Posted by psgels on 8 March 2012 with categories: Winter 2012 Kaleidoscope

Gasp! Could it be? Guilty Crown actually observes some basic rules of storytelling for once? The flashback that took up the majority of this episode was pretty much the best part of Guilty Crown so far, because 1) it actually bothered to explain things rather than pulling whatever is the most convenient out of its ass, and most importantly 2) it had no bloody Shu in it. Of course the ending of the episode ruined things again, with Shu still being in Jesus-mode and all.

That’s not why I decided to devote this week’s Kaleidoscope to what is in my view the worst Noitamina show ever made. Instead, I found out something interesting that I’d like to share and talk about: Noitamina’s tv-rankings. For a while, I was really afraid when I found out that Guilty Crown was selling so well. I really feared that this show will set horrible standards for the future of Noitamina. However, the success of Noitamina isn’t just based on sales, isn’t it? What made the timeslot big in the first place wasn’t the sales at all; it was the ratings it got. I mean, at its height, the timeslot was by far the most popular late-night timeslot out there.

Because of that I decided to look up the ratings of the different Noitamina-shows. They were by all means weird and very inconsistent, but also very interesting. I made a compilation of the average ratings for each pair of series (unfortunately I couldn’t find ratings for each individual show for the double-slots), using data gathered from here, here and here. This season’s Noitamina shows are up to last week’s episode. All of these ratings are in percents.
Honey & Clover – 3,04
Paradise Kiss – 3,19
~ayakashi~ – 3,5
Jyu Oh Sei – 3,5
Honey & Clover 2 – 3,2
Hataraki Man – 4
Nodame Cantabile – 4,39
Mononoke – 3,48
Moyashimon – 4,56
Hakaba Kitarou – 4,8
Library War – 3,47
Antique Bakery – 3,45
Nodame Cantabile Paris – 4,62
Genji Monogatari Sennenki – 3,32
Eden of the East – 3,96
Tokyo Magnitude 8,0 – 3,56
Kuchuu Buranko – 2,66
Nodame Cantabile Finale – 3,25
Sarai-Ya Goyou/Yojou-Han – 2,08
Shiki/Moyashimon Live-Action – 2,56
Shiki/Kuragehime – 2,38
Hourou Musuko/Fractale – 1,76
C/Ano Hana – 2,63
No,6/Usagi Drop – 2,12
Un-Go/Guilty Crown – 2,18
Thermae Romae/Guilty Crown – 2,17
Black Rock Shooter/Guilty Crown – 1,86

Let’s first look at the decline of these ratings, which started with Kuchuu Buranko, and really set through when the timeslot went double length with Sarai-Ya Goyou and Yojou-han Shinwa Taikei, where it reached staggeringly low numbers when you compare it to the previous ratings. After Shiki which aired right afterwards, this also was the last time where Noitamina lost a lot of its experimental touch in terms of animation and scenario and series structure. Quickly afterwards, their strategy of appealing more to a teenaged audience started, with Fractale. This is where the timeslot reached its all-time low with a rating of 1.76.

C and Anohana meanwhile managed to lift up the ratings again slightly, by being overall really well made series (Ano Hana was my favorite series of 2011 for a reason), but the focus at a younger audience remained, culminating in this season, which pretty much is the worst that in terms of actual series (for me at least). The thing is though, that Noitamina’s audience seems to agree. Last week’s ratings were really, really low for the timeslot and that landed it a on the second worst spot, just before Fractale and Hourou Musuko. In other words: the experiment of appealing more to a younger audience… has pretty much failed in terms of rating.

Now, if we look at the kinds of series that in the past did lead to really high ratings, things get a bit weird, because these numbers are rather inconsistent at times. There seems to be one red thread amongst the top performers though: fandom. What’s the best rated Noitamina series out there? It really surprised me when I found out for the first time, but it’s Hakaba Kitarou of all things. The one thing that series did was appeal to everyone who grew up with Gegege no Kitarou, while also giving it a new look and feel. After that comes Nodame Cantabile, which also has a very big built up fanbase, and it also really helped that the first season was incredibly good, solid, and really hard to dislike.

When looking at the series after that though, things get really weird. By far the strangest is how well Ayakashi Japanese Classic Horror did. Out of all the Noitamina-series, that was by far the most experimental and yet it didn’t alienate its audience and delivered a really solid rating of 3.5, the best of the timeslot so far, and until Hataraki Man surpassed it with a random story about a working lady.

