Posted on 31 May 2012 with categories: Tsuritama

The explanation behind this series… actually turned out to be pretty simple: there is an alien who controls people using water. Haru and his sister are out to stop him. Duck investigates both of them. That’s it, and I’m impressed that the creators managed to make an entire series out of just that.

What this show did was very risky, but still: I like how it didn’t force anything here to put in extra tension. This episode pretty much explained what was going on. There will be one point of confrontation with that alien: the typhoon. The characters took a while to venture out to its location because in the first half of this series, they had no reason to, and they’re not going to go back again because they’re not stupid. This show is about fishing: being patient and letting things come naturally. The downside of this is that you also don’t know if you’re going to catch something.

And that’s the double edge of the series structure that this show picked of letting everything evolve naturally, compared to the series that start out action-packed: I’m not advocating action, but rather characters and storylines who show themselves off and bring up emotions. Having a slow pacing either works out really well because it allows us to really get a feel of the characters, or become completely boring because nothing happens. The trick I use in an attempt to guess how well a series will end up based on just the first few episodes is by looking at its potential: what is it building up to? Is the characterization good? How do the characters work together? And this is where Tsuritama scored really high.

all that’s left now is the pay-off: these final episodes have the daunting task of using all that build-up and delivering a very memorable finale. You can have amazing characters, but if they don’t do anything or don’t get pushed to their limits, then it’s a bit of a shame. The one thing I noticed in this episode was the impact that the scenes about the Bermuda thingy made to me: I got really excited there when the music started playing. Keep that up.

NB: holy crap Natsuki looks different now!
Rating: ** (Excellent)

Posted on with categories: Sakamichi no Apollon

This really was an episode that focused on the different romances going on, to the point where the first couple has been formed. The end of the episode is pretty much the point where this series goes back to being a love triangle, but a very messy one at that, with character A thinking that character B likes character C while she is growing to like character A more unbeknownst to him, at a point when character C has realized that she had a crush on him.

These love triangles are very easy to screw up and devolve into a soap opera, but what I really like is how the creators made use of Rituko’s character development to further complicate things, rather than pulling some random twist for the sake of drama. The way she came to like Kaoru after spending a lot of time with him, knowing he has a crush on her, while trying to move away from Sentarou… it’s plausible for all of this to happen: over the course of the past episodes we were given enough reasons for her change.

The problem I have with series about teenagers is that there are too many of them: it gets harder and harder to stand out. However, when one comes along that is as well acted as Apollon, I’ll gladly shove these biases aside. That doesn’t change the fact that I want to see more variety in anime, especially considering that “seinen”-series that are supposed to focus on young adults feature teenaged lead characters more often than not. I can’t really fault the creators for picking an excellent manga about teenagers and animating it incredibly well.

But still, we’re currently in a very important half year for Noitamina: these are four series that really need to do well after the Guilty Crown disaster. Apollon and Tsuritama for being really well executed. Natsuyuki and Moyashimon meanwhile need to succeed in order to prove that there still is an audience for series about adults.
Rating: ** (Excellent)

Posted on with categories: Monthly Summaries

What sets this season apart: the sheer amount of great series out there. Seriously, the amount of interesting shows that push boundaries is the best in at lest two years. Now all that’s left is a bunch of great finales: a lot of the series in this seasons will end next month, and a lot of them have quite a bit of potential to end wonderfully.

