Posted on 31 May 2012 with categories: Tsuritama

The explanation behind this series… actually turned out to be pretty simple: there is an alien who controls people using water. Haru and his sister are out to stop him. Duck investigates both of them. That’s it, and I’m impressed that the creators managed to make an entire series out of just that.

What this show did was very risky, but still: I like how it didn’t force anything here to put in extra tension. This episode pretty much explained what was going on. There will be one point of confrontation with that alien: the typhoon. The characters took a while to venture out to its location because in the first half of this series, they had no reason to, and they’re not going to go back again because they’re not stupid. This show is about fishing: being patient and letting things come naturally. The downside of this is that you also don’t know if you’re going to catch something.

And that’s the double edge of the series structure that this show picked of letting everything evolve naturally, compared to the series that start out action-packed: I’m not advocating action, but rather characters and storylines who show themselves off and bring up emotions. Having a slow pacing either works out really well because it allows us to really get a feel of the characters, or become completely boring because nothing happens. The trick I use in an attempt to guess how well a series will end up based on just the first few episodes is by looking at its potential: what is it building up to? Is the characterization good? How do the characters work together? And this is where Tsuritama scored really high.

all that’s left now is the pay-off: these final episodes have the daunting task of using all that build-up and delivering a very memorable finale. You can have amazing characters, but if they don’t do anything or don’t get pushed to their limits, then it’s a bit of a shame. The one thing I noticed in this episode was the impact that the scenes about the Bermuda thingy made to me: I got really excited there when the music started playing. Keep that up.

NB: holy crap Natsuki looks different now!
Rating: ** (Excellent)

Posted on with categories: Sakamichi no Apollon

This really was an episode that focused on the different romances going on, to the point where the first couple has been formed. The end of the episode is pretty much the point where this series goes back to being a love triangle, but a very messy one at that, with character A thinking that character B likes character C while she is growing to like character A more unbeknownst to him, at a point when character C has realized that she had a crush on him.

These love triangles are very easy to screw up and devolve into a soap opera, but what I really like is how the creators made use of Rituko’s character development to further complicate things, rather than pulling some random twist for the sake of drama. The way she came to like Kaoru after spending a lot of time with him, knowing he has a crush on her, while trying to move away from Sentarou… it’s plausible for all of this to happen: over the course of the past episodes we were given enough reasons for her change.

The problem I have with series about teenagers is that there are too many of them: it gets harder and harder to stand out. However, when one comes along that is as well acted as Apollon, I’ll gladly shove these biases aside. That doesn’t change the fact that I want to see more variety in anime, especially considering that “seinen”-series that are supposed to focus on young adults feature teenaged lead characters more often than not. I can’t really fault the creators for picking an excellent manga about teenagers and animating it incredibly well.

But still, we’re currently in a very important half year for Noitamina: these are four series that really need to do well after the Guilty Crown disaster. Apollon and Tsuritama for being really well executed. Natsuyuki and Moyashimon meanwhile need to succeed in order to prove that there still is an audience for series about adults.
Rating: ** (Excellent)

Posted on with categories: Monthly Summaries

What sets this season apart: the sheer amount of great series out there. Seriously, the amount of interesting shows that push boundaries is the best in at lest two years. Now all that’s left is a bunch of great finales: a lot of the series in this seasons will end next month, and a lot of them have quite a bit of potential to end wonderfully.

#23 (25) – Medaka Box – (7/10) – Medaka Box is dangerously close to being one of those “meh” series. What I mean by that is that it’s going to end within one month, even though it hasn’t really done much so far. It has introduced plenty of things with potential, but those were just introductions: it hasn’t really done anything with them because these will very likely be used later on in the series. So yeah, this show is mostly building up to parts that aren’t going to be animated. This is why I really dislike shounen jump series.
#22 (22) – Saint Seiya Omega – (7,4/10) – I’m on the verge of dropping this show, and then episode eight came and was slightly interesting. My main problem with this show is its characterization: it’s all too wooden and one-sided, especially that main character is a one-sided hot blooded idiot and the villains other than that golden saint are all terribly uninspired and stereotypical.
#21 (23) – Sankarea – (7,6/10) – Sankarea is that really annoying series of the season, that has flashes of brilliance, intermixed with flashes of incredible annoyance. Pretty much what Nisemonogatari was last season. Sanka Rea is a pretty interesting character to watch, especially considering the state she’s in. Shenever she takes up the center of attention, this show is great. The cousin however, is annoying. The classmates are annoying. This show also wastes too much time on random fluff. I understand that characters need to get fleshed out, but the balance of these scenes feels missing.
#20 (12) – Phi Brain – (7,75/10) – Oh boy, Phi Brain surely took a hit to the suspension of disbelief this month. I mean, it’s the series nature to be over the top and rather stupid at times, however what it pulled this time is so vital to the overall storyline and characters that it’s really hard to overlook. I really hope that there is more to it, because Freecell, you’re very close to becoming a very pathetic villain here.
#19 (21) – Jormungand – (7,9/10) – If I had to point out one point at which Jormungand, it’s the characterization. I still can’t exactly point out what it is, but most characters fail to capture my interest, there are a lot of very similar characters walking around, or characters who are carbon-copies of other characters or who just try too hard. It’s strange, but for a show that’s supposed to be about gun delaying, I miss this lack of tension.
#18 (20) – Aquarion Evol – (8,25/10)

Aquarion Evol continues to balance between a tense storyline and a heap of cliches, in a pretty bizarre way. It’s over the top and some of the twists are great entertainment to watch. There are characters who really shine here, but on the other hand we have Mikono: the main female character… who didn’t really do anything over the series other than get kidnapped.

