Posted on 31 March 2012 with categories: Some Quick First Impressions

The Legend of Korra

Short Synopsis: Our lead character is the legendary chosen one.
Allright already! I give in; I’ll watch the first episode of this Avatar sequel. Normally I don’t cover American animation, but with this there were so many people requesting it. My impression is, that it’s indeed a pretty good series based on this first impression. The animation is really good: it is inspired by anime’s level of detail in its art, yet manages to retain the amount of fluidity that’s typical of American animation. There are some cliches in the cast of characters, like the spunky kid in the middle of a dignified Asian-inspired setting, which is quite common in these types of stories, and Korra herself definitely has her annoying moments. I am intrigued however by the politics in this series, although I have no idea what role the main character will end up playing in this. Everyone keeps talking about how she’s special as the avatar, but most of the problems that are presented in this episode don’t really seem like problems that can be solved by someone who just happens to be able to “bend” multiple elements.
ED: Very fast credits. Good music.
Potential: 80%

Ginga he Kickoff

Short Synopsis: Our lead character wants to found a football team.
Uh so yeah. Don’t ask me why, but we suddenly got treated to the fifth episode of Ginga he Kickoff. As for what happened to the first four… I have no idea. So I just watched the fifth episode of this series, and really, it’s fairly representative of the nature of this series. There were parts I enjoyed. The cast of side-characters is fairly nice. Better than Area no Kishi in any case. It just has one really, really big problem: the main character! Good lord, this kid is horrible. He keeps yelling and whining throughout the entire episode. In this episode he wants a certain person to become the coach of his football team, and do you know how he ends up doing it? By whining and whining and whining until the coach can’t take it anymore. Yes, the parents in the world will be thankful to this series.
OP: Very cheesy J-Pop
ED: Another dull song.
Potential: 10%

Natsuiro Kiseki

Short Synopsis: Our lead characters are a bunch of middle school girls.
Okay. I am intrigues. I’m definitely going to keep watching this series. I’m not going to say why; you just need to watch this episode for yourself. Instead I’m going to talk a bit about this episode in general. Natsuiro Kiseki was a series that I really feared would just become another copy and paste moeblob clone. However, the execution is different from your average series. There is actual tension between the characters, and not in the usual clown-straight man pairing, but it feels much more natural than usual. It still has its problems of being way too angsty. There is in particular a blond girl in this show who needs to lay off the angst, because she kept causing drama that could have been solved by proper communication. Despite that though, this series doesn’t feel random, but the characters are actually talking about something. Some characters are a tad cliched (the deadpan girl in particular), but others are actually pretty inspired (the green-haired girl in this show is actually an interesting variation on the “ditzy girl”-archetype).
OP: Dull J-rock.
ED: Dull J-pop (for those who are new to this blog: yes, I kindof dislike these genres)
Potential: 80%

Posted on with categories: Mouretsu Pirates

Okay, so the princesses are now recurring characters. Yeah, Gruier found it so much fun as a regular student that she decided to stay a while longer on Marika’s school, taking her little sister along with her. It’s a bit forced, but I get what the creators were gong for: they’re princesses, so they should be allowed to be children for a while.

The rest of this episode was a quiet aftermath, mostly dedicated to the everyone passing a year. The captain of the yacht club is gone now, and there are a few new characters introduced. Nothing special, but it did give a good feel of its characters. The downside is that we’re probably going to have to wait a while until things get interesting again. I was hoping that this series would be more like Stellvia, having just one build-up arc at the beginning, but it seems that this is much more arc-based.

My favorite part of this was probably Ririka. She’s a really interesting mother for an anime: she stays in the background, as it’s obviously not her story, but she is not a mother who is there for the sake of having a mother here. In this episode she actually thought to change jobs, in order to find something to do that she really enjoyed. It’s also interesting how Marika addresses her by her first name, rather than the usual “okaa-san” or “mama”.Rating: * (Good)

Posted on with categories: Monthly Summaries

Okay, so during the summer season of 2011, I remember how I kept saying that modern anime are too short, and how more series should try to be longer. Well, the past half year showed the other side of that extreme when a large amount of the big flops were… series that went on for longer than 13 episodes: Bakuman dragged, Persona was terribly paced, Guilty Crown was terribly written, Last Exile had a bit of a bad main character syndrome and Squid Girl II was a pointless sequel.

And at the same time, the three best endings of this season… all were from series based on manga that are still on-going. Hmm…

#23 (new) – Hiiro no Kakera – (4,5/10) – Yet again Studio Deen keeps making the same bloody show that is as lazily executed as ever. Yet again we have a really dull bishie show with cardboard cut-outs. And what I really don’t get is why this show has the character designer of Ergo Proxy. I mean, the characters in this series look utterly terrible. What was the need to bring a guy like him around if you’re not going to use him?
#22 (new) – Gakkatsu – (6/10) – A random flash show, thankfully better executed than usual. It still was very dull and gimmicky, though.
#21 (20) – Guilty Crown – (7/10) – I… guess that this month wasn’t the worst month in terms of plot, but it was the month that convinced me what a huge waste of time it was to keep up with this series. I really got nothing out of it, other than bragging rights that I managed to finish such a dull and badly written series. And heck, even the ending was full of the most stupid plot twists. I am not looking forward to Accel World, considering how it shares the same scriptwriter.
#20 (new) – Ozuma – (7,6/10) – Considering Ryousuke Takahashi’s involvement, this was a bit of a disappointment in how sloppy it was, and how annoying the main character is. I like the idea of a sand submarine though, and with that the creators played a nice homage to the likes of Das Boot and other submarine flicks. There is way too much techno-babble, though. You can really see that this is a story from the early 1980s that got adapted almost page to page, without any attempt to give it a modern edge aside from the graphics.
#19 (18) – Black Rock Shooter – (7,75/10) – Thankfully Black Rock Shooter redeemed itself in its second half. Finally there was a bit of a link between the two worlds beyond both having similar characters. Having Mari Okada as the scriptwriter really helped in making everything come together, even though it also lead to perhaps a bit too much sappiness at times. Still, the action was awesome as well and while it’s definitely among the least interesting Noitamina series, it wasn’t the disaster that Guilty Crown turned out to be.
#18 (17) – Papa no Iukoto ni Kikinasai – (7,9/10) – I disliked the open ended nature of this series, because there still is some stuff that really needs to be tackled for the main characters. Still, I can’t deny that it was a very heart-warming month for this series, that really put emphasis the situation that they’re in. This also was the least annoying month for Papa and I’m glad that I kept watching it, despite the very obvious flaws it has.
#17 (19) – Smile Precure – (8/10) – Heartcatch Precure was immediately awesome: right from the start you knew that you were watching something special, so you didn’t have to sit through a string of really boring episodes, just to know whether it was worth it or not. With Smile Precure, this was not the case: the introduction episodes were really boring. I kept watching because of how it wasn’t entirely stupid, unlike Fresh Precure and Suite Precure. The patience was rewarded when this show actually immediately after the introductions got significantly better. The main character is still really annoying, but the characters are actually getting some very good development already.
#16 (15) – Last Exile – Ginyoku no Fam – (8/10) – Thankfully this series didn’t fall apart with its ending. Everyone thankfully stayed true to his or her character, and that’s what made this ending work. The plan of the final villain still was a bit flimsy, and he definitely should have been better fleshed out, but at least he did close off the series well. The final action scenes were again beautifully rendered, but this wasn’t the amazing comeback that Gonzo hoped for. For that, they needed to put more creativity in the plot and characters, beyond the world building.
#15 (16) – Ano Natsu de Matteru – (8/10) – That final twist with Lemon… urgh. The final episode overall was interesting in how it was completely different from the rest of the series. It worked, but the ending was nowhere near the best of the season, nor the highlights of the series itself. Still, it’s a solid ending.
#14 (11) – Nisemonogatari – (8/10) – The strongest point of this series for me was probably last month. The final arc of this series still was pretty good though, and the time that this show was side-tracked was thankfully rather short compared to Shaft’s other series. The pointless incest wasn’t necessary in the slightest, but the creators got a good story out of the characters when it actually tried to be on topic. The gorgeous animation also helped.
#13 (14) – Danshi Koukousei ni Nichijou – (8,25/10)

The ending was pretty good. The final episode in particular had a lot of sketches that worked really well. Overall the abusive girls parts definitely got annoying and repetitive, but once again this month had a number of great jokes.