And I think that that’s also one of the appeals of why the early slice of life series of the timeslot scored so well: they were really easy to relate to. They were written in a very down to earth way. The latest Noitamina shows however? you can’t really relate to those. Except perhaps for Usagi Drop. Even Anohana: I obviously loved it, along with a lot of other people. But mainstream appeal? It was just too dramatic for that.

And here is the thing: the audience of Noitamina can very much appreciate a good series. Of course I don’t agree with the relatively low ratings for Sarai-Ya Goyou and Yojou-Han, but I love that there is an actual audience for Ayakashi, Mononoke, Nodame Cantabile, Hakaba Kitarou, Honey and Clover, Hataraki Man, Eden of the East, Tokyo Magnitude, and even Genji Monogatari and Antique Bakery. It’s a shame that a lot of the audience was lost during the move to the double time-slot, but it’s also very interesting that another part of the audience doesn’t agree with the move to a younger audience.

You see Noitamina, the reason why that doesn’t work is simple: competition. You started with enabling a hole in the market: series aimed at an older audience at ta time when they are easy to watch, yet they contain a lot of substance to actually make it worth the limited time that adults have inbetween their jobs and studies. However, when you move over to a younger audience, you’ll enter a much more saturated market, in which it’s much harder to stand out. That market is completely different in the way that they consume anime, as shown by the really high dvd sales of Guilty Crown, yet really disappointing ratings.
Rating: (Enjoyable)

27 Responses

  1. Will says:

    I always thought Hakaba Kitarou was somewhat popular but to be highest rating show, just Wow!
    It’s the only series that i have never seen on noitamina, apart from the recent crap. I have to take care of that soon.

  2. omo says:

    two issues
    1. It’s not over yet!
    2. I think a lot of the strong titles are also popular mix media franchises. Or in Hakaba Kitarou’s case it’s based on a very well-known IP. OTOH shows like C, Fractale, Ungo, Guilty Crown, and BRS are basically original titles or very strange takes on some existing, unrelated media. To me that is the overriding factor (to the extent that noitamina would use a live-action show to open its 1-hr expansion)

  3. Cytl says:

    The sources I’ve seen quoted at times may be wrong, but I always see Guilty Crown doing extremely poor in the pre-sale/sale charts.

    • Scruffy says:

      Guilty Crown has done really well with BluRay sales with ~10,000 for the first volume.

      • Cytl says:

        Dear God…

      • Souther says:

        That’s good, of course, but not “really well” though when you have several other shows making anywhere from 20,000 to over 40,000.

        Now THAT’S what I’d call “selling really well” instead, not just 10,000. It’s not a bad number but not exactly “really high” in context.

        Besides, the second volume of Guilty Crown is closer to 8,000 than 10,000 anyway.

  4. hoiut says:

    I think the target audience is only a part of the puzzle. Like you say, experiential style and ambition plays a huge role in the scheme of things — but only when its entire staff is onboard.

    I can certainly agree with the point you make about market saturation, however — which makes the situation even more boggling. I mean, why compete in such a heavily saturated arena when you won’t even take risks (which is doubly awkward considering its legacy).

    It’s great to see you’re still following GC, though; might I inquire as to the reason? “In fascination of a trainwreck” works perfectly, by the way.

    • Rednights says:

      Probably so he can back up his claim of GC being absolute trash so he doesn’t get accuse of criticizing a show he never watched. It’s probably too insulting to his brain to write about a train wreck, though just watching it is an entirely different matter.

  5. Kim says:

    They were definitely going for a different audience with Guilty Crown. Sorry to say but this experiment did well for the block.

  6. MarigoldRan says:

    What are the sample sizes?????

  7. Ahelo says:

    Speaking of C and Anohana, those two were really the Jumpshark for noitaminA to survive. At one point I think the ratings for C actually reached a 4.5 or something (I saw it on the ratings thread on animesuki) and Anohana actually beated C at one point “it was the first for a latter series to be rated higher than the first one in noitaminA”. Also note that Anohana did sell 30 000 copies on average (3times of GC). I do agree to the fact that besides Anohana, every single more otaku-targeted series like Guilty Crown and BRS are kind of terrible but noitaminA head honchos did say they wanted a bit more revenue and DVD sales do matter for those kind of series.

