.
Kaiser-Eoghan
Of course maybe they won't have a future , think about it that way, then they'd never see it, life has that weird way of being unpredictable like that =P
Kaiser-Eoghan
You can always rewatch them just before watching the one after.
AidanAK47
Of course not. But that's the thing. The wait is only a temporary problem. Anyone in the future will have all movies ready to view.
SuperMario
So it's best to wait for another 2 years to watch Heaven's Feel? Hell NOT
AidanAK47
When all the movies come out though you can basically barrel through it like a TV series.
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Hello everyone, and welcome to the most surprising episode of Megalo Box yet. This week we have family drama, Joe’s declining health and a shocker of an ending. Lets jump in! So starting from the top, lets talk about this ending. I never thought Megalo Box would pull something like this, with its limited number […]

Hinamatsuri – 07 [Anzu Is a Greeter Now]

At this halfway mark, I want point out that the comedy of Hinamatsuri isn’t as sharp as the first few episodes (except for the segment including Hitomi’s classmates). There’s still absurdist sense of humor, sure, but it doesn’t make me laugh out lout or even make me chuckle. That is to say I come to […]

Legend of the Galactic Heroes Die Neue These – 7[The Capture of Iserlohn (Part 2)]

The majority of this episode was detailing the plan and execution of Yangs takeover of Iserlohn which does seem rather simplistic when you think about it. This is a point where LOGH shows its age a bit and while they tried to bump it up by throwing in a body scanner, there is still the […]

Steins;Gate 0 – 6 [Eclipse of Orbital Ordering -The Orbital Eclipse-]

Ladies and Gentleman, Boys and Girls, Steins;Gate 0 has stomped the throttle and cut the breaks. Lets skip the intro and just get right to it. Early on I thought this episode was going to be slow, we were going to focus on our characters and relax a bit. I thought it would be drama […]

Golden Kamuy – 06 [Hunter’s Soul]

Well, (animal) shit. Golden Kamuy starts slow this week and ends with a bang. This episode presents many of Golden Kamuy’s ups and downs so it’s best to dissect them one by one. For the negative part, the pacing is still off. This episode spends too much time on Sugimoto and Asirpa hunting that poor […]

Hisone no Masotan – 05 [Do You Really Think That There’s Anybody Who Likes Being Disliked?]

There’s one thing you can count on original shows, you can never know for sure what the plot is going next. Sometimes, it surprises you with its sheer originality and sometimes, it could go to weird places. HisoMaso falls into the latter this week, literally where it’s taking us to an uninhabited island for the […]

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