#12 (5) – Another – (8,25/10)

Another’s ending was not as good as what I hoped. It put a lot of build-up into it, but the finale was full of strange leaps in logic. Still, the revelation of the ghost was very good, the aftermath was well done, and as a gory horror series, it definitely did its job.

#11 (9) – Poyopoyo Kansatsu Nikki – (8,25/10)

Akitarou Daichi for god’s sake: stop doing these small comedy series. Don’t get me wrong, Poyopoyo is awesome and hilarious, but a guy of your caliber deserves to work on an actual ambitious full series. Go and have tea with the people from Noitamina or something, because I really do miss that brilliant serious side of yours.

#10 (10) – Mirai Nikki – (8,25/10)

It took a while to get there, and being spoiled in the process definitely wasn’t fun, but now that we’re getting near the end I have to say that the plot took quite a number of entertaining and intriguing turns. In a way, the second half of this series is everything that Guilty Crown should have been, save perhaps from the production values.

#9 (12) – Rinne no Lagrange – (8,25/10)

Overall this was a very solid midway climax. It actually closed a few things off, while giving a hook for the second season and there was a nice amount of character growth. Overall its first half was probably the weakest of the three sci-fi series of Winter 2012, but still the witty direction also was very enjoyable to watch during its final episodes.

#8 (6) – Hunter X Hunter – (8,25/10)

The most annoying thing about watching this series is my patience. I mean, with Full Metal Alchemist Brotherhood, the recap just took 15 episodes. It was a bit annoying, but it was manageable. Hunter X Hunter has been going on for 25 episodes and we’re still nowhere near any new material, and to this point while there are some minute differences. At this point, I do not feel like it’s worth it to watch this series. Sure, there are hints here and there to later on in the series and all, and when we get to them it will probably be awesome. But still: 25 episodes. Still, at the very least this series goes at a faster pace, which really helps during the building up arcs. This month also delivered the background of Killua, which also again was quite good. What I currently like most about it is how it still keeps changing with every episode. It’s not as strong as when the series first started out, but it’s still very much there. That’s exactly what a shounen jump series needs to prevent itself from dragging on horribly.

#7 (8) – Aquarion Evol – (8,25/10)

Aquarion Evol still is consistently enjoyable. It’s over the top romance action, but it combines them all so well that along with the action and the best soundtrack of the season it remains a ton of fun to watch. The past month spent a lot of time on its characters, which also really helps for the second half of this series.

#6 (7) – Mourestu Pirates – (8,4/10)

The conclusion of the Serenity arc was above all very interesting science fiction. Seriously, the promotional material for this series looked very silly, but the creators did deliver some really good ideas, and twelve episodes in they still take their audiences seriously and they don’t just spoon-feed everything on a silver plate. Overall, out of the three big sci-fi series this season, this one turned out to be the most solid.

#5 (4) – Phi Brain – (8,5/10)

The annoying thing about finales that schedule them on April 1st is that I can’t comment on them in these compilation entries. Damn you, high school basketball for delaying that finale one week! Seriously though, everything so far is heading into the direction that we’re going to get a very good midway climax. I still have no clue how on earth the second season will be able to top this, but this is Sato Junichi: he did this before. Seriously, this month has shown some really good twists that fit in perfectly with the story and characters who keep developing. The focus on solving puzzles has gone to the background now: the creators turned them into very creative action-scenes instead, while at the same time the concept of puzzle solving remains the central theme of the series.

#4 (3) – Tantei Opera Milky Holmes – (8,5/10)

Bizarre. Just completely bizarre. The finale of the first season took its ending with a lot of grains of salt, but at least it still was a bit comprehensible. The finale of this season, made no complete sense. Oh, it still followed the general conventions of what a finale should be. But the context was just.. completely weird. The intentional cheese was particularly hilarious.

#3 (13) – Inu X Boku SS – (8,6/10)

And so, out of bloody nowhere, Inu X Boku suddenly got 10 times better in its final two episodes. I did not expect that, but the finale of this show was really well written, and everything just came together wonderfully. This show really is weird. There were long strings of episodes where it felt like it could have been so much better… and here the finale comes and delivers with a great character study. It consistently put a smile on my face, and Miketsukami was the first time in a long while where a show actually did justice to a bishie, and actually portrayed one well, rather than making him a walking stereotype. This still is David Production’s worst series, but damn: this made up for a lot here.

#2 (1) – Chihayafuru – (8,75/10)

One of the most difficult parts about compiling this month’s ranking is deciding my favorite series of the season. Usually I have a clear winner: Penguin Drum, Ano Hana and Level E were obviously the best for me in 2011. Here though, I have no idea: my number 1 and 2 are both awesome. Both were by far the best of the past three months, yet lacked that extra oomph to really give them a rating of 90/100. With Chihayafuru, it’s the lost potential of not having a second season. But really,despite such an obvious disadvantage, this series still delivered an amazing ending that managed to push the characters forward. Yes, all of them. Really, the creators should not have bothered with that sequel hook at all. Without that, this really would have topped this montly list.

#1 (2) – Natsume Yuujin-Chou – (8,9/10)

This month however, I really have to give the edge to Natsume Yuujin-Chou. Here is the thing with the fourth season: when compared to the other seasons, its middle arc isn’t as good in comparison. The beginning and end however, are the best so far. The arc with which the creators decided to end was just wonderful. It was an arc that we’ve been waiting for ages now, and really: if it turns out that no more sequels of Natsume Yuujinchou will be made, then I’ll be happy with this as an end. The third season already developed Natsume incredibly well. With this, he got even better.

Posted on 30 March 2012 with categories: Anime Reviews

The past winter was a pretty interesting one for comedies; we were treated to no less than three good ones: Milky Holmes, Poyopoyo and Danshi Koukousei no Nichijou. Out of those three, I’d say that I found Danshi Koukousei to be the least funny. But heck, it’s still great to see a comedy that manages to bring so much creativity in something as overused as following the lives of a bunch of high school kids.

Every episode pretty much consists out of a collection of pretty short sketches, ranging from one to five minutes in length. In terms of humour, it uses the shotgun shell approach: deliver as many and as different jokes as possible in the hopes that some hit. Because of that, it’s always a bit of a question whether a sketch will work or not, and the ones who don’t work indeed fall flat pretty badly. I’ve got a lot of praise for the ones who do work, though.

As said before, my favorite thing about this series is how creative it can get when it wants to. It loves subverting generic high school cliches, but it also isn’t shy for random slapstick and it also loves to poke fun at Japanese cultural values. The direction and delivery for the jokes is also pretty well done, and in particular Tomokaze Sugita (who also played Gintoki in Gintama) really is on fire as the voice actor of one of the characters. This series also has the same director as the first 100 episodes of Gintama, so it’s no wonder that this guy’s acting talents are used to their full potential. The cast does have a few problems though, most of it has to do that half of the cast can’t decide what kind of character they want to play, and the other half that did decide on this ended up with a cardboard cut-out. Yeah, characterization is not this show’s strongest point.