    • Anca says:

      The noitaminA head honchos are the TV station, they don’t get revenue out of DVD sales.

      • CKSqua says:

        Sure they do. Fuji TV isn’t just a broadcaster but one of the leading producers and investors on the shows (noitaminA is divided into two halves now, with one side dominated by Aniplex and the other by Fuji. For instance, Guilty Crown = Aniplex while BRS and Fractale = Fuji TV). They foot the bill -and- profit from sales.

  8. tktym says:

    Psgels should submit this report to the people at noitama

  9. betawatcher says:

    I thought Hourou Musuko & Shiki was really nice…

    • Rahzel says:

      My thoughts exactly, those were the two latter series I liked the most, for keeping the artistic appeal while also having solid stories. I think BRS, No.6, Kuragehime and such are okay too, but no matter how much I tried, I looked at AnoHana and Guilty Crown and saw generic otaku-pandering stuff, so the visuals did a lot for me… I wonder if that’s an issue with the japanese public, too.

  10. ChemicalRen says:

    Well, there may be hope yet! Next season we have Tsuritama (by Kuchuu Buranko’s Kenji Nakamura) and Sakamichi no Apollon, a Josei manga adaptation.

    Sakamichi no Apollon, at least, seems to be aimed at an older demographic, and you never know what to expect with Nakamura XD

    • Litho says:

      I, for one, am looking forward to both shows. Hope they bring back some of Noitamina’s lost magic.

      Honestly though, now that teenagers (audience, I mean) have polluted the station/slot, I’m not really expecting much. Kinda like Apple and OS X – was great up to 10.4 Tiger, but didn’t have much of a user base among non artsy/techie folk. Dumb it down constantly until you get the turd that is 10.7 Lion and all the iSheep will start buying. Moral: Build something any idiot can relate to, and idiots WILL use/buy it… and idiots are the biggest demographic in any sector.

  11. kurini says:

    Thanks Psgels for sharing this!

  12. RABUJOI says:

    Thanks for compiling the numbers and for your analysis. The first Noitamina series I ever watched was Eden to the

    East, so I was pretty late to the party. Here’s how I’d rank all the Noitamina series I’ve watched from best to worst,

    with their TV ratings.

    1. Shiki – 2.56/2.38
    2. Eden of the East – 3.96
    3. AnoHana – 2.63
    4. Yojou-Han – 2.08
    5. Un-Go – 2.18
    6. C – 2.63
    7. Sarai-Ya Goyou – 2.08
    8. Kuragehime – 2.38
    9. Black Rock Shooter – 1.86
    10. Guilty Crown – 2.17/1.86
    11. Fractale – 1.76
    12. No. 6 – 2.12

  13. Litho says:

    Reason why Yojou-Han got low ratings, imho, is that is just wasn’t up to the level of what that Director/Studio combo produced prior – Kemonozume and Kaiba.

    Sarai-Ya Goyou got low ratings for similar reasons. People expected too much from Manglobe.

    Surprised Hataraki man rated so well, though. It really wasn’t anything special compared to what came before.

    AnoHana, imho, isn’t Noitamina level either. Sure, it might be good to many people (personally, it annoyed me) but it’s not exactly something people in the Noitamina age group can relate to. Trust me, I know. Us forgotten generation (you know, people who were in highschool when the great Asian financial recession struck) were busy rebelling via forming bands and gangs, not thinking up imaginary ghost friends.

    No opinion on Shiki as I never watched it. Tokyo Mag 8 and Eden of the East were both pretty good. Trapeze remains Noitamina’s high point (at least from those listed in your chart), imho. Un-Go had a great concept (source material) but was poorly executed. Usagi Drop was awesome, but maybe ratings suffered since many people didn’t like th eway the manga ended.

    Black Rock Shitter, Guilty Crap, Fructose and No.69 aren’t even worth considering.

    • hoiut says:

      This is an interesting analysis in itself. It’s good you noted BRS, GC, Fractale, and No.6 weren’t being targeted to the same demographic usually associated with Noitanima. But demographic targets don’t necessarily equate to the “level” of a production — youngsters and otaku might genuinely like some of those titles more, making them successful in their own right.

      Of course, lending these series to the thorough critique of an older audience would yield roughly the same conclusion as yours, no doubt.