#23 (25) – Medaka Box – (7/10) – Medaka Box is dangerously close to being one of those “meh” series. What I mean by that is that it’s going to end within one month, even though it hasn’t really done much so far. It has introduced plenty of things with potential, but those were just introductions: it hasn’t really done anything with them because these will very likely be used later on in the series. So yeah, this show is mostly building up to parts that aren’t going to be animated. This is why I really dislike shounen jump series.
#22 (22) – Saint Seiya Omega – (7,4/10) – I’m on the verge of dropping this show, and then episode eight came and was slightly interesting. My main problem with this show is its characterization: it’s all too wooden and one-sided, especially that main character is a one-sided hot blooded idiot and the villains other than that golden saint are all terribly uninspired and stereotypical.
#21 (23) – Sankarea – (7,6/10) – Sankarea is that really annoying series of the season, that has flashes of brilliance, intermixed with flashes of incredible annoyance. Pretty much what Nisemonogatari was last season. Sanka Rea is a pretty interesting character to watch, especially considering the state she’s in. Shenever she takes up the center of attention, this show is great. The cousin however, is annoying. The classmates are annoying. This show also wastes too much time on random fluff. I understand that characters need to get fleshed out, but the balance of these scenes feels missing.
#20 (12) – Phi Brain – (7,75/10) – Oh boy, Phi Brain surely took a hit to the suspension of disbelief this month. I mean, it’s the series nature to be over the top and rather stupid at times, however what it pulled this time is so vital to the overall storyline and characters that it’s really hard to overlook. I really hope that there is more to it, because Freecell, you’re very close to becoming a very pathetic villain here.
#19 (21) – Jormungand – (7,9/10) – If I had to point out one point at which Jormungand, it’s the characterization. I still can’t exactly point out what it is, but most characters fail to capture my interest, there are a lot of very similar characters walking around, or characters who are carbon-copies of other characters or who just try too hard. It’s strange, but for a show that’s supposed to be about gun delaying, I miss this lack of tension.
#18 (20) – Aquarion Evol – (8,25/10)

Aquarion Evol continues to balance between a tense storyline and a heap of cliches, in a pretty bizarre way. It’s over the top and some of the twists are great entertainment to watch. There are characters who really shine here, but on the other hand we have Mikono: the main female character… who didn’t really do anything over the series other than get kidnapped.

#17 (19) – Hunter X Hunter – (8,25/10)

We are now at a point of explanation and exposition. It’s a point that also made me tired in the original 1999 series, so watching it in recap is… annoying. On the other hand though: the thing it’s building up to will be something really special. I usually hate remakes that do nothing but recapping, so it has to say something that I’m still stuck with this show after 30 episodes. Nen is very original, and I hope that this show’s success inspires future shounens to also put a lot of attention to detail and creativity in their settings.

#16 (14) – Shirokuma Cafe – (8,25/10)

The bizarre thing with this series is that the jokes are incredibly corny, yet consistently enjoyable. The Polar Bear and the Penguin are the standout characters here. The penguin is great to watch and gets great stuff out of the rest of the cast, while the Polar Bear has some awesome deadpan humour.

#15 (9) – Nazo no Kanojo X – (8,25/10)

In this day and age in which everything is just trying to get more and more fanservice in, it’s great to see a series that puts so much restraint in it. It’s a really good way to flesh out the characters, and I like how they grew closer together a lot here.

#14 (4) – Zetman – (8,25/10)

This month was not as impressive because the budget decreased, but the creators still are trying to make this show as expressive as they can with their limited means. The pacing also actually slowed down in order to have some mid-season build up and extra tension. It really depends on that ending whether this show will work or not.

#13 (24) – AKB0048 – (8,4/10)

Oh, AKB… I want to hate this show. I really do. But it’s such a charming series. It’s obviously pandering, but some scenes are played so straight that I wonder whether they are partially meant as a criticism as well. The cast of this series is huge, and what me impressed the most within these first five episodes is how well it gave every single one of these characters a bit of detail and info, keeping a great balance between all of the characters.

#12 (17) – Hyouka – (8,4/10)

What I like about Hyouka is that the long dialogues are about something. It’s well acted and consistently interesting, which really is a breath of fresh air after all those Shaft-series that attempted the same thing but couldn’t hold my attention. The animation still is very excellent and even though most mysteries are about mundane things, I do find myself drawn in.

#11 (8) – Tsuritama – (8,4/10)

Tsuritama is building up to something. I feel that that finale is going to be the major factor for me in evaluating this series, because it is clear that it has like a deck full of aces hidden in its sleeves and socks. There was one episode that really showed that potential and it was awesome. Now finish things properly!

#10 (18) – Poyopoyo Kansatsu Nikki – (8,4/10)

You know what? Poyopoyo actually is the best show about owning cats that I’ve seen. In fact, if you don’t count movies (Night on the Galactic Railroad, Tamala 2010 and the Cat Returns were awesome), this pretty much is the best cat chow I’ve ever seen. It’s all just so relatable, and the pacing is just perfect for five-minute episodes. I know it sounds weird and all, but I’m consistently enjoying this show.