Probably the weakest sketches are when this series tries to swap gender roles. I’ll leave it in the dark for the sake of spoilers how it exactly does it, but these sketches are too overused: they drag on for too long, they repeat each other too often and they appear too often. The best sketches can’t really be labeled like that. It’s completely random whenever the creators got a brilliant idea, and part of the fun of this series is waiting for those ideas to come. I’d say the ratio between the good and dull sketches is about 50/50. It’s not consistent enough to be a great comedy, but it’ll definitely give you a few good laughs.

Storytelling: 9/10 – Very funny and creative when it works.
Characters: 7.5/10 – A few too many cardboard cut-outs. The characters are funny, but have their moments of annoyance.
Production-Values: 8/10 – Solid sunrise production values.
Setting: 8/10 – Doesn’t get in the way for a comedy.

Suggestions:
Gintama
Hyakko
Mitsudomoe Zouryouchuu

Posted on with categories: Anime Reviews

I remember Astarotte no Omocha last year. It was a show that looked like pedo-bait, yet seemed to have something deeper and charming, only to reveal after a few episodes that it turned out to be even worse pedo-bait than what it had originally seemed. I still regret giving that show a second chance, and at the start of this season I really was not keen on doing the same to Papa no Iukoto o Kikinasai, a show about a guy who suddenly finds that he’s the father of three cute girls.

Yet, this turned out to be the surprise of the season. I thankfully picked it back up after a lot of people started to recommend it again. And thankfully, this series avoided the Astarotte route and instead it actually tried to tell a very genuine story. It’s not perfect (believe me, it still has a lot of problems), but this series actually delivers quite an interesting look of what it takes to take care of teenaged girls and a toddler, especially when you yourself are only of college age with a measly paying job. It’s quite a heartfelt series, and I definitely did not expect this when I first learned about it.

Even when you ignroe the first impressions though it’s really easy to look past this series. Because it also tries to appeal to the otaku crowd. The result makes this seris a whole lot more annoying than what it should have been. There is a ton of pointless fanservice in this show, and I mean of the worst kind (characters randomly walking into each other changing or bathing. Over and over again…). There also is one particular character: the fat guy. This guy somehow managed to pull it off by being consistently annoying in every single scene he appears in. No exceptions. You’ll get what I mean when you see him.

So yeah, Papa no Iu Koto ni Kikinasai is a slice of life series that at first sight seems really bad annoying, but is very warm and charming on the inside. I wouldn’t recomment it immediately, because there is a lot of fluff in this show, but it’s not a bad watch either if you want to watch something that’s light, yet with substance. My one complaint about the substance is that the ending is a bit flimsy and doesn’t really solve anything. The final episode like, focuses on a problem that pretends to be the climax, yet leaves a bunch of stuff unresolved that really should have been addressed.

Storytelling: 7/10 – Why on earth did this show try to be as annoying as possible?
Characters: 8/10 – Bad moe cliches at first sight, but the development is actually pretty good and heartfelt./td>
Production-Values: 8/10 – Nothing special, nothign that stands out, doesn’t get in the way, although the character designs are pretty bad here…
Setting: 8/10 – An intersting look at parenting. Perhaps not as detailed as with Usagi Drop, but still good in its own way.

Suggestions:
Usagi Drop
Hanamaru Youchien
Kimi to Boku

Posted on with categories: Anime Reviews

The most difficult review to write thsi season is Inu X Boku. Most shows were fairly straight-forward to evaluate: the likes of Chihayafuru and Natsume were really, really good, Guilty Crown was pretty bad, Black Rock Shooter was pretty decent. Inu X Boku however, is slightly more difficult.

Those who follow this blog probably know already that I’m a big fan of the producers behind this series: David Production. They really spend time into making shows work best, they don’t bind themselves to genre conventions and their stories are always very creative. It’s because of this that Inu X Boku is the worst TV-series they have done so far, because for a large majority of its airtime, it didn’t really seem to be doing that. Instead we got a fairly mellow series about a girl and her bodyguard with a bit of a combination of shounen and shoujo elements, paired with a large and mis-managed cast of side-characters. The plot and characters never seemed to be really trying to do anything, and while it certainly wasn’t bad, if you compare it to the standard that David Production has set before, then it just ends up a bit borign.

And yet, this show has flashes of brilliance. For some inexplicable reason, this series, despite its boring moments, was able to put a smile on my face with nearly every single episode. This show spends a lot of time on the insecurities of its main character, and the way they play out is actually surprisingly heart-warming. Despite having obvious trouble to keep finding enough things for the characters to do in only 12 episodes, there are quite a few really heart-warming characters in this series.

And then the final two episodes arrive and deliver one of the best finales of the entire season out of bloody nowhere. It’s only here where the writing suddenly gets 10 times better, the build-up all comes together, the characters develop brilliantly, and for the first time in years I can say that I found a show that does the bishie genre justice. Seriously, this show closes off amazingly.

These flashes of brilliance can be found throughout the series, but the big problem with the first 10 episodes is that they don’t use this often enough. The cast of side-characters in particular didn’t work out for this series, as there are a bunch of characters who have a lot of potential, yet hardly get any screentime, while there are also a few characters who just have one gimmick and keep using that over and over. The fangirl lady is by far the worst offender of this.

But you know what? Because of these flashes of brilliance, I’m going to give this show a relatively high rating, because it at least HAS them. Seriously, there are not a lot of shows I can say that of. It’s not like this show falls apart in the middle and I really have to say that I enjoyed watching it a lot. If you want to know why I’m a fan of David production though, this is not the series that best shows their talents. Instead, go pick up Level E or the Armed Librarians or something.

Storytelling: 9/10 – Surprisingly heart-warming, it knos when to get creative. Amazing finale.
Characters: 8,5/10 – Loses points on its side characters: some are fun, others are badyl written, others are underutilized. The main cast is surprisingly well developed.
Production-Values: 8/10 – Crisp animation, though nothing special.
Setting: 8/10 – The seetting is far from the main focus of this series. It’s got some nice dieas, and it’s solid, thtough.

Suggestions:
Tactics
Meitantei Loki Ragnarok

Posted on 29 March 2012 with categories: Winter 2012 Kaleidoscope

And so, I’ll end this Winter 2012 Kaleidoscope the same way I started it: with Inu X Boku SS. This really was a series that got on my nerves a lot. Not because it was bad or anything, but because it’s David Production. These are the guys who always try to do something extra. They take their series, and add stuff, try to do something new and really put thought into how to make their series work best. Inu X Boku did not have that. There were flashes in which it was really good. That’s the reason I originally picked it up to blog. And yet it got side-tracked so often. It’s not like it was full of filler, but instead all of the episodes didn’t even seem to be trying to be engaging, and the underdeveloped cast of side-characters also didn’t help either. It really was just this series that was fun and watchable, but really not much more.

And then the final two episodes aired. And what do you know? They were actually quite brilliant. In fact, save from perhaps Natsume and Chihayafuru, they were the best final two episodes out of the entire season. I did not expect that. At all.