#17 (19) – Hunter X Hunter – (8,25/10)

We are now at a point of explanation and exposition. It’s a point that also made me tired in the original 1999 series, so watching it in recap is… annoying. On the other hand though: the thing it’s building up to will be something really special. I usually hate remakes that do nothing but recapping, so it has to say something that I’m still stuck with this show after 30 episodes. Nen is very original, and I hope that this show’s success inspires future shounens to also put a lot of attention to detail and creativity in their settings.

#16 (14) – Shirokuma Cafe – (8,25/10)

The bizarre thing with this series is that the jokes are incredibly corny, yet consistently enjoyable. The Polar Bear and the Penguin are the standout characters here. The penguin is great to watch and gets great stuff out of the rest of the cast, while the Polar Bear has some awesome deadpan humour.

#15 (9) – Nazo no Kanojo X – (8,25/10)

In this day and age in which everything is just trying to get more and more fanservice in, it’s great to see a series that puts so much restraint in it. It’s a really good way to flesh out the characters, and I like how they grew closer together a lot here.

#14 (4) – Zetman – (8,25/10)

This month was not as impressive because the budget decreased, but the creators still are trying to make this show as expressive as they can with their limited means. The pacing also actually slowed down in order to have some mid-season build up and extra tension. It really depends on that ending whether this show will work or not.

#13 (24) – AKB0048 – (8,4/10)

Oh, AKB… I want to hate this show. I really do. But it’s such a charming series. It’s obviously pandering, but some scenes are played so straight that I wonder whether they are partially meant as a criticism as well. The cast of this series is huge, and what me impressed the most within these first five episodes is how well it gave every single one of these characters a bit of detail and info, keeping a great balance between all of the characters.

#12 (17) – Hyouka – (8,4/10)

What I like about Hyouka is that the long dialogues are about something. It’s well acted and consistently interesting, which really is a breath of fresh air after all those Shaft-series that attempted the same thing but couldn’t hold my attention. The animation still is very excellent and even though most mysteries are about mundane things, I do find myself drawn in.

#11 (8) – Tsuritama – (8,4/10)

Tsuritama is building up to something. I feel that that finale is going to be the major factor for me in evaluating this series, because it is clear that it has like a deck full of aces hidden in its sleeves and socks. There was one episode that really showed that potential and it was awesome. Now finish things properly!

#10 (18) – Poyopoyo Kansatsu Nikki – (8,4/10)

You know what? Poyopoyo actually is the best show about owning cats that I’ve seen. In fact, if you don’t count movies (Night on the Galactic Railroad, Tamala 2010 and the Cat Returns were awesome), this pretty much is the best cat chow I’ve ever seen. It’s all just so relatable, and the pacing is just perfect for five-minute episodes. I know it sounds weird and all, but I’m consistently enjoying this show.

#9 (15) – Legend of Korra – (8,4/10)

The romance in this series isn’t really that interesting. Everything apart from that though is really good. Especially since there are no anime about politics at the moment, this really fills my hunger for the Spring Politics Series. The villains are very credible and a great threat for Korra, and the creators made good use of how out of place she is.

#8 (11) – Kimi to Boku – (8,5/10)

Kimi to Boku really blossomed in its second season. Every episode is standalone, but they nearly all created some very impressive character-development, both for the main cast and for the cast of side-characters.

#7 (13) – Eureka Seven Ao – (8,5/10)

Eureka Seven Ao’s charms are hard to define. In any case they’re different from what made the first season great. It’s the great acting, along with some surreal parts and very good directing that makes it really entertaining to watch, but I think that it’s the acting that really put this series above most other mechas of the past few seasons: kids are treated like kids. There are tons of different parties active, all with their own goals.

#6 (5) – Lupin The Third – (8,5/10)

This show has class. I know it’s a bit weird to say that of a series with so much nudity, but what makes this show so interesting is how well Mine Fujiko is portrayed, along with the guys around her. It’s the storytelling here that really stands out with a great direction.

#5 (7) – Natsuiro Kiseki – (8,6/10)

Every episode of Natsuiro Kiseki so far has been dedicated to character development. We’re now at the point where the rock takes a step back, so that we can really focus on the four main characters, and this series still pushes them into situations in which they’re forced to grow. This show does an amazing job in showing their worries and despite that having them act believably.

#4 (6) – Mouretsu Pirates – (8,6/10)

You know, I’m really enjoying Mouretsu Pirates at the moment. I said it before, but with this, it’s pretty much the best non-sequel to have come out the past winter season. The past arc is especially fun and and this show also gets more and more creative with its storylines.

#3 (3) – Fate/Zero – (8,6/10)

This really has been a month of build-up for Fate/Zero, but what build-up there was was really, really dark. A ton of characters got extra backgrounds, changed, and moved into some really harsh plot twists. A few of these scenes were a bit too harsh (apparently they were better built up in the novels, but this is an anime first and adaptation second), but it nevertheless is excellent and dark stuff.

#2 (1) – Uchuu Kyoudai – (9/10)

Really, there are two stand-out series this season. Both of them rock because of their characterization, but both do this in completely different ways. Uchuu Kyoudai is briljant at fleshing out its characters: Mutta’s inner monologues are really sharp, and the rest of the side-cast all fits incredibly well with each other.

#1 (2) – Sakamichi no Apollon – (9/10)

Yes. To say that this show is good would be a huge understatement. This series manages to capture its characters in a unique way and it does it with so much detail and believability that is un-matched by only very few other series. The way this show plays with emotions and awkwardness is exquisite. Add that to the excellent animation (including the parts that aren’t rotoscoped but actually animated) and Yoko Kanno’s awesome soundtrack, and you’ve got a winner. Definitely the best Noitamina series since Ano Hana.