#9 (15) – Legend of Korra – (8,4/10)

The romance in this series isn’t really that interesting. Everything apart from that though is really good. Especially since there are no anime about politics at the moment, this really fills my hunger for the Spring Politics Series. The villains are very credible and a great threat for Korra, and the creators made good use of how out of place she is.

#8 (11) – Kimi to Boku – (8,5/10)

Kimi to Boku really blossomed in its second season. Every episode is standalone, but they nearly all created some very impressive character-development, both for the main cast and for the cast of side-characters.

#7 (13) – Eureka Seven Ao – (8,5/10)

Eureka Seven Ao’s charms are hard to define. In any case they’re different from what made the first season great. It’s the great acting, along with some surreal parts and very good directing that makes it really entertaining to watch, but I think that it’s the acting that really put this series above most other mechas of the past few seasons: kids are treated like kids. There are tons of different parties active, all with their own goals.

#6 (5) – Lupin The Third – (8,5/10)

This show has class. I know it’s a bit weird to say that of a series with so much nudity, but what makes this show so interesting is how well Mine Fujiko is portrayed, along with the guys around her. It’s the storytelling here that really stands out with a great direction.

#5 (7) – Natsuiro Kiseki – (8,6/10)

Every episode of Natsuiro Kiseki so far has been dedicated to character development. We’re now at the point where the rock takes a step back, so that we can really focus on the four main characters, and this series still pushes them into situations in which they’re forced to grow. This show does an amazing job in showing their worries and despite that having them act believably.

#4 (6) – Mouretsu Pirates – (8,6/10)

You know, I’m really enjoying Mouretsu Pirates at the moment. I said it before, but with this, it’s pretty much the best non-sequel to have come out the past winter season. The past arc is especially fun and and this show also gets more and more creative with its storylines.

#3 (3) – Fate/Zero – (8,6/10)

This really has been a month of build-up for Fate/Zero, but what build-up there was was really, really dark. A ton of characters got extra backgrounds, changed, and moved into some really harsh plot twists. A few of these scenes were a bit too harsh (apparently they were better built up in the novels, but this is an anime first and adaptation second), but it nevertheless is excellent and dark stuff.

#2 (1) – Uchuu Kyoudai – (9/10)

Really, there are two stand-out series this season. Both of them rock because of their characterization, but both do this in completely different ways. Uchuu Kyoudai is briljant at fleshing out its characters: Mutta’s inner monologues are really sharp, and the rest of the side-cast all fits incredibly well with each other.

#1 (2) – Sakamichi no Apollon – (9/10)

Yes. To say that this show is good would be a huge understatement. This series manages to capture its characters in a unique way and it does it with so much detail and believability that is un-matched by only very few other series. The way this show plays with emotions and awkwardness is exquisite. Add that to the excellent animation (including the parts that aren’t rotoscoped but actually animated) and Yoko Kanno’s awesome soundtrack, and you’ve got a winner. Definitely the best Noitamina series since Ano Hana.

Posted on 29 May 2012 with categories: Zetman

Okay Zetman: if you’re planning to end next month, you’d better make it an awesome one. The past two episodes understandably switched a gear back in order to focus on some character development, and after this you need to pick the right chapters to both give this closure and an action-packed finale.

I really noticed that with series as Kamisama Dolls and No.6 past summer: these series may have been excellent in their start and middle, but their unsatisfying conclusions unfortunately hurt a lot, and lowered my opinion of them significantly. Zetman isn’t the big disaster in terms of pacing this season; that award goes to Medaka Box, but it would be such a shame if this show ended with a lukewarm feeling.

The one standout point in this episode was the fight at the Amagi mansion. That was short but sweet, and there was a very interesting death along the way: someone actually got careless and didn’t run away fast enough. The players actually didn’t charge into the strongest opponents, but tried to attack everyone at random. One criticism here is that it’s again the old ugly guy who died on a whim, even though the girls in this show have been attacked again and again while coming out alive.
Rating: *+ (Great)

Posted on with categories: Hyouka

This episode was interesting. The mystery was pretty simple, but what caught my attention was how it highlighted the cultural differences between Japan and the west. I mean, for a western guy like me, it very quickly occurred to me that the teacher just misread the small capital a and d, but the characters were making such a big deal out of this and building it up for so much. But yeah, these are Japanese kids who have a completely different alphabet.