I’m not sure what happened. Suddenly the writing got like 10 times better. In two episodes this series actually succeeded in breathing a tiny bit of life into the bishie genre, which has been so overly polluted during the past few years by the likes of Studio Deen, A-1, Production IG, etc. For the first time since… Kuroshitsuji II I think we’ve gotten another romance involving bishies that is actually really good. The main couple totally redeemed themselves for me here. Like it’s nothing, this series suddenly took all of the build-up of the first 10 episodes, and brought it together, and did it creatively. In fact, this creativity is what set this series above Ano Natsu de Matteru for me. They both are flawed, but where Ano Natsu depended on well executed cliches, this series actually delivered some creative twists that I absolutely loved.

The previous episode was already wonderful in outlining Miketsukami’s background and how everything fits together, I expected this episode to be a boring aftermath again, and it sure started out this way, save for some well written very last minute character development on random side-characters that suddenly made them a lot better. The bartender and his kid in particular. The time capsule was fairly standard for an inconclusive ending… and then Ririchou from out of nowhere realized that she got two letters mixed up. This is a common trope, but I can’t think of another anime in a long time that did this as well as this episode.

It came out of nowhere that this happened, since everyone was treating this as a very sentimental moment, and afterwards the creators went really deep into the characters’ minds. Both Ririchou and Miketsukami were forced to deal with their own insecurities, after the entire series has built them up as being so distant and afraid to show their own feelings. It was an amazing conclusion.

So yeah, reviewing this series will be a bit of a problem: I loved these past two episodes. The majority of the rest of the series though… not so much. I need to get my thoughts sorted out on this a bit.

Overall though: I’ll be keeping my eye out on this new director, because he has shown to be able to get good stuff across in his adaptations. He has flashes of brilliance, but at the same time you can see that he lacks experience, due to all of the wasted potential of this series. If I had to give him one advice, it’s this: keep a leash on your side characters. There are a few who really ruined the fun a bit. The worst offender is the fangirl: she only did one thing over and over. Balance that character out more. You also had this great and colourful cast of characters in the staff of the hotel everyone is staying in, but you hardly ever used them. Such a waste of potential! I know this is an adaptation, but it’s still the job of the anime staff to choose what to focus on, what to cut, and what to spend extra attention on. You may have excellent source material, but if that results in an adaptation like Persona 4’s, then it doesn’t really matter.
Rating: *** (Awesome)

Posted on with categories: Anime Reviews

Amongst the studios that focus too much on moe, I find JC Staff among the better ones. Sure, they have their bad shows, but you can see that they put more effort into their series, compared to the likes of AIC, Xebec or ARMS and their lazy recycled premises. Ano Natsu de Matteru is a great example of this. Yes, it unfortunately has all the cliches: the main character living together with a hot girl, a childhood crush who is in love with him, him being the bland likable guy, spiced up with the deadpan snarker and the ladies’ man. It’s a very bland romance, but ultimately surprisingly well executed.

The best praise that I can give this series: the romance actually goes somewhere. Yes, in a genre that thrives on indecisive characters and pointless and annoying drama, here for once we have a romance that actually develops naturally. The main characters actually realizes what he wants, and rather than waiting for the final episode to get to some sort of confession, this show deals with that stuff slightly earlier than usual in order to actually give everyone the opportunity to sort out their feelings. The result is a surprisingly good drama.

In the character department this series also demonstrates that you can go an end with cliches when they’re well developed. It unfortunately doesn’t apply to every single character, but half of the cast here is actually pretty interestingly developed. To contrast with unfortunately, there are a number of uninteresting characters that drag this show down a bit. The main character ultimately is too bland to really carry this series. The childhood friend also completely gets caught up in her role as childhood friend, without having much else to offer, and the deadpan snarker also has just one gimmick that gets old fast. There also is this horrid beach arc in the middle that shoehorns two very annoying side-characters into the picture who end up doing nothing other than turn this show into a harem.

With the director of Ano Hana behind this series, Ano Natsu is definitely a step down in comparison. Yeah, it’s probably a bit more realistic due to its slower pacing, but I dislike how this show uses half of its cast as walking plot devices, rather than actual characters, when it on the other hand tries to deliver a somewhat realistic romance. More than anything, this feels like watching a mellow version of the first season of Birdy the Mighty Decode with a lot less emphasis on action and its setting.

Yet, I liked this show, and you can definitely see that a lot of attention went into making it work. The romance that works really works here, and it’s got a healthy amount of character development. The animation is also consistently vibrant, successfully bringing these characters to life.

Storytelling: 8/10 – A romance that actually goes somewhere and that doesn’t drag on. Finally!
Characters: 8,5/10 – Half the cast is bland, but the other half is great and well developed. Does that make them worth watching? Yes, actually.
Production-Values: 8,5/10 – Not the best of this season, but that animation still remains very expressive.
Setting: 7,5/10 – The backstory of this show is nice, but it does have its very flimsy sides that are hard to buy at times.

Suggestions:
Introducing the rating of 81/100 back again (rounded down from 81,25, which would be way too specific). When I scraped this rating I did this because I couldn’t really explain the difference between 81/100 and 80/100. Now I can, though: these are very good series, who have a few highlights here and there that make them enjoyable and worth watching.
Birdy the Mighty Decode
Aoi Hana
Ano Hana

Posted on 28 March 2012 with categories: Anime Reviews, Chihayafuru




Most people here will be unfamiliar with the game of Karuta. Its rules are fairly simple: two people sit around a bunch of cards that each contain a half of a poem. Someone on the sidelines starts reading cards that contain the other halves of these poems, and it’s up to the player to get each corresponding card as quickly as possible. At first sight it doesn’t seem like your interesting game that you can make a full series off, unlike games as Go, Shougi or Mahjong. But after 25 episodes of Chihayafuru, I had to change my mind about this. This series really managed to show what makes Karuta a great game.

The execution of this series is simply stunning. When you take a look at the animation, for example, movement is incredibly fluid. Scenes are directed with a lot of force and energy behind them. Every single time a character claims a card, it feels like a ton of energy is devoted to just show how difficult this is. The acting also is really excellent, with just about every character and actor giving off a memorable performance.

What really sets this series apart is the way it handles its characters. Seriously, this episode has a cast of about five main characters. Every single episode manages to add something to these characters. Seriously, from the moment they’re introduced, this series very actively tries to flesh out these characters as much as possible, and every episode feels like we get to know more and more about them. The consistency with which this series does this is almost scary, and even the minor characters are colourful and surprisingly well developed.

What this show also does brilliantly is making the skills in Karuta of each of the characters grow. I mean, most training arcs in anime consist of “character trains for a while, character is stronger”. Chihayafuru goes in-depth to this much more than I at first thought it would. It examines what it takes to get good at Karuta, how the best players out there are playing, and it shows the full train of thought of the characters as they try to get better, and try to find out their weaknesses. I mean, this series closes off with an open-ended cliff-hanger (ongoing manga…), but even here the creators managed to actually make all this focus on training come together wonderfully at the end.

If I had to mention a flaw, then it’s this: the series takes place at a high school and is focused on a club whose members enter a bunch of tournaments. The detail on karuta is amazing, but beyond that this series uses a set-up that has been done so often already. This series is just karuta match after karuta match after karuta match, with very little variety along the way. It really solely relies on the karuta and the characters to spice up its story, and it does so brilliantly, however, it also is a bit of a monotone series because of this.

Storytelling: 8/10 – Amazing direction, wonderful pacing. Needs perhaps a tad more variety in its story, but really brings its story to life. The unfinished ending will leave you wanting more, though.
Characters: 9/10 – Amazing characters who keep getting developed and fleshed out. Every epsode adds something new and interesting about them.
Production-Values: 9/10 – Lots of eye candy, very fluid animation.
Setting: 9/10 – When this series started, I thought Karuta was a bit of a boring game. Right now however, I don’t think that anymore. This show really showed a ton of the different sides of the game.