Posted on 29 May 2012 with categories: Zetman

Okay Zetman: if you’re planning to end next month, you’d better make it an awesome one. The past two episodes understandably switched a gear back in order to focus on some character development, and after this you need to pick the right chapters to both give this closure and an action-packed finale.

I really noticed that with series as Kamisama Dolls and No.6 past summer: these series may have been excellent in their start and middle, but their unsatisfying conclusions unfortunately hurt a lot, and lowered my opinion of them significantly. Zetman isn’t the big disaster in terms of pacing this season; that award goes to Medaka Box, but it would be such a shame if this show ended with a lukewarm feeling.

The one standout point in this episode was the fight at the Amagi mansion. That was short but sweet, and there was a very interesting death along the way: someone actually got careless and didn’t run away fast enough. The players actually didn’t charge into the strongest opponents, but tried to attack everyone at random. One criticism here is that it’s again the old ugly guy who died on a whim, even though the girls in this show have been attacked again and again while coming out alive.
Rating: *+ (Great)

Posted on with categories: Hyouka

This episode was interesting. The mystery was pretty simple, but what caught my attention was how it highlighted the cultural differences between Japan and the west. I mean, for a western guy like me, it very quickly occurred to me that the teacher just misread the small capital a and d, but the characters were making such a big deal out of this and building it up for so much. But yeah, these are Japanese kids who have a completely different alphabet.

This show really likes looking at the meaning of words and letters. We don’t really have that: sure, words have origins and all, but when we talk about the origin of a word we mean to refer to the first time in which the word got used. In Japanese, every kanji has a meaning and a way of writing. Hiragana and Katakana don’t, but this focus on calligraphy is completely different from how we in the west see letters. And with this episode this series tried to bring that same mentality over to the latin alphabet. Quite interesting.

And then there was that bit about the seven deadly sins. And in that discussion I have to praise Chitanda for acknowledging this very important thing that these discussions in anime often seem to ignore: balance. I really enjoy series that are about lots of talking, but I get really annoyed with series with characters who talk just for the sake of talking. A lot of Shaft series for example went way too far with the latter. Hyouka is in the middle of this: it’s got a lot of high schoolers talking to each other in random conversations, but it’s always about something interesting and fleshes out the characters.
Rating: *+ (Great)

Posted on 28 May 2012 with categories: AKB0048, Aquarion Evol

Next week’s episode of Aquarion Evol: that will be the time for you to show yourself, Mikono. That will be the time where you need to show that you’re more than a damsel in distress. You have been guided, you have been trained, but so far… you haven’t really done anything. You are very close to stepping in the pit of the generic Kawamori female love interests, and that will be your time to either jump over it or go into a completely different direction. Zessica is about to do it, so you can do that too.

For the rest of this episode: this really was action-packed. Nice action, amazing soundtrack, it all was very entertaining, with the spotlights reserved for Shrade. The tension around this guy is actually much more interesting: he and Amata both have huge powers, but the difference between them is that he actually uses it well. Amata doesn’t know how to use his.
Rating: *+ (Great)

AKB and pandering. Of course you can have a cast with females. When it becomes a problem is when the creators start using moe and fanservice as an excuse for not trying, which unfortunately still happens way too often. AKB0048 doesn’t have that… or didn’t at least. I really began to fear that right the first episode after I decided to blog this show, the characters suddenly got a day off, we got a bath scene, a bunch of very stupid antics and this disturbing focus on pheromones.

So yeah, weakest episode of AKB0048 so far. But as it went on, I did notice something: the sheer amount of characters that the creators managed to stuff into just this episode. Heck, I believe that they actually succeeded in fleshing out the entire cast of named characters, giving everyone a bit of a moment or scene to show more about herself. That’s actually pretty impressive to balance well.

Also, this show doesn’t actively criticize, but some of the ideas in this show nearly seem like they were put in to subtly provoke this. I’m mostly referring to the pheromones talk, but especially that bizarre family that breeds idols to look like each other…
Rating: * (Good)

Posted on with categories: Uchuu Kyoudai

So, it was a will. It makes sense, and it also changed the mood of this series quite a bit with this episode. There still is plenty of light-hearted stuff, but at the same time it also got Mutta thinking about the more serious issues of spaceflight and how things can easily go horribly wrong. Add that to Serika’s reason for trying to become an astronaut, and you’ve got an episode with a lot of really good mood-swings.

Also, Kenji: a “best friend” character who actually has a stable relationship. Not only that but he is married and has kids. I know that this is a series about adults, but still, it is very refreshing to see his archetype being done completely different. At first I feared that there would be some sort of love triangle between him, Mutta and Serika, but with this that also is very neatly avoided.

I also love what this episode hinted at: a time-skip. Instead of having characters ready within months to go into space, it’s established that it may very well take up eight years before Mutta can join Hibito into space, in which he’ll be in his forties already. Besides death, this episode put an even bigger focus on the passage of time for these astronauts, and how it’s completely different from what we’re all used to.
Rating: ** (Excellent)

Posted on with categories: Phi Brain

The sliding puzzles arc has some really big flaws, combined with a number of things that look suspiciously much like flaws, but can be written out of with the right writers.

Let me start with the big flaw of this arc; one that can’t be excused at this point: we’re basically watching five episodes about the same game here. No variations, it’s five episodes of sliding puzzles. That is way too much and way too long. I’m not opposed to the tournament set-up: it’s clear that the creators intended this to be an arc chock full of character development. For that it makes sense to devote an entire arc to just one game. But writers: you should have picked different puzzles to do this with. This is just lazy.