This show really likes looking at the meaning of words and letters. We don’t really have that: sure, words have origins and all, but when we talk about the origin of a word we mean to refer to the first time in which the word got used. In Japanese, every kanji has a meaning and a way of writing. Hiragana and Katakana don’t, but this focus on calligraphy is completely different from how we in the west see letters. And with this episode this series tried to bring that same mentality over to the latin alphabet. Quite interesting.

And then there was that bit about the seven deadly sins. And in that discussion I have to praise Chitanda for acknowledging this very important thing that these discussions in anime often seem to ignore: balance. I really enjoy series that are about lots of talking, but I get really annoyed with series with characters who talk just for the sake of talking. A lot of Shaft series for example went way too far with the latter. Hyouka is in the middle of this: it’s got a lot of high schoolers talking to each other in random conversations, but it’s always about something interesting and fleshes out the characters.
Rating: *+ (Great)

Posted on 28 May 2012 with categories: AKB0048, Aquarion Evol

Next week’s episode of Aquarion Evol: that will be the time for you to show yourself, Mikono. That will be the time where you need to show that you’re more than a damsel in distress. You have been guided, you have been trained, but so far… you haven’t really done anything. You are very close to stepping in the pit of the generic Kawamori female love interests, and that will be your time to either jump over it or go into a completely different direction. Zessica is about to do it, so you can do that too.

For the rest of this episode: this really was action-packed. Nice action, amazing soundtrack, it all was very entertaining, with the spotlights reserved for Shrade. The tension around this guy is actually much more interesting: he and Amata both have huge powers, but the difference between them is that he actually uses it well. Amata doesn’t know how to use his.
Rating: *+ (Great)

AKB and pandering. Of course you can have a cast with females. When it becomes a problem is when the creators start using moe and fanservice as an excuse for not trying, which unfortunately still happens way too often. AKB0048 doesn’t have that… or didn’t at least. I really began to fear that right the first episode after I decided to blog this show, the characters suddenly got a day off, we got a bath scene, a bunch of very stupid antics and this disturbing focus on pheromones.

So yeah, weakest episode of AKB0048 so far. But as it went on, I did notice something: the sheer amount of characters that the creators managed to stuff into just this episode. Heck, I believe that they actually succeeded in fleshing out the entire cast of named characters, giving everyone a bit of a moment or scene to show more about herself. That’s actually pretty impressive to balance well.

Also, this show doesn’t actively criticize, but some of the ideas in this show nearly seem like they were put in to subtly provoke this. I’m mostly referring to the pheromones talk, but especially that bizarre family that breeds idols to look like each other…
Rating: * (Good)

Posted on with categories: Uchuu Kyoudai

So, it was a will. It makes sense, and it also changed the mood of this series quite a bit with this episode. There still is plenty of light-hearted stuff, but at the same time it also got Mutta thinking about the more serious issues of spaceflight and how things can easily go horribly wrong. Add that to Serika’s reason for trying to become an astronaut, and you’ve got an episode with a lot of really good mood-swings.

Also, Kenji: a “best friend” character who actually has a stable relationship. Not only that but he is married and has kids. I know that this is a series about adults, but still, it is very refreshing to see his archetype being done completely different. At first I feared that there would be some sort of love triangle between him, Mutta and Serika, but with this that also is very neatly avoided.

I also love what this episode hinted at: a time-skip. Instead of having characters ready within months to go into space, it’s established that it may very well take up eight years before Mutta can join Hibito into space, in which he’ll be in his forties already. Besides death, this episode put an even bigger focus on the passage of time for these astronauts, and how it’s completely different from what we’re all used to.
Rating: ** (Excellent)

Posted on with categories: Phi Brain

The sliding puzzles arc has some really big flaws, combined with a number of things that look suspiciously much like flaws, but can be written out of with the right writers.

Let me start with the big flaw of this arc; one that can’t be excused at this point: we’re basically watching five episodes about the same game here. No variations, it’s five episodes of sliding puzzles. That is way too much and way too long. I’m not opposed to the tournament set-up: it’s clear that the creators intended this to be an arc chock full of character development. For that it makes sense to devote an entire arc to just one game. But writers: you should have picked different puzzles to do this with. This is just lazy.

Another flaw here seems to be the cheese. The long format of this arc leads to a lot of time being devoted to characters angsting. I felt that the first season did this better (although I do admit that none of the characters in the second season comes even close to being as bad as that one villain of the first season who smashed the screen with his chair out of anger…). I’m missing a bit of balance here.