Suggestions:
Hikaru no Go
Ookiku Furikabutte
Shion no Ou

Posted on 27 March 2012 with categories: Chihayafuru

So it was pretty obvious from the start that Chihayafuru and Natsume Yuujinchou would have the best final episodes of this season. But what about the ending? Ironically the best shows this season are both based on manga that are still on-going. Natsume Yuujin-Chou solved it wonderfully. Chihayafuru’s ending did some things really well, but at the same time, it unfortunately also did what I feared for ever since this show was announced: it made me hungry for more. There is so much potential with that ending… that we’re never going to see animated.

But don’t get me wrong though, I loved this episode. Perhaps it wasn’t as intense as the previous episode, but it really brought this series to a great closure, while pushing the charcters even more forward. And yet again it does that for every single member of the main cast. The King match taught the characters a lot about themselves that flowed so naturally from the rest of the series. This episode emphasized even more how different the playstyles of these people.The creators also brilliantly used Arata at the end. Finally he is thinking in-depth about karuta again, and ironically it was Taichi of all people who he needed to remind to do this as well. Everything fitted together amazingly.

And yet, then the second half came, and that teacher suddenly made the deal that the club will lose their position if they can’t recruit five new members. Five new characters will be joining the Karuta club to add to the current main cast!? Talk about potential here! I mean, fleshing out such a large cast is difficult and all, but this is Chihayafuru: if anyone can do it, it’s these guys. This is by far the series that is in most need of a sequel, out of the entire season.

Overall though, I absolutely love sports series. And yet, I have no interest in sports series whatsoever. In fact, I find myself not looking forward to most sports series, because of their premises. And yet, for some really weird reason, the majority of them is incredibly well executed. And this standard just keeps on going. Sure, we have a Knight in the Area once in a while, and I wasn’t really charmed by Major either, but for those series in return we have such beauties as Chihayafuru, Cross Game, Ookiku Furikabutte, Giant Killing, Touch, Shion no Ou, Hikaru no Go, and that list just goes on and on. Net season will have two new sports series: one shounen jump adaptation and a NHK show about a kid and his football team. These two series are really going to challenge this trend, but heck. I have been pleasantly surprised by so many sports shows already. It’s entirely possible.
Rating: *** (Awesome)

