Posted by psgels on 28 June 2012 with categories: Anime Reviews, Lupin III - Mine Fujiko to Iu Onna



As the spring season approached, it seemed clear what would be the series with the most interesting staff working behind it: Sakamichi no Apollon, the director of Cowboy Bebop coming back after many years of absence to work with some of Madhouse’s top animators and the always lovely music from Yoko Kanno. And then a new Lupin series got announced.

Seriously, the people involved in this project: it’s directed by Sayo Yamamoto, who directed Michiko e Hatchin, the scriptwriting powerhouse of the recent years Mari Okada wrote the series composition, Shinichiro Watanabe (the same director of Cowboy Bebop) did the music production, Takeshi Koike is behind the character-designs, and on top of them there are some episodes written by Dai Sato (the guy who wrote Ergo Proxy and Eureka Seven) and Junji Nishimura, the director of Simoun. All of these people are responsible for masterpieces, and here they were stuffed into one single project. The result is a breath of fresh air.

Now, I do have to admit one thing:: the influence of all of them is clearly visible, but don’t expect any of them to surpass themselves here. Mine Fujiko to Iu Onna is far from as good as the series that these people became known for. When you set the standard lower and compare it to the series that have come out in the recent years though, it really stands out as something unique that anime definitely needed.

This series just oozes style from beginning to end. The character-designs are just gorgeous and every episode is just chock full of inspired images and artwork that go completely against the trend of current anime. There is a TON of nudity in this series, but the fanservice is completely different from the juvenile fanservice you see in all the other shows these days.

This series is really focused on adventures, just like the Lupin series it’s based on. This time though, the one who stands in the center is Mine Fujiko. The episodes are all varied and very different from each other, and they all are chock full of references and homages to other works of fiction that use often-used female character tropes, which it then proceeds to subvert completely. Seriously, the huge amounts of boob in this series may not make it so apparent, but Mine Fujiko is a very strong and independent character.

Beyond this, this series is also a whole lot of fun to watch: there are some episodes that have great chase scenes, others have great action scenes, yet others are much more focused on well written dialogues and yet again others thrive on using weird plot twists. It’s a really well made series.

There are a few things that do hold this series back though. First of all there are the character-designs in this series: they look gorgeous and really detailed. But they also are really hard to animate consistently, and yet, the creators definitely try to animate as much as they can. The result is unfortunately a lot of jerky movements and facial movements that just look off or strange.

The second is that this series has little character-development, but that’s just a minor issue. The creativity that went into the characters and their re-imaginations, complete with how they play off each other more than makes up for this. This is why I love remakes for anime: a lot of them are really made by fans of the franchise who don’t care about trying to recreate them as accurately as possible, but want to give their own spin to them, and Mine Fujiko to u Onna is no different. the more I write about this series, the more complete it starts to feel, and that’s a sign of a really good series.

Storytelling: 8.5/10 – Loads of variety and a bunch of great scripts that come together really well.
Characters: 8.5/10 – The characters are used really well and play off each other wonderfully. This excuses the sometimes jerky acting more than enough.
Production-Values: 9/10 – Very artistic and unique. The art is where this series set itself apart among the many shows with gorgeous graphics this season.
Setting: 8.5/10 – Where this series rocks is how there is so much to be read in between the lines. It’s a homage and a parody at the same time, and it references a wide variety of different works and uses this really well.

Suggestions:
Michiko e Hatchin
Seikimatsu Occult Gakuin
Ultraviolet: Code 044

7 Responses

  1. Kyah says:

    No mention of Sayo Yamamoto? Michiko to Hatchin was one of the best (if not the best) animes that came out in 2008. And I think Mine Fujiko to Iu Onna is one of the highlights this year.

  2. Tomtom says:

    This show had fantastic characters, music and art. I liked this series, but ultimately it is didn’t reach greatness/ it misses lasting appeal. I would love to see Fujiko and Lupin in a follow-up story someday, in a longer and more coherent adventure that ends in in a climax instead of an anti-climax.

    86/100 is a fair rating, imo.

  3. Sei says:

    Yes, it has awesome art style, awesome music. If only it has a story that left you with more…impact I guess? In the end, I feel a bit empty after the journey.

  4. Oroboros says:

    Wonderful show, wonderful production values and excellent results. Great balance between cheeky humor and soulful, gothic elements. Must admit the feminist streak runs through this show like a vein of blood, making the nudity rather sticky.

    I really don’t have any complaints all around.

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  • Emma
    (Thursday, Dec 18. 2014 10:51 PM)
    But seriously I only watched this sequel because I was told to. From now on if I don’t like something at a glance of its plot summary/promo material I won’t watch it.
  • Emma
    (Thursday, Dec 18. 2014 10:48 PM)
    And I also want to added to what I said about the latest psycho pass episode by mentioning that ridiculous fight scene with shisui, arrows vs guns.
  • Mikey
    (Thursday, Dec 18. 2014 10:47 PM)
    Psycho Pass: So basically there is no season 2 of Psycho Pass.
  • AidanAK47
    (Thursday, Dec 18. 2014 09:59 PM)
    @Bam, Visionary? Ain’t exactly seeing anything new here. fanservice is bad, anime is making people mindless drones. Been there done that.
    You are giving Anno too much credit man. I honestly think he just fires this shit out and laughs as fans try to find an “interpretation”
  • Emma
    (Thursday, Dec 18. 2014 09:57 PM)
    It took me a little longer to start shaking my head a Mika’s role in the series in comparison to other viewers and I thought there may have been something salvagable, but no such luck there.
  • Emma
    (Thursday, Dec 18. 2014 09:55 PM)
    At the beginning I saw some potential in this sequel, although it was kind of slow going at first. Initially I was able to get behind the silly gore as dumb entertainment, at the start I liked kamui more than Makishima and I liked the way they had Akane as a stronger character too here.
  • Emma
    (Thursday, Dec 18. 2014 09:51 PM)
    And Kamui’s final moment, that shot was pure fujoshi baiting I don’t care what anyone says, add to his last stand being fairly underwhelming. Another unmistakable Mika moment too later on in this episode. This is the kind of thing that leaves me depressed at it whereas previous episodes I could just laugh, raise an eyebrow or stop caring.
  • Emma
    (Thursday, Dec 18. 2014 09:51 PM)
    Really Togane, is this all you come down to and amount to, an oedipus complex mess, the last nail in the coffin after you spend the show dragging out the buildup around him and killing the intrigue around him. Then giving him those silly flashbacks, now in this episode giving him a ridiculously cartoonish performance.
  • Emma
    (Thursday, Dec 18. 2014 09:01 PM)
    @Bam: Well put together it is and I actually like the music, the last three minutes stood out for me particularly.
    I also noticed the Eva reference slipped into the video.
  • Bam
    (Thursday, Dec 18. 2014 02:14 PM)
    This is the gratuitous fan-service done for a purpose that people argued for Kill la Kill, which quite frankly just wasn’t there, but there is no denying that even in this music video some value of the fan-service is sheerly the eye-candy.

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