      • hoiut says:

        I forgot to draw the obligatory parallel to the (in)famous Mahou Shojotai, which has garnered quite a mixed reputation here among psgel’s followers. Read into that what you will, of course.

  14. CKSqua says:

    “However, the success of Noitamina isn’t just based on sales, isn’t it? What made the timeslot big in the first place wasn’t the sales at all; it was the ratings it got.”

    Sadly, that isn’t the case anymore. In the beginning, noitaminA could get by with a focus on TV ratings. However, popularity was frequently a struggle, and with the ad business changing over time (as a result, external sponsorship greatly declined, so where’s the ad revenue?), TV ratings no longer had the same meaning.

    So yeah, DVD/BD sales are everything, which forced noitaminA to change.

  15. xxxholicwing says:

    Idk if you have read this yet, psgels. But it is an interesting article for every anime fan to know:
    http://www.animenewsnetwork.com.au/feature/2012-03-05

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But it does counter the point of "We don't get enough original anime anymore" which in itself was a pretty silly statement.
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@AidanAK47: An exception that proves the rule
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Just to ask does any of the shows being reviewed have a great soundtrack. Just asking for asking.
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@Aidan: I recall he posted under the name Bold/bond, the same poster who made the chart.
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He suffered from anime burnout and is getting on with real life.
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Hi guys I havent been around for a long time. Does anyone know what happened to psgels? I see that the new posts are not his.
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Chemotherapy is a cause of cancer rather than a cure.
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@Kaiser: a series of consecutive 'yes'. I was really into Laloux, but FP is the one I liked the most. I've been watching Mr. Robot since season 1, and it's well worth your time. Not really all that cyberpunkish tho; mostly just cyber. And anybody who hasn't read Gibson's masterpiece is a fool of a Took.
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@Bam: Have you been looking into that Mr Robot series? I heard its meant to be some kind of cyber thriller, it could be our thing. Also have you read Neuromancer?
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And I suppose that brings me to that stranger things show then, I love horror so I guess that caught my eye, but apparently its a family/kids thing =< don't know whether to bother.
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Well Coraline wasn't written by Laika. It was written by Neil Gaiman. Laika just adapted it. Still I would like to check out Kubo to see what all the hype is about.
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@anony29442: I will watch Kubo this coming week so I will comment on the movie then. But I'm not that surprise if Kubo has a weak writing. Laika never really great at story development: I mean Coraline is exellent, ParaNorman is just okay and Boxstrolls writing is just so underdeveloped and full of plotholes
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qualidea code's characters havent become better in terms of how they are written; only that they have been fleshed out in the most generic and trivial of ways as to sympathize with them; and sure, they have become some what likeable in the same way you'd like a person who you heard nothing but kind things about but that does not save the characters from being boring. QC is still a bad show
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@Mario: Once spilled hot microwaved food over my hand by mistake, hurt for a day.
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*remaining
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@Bam: The story and ideas however were better in gandahar I felt. Time masters while good was a bit stop and start in its pace and animation.
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@Bam: I watched Rene Laloux's remain animated films, Gandahar and time masters, I enjoyed both but not as much as Fantastic planet. I remember we talked about fantastic planet two years ago. Did you see the other two I mentioned. I liked the big moments and the ending to time masters, especially those angel things.
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I tried my best not to half-ass either of them tho. Any oddity you guys see just write it off as mental exhaustion.
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Okay, I'm officially beat. These two reviews should be considered companion pieces, as some material from one flew into the other. Thank god that episode 08 was not a heavy one, or I'd be completely depleted.
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*cinematography
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@K-off: I second that, as although the Poirot series has very well-done choreography, casting and music, there is still a little more of that unquantifiable magic sprinkled on the Granada series. But keep watching and I'll guarantee that Suchet will become the quintessential Poirot in your mind as well.