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Kaiser-Eoghan
Oh wait...Uchi no Musume isn't an isekai...the genre has become so big that almost any time I take a glance at a fantasy tag I jump to the assumption its isekai.
Kaiser-Eoghan
@Aidan: I know you played YU-NO and I'm aware of your problems with it, is it actually possible for any adaptation of it to work, to be salvageable?
Kaiser-Eoghan
That is the officiaal English translated volume that currently goes beyond the currently available English scans.
Kaiser-Eoghan
Actually I was wrrong totsukunai's 6th volume is actually out now .
Kaiser-Eoghan
*series with the daughter isekai
Kaiser-Eoghan
Ah, isekai genre, attempting to trick me into watching the genre with the daughter isekai thing, I won't fall for your scheme...
Kaiser-Eoghan
@Mario: Interesting typo there, spelling Beastars as Bearstars, the typo still makes it sound animal related.
Kaiser-Eoghan
@Amagi: I want my Gunka no Balthazar anime and I want it now.
Kaiser-Eoghan
@Amagi: Reminder that the new volume of totsukuni is out in April. So far its an ova adaptation we're getting but Magus bride also started out getting an ova and thats from the same magazine.
AidanAK47
Re:Zero season 2 baby. It's about goddamn time.
Amagi
Without thinking much Shiori Experience, Dedededestruction and Atelier of Witch Hat are the only running manga series I really like without annoucement. There are more, but not that many.
Amagi
I can barely think of manga I like and read that didn't get announcements yet. Years ago people still had these lists of fake anime annoucements of manga everybody wanted to see animated, now it's reality.
SuperMario
and Bearstars announced for this Fall 2019. Cool
Amagi
@Kaiser: Man I hadn't heard about the Totsukunai no Shoujo adaption yet that's awesome. Really love Mori too, these series could be fantastical if they get a good ost.
Animosh
And Cells at Work is getting a second season too apparently. So many announcements in the last few days.
Animosh
Oh, nice! It has its problems, but it's definitely one of the better isekai out there. Glad it's getting a second season.
Kaiser-Eoghan
I'm more interested in somali to mori getting an adaptation aswell as totsukunai no shoujo though.
Kaiser-Eoghan
For those who happened to enjoy it Re: zero is getting more ovas and a second season.
Kaiser-Eoghan
I know often young male characters get female voice actors in Japanese, but i tend to veer more toward male voice actors for male characters.
Kaiser-Eoghan
Although I'd say going back the old adv dub was probably very dated. Though Spencer really got the patheticness of Shinji right.
Kaiser-Eoghan
@Anon: MUH Windee Lee MUH Spike Spencer, MUH old dub.
Anonymous3576667
So Evangelion (probably Netflix's biggest anime this year) is rolling out June 21. New English dub, all 26 episodes and the films (sans the Rebirth ones) all at once.
Amagi
From time to time there are Index-verse antagonists I am kinda interested in but in the end I am never willing to watch 50+ episodes or so to get to the point where said interesting characters may appear. I just don't care about the protags of these series.
Vonter
@Kaiser-Eoghan - Some things never die. Sonic, Fast and Furious, James Bond, Godzilla, Mario, Pokemon, etc. The only way these things truly die, is lost of interest, less sales, eventual ceasement of talking about these things.
Kaiser-Eoghan
Yet another Index anime announced, this franchise refuses to go away.
Vonter
In regards to Shield Hero, I still find it enjoyable, but like with the Slime Isekai, my issue is how it becomes a one-man show. I do wonder if they'll delve into Raphtalia's backstory in this season.
Vonter
That's the issue with genres, sometimes a story can turn into a comedy, a harem, an action shounen, a mystery thriller, a surreal fantasy, or a slice of life. It has to shift to keep some degree of uniqueness. Most series stick to a trope in the end.
Vonter
@Amagi - Most anime and manga fall after the premise alone, especially the gender bender genre (yeah it's a thing (*^.^*)). The thing is that after that point you either stick to an established formula or you have to turn your story into something else, the adventure, the romance, the wacky comedy, because that's what will stick.
Animosh
True that. Maybe Re:Zero is an exception, since Subaru seems to keep his supporting role (as the weakling with infinite lives)? Although it has plenty of tired tropes of its own, of course.
Amagi
@Animosh: That's the problem with almost all isekai. They usually try baiting people with some new premise, be it MC being a slime, weakling, support role, old or whatever only to ignore it a few episodes or arcs later and turn into the same run-of-the-mill like the other isekai.
Animosh
It's a shame Shield Hero seems to have largely abandoned its premise of making the shield hero a purely defense-oriented hero who can only play a "supporting" role. If he can single-handedly take down (mini-)bosses, in spite of his low level and the fact that he can't use any weapons, simply because he's, you know, angry, then ... he's really no different from the other heroes, just more broken.
Animosh
Thunderbolt Fantasy will get a new movie / OVA / whatever centered on Lang (the bard) and his past. It'll take place in Shang's old country (Xi-You), so we should see what it's like for the first time. Anyway, if it's as good as the one focusing on the Screaming Phoenix Killer it should be fun.
Kaiser-Eoghan
I remember the idea of dlc was something that annoyed me.
Kaiser-Eoghan
I do remember getting a kick out of playing old N64 multiplayers, lol bunch of then 13 year olds not knowing how to play goldeneye multiplayer properly or stealthily , so it basically turns into a Hong kong style shootout.
Kaiser-Eoghan
"We're in the middle of a battle! You have to stay logged in"
"GODDAMMIT I need to eat I can't stay!, Godammit nature calls"
Kaiser-Eoghan
When my friends got into MMOs and online shooters, I simply didn't have the time commitment or patience for the prior in particular.
Amagi
A person will only play one or two of such endless games, people won't start new ones just because they pop up everywhere, but nobody seems to get this.
Amagi
The problem is that everyone is only looking at how much money the few big ones make and think they can imitate it when the whole thing is actually just a bubble, just as with gacha games.
Amagi
@Kaiser: I actually enjoyed classical coops but yeah, MMO not really. Especially not when it feels like a game was created for single player and they shoved the MMO stuff in or when a game gets less story heavy and less content to make room for the lootershooter/pvp/whatever MMO stuff.
Amagi
I am doing this too right now. Will probably marathon a few shows I skipped so far in case that they're good till the end. More into playing right now
Kaiser-Eoghan
You might say I was keen on the idea of being in the same room as someone after I defeated them in a fighting game =P
Kaiser-Eoghan
*going on
Kaiser-Eoghan
Its far more easy to remember whats going in that way.
Kaiser-Eoghan
*the habit
Kaiser-Eoghan
@Amagi: I've gotten into he habit of only watching a few shows each season, then later on catching up with others.
Kaiser-Eoghan
@Amagi: Back in my gaming days my idea of a multiplayer was with a group of friends in a room, but it all shifted into massive online multiplayer mmos and fps games.
Amagi
Sadly, the OPM PV looks weak, I will miss the great animations of MP100.
Amagi
@Kaiser: Have to admit that I like Mob more than I feared, it's the show I enjoy the most right now. Otherwise I'd go with your ranking, maybe with an added Neverland.
Amagi
Man I hate how every game has to become more and more multiplayer'ish just let me play games as loner again.
Amagi
I already dropped it during episode 1. Considering that the manga has ~120+ chapters I guess it's another eternal status quo thing too.
Kaiser-Eoghan
@Wooper: I read a couple of volumes of the manga, its hit or miss and eventually gets repetitive, it could be often funny in certain parts but I'm bored of it now. I saw some bits of the anime and didn't laugh.
SuperWooper
>not watching Kaguya-sama
I seriously hope you guys don't do this.
Kaiser-Eoghan
I suppose now that its near the end of this season I should rank what I've been watching: 1. Run with the wind 2. Boogiepop 3. dororo 4. go-toubon.
Kaiser-Eoghan
@Vonter: And there thats the other thing, out of it so long there's a massive buildup of games , increasingly difficult to catch up and get back into.
Vonter
At the moment I'm playing Guacamelee 2. Which I had my doubts since the first game got a bit frustrating do to the backtracking. This one gives me a Super Paper Mario vibe in the villains departament.
Vonter
@AidanAK47 I'm not even mad anymore, but still disappointed Western Games can't give closure to their over 10 million dollar games. I think you can have a self contained story and maybe tease the story is open to more adventures or something.
Vonter
I suppose if I'm curious for the story I'll watch an edited Let's Play.
Vonter
Yeah, I agree, it does feel like indie developers and Nintendo make the games I like. I don't know maybe I'm just getting old to catch up with the recent trends most ambitious projects tend to follow. Also how most of these games take a lot of time to get going and I don't have that much free time to spare waiting for the game to let me play it.
Kaiser-Eoghan
@Vonter: I got into watching letsplays for a while some years back, it was a decent way to re-live an old game without playing it.
Kaiser-Eoghan
Whoring out sequels is pretty much the bane of most things, just continually dilutes the original and in some cases can even ruin the original for you.
Kaiser-Eoghan
But I can still remember that very moment when I first played a 3D game and how unreal that felt .
Kaiser-Eoghan
And there isn't time to give to absolutely every medium.
Kaiser-Eoghan
Unfortunately I think I've been so long out of the habit of gaming that I've gotten used to and familiar with not being part of that scene , to where I kind of simply just don't pick up a controller anymore.
AidanAK47
Not to mention that they are gonna milk it to death. They already got about 5 sequels planned and put in a thing showing how they could milk it. To me GOW 2018 is an incomplete game, a part 1 of a needlessly long franchise. Whereas the old games had stories which felt complete.
AidanAK47
@Vonter, I would say it's more that despite the fantastical settings both Hoizon and GOW 2018 make use of tired sandbox game mechanics. GOW especially annoyed me as I feel they stripped out everything that made those games there own things and replaced them with game mechanics stolen from other games. GOW lost it's very essence.
Kaiser-Eoghan
*Futaro
Kaiser-Eoghan
Fuataro is best girl.
Kaiser-Eoghan
@Vonter: I just read that the new Orphan anime is a prequel.
Kaiser-Eoghan
@Vonter: Back when I played/watched people play videogames, it was moreso Jrpgs and old Nintendo and sega genesis games.
Vonter
IMO making something more complicated than it should ends making something less enjoyable to play.
Vonter
Why not just watch a Let's Play. I suppose is an overreaction, but I felt very mixed how God of War 2018 was a good Father and Son story, but really annoying to play. Constant walking and climbing sequences, combat that I think it's less involved than the ones from the other games, and constant looting that lost it's charm by the 30th chest.
Vonter
I don't know why but I've been feeling that I'm enjoying more playing on the Switch than the PS4. While I enjoyed RE2 and will likely replay it, other high tech games like God of War, Horizon and the like don't do much for me. Most of this realistic games have very slow starts, make the playstation fans sound like it's struggling, and if the best part of these games is the dialogue and cinematics.
Kaiser-Eoghan
Genuinely a very good sign when a 20 minute episode feels much shorter than it is and its rewarding to see an anime series possess such a degree of confidence in its direction.
Lenlo
Just finished it. Seriously, Kaze Fui has nailed this segment of episodes. Just homerun after homerun. Its ridiculous. I love it. Kurahara tapping into the freakin speed force
Animosh
Now only Haiji is left. When there were five episodes remaining I was wondering whether there'd be enough content to fill them all, now I'm wondering how the show is going resolve everything in one episode. But the show has barely made any missteps so far, so I'm sure it'll nail the ending too.
Animosh
Kurahara's segment was also good. He's fallen in love with running, and now that he's pursuing running for its own sake he runs faster than ever. It also helps that he's crazy talented, of course.
Lenlo
I want to be excited for OPM 2... but JC Staff