Another flaw here seems to be the cheese. The long format of this arc leads to a lot of time being devoted to characters angsting. I felt that the first season did this better (although I do admit that none of the characters in the second season comes even close to being as bad as that one villain of the first season who smashed the screen with his chair out of anger…). I’m missing a bit of balance here.

Now, the flaws that seem like the writers wrote themselves into a corner, but can still get out of with the right direction: the bizarre plot devices:
– First there is this mysterious “data” that cubic collected, which was way too vague. With an entire episode being dedicated to him collecting that “data”, it has to be something pretty awesome to make up for it.
– Then there was the previous episode. There, it was established that Freecell hates Kaito because he made him sad on the day that his mother died, causing his mother to die sad, but in this episode made it look more like he outright killed the woman. The funeral scene definitely hinted that there is something more going on, but really: there are still so many ways in which that back-story can end up as a complete disaster.
– And then there was this episode with Ana Gram. At one point he suddenly from out of nowhere reveals that he has an older sister… oh hey Mizerka, what are you doing here?

the way the creators can fix this by making Mizerka just some random girl who grew up with Freecell. My biggest issue with this is the way it was built up though: it does make sense for Ana’s sister to be sent to England as well, but don’t just introduce this from nowhere and show hints that Mizerka actually knows Ana. The creators could have avoided this by making Mizerka incredibly stoic to her sister: with that it would have made sense if this came out of nowhere, but this episode also shot down that potential thread by making Mizerka just flip out: she is not the type of person to hide her feelings.

When the second season first was announced, I really thought that the first season was made with the second season in mind. Right now though, it’s pretty obvious that the writers only learned that there would be a second season after the first one was completely written. Most of the times they were able to hid this very well, but Ana’s sister really is a big hint that the second season was written much later. It really feels like a nice idea one of the writers had along the way to add to his character, because if she really is so special to Ana, then he would have mentioned that somewhere in the first season.

Rant aside by the way: I did like this episode. I mean, I think that Ana is a very interesting character to watch, and he used his charm well here. He’s much more interesting than Cubic in any case, so it’s great for him to have another episode dedicated to him. The way she managed to cheer up Kaito was also quite heart-warming.
Rating: *+ (Great)

Posted on 27 May 2012 with categories: Mouretsu Pirates

So… in this one episode this show did what I thought would take up the rest of the series. What the?

And don’t get me wrong here: this was really well done. Suddenly the pacing of this episode increased two-fold, and that lead to an incredibly fun race with a ton of action and intrigue and suspense. It was chaotic in a good way and there was a lot going on here and this pretty much stands among the best episodes of Mouretsu Pirates. I really was totally immersed here and I love how despite the slow pacing the creators chose, they are also flexible enough to once in a while just go all out. This brings a wonderful balance between action and slice of life.

Also, with the graphics in this episode you could really see that this comes from the director of Stellvia of the Universe. For the people who haven’t seen that yet: the CG scenes looked really ugly and made no attempt whatsoever to blend in. The dinghies really look like the space ships that they used in Stelliva. Now, this episode took that mentality, and handed it over to Satelight’s CG department, who are known for their eye candy. The result looked very artistic.

I also feel like the end of the episode with Ai was a great shout-out to Stellvia. In that series the pilots didn’t even get to see outside and were forced to navigate though these very abstract and convoluted interfaces. Here though, the opportunity was given to her to fly around without any screens or electronics, and she took it. Although I do wonder how that all would have worked in terms of aerodynamics.

Overall, Mouretsu Pirates turned into a great example of a series that spends a lot of time building up. In the early episodes there were enough hints that his show knew what it was doing: great acting, real character performances and a good amount of creativity and imagination put into the premises. This was enough to keep me confident and interested in this series. And really: it paid off. I’m glad to have kept up with this show.

The show hasn’t ended yet so I can’t say this for certain yet, but I get more and more convinced that Mouretsu Pirates will end up as the best non-sequel series of the shows that premiered in Winter 2012.
Rating: **+ (Excellent+)

Posted on with categories: Fate/Zero

The second half of this episode took some huge risks. This series has been very composed in terms of acting; with some exceptions, the acting in this series was subdued and even during the over the top parts, the characters knew exactly how to act with just enough restraint whilst still giving off great performances. This episode drops that and descends into overblown melodrama. Not just to show how a character feels, but also vital to the story.

These are the moments when a character completely loses it. They’re not meant to be pretty, they just are about characters completely breaking down and looking very ugly in the process. This is incredibly hard to act right because it’s just all too easy to scream at the top of your lungs and do the most outrageous thing out there. Another key to this is willing suspension disbelief: as a viewer we really need to get the idea that these characters have broken down. Which is why I’m a bit puzzled that the creators chose to do this with the master who has gotten the least amount of airtime to get fleshed out so far. To be honest, that breakdown scene… it didn’t really hit me and looked more silly due to how little we actually know of these two people. It also felt like there was just too little build-up and aftermath for it. Tohsaka killed the woman, walked away and immediately we switch to Archer and Kirei sitting back and having some wine celebrating. It… doesn’t flow well.

