Posted by psgels on 29 March 2012 with categories: Anime Reviews

Amongst the studios that focus too much on moe, I find JC Staff among the better ones. Sure, they have their bad shows, but you can see that they put more effort into their series, compared to the likes of AIC, Xebec or ARMS and their lazy recycled premises. Ano Natsu de Matteru is a great example of this. Yes, it unfortunately has all the cliches: the main character living together with a hot girl, a childhood crush who is in love with him, him being the bland likable guy, spiced up with the deadpan snarker and the ladies’ man. It’s a very bland romance, but ultimately surprisingly well executed.

The best praise that I can give this series: the romance actually goes somewhere. Yes, in a genre that thrives on indecisive characters and pointless and annoying drama, here for once we have a romance that actually develops naturally. The main characters actually realizes what he wants, and rather than waiting for the final episode to get to some sort of confession, this show deals with that stuff slightly earlier than usual in order to actually give everyone the opportunity to sort out their feelings. The result is a surprisingly good drama.

In the character department this series also demonstrates that you can go an end with cliches when they’re well developed. It unfortunately doesn’t apply to every single character, but half of the cast here is actually pretty interestingly developed. To contrast with unfortunately, there are a number of uninteresting characters that drag this show down a bit. The main character ultimately is too bland to really carry this series. The childhood friend also completely gets caught up in her role as childhood friend, without having much else to offer, and the deadpan snarker also has just one gimmick that gets old fast. There also is this horrid beach arc in the middle that shoehorns two very annoying side-characters into the picture who end up doing nothing other than turn this show into a harem.

With the director of Ano Hana behind this series, Ano Natsu is definitely a step down in comparison. Yeah, it’s probably a bit more realistic due to its slower pacing, but I dislike how this show uses half of its cast as walking plot devices, rather than actual characters, when it on the other hand tries to deliver a somewhat realistic romance. More than anything, this feels like watching a mellow version of the first season of Birdy the Mighty Decode with a lot less emphasis on action and its setting.

Yet, I liked this show, and you can definitely see that a lot of attention went into making it work. The romance that works really works here, and it’s got a healthy amount of character development. The animation is also consistently vibrant, successfully bringing these characters to life.

Storytelling: 8/10 – A romance that actually goes somewhere and that doesn’t drag on. Finally!
Characters: 8,5/10 – Half the cast is bland, but the other half is great and well developed. Does that make them worth watching? Yes, actually.
Production-Values: 8,5/10 – Not the best of this season, but that animation still remains very expressive.
Setting: 7,5/10 – The backstory of this show is nice, but it does have its very flimsy sides that are hard to buy at times.

Introducing the rating of 81/100 back again (rounded down from 81,25, which would be way too specific). When I scraped this rating I did this because I couldn’t really explain the difference between 81/100 and 80/100. Now I can, though: these are very good series, who have a few highlights here and there that make them enjoyable and worth watching.
Birdy the Mighty Decode
Aoi Hana
Ano Hana

2 Responses

  1. moochi2000 says:

    I found myself really enjoying the series in the beginning but couldn’t pinpoint why it was not my favourite. For this show, I’d probably give it 83/100 though that’s quite similar to your own rating. After reading your review, I agree that Kaito is TOO bland/boring. My favourite characters are lemon senpai and rinon (that pink thing). You forgot to mention that the music was very well used throughout the series and that the ending “movie” in the last episode was a great wrap-up. I think the series would have delivered more if it was longer (e.g. 24 episodes) but it might have fallen short in terms of storyline/plot development. Overall, it’s an enjoyable show but didn’t make as great as an impact that I originally anticipated.

  2. nrad says:

    Dear psgels, i think you should give Onegai Teacher a try too if you haven’t watch. Ano Natsu has its settings & chara imitate that of OT.
    When I hear the mysterious voice at the last episode, I realized this series is a sequel to the Onegai series (a decade later).

Leave a Reply


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  • Kaiser Eoghan
    (Wednesday, Oct 7. 2015 04:45 PM)
    If sakurako-san disappoints I am ignoring everything modern that is based on a light novel from now on. I’ve been hit by these adaptations far too often.
  • Kaiser Eoghan
    (Wednesday, Oct 7. 2015 02:43 PM)
    ….Dear God…I have no words in which to describe hidan no aria AA, no words. The original I could take the piss out of. But this is a new low standard set for the light novel medium.
  • Bam
    (Tuesday, Oct 6. 2015 09:02 PM)
    One-Punch Man’s pilot was almost adapted flawlessly. It straight up uses the manga panels as it’s main storyboard, but added just enough new touches to improve the action instead of ruining it. Now let’s see how they animate the mosquitos and all the lasers for the next episode.
  • Bam
    (Tuesday, Oct 6. 2015 08:57 PM)
    And that’s why Madhouse is one of the few respectable studios left. I thought that they will be seriously diminished after Masao Maruyama took some of its key members and funded MAPPA, but One-Punch Man showed that they are still one of the best in the business.
  • k-off
    (Tuesday, Oct 6. 2015 08:51 PM)
    @Kaiser The anime industry isn’t advanced enough in CG to make it look good, is all it is.
  • Kaiser Eoghan
    (Tuesday, Oct 6. 2015 05:51 PM)
    @K-off: Your not wrong, it certainly looks poor but some of the old gonzo animated stuff was far more woeful looking. Stellvia, which was done by xebec was another example of old anime cgi which was quite ugly to look at. Just as I prefer traditional effects in film I also prefer traditional animation techniques to cg.
  • k-off
    (Tuesday, Oct 6. 2015 05:42 PM)
    Lately, the use of badly integrated cgi have been making my eyes sore,from the obviously cgi background characters in Asterisk to the overly fluid mech movements in Aldnoah. I still remember the shitty cgi piano hands in Kimi no Uso.
  • Bam
    (Tuesday, Oct 6. 2015 12:04 AM)
    On the note of good balance between humor and drama- I think BoJack Horseman is an example of a show that executed that almost perfectly in both seasons. You are laughing one minute and amused by the hijinks and silliness and the next minute you are actually moved and shocked by the honest introspection. Too be honest BoJack is more a tragic character then a goofy one, and his struggles are deeper and more existential than they have any business being in a show with anthropomorphic animals.
  • Bam
    (Monday, Oct 5. 2015 11:56 PM)
    The changes in the setting actually made me more excited for season 3 then what I felt the past few weeks, since now the plot needs to move forward from the cliffhanger and hopefully this translates to more cohesion and refocusing on what mad the show great in the first place. I’m pretty sure S3 will also be a blend of episodic and arch story elements tho. Overall a few ups and downs but still a great show.
  • Bam
    (Monday, Oct 5. 2015 11:52 PM)
    The finale also had some of the most overall arch story elements featured in the season. Earth joining the Galactic Federation is a big deal story-wise from now on. Also the use of a cover of Johnny Cash’s “Hurt” (not the Nine Inch Nails one clearly) was a nice fitting yet surprising touch. The throwback to Mr. PB after the credits was a good idea, but felt flat in it’s actual execution.

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