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I said that while I liked the performance and the direction, I didn't think that it did for Poirot what Granada did for Holmes.
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@Bam Yeah it is, and generally when I camp I like to stay for 1-2 weeks, places like Niagara or Yellowstone I can pretty much see everything I want to see in a few days so I don't find much value going to those places. The Adirons on the other hand is diverse as hell.
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@K-off: I'm not sure if you mentioned it while I was gone: but did you get to watch any of the Poirot series with David Suchet? And if so, what are your thoughts?
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I generally go to either the Muir Woods north of SF, or the forests around Big Sur. It doesn't take much to please me really.
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@K-ff: is that by Lake Champlain? Cuz I've been there once and loved it.
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@K-off: I thought of a combined post, but my OCD wouldn't allow a skip in the episodic order of the reviews.
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Usually when you go camping in Yellowstone or Yosemite the tourist industry kills those places, like I'd be on a rowboat and see cars, cabins, and people from a long ways offshore. The Adirondacks are nice because their building codes mandate construction to be hidden behind trees.
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@Bam My favorite camping spot is the Adirondacks in upstate NY, I went there probably 4-7 times and never get tired of the place. No, I don't have any posts for now, but for future reference consider combining episodic reviews when you get behind. I.E. Episode 6-8 Review
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Also there's a reader in the comment section of Berserk 07 who wants to know if we have a notification system. I vaguely remember a widget that links the site to a FaceBook page. If anybody knows how that works, or if it's still functional, please shed some light on the matter for him/her. Thx.
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@Aidan @K-off @Mario either one of y'all has any post near completion? I'm almost done with Berserk 08 and as previously mentioned, really prefer not to put two reviews up back to back. I think the length of them is already a hassle for some to get thru, let alone two right after eachother. I think it hurts the viewership, but if nothing's on hand then I'll guess I'll just finish up and post mine.
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@Kaiser: I was actually camping near a mountain, but aren't all mountains somewhat holy? That could be my bias tho, since I was raised on the Alborz mountain range, and for me there is something therapeutic about the mountain air.
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Yes! Looks like the shoutbox is fixed and not deleting posts after 24 hours anymore!
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lol Or you could live in the shitty suburb where I do and spend your time just waiting for when your internet connection randomly cuts out twice a month or as it has the past few days two-three times a day.
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Basically bam went up the Holy mountain .
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@Mario: ....guy I know who loves war films and I've ended up inadvertedly/un-intentionally gotten him to buy some fucked up Polish horror film that just happens to be set in WW2. lol he's going to be pretty freaked out when he watches it.
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Everything been cool here? Hehe ... looks like I conveniently missed all the hard parts.
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@Mario: thx m8. I wish I could just make it down to Rio on a whim, but then again, I took a much-needed vacation, so I ain't complaining.
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Welcome back Bam, I was already convinced that you went to Rio for screwing around. Lol
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Also I apologize for the absence. I was gone somewhere without reliable internet access, and looking back I should've gave a notification.
Either way, I'm back now, and will be jumping on getting those Berserk reviews out as soon as possible.
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Man looky here with the renovations; I like it.
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@Vyse: wow. So how was the sites then back from 2005?
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@Kaiser: and what is that sh!te you're talking about?
VyseLegendaire
<— fixed
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<— me
VyseLegendaire
Ive been a reader since 2005
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Haha, this'll be fun lol
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.....that feeling when you keep going on about a show or film but fail to give all the details...and someone goes out and buys it not knowing the full extent of the mad shit their in for...s--t lol
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any reader from 2005 here....