Also I cant wait to watch Kaze Fui when I get off work. Sounds like it was good
Animosh
Yeah, King's segment was better than expected. Pretty relatable. His issues did come a bit out of nowhere though. His segment could have been even better if there had been some hints that he has been struggling with this earlier. It's also a bit strange that there wasn't any development with his job hunt, since that what basically his defining trait throughout the series.
Anonymous3563660
The developments from the first cour are absolutely paying off big time and it's amazing to see how far this cast has come since the first episode. And now it's time for Haiji's segment next episode. I can't take waiting another week for this!
Anonymous3563660
Well. Bravo Kaze ga. That was an amazing display that Kakeru showed. I loved his segment. King's backstory really hit me close to home as someone who recently graduated.
Kaiser-Eoghan
Now on Boogiepop phantom episode 16....a discount Godzilla!
Kaiser-Eoghan
@Anon: I liked Densetsu no yusha even though no one did and Record of Lodoss war, always wished there had been more of both.
Animosh
Yeah, that trailer ... does not look promising.
Anonymous3563292
Just as MP100 s2 takes its bow, there's going to be a lot of people expecting OPM to be as amazing as that or s1. Oh boy.
Anonymous3563292
A reminder to temper your expectations for OPM s2.
Anonymous3563001
After a messy start, that Prince of Smiles show has largely settled for okay. Not terrible, not amazing, but largely above-average and rather forgettable. I'd compare it to that Record of Grancrest War show from last year.
Anonymous3563001
This apparently isn't like that other Doga Kobo show where the pedo bait was persistent throughout.
Anonymous3563001
So uh, has anyone tried to go back to Wataten and see if the pedo bait has subsided since the first episode? Because it seems like it has for the time being.
Animosh
@Anon: no, I mean a continuation of the main story. I read about it on the anime subreddit: https://www.reddit.com/r/anime/comments/b26yj1/shaft_producer_mitsutoshi_kubota_confirming_that/
Lenlo
@Anon, I love Mob Psycho, but the series does have some iffy stills. Thats not an issue though, because this is an animated medium. Its meant to be viewed in motion and holy shit, does it look good in motion
AidanAK47
However my main issue at the moment is the feeling of them dragging things out for the sake of having that be the finale. Right now episodes just don't have much content and I feel it's too dragged out for it's own good.
AidanAK47
@Anon, Nervous isn't really the word I would use. As far as adaption is concerned I feel the series has done quite well for the most part with the only big misstep being the shows reluctance to have any inner monologue whatsoever which has lead to questionable choices to alternatively present information that was usually spoken in mind. I say the end of the arc will be done well.
Anonymous3560732
@Aidan As a manga reader, are you nervous about how they'll adapt the end of the arc in Neverland?
Anonymous3560839
mob psycho was amazeballs this week. It's the show that just keeps on giving. On a side note, I've seen some comments floating around about how the show has terrible still shots and I'm going to dispel that erroneous assessment in this week's discussion
SuperWooper
Search bar is in the upper right hand corner, in case you're still searching.
Anonymous3560732
@Animosh You referring to that Madoka mobile game tie-in?
Anonymous3560739
That’s not the search bar
Anonymous3560739
Mob psycho
Kaiser-Eoghan
They decided to adapt mushoku tensei apparently. I might aswell see what all the fuss about it is as being one of the "better" isekai.
Kaiser-Eoghan
I can't imagine how the polar bear isekai or vending machine one would handle the harem aspect.
Animosh
As for Slime getting another season, I personally don't mind. It's obviously not a masterpiece, but I don't watch isekai for enlightenment. If they can offer me some relaxation after a day's work, that's enough for me.
Animosh
Some nice announcements in the past few days: Oregairu is getting a third (and final) season, and Madoka is rumored to get a sequel too (maybe focusing on Sayaka?).
Anonymous3560293
Cross Ange is not trash tho, way better than those others
Kaiser-Eoghan
I'm wiser nowto certain types of story telling, making an overly long show that keeps throwing endless gotchas at you, eventually you get tired of the show trying to play with you instead of actually moving things forward.
Kaiser-Eoghan
@Anon: I've enjoyed many a trashy show/film in my time, but guilty crown, cross ange and Valvrave I couldn't finish, there are certain cases where the brain begins hurting/aching.
Anonymous3560221
While different in settings and genres, they obviously have Okouchi's writing full of shock value and swerves.
Anonymous3560221
Guilty Crown and Valvrave are like his most explicit attempts to recreate Geass, and look how those two fared. Kabaneri also falls into the same traps as those too.
Anonymous3560221
But even he ends up letting his worst tendencies slip in with examples like Princess Principal, particularly the last episode.
Anonymous3560221
Which ironic that the best shows that he's written are the ones that are not trying to recreate those Geass days like Lupin the 3rd Part V or that Devilman Netflix show.
Anonymous3560221
It's amusing to see that Okouchi's worst enemy is essentially himself. Trying to recreate that Code Geass magic with ass pulls, shocking swerves, and shock value without realizing that it's never as shocking the second time around. And that has basically ruined almost every work he's attached to.
Amagi
I always find it funny how almost everyone agrees that it was Biba who ruined Kabaneri. I liked that show so much before he appeared, damn. Will watch the movie but my hype is killed and I fear the movie will just be about another random human antagonist instead of the actual Kabaneri problem.
Anonymous3558784
mongatari
Kaiser-Eoghan
@Lenlo@Wooper: At least we have the Tanya movie to look forward to.
Kaiser-Eoghan
*Even though I know its going for something fun.
Kaiser-Eoghan
Oh COME on Japan, just give me by communist isekai mecha show so we can be lovers again.
Kaiser-Eoghan
@Anon: Biba fucker ruined the show and it stopped allowing me to enjoy Kabeneri as a shitty ova throwback.
Kaiser-Eoghan
@Aidan: Couldn't even make good on a stupid re-incarnation premise on the ones you mentioned.
Kaiser-Eoghan
Or better yet, find some old proto-isekai and adapt it.
Kaiser-Eoghan
"Could be worse" I suppose I win by default by bringing up Parallel paradise and ruining everyones fun by reminding them of its existence.
Kaiser-Eoghan
I think my brother in laws reason for liking trashy isekai is because he sees them as an anime equivalent to exploitation films, I should just tell him to watch old ovas.
Kaiser-Eoghan
If we're doing the re-incarnation thing, just give me a full please save my earth adaptation or bokura no kiseki or that other re-incarnation thing done by Spirals artist.
Kaiser-Eoghan
Not an isekai, but a LN adaptation, Index keeps popping up again every so often, I fell out of the series a long time ago and got exhausted with it.
Kaiser-Eoghan
I feel the same way about konosuba, I wish I found it funny but I don't because I know it is going for that "fun" thing.
Kaiser-Eoghan
I think, especially with a second season, I'd eventually get fed up with it aswell and that it would get repetitive.
Kaiser-Eoghan
My brother (and probably my brother in law too) seem to enjoy Reincarnated as a slime as a casuals show and find it funny. I saw clips of the dub, the voice actors sounded like they were having fun and I think some people found the slime/dragon interactions at the start amusing. I'm just left thinking that the show is something my younger self might have gone for but I'm indifferent to it now.
AidanAK47
Or the vending machine isekai
AidanAK47
Or the polar bear isekai
AidanAK47
It could be the hot spring isekai
AidanAK47
Well guys it could be worse.
Lenlo
I sense a disturbance in the medium. I fear for the future.
SuperWooper
That's fantastic news, as series set in the real world give me diarrhea. I assume that the majority of Japanese otaku suffer from the same issue, given the number of isekai manga and LNs that are slowly polluting my favorite art form. :^)
Anonymous3556601
As expected, that Slime isekai show has been renewed for a second season.
SuperWooper
@Anon3540676: Hey!
Anonymous3542644
And despite all of these recent announcements lately, IG still hasn't announced a release date and release model for DNT s2 yet beyond theatrical screenings. =(
Anonymous3542320
https://youtu.be/cxjXEIDbBxAInterestingly, seems like Banana Fish (technically not BL) did well enough for Noitamina to consider having an adaptation an actual BL manga on their block.
Anonymous3542320
I would really love to see that Kabaneri film get things back on track after the second half nearly derailed it (pun intended).
Anonymous3542320
Huh, well that didn't take too long for a release date regarding Psycho-Pass 3. It's slated for October.
Meanwhile, Beastars is going to be Netflix-exclusive, and interestingly, the Kabaneri film is going to air simultaneously on Netflix and Amazon alongside a limited theatrical release.
Kaiser-Eoghan
@Amagi: Did you ever read beast complex? I haven't done so yet, it seems like like the beastars authors prototype for it.
Kaiser-Eoghan
@Amagi: Hadn't known that, thanks. Also, I read the most recent 20 or so chapters Amatsuki, all has finally been revealed.
Amagi
Q's (Dorohedoro) new series started, Dai Dark. It's basically Dorohedoro in space (therefore, I am completely fine with it).
Lenlo
This adaptation of Dororo is adding a lot of new content to its story in its adaptation. It's taking what was a much more one-dimensional story in my opinion, and giving it layers.