Also, an observation that I made before this all happened: in the first season, Rider really was the stand-out character: his charisma and monologues were wonderful and it brought a lot of spark to the series. In the second season… this just doesn’t apply at all. He has been weakened and beaten pretty often, with in this episode him losing his chariot, in favor of characters as Kotomine Kirei and Kiritsugu. This can be quite interesting build-up if the final episodes know how to handle it.
Rating: * (Good)

CHANGE USERNAME
Kaiser-Eoghan
Oh wait...Uchi no Musume isn't an isekai...the genre has become so big that almost any time I take a glance at a fantasy tag I jump to the assumption its isekai.
Kaiser-Eoghan
@Aidan: I know you played YU-NO and I'm aware of your problems with it, is it actually possible for any adaptation of it to work, to be salvageable?
Kaiser-Eoghan
That is the officiaal English translated volume that currently goes beyond the currently available English scans.
Kaiser-Eoghan
Actually I was wrrong totsukunai's 6th volume is actually out now .
Kaiser-Eoghan
*series with the daughter isekai
Kaiser-Eoghan
Ah, isekai genre, attempting to trick me into watching the genre with the daughter isekai thing, I won't fall for your scheme...
Kaiser-Eoghan
@Mario: Interesting typo there, spelling Beastars as Bearstars, the typo still makes it sound animal related.
Kaiser-Eoghan
@Amagi: I want my Gunka no Balthazar anime and I want it now.
Kaiser-Eoghan
@Amagi: Reminder that the new volume of totsukuni is out in April. So far its an ova adaptation we're getting but Magus bride also started out getting an ova and thats from the same magazine.
AidanAK47
Re:Zero season 2 baby. It's about goddamn time.
Amagi
Without thinking much Shiori Experience, Dedededestruction and Atelier of Witch Hat are the only running manga series I really like without annoucement. There are more, but not that many.
Amagi
I can barely think of manga I like and read that didn't get announcements yet. Years ago people still had these lists of fake anime annoucements of manga everybody wanted to see animated, now it's reality.
SuperMario
and Bearstars announced for this Fall 2019. Cool
Amagi
@Kaiser: Man I hadn't heard about the Totsukunai no Shoujo adaption yet that's awesome. Really love Mori too, these series could be fantastical if they get a good ost.
Animosh
And Cells at Work is getting a second season too apparently. So many announcements in the last few days.
Animosh
Oh, nice! It has its problems, but it's definitely one of the better isekai out there. Glad it's getting a second season.
Kaiser-Eoghan
I'm more interested in somali to mori getting an adaptation aswell as totsukunai no shoujo though.
Kaiser-Eoghan
For those who happened to enjoy it Re: zero is getting more ovas and a second season.
Kaiser-Eoghan
I know often young male characters get female voice actors in Japanese, but i tend to veer more toward male voice actors for male characters.
Kaiser-Eoghan
Although I'd say going back the old adv dub was probably very dated. Though Spencer really got the patheticness of Shinji right.
Kaiser-Eoghan
@Anon: MUH Windee Lee MUH Spike Spencer, MUH old dub.
Anonymous3576667
So Evangelion (probably Netflix's biggest anime this year) is rolling out June 21. New English dub, all 26 episodes and the films (sans the Rebirth ones) all at once.
Amagi
From time to time there are Index-verse antagonists I am kinda interested in but in the end I am never willing to watch 50+ episodes or so to get to the point where said interesting characters may appear. I just don't care about the protags of these series.
Vonter
@Kaiser-Eoghan - Some things never die. Sonic, Fast and Furious, James Bond, Godzilla, Mario, Pokemon, etc. The only way these things truly die, is lost of interest, less sales, eventual ceasement of talking about these things.
Kaiser-Eoghan
Yet another Index anime announced, this franchise refuses to go away.
Vonter
In regards to Shield Hero, I still find it enjoyable, but like with the Slime Isekai, my issue is how it becomes a one-man show. I do wonder if they'll delve into Raphtalia's backstory in this season.
Vonter
That's the issue with genres, sometimes a story can turn into a comedy, a harem, an action shounen, a mystery thriller, a surreal fantasy, or a slice of life. It has to shift to keep some degree of uniqueness. Most series stick to a trope in the end.
Vonter
@Amagi - Most anime and manga fall after the premise alone, especially the gender bender genre (yeah it's a thing (*^.^*)). The thing is that after that point you either stick to an established formula or you have to turn your story into something else, the adventure, the romance, the wacky comedy, because that's what will stick.
Animosh
True that. Maybe Re:Zero is an exception, since Subaru seems to keep his supporting role (as the weakling with infinite lives)? Although it has plenty of tired tropes of its own, of course.
Amagi
@Animosh: That's the problem with almost all isekai. They usually try baiting people with some new premise, be it MC being a slime, weakling, support role, old or whatever only to ignore it a few episodes or arcs later and turn into the same run-of-the-mill like the other isekai.
Animosh
It's a shame Shield Hero seems to have largely abandoned its premise of making the shield hero a purely defense-oriented hero who can only play a "supporting" role. If he can single-handedly take down (mini-)bosses, in spite of his low level and the fact that he can't use any weapons, simply because he's, you know, angry, then ... he's really no different from the other heroes, just more broken.
Animosh
Thunderbolt Fantasy will get a new movie / OVA / whatever centered on Lang (the bard) and his past. It'll take place in Shang's old country (Xi-You), so we should see what it's like for the first time. Anyway, if it's as good as the one focusing on the Screaming Phoenix Killer it should be fun.
Kaiser-Eoghan
I remember the idea of dlc was something that annoyed me.
Kaiser-Eoghan
I do remember getting a kick out of playing old N64 multiplayers, lol bunch of then 13 year olds not knowing how to play goldeneye multiplayer properly or stealthily , so it basically turns into a Hong kong style shootout.
Kaiser-Eoghan
"We're in the middle of a battle! You have to stay logged in"
"GODDAMMIT I need to eat I can't stay!, Godammit nature calls"
Kaiser-Eoghan
When my friends got into MMOs and online shooters, I simply didn't have the time commitment or patience for the prior in particular.
Amagi
A person will only play one or two of such endless games, people won't start new ones just because they pop up everywhere, but nobody seems to get this.
