Posted by psgels on 1 March 2012 with categories: Anime Reviews

The essentials that you need to know for Hoturabi no Mori he: it’s from the creators of Natsume Yuujin-Chou (same director and same original writer; heck, it’s even done in the same style and the cast of Natsume Yuujinchou even makes a very small cameo here), and for a movie’s standards, it’s very short: only 40 minutes. Most OVAs nowadays have episodes of just that length. Now, Natsume Yuujin-Chou was really, really good at telling short standalone stories. This movie is too.

This movie is perfect for if you’re interested in Natsume Yuujin-Chou, yet don’t have the time to sit through 52 episodes, because it is a delightful self-contained story. Because it’s short, it can’t do as much as other movies can, but the story that it does tell is incredibly well executed. It’s heart-warming from start to finish, and never has a weak scene. The beginning is captivating, the build-up is excellent and the ending is incredibly solid.
What surprised me the most about this movie is the amount of character development. It actually takes place over multiple years, allowing the characters to gradually grow, instead of focing its entire scenario into the timespan of just a few days, like what most movies do. It’s perhaps not the most unpredictable movie, and it definitely isn’t for those who are looking for a lot of action or drama. Apart from that though, it is really an accessible movie with a wonderfully told story.

Storytelling: 9/10 – Excellent script, great build-up and ending.
Characters: 9/10 – Excellent character-development, especially for just a 40 minute movie.
Production-Values: 8/10 – Very good animation, though perhaps nothing impressive for movie standards.
Setting: 8/10 – Pretty much the same setting as Natsume Yuujinchou. Uses it well enough, but doesn’t add much to it either.

Natsume Yuujin-Chou
Zettai Shounen

15 Responses

  1. Loz says:

    Hey Psgels you’ve misspelled Hotarubi.

    Im not trying to be pedantic, but I just wanted to point it as it could cause problems if anyone tried searching for your review.


  2. AidanAK47 says:

    Yep, the biggest pitfall is that it resembles Natsume too much. In fact you could place this story within The Natsume anime and nothing would feel amiss. Even the soundtrack sounded like it came from Natsume.

    It’s a decent movie.

  3. ronbb says:

    It’s a great movie. There are not that many conversations between the two characters, but each is good enough to pull at your emotional strings.

  4. Stars says:

    The ending was one of the most beautiful scenes I’ve seen. As a huge Natsume Yuujinchou fan I absolutely loved this movie, but it really is just Nastume the Short Movie.

  5. anon says:

    I thought it was a wonderful movie. It created more emotion and feeling in 40 minutes than most full length series this season. And even though I expected that sort of ending almost a few minutes into the movie, it hit me really hard.

    @ AidanAK47: Technically, it should be the other way around since this one-shot was written before Natsume but since it was animated later, it doesn’t seems that way. I love Natsume’s tone and style so I really didn’t see it as a pitfall. In fact, I enjoyed this more than a number of Natsume “one-shot” episodes (and those are the ones I tend to like the most in the series).

  6. Will says:

    I found the ending to be clumsily forced. Did it really need to end with a badly paced “tragic” ending? I think not.

    • signorRossi says:

      I agree completely with you on the ending.
      I am a BIG Natsume Yuujinchou fan (I especially liked the last and the ongoing seasons), but this movie left me underwhelmed.

  7. kaigou says:

    Wait, wait, I totally missed any cameo. Where/when was it?

  8. PO says:

    The ending got me close to tears. But I do agree that it had some bad pacing (w/ ending rushed). Then again, it’s realistic in that sense. Sometimes, your many years of friendship and love can just go poof into thin air in what seems like a second – either through an accident or illness. It’s almost surreal when one experiences it. Thoughts like “how is it possible? How can it be true that the person so important to me can never see me again?” come up over and over.

    I don’t really mind it being close to Natsume Yuujin-chou. It’s not like they were trying to hide it, anyway.

    • Mappy says:

      “Thoughts like “how is it possible? How can it be true that the person so important to me can never see me again?” come up over and over.”

      This is true in my experience, having lost friends and family over the years where, one moment they’re alive and healthy, the next minute they’re gone. You can’t even go into mourning over their loss because it seems too surreal to take in.

      I adored this film, for managing to convey so much by doing so little in such a short timeframe. Then again, I like Natsume Yuujinchou, so I would.

    • Will says:

      Oh sure, it was surely realist, but what is important in any tragedy is not the “death” itself, but the aftermath of the event.