And yeah, Run with the Wind was great. Sure Kurahara has been the most emotional, he is the lead, but I think everyone in the cast has done a decent job
Kaiser-Eoghan
Although while I did enjoy last week, I didn't think it captured the impact the manga had.
Kaiser-Eoghan
Dororo upped the ante this week to its benefit. This episode also showed how the series can succeed even with the protagonist having a minimized screentime. I don't remember Taromaro going up against a demon in the manga, this is an advantage of this adaptation adding stuff.
Kaiser-Eoghan
...because there will be that sense of saying goodbye.
Kaiser-Eoghan
@Lenlo: And thinking it over, I've been beginning to get the feeling that this will be one of those took me on a journey shows, one of those shows where I felt I really spent alot of time with everyone in it and after it ends/in the last episode, it'll get me feeling something...
Kaiser-Eoghan
@Lenlo: While so far in the series I thi7nk the stuff around Kakeru has been the most emotionally rewarding, the middle of this episode crept up on me , the tension of the race itself was never interrupted by the flashbacks and they were well stitched into the narrative.
Lenlo
Just watched it. I love this show so much. How is a show about running so damn good
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Paranoia Agent – 9 [Etc.] – Throwback Thursday

Hello all, and welcome to a very… odd episode of Paranoia Agent. Which, knowing this show, is saying something. This week we tackle public gossip, the inconsistencies that come with it and if there is any truth to it. Lets go! Starting off, let’s talk about the execution. Normally here, I talk about animation and […]

Kemurikusa – 11

At long last, we have an entire episode in flashback and explains much of its Kemurikusa’s rich settings. Even at the risk of over-informed us with details, all the information we learn this week is both unexpected, and makes total sense. Before we get into the details, (AND WHAT A MAJOR REVEAL), I feel the […]

Winter 2019 Summary – Week 9-10

Another two weeks have passed, and Summer Season is coming in sight. It’s the time where most shows get busy as they reach their final arc. Mob Psycho 100 ventures into its shounen roots,  Run with the Wind does extremely well in its last leg, literally, and Kemurikusa girls part way emotionally. Let’s see how these 4 shows below perform in […]

Kouya no Kotobuki Hikoutai – 09/10 [The Vagabond Leader/ The Aggressive Bombers]

Welp, Kotobuki is getting really good. Normally this is the time where shows reach its final overarching arc, and sometimes it loses a bit of it magic because of that (like what I currently have with Gotobun), but with its tongue-in-cheek manner and its main storyline that is totally unexpected but weirdly fit to the […]

Boogiepop wa Warawanai (2019) – 15/16 [Overdrive: The King of Distortion 2/3]

The nightmare never seems to end. During episode 15, we have three separate segments of characters stuck in their own dreams: Makoto’s mother, Sakiko and Kentarou. Play into Boogiepop’s strength, these characters have their own drama and each of their story explores different aspect of this phenomenal, all related to the King of Distortion himself. […]

Kaze ga Tsuyoku Fuiteiru – 22 [Embrace Your Loneliness]

Hello all and welcome to the penultimate episode of Kaze Fui! This week we see King’s struggle, Kurahara takes off and Sakaki becomes a little less hate-able. Lets take off running, we have a lot to cover! In terms of animation and production, Kaze Fui surprised me this week. I didn’t think that, after Yuki […]

Kemurikusa – 08/09/10

Welp, I don’t think I have taken that long break before since I started blogging. My life has been busier than usual lately and I also feel a little bit burnt out from blogging lately. Writing can be a pain sometimes. Hopefully this is just a temporary slump because I’m not intending to stop blogging […]

Dororo – 11 [The Story of Banmon, Part 1]

Lets skip the preamble this week and just dive in to Dororo! On this episode our plucky pair explore Daigo’s city, fight some fox spirits and get in a bit of a pickle. Lets go! Startin off, Dororo had some interesting visuals and colors this week. With the Fox Spirits and the Crazy Woman sticking […]

Mob Psycho 100 S2 – 11 [Guidance ~Psychic Sensor~]

Hello and welcome once more to the Mob Psycho 100 blog, where I gush about Mob Psycho 100! This week see’s an old villains return, multiple defeats and more of Mob’s growth. Lets dive in! Now, at this point I feel like a broken record when talking about Mob Psycho’s animation. But the fact is, […]

Latest Reviews

A quick and dirty review of Garo: Vanishing Line

What it claims to be about: A secret order of knights and alchemists, the Makai Knights and Alchemists, fight horrifying creatures called Hollows who prey on human weakness .Part of the media franchise spanning anime and live action shows, this iteration is set in modern metropolis and concerns the attempts of Sword, the strongest Makai […]

Planetes Anime Review – 89/100

If there is one thing I have lost watching seasonal anime, it is patience. Every week I expect something to happen, some kind of payoff, to make watching that week worth it. Luckily, Planetes as brought that back to me. Its depth of writing, characters, and general structure belay an anime of a different age. […]

Goblin Slayer Anime Review – 60/100

The controversial nature of this shows opening episode may have many turning away from it due to believing it’s nothing but shock value but that truly isn’t what Goblin Slayer is. I will say that the manga may hold some truth to that statement but thanks to some tasteful censoring(Yes, sometimes censoring can be a […]

Zombieland Saga Anime Review – 60/100

Zombieland Saga was a show that came out of the gate guns blazing, no one expected it nor did anyone predict it but it left a strong impression when it first aired it’s starting episodes. Originally considered to be another zombie apocalypse anime, it overthrew expectations by turning out to be a zombie idol anime. […]

SSSS.GRIDMAN (Fall 2018) Anime Review – 87/100

Let it be known that I’ve never been a fan of Trigger. For me, they’re one of the most style-with-no-substance studio on Earth with a tendency for god-awful fanservice, and total nonsense in terms of story and characters. Yet GRIDMAN completely caught me off guard in the first two episodes, and from there, there was […]

Thunderbolt Fantasy 2 (Fall 2018) Anime Review – 86/100

If anyone has been familiar with the first season of Thunderbolt Fantasy, you’d find yourself a lot to enjoy in this second installment. Served as a sequel, but not a direct continuation to the first, viewers don’t need the knowledge of the original in order to enjoy this ride. Thunderbolt 2 carries many trademarks that […]

Irozuku Sekai no Ashita kara (2018 Fall) Anime Review – 73/100

In the last few years, it’s great to see P.A Works has slowly created their own studio identity, putting more original works with consistent production values. Just in 2018, they produced 4 shows (quite a good number if you ask me), 3 of them were original: Maquia, Sirius the Jaeger and Irozuku. As I said, […]

Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai Anime Review – 82/100

In the wake of many a school based light novel show this may be the small bits of fresh air was can savor out of this overdone setting. Rascal does not dream of Bunny Girl(Or by its japanese title above) is a series not about rascals or bunny girls but instead about contextualising common high […]

Banana Fish Anime Review – 72/100

Some days, I wonder what it is with America and anime about organized crime. Baccano!, 91 Days, Blood Blockade Battlefront, all set in America, all involving criminal underworlds. Today, I get to add another to that list in the form of Banana Fish. Much more grounded than the others, it’s story dates all the way […]