Amagi
The problem is that everyone is only looking at how much money the few big ones make and think they can imitate it when the whole thing is actually just a bubble, just as with gacha games.
Amagi
@Kaiser: I actually enjoyed classical coops but yeah, MMO not really. Especially not when it feels like a game was created for single player and they shoved the MMO stuff in or when a game gets less story heavy and less content to make room for the lootershooter/pvp/whatever MMO stuff.
Amagi
I am doing this too right now. Will probably marathon a few shows I skipped so far in case that they're good till the end. More into playing right now
Kaiser-Eoghan
You might say I was keen on the idea of being in the same room as someone after I defeated them in a fighting game =P
Kaiser-Eoghan
*going on
Kaiser-Eoghan
Its far more easy to remember whats going in that way.
Kaiser-Eoghan
*the habit
Kaiser-Eoghan
@Amagi: I've gotten into he habit of only watching a few shows each season, then later on catching up with others.
Kaiser-Eoghan
@Amagi: Back in my gaming days my idea of a multiplayer was with a group of friends in a room, but it all shifted into massive online multiplayer mmos and fps games.
Amagi
Sadly, the OPM PV looks weak, I will miss the great animations of MP100.
Amagi
@Kaiser: Have to admit that I like Mob more than I feared, it's the show I enjoy the most right now. Otherwise I'd go with your ranking, maybe with an added Neverland.
Amagi
Man I hate how every game has to become more and more multiplayer'ish just let me play games as loner again.
Amagi
I already dropped it during episode 1. Considering that the manga has ~120+ chapters I guess it's another eternal status quo thing too.
Kaiser-Eoghan
@Wooper: I read a couple of volumes of the manga, its hit or miss and eventually gets repetitive, it could be often funny in certain parts but I'm bored of it now. I saw some bits of the anime and didn't laugh.
SuperWooper
>not watching Kaguya-sama
I seriously hope you guys don't do this.
Kaiser-Eoghan
I suppose now that its near the end of this season I should rank what I've been watching: 1. Run with the wind 2. Boogiepop 3. dororo 4. go-toubon.
Kaiser-Eoghan
@Vonter: And there thats the other thing, out of it so long there's a massive buildup of games , increasingly difficult to catch up and get back into.
Vonter
At the moment I'm playing Guacamelee 2. Which I had my doubts since the first game got a bit frustrating do to the backtracking. This one gives me a Super Paper Mario vibe in the villains departament.
Vonter
@AidanAK47 I'm not even mad anymore, but still disappointed Western Games can't give closure to their over 10 million dollar games. I think you can have a self contained story and maybe tease the story is open to more adventures or something.
Vonter
I suppose if I'm curious for the story I'll watch an edited Let's Play.
Vonter
Yeah, I agree, it does feel like indie developers and Nintendo make the games I like. I don't know maybe I'm just getting old to catch up with the recent trends most ambitious projects tend to follow. Also how most of these games take a lot of time to get going and I don't have that much free time to spare waiting for the game to let me play it.
Kaiser-Eoghan
@Vonter: I got into watching letsplays for a while some years back, it was a decent way to re-live an old game without playing it.
Kaiser-Eoghan
Whoring out sequels is pretty much the bane of most things, just continually dilutes the original and in some cases can even ruin the original for you.
Kaiser-Eoghan
But I can still remember that very moment when I first played a 3D game and how unreal that felt .
Kaiser-Eoghan
And there isn't time to give to absolutely every medium.
Kaiser-Eoghan
Unfortunately I think I've been so long out of the habit of gaming that I've gotten used to and familiar with not being part of that scene , to where I kind of simply just don't pick up a controller anymore.
AidanAK47
Not to mention that they are gonna milk it to death. They already got about 5 sequels planned and put in a thing showing how they could milk it. To me GOW 2018 is an incomplete game, a part 1 of a needlessly long franchise. Whereas the old games had stories which felt complete.
AidanAK47
@Vonter, I would say it's more that despite the fantastical settings both Hoizon and GOW 2018 make use of tired sandbox game mechanics. GOW especially annoyed me as I feel they stripped out everything that made those games there own things and replaced them with game mechanics stolen from other games. GOW lost it's very essence.
Kaiser-Eoghan
*Futaro
Kaiser-Eoghan
Fuataro is best girl.
Kaiser-Eoghan
@Vonter: I just read that the new Orphan anime is a prequel.
Kaiser-Eoghan
@Vonter: Back when I played/watched people play videogames, it was moreso Jrpgs and old Nintendo and sega genesis games.
Vonter
IMO making something more complicated than it should ends making something less enjoyable to play.
Vonter
Why not just watch a Let's Play. I suppose is an overreaction, but I felt very mixed how God of War 2018 was a good Father and Son story, but really annoying to play. Constant walking and climbing sequences, combat that I think it's less involved than the ones from the other games, and constant looting that lost it's charm by the 30th chest.
Vonter
I don't know why but I've been feeling that I'm enjoying more playing on the Switch than the PS4. While I enjoyed RE2 and will likely replay it, other high tech games like God of War, Horizon and the like don't do much for me. Most of this realistic games have very slow starts, make the playstation fans sound like it's struggling, and if the best part of these games is the dialogue and cinematics.
Kaiser-Eoghan
Genuinely a very good sign when a 20 minute episode feels much shorter than it is and its rewarding to see an anime series possess such a degree of confidence in its direction.
Lenlo
Just finished it. Seriously, Kaze Fui has nailed this segment of episodes. Just homerun after homerun. Its ridiculous. I love it. Kurahara tapping into the freakin speed force
Animosh
Now only Haiji is left. When there were five episodes remaining I was wondering whether there'd be enough content to fill them all, now I'm wondering how the show is going resolve everything in one episode. But the show has barely made any missteps so far, so I'm sure it'll nail the ending too.
Animosh
Kurahara's segment was also good. He's fallen in love with running, and now that he's pursuing running for its own sake he runs faster than ever. It also helps that he's crazy talented, of course.
Lenlo
I want to be excited for OPM 2... but JC Staff