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@Mario: This guy seems interesting: https://letterboxd.com/director/tsai-ming-liang/
Kaiser Eoghan
@Mario: Hmm, not familiar with him.
I really really loved in the mood for love, alot, it emotionally effected me. I even watched it three times.
Kaiser Eoghan
@Mario: I couldn't seem to enjoy any of Zimou yangs films apart from Hero, which had some pretty creative fight scenes. I've seen the story of Ricky and some of John-woos films but they were more just silly entertaining exploitation films.
SuperMario
Don't know if you know the Vietnamese-French Tran Anh Hung. His works are stunning too. If you want to check out East-Asian cinema don't forget to check him out.
SuperMario
@Kaiser: Yeah, but Park Chan Wood changed the ending, so the author insisted that the Handmaiden is more "inspired" than "based". The third chapter is the weakest part for me
Kaiser Eoghan
@Mario: Of interest, The handmaiden was based on some British book/tv show.
Kaiser Eoghan
I need to completely re-evaluate/get into more Chinese cinema.
Kaiser Eoghan
Doesn't look like I've seen anything by Hong-sang-so.
My favourite Korean actor is song-kang-ho.
Kaiser Eoghan
Theres an anime convention over here in Dublin in three months. Although I haven't been to one in years.
SuperMario
I'm heading to anime convention today. Normally I don't really care about those conventions but I figure I'd come this year to see the taste of it. The only hassle is it's 3-hour drive, which gonna be a pain when I drive back after a long day being there.
SuperMario
Bong Joon-ho, on the other hand,is incredible at writing. His scripts are often layered, sharp and best of all fuses many tones/ genres into one coherent whole. The best thing about this Korean New Wave directors is they all have very distinctive voices. But my favorite director isn't the ones that you list. That would be Hong Sang Soo. I just love his simplicity style so much.
SuperMario
@Kaiser: Park Chan Wood is a master of visual. Whenever I come to his movies I expected to be blown-away by his visual. He can write compelling characters (he loves his characters) as well but his screenplays in general are weak. You can watch his lesser effort "I'm a Cyborg, but That's Okay" and see many things that made him good/bad. That's the movie I feel he made without the care of the critic
afgm
.
afgm
@koff: Yeah I can help. But midterms/finals are coming up so I can't dedicate to much time.
Kaiser Eoghan
I always felt Bong-jong and Chang-dong , kim-di-duk and Kim-jee-woon were better than Park-chan-wook. Oldboy did have that one hell of an ending, so did lady vengeance but I feel that those are the bits people tend to remember and the rest was good but not great.
Topgavin
For anyone that doesn't regularly browse /r/anime, Godzilla is apparently getting an anime adaption by Polygon Pictures with Urobuchi involved. Should be good.
K-Off
Well, I climbed to rank 52 in Overwatch with Tracer alone. Looking forward to season 2 already, but I do wish Blizzard had somehow implemented a single-player storyline since the lore in Blizzard titles is always so vast. Kind of surprised they didn't make one with Overwatch.
K-Off
@Kaiser Watch Train to Busan if you can. Me neither, I can't dig too deep into Korean films due to the language barrier. Sure would be convenient to have Vincent recommending films again.
K-Off
@afgm Hey, are you still interested in helping out with the site? At this point I'm looking over the site's code & doing some rewriting - if you think you can help, let me know.
K-Off
@Mario I hadn't watched Old Boy for 6 years when I got to I Saw the Devil and it was out of mind for me, so you may be right.
SuperMario
@K-Off: maybe it was just me but I was underwhelmed by I Saw the Devil. The point it trying to match was similar to OldBoy, and Oldboy's execution was way better (OldBoy's one of my favorite movie). Yes, the soundtracks of OldBoy, Lady Vengeance are exceptional. I still listen to The Last Waltz after all those years...
K-Off
The soundtrack in a lot of these Korean films are top notch as well, Lady Vengeance and I Saw the Devil in particular.
K-Off
@Mario Speaking of which, Korean psychological thrillers are hands down some of the best in the last 10-20 years. I Saw the Devil, Lady Vengeance, Old Boy, list goes on.
SuperMario
@Aidan: It just comes to me that we're already half way of this season... Time sure flies
SuperMario
@Kaiser: so please finish up Inside Mari. The last chapter had been out. I need someone to talk about that goddamn manga anw
SuperMario
@Kaiser: I always consider the Korean New Wave started back in 2000, and really peaked in 2003 (OldBoy, Memories of Murders, Spring Summer..., A Tale of 2 Sisters). Before 2000? The only director I can think of was Im Kwon-Taek
AidanAK47
About nearly finished Fata Morgana but I might have to finish doom first because that thing is eating a huge chunk of my SSD drive.
AidanAK47
Back up to date...at least for now. I have to go to a wedding so It's likely I will fall behind again. Got to admit that I haven't had much of an opinion on the latest episodes. Might be just mentally drained personally.
SuperMario
@K-off: I totally agree with you. 28 Days Later is a gem. Though I'm not really into zombie genre as a whole, I'm more into psychological stuffs more.
Kaiser Eoghan
@Mario: Reminding me I need to catch up on boku mari no naka.