Now, the flaws that seem like the writers wrote themselves into a corner, but can still get out of with the right direction: the bizarre plot devices:
– First there is this mysterious “data” that cubic collected, which was way too vague. With an entire episode being dedicated to him collecting that “data”, it has to be something pretty awesome to make up for it.
– Then there was the previous episode. There, it was established that Freecell hates Kaito because he made him sad on the day that his mother died, causing his mother to die sad, but in this episode made it look more like he outright killed the woman. The funeral scene definitely hinted that there is something more going on, but really: there are still so many ways in which that back-story can end up as a complete disaster.
– And then there was this episode with Ana Gram. At one point he suddenly from out of nowhere reveals that he has an older sister… oh hey Mizerka, what are you doing here?

the way the creators can fix this by making Mizerka just some random girl who grew up with Freecell. My biggest issue with this is the way it was built up though: it does make sense for Ana’s sister to be sent to England as well, but don’t just introduce this from nowhere and show hints that Mizerka actually knows Ana. The creators could have avoided this by making Mizerka incredibly stoic to her sister: with that it would have made sense if this came out of nowhere, but this episode also shot down that potential thread by making Mizerka just flip out: she is not the type of person to hide her feelings.

When the second season first was announced, I really thought that the first season was made with the second season in mind. Right now though, it’s pretty obvious that the writers only learned that there would be a second season after the first one was completely written. Most of the times they were able to hid this very well, but Ana’s sister really is a big hint that the second season was written much later. It really feels like a nice idea one of the writers had along the way to add to his character, because if she really is so special to Ana, then he would have mentioned that somewhere in the first season.

Rant aside by the way: I did like this episode. I mean, I think that Ana is a very interesting character to watch, and he used his charm well here. He’s much more interesting than Cubic in any case, so it’s great for him to have another episode dedicated to him. The way she managed to cheer up Kaito was also quite heart-warming.
Rating: *+ (Great)

Posted on 27 May 2012 with categories: Mouretsu Pirates

So… in this one episode this show did what I thought would take up the rest of the series. What the?

And don’t get me wrong here: this was really well done. Suddenly the pacing of this episode increased two-fold, and that lead to an incredibly fun race with a ton of action and intrigue and suspense. It was chaotic in a good way and there was a lot going on here and this pretty much stands among the best episodes of Mouretsu Pirates. I really was totally immersed here and I love how despite the slow pacing the creators chose, they are also flexible enough to once in a while just go all out. This brings a wonderful balance between action and slice of life.

Also, with the graphics in this episode you could really see that this comes from the director of Stellvia of the Universe. For the people who haven’t seen that yet: the CG scenes looked really ugly and made no attempt whatsoever to blend in. The dinghies really look like the space ships that they used in Stelliva. Now, this episode took that mentality, and handed it over to Satelight’s CG department, who are known for their eye candy. The result looked very artistic.

I also feel like the end of the episode with Ai was a great shout-out to Stellvia. In that series the pilots didn’t even get to see outside and were forced to navigate though these very abstract and convoluted interfaces. Here though, the opportunity was given to her to fly around without any screens or electronics, and she took it. Although I do wonder how that all would have worked in terms of aerodynamics.

Overall, Mouretsu Pirates turned into a great example of a series that spends a lot of time building up. In the early episodes there were enough hints that his show knew what it was doing: great acting, real character performances and a good amount of creativity and imagination put into the premises. This was enough to keep me confident and interested in this series. And really: it paid off. I’m glad to have kept up with this show.

The show hasn’t ended yet so I can’t say this for certain yet, but I get more and more convinced that Mouretsu Pirates will end up as the best non-sequel series of the shows that premiered in Winter 2012.
Rating: **+ (Excellent+)

Posted on with categories: Fate/Zero

The second half of this episode took some huge risks. This series has been very composed in terms of acting; with some exceptions, the acting in this series was subdued and even during the over the top parts, the characters knew exactly how to act with just enough restraint whilst still giving off great performances. This episode drops that and descends into overblown melodrama. Not just to show how a character feels, but also vital to the story.