Also I cant wait to watch Kaze Fui when I get off work. Sounds like it was good
Animosh
Yeah, King's segment was better than expected. Pretty relatable. His issues did come a bit out of nowhere though. His segment could have been even better if there had been some hints that he has been struggling with this earlier. It's also a bit strange that there wasn't any development with his job hunt, since that what basically his defining trait throughout the series.
Anonymous3563660
The developments from the first cour are absolutely paying off big time and it's amazing to see how far this cast has come since the first episode. And now it's time for Haiji's segment next episode. I can't take waiting another week for this!
Anonymous3563660
Well. Bravo Kaze ga. That was an amazing display that Kakeru showed. I loved his segment. King's backstory really hit me close to home as someone who recently graduated.
Kaiser-Eoghan
Now on Boogiepop phantom episode 16....a discount Godzilla!
Kaiser-Eoghan
@Anon: I liked Densetsu no yusha even though no one did and Record of Lodoss war, always wished there had been more of both.
Animosh
Yeah, that trailer ... does not look promising.
Anonymous3563292
Just as MP100 s2 takes its bow, there's going to be a lot of people expecting OPM to be as amazing as that or s1. Oh boy.
Anonymous3563292
A reminder to temper your expectations for OPM s2.
Anonymous3563001
After a messy start, that Prince of Smiles show has largely settled for okay. Not terrible, not amazing, but largely above-average and rather forgettable. I'd compare it to that Record of Grancrest War show from last year.
Anonymous3563001
This apparently isn't like that other Doga Kobo show where the pedo bait was persistent throughout.
Anonymous3563001
So uh, has anyone tried to go back to Wataten and see if the pedo bait has subsided since the first episode? Because it seems like it has for the time being.
Animosh
@Anon: no, I mean a continuation of the main story. I read about it on the anime subreddit: https://www.reddit.com/r/anime/comments/b26yj1/shaft_producer_mitsutoshi_kubota_confirming_that/
Lenlo
@Anon, I love Mob Psycho, but the series does have some iffy stills. Thats not an issue though, because this is an animated medium. Its meant to be viewed in motion and holy shit, does it look good in motion
AidanAK47
However my main issue at the moment is the feeling of them dragging things out for the sake of having that be the finale. Right now episodes just don't have much content and I feel it's too dragged out for it's own good.
AidanAK47
@Anon, Nervous isn't really the word I would use. As far as adaption is concerned I feel the series has done quite well for the most part with the only big misstep being the shows reluctance to have any inner monologue whatsoever which has lead to questionable choices to alternatively present information that was usually spoken in mind. I say the end of the arc will be done well.
Anonymous3560732
@Aidan As a manga reader, are you nervous about how they'll adapt the end of the arc in Neverland?
Anonymous3560839
mob psycho was amazeballs this week. It's the show that just keeps on giving. On a side note, I've seen some comments floating around about how the show has terrible still shots and I'm going to dispel that erroneous assessment in this week's discussion
SuperWooper
Search bar is in the upper right hand corner, in case you're still searching.
Anonymous3560732
@Animosh You referring to that Madoka mobile game tie-in?
Anonymous3560739
That’s not the search bar
Anonymous3560739
Mob psycho
Kaiser-Eoghan
They decided to adapt mushoku tensei apparently. I might aswell see what all the fuss about it is as being one of the "better" isekai.
Kaiser-Eoghan
I can't imagine how the polar bear isekai or vending machine one would handle the harem aspect.
Animosh
As for Slime getting another season, I personally don't mind. It's obviously not a masterpiece, but I don't watch isekai for enlightenment. If they can offer me some relaxation after a day's work, that's enough for me.
Animosh
Some nice announcements in the past few days: Oregairu is getting a third (and final) season, and Madoka is rumored to get a sequel too (maybe focusing on Sayaka?).
Anonymous3560293
Cross Ange is not trash tho, way better than those others
Kaiser-Eoghan
I'm wiser nowto certain types of story telling, making an overly long show that keeps throwing endless gotchas at you, eventually you get tired of the show trying to play with you instead of actually moving things forward.
Kaiser-Eoghan
@Anon: I've enjoyed many a trashy show/film in my time, but guilty crown, cross ange and Valvrave I couldn't finish, there are certain cases where the brain begins hurting/aching.
Anonymous3560221
While different in settings and genres, they obviously have Okouchi's writing full of shock value and swerves.
Anonymous3560221
Guilty Crown and Valvrave are like his most explicit attempts to recreate Geass, and look how those two fared. Kabaneri also falls into the same traps as those too.
Anonymous3560221
But even he ends up letting his worst tendencies slip in with examples like Princess Principal, particularly the last episode.
Anonymous3560221
Which ironic that the best shows that he's written are the ones that are not trying to recreate those Geass days like Lupin the 3rd Part V or that Devilman Netflix show.
Anonymous3560221
It's amusing to see that Okouchi's worst enemy is essentially himself. Trying to recreate that Code Geass magic with ass pulls, shocking swerves, and shock value without realizing that it's never as shocking the second time around. And that has basically ruined almost every work he's attached to.
Amagi
I always find it funny how almost everyone agrees that it was Biba who ruined Kabaneri. I liked that show so much before he appeared, damn. Will watch the movie but my hype is killed and I fear the movie will just be about another random human antagonist instead of the actual Kabaneri problem.
Anonymous3558784
mongatari
Kaiser-Eoghan
@Lenlo@Wooper: At least we have the Tanya movie to look forward to.
Kaiser-Eoghan
*Even though I know its going for something fun.
Kaiser-Eoghan
Oh COME on Japan, just give me by communist isekai mecha show so we can be lovers again.
Kaiser-Eoghan
@Anon: Biba fucker ruined the show and it stopped allowing me to enjoy Kabeneri as a shitty ova throwback.
Kaiser-Eoghan
@Aidan: Couldn't even make good on a stupid re-incarnation premise on the ones you mentioned.
Kaiser-Eoghan
Or better yet, find some old proto-isekai and adapt it.
Kaiser-Eoghan
"Could be worse" I suppose I win by default by bringing up Parallel paradise and ruining everyones fun by reminding them of its existence.
Kaiser-Eoghan
I think my brother in laws reason for liking trashy isekai is because he sees them as an anime equivalent to exploitation films, I should just tell him to watch old ovas.
Kaiser-Eoghan
If we're doing the re-incarnation thing, just give me a full please save my earth adaptation or bokura no kiseki or that other re-incarnation thing done by Spirals artist.
Kaiser-Eoghan
Not an isekai, but a LN adaptation, Index keeps popping up again every so often, I fell out of the series a long time ago and got exhausted with it.
Kaiser-Eoghan
I feel the same way about konosuba, I wish I found it funny but I don't because I know it is going for that "fun" thing.
Kaiser-Eoghan
I think, especially with a second season, I'd eventually get fed up with it aswell and that it would get repetitive.
Kaiser-Eoghan
My brother (and probably my brother in law too) seem to enjoy Reincarnated as a slime as a casuals show and find it funny. I saw clips of the dub, the voice actors sounded like they were having fun and I think some people found the slime/dragon interactions at the start amusing. I'm just left thinking that the show is something my younger self might have gone for but I'm indifferent to it now.
AidanAK47
Or the vending machine isekai
AidanAK47
Or the polar bear isekai
AidanAK47
It could be the hot spring isekai
AidanAK47
Well guys it could be worse.
Lenlo
I sense a disturbance in the medium. I fear for the future.
SuperWooper
That's fantastic news, as series set in the real world give me diarrhea. I assume that the majority of Japanese otaku suffer from the same issue, given the number of isekai manga and LNs that are slowly polluting my favorite art form. :^)
Anonymous3556601
As expected, that Slime isekai show has been renewed for a second season.
SuperWooper
@Anon3540676: Hey!
Anonymous3542644
And despite all of these recent announcements lately, IG still hasn't announced a release date and release model for DNT s2 yet beyond theatrical screenings. =(
Anonymous3542320
https://youtu.be/cxjXEIDbBxAInterestingly, seems like Banana Fish (technically not BL) did well enough for Noitamina to consider having an adaptation an actual BL manga on their block.
Anonymous3542320
I would really love to see that Kabaneri film get things back on track after the second half nearly derailed it (pun intended).
Anonymous3542320
Huh, well that didn't take too long for a release date regarding Psycho-Pass 3. It's slated for October.
Meanwhile, Beastars is going to be Netflix-exclusive, and interestingly, the Kabaneri film is going to air simultaneously on Netflix and Amazon alongside a limited theatrical release.
Kaiser-Eoghan
@Amagi: Did you ever read beast complex? I haven't done so yet, it seems like like the beastars authors prototype for it.
Kaiser-Eoghan
@Amagi: Hadn't known that, thanks. Also, I read the most recent 20 or so chapters Amatsuki, all has finally been revealed.
Amagi
Q's (Dorohedoro) new series started, Dai Dark. It's basically Dorohedoro in space (therefore, I am completely fine with it).
Lenlo
This adaptation of Dororo is adding a lot of new content to its story in its adaptation. It's taking what was a much more one-dimensional story in my opinion, and giving it layers.