      -And I really want to make an example with another anime, but don’t want to spoil stuff for you- Perhaps this website could make usage of a spoiler plug-in.

  9. Devilyne says:

    I think it’s a lovely movie. I cried near the end

  10. Taara535 says:

    I think it was absolutely sublime. Brilliant film. This is probably in my top 5 films of all time. I’m still thinking about the ending – it was so brilliantly done. The voice actress of Hotaru was masterful with those last few lines, especially when you try to interpret what she feeling. To get so much meaning out of such a small amount of dialogue is incredibly impressive.

    • Jenny says:

      i have to agree. it was absolutely beautiful. nothing unnecessary was added, every shot was beautiful and the growth of the heroine was subtle and believable. i admit i cried (quite a bit) at the end, but I don’t regret watching it at all. so much emotion packed into only 40 minutes or so. i have gone through dozens of anime that had more than 20 episodes but this captured my attention and endeared me to the characters within the first 5 minutes.

      I think I am definitely checking out Nastume; if this is what Nastume is going to be like I think I will definitely enjoy it.

  11. Taara535 says:

    Also, I am so impressed how they let the ED song finish before ending the film even when all of the credits were done. It’s like they specifically gave you time to contemplate what just happened. When do you ever see that in a movie?!

Leave a Reply


Mail will not be published
  • Bam
    (Tuesday, Oct 6. 2015 09:02 PM)
    One-Punch Man’s pilot was almost adapted flawlessly. It straight up uses the manga panels as it’s main storyboard, but added just enough new touches to improve the action instead of ruining it. Now let’s see how they animate the mosquitos and all the lasers for the next episode.
  • Bam
    (Tuesday, Oct 6. 2015 08:57 PM)
    And that’s why Madhouse is one of the few respectable studios left. I thought that they will be seriously diminished after Masao Maruyama took some of its key members and funded MAPPA, but One-Punch Man showed that they are still one of the best in the business.
  • k-off
    (Tuesday, Oct 6. 2015 08:51 PM)
    @Kaiser The anime industry isn’t advanced enough in CG to make it look good, is all it is.
  • Kaiser Eoghan
    (Tuesday, Oct 6. 2015 05:51 PM)
    @K-off: Your not wrong, it certainly looks poor but some of the old gonzo animated stuff was far more woeful looking. Stellvia, which was done by xebec was another example of old anime cgi which was quite ugly to look at. Just as I prefer traditional effects in film I also prefer traditional animation techniques to cg.
  • k-off
    (Tuesday, Oct 6. 2015 05:42 PM)
    Lately, the use of badly integrated cgi have been making my eyes sore,from the obviously cgi background characters in Asterisk to the overly fluid mech movements in Aldnoah. I still remember the shitty cgi piano hands in Kimi no Uso.
  • Bam
    (Tuesday, Oct 6. 2015 12:04 AM)
    On the note of good balance between humor and drama- I think BoJack Horseman is an example of a show that executed that almost perfectly in both seasons. You are laughing one minute and amused by the hijinks and silliness and the next minute you are actually moved and shocked by the honest introspection. Too be honest BoJack is more a tragic character then a goofy one, and his struggles are deeper and more existential than they have any business being in a show with anthropomorphic animals.
  • Bam
    (Monday, Oct 5. 2015 11:56 PM)
    The changes in the setting actually made me more excited for season 3 then what I felt the past few weeks, since now the plot needs to move forward from the cliffhanger and hopefully this translates to more cohesion and refocusing on what mad the show great in the first place. I’m pretty sure S3 will also be a blend of episodic and arch story elements tho. Overall a few ups and downs but still a great show.
  • Bam
    (Monday, Oct 5. 2015 11:52 PM)
    The finale also had some of the most overall arch story elements featured in the season. Earth joining the Galactic Federation is a big deal story-wise from now on. Also the use of a cover of Johnny Cash’s “Hurt” (not the Nine Inch Nails one clearly) was a nice fitting yet surprising touch. The throwback to Mr. PB after the credits was a good idea, but felt flat in it’s actual execution.
  • Bam
    (Monday, Oct 5. 2015 11:49 PM)
    I thought R&M had a pretty good finale. The episode achieved what was missing from most of season 2, and that was a balance of randomness and meaningful bits. What made Rick Potion #9 and the previous season’s finale and general tone great was a sense of humor that was combined with more sincere drama and character developments; a sort of sweet melancholy.
  • AidanAK47
    (Monday, Oct 5. 2015 09:51 PM)
    @K-off, not having too much trouble with the interface but I still cannot create categories.

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