Kaiser Eoghan
Although the trailer for train to busan does catch my interest.
Kaiser Eoghan
I've gotten more than enough out of Korean films, I can enjoy them but I probably don't sing the same high praises for them as most bar some exceptions.
Seeing Lee-chang-dongs stuff I'm actually kind of interested in finding some more low key korean films.
Kaiser Eoghan
Very likely a view shared by my indie loving friend and I, but Battery and Wyrmwood were jokey takes on the zombie genre I thought were enjoyable.
Kaiser Eoghan
@Mario: Likely my preference for British comedy that makes me laugh more at Shaun of the dead more. Although Hot fuzz is the better Simon Pegg film in my opinion.
In terms of Korean films, I've been wondering, what are the pre-90s ones like. Lee-chang-dong started the Korean new wave in 1997.
K-Off
I'm still waiting for a good horror-zombie film, nothing has met my expectations after 28 Days Later (and techinically REC), which admittedly is a high bar.
K-Off
@Mario I am watching Seoul Station next week, that was just me recapping TtB after I watched it a few days ago. It's definitely more of a thriller, it has good "wtf" moments but nothing I'd call horror.
SuperMario
@K-Off: I thought you were going to watch Seoul Station? So I gather that Train of Busan is more thriller than horror? Just thinking of Zombieland already puts a smile on my face. That one and Shaun of the Dead are so goddamn hilarious.
SuperMario
@Aidan: I will review them in the future. atm I'm in watching/ reading mode so I'll push back all the world movie/ full show reviews for a while
K-Off
@Mario My impression of Train to Busan was that although it wasn't anything ground breaking, it had a great cast of characters and an entertaining gimmick that managed to stay exhilarating. I haven't seen a zombie film this well structured since Zombieland, even though they're completely opposite in tone.
AidanAK47
They are all yours if you want to do them.
SuperMario
Reading Inside Mary makes me want to watch Flowers of Evil again. If I remember correctly psgels never actually had a full review on this one, and Ping Pong.
AidanAK47
@Vyse, Width wise it's exactly the same as the old chat box. Though it's possible the old one had smaller font.
VyseLegendaire
This chat box is too narrow I think, only see a couple messages.
AidanAK47
@Anon18138, Yeah but I don't see that writer making something that truly represents the games. There may be a possibility of it being a good movie but that movie won't be Pokemon.
Anonymous18138
@AidanAK47 It'll have the writer of Gravity Falls. Though I don't have a high standard in regards to the 3D mascot and live-action style of movies.
SuperMario
They originally planned to male a live-action remake of Seoul Station, as the producer saw a footage of the animation and really loved it; but Yeon Sang-Ho (the director) insisted that if he was about to make a live-action film, he's go for a sequel instead. Hence Train of Busan.
SuperMario
@K-off: I missed my chance to watch Train to Busan but I heard nothing but rave from it. People who watched it really loved it. Damn, you make me jealous man, since I want to watch Seoul Station and review it here. Come watch it and tell me what you think; my bet is you'll enjoy it.
K-Off
@Mario Have you watched Train to Busan? I'm planning to watch its animated prequel Seoul Station next week. Animation looks shabby as hell but I can always expect a good story from the koreans.
AidanAK47
So the live action Pokemon movie will feature detective pikachu. Clearly a necessary inclusion.
SuperMario
I'm reading Inside Mary now and it's quite a gem despite its ridiculous premise. There's a lot of raw emotions. I love raw emotions. As expected from the same guy who wrote Flowers of Evil.
AidanAK47
Yep, when she sends the images let me know. It may have been a while ago but I am a qualified graphic designer so even I can lend a hand to the banner design.
AidanAK47
Ugh...a new version of wordpress is ready to be updated to. I have a bad feeling updating to the latest version could potentially break things.
K-Off
Alright, I've got Friend onbaord with a commission for our new banner. She says she'll send us sketches so we can decide if it's something we want.
AidanAK47
Considering how much trouble this plugin has given us, i am not up for adding another one. Only thing the subscriber account thing needs is me to tick and box and get rid of that password promt.
K-Off
@Aidan You can set that up if you'd like, though another idea would be to set up buddypress and link it to there. But it's yet again another plugin.
Total users: 28

Featured Posts

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I apologize for this very late review, but due to circumstances I didn’t have the means of watching the episode, and hence the week-long delay. I’ll try to at least leave a notification in case of such issues in the future, but otherwise will try to keep the posts steady. So let’s get right to […]

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It a beginning of a dark path for Ritsu as his own inadequacies are pushing him in a direction that won’t end well for him. Part of the problem is the student council president whom is called Shinji. He happens to remind me of another Shinji in another series who had an equally punchable face […]

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