And yeah, Run with the Wind was great. Sure Kurahara has been the most emotional, he is the lead, but I think everyone in the cast has done a decent job
Kaiser-Eoghan
Although while I did enjoy last week, I didn't think it captured the impact the manga had.
Kaiser-Eoghan
Dororo upped the ante this week to its benefit. This episode also showed how the series can succeed even with the protagonist having a minimized screentime. I don't remember Taromaro going up against a demon in the manga, this is an advantage of this adaptation adding stuff.
Kaiser-Eoghan
...because there will be that sense of saying goodbye.
Kaiser-Eoghan
@Lenlo: And thinking it over, I've been beginning to get the feeling that this will be one of those took me on a journey shows, one of those shows where I felt I really spent alot of time with everyone in it and after it ends/in the last episode, it'll get me feeling something...
Kaiser-Eoghan
@Lenlo: While so far in the series I thi7nk the stuff around Kakeru has been the most emotionally rewarding, the middle of this episode crept up on me , the tension of the race itself was never interrupted by the flashbacks and they were well stitched into the narrative.
Lenlo
Just watched it. I love this show so much. How is a show about running so damn good
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Featured Posts

Paranoia Agent – 9 [Etc.] – Throwback Thursday

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Kemurikusa – 11

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Winter 2019 Summary – Week 9-10

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Kaze ga Tsuyoku Fuiteiru – 22 [Embrace Your Loneliness]

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Kemurikusa – 08/09/10

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Dororo – 11 [The Story of Banmon, Part 1]

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Mob Psycho 100 S2 – 11 [Guidance ~Psychic Sensor~]

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