Posted by psgels on 24 May 2012 with categories: Lupin III - Mine Fujiko to Iu Onna

I suspect that from now on we will get a closer look at Mine Fujiko’s past. This episode wasn’t exactly about that, but it did confirm that she was abused at a young age for who knows how many times. This episode was probably the catalyst that triggered her looking at her past again.

What stands out about this episode was how subdued it was, in a good way I mean. There was no nudity whatsoever, but the creators still captured Mine Fujiko in one of her most restrained performances so far. With Mari Okada behind the script (good lord, she’s writing three awesome scripts this season; all at the same time; again!), it’s bound to become interesting, especially with such an excellent director as Sayo Yamamoto. She really showed how well she can create an atmosphere and went into her own direction, while at the same time doing great justice to the Lupin Franchise.

What also made this episode interesting was how it was about predicting death days using this lithograph. The fortuneteller in this episode was great, both as a catalyst for Mine Fujiko, but also as a villain
Rating: ** (Excellent)

3 Responses

  1. martin says:

    i forgot how much of a ruthless killer mine fujiko can be as to when she took out those 2 guards.

  2. Loz says:

    Not that im nit picking, but there was nudity (fujiko in the tub).

    Things definitely look in motion now, with the revelation of a villain for the series, and almost all the key players all intertwined in the same episode. Now they just need to throw Ishikawa Goemon in there and we’ve got ourselves some fireworks.

  3. jreding says:

    This has been an excellent episode again both visually and plot-wise!

    The series’ mood and the increasing overshadowing of Mine Fujiko’s past start to remind me of Gosick. My guess (and hope) is that we’ll get to see a pretty dramatic ending. This would make an impressive contrast to the light-hearted atmosphere of the first half of the show.

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  • Emma
    (Friday, Oct 24. 2014 04:07 PM)
    I might as well finish it out then at least…or should I, now I know I’m going to be disappointed and the ending can’t possibly work obviously.
  • Emma
    (Friday, Oct 24. 2014 03:52 PM)
    @Aidan: I just post about getting caught up with it there earlier and now you tell me this…
    When I read your comment it took me by surprise and disappointment.
  • AidanAK47
    (Friday, Oct 24. 2014 02:46 PM)
    …..goddamnit.
  • AidanAK47
    (Friday, Oct 24. 2014 02:45 PM)
    I just heard that shinigami and the 4 girlfriends has been axed and will end at chapter 18…axed…axed…JAPAN YOU F*CKING PIECE OF F*CKING GODDAMN F*CK F*CKY SERIOUSLY NISEKOI SELLS LIKE F*CKING HOTCAKES BUT THE FIRST HAREM IN A LONG GODDAMN TIME TO DO SOMETHING WITH THE GENRE GETS F*CKING AXED! AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!
  • Bam
    (Friday, Oct 24. 2014 06:43 AM)
    @Friend: perfect, I on the other hand am not as fast lol
  • Friend
    (Friday, Oct 24. 2014 06:19 AM)
    I should have the rough draft ready by the next 24 hours, so I’ll show it to you then.
  • Friend
    (Friday, Oct 24. 2014 06:16 AM)
    @Bam :-) “Rome wasn’t built in a single day”
  • Bam
    (Friday, Oct 24. 2014 06:14 AM)
    @Friend: very pragmatic- I like your style ;)
  • Friend
    (Friday, Oct 24. 2014 06:09 AM)
    @Bam Heres what I’m planning to do: I’ll draw the city as it might have looked like pre-industrial revolution and post-columbian. So, maybe the late 17th century. Then, I’ll add in the changes brought in by industry. Afterall, every building isn’t built at the same time, so it’ll give that contrast of old/new, making the city much more authentic.
  • Bam
    (Friday, Oct 24. 2014 06:07 AM)
    @Friend: hard question … needs some serious thought if we’re trying to feel authentic.

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