These are the moments when a character completely loses it. They’re not meant to be pretty, they just are about characters completely breaking down and looking very ugly in the process. This is incredibly hard to act right because it’s just all too easy to scream at the top of your lungs and do the most outrageous thing out there. Another key to this is willing suspension disbelief: as a viewer we really need to get the idea that these characters have broken down. Which is why I’m a bit puzzled that the creators chose to do this with the master who has gotten the least amount of airtime to get fleshed out so far. To be honest, that breakdown scene… it didn’t really hit me and looked more silly due to how little we actually know of these two people. It also felt like there was just too little build-up and aftermath for it. Tohsaka killed the woman, walked away and immediately we switch to Archer and Kirei sitting back and having some wine celebrating. It… doesn’t flow well.

Also, an observation that I made before this all happened: in the first season, Rider really was the stand-out character: his charisma and monologues were wonderful and it brought a lot of spark to the series. In the second season… this just doesn’t apply at all. He has been weakened and beaten pretty often, with in this episode him losing his chariot, in favor of characters as Kotomine Kirei and Kiritsugu. This can be quite interesting build-up if the final episodes know how to handle it.
Rating: * (Good)

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  • ninjarealist
    (Thursday, Aug 21. 2014 01:34 AM)
    @Emma I’d like to think so, but like I said I almost never finish my novels/screenplays. I finished once screenplay and had a few novel/screenplay concepts that went past 100 pages but that’s it. Thanks for the encouragement though. Your encouragement is always appreciated.
  • Emma
    (Thursday, Aug 21. 2014 01:09 AM)
    You seem to have a good grasp/thought through on this realist.
  • ninjarealist
    (Thursday, Aug 21. 2014 01:07 AM)
    I tend to never finish or do anything with my writing projects. That’s why music is good for me.
  • ninjarealist
    (Thursday, Aug 21. 2014 01:07 AM)
    @Emma I’ll let you know if I ever finish the first draft. I wrote a few chapters but then put that on hold for a screenplay I’m writing to animate with photoshop. It’s a detective novel set in a near-future coastal city during the onset of an anoxic event. Among many other minor plotlines, the detective gradually uncovers a contracting scandal that has left the city in imminent threat of destruction by the anoxic event.
  • ninjarealist
    (Thursday, Aug 21. 2014 01:04 AM)
    @WyattX In vitro fertilization. The manufacture and true significance of sperm is a dark secret understood by everyone but never talked about.
  • Emma
    (Thursday, Aug 21. 2014 01:02 AM)
    Thats sounds like a plot I’d find myself following realist.
  • WyattX
    (Thursday, Aug 21. 2014 01:01 AM)
    Speaking of which, in the Matrix in the Real World, whenever someone has sex in the simulation, do the machines wank off the male and collect his semen?
  • AidanAK47
    (Thursday, Aug 21. 2014 01:01 AM)
    Watching Hentai for “Mature” storytelling? HA! Story in Hentai is like film’s with 3D. You barely even notice it’s there.
    Besides Homunculus manga I can say most of the stuff I have seen has a story of “Lets rape/Ntr/have consensual sex up this bitch”
  • Emma
    (Thursday, Aug 21. 2014 01:01 AM)
    When I go fishing I catch them with…
    …A NET-orare.
  • WyattX
    (Thursday, Aug 21. 2014 12:58 AM)
    @ninja How do they reproduce?

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Mushishi Season 2 – 02

Oh yes. This is it. This is what storytelling should be about: telling real stories about real people, all with their own problems that need to be overcome. And this show does that time and time again in just one episode. I still can’t believe how authentic this series is. The thing is, when I […]

Latest Reviews

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Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

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Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

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Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

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Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

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Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

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Silver Spoon Review – 86/100

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

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Yondemasuyo, Azazel-San Z Review – 82,5/100

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]

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Gargantia on the Verdurous Planet Review – 81/100

Gargantia on the Verdurous Planet tells the storyline of a planet that is completely submerged, with only giant ships residing on the surface, while one of those ships gets visited by this guy and his AI-mecha from this very technologically advanced civilization. Yes, this show is about world building. What this show managed to do […]

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Yahari Ore no Seishun no Love Come wa Machigatteiru Review – 82,5/100

I like surprises, like when a series comes that just turns out to be good against my expectations. Yahari Blahblah from the outside had all the signs to turn into yet another one of those high school comedies: snarky male lead, pointlessly long title that fails at being witty, various other cliched side-characters. And they […]